History Books

I would love to review this book for you. However, I have still not received it even though I have been charged for it! Can you please help me either get my book or get a credit to my credit card? Thank you!

As a university instructor and entrepreneur, I wholeheartedly recommend this book. The one page strategic plan is brilliant and very doable by anyone in just a few hours time. Simple and straightforward - that's what this book teaches and that's what you should do to succeed....so Read this one for sure.

I must say that the simpler management frameworks are the ones that stick with me. This book puts forth a few key management principles that are helpful for most companies.

This is by far the best business book I have ever read, and I have read many. This book is full of "roll up your sleeves" "get er done" practical tools and techniques. All referenced forms are available on Harnishe's website as well. The book is so readable, succinct and full of "Well Duh!" techniques and procedures that I found myself amazed that these basic techniques are not being used in more businesses.

This could be the only "how to" manual any consultant would ever need to initiate transformational changes within client organizations.

Bring organization to your organization. Hold people accountable for their work. These are some of the biggest problems I hear over and over from entrepreneurs who have emerged from the start-up phase and are trying to grow their business into a profitable machine. This book is an easy read and gives you all the tools you need. A must have for anyone looking to take their business beyond their garages.

Good for Fern Chapman as she attempts to make sense of family roots in a tourist-level return to Europe, even while knowing that a previous generation is largely inscrutable, fragmentary, and ultimately impressionistic. Much to the book's credit, both mother and daughter, as protagonists, explore this generational divide. The book's stated purpose of pursuing WWII understandings "Beyond the Holocaust" promises new insight into unresolved moral issues. Chapman hopes to liberate the reader from that form of simplistic guilt-conveyance which stifles further thinking about the Holocaust.

Chicago-based Chapman plunges us into a post-Christian and post-Judaic landscape, a brave new world of secular humanism that hopes to compete with the centuries-rooted religious foundation that we've come to respect in the book we've come to know as the Bible. We find ourselves adrift in the modern world of American and European apostates, no longer tethered to ancient heritage, but reluctantly forced to bear the social mantle of being either a Jew or a Christian.

The character Mina is representative of the WWII Christian German who never left: "I mean, I was brought up in the church every Sunday and I prayed. But we weren't a deeply religious family." Her family, dysfunctional to the point of abandoning her to the servant needs of a local Jewish family, attributes their lack of faith to the Christian disorientation resulting from the World War I, untimately a civil war in which Christians and Jews were destroying each other. World War II would be the same unfortunate imploding of the Judeo-Christian bulwark. Our sympathies to mother and daughter! Even so, Mina is forced to shoulder the guilt associated with Holocaust, even while the visitors from America remain speculative.

The mother Edith deserves our sympathies as well. "After the war, however, she had little use for religion. When I asked her why, she said, 'I want nothing to do with it. Look what happened in Germany--that was among mostly Christian people. After that, I couldn't trust any religion. I just couldn't believe in God.'" Edith simply cannot fathom the horrible waste of internecine warfare.

Chapman is often superb in "Getting Beyond the Holocaust" with its propaganda-like group-think. During the war, German Jews seemed to know as little about the Holocaust as did everyday German Christians. Neither knew much, if anything. This accounts for several characters offering only "symbolic" protests against Nazi incursions into their lives. Knowing more would presumably have led to ever more forceful resistance from both communities.

Nor does Chapman attempt to whitewash typical Holocaust guilt formulas. Mina represents the easier vantage, i.e. that "You are a Nazi to the end of your life. You are stamped." Yet the Nazis voiced principle-based (to them, at least) complaints that might be acknowledged: apostate Jews, not faith-based Jews, were leading the godless Bolshevik revolution. Marx himself had descended from a long line of rabbis before his family's desperate plunge into Lutheranism and religious disorientation, ultimately a cogent formula for atheism, socialism, and secular humanism. Overall, the book leaves us with a sense of tragic loss among "should have been" partners in a unified Judeo-Christian Europe, rallying around the Old and New Testaments. Too bad today that a weak, self-propagandized Europe has replaced the Jews with its real historic enemy, jihadist Islam.

I had begun this book and put it down--to pick it up again was a very good idea. This author has a very readable style. A great book to read if you want
to know about the Holocaust and beyond--just like the title says--it says it all.

Edith Westerfield Schumer left Germany in 1938 as a twelve-year-old. She left alone. Her parents sent her to America, removing her from the threat of the Nazis in her German homeland. Her Jewish father mistakenly believed that Hitler would acknowledge his service to Germany in World War I. However, most of her family did not survive the persecution or the death camps. Edith never saw her parents again.

She rarely spoke of her childhood. Perhaps so much loss could not be expressed in words. Perhaps she didn't know how to convey to her family what was ripped apart in her past. Her daughter Fern knew little of her heritage.

"Motherland" tells their story through her daughter Fern's perspective. When her mother finally agrees to return to Germany, Fern accompanies her-hoping to learn about her grandparents, hoping to see aspects of her mother's childhood, hoping to better understand how the Holocaust stole her past when it stole her mother's.

Through their journey Fern and Edith learn much more about each other and about the quest to reconcile the past than they expected, significantly deepening their mother-daughter bond. Fern relates with poignancy how moments from her mother's childhood are revealed during their visit. For the first time she realizes that her mother's inability to speak German without an American accent parallels her inability to speak English without German pronunciations creeping in. Her speech identifies her as different from other Americans-and other Germans. Fern learns her mother's favorite German food only to realize that Edith never learned to cook it before she was sent away. For the first time she hears of her mother's insecurities about leaving her home.

They encounter people from Edith's childhood who through their silence aligned themselves with the Nazis. Their lives still echo with hidden guilt. The mother and daughter speak with others who have never overcome their anger at the Nazis and what they suffered when they tried to help and protect the Jews. The women are struck by how people's lives have never returned to normal.

Their story provides insight into mother-daughter relationships and the role of roots in those relationships. The memoir was named a finalist in 2000 in the National Jewish Book Awards by the Jewish Book Council and a number of schools use Motherland to teach about moral choices.

Edith and Fern acknowledge that the Holocaust has now affected three generations of their family. Somehow those who carry on must remember history and honor those cut down by cruelty, yet let go of the past moving ahead with the new generations into healing.

This book covers the return of a Jewess, at 12 years old separated from her parents from the Rheinland on a Kindertransport, to her small hometown, Stockstadt-am-Rhein in 1990. Her daughter, pregnant, goes with her, although unable to speak German, and writes from her younger, American Jewish perspective on this whole process of reclaiming her mother's past, her Heimat (homeland), her Motherland so to speak.

As you can read, most reviewers rave about this book. It is well-written, if a bit too introspective at times (these parts a reader can skip, such as the daughter's thoughts dwelling on herself and her own children). I'd like to make these criticisms for the author, that she may rewrite it perhaps, or if it should be done in a film version, some negative feedback could also perhaps be useful in making a tighter story:

1. The mother's verbatim words should be used in the text, with footnotes underneath for translation into English. Many who read this book know German and do not want to read about the daughter's struggle to make out this or that trival word. Dare I say it, the daughter might have made a better effort to know her mother's language? How else to understand her own roots, her own mother's culture, her longing for her childhood?

2. Don't introduce side issues that remain unresolved. For example, a very intriguing juicy bit is thrown in, that her older sister was sent a year ahead of her to America, adopted by another set of relatives, and now that the two sisters (her mother and her aunt) are now in their late 60's, they still don't get along. This isn't worth delving into, or at least explaining a little bit? WHy leave it hanging? Why bring it up if not to grab the reader's attention? WHy not go and interview the aunt, find out her own bitter memories or reasons for spurning her younger sister an entire lifetime?

2. Why no mention of this author's father? Who was he? How did he influence the family with his own traditions, career or job, attitudes and hobbies, personality? Reading this book, one could think that there was no father in the author's life. If we are to understand her pain as a daughter in not grasping her parents' lives, then surely some mention should be made.

3. Why not explain her mother's cowardice in not giving her own daughter Jewish names? She says she is named Fern (for a relative, Frieda) and Brenda (for another one, Brondl). This is strange to me, for the names "Fern Brenda" certainly don't indicate the great Jewish heritage that the mother wants kept.
Meanwhile, we hear that the German families are naming their kids Joshua and Sara, with no shame or hiding. Strange indeed.

4. Why not look at Germans more as people? Her impression of a silly clerk called the immigrations controller is that of a nasty Nazi, simply because he is German with blue eyes and blonde hair, and stamps their documents with authority. Don't ALL immigration people behave this way in every airport of the world? They're SUPPOSED to be abrupt, to give people unease. Does she call the ones down in Israel with their "brown eyes and dark hair" typical Mossad types? Nasty because they're Jews? I should think not, it's lame stereotyping at best.


Overall, this book needs editting by a non-Jewish, non-German hating professional editor, who can guide Fern into a more balanced presentation of her mother's beloved homeland. Otherwise, the hatred comes through with the stereotypical slights, and weakens the story's validity.

The best angle, if a movie were to be made - hopefully in Germany's Babelsberg and not here in Hollywood, God forbid - the theme of Mini, her childhood friend. Now there's a morality play full of contradictions! Wilhelmine (Mini for short), a child six years older from a dreadfully poor family of seven kids, is sent to be a servant/maid to the well-off Jews, and becomes best friends with the daughter she is meant to serve. Then her friend is sent to America, making Mini 18 and Tiddy 12 when they separate. Mini is so enraged to have lost her adopted sister and family that she spends the rest of her life documenting the Nazis, and whether they're all prosecuted. Her own grown son, nearing 50, feels himself deprived of a proper childhood or mothering because Mini devotes herself to fighting the evils of the past rather than living in the present. She is a living testament to the folly of grudges, which the author's own mother avoiding doing - she purposefully shunned nostalgia for her lost homeland and family, until her 60's.

In many respects, this daughter and her emotions, this author, is the problem in the story. She should rewrite it from the participants' point of view, either her mother's or Mini's, in the third person, and take her own petulant self out of it.

Now THAT would be a mature and interesting novel.

Hey, also, put in some of these pictures that she dwells on!

"Motherland" by Fern Schumer Chapman centers around an intriguing premise, that of a mother and daughter returning to Germany to discover what happened to the family left behind during the war, in an effort to let go of the war that plagues their relationship. The author's mother was sent as a refuge to America a year after her older sister, leaving her grandma and parents to endure the wrath of the Nazis. Feeling abandoned and unloved, the author's mother never returned until the early 1990s, still hesitant to encounter the past.

For Germans, it seems as if WWII and its legacy is always close to the surface; a feeling a guilt pervades their interactions with those from other places due to the constant association with evil they must endure. Mother and daughter certainly encounter that on their journey to the small town where her mother lived her first 12 years of life. The town, while greatly changed, is still home to many former classmates. Escorted around town by a man eager to make amends for his past actions, the two discover that the past is always present, no matter how hard one tries to forget.

Overall, "Motherland" is a quick-paced read, an accounting of the author's attempt to understand her mother. Yet at times the narrative reads as if the author is trying to hard; she was five months pregnant when the journey was made, and perhaps her emotional swings show through too much. The flow is often interrupted by liteary efforts at similes, comparisons which aren't necessary and do not add to the story. However, the story is one that the author needed to discover and one that she needed to tell. It is an interesting look at how someone who wouldn't necessarily qualify as a 'survivor' did survive, but still passed on that legacy of loss and war to her daughter.

What a beautiful and poignant, bittersweet romance.

I fell in love with Olivia and Jai. The history, description and writing drew me right into the author's world.

I first read Olivia and Jai years ago and I've read probably thousands of books since, but I have never forgotten this book or the dynamic main characters, Olivia and Jai. There are also a number of very well developed and interesting secondary characters. Rebecca Ryman is a master of characterization and rarely have I read a book where the characters and the setting come alive to this degree. There are so many layers to the characters and to the plot that each revelation throughout its perfectly paced plot is like a gift of literary brilliance. This book encompasses the themes of love, hate and the sacrifices and devastation of revenge. It will make you laugh and cry, and it will break your heart. In the end, it will restore your faith in true love overcoming all obstacles, all the while educating you about a fascinating time and place in history. My 19 year old daughter recently came home from college for the summer so I checked this book out of the library for her. She at first showed little interest in spending her summer reading, but ended up locking herself in her room and ignoring her family and friends until she finished this book - in 3 days! Young and old will enjoy this book and I can not recommend it enough. I would actually give Olivia and Jai 10 stars! (I'm less enthusiastic about the sequel.)

This epic tale of love and revenge, set in India in 1848, chronicles the story of American Olivia O'Rourke's obsession with half-Indian Jai Raventhorpe and (as she believes) his betrayal, and her eventual revenge. All of this takes place against a backdrop Raventhorpe's shady background, interwoven with a multitude of family secrets.

It's quite clear that Ms Ryman is familiar with India. However, what she appears less familiar with are the language, mores and customs of the 19th Century. So the freedoms permitted Olivia and her cousin were a little overdone; and neither the thought of a woman being accepted in business in Colonial India, nor of the heir to a title being dirtying his hands in "trade", rang true. And the language used by the characters is far too twentieth century for credibility. That said, whilst for the first third of the book, I was somewhat irritated by these inconsistencies, I did become swept up by the story and just enjoyed it. Ms. Ryman certainly does know how to spin an absorbing tale. There are lots of twists and turns in the plot, and the escalating "war of attrition" played out between Jai and Olivia was very cleverly developed. Additionally, Ryman's skill in drawing out her characters ensures that no matter how terribly Jai behaves, the reader is still able to retain some sympathy for him.

So is it a great book? I didn't think so, but it's a gripping read, and provided you can get past the issues of language and incursions of 20th century freedoms, then I'm sure you'll enjoy it as much as I eventually did.

This story is set in India some 20 or so years before the Sepoy rebellion. Olivia is an American who is in India for an extended visit with her Aunt, who is married to a British tea merchant. One day while trying to escape a boring ball she goes outside for some air and privacy. Ending up down by the river, she crosses paths with Jai Raventhorne, a dark, brooding, and mysterious Eurasian. For reasons unknown to them they are drawn to each other with an intensity that is both exhilarating and frightening. Despite Jai's repeated warnings that he is no good and will ultimately end up hurting Olivia her runaway emotions have a mind of thier own. Jai, knowing he will eventually hurt her, is unable to resist his own attraction to Olivia as well.

Eventually Jai's disturbing warning proves true...in the form of an unimaginable betrayal that shatters not only Olivia but her entire family. For some reason Jai is set on destroying Olivia's family. After the betrayal Olivia's love turns to an intense all consuming hatred. Her life spirals downward and she puts all her efforts into destroying Jai...and discovering the reasons and motives behind his intense hatred for her family.

As Olivia and Jai's hatred for each other increases they do all they can to hurt and destroy each other. However, the vigor and passion that they throw into hurting each other matches the one they once loved each other with. And as we all know...the opposite of love is indifference, not hate!

This story started out much like a typical well written Historical Romance, after the first 100 pages though it quickly turned into anything but. This is an emotional rollercoaster ride and I found myself cheering for Olivia and hating Jai with an intensity that I'm sure would make the author proud. It was absolutely impossible for me to tear myself away from this book at times. The plot is complex and the elements of mystery, romance, and revenge are absolutely genious. The last 20 pages had me in tears!

This is a great book, one of those rare books that envelopes you and you live, sleep, eat, and breathe it while you are reading it. When you finish you will wish there was still more to read. I find myself thinking about this book weeks after I've finished it. Lucky for me there is a sequal!

5/5 stars

The story begins in Calcutta in 1848 as Olivia O'Rourke arrives from California to spend time with her mother's sister, Lady Bridget Templewood. Used to the freer life she shared with her father, Olivia chafes under the rigid morals of British Society, but then she accidentally meets a man reviled by her family, Jai Ravenstone. Jai is a Eurasian with a mysterious past who against all odds built up a successful shipping empire.

Despite her family's hatred of Jai and his attempts at destroying her uncle's competing shipping business, Olivia cannot overcome her overwhelming attraction to Jai and sees him at every opportunity, even though Jai himself warns her of the dangers of involvement with him. Just when it seems Olivia and Jai may be able to surmount the problems of his past and find love, Jai's obsession with destroying the Templeton's takes him on a path that utterly destroys Olivia's love for him and sends her on a path of building her own business ventures to enact her revenge against Jai.

This was a wonderful tale of love and revenge that will have you reading well into the wee hours of the morning, by page 250 or so I literally didn't come up for air until I finished it. There are many twists and turns and quite shocking surprises that will have you guessing and turning the pages until the very end. It's not quite up to the standards of The Far Pavilions, but for those seeking a well spun yarn set in 19C India during the British Raj this is one worth checking out. Five Stars.

"On The Air"
I've been after this one for some years but couldn't make the price tag.
Finally I found one of Amazon's amazing cut price sources & grabbed it.
It arrived at my UK address in as secure a package as you could hope for and for a third of its original price! It is as near mint condition as one could expect and is one great hunk of reading. I'll be older and feebler before I reach Z with this one! I can't say I'm familiar with all shows as a UK guy but it'll be interesting to plough through the many shows that either I never heard of or that never quite made it. It was mainly thanks to AFRS & its dedication to keeping the troops in touch with Hollywood & the stars during their wartime golden days that drew me (and thousands of other UK listeners)into the web of American radio and now thanks to those dedicated groups like YUSA and OTR much has been preserved to be recaptured & appreciated as if it were yesterday,again! A solid souvenir for all fans of this incomparable media of the mind.

Whether you wish to know about the great or the small radio programs of the past, this book is for you. It is more than a resume of the various radio programs but rather is a complete history. With the more famous shows, entries can be several pages. Each entry is well researched and seems to be very complete, from cast members to those "behind the scenes." This is the definitive work, in my estimation.

Being an old time radio fan for more than 15 years and having collected more than 45,000 programs I was looking for a reference book that allowed me to better track what I have and what I wanted to look for. John Dunning's book is that and so much more. The detail he has included for the series listed is simply amazing. From showtimes to networks to cast to sponsors to a behind the scenes type view of each series you're left feeling like you were there the whole time.

This book is a must have for both novice and serious collectors of these fine old programs. You won't be disappointed in the detail. If you're looking for pictures then this isn't the book. It is a beautifully written reference book that gives you insight to not only the shows themselves but the actors and actresses who starred in them.

Simply put, a wonderful read!

Highly informative, well written, entertaining, sometimes exhaustive. I read this through from cover to cover (several evenings) - a process that has not tempted me with any other encyclopedia! Brings back many memories while adding much information new to me. Great stuff!

This book has everything you could ever need to know about OTR. Meticulously researched. I asked my father in law about shows he used to watch and he named some I never heard of and he said were just local shows and wouldn't be in this book. Wrong! This book had them and even said that they were local shows. If you want an encyclopedia on old time radio, this is the one to get!

First, Jonathan Eig is a tremendous writer! He does have a tendency to detour along tangential lines, but that adds to the richness and backdrop of the drama that was experienced by Jackie Robinson. Eig transforms history into humanity with cameo appearances by icons such as Babe Ruth, Malcolm X, and Sidney Poitier. I felt the sense of pride that African Americans of mid 20th century America must have felt. It bolstered the idea of "Only in America". This was a civil rights story before Till, Brown v. Board.., Parks, and King. I hurt with Oscar Charleston, Josh Gibson, and a litany of other Negro Leagues stars born "out of season". I smelled the hot dogs of Ebbets Field. I met and loved Branch Rickey. I watched Pee Wee Reese, Eddie Stanky, and Dixie Walker and many others mature. I adored Jackie Robinson for his talent and demeanor. All courtesy of Jonathan Eig, who BROUGHT IT!

Jonathan Eig is developing an expertise at rehabilitating hackneyed young-adult biography heroes. First with Luckiest Man: The Life and Death of Lou Gehrig and now with "Opening Day", Eig takes a baseball player whose legend has become tarnished by excessive praise, and retells the story from its original context, restoring a sense of wonder.

The story of Jackie Robinson has with time become a story about the heroism of Jackie's white teammates. History now tells us that they bravely accepted and embraced him, over society's disapproval at the ending of baseball's color line. At least, that's how Eig first approaches and then rewrites the tale. In "Opening Day", the spotlight rightly shifts back to onto Jackie himself, as well as to his wife Rachel, the rock at the center of his life. We hear from Jackie himself via contemporary interviews and from his assigned beat-writer from the black press.

The discussion of Jackie's acceptance among his teammates is limited to how they did not in fact accept Jackie as one of them: Eig fails to uncover any evidence that the rest of the Dodgers tried to socialize with or befriend Jackie in any meaningful way once they stepped off the field.

Branch Rickey, who gets rightful credit as the man who integrated baseball, is also shown as the shrewd businessman he is, in both the good and bad sense. Rickey was the executive who refused to trade one of Jackie's most vocal teammate critics, realizing that his pennant hopes resided in that man's bat. He further refused to give Jackie a significant raise for 1948 even though Jackie's presence generated value in publicity and gate that far exceeded his meager rookie paycheck.

Most compellingly, Eig retells the story of the 1947 season month by month, primarily through contemporaneous newspaper accounts. We see the variable way Jackie was treated by the press, and whose agenda affected which stories. A national publication tried to anoint Spider Jorgensen, a strictly league-average third baseman, as the league's top rookie, in a veiled slap at Jackie's aggressive Negro League style of play. We also learn things not commonly told: we know, for example, that Larry Doby was the second black baseball player in 1947, but Eig goes further and tells us who came third and fourth (a cynical move by the St. Louis Browns), and which white owners opposed integration in the disingenuous name of preserving the Negro Leagues.

"Opening Day" could stand to go farther and tell a bigger story. Jackie's post-1947 career and personal life is shunted into a brief epilogue that hints at a possible second book of equal depth. Of course, the space within "Opening Day" is well used: the three chapters devoted to the 1947 World Series are well researched and lively told. Even in a book about Jackie Robinson, the other unlikely heroes and goats of that series (Bill Bevens, Cookie Lavagetto, Al Gionfriddo) still deserve their space.

A complex, nuanced portrait of Jackie Robinson, told with stunning detail and insight into the first black man to play major league baseball in the 20th century. As an historical account, this book goes beyond myth and revisionist morality to create what feels like a genuine account of a complicated man in a complicated place. As a baseball book, it is wonderfully expansive on an important era with lots of legendary players. As a literary work, it is a top-notch narrative told in an elegant, rhythmic cadence. It also gets high marks for journalistic technique and style. If all writers of sport possessed Jon's rare combination of gifts, the genre would be a lot richer.

This is the second book that I have read from author Jonathan Eig. The first, Luckiest Man: The Life and Death of Lou Gehrig, was such a great retelling of the life of the Iron Horse, that my expectations when picking up Opening Day: The Story of Jackie Robinson's First Season were quite high.

Opening Day is the story of Jackie Robinson's first year in the majors, and the challenges he faced when he became the first black American to play Major League Baseball. Any true fan of baseball knows the story of Jackie Robinson, his importance to the game and the lasting impact he has had on the United States. But, Eig manages to provide a fresh look at this historical year, focusing not only on the challenges and bigotry that haunted Robinson, but also on the lives that he touched in 1947 and for years to come.

One of the more intriguing stories from the book was that of Jackie's teammate Dixie Walker. When Robinson's Dodger teammates were informed that he was coming up from the Montreal Royals to play with the team, Walker wrote the team's general manager, Branch Rickey, asking for a trade. There were also rumors that he led an effort by the Dodger players to get Jackie off the team. Dixie always denied the accusation, but nonetheless, he was basically a self-proclaimed bigot - worried about what his family and friends in Alabama would do if he played alongside a black man.

Like authors before him, Eig could have easily cast Dixie as the villain of the story. But instead, he details how playing with Jackie helped Walker evolve into a better man. Within time, Walker started to respect Jackie for his toughness and determination. He started giving Jackie pointers on how to improve his game, and later in 1947, he stood up for him (along with all of Jackie's other teammates) when opposing teams would hurl racial epithets at Jackie. Robinson made Walker start to question his views on minorities and Walker came to realize what he learned about blacks while he was growing up was wrong. After that, Walker played with, coached and managed black players throughout the rest of his career, and later said Jackie was "as outstanding an athlete as I ever saw."

This is just one example of the impact that Jackie had on the lives of others. Stories are sprinkled throughout the book about the significant impression he left on his teammates, other players in the league, broadcasters, league executives - and most importantly, the next generation of black Americans who would continue the struggle for equality in America.

Opening Day, definitely lived up to my expectations and surpassed them, and I highly recommend it for any fan of baseball and/or American history - and to anyone who is interested in understanding the important role Jackie Robinson played in the evolution of the United States.

Eig's extensive research and thoughtful treatment of Jackie Robinson does not vary or question the general truth of his legend: Robinson played the game well under tremendous pressure with little or no support and demonstrated in the process the skill and courage that entitled blacks to equal opportunity. But Eig does add some new perspectives that make the legend far more interesting.

First is the general unpleasantness of Robinson. He's like Pete Rose in his burning desire to win at all costs and would rub some people the wrong way regardless of his color.

Second and perhaps most important is Eig's ability to introduce more subtlety into the story. Eig destroys the legend of Pee Wee Reese publicly encouraging Robinson on the field in the face of racial abuse. That did not happen, at least not in 1947. Robinson is utterly alone in 1947 and has to prove himself to his teammates. Branca is the only guy to make a point of shaking his hand when he first appears, which adds to Branca's own legend as a man of character, but even Branca essentially ignores him for much of the season. Some of this is racial, of course. But some of it is the culture of baseball: a rookie must prove himself.

Robinson's ability to peform in these circumstances, under the most tremendous pressure possible, adds to his legend and makes his 1947 season perhaps the most admirable of all seasons. Eig is also good at introducing subtlety into the legends surrounding Robinson's oppressors. There is some rumbling on the team, but that quickly dissipates. Most interesting is the role of star player Dixie Walker. Walker felt compelled by his southern roots, and by his desire not to have his business punished in the south, to make a point of objecting and asking for a trade. But thereafter, he drops the protest. The problem for Robinson was not simply the obvious bigotry, but his freeze-out by the rest of his team until he could prove himself under the most trying of circumstances. Walker may have given Robinson a few batting tips and may have dropped his trade demands, but neither he nor anyone else took Robinson under his wing. Even in baseball's demanding culture of ritualized abuse of rookies, a rookie will eventually be taken under someone's wing. Robinson did not have that benefit.

The protests of other teams has also been exaggerated. It appears that there were some murmuring on the Cardinals to try to boycott Dodger games, but that fizzled before it started. The Phillies were grossly racist in their bench jockeying, but backed off early in the season. The Yankees in the 1947 World Series had a few nasty bench jockeys.

What emerges from all this is the pain of the gross racism aggravated by the agonizing loneliness of Robinson as he has to endure everything and prove himself. Eig convincingly shows that by the end of 1947, Robinson succeeded in proving himself and was the MVP of this team. Only then was he accepted by Pee Wee Reese, the team's captain.

All of which demonstrates Branch Rickey's wisdom in choosing Robinson as the man to break the color barrier. Robinson had mental toughness and competitive fire. The rap on black athletes was that they were not mentally tough, and Robinson was exactly the right guy to disprove that myth. Choosing a more passive personality would not have made the point, and choosing a less disciplined soul who would have got into physical fights in 1947 would not have worked either. But it is interesting to learn how Robinson sometimes crossed the line (such as spiking Rizzuto in the 1947 Series) and how close Robinson came to losing it.

Robinson emerges as a complex and truly great man in this narrative. This is an excellent book that I highly recommend.

Excellent book about a truly amazing man. If you enjoyed this one, try Fly for Your Life, by Larry Forrester, which chronicles the life of RAF pilot Robert Stanford Tuck. Tuck is mentioned several times in Reach for the Sky and his book is another 5 star, Battle of Britain story.

I ordered this book for myself after having read a borrowed original first edition hard cover from a friend.
The story is wonderful and inspiring, and I wanted to own this book. This soft cover reissue version is O.K.,
but the photo reproductions in it are shamefully bad. I'll continue to search for an original copy ...

I read this book in middle school YEARS ago, well, ok, I wore this book out in middle school. When I saw it on Amazon I had to get it! What an amazing, inspirational story. Anyone with an interest in flying or history will find this a fantastic read!

An excellent and accurate story of a historical figure, Douglas Bader. It was interesting to read and thoroughly enjoyable.

I read this book when I was 9 yrs. old and now that I read it again I think that this is one of those books that I will keep and read over and over.
This is a riveting story that makes you feel like you are there experiencing the events yourself.

The book provides an inside view of Star Gate, the government's secret program of remote viewing. By the time Paul Smith wrote this book, most of the information he needed had been declassified, and the program allegedly shut down, if you believe that.

The book describes the structure of how they remote viewed a target, from the fundamental to specific gestalt, and how this could be taught to anyone, since everyone has this ability.

I'd consider this one of the better books I've read on Star Gate and remote viewing in general.

This book is a great reference and historical record of the emergence and use of remote viewing from inside the military machine. A great addition to all serious remote viewing researchers library, its well written and one of those hard to put down books. There are a few good books on remote viewing and this is so far the best in trying to create a historical overview of RV and address many of the inaccuracies of the previous historical overview book (The Secret History of America's Psychic Spies).

This is also a great reference tool for anyone trying to fathom the 89,000 pages of CIA remote viewing documents released through the Freedom of Information act.

Paul Smith has produced a wonderful book here. It captures so much detailed information that it should make a wonderful documentary source. Yet, it is written so clearly that for those who have read other books on the subject (like me) it is very easy to skim to the parts that contain new information, insights, and details (and there's a whole lot of ALL of those throughout this book!) This book is a must for anyone who wants a more complete picture of the subject matter, as well as a feeling of greater familiarity with the fascinating and enjoyable personalities of the players involved.

I'd suggest Paul Smith's book to students of self discovery and military historians alike. Reading the Enemies Mind provides a concise and engaging history of our nation's remote viewing program. Those seeking to further advance their potential will discover many advanced concepts that have yet to reach mainstream society.

What I most enjoyed about this book was the author's optomistic view of the future of remote viewing. The abilities to tap this newly discovered area of human potential have yet to be fully explored. This newly discovered science holds great promise and may someday lead to a cure for disease, advanced education and furthering our intelligence and understanding. Perhaps someday our political and military leaders will use this potential to advance our civilization rather than simply using remote viewing as a military intelligence gathering tool.

While various forms of remote viewing have existed since the dawn of civilization, Paul Smith carefully documents the proven effectiveness and scientific reality that refutes serious critics and encourages those with a limited understanding. I'd recommend this book to anyone seeking a more advanced understanding of their human potential.

Reading the Enemy's Mind is a fascinating history of the Star Gate program. I've read accounts of a couple of other former Star Gate participants and they are either sensational and fictionalized (David Morehouse) or short on history (Dale Graff). Paul Smith's account is comprehensive and doesn't make wild claims. His tome is a level-headed treatment of the program. He's very upfront that for every success there are many failures.

Some of my favorite successful remote-viewing stories from Reading the Enemy's Mind include viewing Aldrich Ames - the CIA traitor, the USS Stark attack, and the capture of rogue DEA agent Charles Frank Jordan.

In 1987 Star Gate was tasked with finding the mole in US intelligence. CIA sources in the Soviet Union were disappearing or being executed and people wanted to know who was giving them away. Star Gate came up with a composite of the traitor. Among the details was that he drove a gray European car and was involved with a Columbian woman. While many of the other details were off, Smith wonders what might have happened had the Star Gate information been used:

"The fact of the car alone might have significantly narrowed the field of possible suspects in the CIA. How many CIA employees owned grey European luxury cars in 1987? Certainly some, but percentage-wise not that many. And how many CIA employees had a significant relationship with a Latin American woman, especially a Columbian?" (p. 340)

Smith remote viewed the "accidental" Iraqi missile attack on the US destroyer Stark 50 hours before it occurred. He described the colors of the attacking military ("tan uniforms with black belts and bits of red and green."), the unprofessional nature of the attackers ("they reminded me of a militia as opposed to a professional military"), and the explosion itself ("The structure/vessel shivers, shakes, quivers. 'There were a 'clang,' a 'screech,' and a 'metallic squeal...'").

A final story I'll share is that of the rogue DEA agent, Charles Frank Jordan. This agent had turned bad and escaped custody. The DEA was convinced he was in the Caribbean. A remote viewer thought he was in Wyoming. "This information was so out of line with where Jordan was thought to be, that at first the authorities were inclined to ignore it. Finally, one agent decided that it would do no harm to alert police in that part of Wyoming.(p. 384)" Jordan was apprehended shortly after that - in Wyoming!

I highly recommend Reading the Enemy's Mind.

This is a superb introduction to ancient warfare and can serve as a springboard for further studies in ancient history. The artwork depicting the uniforms of various armies of that time is well done and the narratives, diagrams of battles are really helpful and informative.

Loved the book. The sketches and battle tactics illustrated made them come alive for me. Gave me a much better insight into the whole thing. And the delivery was fast, even with free shipping.

As I researched the equipment and modes of Greek warfare while writing the historical novel "Maccabee," I consulted numerous excellent sources, but John Warry's book was without a doubt the best. It became my virtual bible for the staging of the battle sequences between the Jews in the Maccabean Revolt and their Syrian enemies who employed the Greek methods that had worked so well for Alexander the Great. Warry's explanations of military techniques in their historical context as well as the wealth of illustrations makes this a valuable resource for anyone interested in ancient warfare.

This is an excellent introduction to ancient warfare. It is lavishly illustrated, and provides excellent diagrams to support some of the concepts such as how a phalanx of Greek infantry manoevered and then moved into combat. The book covers the technology of the times, but also looks at tactics and gives an overview of the politics that lead to the various conflicts. I would higly recommend this book for beginners in the field of ancient warfare such as myself. My only reservation, is that while the primarary authorities are extensively referenced in the text, I would have liked to see a bibliography (although the glossary is great too!) Highly recommended for beginners or those with a general interest in the topic.

I just got this for my son and I ended up reading it first. I am sure during this X'Mas both of us will want to fight for the book. The pictures and the drawings are of the highest qualities. I love the descriptions of major wars. I just wish that the author has given it more explanation of the drawings for the major battles like adding more legends. Also, it is kind of hard to read/understand the numbers and types of soldiers for both sides on the battlefield. But all in all, this is a great book that I suspect I will read and re-read many times.

Michael Lesy's Wisconsin Death Trip, originally a doctoral thesis, is one of the most touching, poetic, beautiful, harrowing, moving and dislocating works I have read. Basically a compendium of found glass plate negative photos taken by the (himself knock-knees odd) Charles Vam Schaik in and around the rural community of Black River Falls WI, and leavened by snippets taken from the Badger State Banner newspaper and the Mendota State Record Book (an insane asylum), as well as a few personal reminisces, the book instead is a commentary and an indictment of a brutal time of economic dislocation, social upheaval, religious confusion and obsession, and personal decay in a farming community. It is an endless repitition of suicide, madness, arson, children dying of disease, and of a mostly sternly religious people living the grimmest of lives of back breaking work in the country. The photos by their sheer repetition and some of the games played with them by the author, pound out a tattoo of strain, people only barely suppressing their madness, and a society truly on the edge of collapse. Hardly the bucolic paradise so often evoked in our time.

The afterword by the author provides some backstory and statistics backing the point up, and illustrating in numbers and facts what the pictures and excerpts made clear by anecdote, and is also well written.

This was something of a cult book in the mid 70s, a most unusual way of looking at local history, lifting up the rock under which society had crawled. It is haunting, tragic, striking. You will never forgot it.

Buying a classic again. This is the U of New Mexico Press version. The earlier publisher had the picture of the baby in a coffin on the cover. That was better, but the contents are the same.

This is an interesting and slightly macabre book which is strangely beautiful. My son, who is Sam Witt, the poet, told me about it because he had been so moved by it that he wrote a poem associated with it in his soon to be published book, SUNFLOWER BROTHER. The old photos are stunning from the horses to the dead children. I am hoping to get the dvd soon.

"Wisconsin death trip"is an accurate documentation,not only of "agrarian white"culture at the end of the 19th century but,in many ways,the whole of white culture in america at that time..Contrary to popular belief,the"good"old days were not really so good..Yes,they may well have been less complex,but infant mortality was very high,illnesses which today are highly treatable being killers not only of children but of adults as well,daily life being,for most,a drudgery,with little to show for one's efforts...There were few saftey nets,no antibiotics,no pensions to speak of,no recourse against the harshness life,or against a system that,like today,favors the wealthy..
Insanity was not understood,and "treatment"such as it was,often did little to help the afflicted...Wisconsin did not have a monopoly on such things,anymore than,say,los angles has a monopoly on street gangs,or newark has a monopoly on ghetto housing...
The novelty is perhaps in the seeing of the photographs and the documents all together in one volume,so that one can peruse the sorrowful aspects of that period as it affected one particular area...

I read this book over 16 years ago. It left a lasting impression that will stay with me forever. It may not have the same affect on others but reading some of the reviews posted here, I know that it has on most. You can't really ask somebody "did this really happen?" becuase they either died then or in the 100 years that have past. We have no perspective on these people, places and times other than to read books like this. If any of these folks were alive today and heard someone say, "those were the good old days." They might be inclined to give the speaker a quick education. This book will do it for them. I have pictures just like this in a family archive. You wonder how anybody lived into middle or old age. Disease, starvation, hypothermia, and farm accidents all took their toll. Winters are hard enough in the south. Why did these people decide to stop the wagon in Wisconsin or if they lived thru their first winter there, why didn't they head south? I went to a Brewers baseball game at the end of May some 25 years ago and wore a down parka and was cold. You can still see houses in small towns outside of Milwaukee that look like the houses in this book and you can feel the desolation, pain and suffering looking out at you thru 100 year old panes of glass.

The Rza is no ordinary rapper and this book proves it! While essential to the understanding of the CD "Enter the Wu-Tang", it offers the reader the unique opportinity to learn more about the unique members of the clan. A must for any Wu-Tang Clan fan!

I must admit I was surprised and a little skeptical when the RZA, whom I have always seen as a stoic hardened man, decided to assemble a collection of his favorite recipes from his childhood as well as a few exotic dishes from around the world. My skepticism quickly evaporated upon receiving this charming tome, however. The Wu-Tang Manual provides the reader with a wealth of quick and easy (and cheap!) dishes that will leave your mouth watering. Whether you're planning a quiet, intimate time for a couple to relax, or a lively group gathering for a shower, graduation, or holiday, there are recipes here for all occasions. You'll learn how to turn out perfect renditions of classics with a twist such as Brown Butter Pecan Muffins, Baked Banana French Toast, and Smoked Salmon Benedict on Potato Pancakes, as well as new dishes to add to your repertory such as Tea-Smoked Trout Salad, and Baked Eggs with Fresh Corn "Polenta" and Slow-Roasted Tomatoes.

Though only 26 pages from start to finish, The Wu-Tang Manual is a decadent feast of a read, with usually dry recipes spiced up with some personal cooking anecdotes from the RZA and friends from the Wu-Tang clan. One such tale about the RZA and Method Man's disastrous first attempt at a crab bisque literally had me laughing until I was in tearz.

With mouthwatering photos and sections on menus and sources, The Wu-Tang Manual is all you need to throw a stylish and sophisticated dinner that any chef would be proud of.

I loved this book, my brother loved this book and I thought the Rza did a great job.....its the Wu FOREVER!!!!!!!!!!!!!!!!!!!!!!!

if you like the wu this is for you. if you like hiphop its a good read. so many little fill ins for missing wu knowledge. the best bits will depend on where you come at hiphop from, as an mc i liked the annotated lyrics section. it is fairly comprehensive overview of the wu and well worth the price. buy it or stay a sucker mc forever.

I bought this book because I have been an avid fan of the Wu since high school. I had a feeling it would be good but little did I know that it would be in the tops of the bests books I've ever read in my life. If you've ever listened to a Wu song and wondered what this line meant, or what this word means, look no further. Who knew that there was actual rhyme and reason to ever since word picked for their lyrics.

If this is truely only a volume 1 out of many, I can't wait for the others. No matter what level of Wu fan you are, this will double it at least. Get this book.