Adam Books
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Excellent memoir of Adams time playing in New York. Review Date: 2008-08-14
If you love the blues, you'll love this book!Review Date: 1999-04-08
Paying his dues...Review Date: 2006-07-11
Not only is it Gussow's personal memoirs of his early years in music, but a riveting biography of one of the most unique and original blues acts in recent years- Satan & Adam. Gussow's accounts of his early music/life mentors (such as the underexposed harpist Nat Riddles) with sincerity and genuine emotion is fascinating. The telling of Mister Satan's story is a valuable contribution to blues history that could well have been lost in obscurity.
There are issues explored in this book that have rarely been expounded upon with any meaningful insight in any musician interview or book I can remember. The passages in the book where Gussow is in the middle of Harlem grappling with the rift and misunderstanding between black and white is especially poignant, particularly from his perspective as a young, white, Princeton educated "bluesman".
Although this book isn't an instructional course on technique or musicianship- for those who aren't aware- Adam Gussow is considered by many blues afficionados to be one of the best harmonica players alive today. So he's paid some dues and he knows what he's talking about.
Adam Gussow had the good fortune, the talent, street smarts and the heartfelt focus to get out there and live it- become an apprentice to a bluesmaster- just like most traditional art is passed down from accomplished teacher to eager student. I admire him for it. Mister Satan's Apprentice is a must read for any struggling musician or blues fan- it just might get you thinking about your own life's journey.
A book for lovers and playersReview Date: 1999-02-25
Adam's book describes a journey that a few of us know, but most do not. The musician in you will relate to the tale of the emergence of deep and powerful music from the little instrument - and the romantic in you will throb with the ways the emerging harmonica player and boundary-crosser discovers the things he needs to grow musically and personally - and then sometimes fearlessly, sometimes not, sets out to acquire them. You'll meet his teachers and mentors, and like it or not, you'll see life through the eyes of this seeker of musical and personal connection. You'll go with Adam on the romantic roller coaster as loves come and go - and you'll travel with him to Paris to play in the Metro and on the street; to the American South, and to other places exotic and otherwise - including a hitch with the road company of Broadway show based on Mark Twain's Sawyer and Finn. Later we get into the recording studio with Mr. Gussow and Mr. Satan - the Harlem street mystic and one-man band who becomes Adam's main-man mentor and muse, the Mr. Satan of the book's title. Throughout the book you'll find Adam the street intellectual examining his position as a white man among black men (and black women) in this blues-filled world - an examination in which Mr. Satan plays a key role.
A book for players and lovers - of the spirit of the music, of the street; of the endless forms of beauty and love, as they are found ALL over the place. The author is one who knows, and magically, describes, many of the gut experiences we players know; to my knowledge no one's ever written quite this way about these things before. Like the performing moments, the pulling out of all the everything you've got and then some, when the audience is on it's very EDGE, right there with you; when you are truly and purely the great IT! Blowing and drawing deep, and deeper, and then high and higher; and the room is all whoops and smiles, and all there in your hand. A good player knows these things, and believe me, in a blues band, nobody gets that kind of juice but the harp player.
OK, so maybe you don't know the peak of performance grace and light - but you know your peaks, and Adam's telling can stir it back into view...
Adam Gussow writes of music, romance, conflict, and awakening in an intimately physical and heart- connected way. As a player, I'm rocked. -"Harmonica Jack" Merrylees (JMerrylees@aol.com)
Despite bloat, a white-hot must-read for music fansReview Date: 2000-02-12
In his autobiography, Gussow gets deep inside blues, and his relationship to it, and manages to successfully translate the music into language. "Blues harmonica played well was a miniature tongued slalom, a tornado swallowed and contained," he tells us, and his words capture every bit of excitement that the grooves and notes have to offer. "Mister Satan's Apprentice" is about much more than the blues, though -- it's a provocative meditation on race from a white man immersed in a traditionally black genre, neighborhood and world. Playing around with his first harmonica, in 1974, Gussow contemplates the subtleties of playing blues. "It had something to do with being a black guy," he muses.
As the protagonist in his narrative, Gussow pales (no pun intended) next to two marvelous characters: his two mentors, Nat Riddles and Sterling "Mister Satan" Magee. Twenty-two years older than his protégé, Mister Satan is as colorful as they come. He's a visual artist and apocalyptic numerologist with a murky music-industry background, and a font of, if not wisdom, then brilliantly idiosyncratic aphorisms and soliloquies. A Harlem fixture when Gussow approaches the guitarist to jam along, he shouts and hollers, runs hot and cold, towers over other men. Mister Satan looms larger than life, but harmonica player Nat Riddles is entirely real, an odd-job taxi driver with a dazzling smile and soulful tone. "He was perpetually on the verge of becoming the blues world's Next Big Thing," Gussow writes. "A young black harp-player with the Sound." Riddles flits in and out of fortune, showing up unexpectedly to astound a New York club, phoning from somewhere in the South, destitute and desperate, surviving gunshot wounds only to eventually succumb to a cruel wasting disease.
It's the music, finally, that counts most -- Gussow gives his story its own soundtrack, one of restlessness and yearning, of his struggle to capture the Sound: "The Sound was Southern-bound, it was cocky, playful, manic, chucking, resentful, edgy, comforting, relentless. It took incredible lip strength and finesse to produce. It was sexual. It was the haunted, restless feeling of a guy's apartment late at night after the woman who used to live there had moved out. It was whatever nasty things she was doing with the other guy-a virile sensitive soulmate-this very minute. It was the best way of beating those visions back into the ghoulish cave they had crawled out of. Working hard at the Sound was a socially acceptable way of sobbing, raging, and primal-screaming from a hot heart while pretending merely to be practicing." A little of this kind of writing goes a long way, and there's an awful lot of it here. Granted, it's a real challenge to maintain a level of excitement in writing about music page after page, particularly about blues, a genre built on the same few chords locked in a repetitious groove. So it's forgivable that Gussow often leans out a little far: "The sidewalk scene dissolved; I was wandering in a garden of earthly delights, hands cupped against the sweet cold fluid air. Every bent note was a pitch-perfect arrow puncturing the gray dusk. You only live now. Blue notes danced and spun, lines endlessly unfolding like so many wrapped gifts laid bare." You have to remind yourself that he's talking about a harmonica, one of the more prosaic of instruments.
For all Gussow's breathless adjectives and action verbs, he's frustratingly vague about the technical aspects of the duo's "huge raw perfect sound." The book's photos show Gussow with effects pedals at his feet, but he makes no mention of them; he doesn't mention the basic information that he plays in "cross harp" style until page 386; Mister Satan's "phase-shifted guitar wash and deafening clatter" is described pretty much only in metaphorical terms, as, for instance, "an endlessly unrolling Persian carpet with gristle and clanks added." Gussow is so good at getting inside his playing that the narrative sags whenever it moves to other topics. A hefty amount of the bloat deals with his failed relationships. We meet mercurial crackhead Robyn and inconstant ex-fat girl Gail, but mostly there's erratic, irritable hyperfeminist Helen. Gussow tells us on page 30 that Helen left him back in 1984, so we're predisposed to dislike her, and we indeed do. "Most men had a girlfriend," he writes. "I had Aphrodite crossed with Kali the Destroyer, She of infinite ravenous limbs." Worse, the book's artfully jumbled narrative, with short sections ordered sort of sequentially on several tracks, dooms us to read about Helen over the entire course of the book. We think we're finally through with her, and then: "1983. Things with Helen had turned out surprisingly well . . ." Enough already!
In the late '80s and early '90s, a period when racial violence kept flaring up in the outer boroughs of New York City, Satan and Adam's young-old, white-black novelty made a splash, but momentum slipped away. "Minor celebrity beckoned, then faded," Gussow writes. And despite the book's vibrant cover photo of the pair, they no longer perform, according to an e-mail Gussow sent me. "[I]t's impossible to keep the act together," he wrote, noting that Mister Satan now lives in south-central Virginia and has no telephone. That's a real shame.

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New Recipes From Quilt CountryReview Date: 2008-06-22
Finally had to buy it!Review Date: 2002-01-26
When I realized I was getting the book almost monthly, AND it stayed at the local branch because that's where I last returned it, I realized it was time to buy it!
With that little story, the rest of this review is simple: This is an excellent cook book. This is not a 'healthy' cookbook. There's no focus on lean, loosing weight, or heart-happy cooking here! This is good, rich, smother-it-in-gravy country cooking.
If you know the Amish, and you have visions of the men coming in at dusk from working the fields all day to a kitchen table stacked with fresh, home-cooked *American* food, this is your cookbook. It simply doesn't get better than this.
I LOVE this book...Review Date: 2005-06-18
FantasticReview Date: 2001-06-20
best book on amish and their cookingReview Date: 2003-04-04

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amazingReview Date: 2005-10-07
An intensely emotional read....Review Date: 2003-03-23
Jack Gallager has been on a mission since he was eight years old and rejected by his father. He will be better than his father and his brother in the world of fashion photography. From the moment he bought his first camera at sixteen, Jack has worked to prove himself worthy of his father's love and a better photographer than his brother. He didn't know that his crusade would cost him the woman he loved or that he would regret it as much as he did.
Red is a book that is intensely emotional with characters that all have immense emotional baggage and are trying to deal with it. If you want a book that you will get lost in, try Red and you won't be dissapointed.
Unbelievable!!!Review Date: 2001-12-08
Quick, fun and delicious read!!Review Date: 2001-06-06
Fun, Sassy and hard to put down!Review Date: 2001-03-14

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Simple inspirationReview Date: 2003-11-04
OKReview Date: 2003-08-30
Absolutely a must to read!Review Date: 2001-07-28
What a blessing this book is!Review Date: 2000-12-22
Sunshine to my Soul!Review Date: 2000-11-30

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A truly luscious book: small and elegant and realReview Date: 2008-02-24
LusciousReview Date: 2007-12-11
Luisa's gentle way of presenting her deep connections to life connected me to my own and others. Her unique writing was universal in the connection of the heart. Reading this book was like having a warm cup of tea with a special heart friend. An honoring of the magnificence of life.
A real treasureReview Date: 2007-12-04
I was drawn into her world of inner life, her time alone...her room of her own and I could NOT put it down! I sipped these wonderful short stories as if they were the most delicious of treasured wines. How wonderful to see into her world and to share her journey over the years.
a Real room of her ownReview Date: 2007-12-04
Lynn Scott, author of "A Joyful Encounter: My Mother, My Alzheimer Clients, and Me.
Maybe I should have paid more attention...Review Date: 2007-12-03

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Adam's chronologyReview Date: 2008-07-27
Adams chart of history-a timelineReview Date: 2008-06-06
Just FantasticReview Date: 2008-06-02
Amazing research toolReview Date: 2008-06-01
I LOVE THIS CHART OF HISTORYReview Date: 2008-05-31
It's also not filled with garbage from the evolution religion (It is a belief system on the origin of the world that can't be proven any more than the Bible. Science covers observable and repeatable phenomenon. [For example, gravity can easily be proven over and over again by anyone.] Until we have a way to travel backwards in time, no one will be able to observe the creation of the world, so all we can do is guess). How we got here is irrelevent to actual science - all that matters to the scientific method is that we're here. It's supposed to deal with facts, not theories, and certainly not teach theories as facts like they do in public schools. I love the fact that this chart of history doesn't go back before human history.

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Gorgeous!Review Date: 2007-06-27
Ansel Adams 2006 Wall CalendarReview Date: 2006-04-02
Annual Ansel - They're The BestReview Date: 2006-03-08
Masterworks of Classical PhotographyReview Date: 2006-02-27
Ansel Adams 2006 Wall CalendarReview Date: 2006-02-19
Marilou Fallis

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Fab-O-Licious!Review Date: 2008-03-24
Scott Adams is a genius.
Laugh till you cry funny!
Keep it comin'!
A great Dilbert bookReview Date: 2004-05-28
5 Stars All the WayReview Date: 2002-06-16
Magnificent Book!Review Date: 2001-12-26
Dilbert DIES!Review Date: 2002-08-19

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Wonderful books!Review Date: 2007-10-17
Darling book about friendship!Review Date: 2002-10-15
Fun life lessonsReview Date: 2001-05-08
This is a wonderful book!Review Date: 2006-01-11
Things look pretty gloomy when Clarence arrives at the ranch. He's too late for dinner, he's forgotten his favorite pillow, and there isn't a familiar face in sight.
Life is brighter when the next morning Clarence meets Smoky, a large purple horse. They become fast friends and partake in simple adventures together. But when Smoky is no longer needed at the ranch, Clarence fears he'll never see his friend again. Clarence must figure out a way to keep his friend with him. Will he?
Clarence has pluck! And his sense of adventure is wonderfully refreshing. The delightful illustrations add so much to this lovely story of friendship and "going the extra mile" to stay together.
I found myself chuckling numerous times when I looked at the pictures of Clarence packing, having snacks on the bus and line dancing with Smoky. But my favorite is the last illustration in the book as it represents love and friendship.
Armchair Interviews says: Children will enjoy Clarence and Smoky's adventures and we suspect their parents and grandparents will also.
A Special Tale of Love and Friendship.....Review Date: 2001-12-12

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Third time's a charm!Review Date: 2000-03-01
A boatload of new reasons to get up in the morningReview Date: 2000-03-01
Chapter 7, "The Four Fundamentals of Professional Fulfillment," could serve as the manifesto of a business revolution; it's alone worth the price of the book. But the book offers much more than a call to action -- it also gives practical examples from the lives of some of today's (and yesterday's) most innovative leaders: Steve Jobs, Andy Grove, Charlotte Beers, Martha Stewart, Walt Disney.
As Mr. Toogood exhorts us: "Forget the status quo. Way up and way out. Find some other way to go." This book may not take you there, but it'll get you pointed in the right direction.
Creative Storytelling At Its BestReview Date: 2000-03-01
Pure GeniusReview Date: 2000-04-13
The Smart Executive Should Read The Creative ExecutiveReview Date: 2000-03-02
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