Travel Books

Wow. Publishers Weekly didnt like this book? I love it. There isnt one sentence in it that isnt funny. It's a good book to have if you're on a long car trip and need something to keep people entertained.

This one was another "Busted-Gut/Soggy-Pants" one for me! Man! I really loved the Chapters on Europe & Going To Disney World (his map of Florida is hilarious) and his idea for "Dave World". He has a good point that the most popular Amusement Park rides are the crazy ones that make you puke ('The popularity of a ride is directly proportional to how horrible it is. There's hardly every a line for a nice relaxing ride like a Merry-Go-Round. But there's a huge crowd...consisting of mostly teenagers...waiting to go on something with a name like "The Dicer", where they basically strap you in a giant food-processor, turn it on and phone the paramedics'- DAVE BARRY). His messing with non-English phrases is loads of fun (and Canada's English-French system get a great 'Dave Barry Treatment' as well, not that I have anything against Canadians). Well, if you need some serious laffs whilst stuffed like a sardine on Flight 321 to Bangkok, Dave's your man!

Irreverent, "inaccurate" look at travel in the US and abroad. If you've ever traveled by car, flown in an airplane, visited foreign countries, camped with friends or family, you will find this book hilarious. Barry has a keen insight into the traps and pitfalls of modern-day travel and expresses it in an outrageously funny manner.

Dave Barry *is* the Funniest Man in America, and here's the proof!

Many in America are familiar with Dave Barry. I don't know anyone in Ireland or the UK who's ever heard of him. i have introduced my mother to him. She is a writer and appreciates good humour. I think she wasn't expecting him to be quite so funny though. When I said he is hillarious, I was not over reacting. I was pleasantly surprised to see her nearly fall over in histerics. Humour is good for the soul. Dave Barry is good for the soul. This book covers travel across all of the states, many European countries, Scandanavia, some parts of Asia. For his own reasons, Dave has catalogued some countries together... either his summary of one was so similar to many others, or he was so unimpressed he was lost for words! Either way, you'll enjoy this. How could you not?!

My students loved this book. Not only were my students able to make predictions, but they were able to create funny predictions that were more elaborate than the story provided. They loved making their own cause/effect book. It was a great way to teach the concept, read fun literature that connected to their lives, and try a different type of writing. They loved sharing their books they created.

I remember this book from the dentist's office as a child and rediscovered it as a teacher. I have used it at the beginning of the year in all grades Kindergarten through fourth grade and they ALL love it. For the little ones they just want to hear it over and over and even memorize what happens next. Also, they love the sharks, tigers, and especially the haystack with the pitchfork. Third graders rewrite and illustrate their own versions. I read this to my neice, and by age three "fortunately" was one of her favorite words! I am getting ready to start reading it to my two year old and I am preparing for MANY, MANY, repetitious reads!

I read a rave review of this book and sometimes it is really hard to live up to that kind of advance notice. It is a small book and it has some big ideas and it tells it's story economically. I am planning on giving it to my nephew who, I am certain, will enjoy what it has to say.

A wonderful book to use as a Read Aloud to teach the concept/meaning of "fortunately" and "unfortunately". Lovely colorful illustrations, a fun twist at the end that kids will love. A lively, clever picture book, a must have for every elementary library in my opinion.

I bought this book for my son's fourth birthday. We sat down to read it at bedtime, and he was completely riveted. When we finished, he said "read it again, Mommy." We went through this four more times, then I had to promise we'd read it again the next day in order to get him to go to sleep.

The story is gripping, and the artwork is amazing. Switching between color and black/white for the fortunately/unfortunately pages is a stroke of genius. My son has flipped through these pages on his own, staring at the pictures and telling himself the story. Wonderful book.

As the author of The All-American Boys, I never miss an opportunity to read space books by others. Into that Silent Sea takes you into the early years of human spaceflight and tells the story in a way that will appeal to both space buffs and the public at large. It is full of little-known facts about well-known Soviet and American space flyers along with new and interesting information about lesser-known astronauts, cosmonauts and behind the scenes players.

I found Into That Silent Sea extremely interesting, and written in such a readable style with so much new material that I hated to put it down. French and Burgess did a great job with the cosmonaut chapters. They are loaded with new and interesting material about Yuri Gagarin, Gherman Titov and Alexei Leonov's harrowing first spacewalk. The book is a rare opportunity for a behind the scenes look at the competition between the two superpowers as they raced to the Moon.

Into That Silent Sea humanizes the Russian program as well as our own. I highly recommend this excellent book.

This book is probably one of the best books i have ever read. Very rarely a book comes along that you just can't put down. This is one of those. There have been thousands of book about this era is spaceflight but only a handfull really stick out. At first i was skeptical as to what this book would be, but as soon as i started reading it i knew that i loved it. Get this book along with In the Shadow of the Moon. You will not be dissapointed.

A MUST READ!!! French and Burgess really know how to sum up the early space program and make it completely relivable. For previous generations who were not around to partake in the early threads of space exploration this book will take them into that silent sea.

This book would make an excellent documentary covering all the brilliant aspects of the beginnings of our space program. A fantastic journey and pleasure to read, I got to relive this pinnacle of time in the history of space exploration. GREAT STUFF!!! Dorice Odell

A must read for anyone with a love of Space, Astronauts, etc. Very well written.

Samuel Taylor Coleridge provides the quote that lends its name to the first of a planned ten-volume series chronicling the Space Age. I believe that Francis French and Colin Burgess have chosen well, as Into that Silent Sea, Trailblazers of the Space Era, 1961-1965, is one of the most evocative titles about flying into space I can recall. A good title certainly tells a lot about a work, and this is especially true in this case.

Into that Silent Sea trades between the two sides of the superpower race to the Moon, giving us a wonderful behind the scenes glimpse from Yuri Gagarin's first foray into the cosmos to the harrowing spacewalk of Alexei Leonov, from the competition to be first at Cape Canaveral to limping through a day in Gordo Cooper's dying Mercury capsule.

Burgess' and French's two writing styles mesh easily, and the book speaks with one authoritative voice. The space travelers and others written about in the book have shared their stories and given us all a peek beyond what we are used to seeing.

It is a unique work in that it presents both sides of the race in a clear and succinct manner while giving us real astronauts and cosmonauts, many never before discussed in Western press. The closest comparison would have to be Two Sides of the Moon, by Dave Scott and Alexei Leonov. However wonderful that book is, it doesn't compare with the French and Burgess work in that we examine many more spacefarers than just the one American and one Russian, and put it all in the context of the flights as they occurred.

If I have to find fault with the work, there are two things that come to mind. First, is the lack of an index to aid in searching for the people and incidents that interest us the most. Second, is the paucity of photographs. The space race was a visual feast, in that it showed people racing above the planet, yet most of the photos are simple head shots of the people talked about in the text. Most people today have probably never even seen one of the grainy shots of Leonov's first-ever spacewalk, so things of that nature would have added immensely to the impact of the book. I hope that in future volumes, more effort will be made to include historic and little-seen photos to illustrate the text.

We've read stories and seen movies, documentary and otherwise, that have supposedly told us the inside scoop. As the first in the Outward Odyssey series, I believe Into that Silent Sea will be viewed in the future as the one that led the way to what could prove to be the definitive story of the people involved in our rise to the challenge of spaceflight.

I had begun this book and put it down--to pick it up again was a very good idea. This author has a very readable style. A great book to read if you want
to know about the Holocaust and beyond--just like the title says--it says it all.

"Motherland" by Fern Schumer Chapman centers around an intriguing premise, that of a mother and daughter returning to Germany to discover what happened to the family left behind during the war, in an effort to let go of the war that plagues their relationship. The author's mother was sent as a refuge to America a year after her older sister, leaving her grandma and parents to endure the wrath of the Nazis. Feeling abandoned and unloved, the author's mother never returned until the early 1990s, still hesitant to encounter the past.

For Germans, it seems as if WWII and its legacy is always close to the surface; a feeling a guilt pervades their interactions with those from other places due to the constant association with evil they must endure. Mother and daughter certainly encounter that on their journey to the small town where her mother lived her first 12 years of life. The town, while greatly changed, is still home to many former classmates. Escorted around town by a man eager to make amends for his past actions, the two discover that the past is always present, no matter how hard one tries to forget.

Overall, "Motherland" is a quick-paced read, an accounting of the author's attempt to understand her mother. Yet at times the narrative reads as if the author is trying to hard; she was five months pregnant when the journey was made, and perhaps her emotional swings show through too much. The flow is often interrupted by liteary efforts at similes, comparisons which aren't necessary and do not add to the story. However, the story is one that the author needed to discover and one that she needed to tell. It is an interesting look at how someone who wouldn't necessarily qualify as a 'survivor' did survive, but still passed on that legacy of loss and war to her daughter.

Edith Westerfield Schumer left Germany in 1938 as a twelve-year-old. She left alone. Her parents sent her to America, removing her from the threat of the Nazis in her German homeland. Her Jewish father mistakenly believed that Hitler would acknowledge his service to Germany in World War I. However, most of her family did not survive the persecution or the death camps. Edith never saw her parents again.

She rarely spoke of her childhood. Perhaps so much loss could not be expressed in words. Perhaps she didn't know how to convey to her family what was ripped apart in her past. Her daughter Fern knew little of her heritage.

"Motherland" tells their story through her daughter Fern's perspective. When her mother finally agrees to return to Germany, Fern accompanies her-hoping to learn about her grandparents, hoping to see aspects of her mother's childhood, hoping to better understand how the Holocaust stole her past when it stole her mother's.

Through their journey Fern and Edith learn much more about each other and about the quest to reconcile the past than they expected, significantly deepening their mother-daughter bond. Fern relates with poignancy how moments from her mother's childhood are revealed during their visit. For the first time she realizes that her mother's inability to speak German without an American accent parallels her inability to speak English without German pronunciations creeping in. Her speech identifies her as different from other Americans-and other Germans. Fern learns her mother's favorite German food only to realize that Edith never learned to cook it before she was sent away. For the first time she hears of her mother's insecurities about leaving her home.

They encounter people from Edith's childhood who through their silence aligned themselves with the Nazis. Their lives still echo with hidden guilt. The mother and daughter speak with others who have never overcome their anger at the Nazis and what they suffered when they tried to help and protect the Jews. The women are struck by how people's lives have never returned to normal.

Their story provides insight into mother-daughter relationships and the role of roots in those relationships. The memoir was named a finalist in 2000 in the National Jewish Book Awards by the Jewish Book Council and a number of schools use Motherland to teach about moral choices.

Edith and Fern acknowledge that the Holocaust has now affected three generations of their family. Somehow those who carry on must remember history and honor those cut down by cruelty, yet let go of the past moving ahead with the new generations into healing.

This book covers the return of a Jewess, at 12 years old separated from her parents from the Rheinland on a Kindertransport, to her small hometown, Stockstadt-am-Rhein in 1990. Her daughter, pregnant, goes with her, although unable to speak German, and writes from her younger, American Jewish perspective on this whole process of reclaiming her mother's past, her Heimat (homeland), her Motherland so to speak.

As you can read, most reviewers rave about this book. It is well-written, if a bit too introspective at times (these parts a reader can skip, such as the daughter's thoughts dwelling on herself and her own children). I'd like to make these criticisms for the author, that she may rewrite it perhaps, or if it should be done in a film version, some negative feedback could also perhaps be useful in making a tighter story:

1. The mother's verbatim words should be used in the text, with footnotes underneath for translation into English. Many who read this book know German and do not want to read about the daughter's struggle to make out this or that trival word. Dare I say it, the daughter might have made a better effort to know her mother's language? How else to understand her own roots, her own mother's culture, her longing for her childhood?

2. Don't introduce side issues that remain unresolved. For example, a very intriguing juicy bit is thrown in, that her older sister was sent a year ahead of her to America, adopted by another set of relatives, and now that the two sisters (her mother and her aunt) are now in their late 60's, they still don't get along. This isn't worth delving into, or at least explaining a little bit? WHy leave it hanging? Why bring it up if not to grab the reader's attention? WHy not go and interview the aunt, find out her own bitter memories or reasons for spurning her younger sister an entire lifetime?

2. Why no mention of this author's father? Who was he? How did he influence the family with his own traditions, career or job, attitudes and hobbies, personality? Reading this book, one could think that there was no father in the author's life. If we are to understand her pain as a daughter in not grasping her parents' lives, then surely some mention should be made.

3. Why not explain her mother's cowardice in not giving her own daughter Jewish names? She says she is named Fern (for a relative, Frieda) and Brenda (for another one, Brondl). This is strange to me, for the names "Fern Brenda" certainly don't indicate the great Jewish heritage that the mother wants kept.
Meanwhile, we hear that the German families are naming their kids Joshua and Sara, with no shame or hiding. Strange indeed.

4. Why not look at Germans more as people? Her impression of a silly clerk called the immigrations controller is that of a nasty Nazi, simply because he is German with blue eyes and blonde hair, and stamps their documents with authority. Don't ALL immigration people behave this way in every airport of the world? They're SUPPOSED to be abrupt, to give people unease. Does she call the ones down in Israel with their "brown eyes and dark hair" typical Mossad types? Nasty because they're Jews? I should think not, it's lame stereotyping at best.


Overall, this book needs editting by a non-Jewish, non-German hating professional editor, who can guide Fern into a more balanced presentation of her mother's beloved homeland. Otherwise, the hatred comes through with the stereotypical slights, and weakens the story's validity.

The best angle, if a movie were to be made - hopefully in Germany's Babelsberg and not here in Hollywood, God forbid - the theme of Mini, her childhood friend. Now there's a morality play full of contradictions! Wilhelmine (Mini for short), a child six years older from a dreadfully poor family of seven kids, is sent to be a servant/maid to the well-off Jews, and becomes best friends with the daughter she is meant to serve. Then her friend is sent to America, making Mini 18 and Tiddy 12 when they separate. Mini is so enraged to have lost her adopted sister and family that she spends the rest of her life documenting the Nazis, and whether they're all prosecuted. Her own grown son, nearing 50, feels himself deprived of a proper childhood or mothering because Mini devotes herself to fighting the evils of the past rather than living in the present. She is a living testament to the folly of grudges, which the author's own mother avoiding doing - she purposefully shunned nostalgia for her lost homeland and family, until her 60's.

In many respects, this daughter and her emotions, this author, is the problem in the story. She should rewrite it from the participants' point of view, either her mother's or Mini's, in the third person, and take her own petulant self out of it.

Now THAT would be a mature and interesting novel.

Hey, also, put in some of these pictures that she dwells on!

I recently purchased your book and happened to glance at the back cover. From that point on I could not put your book down until I had read it from cover to cover. I was memorized! I AM YOUR MOTHER!
I'm a Vietnam combat veteran and used the same ploy as your mother - denial and never talk about it. My wife and three sons bore the brunt of my walled memories. And, unfortunately, in order to bury Vietnam I also buried most of my youth.
I recently retired and the unexpected free time has caused my walls to crumble and my nights are filled with nightmares. Part of my counseling is to write about my trauma. You have inspired me to take these outpourings, organize them and get them published. I intend to "look fear in the face" and share my burden with others who may face the same hardships I do. Like your mom, I want to "be here now."

Ever wonder what kind of person takes such an interest in every form of flora or fauna there is? One who is hyperobservant, apparently. And when Gerald Durrell turns that eye on the eccentric characters in his family and around him on the island of Corfu, you'll absolutely love reading his words.

This book is very funny and enjoyable. It tells of the author's years as a boy spent on the Greek island Corfu. I love the stories of his adventures raising and studying the wildlife on the island. It is also funny because he recounts tales of his strange family. At some parts I found myself laughing out loud. You should read this book along with Birds, Beasts, and Other Relatives.

All of Gerald Durell's writings are terrific, but the ones about his family are truly laugh-out-loud wonderful! This is a book I have enjoyed over and over, and have given as a gift many times.

This book, ironically, was on one of those horrible "summer reading" lists so many of us are forced to do in high school. It's the only one I was ever forced to read that I truly, genuinely loved. I laughed out loud literally every two or three pages, and though I have no natural interest in animals (especially insects), Durell makes his descriptions of the nature on Corfu as gripping and as touching as his descriptions of his family.

It's been ten years since I first read this book, and when I get together with my old friends, we STILL argue about our favorite scenes, the best character, the most troublesome pet. This is a book you won't be able to put down the first time you read it, and will want to re-read the moment you finish it.

Not many adults ever reminisce about their childhood dreams. Those who do, generally label these as wishful thinking and sigh them away. Rarer are those who live lives of fulfilled dreams. Gerald Durrell, an eminent author, naturalist and expeditionist, was one of those uncommon individuals whose life's entirety was one long childhood dream come true. "My Family & Other Animals" is his most famous work, and is the first of his Corfu Trilogy.

The kid Gerald Durrell, or Gerry, was eight years old when his family moved from England to the Greek island of Corfu. Through the eyes of the young, fauna-loving and ever-inquisitive Gerry, Corfu seems to be the strangest place on Earth, and all humans, whether inhabitants of Corfu or not, appear to be strange people. The book describes Gerry's meticulous observations and detailed experiences in Corfu amongst dogs, cats, toads, snakes, scorpions, owls, magpies, gulls and other creatures he keeps as pets in his house, and his family members who are bemused as well as troubled by Gerry's love for these animals and insects. Young Gerry's mother and siblings stay engrossed in their own worlds, leaving Gerry alone to spend his days as he wishes, free from burdens such as going to school and being nagged by elders. Thus begins Gerry's exploration of Corfu, starting with the garden in his villa, and eventually his domain of knowledge crosses over to the neighboring islands.

The book will make you roar with laughter right from the preface itself. Descriptions of animals are unconventionally funny. Humans also are not spared. Imagine an entire family changing residence from one villa to another, just because one of them foolishly invited his friends so many that they would not fit in the current villa. After animals and humans, the third elaborately portrayed element is nature. Detailed descriptions of fig trees and setting suns create a Wordsworthian aura. Once Gerry sets on describing some of these, he can be drawn back only by some exquisitely crafted squirrel or a raucously howling dog.

The best way to savor the book is to read it over several sittings, by allowing the excessive laughter to brighten many a dull day. An enlightening perspective of the work can be seen through Gerry's eyes. Animals, unlike humans, know exactly what they want. They are easier to please and easier to be understood. Most importantly, animals are easily befriended and are almost always loyal. When the book ends, it feels as if an intimate and jocular friend has left you forever.

"My Family & Other Animals" is a beautiful comedy, and is highly recommendable for reading by people of all ages.

http://readsafe.blogspot.com

When my first born turned one (almost 12 years ago), a friend gave this to her for a birthday present. Over the years, and with the addition of our second child, this book continues to be in our top 3 books. We still pull it out to read -- it's never far away!

I now "pass it forward" and buy it as a gift for baby/young children presents.

This sweet book is one of my four-year-olds favorites, and mine too. I enjoy reading it to her as much as she enjoys hearing it. The illustrations say as much or more than the words. It's a great story for validating the child who loves home and the one who loves to "visit".

I have become a HUGE fan of every Toot and Puddle book available and want to collect them all. I've found they have a wide age appeal, from 2 years on up to....well, I'm 28. Such clever adventures and experiences are depicted in each book and the illustrations could be the artwork in my child's room. In fact, I'd buy the prints if they were available. Great book!

This adventure with Toot and Puddle is one of my all-time favorites. It is an adorable story about two friends, one who loves to travel the world and the other who loves just staying at home in Woodcock Pocket, USA. The postcards that Toot sends Puddle from his world travels are cute and humorous! The illustrations in this book are incredible. This is a book that adults and children alike will enjoy together. I never get tired of reading this one over and over. It is a book my children will keep and pass on to their children!!

The sunny and vibrant watercolor illustrations caught my attention first. The little pigs, Toot and Puddle had so much expression and character, it was impossible not to smile. Then I opened the book and the story line was no less delightful. The idea that it is fine to pursue your own star and return to connect with family and friends is a worthy one, especially in this day and age. And the adventures of Toot were such fun to discover, as were all the activities of Puddle at home. Neither one had an uneventful life. They loved what they were doing and they loved each other. The sheer mirth that I felt reading and following the illustrations was great and I'm sure a child would feel the same. Holly Hobbie has rendered these little guys totally irresistible to all who open the cover.

Mr. Mate's charming and funny story of realizing his dream to own a vineyard in Tuscany is not to be missed, and is even better than his earlier book, The Hills of Tuscany. Mr. Mate's humor, warmth and friendliness come shining through in his wonderful tales of his Italian friends and neighbors, the Italian way of life, and his exploits renovating an ancient friary and developing an award-winning winery in the beautiful town of Montalcino.

Based on the other reviews, I had high hopes for this book; I expected a more thorough story of his experience starting his own vineyard, people he had interacted with and the "terrior" of his vineyard embedded with light-hearted anecdotes. Instead, I found the details lacking. Little time is spent on the characters who appeared in the book, the restoration of the estate, planting and cultivating of the vineyard, wine-making decisions, and his (and his family's) tie to the place. The fact that this book is written in many short chapters averaging less than 10 pages each should have been the first sign. I do not doubt that Mr. Mate will be an interesting guy to have a drink with, and I am sure that he has many interesting stories to tell. But after reading this book, I get a feeling that this is a tale of a wealthy individual (despite his repetitive mentioning of being/getting poor as a result of this endeavor) who spent his way to have people make great wines from a land he has purchased. While this statement may not do him justice, and perhaps that is what this book is meant to be, but more on the people, more on the place, more on his (or the wine maker/consultant's) philosophy of how to cultivate the land and make a great wine will greatly improve the book.

A Vinyard in Tuscany by Ferenc Mate is the second in a series on life in Tuscany. In a genre loosely known as expats move to Tuscany, Mate is truly in a class by himself. If Frances Mayes is the standard ,then Ferenc Mate far excells her in poetry , lyrical description , humor and sensitivity. If after reading this book, you don't want his life then you better check your pulse. A love song to Tuscany and the art of wine, makes Frances Mayes akin to watching paint dry. Read The Hills of Tuscany as well which he wrote about first moving there 20 years ago.

Ferenc Mate's second book on Italy (buy the first one "Hills of Tuscany" also, they are distinctly a matched set to be enjoyed one after the other) is, if possible, even better than the first one. He had a wonderful understanding of Italian culture and is able to convey that to his reader. If you have ever visited Italy, or are planning to, then his books are a must read. One of the things I really like about Mr. Mate's writing is it is appealing to both men and women. I love being able to discuss a book with my husband. In fact with this one, it is the first time I have heard my husband laugh out loud while reading. At first I thought he was choking and when I ran into the room he said "honey, it's the part where he is driving the tractor". Michael and I spend two weeks in Tuscany every May and truly, in this book, the essence of the Montalcino area is captured and wrapped up like a Christmas present for the reader.

Out of all the book I have read on Italy, A Vineyard in Tuscany is the funniest and at the same time the most informing book about life in this southern part of Tuscany. Ma`te` has a great ways with words and offers a rare glimpse into secret world of Italian Culture. Other reviewers have summarized the book; I will not do that now. Instead I will speak of how the book affected me. Just the mere thought of the word "Bulls eye" puts a broad smile on my face. When I first read the passage where it's located, I laughed so loudly my wife rushed into the room to see if I were ok. Ma'te' lets us see the dry subtle humor of the people in this area. Although it does a great job of showing the warmth and passion of Tuscans when it comes to food, wine and business, the region itself is the star of book.
On our first trip to Italy 5 years ago, my wife and I did the usual Milan, Venice, Rome triangle with one day in Tuscany kind of trip. By luck we had chosen the Banfi Castle to dine in and stayed in the near-by hill town of Montalcino for just one night. My wife and I concluded that this 24 hour period was the best of the entire trip. Every year since then we have returned to the tiny village of San Angelo Scolo for days of relaxation, great hospitality, food, wine and the beautiful land of Tuscany. Little did we know that Ma`te` had restored his estate, planted a vineyard and discovered ancient cities and springs just minutes away. Tuscany is that kind of place where adventure and surprises lurk around every turn. Reading his book brought back fantastic experiences of our trips there. We will be back to San Angelo Scolo in 37 days, after reading this book I wish I were there now. I highly recommend it to people who are dreaming of a trip to Tuscany or experienced travelers.

I bought this book for my dad for Christmas. He is a history nut and thought he would enjoy it. The pictures were phenomonial and eerie. He has not put it down yet. It was definately the best present he received this year. Amazon was half of what the bookstore in the mall wanted. Would definately purchase from them again.

Aftermath: World Trade Center Archive
Book received in perfect sealed condition,would use this seller again in a heartbeat

Meyerowitz his taken a step out of his usual repetoire in making these remarkable photographs. He has provided us with a devastating and incredibly imporant record of all that transpired in the Aftermath of the 9/11 tragedy. We have been staurated with images of the event itself; what we see here is the heroic and painstaking recovery work that followed.

Aftermath represents the efforts of Joel Meyerowitz to document the destruction and cleanup of the World Trade Center following 9/11. This is a beefy coffee table book that is large enough to give his photos some real impact. Unlike most photo essays, however, you won't find hundreds of beautiful images. After a couple of pages show what New York's skyline once looked like, you are confronted by image after image of the horrific destruction of these huge landmarks. There are also many instances where we see the people who worked the cleanup site. Many of these are the most moving images as you can imagine the emotions that sometimes overcame these men and women who were there every day for months on end.

In addition to the photos, Mr. Meyerowitz also shares some anecdotes about what he went through to get these photos. He also talks about some of the people he met. I found these stories at least as powerful as his words. Most Americans were obviously distraught by the events of that day, but most of us were also able to start moving on with our lives and slowly put it behind us. But these people were there on the ground confronting the effects for months. Recovering bodies and personal objects, as well as being asked by survivors to put mementos on the pile of rubble as little memorials to their lost loved ones.

This is not the happiest book you can buy. It doesn't have the prettiest photos or the most elegant prose. But it may be the most worthwhile book I've ever purchased. I would urge everyone to buy a copy and read it cover to cover.

I first saw photographs from this collection at the Museum of Modern Art in Salzburg, Austria. Anyone who entered the gallery was immediately struck by a panorama of ground zero on one wall, each emitting an audible gasp, then standing before it for several minutes in silence. Meyerowitz is an extremely gifted photgrapher, and I recommend other of his collections for viewing. Cape Light: Color Photographs by Joel Meyerowitz, Tuscany: Inside the Light: Inside the Light (Photography). The "Aftermath" collection is the only archive of the activities following 9/11 at ground zero, and it is quite moving. Meyerowitz had access to many vantage points to capture for posterity the many facets of ground zero and this tragic event in our history. Viewing these photos takes time and thought, as Meyerowitz has also included brief descriptions and stories about each photograph. You will be struck by many emotions, sadness, anger, shock, and awe. But, there is an eeriness and a beauty, as well as hope in these photographs, inspired by the photographer's exquisite eye for detail, composition, lines, faces, and light. Photographers, professional and amateur alike, will deeply appreciate and learn from these aspects. Anyone to whom I have shown this book has been as immensely moved as I, from the UPS driver who delivered the package, to my father, a refugee of WWII, who still cannot speak easily of the events of 9/11. This book is highly recommended as an addition for one's library.

My wife and I like to listen to a tape while we read the book. We are rereading this book that way. It is a classic and a good introduction to Alaska, where we have lived and worked and touristed.

Want to read about the realities of the 49th state????
Want to really learn something about this region???
Want to get good visuals????????
If NOT don't read this book!!!!!!!!!!!!

This book is a wonderful relic, the last plausible vision of a living American frontier. In the mid seventies, McPhee went to Alaska to do a few pieces for the New Yorker. He met a lot of trappers, prospectors, and "river people" who'd built moss-chinked cabins and whose individualism, gruff hospitality, and happiness he admired. McPhee made a plea for democratic access to Alaskan land. He argued that land far from roads should remain fair game for homesteaders in perpetuity.

It is odd to read an ode to Alaska's wild immensity at a time when islands are being evacuated in the Aleutians, polar bears are drowning, and the permafrost is melting. The question these days is not whether Americans can still choose to live in more or less untainted outback. The question is whether that outback will soon be transformed beyond recognition, not by oil drilling, but by climate change.

What Coming into the Country offers the twenty-first century is escapism and nostalgia. McPhee's account of the political squabbles over the location of Alaska's capital has lost its relevance, but the rest of the book still comes to life. We meet a mix of clannish Christians, proud native people, and prickly bootleggers in the small, dry town of Eagle. McPhee's tale of a man's survival in sub-zero weather after a plane crash constitutes a minor classic of its own.

The book reminds us how powerful the frontier fantasy remains in American psyches. Can it be harnessed as a metaphor? Can the dream of self-reliance on a private patch of woods help motivate us, indirectly, to cut carbon emissions? It has motivated us to go camping and conserve some wild lands even while ruining others. Still, I suspect that as the environmental movement shifts in response to global warming, we may have to jettison the frontier fantasy. It depends too much on a view of nature as more powerful than man. Whether or not we agree with Bill McKibben that we have arrived at the end of nature, we know that everything is responding to elevated temperatures. There is no untouched patch of land left in Alaska. The romance of a homestead sours when the flora and fauna are marching north past the log cabin, driven by coal and oil fires from all over the planet.

I traveled to Alaska in 2006 but lived there in the early 70's. Why I delayed so long in reading "Coming into the Country" I don't know, but John McPhee has taken me back to that earlier day. Both his character and place descriptions are wonderful and make me long for the cabins, the ice break-up, the dogs, the bush planes, and the 55 gallon drums. The Anchorage of today is much changed, but the bush is still there -- Thank God.

We bought this book in Nome, Alaska on a visit there in 2001 (my brother owns a flying service there). I took my time reading it the first time. Coming into the Country is not a book to be read quickly, but, rather, one to be savored, taking time for the details to seep into the crevices of one's memory until they become part of one's knowledge base. Every page holds a vast amount of information that if read too quickly blurs to nothingness and is lost.

McPhee's descriptions of the land, its rivers and mountains, its challenges, its beauty, and its people are thorough and draw the reader into the pages of his book. It takes a certain kind of person to survive in the Alaskan bush. I, for one, am drawn to its splendor, its starkness, its fearsomeness, but am sure I don't have the right stuff to live there long term. The river people and others, who thrive in communities like Eagle and Central (even Fairbanks and Juneau), have remarkable stamina and a strong determination to live the lives they choose in their respective settings, all of which are breathtaking in their beauty. McPhee also writes of the tension between the races (Indian and white)and the human dynamic among community members (the good and the no-so-good)that always accompanies the sharing of space and resources.

Over the past five years, I've picked up CITC now and then to re-read parts of it. Most recently, I re-read the whole of Part III Coming into the Country. This is my favorite section because it focuses on the bush and its people, most particularly on Eagle, Alaska located on the Yukon River and just across the International Boundary from Canada's Yukon Territory. (Incidentally, the term "coming into the country" refers to the arrival of a person into the Alaskan bush with the intent of staying. I may move from Michigan to Ohio or New York or California, but, if I go to Alaska, they call it coming into the country. "Brad Snow and Lily Allen came into the country in 1973." "Joe Vogler came into the country in 1944." "John Borg came into the country in 1966" (and he's still there. Check out the Eagle site. Borg has worn many hats in Eagle and still sits on the board of the Eagle Historical Society and Museum. Borg's wife, Betty, is the board's treasurer).

The original copyright on this book is 1976, thirty years ago. The growth in technology since that time has allowed almost every municipality to have their own website. Eagle is no exception. [...]

Carolyn Rowe Hill

Having lived in Saudi Arabia--Riyadh to be exact--on two different occasions over a twenty-year period, I found "If Olaya Street Could Talk," a most interesting narrative on the life of an expat. I think Mr. Jones was wisely cautious in not mentioning names in his narrative, and did a rather masterful job in tiptoeing around sensitive issues, while at the same time giving the reader a feel for the excitement and frustrations that are part of living and working in that part of the world. And as cautious as he was, I understand that his book is still haram--forbidden--in the Kingdom. Yes, as fascinating as that part of the world is, it is still a long way from being an open society. Regardless, I recommend this book for those who have and have not been to that part of the world.

Bruce M. Petty

I have just finished reading "If Olaya Street Could Talk" and highly recommend it to anyone interested in Saudi Arabia. It will have special appeal to any "expats" who have worked in Riyadh or at the King Faisal Specialist Hospital. I worked there in the late 70's and while I don't recall ever meeting John Paul Jones, he has managed to capture the essence of the dramatic changes that many of us, including the Saudis, experienced on a personal, cultural and societal level. It is a rare pleasure to read something positive about living in Saudi Arabia, its history and the Saudi people.

Congratulations to Mr. John Paul Jones for writing an excellent book on Saudi Arabia for us western readers. At last here is a book that rings true. I have a chance to go to Saudi Arabia in December and was in two minds about it, but after reading "If Olaya Street Could Talk"...I will take up the offer, and who knows, I might even visit Olaya Street. Moving on to another matter, I am sick to the teeth with this pushy Jean Sasson person who is for ever singing her own praises at every given opportunity. I have read two of her books about Saudi Arabia, both are tabloid sensationalism, and do not ring true at all. This woman is now trying to steal the thunder of Mr. John Paul Jones's success by posting and advertising her own trashy books on his review pages.

The diplomat and author Sir A.T. Wilson once wrote,"Arabia retains to an extraordinary degree the power of conquering hearts," and it is obvious that the heart of John Paul Jones is one of those conquered. In this lively and thoughtful work the author celebrates the freedom of the desert - a place where you can drive without restraint in any direction for days on end, the beauty of the unpolluted night sky and the allure of ancient places, where the generosity of the poorest nomad who will slaughter his last sheep for a total stranger because that is what you do for a guest still lives.

But all is not romanticism in this book and as he writes in any population there is a 10% that will cause 90% of the problems and he is very explicit about this ten per cent - be they smug Americans or sanctimonious Saudis, that disappoint one's hopes and expectations. Mr. Jones is a perceptive realist who writes clearly about those trouble makers without losing sight of the vast majority of Saudis, Americans and others who made his 25 years in Saudi Arabia such a delight. I would heartily recommend If Olaya Street Could Talk to those relative few of us expatriates who ever lived in Arabia for any period of time and also to the many who ever considered what it would be like to live in this most astonishing desert kingdom.

This was an easy book to read...really informative of an expats life in Saudi Arabia for the past 25 years, and the massive changes going on there. The trips he and his family took through the Arabian desert were all the more interesting with the inclusion of a well marked map in the back of the book...grand idea. You actually feel that you have seen these places, and know the people he talks about. Now I want to read more about his wife and childrens life in Saudi Arabia, and about the other travels that they took over the years throughout that area and in Europe. I highly recommend this book for anyone interested in a bit of the real Saudi Arabia. A very good read. Way to go, John Paul!