Adams Books

The poems in the Airplane Diaries blend the poet's childhood memories and her adult experiences which were shaped by those earlier events. Not only do her lovely poems--and the equally enchanting paintings which accompany them--bring to life Adams' unique personal background, they also stir memories and stories from the reader's own life.

The poetry in this book is magnificent. The incredible weather imagery make the poems larger than life--nearly a working model for objective correlative. The art and design that went into this book don't overshadow the poetry, but make it so exquisite that it would be a shame to hide the book on a bookshelf.

I was struck initially by the physical beauty of this book. The covers--front, back and end papers--are made from copies of silk flight maps and echo the theme of most of the poems. The book evidently is a collaborative effort between Adams,a poet, and her mother, an artist, who as one of the poems explains is legally blind. That the lovely and engaging illustrations were painted by a blind woman is one of the book's pleasures. The book's poems work childhood reminiscences into sensuous and intriguing shapes. Adams counterpoints each poem with a prose voice that speaks back to the poem in plainsong. Adams' approach to language seems physical and sometimes surprising: she mentions in the book that she is also a carpenter and she seems to exult in the texture and weight of words themselves. I appreciate the warmth and humanity of the voice, which comes through in the prose as well as the poetry.

i'm also in the fournet family, and when reading these poems and looking at these paintings I asked what everything was about who everyone was. I learned so much.

Part of the Becka and The Big Bubble series, Becka and the Big Bubble: All Around Town is a lighthearted, rhyming children's picturebook about a young girl who likes to blow bubbles - then ride on them! Adopting the name Becka and The Big Bubble for herself, she floats atop her bubble like a dream, seeing everyone all around town, but when the wind carries her so high that her bubble bursts, she's in big trouble! Becka has to figure out how to save herself in the nick of time, and return home to her loving parents, in this whimsical adventure. Also highly recommended is "Becka and the Big Bubble: Becka Goes to the North Pole".

I read Beck and the Big Bubble-All Around Town to my two-year-old son every night. He doesn't understand the story yet, but he loves the colorful illustrations and seems amused by the rhythmic language. I've also given these books as gifts to my nieces. They are a few years older than my son and they love the concept of "bubble travel". They think Becka is very cool and pretend to travel places on bubbles just like Becka. The Becka books are a fantastic way to introduce kids to the concept of other places and cultures outside of their own.

An easy fun book for boys or girls. I took this book to my son's preschool and the class went crazy with cute stories about where they would like to go.

I bought every one of the Becka and the Big Bubble books for my 3 year old son. And I'm happy to say he loves every single one of them! I'm sure your kids will enjoy them as well.

Beautiful photographs laid out well with a good mix of celebrity/socialite/political women who effect our lives. Very good value for money

Here is an AWESOME ROCKSTAR who knows how to express his sensitive side through his impressive work of fine arts. He was able to capture the essence and inner beauty of a woman through his black and white photography. His images present simplicity at the same time timeless.

American Women is an impressive collection of fabulous women photographed by an equally FABULOUS ROCKSTAR. That alone is worth adding to your collection. It will be the one of "THE BEST BOOK OF YOUR LIFE!" Cold Eyes

I love the book. Tina Turner is in it and I love Tina. I would suggest this book to anyone that is looking for a photography book.

Bryan Adams (Summer of 69, Have You Ever Really Loved A Woman) lost someone close to him to breast cancer and decided to become a force in raising money to combat the disease. Having already published two books on women in the UK and Canada, Adams turns his attention to the U.S and dedicates the profits of "American Women" to the Memorial Sloan-Kettering Cancer Center in New York. That effort alone earns it all the stars in the sky. This is a very talented artist who is more famous for his music than photography. You won't find any award winning photography between these pages but that wasn't the point. I believe the point was to focus on women, their strength, beauty and their value. Bryan Adams has accomplished that with a touch of class. "American Women" is worth every penny, especially if "You Ever Really Loved a Woman."

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true."

This fascinating "Agony in Eight Fits" composed by Lewis Carroll in 1876,is to Literature what a Trompe-l'oeil masterpiece is to the world of Art.Well,maybe only in a way; because once "discovered" in a painting ,the trick of the eye can be seen or understood. Maybe it is more akin to modern art where someone says "this is what the artist is saing" ;and people can say "Yes,I see what he means" ;but there's always something else.
With this poem,there have been countless interpretations and Carroll himself offered more questions than answers ,when asked what it meant.
This book was published as a Centennial Edition and annotated by Martin Gardner;famous for his features in "Scientific American Magazine" as well as a lifetime of interest ,writings and books in Mathematical Recreations.
All the plates as well as original shetches by Henry Holiday and extensive information are tncluded. To complete it all,a complete facsimile of the First Edirion is also included.
Although there has been endless things said and written about this famous work,this edition would be as good a place as any to start in seeing what this poem is all about.
One club,and there have been many,was founded in 1897 and lasted till the last meeing in 1914 on the eve of WWI.The number of members was severely restricted . "The club's eleven rules are so delightfully Snarkish that with the Bellman's permission",they are included in the book.
It is near impossible to write a review on this book other than to say,I spent an afternoon enjoying it,but one could spend a great deal of time studing it and writings about it.
I don't often refer to Reviews by others,but in this case I would be remiss not to note the excellent one written by Luan Gaines"Luansos" on November 6,2006.

"'Once upon a time there was a Boojum--'the Professor began,but stopped suddenly.'I forget the rest of the Fable,' he said.'And there was a lesson to be learned from it. I'm afraid I forget that,too.'"

Filled with exuberant language, The Annotated Hunting of the Snark is an unparalleled adventure, part nonsense, part ironic elucidation, suggesting that nothing is ever what it seems. Published on April Fool's Day 1876, Carroll's epic poem, The Hunting of the Snark, is elaborately presented with annotations by Martin Gardener, exploring the sea voyage of a crew determined to capture the elusive Snark; they are ten: a Bellman, a Boots, a maker of Bonnets and Hoods, a Barrister, a Broker, a Billiard-Maker, a Banker, a Beaver and a Butcher. The Snark itself presents a conundrum, be it beast of "Boojum", an entity that will cause them all to disappear.

For over a century, scholars have discussed Carroll's poem, its nonsense, allegories and anecdotes, rife with hidden meanings and scholarly interpretations. The annotations and illustrations in this volume are classic, black and white images of animated men and beasts, fantasy in the ink strokes of the artist's pen, page after page of fascinating annotations reflecting the variety of discussions engendered by the poem: "According to Humpty Dumpty, the word `mimsy" (from the first stanza of Jabberwocky) is a portmanteau word combining `miserable' and `flimsy'."

Each fit advances the story, introducing the crew members, each with his pretensions and expectations. Both dreamlike and illogical, The Annotated The Hunting of the Snark appeals in language and whimsy with undertones of danger, the unknown lurking, a virtual treasure trove of allegories for those inclined to such interpretation. It is Gardner who adds the unique spirit of this edition, expansively embracing "a personal God and much that confounds the simple or poverty-stricken or mindless materialism", while remaining "an untiring pursuer of pseudoscience and irrationality", the "space between a feeling heart and a thinking mind, between a love of the marvelous and a reverence for skeptical truth":

"In the midst of the word he was trying to say,
In the midst of his laughter and glee,
He had softly and suddenly vanished away-
For the Snark was a Boojum, you see."

Our modern world has been redefined by the specter of the Snark as Boojum, perhaps as death or a fear of extinction, a dread of the unknown. With its luxurious illustrations, the annotated poem is followed by a number of interesting pieces: "An Easter Greeting"; "A Commentary by Snarkophilus Snobs"; "The Clue" (a sequel); "Excepts from Henry Holiday's Reminiscences of My Life"; and an extensive bibliography, all in all, a grand adventure into a vast chasm of possibilities. Luan Gaines/2006.

This is a new version of older works. It has new introductions
and the new preface by Martin Gardner. This new version contains
additional and expanded thoughts on the main work. Being the latest
and greatest version to date.

Highly recommended for readers interested in the timeless poem by Lewis Carroll. And this should encompass all those, regardless of age, who have a sense of humor and an element of wonder.

Absolutely hilarious! Makes me want to listen to the radio broadcast all over again.

These authors take you through the 5-book Trilogy (although they mostly focus on the first 3 books) in a series of essays. They are all light hearted, but some of them are more serious that others. It also includes a great interview of Douglas Adams from the 80s.

I had a lot of fun with the book and remembering my favorite scenes. The essays also helped me see different interpretations of the actions of the characters. I recommend it for the bookshelf of any H2G2 fan!

The book covers tons of details, from how important food is to the series, to computer design, the meaning of life, the meaning of 42, Marvin's place in the universe, Vogon poetry and even British humor. At under 199 pages, this tiny book seems to cover a lot, but I feel they could have done so much more. There is so much to debate and think about when it comes to Adam's universe that this book barely peeled off the first layer of the massive tome. But maybe we should leave some mystery for future readers to find and enjoy on their own?
To list just SOME of the contributors whose work is within these pages we have Stephen Baxter, Susan Sizemore and Adam Roberts.

Twenty essays make up The Anthology at the End of the Universe and each author basically tries to tell us what is so important about the 5 book Hitchhiker's Guide trilogy. It's sort of like the old joke about the blind men each trying to describe an elephant when they each had only a small piece of the animal in their grip. No one essay can be expected to give you a definitive answer as to what the Hitchhiker's Guide is truly about or what Douglas Adams' message was when he wrote it. What the essays do is give you an understanding of why the books are so popular and how so many people have found a place for them in their lives and hearts.

Some of these essays had me laughing out loud so that I had to read those parts to my husband to prove I hadn't really gone off the deep end. Other's had me wondering about how you could come up with such serious connections from a series of comedic science fiction books. Then there were the essays that had me saying, "hmm, never thought of that". And of course, being me, there were the essays that had me sniffling discreetly into a tissue. There's a lot to like in this collection of essays. However, they are essays rather than short stories and if you're looking for the latter this book is not for you.

Mike Byrne in "Beware of the Leopard", Cory Doctorow in "Wikipedia: A Genuine H2G2 - Minus the Editor, and Bruce Bethke in " The Secret Symbiosis: The Hitchhiker's Guide to the Galaxy and Its Impact on Real Computer Science" talk about the impact that Hitchhiker's Guide has had on computer science, computer interface design, the internet as a communications media, and the impetus it was in starting many young people on a career in the sciences. The Guide in the television version, while done with colored gels and press on letters was heads and shoulders above what computers at the time were capable of achieving. Once people saw what a really good user interface could be like they demanded better than they had and the computer companies listened. In some ways, we have Douglas Adams to thank for the usability of computers because once users began to think there could be something better they demanded it.

Others see the Hitchhiker's Guide as a round about way to think of the truly important things in life: religion, humor, 42, looking at the world as it is. The following essays dealt more with the philosophical aspects of the books: "That About Wraps it up for Oolon Colluphid" by Don Debrandt; "The Holy Trilogy" by Selina Rosen (this one is so funny it should have a spew alert); "The Zen of 42" by Marie-Catherine Caillava.

No book about the Guide could be complete without a mention of Vogon poetry. Lawrence Watt-Evans in "A Consideration of Certain Aspects of Vogon Poetry" discusses the merits of quantifying poetry so that the Guide can equivocally say that Vogon poetry is the third worst. He also wonders about Arthur's seeming immunity to it.

Adam Roberts in "42" and Jacqueline Carey in "Yes, I Got It" discuss the philosophy of humor and its place in our lives. While Susan Sizemore in "You Can't Go Home Again, Damn It! Even If Your Planet Hasn't Been Blown Up by Vogons" realizes that the person she was when first exposed to the Guide and the person she is now do not view the Guide in the same way. Even with all the happy memories of that first reading, she finds that it doesn't have the same impact now as it did then.

Food, food, glorious food. Douglas Adams loved a good meal especially with good friends and food plays an important role in the Hitchhiker's Guide. The role of food is touched upon by Steven Baxter in "Lunching at the Eschaton: Douglas Adams and the End of the Universe in Science Fiction", A.M. Dellamonica in "Digital Watches May Be a Pretty Neat Idea, But Peanuts and Beer Are What Get You Through the Apocalypse".

When the world or universe is off kilter or just plain crazy, how do you remain sane when all about you are crazy? Well, some writers have evidently come up with some ideas on how to remain sane in a crazy world from their reading of the Guide: "The Subversive Dismal Scientist: Douglas Adams and the Rule of Unreason" by Vox Day; "Another Fine Mess" by Adam Troy Castro; "The Only Sane Man in the Universe" by Marguerite Krause; "Douglas Adams and the Wisdom of Madness" by John Shirley; and "Loop-Surface Security: The Image of the Towel in a Vagabond Universe - A Semiotic (Semi-Odd) Excursion" by Mark W. Tiedemann.

There's also an interview with Douglas Adam by John Shirley ("A Talk with Douglas Adams"). Amy Berner in "Words to Live " talks about how everything she needed to learn to life live she learned from the Hitchhiker's Guide. "Goodnight, Marvin" by Maria Alexander is the final essay in the book and a touching tribute to Douglas as a person who touched many of our lives with his writing.

Miller has taken a little-known set of antebellum incidents and made them live. The book is both a scholarly work and highly readable for the layman. Miller provides a modicum of "modern parallels" and editorial asides that would, if they weren't so intelligent, be inappropriate. As it is, his observations along these lines as the book progresses makes the work more interesting rather than less. This book is more interesting that last year's biography of John Quincy Adams, which I also enjoyed.

William Lee Miller, the wonderfully readable historian and author of a number of political history books, here turns his attentian to the United States Congress. His protaganist is John Quincy Adams, (of recent AMISTED fame) fighting the Southern block of congressmen who want to keep petitions for the abolition of slavery off the floor of the House of Representatives. The question of wether Adams will eventually defeat the "Gag Rule" builds from begining to end.

Miller's real strength, however, is his ability to write. He turns what could have been a dry history of congressional politics into a battle for the very soul of the nation. When Adams finnaly wins the battle, in the end, while nearly dying on the floor of congress, you want to stand up and cheer.

This episode of American history has rarely been given more than a line or two from the average college textbook. But by reading this book, you become half convinced this was one of the most momentous occasions in the history of the American nation, and perhaps that is the finist compliment I can give William Lee Miller.

Arguing About Slavery has a very difficult subject to make live, what William Lee Miller calls the "tedium and sublimity" of republican debate. The historian's duty to be evenhanded even when faced with the moral pit of slavery doesn't make the job any easier. Yet, Miller handles these problems with aplomb and, more, handily succeeds.

At about 500 pages, Arguing About Slavery is concerned with the parliamentary debate and tactics used by pro-slavery and anti-slavery forces in the Congress in the 1830's and 40's. It shows how, nearly single handedly, John Quincy Adams insistence on the right to petition exposed the South's determination to controvert the Constitution in its quest to shelter the practice of slavery from congressional criticism. By the time the Congress puts the "gag rule" to rest, Adam's exposé had made abolitionism a powerful and accepted political force in the North.

Miller storytelling skills has the reader discovering the extent of sophistry the pro-slavery forces were willing to go to as they were forced to resort to deeper and deeper hypocrisy. He does this, however, without denigrating the men of the South. Indeed, much of the enjoyment you'll derive from reading Arguing About Slavery will come from the rhetorical skills the Southern Congressmen liberally display throughout.

Although Miller's protagonist is clearly J.Q. Adams, he spends considerable effort on a broad cast of characters, from the original abolitionists and their puritan backgrounds -- the Grimké sisters, Theodore Weld, Elizur Wright, Elijah Lovejoy -- to Adam's allies in the House -- Joshua Giddings, William Slade -- to the pro-slavery giants -- John C. Calhoun, Caleb Cushing, Francis Pinkens -- and moderates like Henry Pinkney (whose gag rule ironically was intended as a compromise) and President Martin Van Buren. If these biographies are not familiar to you, these and others in Arguing About Slavery should be. Miller describes the history and premises of all parties involved, but doesn't interrupt the flow of the tale to do so.

Miller does an incredible job of making the tedium and sublimity of republican debate come alive and at the end of the book you better understand the place of liberty in America's national consciousness, the intellectual forces that led to the Civil War, and the nature of the founders' relationship to the practice of slavery itself. The only criticism I have is that sometimes Miller's rhetoric is a bit too partisan, which reduces the value of the book as ammunition against slavery's apologists, which do still exist. But that has nothing to do with merits of the book as a work of the historical art, which are excellent.

This is an excellent book, one that surpassed any expectation I might have had for it. And my expectations were high, because the critics spoke so highly of it when it was released. Still, I doubted whether a decade-long legislative battle could carry my interest for 300+ pages. I was wrong. Every page and character was interesting, and the consistent imagery of John Quincy Adams, in the sunset of his political career, battling the southern foes in Congress on a daily basis is an enduring one. Books like this one should be substituted for the dry history curriculum that I had in high school.

"Baseball as America: Seeing Ourselves Through Our National Game" was the companion volume the landmark traveling exhibition from the National Baseball Hall of Fame and Museum in Cooperstown, New York. As its thesis this book takes Jacques Barzun's declaration "Who ever wants to know the heart and mind of American had better learn baseball." Within these 320 pages you will find yourself exploring every aspect of the American pastime lavishly illustrated and even long time baseball fans will be surprised at how much they will read and see that is new to them.

After an introduction by Jules Tygiel, which features a 1860 Currier and Ives lithograph showing Lincoln and his opponents for the presidency describing their platforms in baseball terms, "Baseball as America" is divided into seven units: Our National Spirit, Ideals and Injustices, Rooting for the Team, Enterprise and Opportunity, Sharing a Common Culture, Invention and Ingenuity, and Weaving Myths. Within these pages you will find Robert K. Adair explaining the science of the curve ball invented by Candy Cummings but first explained by a 23 year old Isaac Newton and Paul Simon explaining to Joe DiMaggio his use of Joltin' Joe's name as an emblematic icon in the song "Mrs. Robinson." There is Dan Shaughnessy's "Obituary of Elizabeth Dooley" the legendary Boston Red Sox fan and Buck O'Neil explaining how the Chicago Cubs traded away future Hall of Famer Lou Brock because the team already had three black outfielders. Then there are the letters Curt Flood and Bowie Kuhn exchanged when the outfielder refused to be traded from the Cardinals to the Phillies. You might remember Flood's letter from Ken Burns' documentary "Baseball," but here we have Kuhn's response.

Of course Ernest L. Thayer's ballad of the republic "Casey at the Bat" will be found here, along with a Charles Schulz "Peanuts" cartoon of Charlie Brown praying to catch a baseball, Bob Newhart's "Nobody Will Every Play Baseball" routine, and excerpts from W.P. Kinsella's "Shoeless Joe." There are photographs of the famous Honus Wagner T206 1909 baseball card, Eddie Gaedel's 1/8 St. Louis Browns jersey, Shoeless Joe Jackson's shoes, Lou Gehrig on the cover of a program from the American baseball tour of Japan in 1931, "Babe Ruth Underwear," and the patent and model for F.W. Thayer's 1878 catcher's mask. Then there is the poster of the elephants playing baseball for the Barnum & Bailey Circus.

Then there is the juxtaposition of words and images: Joe Raposos's lyrics to the Frank Sinatra song "There Used to Be a Ballpark" with a photograph of the demolition of the Polo Grounds. There is an excerpt from Bernard Malamud's "The Natural" with the cowbell Hilda Chester used at Ebbets Field and a photograph of Andre Dawson's final visit to Wrigley Field. A photo of Satchel Paige of the Kansas City Monarchs warming up at Yankee Stadium and Ted Williams' 1966 induction speech at the Hall of Fame where he surprised the crowd with his call to honor the stars of the Negro Leagues. A letter from Fiorello LaGuardia in 1945 about a committee formed to end segregation in baseball opposite a pair of photographs showing black kids and white kids clutching Walter Johnson board games and waiting to meet their favorite baseball star.

The back of the book includes a list of the selections from the collection broken down into baseballs (handmade ball made by Babe Ruth at school), baseball cards (1952 Topps Mickey Mantle), bats (George Brett's "pine tar" bat), books, booklets, and periodicals (comic book "Roy Campanella Baseball Hero"), broadsides, handbills, and posters (handbill urging integration of the New York Yankees), caps (Hideo Nomos no-hitter cap), cartoons ("Base Ball as Viewed by a Muffin" from 1867), communications equipment (Red Barber's first microphone), decorative art (theater lobby card for "The Jackie Robinson Story"), fan art and fine art ("Tom Seaver" by Andy Warhol), games and toys ("darktown battery" cast iron mechanical bank from 1888), gloves and mitts (Yogi Berra's mitt from Don Larsen's perfect World Series game), jerseys and uniforms (1976 Chicago White Sox Bermuda shorts), jewelry (charm bracelet made from championship jewelry given by Lou Gehrig to his wife), letters and documents (All-Star ballot filled out by Casel Stengel), medical-related items (ethyl chloride numbing spray), merchandise (Reggie Bar wrapper), miscellaneous equipment (prototype JUGS Speed Gun), programs and scorecards (program for first Colored World Series), sheet music and records (1908 Edison Wax cylinder record of "Take Me Out to the Ball Game" and magic lantern slide), shoes (worn by Ty Cobb), souvenirs (1961 button, "I'm for Maris--60 in '61), stadium equipment/artifacts (turnstile from the Polo Grounds), tickets and season passes (ticket to Lou Gehrig Day), and trophies and awards (Cy Young Award given to Sandy Koufax).

So you can get a very good idea of what you missed out from the traveling exhibit. Of course this is a fraction of what was on the tour and while less than half of what is included on these six pages makes its way into "Baseball as America" just looking over the list can be fun. The tour, of course, is long over, but if you have never been to Cooperstown, or if it has been a while since you have been to the Baseball Hall of Fame, then be forewarned because this book will make you want to go and visit all of the baseball treasures on display.

This book is an excellent companion piece to the Baseball as American travelling exhibit (www.....org). The pictures included (like any National Geographic piece) are first rate. The included stories are from a diverse group, from sportswriters to former players. However, that's where the book takes a bad turn. The articles are inconsistent in style and quality, and for anyone who enjoys baseball, it's painful to read. This book is required for anyone who loves the game, but I wouldn't recommend it to casual fans.

From the eye catching cover to the inspired essays and beautiful photographs inside, this book is a delight. All that was missing was the hot dog and beer. A great gift for fellow baseball fanatics! Go White Sox!

Book is very nicely presented with many great illustrations, pictures, and excerpts from notable authors. Great book for the casual or diehard baseball fan. This book covers the terrific exhibit now showing at New York City's Museum of American History. Check it out. It's very worthwhile.

Great mirrored cover, a must for the completist.Very entertaining!

"Wise men say, only fools rush in. But I can't help falling in love with you." That should help put you in the mood for reading this review. "You ain't nothin' but a hound dog!"

Although this book is about impersonating Elvis, I was intrigued about the many details about how Elvis achieved his effects on his audience.

The author is an Elvis impersonator who is president of the Elvis Impersonators International Association. You will learn almost everything you need to know to look, sound, and act like Elvis in a way that will stimulate those who meet you. After this book is widely read, Elvis sightings should definitely soar!

You get instructions for creating your own Elvis costume for around $170 (if you do your own sewing and can rent some blue suede shoes). If you are like me, you didn't know that Elvis used lots of make-up in his stage appearances. You will learn how to put that make-up on yourself, as well as dye your hair the right color (yes, Elvis dyed his hair, too).

If you are simply a loyal Elvis fan, you can be more like him by using only the products he did (Brut, Colgate toothpaste, Wella Balsam shampoo, Neutrogena soap, Scope and Listerine), so you can smell as nice as he always did.

The book contains instructions for making your entrance, putting together songs in the way Elvis would have done, and making a splashy exit. I never would have thought of hiring people to pretend to be your bodyguards.

You are cautioned to keep your act and costuming in sync.

If you do decide to become an impersonator, you get lots of marketing advice as well.

After Elvis died, many people resented impersonators. Since then, many people hunger for more Elvis and the impersonators have gotten better. Somewhere between 3,000 and 10,000 people now do Elvis impersonations. After this book, that number and quality will surely grow.

There is a lot of good humor in the book about what it is like to be an impersonator. Sometimes you can pick up tickets left for Elvis at the box office. Other times you may get a chance to advise on or appear in a movie, as the author did.

The many wonderful photographs of Elvis make this book fun to look at for Elvis fans.

There was only one let-down. The author says, "I firmly believe Elvis is dead." Maybe I'll have to go see an impersonator show after all.

You can enjoy this book as a serious look at Elvis, as a serious look at being an Elvis impersonator, or simply as good humored fun. In any dimension, you'll enjoy yourself!

After you have finished reading and enjoying your Elvis reveries, I suggest that you think about what else may be missing from your life that you once greatly enjoyed. How can you recapture that? This may mean revisiting old haunts, taking on new "old" experiences, or making new friends who share the old preferences. In any event, allow yourself to be real about what you once enjoyed. You can enjoy your youth at any age!

"Uh, thankya, thankya . . . very much!"

Being from Jacksonville, and a big fan of Rick's, I recommend this book for everyone whether you want to be Elvis, Priscilla or Lisa Marie!! Full of memorable pics of Elvis, Rick performing and pics of him with Celebs like Sarah Jessica Parker from "Honeymoon in Vegas". The book is colorful, entertaining and fun for any library! Rick is the "King" of showman himself, so slip into your blue suede shoes, lean back relax and enjoy "Be Elvis" - it rocks just like Rick and the forever King!

As a collector of the unusual , I found this highly entertaining. I have seen plenty of Elvis impersonators in my day, and this struck me as amazing that there is a how to book...

A great gift for an elvis fans everywhere

A fabulous Beatles "timeline diary" of their professional activities. It reads alot better than that description though. Helps one to focus on the myriad of events that the Beatles experienced and endured. You will read it and wonder how they had the energy to do what they did. An exhausting lifestyle. A great starting point to understand the internal Beatles experience. Presented in "day by day" diary format.

Not novelized. Not embellished. Just facts. A working documentary rather than a sensational expose'. Extremely useful to the serious collector.

Harrowing.

This book is the most comprehensive Beatle book I've ever read, and it helped a ton in completion of my Beatle web page. There just isn't a better book on the market.

weiner divides his book into easy to decipher and read chronologies and for this he deserves a medal. though all of the information he gathers is available elsewhere having it in one volume is particularly useful . his concise chapter on various versions and mixes of the songs is a godsend.

A dream-come-true for any Beatles fan or collector, this is the only up-to-date, complete, accurate Beatles record reference published to date. The only books in the Beatles literature that can compare with the quality and value of this volume are those written by Mark Lewisohn, particularly his "COMPLETE BEATLES CHRONICLE." Wiener's book, unlike Lewisohn's, includes every recording the Beatles ever made, both as a group and later as individual solo artists. It also includes all of their unreleased recordings, of which there are hundreds ranging from studio outtakes to crude home demos, rehearsals, concerts, radio and television appearances, and even recorded interviews. Of even greater value is the listing of dozens or bootleg records and CDs on which these rarities and curiosities can be heard. With the exception of the recent "ANTHOLOGY" releases, the book is a complete, accurate guide to all known Beatles recordings, and at an incredibly low price. The book is divided into several well-organized sections, including a recording chronology of their released material, U.S. and British discographies, a chronology of unreleased recordings and bootleg releases of them, a list of alternate versions (there are an amazing number of these), rare special releases, plus appendixes listing guest appearances by the Beatles on other artists' recordings, and video releases. There are a number of other Beatles references that claim expertise for their authors and accuracy and completeness of information, but these must be viewed as "pretenders" when stacked up against Wiener or Lewisohn; they are the class in their league. Betty Mitchell

Well, behavioral science is the most important yet difficult part to masterize in the USMLE step 1. That's why a great teacher ( at least they say so ) like B. Fadem thinking of all the world's students, wrote this book.
You cannot ask for more. Written in an enjoyable manner, with high yield facts, review questions on Each Chapter, and a final review exam, concepts definitely get into your hard disk ( or you will have to see your neurologist ). It's a masterpiece worth a place in your shelf, and of course, it's price is insignificant for what you will get.

Great outline review of all the parts that fit under the rubric of 'Behavioral Science' according to the NBME. Prepared me well for the NBME exam, and was a good review tool for class exams in Psychiatry. Highly recommended! Fadem is a great teacher too!

You really need this book for Usmle as well as med school.Indispensable A book you will refer to over and over again

I used this book for my clinical neuro class and it was excellent! It even has some epidemiology and statistics. It's all I used to study for this subject on step 1!