History Books

Since the end of the United States-led war to liberate Iraq, journalists and authors have descended into Iraqi Kurdistan to try their luck at telling the Kurds' story, taking advantage of the fact that, after decades of war and isolation, the area is once again easily accessible.

Tucker, a war correspondent and former U.S. marine, traveled throughout Iraqi Kurdistan in July 2003, and Hell is Over is a collection of his interviews. The collection divides into three parts. One focuses on stories and recollections of the peshmerga, literally "those who face death," a term used both for Kurdish guerilla fighters and their militias. The second highlights torture by interviewing former political prisoners and family members of those raped, tortured, and killed, as well as the reaction of U.S. servicemen who witnessed the excavation of mass graves. The final part takes up the story of artists, politicians, and women's rights activists.

Hell is Over adds color to the Kurds' history. It does not, however, give context. Aside from a short scene-setter describing little more than the period following the 2003 ouster of Saddam Hussein, there is no history. While Tucker dedicates his book to the memory of Kurdish nationalist hero Mulla Mustafa Barzani (1903-79), he does not explain who Barzani was or why many Kurds hold him in such esteem. For that matter, Tucker does not explain who Patriotic Union of Kurdistan leader Jalal Talabani is, a glaring omission given that Talabani controls half the Kurdish zone and is now president of Iraq.

Tucker surrenders balance and accuracy to his own romanticism. He thanks Kurdistan Democratic Party leaders in his acknowledgments and appears to have had no contact with independents or with officials in areas controlled by Talabani. Accordingly, he uncritically accepts canards about Talabani, such as his having sided with Saddam Hussein against Kurdistan Democratic Party (KDP) leader Masoud Barzani. While Talabani may have sought Iranian assistance in the 1994-97 Kurdish civil war, it was Barzani who invited the Republican Guard into the northern Iraqi city of Erbil, where they rounded up and executed Iraqi opposition figures. Tucker does describe Saddam's mass graves, but he makes no mention of the 2,000 Kurds who disappeared during the 1994-97 Iraqi Kurdish civil war. While Tucker describes Masoud Barzani's son Masrour "as one of the young lions of the Kurdish leadership," he neglects to mention Masrour's role as the head of KDP intelligence and as the enforcer for Barzani's business interests.

Tucker concludes Hell is Over with a plea for U.S. policymakers to listen to the Kurds more closely. Unfortunately, his collection is more a testament to the skewed narrative that can result from listening without a critical ear to Kurdish officials. A far better option for historical and political context is Christiane Bird's A Thousand Sighs, A Thousand Revolts: Journeys in Kurdistan.[1]

[1] New York: Ballantine Books, 2004.

Middle East Quarterly, Summer 2005

A MAGNIFICENT BOOK. I LIVED FOR A YEAR WITH THE KURDS OF NORTHERN IRAQ, AND THIS IS THE ONLY BOOK I KNOW OF WHICH DOES JUSTICE TO THEIR BRAVERY AND SUFFERING. TUCKER DID NOT JET IN COUNTRY FOR A FEW DAYS, CONDUCT A FEW INTERVIEWS AND THEN RUSH HOME TO WORK ON HIS MANUSCRIPT AND MEET WITH HIS AGENT. HE HAD THE FORTITUDE AND INTEGRITY TO SPEND MONTHS IN COUNTRY, LIVING WITH THE KURDS, GAINING THEIR TRUST AND LEARNING THEIR HISTORY AND TRADITIONS. AS A RESULT, HE WAS ABLE TO COMPILE A STUNNING COLLECTION OF INTERVIEWS OF ASTONISHING QUALITY. IF YOU WANT TO COMPREHEND THE INHUMANITY OF SADDAM AND THE UNPARALLELED COURAGE AND STRENGTH OF THE KURDISH PEOPLE, READ THIS BOOK.

Mike Tucker.
Hemingway is back.
Hell is Over.
5 stars.
This is a great book. What genius! To
go to Iraqi Kurdistan, in the immediate
aftermath of the liberation of Iraq, and
interview the people who, for the first
time in their lives, can speak freely and
without fear of how they sacrificed,
struggled, and survived years of oppression
and brutality. The Kurds. What Tucker
does in this book is not only brave, as
Bob Kerrey states on the cover, but
it is honorable and noble. This is
the voices of Kurds from all walks of life.
And they are fascinating people. Thanks
to the many reviewers whose insightful
comments on this site led me to purchase
both this book, and Tucker's other great
book from Iraq, AMONG WARRIORS IN IRAQ. 5 stars.

Like AMONG WARRIORS IN IRAQ, HELL IS OVER is a jewel of
a book. Definitely 5 stars. Mike Tucker lets the Kurds
of Iraq tell their stories. His insight into the
intelligence campaign in Iraq, and how the Kurds can
help us defeat insurgents and terrorists in Iraq,
is more timely than ever. I very much enjoyed all of
this great book, especially the last section,
"The Road Ahead," where younger Kurds speak of their hopes
and dreams for the future of Iraqi Kurdistan. 5 stars.

Engrossing, vivid, and magnificent. Tucker journeyed to
Iraqi Kurdistan and returned with the only book that
lets the Kurds tell, in their own voices, their stories,
their tales of suffering and endurance and hope.
Incredibly timely, as Saddam's war crimes trial is now
underway in Baghdad, and Tucker has previously-unreported
Ba athist war crimes perpetrated against the Kurds in
HELL IS OVER: VOICES OF THE KURDS AFTER SADDAM.
This is landmark work, like his other great book from
the Iraq War, AMONG WARRIORS IN IRAQ. Mr. Tucker is now
back in Western Iraq, with Marines and special operations,
and he will no doubt write another great book from
Iraq. But thank God he wrote this one, HELL IS OVER.
I really appreciate what the previous reviewer said,
on the people in this book being "salt of the earth,"
yes. You hear the backbone of Kurdish culture and
all Kurds, here, in this historical gem. Earthy,
warm, rich, raw, gripping and insightful. 5 stars.

No phase of American history has attracted such talented and distinguished historians and produced such quality scholarship as the revolutionary period. This Pulitzer Prize winning history by Bernard Bailyn is a significant proof point.

Bailyn crafts his thesis around the concept of liberty and what it meant to the colonists. He frames the issue of liberty as being a tenuous balance between power, an aggressive force that had an insatiable appetite, and law or natural rights, an inherently passive force that requires vigilant protection. Bailyn maintains that the colonists developed their worldview from four primary sources: 1) the ancients, especially Cato and Cicero; 2) the Enlightenment, especially Locke and Rousseau; 3) English common law, especially Coke and Bacon; and 4) the radical English writers after the Glorious Revolution of 1688, especially Algernon Sidney and John Trenchard. Given their reading and understanding of these authors, a number of separate events and trends were perceived by the colonists as increasing evidence of conspiracy to deprive them of liberty and this is what ultimately led to the revolution, or so Bailyn argues. There were no less than seven such warning signs.

First, in 1763 the Anglican Church attempted to establish an American episcopate. Although many colonists were members of the Church others, such as Bostonian Jonathan Mayhew, saw the proposed episcopate as a veiled attempt to root out Presbyterianism and establish greater Crown control in the colonies. And the influential Enlightenment writers, such as Locke, warned of the oppressive effects of clergy on liberty.

Second, the Stamp Act of 1765 was seen as a danger signal of encroaching monarchal and ministerial authority. Some saw it as merely a pretense to incite revolt and thus provide a reason for intervention, while others argued it was a first small step in implementing wide-ranging restrictions on colonial behavior.

Third, extension of executive patronage throughout the colonies smacked of the corruption debilitating the home government back in London. Moreover, the officials were largely an inferior lot only too willing to bend to any and all ministerial demands.

Fourth, around this time attempts were made by colonial executive governments to undermine the colonial judicial system by refusing lifetime tenures to local judges and requests to have jury decisions open to appeal by the colonial executive authority, which was part of the colonial executive patronage system cited above.

Fifth, the power and jurisdiction of the vice admiralty courts overseeing the new rules regulating colonial trade were expanded. This issue was exacerbated by the fact that appointees were again part of the patronage system and often held multiple offices in the colonial administration, thus tightening the grip of the ministry on colonial affairs.

Sixth, the prosecution of political radical John Wilkes in London had a profound affect on the colonists' perceptions of government intension, Bailyn writes. Wilkes had fought tirelessly against Parliament's infringement on liberty and he used many of the same arguments as the colonists in excoriated the patronage system. Wilkes was deprived of his seat in Parliament even though he was fairly elected several times and he was ultimately imprisoned for his beliefs. Wilkes' arrest served as a harbinger of what was to come to those who opposed the ministry's new actions.

Finally, the arrival of British troops in Boston in 1768 at the request of colonial governor Bernard was viewed as definitive proof of a governmental conspiracy against liberty. Indeed, the presence of a standing army was widely perceived as a prerequisite for the imposition of tyrannical rule. The course of events in Denmark a century before when parliamentary liberties were curtailed still shone as a cautionary tale on the danger of executive power.

Thus, unconstitutional taxes, an invasion of placemen, encroachment of the established church, multiple office-holding by non-colonists, diluting the power of the local judiciary, the forceful suppression of Wilkes, and then a standing army - it all added to a conspiracy against liberty that needed to be opposed at the risk of life and home.

For anyone interested in gaining a better understanding of the events that led to the creation of the United States, there is no better place to start than here.

Bernard Bailyn's seminal Pulitzer Prize-winning masterpiece is the starting point to understanding the central theme of American political thought -- the struggle of Liberty versus Power.

In particular, it demonstrates the crucial role Cato's Letters played in shaping the minds of our Founders in formenting our American Revolution.

Read Murray N. Rothbard's four volume history of Colonial America, Conceived In Liberty, as a magnificent follow up to Bailyn's beginning.

Research on a previous project provided Bernard Bailyn an intellectual treasure trove of over 400 pamphlets, written between 1763 and 1776, from which he crafted his Bancroft and Pulitzer Prize-winning The Ideological Origins of the American Revolution (Cambridge, MA: Belknap Press of Harvard University Press, 1992). This work, first published in 1967, remains a standard volume for students of early American studies at all university levels. Bailyn crafted a pointed examination of thoughts of American colonial leaders that culminated into the Revolution. Not only is his analysis wide-ranging, but it explores the depth and fallaciousness of eighteenth-century American revolutionary rationale with force and clarity.

Bailyn lays out the basic argument in the book's sixth sentence: "The ideology of the Revolution, derived from many sources, was dominated by a peculiar strand of British political thought" (v). Around this central thought, Bailyn details the convergence of thought that formed the colonists' case for a break from the British empire; he explains the change over time in American thinking on long-held political views; he highlights contemporary issues, i.e. chattel slavery and established religion, that gained argumentative force from the colonials' complaints against the British Parliament; and he illustrates the difficulties that Revolutionary thinking posed for participants of the Constitutional Convention who sought to replace British authority with a central American government.

The first part of the book describes the vehicle, voice, and ideological basis of the Revolution. The leaders of the Revolution propagated their thoughts through newspapers, broadsides, and almanacs. The primary writing form of the Revolution, however, was the pamphlet, which allowed polemicists of all different vocations to broaden the political debate. The American revolutionary pamphlets, though a "distinctive literature of the Revolution," had roots in seventeenth-century American sermon publishing and early eighteenth-century English polemical pamphleteering techniques.

The Revolutionary crisis did not originate during the crisis period from 1763 to 1776. Elements of the discourse had been long present in the colonies, but the post-1763 turmoil fused the ideas into "a comprehensive view, unique in its moral and intellectual appeal" (22). Bailyn nods to the intellectual influences on colonial leaders from quotations of classical writers, a rather superficial knowledge of the Enlightenment, citations of English common law, and the covenant theology of New England Puritanism. One of Bailyn's significant contributions to the present thinking on eighteenth-century American revolutionary thought is his understanding that "the ultimate origins of the this distinctive ideological strain lay in the radical social and political thought of the English Civil War and of the Commonwealth period" (34). He identifies early eighteenth-century English radical writers, such as John Trenchard and Thomas Gordon, as shaping the mind of the American Revolutionary generation more than any other single group.

Change in America did not begin to happen only with the Revolution; it began a century before and progressed slowly. Bailyn constructs an intellectual chronology of Revolutionary thought that consists of three phases, beginning with the years of Anglo-American struggle before 1776, the execution of state constitutions from 1776 through the 1780s, and the crafting and ratifying of a national constitution. The final section of the book exquisitely displays the difficulties encountered by participants at the Constitution Convention to form a federal system of government in the wake of the force of argument put forth at the Continental Congress against the encroaching powers of a central government. Bailyn's discussions of imperium in imperio bookend with sheer mastery his understanding of the entangling intellectual obstacles which American colonists laboriously yet successfully maneuvered to produce the Revolution and the Constitution.

Throughout the Revolutionary period corruption served as the greatest threat to liberty, and, according the federalist view, a constitution establishing a government endowed with the separation of powers would ensure the existence of virtue, the necessary attribute for the sustenance of liberty within a republic. One area of frustration throughout the book is the use of terms like "corruption" and "virtue" that portrays an almost given denotation of such enigmatic expressions.

A true gem within the book is Bailyn's demonstration that the colonial leaders could not contain revolutionary fervor. Opponents of chattel slavery in America and proponents of religious disestablishment used the American leaders' own arguments for freedom from the British Parliament and taxation without representation to assail the continuation of the slave trade and ecclesiastical taxation against religious dissenters.

Bailyn's The Ideological Origins of the American Revolution is nothing less than a most persuasive, brilliantly crafted work that will influence the way Americans think about the Revolution for years to come.

Bernard Bailyn's Ideological Origins of the American Revolution is a centerpiece in much, if not all, of contemporary historians' viewpoints and methodologies for understanding the philosophical constructs and ideological underpinnings of the American Revolution. It was, according to Bailyn and many learned historians, after this writing first appeared in 1967, a revolution of ideas. What Bailyn did was to read prodigious amounts of writings of the time, mostly in the form of pamphlets and synthesize the thoughts that were being discussed and written about at the time. Essentially, he put the revolution of ideas into the context of the time. That was, some forty years ago, revolutionary within of itself.

Many of today's more serious readers of the period have read much of Bailyn and Gordon Wood indirectly, if not directly reading their own work. Both have been that influential in the field. The "disappointment" in this book is caused by Bailyn's own success, ironically enough. It was his work, along with select others, who began to pay attention to history within its own context - that is what was occurring in life and politics at the time rather than a chronological and linear view of the time. More of an interdisciplinary viewpoint and, as such, more accessible to the reader. Since the time of its first publication, many others have emulated its style (a good idea) but made its rather seismic effects at the time, feel much less so today. Effectively so much hype over the years (deserved then and de rigor today) makes for more than a bit of a letdown for today's readers. That said, those truly interested in the ideas, the philosophies, and their interpretations and misinterpretations of the day are well served reading Bailyn. Others should approach the read with caution as it is fairly dense but filled with moments of sheer academic brilliance.

This is a book that all students of the American Revolution should be forced to read. Without understanding Bailyn's argument, that the "conspiracy against liberty" was the main reason why America decided to break away from the British Empire, a student will be forever lost in trying to understand the roots of the American Revolution. Almost all of the books on the outbreak of the American Revolution have had to take Bailyn's argument into consideration; so, if you're interested in the study of the American Revolution, then this book is an imperative read. Read T.H. Breen's "The Marketplace of Revolution" after this book, and you'll have a decent grasp of the roots of the American Revolution.

I'm almost 40 and I'm new to the reading world, although I know how to read well and I've always been a keener with good grades in english somehow I managed to go through school without reading a single novel, I just didn't read it and that really brought my grade down. I've never - until recently read novels or much of anything else... When I began to read earlier this year- the feeling was euphoric. It was the discovery of this treasure I was surrounded with and never knew... Now I love, love, love to read. I've collected so many books I'm sure it'll take a few years to get through. I started shallow splashing around with light reads such as Sophie Kinsella, Emily Griffin and soon dove in deep and gravitated toward historical fiction. I enjoyed this trilogy a lot. Although I know Josephine was going to die in the end, it didn't stop me from crying (something I try to avoid if I can)... Any suggestions for other interesting reads, please let me know. I suggest this set, it was wonderfully written... As well I enjoyed Ken Follet's "pillars of the earth" I have't yet started the follow up "a world without end" I also enjoyed Phillipa Gregory's books... Until I read Sandra's books of Josephine I knew little of Napoleon. It has sparked my curiosity and I research online to learn more about Napoleon, Josephine and the others. Enjoy.

i found all three books in this trilogy fascinating. it was a painless way to learn about the french revolution, napolean and josephine's lives, and a multitude of other historical facts. the books moved very quickly and from the time i picked up the first one i was hooked!

I don't need to repeat what eveyone else seems to be stating in their reviews of this book and the entire Josephine trilogy; the story flows from start to finish.

I very highly recommend this book!

A perfect ending to a wonderful trilogy. Gulland has clearly done her research and France comes alive through the eyes of Josephine Bonaparte. Compassionate, kind and well-loved in France, Josephine also gives us a very intimate and sympathetic insight to Napoleon Bonaparte. I enjoyed this whole series and would heartily recommend it to anyone interested in the French Revolution, the French Republic and the rise of Napoleon. It is engrossing, humorous and heart-rending. Highly recommended.

I can't express how much I loved this wonderful novel. The most accurate adjective I can think of would be 'interesting'. This book was soooo interesting. Gulland's attention to detail is absolutely meticulous. She used over 400 sources in the writing of this trilogy. I learned so much--not only about Napoleon and Josephine, but also of other historical figures of that time. I also found the daily life of the aristocracy not only fascinating but also exhausting.

Napoleon Bonaparte and Josephine Beauharnais are some of the most intriguing characters in history. Their story is so compelling and Gulland does a wonderful job of presenting it. Her 'Josephine' trilogy tells the story of Marie-Josephe-Rose Tascher (Beauharnais Bonaparte) who was born on the French Caribbean island of Martinique in 1763. She died, as she was still known, as the Empress Josephine at her beloved Malmaison in Paris in 1814. THE LAST GREAT DANCE ON EARTH begins in March 1800 at the Tuileries Palace in Paris and ends at her death. But, Gulland has a special treat for her readers. She ties up all the loose ends by telling us what happens to all the characters in her novel. I loved that! In fact, I was taking a tour a couple of weeks ago in St. Augustine, Florida and the guide told us that this is where Napoleon Bonaparte's brother came to....I now know that it was Jerome. The author also has a chronology with detailed accounts and dates of events in the last fourteen years of Josephine's life. Gulland also used actual letters of the pair in this book. And again, the pages are peppered with footnotes that add credence to this story.

In book three we're treated to more of the deep and abiding friendship of Josephine and Napoleon. The love they had for each other is legendary. Napoleon was a wonderful father to Hortense and Eugene and they also adored him. But Josephine had to put up with her horrid in-laws, their jealousy and constant designs of destroying her marriage, their lies and the constant undermining--geesh, she was more patient than I could have been. They eventually succeeded. Despite going through horrible and archaic treatments for infertility, Josephine could not conceive. As we all know, Napoleon divorced her in order to gain an heir. Even then, they continued their friendship and love.

I have been mesmerized with Napoleon and Josephine since visiting the Lourve for the first time as a college freshman and falling in love with David's "The Coronation of Napoleon." Then, after visiting the famous, albeit headless statue of the former Empress at her birthplace in Martinique, my curiosity became insatiable. We learned that Josephine's head was cut off because she influenced her husband to reinstate slavery. I was hoping to read an explanation in these novels but it was never mentioned (although Martinico is mentioned quite often). Which comes to another point: Gulland mentions that researching the lives of Napoleon and Josephine is addictive; I've already bought two more books, maybe I'll find the answer to my question!

I come to the conclussion that The Man Who Laughs is the most descriptive, saddest, romantic and most beautifully written book that Victor Hugo has written. It is unfortunate that this book doesn't have the standing that Les Miserables or Our Lady of Notre Dame occupies. Also, it is a very hard to find book, specially in Spanish, which is my first language. The traduction is done extremely well (I have verified it with a Russian version I have). It is highly recommended.

This is a difficult and demanding read, but entirely worth it for those who want more from a novel. The story is of a confrontation of moral opposites set in England in the late 17th and early 18th centuries, as a deliberately disfigured outcast named Gwynplaine faces a powerful conflict between the simple life of a mountebank, with the love of a pure-hearted blind girl, and the power, glamor, and corruption of nobility, with the love of a depraved, self-loathing noblewoman. Gwynplaine's disfigurement hides his true identity from all, including himself; and out of the eventual revelation of this truth, Hugo constructs a magnificent and heart-wrenching symbolic drama that is as filled with meaning as anything you'll find in literature. Again, this is not light reading, and it is not made for those who prefer to breeze through an action thriller in an afternoon.

Hugo has much to say about the destructive nature of political power, as well as the envy and injustice that conspire to keep the high and low in their respective places. The Mohawk Club of the nobility exemplifies these themes through their vicious and destructive pranks, victimizing the helpless in the name of "fun."

Hugo's contempt for the period's institutions of power is evident throughout the novel; on the wicked Barkilphedro's rise to prominence, he writes: "He had crawled where he wanted. Flat beasts can get in everywhere. Louis XIV had bugs in his bed and Jesuits in his policy. The incompatibility is nil." Clearly this is a novel of ideas, written by one who had a great deal to say and knew how to express it. Even so, I must acknowledge that Hugo's expository passages, although witty, impassioned, and eloquent, occasionally become a distraction from the story.

Hugo's style is astonishingly lofty, in a way that just doesn't happen in the present day. It is an ambitious and demanding discipline, now so far gone that we scarcely even know to miss it. As such, it may strike today's readers as unnatural and overdone; or so it did to me, at first. But by the finish, I was fully seduced into Hugo's stylistic world, and left unable to choose what to read next -- for what is there today that is even conscious of this standard of craftsmanship? I can only imagine how much of the effect of this high language is lost in translation from the original French.

If you are interested in this book, I strongly recommend the Paper Tiger edition, with its afterword by Shoshana Milgram. This afterword was of great use in understanding the book's ending, which to me was difficult; it clarified how the ending was necessitated by the novel's overall theme -- and it made the extent of Hugo's achievement that much more evident.

I read this book as a teenager, along with "Toilers of the Sea," Ninety Three" and "Hunchback of Notre Dame."
I have re-read only "Toilers of the Sea" and found it as riveting now as were all of Hugo's book then. I can't imagine a library system not containing these timeless classics or their being out of print.

I have read almost all of Hugo's novels and I feel he was a master beyond most as far as story telling goes. This particular books is ingenious with the various characters and the twists and turns and the tragedies and political statements. It broke my heart, while exciting me to cheer on the lead character in his efforts to right the wrongs of the parliament. I loved the characters of this books and the story line and I would strongly recommend it to any who are fans of "Hunchback" or "Les Miz" (forgive me). While I really loved Les Miz (and again, it broke my heart, as did the musical,which I thought was brilliant), this is the one that stayed with me. I read it many years ago and have a number of copies (some very old). When I bought this movie, I had no expectations, and I was amazed to see how much of the story was included. It was brilliantly produced, directed and acted. Even though it is a silent movie, it speaks volumes. I highly recommend the book and then the film. I also urge everyone to see the musical "Les Miserables" because it is all so wonderful. Hugo was a true master!

This is extremely well written and the story is easy to follow. The story had me smile and cry. The method that Victor Hugo collected the sections of this book is similiar to the style Ayn Rand used in writing Atlas Shrugged-my favorite book. The Man Who Laughs is one I think every Victor Hugo fan would want to read and read again--I loved it!

The book is well written and entertaining. The story was nicely presented around the letters of Mary Pringle. All the similar names of the characters make it a little confusing. A nice reference chart showing the relationship of the characters should be included at the beginning of the book. Did the author hide some things to make the family look better? I wonder. It's hard for a Northerner to muster up a lot of sympathy for this family of slave owners. Perhaps Julius, who likely became a Unionist, was the real hero of the family. It's ironic that the South nearly destroyed our country in the 1860's, but is saving it today.

Mary's World helped me to understand life in the Antebellum South and the culture that thrived on slavery. But it also showed the North's response to winning the Civil War, which was anything but forgiving. It was a thrill to see the Miles Brewton House and the St. Michael's Cemetary on my recent visit to Charleston, and to feel the connection with the Mottes, Alstons, and Pringles.

In Mary's World Richard N. Cote has succeeded admirably where so many others have tried and yet missed the mark. With his succinct style and exceptional organizational skills he has laid bare the thoughts,emotions and lives of Mary Pringle, her family and their slaves, and done so in a way that has given us a book
that is informative as well as enjoyable. By putting their lives
into context with the times Mr Cote has given the reader not only the opportunity to learn what they thought and felt but the ability to understand why they thought and felt the way they
did. This book will appeal to historians and the average reader
alike.
It took me only 2 days to read Mary's World and I found myself
so absorbed that when interrupted I was momentarily confused to find I wasn't in 19th century Charleston.

FOR THOSE INTERESTED IN ANTEBELLUM CULTURE AND THE CIVIL WAR, THIS IS A MUST READ. EVEN FOR THOSE WHO AREN'T A STUDENT OF THE ERA, "MARY'S WORLD" IS STILL A FASCINATING GLIMPSE OF THE LIFE OF AN ELITE SOUTHERN PLANTER FAMILY. TAKEN FROM FAMILY PAPERS, THE STORY OF THE PRINGLES IS A FIRST HAND ACCOUNT OF THEIR INNERMOST THOUGHTS AND FEELINGS.

THE READER GETS TO WATCH WILLIAM BULL AND MARY ALSTON PRINGLE'S CHILDREN GROW UP. BY THE END OF THE BOOK YOU FEEL AS IF YOU HAVE KNOWN THEM ALL. I DREADED FINISHING THE BOOK BECAUSE I FELT AS IF I WAS LEAVING OLD FRIENDS.

DO YOURSELF A FAVOR AND MAKE TIME FOR THIS BOOK. REGARDLESS OF WHETHER YOU ARE AN "ANTEBELLUM-OPHILE" LIKE ME OR NOT, THIS IS AN EXCELLENT BOOK.

I found this book in Charleston on vacation after touring this home. I loved this book! Now I want to visit again because I am so much more invested. I read this book for pure pleasure, and di it deliver! One doesn't need to visit the south to enjoy, the book takes you there. It gives such insight to the era and history the reader gets pulled right in.

On The Loose is certainly one of the most beautiful and inspiring Books ever written. It is simple and short but packed with inspiration. This book should be taught in the schools as a nature primer...children would love it and then continue their journey into the wide world.

but encountering this book again after 35 years brings tears to my eyes.

(A note on the description: If you will examine the font in the text, it's "Tang-jar", not "Jang-jar." Tang is the orange flavored powder concentrate that the early astronauts drank in space. At least that's what the commercials said. Untold thousands of ordinary Americans drank it too.)

Excellent, quick read...wide range of quotes both poetry and proes...pics are breathtaking...these two young men have infected me with their philosophy of life.

What a treasure to find that On The Loose is still around. This book is full of wonder and joy on every page. On The Loose found me in 1967 when I was an undergraduate student. It is still with me. I was wandering and On The Loose spoke to me of the wilderness as something full of awe. This is truly a beautiful book. It continues to remind me over and over that, as I can see I will keep looking and as long as I can walk, I will keep moving. I am so happy that with the reprinting of On The Loose it will now find its way into my grown children's hands as they continue to make their way and look beyond the light and dark.

There are so many wonderful and amazing photographs and quotes in this book. This book is truly an invitation towards insights gained by looking outward and beyond. Let yourself go beyond where you can barely see. Buy this book. Always ride for the high points! This is the book to take with you.

D. Budd
Edmonton, AB Canada

If I had to choose 10 books that I would bring with me to a desert island, this would be one of them.

I was lounging around at my grandparents house and saw this book on a bookshelf in one of the old rooms that nobody ever goes in anymore. I picked it up, and out of curiosity at the title, decided to read the first page...I must have sat there for HOURS reading! It is so hilarious (and at times not so hilarious.) It is also incredibly insightful. I just finished reading it today (I started 2 days ago) and have demanded that all my other 19 and 20 yr. old friends read it...it's THAT good, and still a great book even now in 2002, and even for us kids who weren't even alive until the 1980s! READ THIS BOOK!!!

I was very young when I read this book, still in grade school. While I admit, much of the rhetoric and philosophies concerning the sexual revolution were indeed lost to me, being that I was so young; I took with me, unto adulthood the humor and witty excerpts, which are indeed both so simple and clever. Years later, I still make references to this book; whether I regard it in terms of how it introduced/helped me, personally examine and evolve my ideas of sexuality or how much it still makes sense, it is a classic work of art. Read this book!!

Those who Get It should be printing up and handing out this book like Gideons. Every home should have one. Allan Sherman succeeds, as very few authors have, in laying out the terms and conditions of our domestication, and exhibiting nakedly the sad state of slavery under whose shadow we furtively fornicate. This is a hilarious book, which is a symptom of the wisdom it contains. In order to unravel the mystery of how the Sixth Pleasure got so screwed up that a sexual revolution was necessary, Sherman disentangles threads of politics, religion, and culture, all with a light touch and human sympathy. There is no other book that you need more urgently to read.

I'm just about finished with this book, it is absolutley the funniest book I have ever read. His detailed history of the "corruption" of our minds starting with the dawn of man is wonderful. The only tragedy to this book is that he isn't alive now to see how things have progressed since 1973. . .

It is an absolute must-read.

While Allan Sherman's musical offerings are witty and fun, this book is one of the most amazing documents ever published. Like most of the other folks here, I first read it when I was young (16) and have bought and lost (as loaners) several copies. I found a hardcover in a used bookstore about ten years ago and will never let it leave my house now, as replacement copies are amazingly expensive and hard to come by.

I consider it the funniest book ever written, and this comes from someone who absolutely adores Twain, so take that as extremely high praise.

I was almost sorry when Kenny was rescued because it meant the end of the book. Unfortunately, the cover leads one to think the book is about helicopters, but it isn't. I was in the Air Force in Viet Nam when Kenny was there and believe Navy pilots had skills superior to those in the Air Force. I can't imagine returning to a carrier in the middle of the night during a storm. Having met this gentleman and sat in the very same A-7 pictured here, I have the utmost respect for him as well as the A-7. This story is worthy of your time to read and should be made into a movie.

Wow! I feel like I have just escaped from the jungles and the enemy myself! This is a great book. It has the perfect blend of action, technical detail and personal information. The technical details on the aircraft, combat procedures (bombing runs, strafing, etc)and how a rescue mission is run are presented in a manner that is interesting to the reader; not boring. The descriptions of the on the ground action as the two pilots attempt to escape and evade are riveting. As I read, I could feel the heat of the jungle, my body was tense with apprehension when the enemy was near and I could feel my heart bursting with fear as the pilots burst through the jungle as the enemy chased and fired upon them! Outstanding book!

The true story of a US navy pilot forced down in Laos during the Viet Nam war. Surrounded by enemy troops, he was only feet away at times from being discovered. The suspense makes this a very difficult book to put down. The minute by minute account is heart pounding.

A well written first hand account of one of the most amazing rescues of a downed pilot in the Viet Nam war. The author puts you in the jungle with him and I found it difficult to put down even knowing that he would eventually be rescued. An excellent read.

I was also shot down in Laos, very close to the spot the author had his experience. My back-seater and I (flying an Air Force F-4E, in 1970) were luckier and were rescued after just one night in the jungle. This book is an "easy read" and I personally related to much of what he experienced. This is one of the few books I've read that I had to keep reading till I was finished. I'd like to think that I could have survived for as long as he did, but honestly, I doubt I'd have done as well. The rescue forces were outstanding throughout the war. Knowing they would perform as those in this book did was a significant factor in keeping our spirits high in spite of the questionable political conduct of the war.

"Rescuing Da Vinci" by Robert M. Edsel.
Subtitled: Hitler And The Nazis Stole Europe's Great Art, America And Her Allies Recovered It". Laurel Publishing, LLV, Dallas, 2006.

After borrowing this book from the Plymouth Public Library, I was initially disappointed when I opened the book. It seemed that the book was all pictures and NO text! The book has some 300 pages and I would estimate that there are some 25 full pages of text, including the index and bibliography in the back of the book. Having said all this, it is my opinion, after having read the book that all those pictures were required to tell the complete story.

Page after page, photo after photo, I would find a painting or sculpture that I recalled from my art history classes, which was a long time ago. The book would show the 1940s picture on one page, with a person, perhaps in a period German uniform, "collecting" the item. And, then, on the facing page, often in full color, would be a present day view of the object. See, for example, pages 204 and 205, were Jan Vermeer's "The Artist's Studio, 1665-1666" is displayed on page 204 in black and white and in full color on page 205. This mixture of historical fact and present day view is carried out throughout the book.

The book begins with an explicit condemnation of the Nazi conquest. It is shown that the Nazi Germans prepared rather extensive documents identifying the art works of various nations and earmarking those works for transportation to the Third Reich. This is an amazing example of the arrogance of the Teutonic thoroughness of Hitler, Göring and the rest of the Nazi leadership. Speaking of Göring, it would seem that at the height of the war, his country "cabin, called "Carinhall", probably had more and better art than most museums in the western world. Page 45 records that Göring had a collection of approximately 1700 paintings. Sadly, there are too many pages in the book showing or identifying works of art that had been destroyed or had been lost. Page 285 shows, for example, Raphael's "Portrait Of A Young Man, 1516", which is still missing.

Still missing is the so-called "Amber Room" which was once located in the city of Königsberg in what was once Prussia. There are entire books, available on Amazon, dealing with the lost Amber Room. With the emphasis on the sins of the Third Reich, little notice is taken of the fact that the Soviets stole the entire city of Königsberg, which is now called Kaliningrad. In fact, Kaliningrad is a tiny piece of Russia, (the so-called Kaliningrad Oblast) stuck between Poland and Lithuania. In Kaliningrad, Russian is the official language and the postage stamps are Russian. Interesting.

And, of course, on a more mundane, but very telling level, there are the 5000+ bells that were stolen and the Dutch trolley cars being prepared for reparation to the Netherlands.

Excellent book with many historical pictures and historical comments of the war's effect on the art of many countries.

I have always been a museum addict. If the Metropolitan Museum of Art would let me place a cot somewhere, I would probably take up housekeeping. So, it was extremely rewarding to read this story of how so much of the stolen art from WW2 was found, protected, recovered and finally returned to rightful owners. These "Monuments Men" should all have received medals. The world owes much to them for making so many artistic marvels again available.

The illustrations are quite good. Many are available in other sources but so many, at least for me, were viewed here for the first time. The attempts to protect many objects - e.g., St. Marks in Venice - were also interesting. When I visited there a few years ago I was very appreciative.

Mr. Edsel is to be commended.

This book shows and tells another side of war. It is the story told in picture of Hitler and his Nazi thugs pillaging Europe and stealing priceless art objects, painting, statures, books, even ancient scrolls then hiding them in caves and bunkers in Germany. What I loved about this book were the photos of US Army units rescuing those stolen art treasures then returned them to the towns, churches and cities. The author has done an exemplary job of finding photos and stories which has made this an important work. Photos I've never seen and story I have never heard about. I think this book needs to be in every high school library in the country. Students need to be shown how our American Army worked to recover all this lost art. His book made me proud to have serviced in the US army.

Thank you for writing this book

I was really surprised by this book. I thought it was going to contain more text but it's really all about the art and the people who rescued it. The result is a very impressive, easily readable 'coffee table' style book that's beautiful and informative. Teachers should grab this up for the classroom and it also would make a great gift for anyone interested in WWII and it's aftermath. I can't say enough about the photos and the story they tell. Bravo!

Excellent book. meticulously researched. Easy reading. I wasn't aware some Jewish people were slaves. I recommend this book. It was an honor to Ann Kirschner's mother.

The story of Polish Jews who were lucky enough not to be sent directly to the death camps, yet unlucky enough not to make it onto Schindler's list or find some other long-term refuge. Writing mostly about her mother's family as they lived for six years on the precipice, Kirschner produces something amazing: an important piece of scholarship that never feels like a historical tome. Rather, it stands on its own as a deeply moving, character-based story that will leave you wanting to revisit passages about remarkably brave and beautiful people -- some survivors, some not -- who were nearly forgotten by history. Despite Kirschner's proximity to the story, she never forces herself into the narrative; rather, she weaves personal elements into the story only when they can add a new and critical dimension. The result is a book that deserves to be dog-eared and passed around repeatedly.

Ann Kirschner meticulously weaves the story of her mother's survival with the overwhelming accounts of the Holocaust...a fine balance between biography and history lesson.

This is a very moving tribute written by a daughter about her mother. It is also well-researched and well-written, shedding new light on the movement of mail through work camps and even concentration camps. Sala's story of survival and redemption is remarkable, and the reader can well imagine the emotional roller-coaster the author must have experienced uncovering her mother's story.

I was so moved by this book I will include share my heartfelt comments to the author.
Just want to THANK YOU for such an amazing book! Your decision to share your mothers personal life with readers who benefit so from your investment of labor and emotion is generous and to be admired! When you were complete it must have looked like E=Mc squared did to Einstein! Simple on the surface with the complexity of the universes author within. My highest regards to you and Sala Kirschner.
Glenn from Tampa Fl and sometimes Lake Tahoe Nv