Allen Books

The debut monograph of photography artist Thomas Allen, Uncovered: Photographs by Thomas Allen presents surprisingly lascivious images from pulp paperbacks of bygone decades, constructed into humorous and witty scenes (utilizing no digital aftereffects at all!). For example, in "Thirst" a sexy woman reaches her hand toward a man with a bottle on an adjacent volume, while in "Teeter" a man losing his balance is about to hit a precariously stacked set of paperbacks. A board book with a die-cut cover, Uncovered lets its twenty-seven four-color images speak largely for themselves. A treat for anyone who fondly remembers the trashy novel covers of yesteryear, featuring a wealth of creativity and re-imagining of bygone themes.

What a treat to get a book, open it and immediately be grabbed by the contents. 'Uncovered' did that for me. Mr Allen has been scouring pulp paperbacks for years it seems, his fight photo 'Red' was done in 2002 and used by designer Chip Kidd for the cover of James Elroy's 'Blood on the Moon'.

The twenty-eight photos in the book actually turn out to be a varied selection, a sort of template for Allen to go and explore other print media besides pulp paperbacks from past decades. 'Swell' shows a galleon tossed on the wave pages of an encyclopedia, the delightful 'Uplift' has two children on a swing or 'Migrate' with two birds having flown from a spread but leaving their shape so you can see the text on the previous and next page.

The book's production is rather intriguing. The thick cardboard like pages, round corners on two sides and a sepia tinting for an aged look on some pages are suggestive of children's books from yesteryear but the violent and suggestive nature to many of the photos seem at odds with fun and frolics of children's playbooks. The cover is brilliant though. The sexy blond is actually on page three, her shape has been die-cut from the cover.

'Uncovered' will delight anyone who opens its pages. It all looks so obvious yet it was Thomas Allen who seems to be the first person to realize the creative potential of the cut cover tableaux.

***FOR AN INSIDE LOOK click 'customer images' under the cover.

I really liked the approach the artist took in preparing this book- it was really interesting! Turned out to be a great gift, but the cardboard pages make this book deceptively skimpy. Still quite enjoyable, especially to see that child-like expression of glee on that pulp fiction fan in everyone's life.

I always knew that someday, if I flew long enough, I'd read a worthwhile article in one of those dreadful inflight magazines they stick in the pocket of the seat ahead of you next to the sick bad. My eureka moment came in December when I read United's latest issue of "Spirit" (I think it was) and an srtist called Thomas Allen was featured in quite a slick spread. I must have been exclaiming over it out loud, for later on i found out that not only had I gone ahead and ordered a copy from Amazon, but my wife did too, thinking that aha at last she had found a good Christmas present for hard-to-shop-for me.

Some of you may be wondering by now is the book worth it, or is Allen a one trick pony? I have no idea how he does the things he does with a razor blade and a steady stack of old, sometimes crumpled up paperbacks, but they say a documentary is coming and will soon be on public TV to show the artist at work. You can see in UNCOVERED how, in an effort to keep the sliced out cover image at least minimally attached to the book itself (what a curious, seemingly irrational restraint), he has been known to carve out a single line--one here shows a line of smoke mounting moodily from an unfiltered cigarette, so slim and tenuous you wouldn't think anyone could get in that narrowly.

Are they suggestive? And how! It's an Oulipean art practice, born of subtraction, that nevertheless extends itself into eros and beyond. The campy aspects of the original covers seem to dissolve under the application of all that rigor and man meets woman, woman meets woman, man meets man, and undresses right quick, just the way the Lord meant it to happen. The sensual just pops right out, almost like a physiological reaction. Just as his name, "Thomas Allen," seems to have been leached of personality, UNCOVERED clarifies the intents and purposes of one of America's favorite guilty pleasures, pulp fiction of the 40s, 50s, 60s. Wish I could see the Dallas exhibition of Allen's work at Light and Sie (the gallery has a nice slide show so you can sort of see the dimensions of his work and mind).

Wow! I'm between pays, but one look at this ripe book, and I dished over
whatever they asked. A babyboomer who found Dell Mapbacks all over the
house---and have since collected a few of the best-----
I had that instant feeling of "fullfillment" as I turned every page.
The essence of time/place perfectly realized.
Could Thomas Allen's accomplishment here be loosely called "RETRO" ?
It's totally transformed, and playful, yet retains the originality
and period flavor of that long-ago-era. And yet still modern. A winner.
(But I agree with those critics who expect the original artists to be
prominently credited.)

This is a series that continues to improve and reward the reader. Leonard Chang is writing some of the best current detective fiction now available in these books. And it doesn't hurt that he's also able to address issues of race and alienation at the same time. _Underkill_ brings back reluctant investigator Allan Choice to look into the apparently accidental death of his girlfriend's younger brother. The investigation takes Choice into the underground rave scene and competition between ecstasy dealers, which may have had something to do with the death. At the same time, Allan's relationship with his girlfriend, Linda, seems to be unravelling and try as he might, he can't figure out how to prevent it. This is an excellent, fast-paced mystery that left me wanting more--Bring on Book #3!

Korean-American executive protection expert Allen Choice has doubts about his failing romance with Hispanic reporter Linda Maldonaldo while concerned with his weak business. The adrenaline that fueled the beginning of his relationship with Linda (see OVER THE SHOULDER) is gone along with the thrill. The lack of executive protection clients in the Bay area has forced Allen to accept sleazy sleuthing that he knows is way below his skill level, but allows him to eat.

Adding to his depression is his feelings of guilt for not being there when Linda's brother died in a drug-related car crash. To ease his remorse Allen travels to Malibu to be there for his girlfriend. Already feeling like a fish out of water, instead of finding a family mourning a tragedy, Allen walks into a nasty Internet child pornography venture that could leave him as the next accident victim.

Readers who took delight in Allen's first tale will enjoy this story, but will quickly realize that it is not quite on a level with its predecessor. Perhaps it is the change of location, but Allen seems out of place in Malibu because he fits so well in San Francisco. Still readers will appreciate his self-deprecating doubts about himself and Linda, and enjoy his latest investigation just not the first choice.

Harriet Klausner

Wow. I was up all night reading this. I loved Over the Shoulder, and found Underkill to be equally engrossing. Chang does an incredible job of writing literary fiction (his use of language is just gorgeous) that's propelled by a real, page-turner plot. I wish more books combined being this well-written with being this suspenseful.

Choice makes a great reluctant protagonist, and his thoughtful, candid narration is enough to make this book worth reading by itself (even without the raves, car chases, and gun fights!).

This series is turning out to be one of the best and most interesting ones I've read, and I've read a lot of them. I love Michael Connelly and Dennis Lehane and Sue Grafton and a bunch of others, and this one definitely ranks up there because Allen Choice is a very realized and intriguing character. I was trying to tell a friend about this series and found it hard to describe because it's so centered on the character instead of just the mystery. It's almost like this is a regular novel about an investigator and so there's naturally a mystery because it's his job, but it's not about the mystery...it's about the guy himself. The writing is awesome.

I'm a literature grad student, and I've had the opportunity to follow Chang's writing for some time now. His first two novels were clearly attempts to delineate the racial dynamics in America (Asian/African American as well as class issues), and with this Allen Choice series he seems to be trying to write about Korean Americans in a similar but almost subterranean way. He is writing about an Americanized Korean American man as a Private Investigator, a man who looks into the grit of American lives (Korean American lives in Over the Shoulder, and now the L.A. Underground and ecstasy scene in Underkill) all the while investigating his own life, both external and internal life. Allen Choice has no ethnic or racial ties--he's afloat and alone. He actually has NO ties (familial or relationship), which on some level echoes Chang's previous novels. The archetype of the PI is the isolated man, and here Allen Choice is isolated on so many levels it's dizzying, because family, race, profession, and now relationships have served to separate him from conventional society. Chang has taken the model of the PI and used this to exploit his other themes of alienation. This takes not only mystery fiction but Asian American fiction to new levels. I highly recommend this series for readers looking for exciting, well-written stories with a bit more substance than the usual genre entertainments.

This is a wonderful new book by Dr.Mark Allen Young,a respected leader in the field of rehabilitation medicine. Dr Young has assimilated a great deal of information about the causes of chronic pain in women along with valuable information for the patient on how to improve these symptoms. Written in a succinct, user friendly style, I was particularly impressed with the author's evalaution of the pros and cons of alternative medicine (including nutraceutical) options for pain management.
This book should be especially beneficial for patients needing information and options, when they continue to have symptoms of pain, despite following "physician orders". The book is highly recommended.

After about 2 weeks of trying Dr. Youngs methods I was pain free. I wish I had bought this book sooner. This book is packed with complementary, holistic and traditional remedies for almost any type of pain you can think of.

This book truly helped me cope, and eventaully cure my chronic back and foot pain. I highly recommend anyone with pain to buy this book.

Finding relief from pain is sometimes a desperate struggle. Often it seems that some physicians and other health care practitioners take the easy way out and will throw low level narcotic relief at you with the hope that you will just go away. Its cheap, easy, and eff... well two out of three isn't bad. At other times they will deny your pain experience, and invalidate your suffering, especially, if you are a woman. The very complexity of the pain experience is often ignored.

WOMEN AND PAIN: WHY IT HURTS AND WHAT YOU CAN DO is both amazing and helpful. The authors discuss traditional methods of pain relief and control as well as alternative methods. The explanations of both vitamin and herbal aids for pain relief and the many other methods are elegantly expressed in plain, simple language that can be understood by anyone.

WOMEN AND PAIN: WHY IT HURTS AND WHAT YOU CAN DO is a masterful work about pain relief for women for this new millennium.

Dr. Youngs new book "Women And Pain..." led me to a life which someone like me would only dream of: a life with no pain. This book is the best book I ever bought. I suffered from migrains and back pain for over 7 years and the pain vanished after about 2 1/2 weeks of trying Dr. Youngs methods, I tried almost every other method out there and this is the only one that worked!

If you are interested in writing musical theater, you must have this book. It is inspirational and instructive. I have several books on musical theater, but this one is head and shoulders above them. Very, very, good!

There is no book available now that tells you everything you need to know to write a musical, but there are several out now that can collectively give one a very good idea of how to go about it. Latest in the field is WRITING MUSICAL THEATER by Allen Cohen and Steven L. Rosenhaus. Rosenhaus and Cohen have written a very useful book that can at least get you started. As the authors themselves say, there is no better way to learn than to actually do it and to keep doing it. Other books cover some of the same material, but where this book really has something new to say is in the section dealing with the music.

The most daring section of the book (and perhaps the most useful) is the part where they actually set out to write two new shows for illustrative purposes. One is an adaptation; the other is an original. Their goal was not to create great works of art, but to show how to go about writing a musical. Neither of their examples is going to set the world on fire. In the real world they would in all likelihood be flops, but they brilliantly illustrate the practical problems that arise and some possible solutions. (Bravi, guys, and thanks.)

My only real quibbles with the book are in the bibliography where they list A CLASS ACT, CLOSER THAN EVER and STARTING HERE, STARTING NOW as important musicals. (I would love to know by what logic they arrived at those pronouncements.) They also list Johnny Mercer as an important lyricist of theatre music (none of his really good work was written for the theatre and much of his reputation is a result of self-promotion through his ownership of Capitol Records) and Dorothy Fields is not mentioned. Nor do they place Sheila Davis's brilliant THE CRAFT OF LYRIC WRITING on the recommended reading list. (I consider it The Bible of lyric writing!) They do not place Bernard Grebanier's PLAYWRITING on that list either. (There is no better analysis of what makes a plot anywhere.) But despite these quibbles, I would wholeheartedly recommend this book to the aspiring musical writer. It is an excellent place to start.

I've read many of the other books about writing musical theatre, and this is hands-down the best one. Not only is it thorough and informative, but it is the only book to my knowledge that has in-depth advice about the actual music element. This is an essential read for anyone writing a musical, or anyone who is curious about how they are constructed.

This book is divided in sections, and explains more about the actual creative process than any other similar book. The authors provide helpful examples and honest advice, and they are not at all about self-promotion like the other leading book on the subject. This book will be as helpful to experienced writers as it will be to novices.

This is a first class book; well worth the money. I'm writing my first musical, and I got many many tips and ideas. It was very helpful to watch the authors create their own new musicals, so that I could observe some of the process. It would be helpful for the reader to be very familiar with a broad set of musicals, or be willing to do some research; the authors draw comparisons to other shows throughout the book. Most I knew, but a few I did not. They seem to love Sondheim (thankfully I saw "George" the week before). They crack a bit on Les Mis - one of my fav shows. Outstanding book.

Allen Cohen and Steven L. Rosenhaus have written a wonderful guide to writing musical theater appropriately title WRITING MUSICAL THEATER. The book is invaluable not only for the aspiring composer, lyricist, and book writer but also for any lover of America's great art form who wants to know just how a show is put together. The experience of the authors (both active practitioners and educators) is evident on every page. I can heartily recommend this book to the student and the aficionado.

THIS BOOK COVERS 50 YANKEES MANY OF WHOM WERE NOT SO GREAT. AMONG THEM ARE TOM TRESH, MIKE HEGAN, BOBBY MERCER AND HORACE CLARK. IT GIVES EACH PERSON 4 PAGES OF COVERAGE AND HAS A PICTURE OF EACH IN THE PIN STRIPES. MOST PHOTOS WERE TAKEN AT OLD COMISKEY PARK. IT TELLS US A LITTLE ABOUT THEIR CAREER AS A YANKEE AND WHAT THEY ARE DOING NOW. A GREAT TRIP DOWN NOSTALGIA LANE. IF YOU ARE A LONG TIME YANKEE FAN THIS IS A GREAT READ FOR YOU. HIGHLY RECOMMENDED.

Now that Jim Murray and Leonard Koppett are gone, Maury Allen may be the greatest literary link to our storied sports past. The man is a treasure. He has more first-hand knowledge of great sporting events of the past 50 years than any single writer, and this latest book is just another example of a terrific scribe at work. Bravo!

STEVEN TRAVERS
Author of "Barry Bonds: Baseball's Superman"
STWRITES@aol.com

Wow, there they are, all of those men whose names have slipped from my memory over the years. From Stan Bahnsen to George Zeber. From Jay Johnstone to Dooley Womack. They are the lesser lights of baseball, the non-legends who played for the Yankees but who are a part of Yankees' history. This is great stuff! Allen picked 50 former players, tells us what they're doing now and then recounts some wonderful stories about their playing days and their sometimes small parts in Yankees' lore. These are the kinds of stories that you won't read in a newspaper or press release, and even though I'm not a Yankees fan, I enjoyed reading them. Allen has a wonderful knack for telling interesting baseball stories and he shows the human side of these journeymen players and how they loved the game. If you like going behind the box scores, you'll love this book.

True Yankees never really leave. This book proves it. Ball players who played for many other teams still consider their time with the Yankees (however brief) the highlight of their careers. Only one bitter player in the bunch (Hal Reniff).
Maury Allen is a walking sports encyclopedia, and this is a great book. An easy read, and chock filled with Yankees information. I loved it. Maury should write "Part 2".

Well done, by a fine writer. I love reading about the lesser lights, and what happened to them after their playing days. This book was great for that.

Excellent horse stories about the human/horse connection. Good reading on how horses can mirror our emotions.

This is a beautiful, inspirational collection of real life stories of the love, lessons learned and spirtiual connections that people have with horses.
Each story is sensitively told in the own words of the horse's owner/or the person who has the story to tell.
The book's major focus is on the spirituality and sensitivity of the horse and just how deep that goes in these beautiful creatures.
A gentle plea for people to open their hearts and minds to the wisdom and love horses have to offer at all stages of their lives.
I found the book to be touching and refreshing.

This book comprises a collection of 38 short essays, all submitted by different authors, about the special ways in which horses have impacted their lives. The essays are divided into four categories. "Love and Dreams" focuses on how a the love of horses can affect people; "Healing and Health" contains stories about lessons learned from equine health troubles, as well as ways in which horses have taught people about their own health; "Courage and Endurance" collects stories about equine heroes and horses that have inspired the people around them; and finally "Spiritual Connection and the Afterlife" explores the spiritual and religious experiences humans have had in connection with horses. After each essay the authors pose a question or two for the reader, designed to prompt reflection on how the story may relate to your own life. At the end of each section is a short, fictional "Ask Zeke" page, where the authors have posed a question to their friend's horse, Zeke, and then composed an reply as if Zeke himself were answering. The stories are a mixed bag of themes, and some impacted me more than others. If you aren't a particularly religious person, you may find a couple of the more supernaturally-oriented stories a little harder to relate to, but on the whole the essays presented here are heartfelt and touching. My favorite pieces were "Emily's Song," about a withdrawn, lonely young girl who finally comes out of her shell in order to help and even lonelier, more withdrawn pony, and "Miracles are Something to Believe In," written by a 12-year-old girl who's pony Lilly saved her life by, counter-intuitively enough, falling on her in a freak accident. The book is a quick and easy read, suitable for horse lovers of all ages, and well worth the time. "Angel Horses" would be a great gift for any horse lover, or a nice treat for yourself.

This was an inspiring book for a horse lover and Christian. Everything was as advertised.

Moving, heart-tugging, heart-warming, encouraging. This book hits all of those emotions! A great gift for the animal Lover--especially of horses (of course!!) Short stories make it easy to pick up and put down for a busy schedule too.

Many people dismiss Hans Christian Anderson as a mere author of now outdated children's stories. Anderson, as this volume of his annotated stories makes clear, was a poet, folklorist, historian, and commentator as well as a children's writer. In fact, many of his stories were written for adults, not children, and even those aimed at the young have side passages and comments which were meant for grown up men and women to hear and ponder. This volume contains a good sampling of both of these types of Anderson's stories. Each story is copiously annotated, a real pleasure for the modern reader who may not recognize references to customs and people now far in the past. There are many beautiful illustrations from the multiple published versions of the stories. Most importantly, the stories have been newly translated from the original Danish, so that as much of the original emphasis and focus is present as possible.

This annotated volume not only allows the reader a fresh view of some famous stories, it also makes the enormously complex original author much more comprehensible and even more likeable.

This is a fascinating. I read the "Annotated Alice in Wonderland" as a kid (which like this with the annotations contains some information that would be distressing to children or above their level) and could peer into the world of the author and in this case since I was familiar with only some of the stories (as some have dated) to see a complete sociological, psychological and cultural analysis really brings them into a new light and sees Hans Christian Anderson as more than just a writer of "fairy tales" (actually cultural mythology) and a full fledged writer. This is a perfect read to an autobiography about his life and his complete lack of relations with either sex, repression of his sexuality and disability but the analysis is here is not just about him, its about the stories in a larger context. For example, "The Little Match Girl" is in reference to his mother who was forced to beg on the streets, in its reference to her obstracizement by society was clearly referring to how he was treated and its references to being "left out in the cold" refer to both the experience of depression as well as the literal frigid climate of Denmark. This still is a children's classic but in this light it is understood much better but one that is a story that could be appreciated by adults "Aunty Toothache" speaks of the cynicism of an ominous repressive, Freudian, maternal figure who forces him not to write poetry or he will suffer massive toothaches (which he did throughout his life). This was written at the end of his life as he was dying and it was a lament to how he forced himself not to write poetry perhaps to avoid confronting his sexuality. And it is a disturbing semi-gothic story. And if these aspects escaped you they didn't escape Oscar Wilde who was directly inspired by them. So who's to say who had the last laugh? So you can find the more appropriate stories and read them to your young children and then appreciate the annotations and both of you will gain something although you exist in seperate worlds.

This beautifully produced book contains 12 tales for children and 12 short stories for adults. There are almost 150 illustrations, many in color, from classic editions of Andersen's works. The colored images by Clarke, Dulas, Nielsen and Lorenz Frolich are splendid, as are the many ink drawings by W. Heath Robinson.

Maria Tatar edited The Annotated Brothers Grimm and The Annotated Classic Fairy Tales. She and Julie K. Allen translated the stories, and Tatar provides many annotations. Example: "The Ugly Duckling" is "the most deeply personal of Anderson's stories, a narrative that traces his trajectory from humble origins to a literary aristocracy."

Tatar is eloquent on the importance of Andersen: "We need to engage our critical faculties in order to understand what makes these stories so emotionally addictive. Why have these Danish cultural stories taken hold in the United States to become instruments for navigating childhood? How do the stories enable the reader to get lost in the book, to drink the heady elixir of fantasy? And how do they arouse the intellectual curiosity of children?"

Tatar argues that Andersen's descriptive techniques create moments with "ignition power" that kindle the imagination. "Andersen's descriptions of beauty can weave spells. They create an adrenaline rush so that you begin to read with the spine rather than the brain. These luminous moments energize the mind, leading the reader to read on to explore perils and possibilities, but also to dig deeper."

"The Emperor's New Clothes" exemplifies Andersen's narrative powers. "When I reread the tale I remembered how as a child I had started to imagine what the cloth looked like. Even though it is invisible, the swindlers and the adults describe the cloth as silky and beautiful, with gossamer designs ... and Andersen invests so much narrative energy in describing the invisible cloth that, ironically, it begins to dazzle in the mind's eye. That is what Andersen can do -- he lights up the imagination."

The short stories were new to me and have some interest seen through Tatar's eyes. But these new translations of the old favorites like "The Snow Queen" or "The Little Mermaid" are just as magical as ever.

Robert C. Ross 2008

I ordered this as a Christmas gift for a friend with young children. The quality of the book exceeded my expectations. The wonderful stories and illustrations are perfect for kids, whilst the scholarship and annotations are excellent for adults.

Ever since taking some literature courses to complete my degree, I've been fascinated by fairy tales. These stories can be enjoyed on a very basic level, but in order to understand the context, one often needs to know more about the author, the time of the writing, and what the characters and story line connote for the writer and his or her readers - at the time it was written. Using a very simple format of narrow text with wide margins to contain the annotations, this book allows the reader to read the story only, or read the notes only, or read a combination thereof, or, just look at the fascinating pictures and engravings as copied from the original editions. The dust jacket is colorful and ornate, and the paper is crisp, easy on the eye, with error free print. In short, this book will appeal to old and young, scholars and casual readers, and even those just looking for a pretty book to put on the shelf.

Most Oscar-related books offer only limited pictures and focus on winners, not also rans. This excellent reference volume corrects those two oversights. It is filled with pictures representing the best of Hollywood--all contenders for Oscar's Best Picture are featured with a movie poster representation. Includes some rarely seen poster art, foreign posters, and multiple sized images. Excellent reference and enjoyable volume to pick up over and over.

This beautiful collection of colorful poster art provides a history of Hollywood and American popular culture in a volume that's a delight to leaf through. As with all of Bruce Hershenson's poster books, this one is a tremendous value!

All of Bruce's books are full of wonderful images, but this one offers something extra - a history of ALL the films nominated for the Best Picture Academy Award. If you are a film buff, or you just like beautiful images you will love this book. Every year since the inception of the awards is listed and each nominee is displayed in brilliant color. A wonderful refrence source.

A must-have volume for any cine-buff and film historian! This book, along with its companion first volume, "Academy Award Winners' Movie Posters" is part of movie poster maven Bruce Hershenson's exhaustive multi-volume series of books highlighting the history and beauty of what much of mainstream America has only in the last ten years begun to recognize. And that is movie posters are a "popular art" form that can stand proudly next to all other styles of art from gothic to modern, from expressionist to impressionist. Great film art borrows from all of these styles and this volume, which focuses only on posters associated with Academy Award-nominated films, illustrates innumerable examples. A fine book for any collector (get the hardcover edition if you can, it's harder to find; if Amazon doesn't have it, it's available from Mr. Hershenson directly at mail@brucehershenson.com)!

Like all of Mr Hershenson's books of film posters, this one is full of great reproductions of classic film posters. Movie poster collecting is both popular hobby and big business. For dealers and collectors alike, Mr Hershenon's books give all those interested in the hobby and business of movie poster collecting a ready-reference to images of great film posters for great and sometimes not-so-great films.

I love this book! I may buy more for friends. It arrived on time in excellent condition.

I bought this book by accident. Well, not really, but I allowed another reviewer to seduce me into buying the new Kliban Cat Calendar and I saw this book listed as well on the calendar's detail page. I saw the words 'anniversary edition' and decided to order it. It was only after I received it that I discovered that seventeenth anniversary of "Cat" was in 1992, two years after Kliban's death. So 2002 is really the 27th anniversary. All that being said, I want to state that this little book would be fantastic no matter what it's age is, or what the age of it's reader is either. I love this book.

There, I've said it, this crusty old man goes all soft hearted when he leafs through a 25 year old book of cat cartoons. As well he should! Kliban captures something entirely different from other feline cartoonists. They aren't kitten cute, nor are they wicked Garfields, as Art Spiegelman points out in his introduction. Instead they are the light hearted chubby denizens of a world of whimsical, good natured self-interest. They relax at the beach, dream of the stars, and steal cheese sandwiched with equal aplomb. They exchange traditional concepts of cat beauty for an enticing comfyness which only a cat lover could understand.

Love is an important and operative word in this little volume. Not one of Kliban's cartoons is made at the expense of cats. Instead, each opens a door to the essential nature of our furry friends, and the non-judgmental affection that they display to those in their circle of trust. A snarl turns into a lick, a meow into a purr and then all is well. Kliban is the only artist I know who has managed to really capture the feline Mona Lisa smile. You know, the one that cats use to melt their owners. Cats forgive with a grace from which us humans could learn a great deal. And Kliban captures it all. Many of the cartoons are not really cartoons, but innocent studies of the artists own cats, drawn with genuine affection.

Art Spiegelmann, artist and author of MAUS, provides a short and delightful introduction to the anniversary edition, and there are 16 pages of Kliban's color work for our further delectation. Everyone who likes cats needs to have this book around. Placed somewhere so that it will fall to hand in those irritating moments when we need to look at cats in order to remember what it is to be human.

Alas, Bernard "Hap" Kliban is gone, but his genius lives on in "Cat", a book of cartoons that captures the personality of the cat as seen by cat lovers. Strangely enough, Kliban was a cartoonist for "Playboy", contributing cartoons for that publication until his death. The cat cartoons were discovered by a "Playboy" editor and the 1975 book "Cat" was born.

Kliban's cats are rotund bug-eyed creatures with a smile on their faces that says the joke is on you. The cartoons include the cats doing nonsensical things as well as performing deeds that you always suspected they might be guilty of as they interact with dogs, mice, people, and in some cases impersonate people. Included among the cartoons is a cat playing a banjo singing a tune of his own making with the lyrics "Love to eat them mousies. Mousie's what I love to eat...". For those that can remember the days when a television was a heat emanating device that invariably attracted napping cats there is a cartoon of a couple sitting in front of a television with a transparent cat standing in front of the screen. Their comments: "We enjoy the television set now that we got ourselves a transparent cat!". Interspersed among the "Kliban cats" are truly beautiful and elegant drawings of Kliban's own real-life cats, to whom he dedicated this book.

If you enjoyed Gary Larson's "Far Side" series and you are a cat lover I'm sure you'll enjoy this book. I highly recommend it.

ENGAGEMENT CALENDAR
"Get ready for a year of Cat gluttony and sloth, mayhem and misadventure, and--as always--a fine disregard for the law. (Laws governing physics and animal behavior come in for especially vigorous abuse from these feckless felines, as well as the law Thou Shalt Not Swipe Thy Neighbor's Sushi and that other law, Don't Juggle With Kittens.) ¶ Now in their third decade of worldwide popularity, the Cats show not the slightest sign of starting to behave like adults. Or like small-c cats, either. They will do whatever it takes to send you through 2006 with a smile on your face. Even if it means hugging a big, smug fish. Even if it means taking a bath. Even if it means missing a meal. Well, perhaps not that last one. ¶ 112 page, spiral-bound weekly engagement calendar with 53 reproductions, and clear plastic covers. Size: 6 5/8 by 8". Calendar features 53 weekly grids and full-page 2006 and 2007 yearly grids. Includes international holidays and a page for notes. ISBN 0-7649-3049-4 . . . Other calendars: wall, mini-wall, and 365-day. Additional publications available in our Kliban Gallery."--© Pomegranate

WALL CALENDAR
"The debauch continues. Cats have a go at Abstract Expressionism (and simultaneous inadvertent body art), feed a wild variety of birds from a park bench with nary a thought to their own nominally predatory nature, doze in the soporific vapors of a plate of pasta, and pop furtively and in sizeable numbers from the tall grass at the rustle of a sandwich being unwrapped. Other hi- and low-jinx take place as well. ¶ 13 x 12" wall calendar (opens to 13 x 24") with twelve full-color reproductions. ISBN: 0-7649-3053-2 . . . Other calendars: weekly engagement, mini-wall, and 365-day.Related items available in Kliban Cat Gallery."--© Pomegranate

This book is my absolute favorite, I have recently decided. My B. Kliban legacy goes back, way back, to my grandmother (we call her "Darling") who fell in love with the Qats back in the seventies (now keep in mind this is not some frumpy old lady. At the time she was the coolest little activist hippie this side of South Street.) Then there's my mother, who, out in San Fransisco around the same time used to roll with laughter at the Cat cartoons with her zany friend.
Enter me. As a kid, I never really understood Kliban--I also didn't have a cat yet. Then I did--first came Serena, then Zubi, and finally Torquil Hevoir James (AKA Booboo Kitty.) And so I loved B. Kliban. And this book is the most hilarious thing I've ever seen. Now that I'm going off to college, I think I'll frame some pages for my dorm room. And place them randomly around the campus. Most people I know who don't have cats really don't get it, but that's okay. I mean, the drawings are beautiful and whacky enough to get anyone. And the concepts--what was this guy on? Catnip, I believe. Whatever the inspiration, Cat is definitely the besties and the greaties.
P.S. I don't actually have this particular edition of the book; I didn't even know it was still in print. I have Darling's hardcover copy from 1976, and I love the cover: "Cat" in huge red letters with two of Kliban's pen-and-ink cats looking at it from below. Beautiful, beautiful.

The first and one of the best in the series. The Cave of Time provides a keen sense of being in different worlds. The different passages from which to choose from succeed in keeping the reader in suspense. It's a shame that books like this that strike the imagination in young and old readers alike hardly get written anymore.

In 1979, Edward Packard, who is easily the best author of the entire gargantuan Choose-Your-Own-Adventure series, wrote and published this book, and with that one stroke he not only gave us all a classic adventure story but founded an entire new genre of fiction as well! The whole idea of the "interactive novel" did not even exist before the first Choose-Your-Own-Adventure, as far as I know. The instant the series became popular, almost thousands of imitators started up, most of which died while the series that was started by "The Cave of Time" just kept going and going, like the Energizer Bunny. Today, it is considered just part of a whole category of books. "The Cave of Time" itself is an imaginative story that takes its reader all through time, from the end of the entire universe to the days of Camelot and everything in between. The mechanism for the time travel is NOT the typical machine, but rather a system of tunnels that can transport you in different directions through time depending on which way the tunnel is heading. An original and intriguing idea. Since the early '90s, the CYOA series has sadly gone downhill, with practically all the books being about martial arts and sports--as if they suddenly think that little GIRLS never read their books! and the number of endings has shrunk and shrunk, until now it is often less than TEN per book! As a female who has been reading, collecting, and loving this series since she was 8, this is a major disappointment for me, and I'm sure it would be to anyone else out there who may remember the "good old days" of this series. But THIS book, with its subject matter that would appeal to ANYONE, both boys AND girls, and its whopping 40 endings, is the classic that started it all. This is the standard that interactive fiction for kids has been trying--and failing--to reach ever since. ...Notorious

I remember this gamebook series from childhood, though I was never particularly good at them. "The Cave of Time" starts out with the reader finding a cave and deciding whether or not to enter it. From there, the reader travels back in time to the Ice Age, colonial America, the Dark Ages--even traveling ahead in time. There is no one ending or quest to this book, so you're not in a mad dash to win. In fact, there is no "winning" in here, just 40 possible endings to certain situations--some good, some fatal. Younger readers who like gamebooks will probably like this book/series, though there's not a lot of action.

Its not really about anything you get to be the character in the book and you half to make the decions.It takes place in a cave in a castle a ranch and it was a long time ago alot of years ago .my favorite part of the book was when these two guards draged me out of the chamber and put two spears at my back and just about killed me.I dont no what kind of people would like this book but i do recomend it because its a short, easy, and fun book to read .

I've read this book many times and think it's one of the best Choose Your Own Adventure Books ever written.