Adam Books
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pricelessReview Date: 2007-08-10
Live far away from your dad? Try using this book to email him a "Question of the Day!"Review Date: 2007-07-02
A great investment in your historyReview Date: 2007-05-17

Collectible price: $125.00

More info on Quiller series at www.quiller.net fan siteReview Date: 2004-07-09
Quiller KGBReview Date: 2000-08-15
FantasticReview Date: 1999-09-15


that was the way to goReview Date: 2000-09-18
that was the way to goReview Date: 2000-09-18
commuting on the railroad ferriesReview Date: 2000-09-23

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Fabulous! Simply a wonderful book.Review Date: 1999-01-21
A simple, fun way to become a great parent.Review Date: 1999-01-21
Best parent resource I've found - truely inspirational!Review Date: 1998-07-26
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Counselling With AssistanceReview Date: 2007-11-13
Great survey of nouthetic counselingReview Date: 2007-03-25
This is a great resource for basic training. It is a must for all Christian workers, both vocational and volunteer. I would honestly say that it should be in every Christian's library. The ideas in this book are developed deeper in The Christian Counselor's Manuel, Competent to Counsel, and (Ready to Restore:)A Theology of Christian Counseling.
Readiness Involves Ability--hence the bookReview Date: 2005-04-04
Ready to Restore is a high tribute to the authority of God's Word, as Dr. Adams actually expects Christians to take action on Galatians 5:1. Adams believes that each person is responsible to obey this passage, not merely the pastor alone.
To that end, Adams writes, "Is Christian counseling the work of a highly specialized group of persons? Does it belong to pastors and elders of the church alone? What of everyday man or woman-in-the-pew Christians; do they too have a ministry of counseling to which God has called them as laymen? ... The answer is simple, yet profound: God calls every Christian to counsel some people, somewhere, at some time about something..."
Adams addresses the barriers to obedience which the "you who are spiritual" must overcome: fear, knowledge, spiritual maturity, and integrity.
It is a short book, but worth every minute spent studying and reading. I simply love it when an author places his trust in God, God's Word, and assumes that God's people will obey. Adams demonstrates an immense respect for God and for Christians in this book.

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Sensible, jargon-free book on reading with kids.Review Date: 1998-05-12
Terrific help to parentsReview Date: 1997-10-09
great advice on how to read more productively with your kidsReview Date: 1998-04-22
This book has valuable suggestions for parents and grandparents and teachers of very young readers (and listeners), and older, more sophisticated readers, too. Plus, reading Really Reading! is not a major undertaking; you can read it in an afternoon and use its techniques with your kids that evening!
I've found that my kids enjoy the time we spend reading together more now that I'm using the things I learned from this book; and I'm enjoying reading with them more, too.

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Ripping Good FunReview Date: 2000-04-13
Very funny!Review Date: 1998-07-18
The Reduced Shakespeare Company knows their stuff, and are very creative about their presentation.
Shakespeare like you've never heard itReview Date: 2001-09-26

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Old sentry dog handler.Review Date: 2005-07-25
I was there.Review Date: 2004-10-22
Great ReadReview Date: 2003-02-10

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Paterphilia perpetuates puissant pulsationsýReview Date: 2003-11-12
Impressionism in criticism...travel at your own risk...Review Date: 2002-06-21
a volume of collected (previously published) essays
along with an essay on "Winckelmann", a Preface, and
a Conclusion was [and perhaps still is] an extremely
influential work of aesthetic criticism. The volume
helped shape [influence] the perceptions, the
attitudes, and the approaches of many youthful readers
in the late 1880's and 1890's. It is very interesting
to read, immensely engaging to consider and muse about,
but also offers cautions to the overenthusiastic,
easily influenced [or persuaded] disciple.
This volume consists of an Introduction [by the
editor, Adam Philips], a Preface [by Pater], 9 chapters,
and a Conclusion (in this particular edition
by Oxford Classics there is also a chronology, a
Selective Bibliography, an Appendix titled "Diaphaneite,"
and Explanatory Notes in the back. The chapter titles
(after Pater's Preface) are: Two Early French Stories;
Pico Della Mirandola; Sandro Botticelli; Luca Della
Robbia; The Poetry of Michelangelo; Leonardo da Vinci;
The School of Giorgione, Joachim Du Bellay; Winckelmann;
and Conclusion.
* * * * * * * * * *
What's the problem here? Well, unfortunately, Pater
is not completely reliable as an objective perceiver
or critic. He tends to be a bit eccentric in his
individualistic perceptions and interpretations of
the art works, but he goes ahead and defends this
approach in a very "modern" sounding fashion --
which seems to include a bit of "situational perceptions,"
subjective impressions of perception and response,
and subjective criticism. Which makes for extremely
engaging [sometimes irritating] reading, but leaves
something to be desired as far as objective and
judicious thoughtfulness and truthfulness. Pater
seems to believe that it is acceptable to "bend"
or even create facts to further his own it-pleases-
me-to-think-that-this-is-or-should-be-so desires.
We know that we are on a slippery critical slope
[though it will sound all too familiar to modern
ears and modern apologetics] when the editor Phillips
informs us: "In Pater's first published writing, his
essay on Coleridge of 1866, he had suggested that --
'Modern thought is distinguished from ancient by its
cultivation of the "relative" spirit in place of the
"absolute" ... To the modern spirit nothing is, or
can be rightly known, except relatively and under
conditions." It doesn't take much time to realize
that such a critical position is going to lead to
an end-position of aesthetic, critical, and moral
relativism ("You can't tell me I'm wrong, because
there is no one set way of seeing, analyzing,
believing, or evaluating."-- the spoiled, indulged child's
self-justification for the validity of its own
ego supremacy and authority against that of any
parental or adult restrictions. Such a position usually
means a lack of any meaningful in-depth self questioning
or objective evaluating of personal motives, and a
welcoming of lack of restraints in the pursuit of
pleasure and non-self discipline. And this, of course,
is the critical negative refrain that often comes
against the decadent followers of Pater's credo.]
The second fall-out effect of Pater's evaluations
and pronouncements is that some of his disciples
[self-styled] went farther than even he was willing
to approve with their hedonism and purposefully
shocking lifestyles and "decadent" behaviors and
aesthetic appetites.
But it came from statements like this, which Pater
may have meant one way, but which their subjective,
individualistic perceptions took another way: "The
aesthetic critic, then, regards all the objects with
which he has to do, all works of art, and the fairer
forms of nature and human life, as powers or forces
producing PLEASURABLE SENSATIONS [caps are mine], each
of a more or less peculiar or unique kind. [We value
them --he says] for the property each has of affecting
one with a special, a unique, impression of pleasure.
Our education becomes complete in proportion as our
SUSCEPTIBILITY to these impressions increases -- in
depth and VARIETY."
Let the perceiver and the critic -- and the
experiencer -- proceed with extreme caution and good
judgment.
* * * * * * * * *
Pater and the Renaissance: Aesthetic Self-HelpReview Date: 1997-05-04
peculiar way: although its evaluations are
quite wrong at times, particularly the chapter
on the School of Giorgione(if you care, check
out the edition with an introduction by
Kenneth Clark), Pater's Renaissance still
shines with the very same light that made it a
cult among Victorian youngmen.
The "gemstone flame", the pervasive feelings
of which Pater invited us to share have not
vanished (in spite of the attempts of the
so-called modern art), and the book's
invaluable lesson is that you simply
do not need a fancy objet d'art to see
what true beauty is all about.
So basically this is what I have to say: if
you have ever derived aesthetic pleasure from
anything at all in life, you should read this
little book tomorrow. If you never felt any
such pleasure, you must read The Renaissance
right now, or you'll simply let the good
things pass you by. I mean it.

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Once I picked it up and started to read, I couldnýt put it..Review Date: 1999-10-02
First off, the cover. Yes, I do notice those things. I love good cover art and THE REPOSITORY has excellent cover art. Kevin Murphy, the cover artist, and Neil Seltzer, cover design, have put together the perfect package that could sell this book on looks alone.
Though THE REPOSITORY is not the sort of book that has to get by on looks alone. THE REPOSITORY is a wonderful read. Thrilling. Enthralling. You will find yourself under a spell as Adam Niswander cleverly weaves you into his story. And what a story it is!
I suppose that you want a bit of a peek. Okay, open the pages and you will find; an ancient fellowship, an evil witch, a gifted and kind man, Lucifer himself, and Ambrose Bierce. Just imagine. Can you? Well, if you can, you are Adam Niswander.
You are going to want this one. If you don't, I picked up a thing or two when I went to New Orleans and I just might have to demonstrate.
Buzzy
Masterful dark storytelling of magic realismReview Date: 1999-09-16
A brilliant fictional of accouning of Satan's WarReview Date: 1999-09-13
The powerful witch Urthane la Voisen, a former resident of Hell, has been slowly eroding the organization for years. One of her mightiest successes was killing the sibling of Josiah, the librarian who maintains all the known books on magic. However, Urthane failed to slay the unborn child of Josiah's sister-in-law. When he was born, Randall was abandoned on the courthouse steps. He grows up in an orphanage. The lad has magical powers, but lacks formal training in their use. When a catastrophe strikes, the Fellowship turn to Randall as their only hope to defeat Urthane.
THE REPOSITORY is a fascinating but chilling account of the eternal battle between Good and Evil. Adam Niswader, author of the Shaman Cycle, has created a fine work filled with interesting heroes and delightful villains. The story line is so taut that readers will believe Mr. Niswader is chronicling real events including those of the future. This novel is simply great story telling.
Harriet Klausner
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questions and how grateful i am to be able to do this and
have this info. i wish everybody could ask these questions
while they're able to get the answers. getting this info.
and sharing this intimacy with a parent is priceless.
these questions would be great for mom, too.