Allen Books

I really enjoyed this book, I loved the way it was written, in Sara and Ginger's own words. Telling about their extraordinarily different, and complicated lives and how they were still able to hold onto a friendship across two continents.

I am a member of a book club, and we have theme parties at the conclusion of each book. I chose this book, and set the scene in Ginger's African bush, (our first out door event). We had a bon fire, and after discussing the book, talked about girlfriends, old and new. I intentionally took some of these "city" women out of their comfort zones by serving foods I described as "jungle stu" "bird on a spit" and so on. Finishing out the evening with making smore`s over the campfire, as some had never even heard of. (They thoroughly enjoyed it, by the way).

It's not a complicated book, it's more of a comfortable, wrap up in a blanket, grab some tissues, and get ready to experience the extraordinary ups and downs of two lives, but a steadfast friendship every woman desires.

I would recommend buying the hardback copy so you can share this book with your friends. Besides, the graphics on the cover tell a wonderful story all on it's own.

Usually, I'm not a non-fiction reader, but the story of Sarah and Ginger's enduring friendship kept me glued to the book. I'd suggest this to anyone who has a friend of any length of time. Loved it!

Do you need to know how people cope with immigration, or do you want to understand the strength and power of woman? Do you need inspiration to realize your dreams or do you want to see the wonder of the animal instinct humans have in friendship?
Do you know anybody that immigrated? Then if you value that friendship, read this book now. It does not matter how wonderful the country is to which one immigrates, your longing for your original home, family and friends can never be alleviated. It becomes part of who you are. One does not need to be depressed or wingy about the matter, but it is always there. Pulling at the very strings of your heart. And one try to justify it on a daily basis.
Ginger and Sara lives this globalization. Sara's office is the world. While she has a family at home. Her friend and support system is at least 3 long haul flights away. Ditto with her in laws.
Ginger lives the dream, finds the love of her life at a price. Though her office is confined to one country, she is vulnerable to the excruciating elements of this desert.
My admiration of these two woman knows no bounds, and on top of all of that, they can write!
Best gift ever for your best friend.

How refreshing to read about two loving, smart, independent women and how they realize the need for loving interdependence between friends! The idea of writing a book together over time and many miles is a perfect illustration of their connection. Their stories of being there for each other -- in spirit and when possible in person -- through the best and worst of times are inspiring. They remind us that the realities of adult life are best viewed through loving eyes -- our own and those of our friends and families. I have read it and shared it with friends with joy and confidence that they will enjoy it as well. Definitely add it to your summer must read list.

I read this book because these authors went to school with my daughters. As I read, my interest went far beyond my connection. The candid sharing of both triumphs and let-downs of each woman was unique and interesting.
The lessons learned, the sacrifices and wisdom gained from following their dreams was fascinating. I highly recommend this book and hope they will continue writing.

This is a 'must have' book for anyone seriously wanting to cut through the Internet clutter and market their service or product on line.

The wealth of ideas and tips from experts around the world make it essential reading from the novice through to the marketing professional.

I'm proud to have been a contributer to the book and highly recommend it to my clients and audiences I speak to around Australia and overseas.

If you are still not convinced visit my website at ... and I'll show you why it's so important to sort the Internet 'hype'from reality.

Th ehoneymoon period is over for the net and this book will show you practical, down to earth tips top make the most of this new medium.

Thomas Murrell
International Business Speaker
Managing Director
8M Media & Communications
AUSTRALIA
...

This book is so full of amazing, supportive information. The ideas by the multitude of Interent Experts are endless. Well done Debbie! I have already used 5 of the ideas from your book, and I have not even finished reading it yet.

How often do you get access to leading experts from around the world in the hot new marketing topic - Internet Promotion?

Let's face it - rarely.

This is a 'must have' book for anyone seriously wanting to cut through the Internet clutter and market their service or product on line.

The wealth of ideas and tips from experts around the world make it essential reading from the novice through to the marketing professional.

I'm proud to have been a contributer to the book and highly recommend it to my clients and audiences I speak to around Australia and overseas.

The honeymoon period is over for the net and this book will show you practical, down to earth tips to make the most of this new medium.

I really like the way the book captures the best ideas and latest edge thinking from around the world. There are not many publications that can provide this perspective.

Debbie has done a great job pulling it all together and this will be a great addition to any business library.

There is a HUGE amount of marketing information, from basics to the extreme, for entrepreneurs online! All of this information comes straight from those who know! This is a must have for anyone who markets or sells online.

I wish I had read this book cover to cover the minute I got it. Silly me, I waited for a good time. The time to read it is the minute you can lay your hands on it...but only if you want the wisdom of the most savvy, prosperous folks who use the internet for business.

Each author has done their best to give their hottest tips for internet promotion and success. You cannot learn these tips unless you've walked the road and fell in a few holes along the way. Save yourself the tumble. Buy this book!

I am always careful about books written by journalists from back East, especially when they deal with Montana's vigilantes. Frederick Allen, however, has made a worthwhile contribution to a controversial field.

I gave him five stars, although I do not entirely agree with some of his conclusions. It seems to surprise him, for example, when Plummer and some of his contemporaries started bouncing off the walls mentally after shooting somebody.

My experience in law enforcement has been that such behavior is normal. There are some sociopaths out there who just like to kill and don't feel any emotion about it, but they are few and far between despite what Hollywood scriptwriters would like you to believe.

This is a well written book, but it didn't change my opinion that the vigilantes cleaned up a situation that had spun out of control at a time when nobody else would, or could. The country was, after all, engaged in a bloody Civil War and the struggling miners in Montana's goldfields needed something to restore order in their isolated, vulnerable communities. Vigilante justice proved to be better than no justice at all.

This amazing book works on three different levels. It is first of all a compelling, action-packed narrative of Montana's vigilante period - carefully researched, engagingly written, and peppered with memorable characters and dramatic action. Western fans will love it. But Allen does not stop there. His brilliant examination of Henry Plummer, the mysterious and elusive sheriff-protagonist, adds deeper and darker shadings to the story. This is less a black-and-white tale of heroes and villains than one about how power corrupts and absolute power corrupts absolutely. The author does not trade in the romanticism surrounding the vigilantes. Finally, and most remarkably, Allen's book can be read as an allegory about the uses and misuses of all governmental power. In the nineteenth century, Montana's besieged citizens cried out for help against their version of terrorists -- only to discover belatedly that the response by unchecked governmental authorities could be equally lawless. Who would have thought that the Vigilante Trail led to Abu Ghraib?

People who hate "High Noon" have been known to cite the goings-on in Idaho Territory of the 1860s as proof that an enraged citizenry would never back down from outlaws. According to "eyewitness accounts," a locally formed vigilance committee rounded-up Sheriff Henry Plummer and his bloodthirsty compatriots and, with the aid of lots of rope, soon put an end to the rampant murder and robbery in the gold camps.

While this account made for excellent melodrama, it was a bit too pat to stand the test of time, and of late, had become the center of some arguing and fist shaking in the vicinity of Alder Gulch. Frederick Allen painstakingly examines the players and their times. His conclusions will not please the revisionists nor the vigilante apologists. While the vigilantes started out with the best of intentions and went after the worst of the thugs, their focus was lost in the chaos and power struggles of their era. Like many mavericks, they went from being heroes to embarassments.

But Allen confirms that Henry Plummer, George Ives & Co. were not martyrs of misdirected justice. It's too bad the vigilantes didn't have the forsight to stop while they were ahead.

This is the type of book that gives University Presses a good name. The author is a former political editor and columnist with the Atlanta Constitution and commentator for CNN. He has managed to write a scholarly yet reader friendly book that challenges some standard accounts of the famous Montana Vigilantes and their sometimes extra-legal activities. In what was the deadliest chapter of vigilante justice in American history, from 1864-1870, in excess of 50 men were hanged in Montana. The majority were inocent of capital crimes and a disturbing numer were innocent. This is a riveting book that will, in addition to bringing the reader up to date on a significant chapter in western history, cause one to ponder the significance of the Vigilantes on our current political debate over the war on terrorism. This is first rate scholarship in a reader friendly format. Highly recommended.

One tends to associate the dark legacy of lynching almost exclusively with the South of the late 19th and early 20th centuries, but in point of fact the most extensive episode of vigilante justice in American history actually took place in the Montana territories in the 1860s. The Montana vigilantes have long been hailed as heroes in Montana (Montana Highway Patrolmen, for example, still bear a patch honoring these men and their cause), men who took upon themselves the obligation to rid their community of dangerous individuals. In this thrilling historical account, however, Frederick Allen pries open the chinks in the vigilante movement's historical armor to show that their brand of frontier justice eventually descended into something much darker and much less defensible.

In the early 1860s, Montana was a wild country overrun by thousands of men clamoring for the new-found gold in its rivers and streams. Even as gold camps began appearing overnight, there was no government of any sort to oversee justice - just miners' courts to settle disputes over claims and the like. The nearest outpost of territorial authority lay hundreds of miles west of the Montana frontier. Thus, it is easy to see how lawlessness could prevail under such conditions; it manifested itself most particularly in the form of stagecoach robberies on the paths leading away from town. A man could lose a whole season's worth of gold dust in the blink of an eye, and such hold-ups could turn deadly on occasion. What could the settlers do to secure their safety and safe passage back to the States or elsewhere? There was no legal system in place in the territory, there were no cells to hold prisoners, and there were no courts or judges to adjudicate cases. There was a sheriff, however, a fascinating man named Henry Plummer - and he really stands at the core of the entire drama. He came to be suspected of complicity in the robberies and murders in the area, and this growing sense of doubt in their sheriff served as the final impetus for the leading men of Bannack and Virginia City to take the law into their own hands. Plummer was among the 21 men hanged during the first six weeks of 1864. There will always be a level of debate as to Plummer's guilt or innocence, and Allen examines this fascinating man's life in great detail. The real question is how a man twice convicted of murder could have become a sheriff in the first place, but this speaks to the true remoteness of the Montana territory in those days.

In all, 51 men were killed by the vigilantes over a six-year period. Allen agrees with the consensus opinion that the early stage of the movement was justified, as there is evidence that all 21 of the men lynched in the first six weeks of 1864 were guilty, dangerous men - including Henry Plummer. Were the story to stop there, the Montana vigilantes would deserve nothing but admiration for bringing order and security to their local community. They did not stop, however, and their activities inevitably devolved into acts of personal vengeance and the very perversion of justice. In that first crucial period of early 1864, accused men were given trials of a sort, their fates usually decided by the entire community. Hangings took place in broad daylight, and the identities of the vigilantes were in no way kept secret. As time went on, however, men were summarily executed by individuals acting upon little more than their own authority. With no hope or manner of defending themselves, it is very likely that some innocent men were hanged - and there can be little doubt that many of the guilty had not committed crimes serious enough to warrant death.

As is always the case in history, the most fascinating aspect of this whole story is the lives of the men involved. Allen identifies the vigilantes as leading citizens of the area, an unusual amalgamation of men both for and against the battle for Southern independence being waged during that chaotic time. Politics came to play a significant role in the whole saga, as the appointed leaders of the newly-established Montana Territorial government did themselves no favors by immediately alienating the significant number of Democrats among the local populace. This new government was ineffective at best, with the executive and judicial branches nullifying each other's authority - and this provided the pretext for the vigilantes to continue their operations.

A Decent, Orderly Lynching really is a fascinating book. Allen brings to life the mining camps of gold-rush Montana, recreating all aspects of society there on the remote frontier. He offers penetrating assessments of the men at the heart of this story, those on both sides of the hanging rope, drawing a sharp distinction between the early, honorable activities of brave men determined to establish order in their lawless region and the excesses of those who continued to pursue vigilante justice after Montana's new territorial government had been established. Through it all, he maintains an objective air, making his own judgments based on the evidence in hand - and his research efforts were impressive, to say the least. The story of the Montana vigilantes is a most telling part of the history of America, and Allen has done a superb job telling that story to those of us unfamiliar with it.

"Eclipsed by Shadow" is an epic history of horses, complete with time travel, and educational material, but best of all, it is strong historical fiction.

The plot is pretty simple. Meagan learns from an eccentric neighbor lady that her newborn horse may well be "The Great Horse" of legend that has reappeared over the centuries. The Great Horse first originated as a horse meant to help Adam and Eve when they left the Garden of Eden.

I knew from what I had already heard about the book that it would include time travel and Meagan would experience how horses were used throughout the centuries by mankind.

When I started, I was a bit disappointed to see the first section went on for so long. I wanted to get right into the time travel, but once I started reading, I was thoroughly captivated by the plot and how well the author, John Royce, built up suspense in the first section. I actually think this was my favorite part of the book as Meagan learned about the legend of the Great Horse and also avoided having her horse stolen.

As for the time travel sections, the scene in prehistoric North America was brief and not quite as interesting as the later ones because after all it was prehistoric history, but I thought both the Rome and the medieval section were well done. Even though the book reads like a collection of short stories because of the different time periods that the characters do not cross over into, Royce successfully created some believable characters in each section.

Throughout, the book successfully blends fiction, character and plot with history and more than solely the history of horses. I am not interested in horses, but historical fiction, but I did come to appreciate the history of horses without ever being overly bored by the book containing too many details.

Anyone who loves horses or who loves history will love "Eclipsed by Shadow," and readers will be impatient to read the next two volumes in this trilogy about the Great Horse.

- Tyler R. Tichelaar, Ph.D., and author of "The Marquette Trilogy"

The horse is the only animal that has the chance of wrestling the title of Man's Best friend away from the dog. "Eclipsed by Shadow: The Legend of the Great Horse" is the tale of a young equinophile who is swept into time. Armed with only her extensive knowledge of horses, she must find someway to survive the strange circumstances laid out in front of her. "Eclipsed by Shadow" is a new fantasy that is sure to please fantasy fans and horse fanatics alike.

Eclipsed by Shadow
John Allen Royce
Micron Press (2008)
ISBN 9780972412131
Reviewed by Allison King for RebeccasReads (7/08)

John Royce brings to life the story of a young, horse-crazed teenager named Meagan and her horse named Promise. Even as the summer solstice brings happiness in the birth of Promise, mystery surrounds her from that day forward. People start coming around Meagan's house asking questions about Promise and wanting to purchase her. An older lady in particular talks to Meagan and her mom about the history of "The Great Horse." She feels that Promise may be that horse, but of the `dark' variety. The only way to know is for the owner to ride the horse. Meagan and her family don't know whether to believe this woman or not, but one night some men try and steal Promise. Meagan takes it upon herself to save Promise, but the only way to do so is to ride her. You can only imagine the look on her face when Promise sprouts wings and takes Meagan on the ride of her life. This is where the story really begins.

Her adventure takes her from the time of the caveman to Ancient Rome to Genghis Khan to the Crusades. As time and history goes by, she sees how the horse has gone from something eaten for food to being used as weapons in attacks. She realizes that she must use her equestrian knowledge to help her survive these different periods in history. Each time, she waits for Promise to come back to take her home.

"Eclipsed by Shadow" is an adventure about the love of horses that young and old will love to read. The history of the horse is only part of the book. Meagan's interaction with the people of each era is amazing to read. The intertwining of horse history with the fantasy of winged horses makes for a book you can enjoy and learn from at the same time. The book will pull you in to the darkness of history and not let you stop reading until you get to the end. I can't wait for the next book to come out!

This is the first book of "The Legend of the Great Horse" trilogy.

After all of the great reviews it is getting, who wouldn't give this book a try! I can honestly say that I was not disappointed. It was a page turner from the beginning to end, and I can't wait until next summer to read more about Meagan's adventures. Unbelievable that this is the first book (of many I hope!) for this new author. His attention to detail and incredible wit make this a great read for any age. What a treat to find a book that my son and I can read and discuss together. I am looking forward to sharing it with his teachers and others, who I am sure will be equally fascinated by this rivoting tale. It is definitely on my Christmas list for friends and family this year. I am not an avid horseman but instead an avid reader of well written books. Prepare to be entertained and educated at a fast and furious pace.

Ecliplsed by Shadow is great reading for all ages! It does what all good storytelling promises: filling the reader's imagination with characters and events that are believable and compelling. Horse lovers will appreciate the author's attention to equestrian details and the reverence shown for one of God's most noble creatures - The Great Horse. As a high school English teacher, I appreciate how the author combines literary genres with an authentic narrative voice. This novel's appeal is its eclectic blending of historical fiction, fantasy and suspense; all these elements work together to tell a mythical tale about a young girl's coming of age amidst the grim realities of the Roman Empire and the barbaric brutalities of the Medieval era. The novel is so entertaining that the reader forgets that there is a history lesson on every page.

Middle school and high school librarians should include this book on their shelves; it's a great independent reading book that teachers can feel confident recommending.
Tara Klasna
English Teacher, Aliso Niguel High School, Aliso Viejo, California

Although some reviewers list this book as over 500 pages, it is actually only 144 (see Amazon's Book Description). It has excellent illustrations, however, there is very little text. The introduction is approximately 15 pages and each illustration is accompanied by a short paragraph of text. If you are searching for visuals this is definately a good choice. However, if you are looking for information you may want to purchase an additional book (or different book). I am a art history student looking to broaden my knowledge of Egytian art and this is a great first step for those looking to do the same.

Wonderful Book
This book is a gorgeous and lavish catalogue of selected, exquisite, and little-known works of Egyptian art dating from the Old-Kingdom. I truly love it, and I recommend it to anyone interested in ancient art. I particularly loved the special devotion to fragments of statues and small works of art not usually seen, but as beautiful if not more pronounced than the usual art seen in other books. An masterpiece of art in itself.

You don't have to be an Egyptologist to appreciate the exhaustive research that went into the compilation of this catalogue that accompanieD a blockbuster exhibit at The Metropolitan Museum of Art in New York City.

The amazing work of Old Kingdom (c.2650 - 2150 B.C.E.) artists is splendidly displayed on glossy fact filled pages.

The aim of the book is to capture the many artifacts of the old kingdom. in this regard, its aim is not to be informative by being detailed on the old kingdom history - there are many books which attempt to do this.

having stated the aim of the book, i should judge it on the quality of the pictures: they are superb!! one of the best pictures i have seen, especially considering that they are indoor pictures! the grain is non-visible, this makes a difference for such a relatively pricy book.

Many of the pictures fill the whole page and this creates a striking image! It is a great buy if you want to collect good pictures on egypt!

One minor disappointment is that they omitted some of the most interesting pictures or artifacts of the old kingdom, which you find in other books. For example and most importantly the bas relief of king djoser at the ny metropolitan museum. yet, i probably know why..

This magnificent volume devoted to the approximate 500 years that made up Egypt's Old Kingdom period(2649-2150 B.C.), is truly unsurpassed in information and artifacts that were brought together from collections in Egypt, France, Italy, Britain, the United States and elsewhere for a unique travelling exhibition titled: "Egyptian Art In The Age Of The Pyramids". As a lover of all things to do with Ancient Egypt I was amazed by this wonderful work that had as its focus not the frequently photographed treasures of Tutankhamen or the Valley of the Kings but instead on this much earlier period of Egyptian history that saw some of Egypt's most wonderous works of art and building accomplished.

For those not able to see the exhibition this book is a wonderful guide and source of information that can be enjoyed by people just developing an interest in early Egypt and also by those with a fairly advanced knowledge of this civilisation and its wonders. I was amazed by the terrific attention to detail and especially by the fact that many of the items featured have not been widely seen or examined in detail before. The volume begins with some detailed maps of the different regions of Egypt in the Old Kingdom period so that the reader can get a feel for where the various items featured originated from. A brief run down on the six dynasties of the Old Kingdom and their history including the Pharaohs who reigned during them is also included and certainly helps to give the items a proper time frame and place in the overall history of Egypt. The first chapters of the book cover specific areas of interest and vary from a detailed examination of the incredible Step Pyramid of King Djoser through various tombs of officials and court dignitaries to an examination of royal statuary, furniture of the old Kingdom, and the excavations that have taken place at old Kingdom sites. Each of these chapters contain a detailed commentary of the topic under discussion by various world wide experts and each include breathtaking colour and black and white photographs, maps and drawn ilustrations of tomb reliefs and wall paintings. The text in these chapters is clear and concise and easy to follow while still being incredibly informative with much background information included. These chapters really are a great introduction to all facets of cultural and religious life in the Old Kingdom.

The second section of "Egyptian Art In The Age of The Pyramids", deals with each individual artifact that was included in the travelling exhibition. Each item is accompanied by a beautiful colour illustration photographed often against a neutral background for maximum effect and also includes any other available photos that may have been taken when the piece was being excavated or from the site it was found in . Each item also has a detailed description and a background history and includes which dynasty of the Old Kingdom it comes from and who the reigning Pharaoh was at that time. Measurements and the loaning museum are also included to give a very detailed run down on the modern origins of each piece. The marvel of the items as stated is that both well known and quite rare items are included in the volume. We get to see such diversely famous pieces as the blue tile wall decorations from the under ground chambers of the Step Pyramid of Pharaoh Djoser, and the majestic twin statue of Pharaoh Menkaure and his Queen, through to the extremely rare Silver and Turquoise inlaid braclets belonging to Queen Hetep-Heres, the mother of Pharaoh Cheops, and the extremely touching statue of Queen Ankh-Nes-Meryre nursing her young son, the boy Pharaoh Pepi II. Less well known pieces such as vivid wall paintings from some of the nobles tombs, wooden statues of farmers and alabaster vases in the shape of monkeys from unknown sources really bring to life the everyday existence of both the priviledged and the general population during the six dynasties of the Old Kingdom.

As an amateur Egyptologist I would dearly have loved to see this original exhibition at the Metropolitan Museum of Art however having missed that this splendid book is a perfect way to enjoy the wonderful artifacts that were included and to learn in a detailed but user friendly way much about Egypt during the Old Kingdom. "Egyptian Art In The Age Of The Pyramids", is one of the most tresured books in my personal library and I highly recommend it to all readers interested in ancient history and in early Egypt in particular. This volume itself is a true treasure just like all the precious items it so lovingly features in its pages. Enjoy!

Anyone who grew up in the 60's-70's should read this book ... it is very inspiring!

One need not be African-American to love this book. It is a deep insight into a tough time. She talks of things usual life
does not include, as the powerlessness of women doing full nude strip dancing when one or a few refused to have customers give them money in a particularly intrusive way--what awaited such women and what choices did they really have. Neitzsche called Evil, "All that which proceeds out of weakness." He could have had this book in mind. Yet Ethel Water's life has more than defeat.

If you are not moved by this book, you must have a large problem.

Whew, what an upbringing, what a life. Waters goes into great detail about her rearing in the slums of Philadelphia, her life as vaudevillian Sweet Mama Stringbean and finally the Ethel Waters of stage, screen, and records. I didn't really know much about Miss Waters other than her role in the movie Pinky, so this book provided great insight into her life. Pretty good. The conversational tone makes it easy to read.

I've had the hardback 1951 copy of this book for some time, just picked it up to read last week. It is an astounding story of faith, determination, and strength;It is also an excellent insight into Black History pre-Martin Luther King. I hope the paperback version of this is being read. (and I wish Nikki Giovanni would read it as well).
Highly recommended.

When I was a kid, I knew Ethel Waters as that gray haired old lady that sang at the Billy Graham events on TV... In reading this autobiography I discovered the incredible legacy of her recordings and films.

"His Eye Is On the Sparrow" reads just like you're sitting in the room talking with this remarkable woman... The book not only shares the details of her fascinating career, but it is also an absorbing historical record of early 20th century show business and American society. Absolutely fascinating, warm, funny and poignant.

Wheelis might argue that my writing this review is a conundrum: mandatory necessity versus arbitrary necessity. I cannot or will not answer that question. Suffice it to say that you the reader ought to make the time to read this slim book.

His writing is embarrassingly succinct and refreshingly frank. Thus, the book invites several readings; I have read it several times. Keep in mind that the subject of this book is self-directed change. "So long as one lives, change is possible; but the longer such behavior is continued the more force and authority it acquires." How then do we change? "Insight is instrumental to change, often an essential part of the process, but does not directly achieve it."

The author, to his credit, includes himself as a portrait of one who struggles with change. Read the chapter entitled "Grass." A friend, reading it, refused to borrow the book. She condemned the story as an example of child abuse. Superficially, it certainly seems so. One cannot avoid, however, the poignancy of the father's heartfelt remarks, "I wish you could understand, though, that I wouldn't be trying to teach you so fast if I knew I would live long enough to teach you more slowly." The father lay sick with tuberculosis, dying but months later.

Wheelis puts the story in context that will resonate with all who read it: "Thus I was made a psychological slave." But, "A slave is one who accepts the identity ascribed to him by a master." So, can one change? How? I cannot answer that question. I can give you one last quote from Wheelis, "The new mode will be experienced as difficult, unpleasant, forced, unnatural, anxiety-provoking. It may be undertaken lightly but can be sustained only by considerable effort of will. Change will occur only if such action is maintained over a long period of time."

Or, was B.F. Skinner more correct? "A person does not act upon the world, the world acts upon him."

I haven't read it in years, but it was one of three book that I would rate as life-changing for me. Since it was introduced to me in college, I've bought and given this book away so many times I cannot count, but each time it was gone I would seek out another copy (sometimes in bulk). What an important work!

This thin book is so refreshing. It is anything but predictable to the self-help junkie. This is not self-help. This a realistic look at the discipline that it takes to change oneself. It takes an unexpected turn, bringing the reader closer to the author's own struggles. A great compassion came over me after reading this book.

I loved this book when it dealt with very deep issues of personal choice in the therapeutic process, and I hated it when the author dated himself by insisting on treating homosexuality as if it were a mental disease. This was obviously written several decades ago, before the American Psychiatric Association finally removed homosexuality from its list of disorders. And Wheelis seems to bring up the issue a lot, even if he seems well-intentioned. I really would love to recommend this book to people, and have even given it out with apologies and explanations, but it really should be re-written with all homophobic comments removed.

This book was written in the early '70s and, as such, touches tangentially on issues of the day such as homosexuality. With hindsight, we can easily condemn Wheelis' statements on that topic; but I firmly believe that the author himself would think differently today. Criticism of this book on that basis is specious at best and dishonest at worst. Wheelis draws on his own insight to discuss in a wonderfully accessible way what can happen when we make profound change. It is a very small book -- Wheelis does not mince words. He gets to the heart of the matter and stays with it. Most of us shrink from change, we are afraid of the dark. Wheelis shines a light of hope that inspires courage without minimizing the difficulties of change. To a great extent, he demystifies it while keeping its wonder.

I've read this book through and the poetry was perfectly crafted. Dante gives us numerous details of his own imaginative encounter led by Virgil, into the afterlife of man. But I hate where Virgil says "I'll quarrel with you" Virgil!! You don't make threats like that, you miserable wretch!! *Hits Virgil on the face* You ever say that to him again, I'll quarrel with you!!! *Virgil looks with an apology*

I have been put off reading The Divine Comedy for a long while before I finally picked it up off my shelf. I wish that I did not wait so long to take up this work.

The true beauty of the Inferno is the fact that it is both entertaining and intellectually fulfilling. The text has a history of mythology, history, and theology behind it that gives it such depth that the mind is entranced by the thought provoked by its words. Even though such weighty material lies behind Dante's work, it is also very much so entertaining, as it is ultimately an epic which tells a great tale. Because of both of these, the reader is engrossed in a tale which is truly edifying. It is difficult to put the work down because it is such a grand epic, and yet it is also very difficult to read it with out reflecting upon the nature of man.

For those who like me aren't as well versed in history and mythology as a translator like Mandelbaum, the endnotes are especially helpful. Armed with these, the reader is able to embark on a trip which is most fulfilling. I suggest this text to all.

Dante's Inferno is a truly magnificent piece of art that is deserving of an equally magnificent translation. For those of us who are unable to translate on our own, Allen Mandelbaum does a superb job of it on his own. Having both languages set side by side gives the reader a unique perspective and allows the reader to get a better feel for the flow of the poem.

The notes and asides that are provided are helpful but the essays at the end of each chapter leave something to be desired. If you are simply reading The Inferno for the pleasure of it then this is the version to get. If you are a scholar who is attempting to get a better understanding of Dante and his works than you may be better off finding a different version.

I've read a couple of editions of Dante's "The Divine Comedy," but as far as the "Inferno/Hell" part of the trilogy is concerned, this is the only one I've read for the last half decade.

Alex Mandelbaum, then of the City University of New York, has given us a translation in English that is modern, yet retains the structure that lends the regal, somewhat alien feel of Alighieri's poetry. He sets the stage nicely in his introduction in which he reviews the person of Dante Alighieri and the work about to be presented. Next, Mandelbaum provides us the Cantos from "Inferno" with Alighieri's Italian on the left and his translation on the right. The text is annotated with references to endnotes for those interested. The haunting artwork of Barry Moser accompanies us, along with Dante and Virgil, on our trip through the rings of hell.

At the end of the translation are two articles, "Dante in His Age," a sort of contextual biography, and a critical article entitled "Dante as Ancient and Modern." Finally, there is the endnote material with useful expository information for those inclined to understand Dante's "Inferno" better.

Let's get to the meat of this book, first: Dante's epic tale of a man's journey through the levels of hell. Mandelbaum's translation is brisk and entertaining--he keeps the translation simple, making this book perfect for students and teachers alike. The great translation helps keep readers in suspense and enthralled.

I was a bit disappointed by the essays, though. I am not an academic--if you are, then good for you. I'm sure you'll make more sense out of Mandelbaum's writing than I did. Me, I'm a student, and I'm looking at this through a student's perspective. The essays were unreadable. Putting it in layman's terms would've been made this book a great asset to have--not only would we have the translated tale, but we'd also have some information on Dante himself, and a couple dissections of his work. Instead, we have the translation, and three other pieces of writing that we can't decipher.

That makes this edition of Dante's "Inferno" a hit-and-miss. If you're in it for the entertainment factor, or want to do your own analysis of his work, then this is for you. If you want to read what Mandelbaum thought about it...then, unless you have the patience and vocabulary of a Foreign Literature professor, you're out of luck.

Who would have ever thought that the birth, evolution and eventual demise of comedy teams would present an insight into America's changing psyche? Author Lawrence Epstein did and we have him to thank for this interesting, insightful book on some of the most famous names in American entertainment including Weber & Fields, Burns & Allen, the Marx Brothers, the Three Stooges, Abbott & Costello and Martin & Lewis.

Epstein's book is sub-titled 'America's love affair with comedy teams,' an appropriate heading since the American audience embraced each of the various comedy teams in turn, loving them for what they brought to the public and then moving on to the next, new funnymen. Most people probably never bothered to rationalize WHY they enjoyed a particular comedy team; they just enjoyed the laughter of the moment. Luckily for us Epstein's probing insights help reveal much about why, for instance, Abbott and Costello was just what America needed during World War II. It's fascinating stuff but you also get to laugh along the way as Epstein includes some of the classic comedy lines and routines from the teams.

A good read!

Though the subtitle suggests that great comedy teams lasted at least into the 70s-80s and the cover's inclusion of a couple characters from Friends would suggest they lasted in the 90s-00s, the reality is that they were pretty much through by the end of the 50s, but what a run they had. Though the heyday of the teams came in vaudeville, Golden Age movies, and early television, those of us in the Baby Boom generation -- especially those of us born later on, who grew up with television -- were probably more thoroughly exposed than any other demographic group and seem most likely to love this book. We got to watch The Little Rascals, Three Stooges, I Love Lucy, The Honeymooners, and even Amos 'n Andy in syndication every afternoon when we got home from school. Abbot and Costello was a Sunday morning staple and Laurel and Hardy, the Marx Brothers, and Hope and Crosby's Road movies made perfect cheap filler for non-network broadcast stations. There were enough variety shows still going that older teams and solo comedians would still show up from time to time. We may not have gotten all the jokes, but we spent an awful lot of time laughing at their varied antics. In Mixed Nuts Lawrence J. Epstein treats us not just to a history of these acts but a sociological dissertation on American humor. The anecdote and joke-filled history, though brisk and though it extends several decades too far, is informative and fun, but it's the context he adds that makes the book fascinating.



No one will agree with all his analyses, and sometimes he's obviously reaching in order to give comedy acts a significance they just don't warrant, but the text is so rich in ideas and so thought-provoking that the few misfires are easily forgiven. Consider, for example, this discussion of George Burns and Gracie Allen:
[C]omic timing was a crucial part of their professional craft. In comedy, the straight man's "timing" refers to his ability to wait to speak until the laughter has peaked, receded, and finally stopped so that audiences can hear the next line, but not wait for so long after it has stopped that audiences might get confused or bored. The comic's timing refers to the response after the straight man has finished a line. The term "beat" is used to measure the pause between lines, and it and the "pace," or speed of the delivery, had to be perfect. The comic in the team needed an appropriate appearance and funny lines. Both the straight man and the comic needed rhythm.



Burns and Allen were experts at all of this. They knew which words to emphasize. They learned to control their voices. The staccato rhythm of their delivery was perfect. Other performers would have spoken too slowly or too fast or fallen out of the rhythm, which had to be maintained with each line and each silence. They even used pauses well. Gracie would giggle, an infectious sound and a prompt for even further audience laughter. George's repetition of much of the material was also crucial to the pacing, allowing the audience to grasp the premise precisely and be set up by George for the line to follow. It was impossible for Burns to be a comedian in such a structure. Any joke he interjected would break the patented Burns and Allen patter.
Note how deftly he establishes the general concepts he'll need throughout the book, but illustrates with a specific team, describing what made them masters of the form.



Likewise, here he discusses an irony that I've always found especially delicious, that two of the most conservative men in Hollywood politically were also the great innovators of post-modernism, years before academics and intellectuals imagined they were inventing a new phenomena:
Beyond creating an alternative to classic teams, Hope and Crosby signaled the decline of the traditional comedy team in two ways. First, they helped erase the line between the two worlds created by classic comedy teams. They developed the fourth and final model of the relationship between reality and the comic world created by teams, which negated the three previous models developed by Burns and Allen, Laurel and Hardy, and Abbott and Costello. In this new model, there was no necessity for one member of a team to have a tenuous hold on reality while another character brought the team back to the real world, or for the team to create a fantasy world in which the team members banded together to overcome a strange, hostile reality represented by an outside straight man, or a team in which a straight man represented a tricky world seeking to con us.



Hope and Crosby developed a realistic humor that mocked the illusory world their movie producers had arranged for them. [...]



[I]f you didn't take the real world too seriously there was no great need to create a fantasy comic world. Such an approach required a lack of sentimentality, an ability to avoid so strong an attachment to any person or place that you couldn't face the inevitable disappointments inherent in those people and places.
The earlier portion of that is bang on, but by the end seems quite wrong. Rather it is precisely because we are realistic about the inevitability of being disappointed by people and places that we can find the disappointments comic when they come, rather than tragic. Therein lies the secret to the notion that all comedy is conservative.



Let's end with one more, a look at Ralph Kramden that let's us see The Honeymooners in an almost religious context:
The character goes through a transformation in each show -- but then returns to his old form for the next show, only to be transformed again. Audiences wanted to see that transformation -- that change from the angry loser, the guy with a thousand get-rich ideas that all fail, that yells at his wife and his neighbor, that never seems to get ahead -- to the Chaplin-like, sad and sympathetic soul who is touched by love and, in Gleason's view, by grace and somehow finds the means to express it. As an episode was about to close, he often gazed lovingly at his wife and said, "Alice, you're the greatest."



Audiences saw in Ralph's transformation hopes for redemption in their own marriages and lives.
That's good stuff. Even if you disagree you're forced to grapple with what you think is wrong about it, an edifying exercise in itself. I suspect though that as you read you'll find more you agree with than disagree, and while it would have been better to end the story before we get to the point of considering Rowan and Martin and Cheech and Chong to be peers of the greats, all of it worthwhile.

Mixed Nuts: America's Love Affair With Comedy Teams From Burns And Allen to Belushi and Aykroyd isn't the typical biography of a single comedy act but an all-embracing set of memoirs of America's love affair with comedy teams as a whole, from Belushi and Aykroyd to Burns and Allen. Analyses include portraits of rises and falls in popularity, departures from traditional comedy team norms, the changing world of comedy as it moved from stage to the big screen, and more. Author Lawrence Epstein is an English professor who frequently lectures on popular culture, with Mixed Nuts bringing a scholarly, yet accessible, atmosphere to a fine history of American comedy interests.

If you're a Baby Boomer like I am you have been exposed to just about all of it. When we were growing up in the 1950's and 1960's the George Burns and Gracie Allen Show, Abbott and Costello, Laurel and Hardy and of course The Three Stooges were all staples on TV. In the early 1970's, the antics of Groucho, Harpo and Chico enjoyed a remarkable revival and at colleges and universities all over America Marx Brothers film festivals were all the rage. We enjoyed the antics of Lucille Ball and Vivian Vance and lived through the controversary surrounding the Smothers Brothers. And we howled at the comic genius of John Belushi and Dan Ackroyd. That is why I was so excited when I came across "Mixed Nuts".
Lawrence Epstein has succeeded in chronicling the history of comedy teams in his exciting new book. I enjoyed it from cover to cover. Epstein tells the remarkable story of comedy teams from their earliest days in vaudeville. He introduces us to names we probably never heard of but who were nonethless influential in the history of team comedy. He cleverly intersperses bits of some of the classic routines into his narrative. And he attempts to explain the political, social and cultural reasons why certain acts were wildly popular while most others fell by the wayside. It is quite obvious that Epstein is a big fan of comedy teams. And in the end, he offers reasons why they have all but disappeared from the American scene. Whatever your age, you are sure to enjoy this informative and extremely well written book. Highly recommended.

The Smother Brothers were one of the most important influences on me in my formative years. By the time I was in the sixth grade I had all of their albums and the last television show I watched before we flew to Japan to live there for several years was "The Smothers Brothers Comedy Hour." I went to school proudly wearing my "Mom always like you best" button and still have my autographed photographs of Tom and Dick. Not only did I learn all of their routines and to sing both parts of their arrangements, but from the Brothers Smothers I got my love of satire, parody, political humor, folk song, and two-part harmony. I even got to tell this to Tommy Smothers once upon a time when I ran into him in a Minneapolis hotel and was able to inform him of his personal responsibility in making me the person I am today.

Of all of the comedy teams discussed in "Mixed Nuts: America's Love Affair and Comedy Teams from Bruns and Allen to Belushi and Aykroyd," the Smothers Brothers are the only ones still performing. I saw them perform just this summer and their opening number is entitled "We're Still Here." In this book Lawrence J. Epstein looks at the great American comedy teams of the 20th century. Epstein started off his research for this book in order to explore why the classic comedy teams disappeared and ended up advancing the idea that the importance of these comedians was in how they helped American survive the trying times in which they lived. The author of "The Haunted Smile: The Story of Jewish Comedians in America," Epstein obviously takes comedy seriously.

The focus here is primarily on the great comedians of the movies, with chapters being devoted to Laurel and Hardy, the Marx Brothers, Abbott and Costello, Hope and Crosby, the Three Stooges, and Martin and Lewis. However, the volume begins with Burns and Allen playing the Palace for the first time and by the time television replaces the movies in the 1950s and 1960s, Burns and Allen are on television. In between a lot of things have changed, and there are chapters devoted to particular mediums (e.g., radio) and decades (e.g., 1930). With television forcing comedians to be funny every single week we have a move towards ensemble comedy. At the heart of "I Love Lucy" and "The Honeymooners" you will find Lucy & Ethel and Ralph & Norton, but Ball and Gleason do routines with other cast members and guest stars as well. Eventually we get to the ensemble casts of classic situation comedies from "The Dick Van Dyke Show" and "All in the Family" to "M*A*S*H" and "Friends."

However, you need to be forewarned that just like the real things, "Mixed Nuts" is going to leave you wanting more. You cannot toss in "The Password" routine from "Horse Feathers" and not immediately thinking about other choice verbal duels between Groucho and Chico Marx. Fortunately Epstein includes the entire "Who's on First" routine as performed in "The Naughty Nineties" or I would have had to take the book and throw it against the wall. But while Epstein does revisit several of the best-loved comedy routines from the previous century, that is only part of his purpose here. He also wants to look at the personal stories on how these groups came together, and how each team was shaped and were shaped by their respective eras. So be prepared to be tantalized by those snippets of favorite routines and wish for there to be much, much more. For the Smothers Brothers we get their short little "Moron" routine, but nothing about their masterpieces, like the way they took "I Talk to the Trees" over the years to the point where they got laughs when Tommy did not come in or the way they they can milk Dick's glare for multiple laughs in "Cuando Caliente el Sol."

In the end the key thing is that Epstein makes the case for his thesis. Weaving in lesser known comedy teams, from Gallagher & Sheen and Amos & Andy to Nicholas & May and Rowan & Martin, is more important than providing a comprehensive look at any given team. Epstein wants to define the uniqueness of each group and establish their place in the era they helped to define. Besides, there are plenty of books out there about the Marx Brothers and the cast of "Saturday Night Live," and if Epstein wants to leave the door open for somebody else to write a definitive history about the lives and comedy of the Smothers Brothers, I am certainly not going to be complaining on that score. Epstein is justified in keeping "Mixed Nuts" lean, because that way his thesis is not lost in the laughter. Now, you have to excuse me because I suddenly need to watch "A Night at the Opera" again.

First, Kropotkin discusses mutual aid among animals. His first point is that Darwin had nothing to do with Social Darwinianism. In fact, he quotes Darwin as saying, "Those communities which included the greatest number of the sympathetic members would flourish best, and rear the greatest number of offspring."

He gives numerous examples. One of his examples is about the crested screamer, a bird species which holds massive song recitals. Would Lorenz agree that those birds are chirping merrily? Or would he insist that they are marking their territory?

Next, he discusses mutual aid among savages. Note that he uses a word which is scientifically unacceptable today.

Since K. cannot travel back in time, he surmises how our earliest ancestors lived by observing how isolated tribes today live--which is in clans. Although such tribes are still called "primitive," there is some question of whether or not these tribes live like our prehistoric ancestors did.

Since isolated tribes tend to live in clans, Kropotkin claims that the marital bond is not as strong as in the nuclear family system. In the appendix, he debates Westermarck on this matter.

Next, he discusses mutual aid among barbarians--another taboo word. According to K., there was a wave of migrations in ancient Europe, in which "races were mixing with races." The social institutions seemed to be wrecked as a result, but K. assures us that they instead "underwent the modification which was required by the new conditions of life."

Next, he discusses mutual aid in the medieval city. Now we are up to the Tenth and Eleventh Centuries. Our next institution, then, is the professional guild.

Finally, he discusses mutual aid among ourselves. He sees a faint vestige of mutual aid today. K. sees the union as the successor of the clan, the village, and the guild, so he calls for more and better unions. K. also speaks highly of organizations with special interests, such as garden clubs and glee clubs.

However, K. cautions us against the "reckless individualism," or "the war of each against all," which he sees as prevailing today.

Kropotkin's discussion, persuasive as it is, can be counterbalanced with arguments in favor of individualism and competition. I wonder how Kropotkin would respond to the famous anecdote about the Jamestown colonists.

One can also question Kropotkin's claim that only the most sociable animal species prosper. The feline order is renowned for the aloofness of its members, and the lion has been dubbed "the king of the beasts."

I would like to close this report with an ad hominem attack against Kropotkin himself: If individualism is so reprehensible, what is he doing writing a book by himself and claiming credit for it by himself?

Anarchist classic, rooted in observation of natural phenomena and history. Challenges the conception that capitalism is a natural progression of Darwinism at work in the wild. The author cites numerous examples of compassion and innate goodness at work outside the bounds of a structured power-based society. The study covers cooperation among animals, instances of non-hierachical interactions from primitive tribes to mediaeval cities, and on to his contemporary labor unions. It has been some years since I read it and I plan to revisit this title soon.

This book, which appears to be about the only surviving scientific text from Kropotkin's work, is very interesting and insightful. The first two chapters which deal with animals I found most interesting, because they address the roots of the falsehood of social-darwinism. Kropotkin then proceeds to move through the different stages of human society and describes the mutual aid a compassion fetures therein. It is a fantastic book and I highly recommend it. It is a scientific text, but it has major political implications and is very accessible.

Este libro es uno de los pilares fundamentales de la teoria del anarco comunismo tan desvirtuada por el imperialismo, y nos da la esencia que el anarquismo, lejos de lo que se cree comunmente es una doctrina que se basa en el amor y la ayuda mutua, quitando las barreras de desigualdad entre las personas y haciendo un recuento de cómo la ayuda mutua es un factor de evolución hcia una sociedad más justa.

Peter Kropotkin is one of the most noteworthy anarchist thinkers over the last two centuries. As with other political thinkers, so, too, with Kropotkin--his analy¬sis of human nature is critical for understanding his overall philosophical position. For his view of human nature, "Mutual Aid" is a key for understanding his views. His work is a harbinger of more recent studies of sociobiology, many of which explore the roots of altruism--human and otherwise.

Much of his thinking on the nature of society was formed when he was observing the behavior of animals in Siberia. While assigned to a Siberian regiment of the Russian military, Kropotkin did innovative original work on geography and geology as well as the study of animal behavior. His observation of animals led him to respond to Huxley's assertion that natural selection was based on keen com¬petition among animals with the following statement: ". . .wherever I saw animal life in abundance, as, for instance, on the lakes where scores of species and millions of individuals came together to rear their progeny; in the colonies of rodents; in the migration of birds which took place at that time on a truly American scale along the Usuri; and especially in a migration of fallow-deer which I witnessed on the Amur, and during which scores of thousands of these animals came together from an immense territory, flying before the coming snow, in order to cross the Amur where it is narrowest--in all these scenes of animal life which passed before my eyes, I saw Mutual Aid and Mutual Support carried on to an extent which made me suspect in it a feature of the greatest importance for the maintenance of life, the preservation of each species, and its further evolution."

He synthesized his observations of animals within a species cooperating with one another and concluded that, in the struggle for life, cooperation was at least as important as competition. Kropotkin did not argue that competition was unimportant in the natural selection process. However, he did emphasize that mutual aid was a factor that many Darwinists (although, as Kropotkin made clear, not Darwin himself) ignored. The data that Kropotkin utilized came from many different animal species.

Kropotkin goes on to speculate about the survival value of cooperative behavior. He states that: "Life in societies enables the feeblest insects, the feeblest birds, and the feeblest mammals to resist, or to protect themselves from, the most terrible birds and beasts of prey; it permits longevity; in enables the species to rear its progeny with the least waste of energy and to maintain its progeny with the least waste of energy and to maintain its numbers albeit a very slow birth rate; it enables the gregarious animals to migrate in search of new abodes. Furthermore, cooperation facilitates the development of intelligence, since that quality is so important for social life among animals."

Kropotkin is not content to rest his case at this point. He subsequently indicates the likely course of human evolution and the role played by cooperation. He adopts the method of using existing societies at differing levels of socio-cultural complexity to speculate about the course of human socio-cultural evolution. Kropotkin argues that, at each stage, mutual aid is apparent and important for humans. Even in the period dominated by the great states, the present for Kropotkin, mutual aid institutions still flourished despite the state's intimidating presence.

Thus, Kropotkin's view of human nature is, ultimately, that it is inherently good, i.e. cooperative toward his or her fellow. What of this assertion? Is Kropotkin's view of human nature completely inaccurate and confounded by the available evidence? That is where each reader must evaluate his or her view of humanity's nature and render a judgment on "the anarchist prince."