Photography Books

I have met SuzAnne and came away very impressed. Between 2004 and 2006, the author a combat medic with the US Army, served a tour in Iraq. She is a staff sergeant. At only 106 pounds, SuzAnne is one of the toughest and most capable people I have ever met. She has "been there, done that." I am glad that she was able to share her artistic talent with us before she went into combat. I am hopeful that she will be able to create more for us to enjoy. The fact that she has such a tender and loving heart after serving in combat, speaks volumes not only about her, but of all the men and women who put on the uniform of the United States Armed Forces.

SuZanne has captured the hope, faith, heart and spirit of these youngsters with her creative and caring lense. Paired with the scripture -- miricales are all around us. Thank SuZanne

A great photography book for every coffee table in the country! With the recent tragedies that our nation has experienced SuzAnne Libby has offered a glimmer of hope with her black and white photography book set with biblical scriptures. With her simplistic and elegant approach SuzAnne Libby's book has given me comfort at times when I needed it most. I have sent Heart Warmings to my US Navy friends serving in the Middle East who have also been inspired and comforted by her book. SuzAnne Libby's Heart Warmings will warm the hearts and offer hope to all who open it up. This book will get alot of use. A must have, I highly recommend it.

This is an inspirational photography piece for every coffe table in the country! In light of our nation's recent tragedies SuzAnne Libby offers a glimmer of hope in this wonderful work of black and white photography set with biblical scripture. With her simplistic and elegant approach this book has given me comfort in times when I most needed it. I have sent this book to my US Navy friends serving in the Middle East who have also been comforted and inspired by SuzAnne's book. SuzAnne has done a wonderful job and this book will warm the hearts of all who open it up. A must have, I highly recommend this book!

this book is great. I put it out on my coffee table, and everyone can't seem to put it down. The combination of scriptures and black and white photographs makes this book inviting. It is a good way to relax or "wind-down" after a long day. Makes a great gift as well!

I've been down part of the Colorado from Diamond Creek to Lake Mead but have never had the means or opportunity to see the rest at water's edge. Ed Abbey's text and John Blaustein's photos take me on a vicarious trip that brings back all the excitement of white water and the awsome experience of gazing up and up at the canyon's walls that many only view from the rim. It's a different canyon down there and a river journey allows me to see it all and remember the feel of ancient schist and the plaintive song of the canyon wren. It's a book to read and look at again and again even if you can never visit or revisit the river itself.

As a person how recently did a two week raft trip down the Grand Canyon, I can say that this book visually caputures the essence of the experience! The pictures are wonderful. I have recommended it to my rafting friends as well as some Grand Canyon river guides.

Having done the Colorado in a private raft, The Hidden Canyon absolutely thrilled me - again - as much with its elegant pictures as with Edward Abbey's flat-out-fun narration.

Having rafted the Colorado myself 2 years ago, this was a perfect souvenir-reminder of my trip. The photos in particular are exquisite - some I have no idea how he managed to capture without ending up in the river himself. I lost my Pentax to the very first rapid! This book definitely gives a sense of what the Canyon, the river, and the rapids are like. Makes me want to go back!

I have traveled through the Grand Canyon many times, both on the river and on the trails. John Blaustein has not only been able to capture the beauty of the canyon but also the soul of the river it contains. Abbey's journal is a fine compliment to the pulchritude of the pictures.

Neff has produced a magnificent book here of portraits of Katrina victims. These are the REAL people and stories from Katrina!

Of all the Katrina books, this is one of my favorites. I also have been photographing post Katrina New Orleans since October 2005 and this is one of the few books by other photographers that I have purchased. The book is done with sensitivity and insight into this once in a lifetime event. I strongly recommend.

Thomas Neff is a remarkable photographer and this book sharing the real impact of Katrina on people's lives is powerful, timeless, truthful in an inside and honest way that no casual viewer could comprehend. Neff's vision is sophisticated but pure, trained but revealing in its simplicity, visually poetic with the abhorrent facts of life that have been so cruel to so many. If that weren't enough, there are the essential, heroic and stunningly conveying essays which accompany each image. The photographs share so much comprehensive visual information that one needn't ask for more, but by conveying a much broader and richer context for each image through writing and story telling, a nearly complete cultural mosaic is spun, surrounding the milestone and epic event so unique in US History. This book will stand through time as a classic conveyance of important information about an event that we all know about, but certainly haven't had, until this book provided us with it, an insider's view of the real nitty-gritty that is life, both cruel and beautiful. Way to go, Thomas Neff. Such a brilliant work which we should all feel grateful to comprehend.

Armed with a thorough history of the medium and a flawless technique that has played out over a distinguished career, Mr. Neff has produced a timeless and distinct look into a photographic story untold by the weekend warriors of popular media. The photographs in Holding Out and Hanging On are an extended conversation, empathetic moments that live far beyond the click of the shutter and into a tragedy that has long been forgotten by it's neighbors and countrymen. The photographs are the eye and the heart of a man who is compassionate, realistic, courageous beyond belief and a model for who we should strive to be. As the portraits separate themselves from the time of exposure, the complex clarity and humanity of Neff's photographs are further revealed as a critically important document of the people who lived though Hurricane Katrina as well as an informative and poetic addition to the canon of concerned photography.

Mr. Neff has been my friend and mentor for over ten years now and I could not be more proud to own this necessary book of socially and historically necessary photography that is flawless in it's execution and communion with the spirit and people of New Orleans.

Bradly Dever Treadaway
Faculty Member, The International Center of Photography
New York, NY

The drive down from Chicago to the French Quarter in the canteen left me feeling heavy hearted & speechless. The vast area that hurricane Katrina hit left behind a sea of wasteland like nothing I'd ever seen before. Some areas were completely wiped out where others were only battered, yet the people I met along the way while serving with the Salvation Army in the French Quarter were such a blessing. It was one afternoon in the French Quarter that I met Mr. Neff--I was on my way back from delivering supplies and checking on some of the neighbors. By this time the media was swarming the streets looking for new sensational stories for the headlines. I must say that I did meet a few that tried to report more uplifting personal stories of survival but the majority did not--they were insensitive and disrespectful to the residents. Mr. Neff had a sincere interest in the people he met & photographed, and you can see it in his subjects' eyes: their transparency and trust. Mr. Neff's body of work gives the reader a glimpse into his subjects' lives during this most difficult time. Thank you for recording what words cannot fully express.

This has the best Comments! It's great for all you sassy women out there! It makes me feel better just looking through it. I gave it to all my girlfriends for christmas this year! It's got the amazing retro pics too. I love it!

For the independent female (who has a good sense of humor), you won't find a better gift!

This book sits in my powder room and not only do I still pick it up and get a giggle now and then, but my guests always emerge from the loo with a smile, too!

I love Anne Taintor's humor. This collection is not quite as funny as her other ones, but was a hit with the person I gave it to as a gift. Enjoy!

I got this book for my mother, along with the other one recommended by Amazon to buy together, and it's very funny. I was looking for something that would give her a lift and it definitely did; she enjoys them quite a bit.

This book is a very humorous one just to leave laying around for a random, quick giggle.

These photos create a unique sense for which I have no good words. The cover image gives an example: Stiffly posed, but without real tension, pale and luminous, and somehow beyond reach of human touch. Many of Tenneson's figures are swathed in flows of gauze or something just a little heavier. Only a few photos feature the clean-shorn model that appears on the front, but I find them appealing in that extra degree of nudity and truth to the body itself.

Several of these photos capture ranges of the human spectrum that others often ignore: a male model with whitened beard and sagging skin, a heavy-set woman with rolling curves, wide-eyed children in chaste and formal poses. The most remarkable among these remarkable photos might be a sequence of four, showing the same woman and child. The first three show the burgeoning pregnancy with the child inside, the last shows the newborn infant, held close against the belly that contained her just one photo ago. I understand least the images in which a seminude model is carefully capped, her body exposed and her hair hidden - or, more baffling still, only partly hidden. Understanding is over-rated, though, and not necessary for many kinds of appreciation. Whether I understand or not, I appreciate this memorable collection.

-- wiredweird

Most of the photos in this collection have been shot in a form of lighting that causes a slight, white blurring of the image. It causes the image to have a surreal effect, and it is dramatic. Looking at the images causes an impression at two different levels. At the general level, you are seeing an image as if you are looking through a very thin white sheet. Underneath that, there are very subtle messages in the photos. On one page, there are photos of a nude woman at three points of her pregnancy and one after birth, with the newborn baby at her breast. The message here is obvious, but most of the rest are far subtler.
Most of the pictures are of a human form, and while there is some emotion on their faces, it is very low key and subject to interpretation. In looking at the same photo, you can see sadness, low-key joy and perhaps a hint of boredom. I looked through the book several times, scanning the photos, studying them sector by sector, finding new interpretations each time I delved deeper into the image.
Tenneson is an excellent photographer, her hazy white light technique of shooting adds a quality to the photos that gives them a spooky quality. However, they are also beautiful.

I am not an expert in critiquing photography, but I know what I like, so know this: Joyce Tenneson's work is incredible! If only more of her books were still in print...

But if you don't believe me, see for yourself.

Spectacular dreamy/nightmarish visions of aging, youth, beauty and timeless images.

Black and white photos may be all the rage for people who want poetic images, but Illuminations contains some of the most surreal, breathtakingly beautiful images I've ever seen. From the haunted old woman to the progression of the pregnant girl to the androgynous figures, every image in this book carries a power that reminds me of the cinematic.

The first thing to hit me was how beautiful this book is. The photographs of the thousands of collectibles are delectable. It made me want to run out and find some of this stuff, or find new things to start collecting. The author unfolds her theories about why people collect, and describes many wonderful childhood scenes of Bronx life and early collections of marbles, baseball cards, sewing kits, you name it. Adult adventures collecting all over the world, and the collecting adventures of her friends and family, are included, and make for a wonderful warm biography of a collection of collectors. The descriptions of the original uses and methods of manufacturing of various collectibles is fascinating, and it's lovely to see simple and sometimes disposable things treated with such interest and respect. The history and character of our country shine through in the old graphics and designs of postcards, matchbooks, lawn sprinklers, and countless other items, and after spending time with them in this book, I can feel more deeply what's been lost to more efficient means of production. I'll never browse a flea market or garage sale quite the same way again. It's a wonderful conversation piece, a fun book to have around for guests to peruse. It gives you permission to bring out those old shoeboxes of stuff from under your bed and show them to your pals, even though you're not a kid any more. I loved this book, it was part anthropology, part history of design, part memoir, part encyclopedia, part travelogue, all work of endearing art.

Reading this book was like day at my favorite swap meet, antique collective or a random search on eBay. I visually recognize the material but appreciate it more for being brought together in groups. The collector's mind automatically seeks groupings and hierarchies of individual examples and this book plays to that weakness easily. The little stories are at times educational and fascinating and at other times too personal and esoteric. My only problem is that after reading this book, I tend to want to own too many of the objects featured.

This is a beautifully produced look book. The unusual and very particular collecting subject matter is very personal. Quirky, wonderfully photographed and of superior quality.

This is the best book I have found on Collecting. The writer gets into the state of mind of a collector, then presents profusely illustrated collections of an almost unbelievable scope. Like - you mean people really collect THIS? Yes they do and it's there. COOL book that will broaden your horizon - and you'll never throw anything away again because someone out there collects it.

I have purchased at least seven copies of this fascinating book to give as gifts to a wide variety of friends. For those interested in collecting, the book offers fresh insights into the forces that motivate people to acquire, while illustrating a remarkable diversity of eccentric collections that surprise and delight. For the novice or general reader, the breadth and types of collections are amazing. The book is superbly designed and the objects beautifully photographed and presented. The author is a farsighted collector with an awesome range of historical knowledge and an accessible, highly informative writing style. I highly recommend this book for readers of all persuasions who simply enjoy being intellectually and visually stimulated.

I strongly recommend this book to any one who would like to see what the South Bronx was during the 70's and 80's and how life was around when growing in these areas. I look back and see what I experience and how much different is today than those days when growing up.
Going to bed and thinking if you will wake up alive or if the Fire Department will be rescuing you. It's was hard growing up in the South Bronx in those days, but now that it has been in the redevelopment stage, the South Bronx has been recovering from those years of neglect ion to the people of this area.
Mr. Rosenthal's has done an amazing job in capturing those moments during that time.

Rosenthal has produced an excellent book about one of New York's most troubled neighborhoods.Working in the South Bronx for many years I've witnessed firsthand the struggles of area residents against the tide of arson and crime.Rosenthal's photographs tell the story of the survival of the human spirit in one of the most devastated areas in the country and the efforts to rebuild it.

I'd strongly recommend Mr. Rosenthal's work to anyone who is interested in the devastation suffered by those in the South Bronx during the 1970's and 1980's as well as those who have an interest in "urbicide."

Based on what was available, I felt for a long time that there was a great gap in books available on the Bronx; either they spoke of the grand old days or focused solely on the destructive elements of the Bronx experience. Or, in other words, there was little on the lives of those who were trying to make a "go" of the place, despite the inexorable forces arrayed against them.

Mr. Rosenthal's work fills that gap in a diligent and eloquent manner.

In The South Bronx Of America is photographer Mel Rosenthal's intimate documentary of severe and widespread poverty in New York's South Bronx, a neighborhood of ethnic diversity united chronic conditions of urban distress. Enhanced with informative essays by Grace Paley, Martha Rosler, and Barry Phillips, Rosenthal's photos also provide evidence of human joy, strength, and pride to be found in even the most abject circumstances. In The South Bronx Of America is an impressive contribution to contemporary American studies and will prove to be of intense interest to students of photography, ethnic studies, and urban culture as well.

"Not since Eudora Welty photographed rural Mississippi in the 1930s has anyone caught so memorably a people and a place as Mel Rosenthal has done in this unforgettable record of the South Bronx." --Willimam Jay Smith, former Poet Laureate of the United States and author of The Cherokee Lottery

"Rosenthal's disturbing stories and portraits of life in this neighborhood during the 1970s and 1980s are the work of an activist's committed lens, revealing how public money does not always result in public progress." --Doubletake

"Rosenthal's protraits convey the still vibrant life of a community hurtling toward ruin." --Erin Christman, Ruminator Review

"The photographer doesn't just give readers the clichés of burned buildings and homeless people. We see the richness and complexity of life that the South Bronx supported, even during its darkest day, and that may be the book's most significant accomplishment." --Damaso Reyes, The New York Amsterdam News

"Whatever historians may conclude about factors involved in the deterioration of the South Bronx, the juxtaposition of photographs of burned out buildings with vibrant portraits of South Bronx residents makes Rosenthal's book a provocative historical and sociological document." --Leslie Cohen, The Jerusalem Post

Great book for anyone who loves cinema, starwars or special effects.
The whole history of George Luca's Industrial Light and Magic.

Thomas Smith was general manager of Industrial Light and Magic a year before he came to write this impressive book. The book is centred around the film special effects creations of ILM between 1975 and 1985. This includes the then "Star Wars" trilogy, two Indiana Jones movies and other lesser known projects. For the Star Wars fan theres plenty to learn about one of your favourite movies. This book is lavishly illustrated with full colour photos including triple page or gatefold images. The focus though is on how the effects are done and who did them at ILM. From the art work in developing concepts of storylines, through modelling, creature creation, the actual filming methods and matte image creation to the finishing touches of animation and optical compositing this book gives a gradual demonstration of the work of a special effects company. For someone with no knowledge what so ever of special effects this is a good introduction and to those involved it must be fascinating as well. As Thomas Smith points out, while film fans still love the movies from this era (1975-85), movie goers constantly seek new visions on screen. The digital era has brought movies like Toy Story etc but these were just figments of imagination at the writing of this book so its worth noting Thomas Smith's far-sightedness in the final chapter on digitized movies. The format of the book is to take each department of the special effects process and show what it does and where its part comes in the crafting of a movie. In each chapter there are short biographies of the leading people in each area of effects, this is a nice touch as it can serve as guide for those interested in getting involved. Its worth noting, many of those profiled have a long interest in their specialty going back to their youth and through the various twists and turns of working in an industry knew of other members of the ILM company before actually joining this now esteemed organisation. Thomas Smith by no means is setting out to sell ILM's considerable expertise though he tells the story of a company making dreams into reality, itself moving from an idea to a serious business proposition. (As a final note another book on movies of this period Paul Sammons "Future Noir: The Making of Blade Runner" contains insightful descriptions about the crafting of a movie not least its special effects.)

No one would ever have guessed that when Industrial Light & Magic opened its doors in Maren County that day way back in 1975 that they would produce the standard by which other special effects and other effects houses would be judged. ILM has formed the cornerstone of LucasFilm Ltd. a company that has spawned more spin-offs such as THX Sound, Skywalker Sound, all held neatly under the Lucas Digitial banner. Back in the days of Star Wars it was mostly using what was already known, and inventing everything else. ILM has been at the forefront ever since, from the early days of motion control cameras controlled by Apple computers the latest CG marvel like Galaxy Quest, Phantom Menace or Mission to Mars.

The Art of Special Effects deals more with the older films-those before 1986, illustrating a time when computers were not so large a part in the film-making process. It gives the reader a great look at the sheer amount of detail that went into the models, the props, costumes from Star Wars to Explorers, from Raiders of the Lost Ark to the some of the Star Trek films, ILM constantly and consistently proven to innovative. The book as a whole is on a level lower than, say, Cinefex magazine, assuming that the reader doesn't know how blue screening and rotoscoping works or how miniatures are lensed. It is light reading without getting itself bogged down in too much technicality, for those who want that, read Cinefex.

It also strikes me that this book is also best at presenting a dying era. A time when model makers kit bashed hundreds of plastic models just to build a Super Star Destroyer - few companies bother with that any more when everything can be rendered on a Silicon Graphics box and Maya and Soft Image software. Such films as Star Trek: Insurrection used few practical models and a completely CG Enterprise-E. The time of the supremely detailed, hand crafted model or set may be at an end, and I think the industry will be sadder for it. Partially because when I read Cinefex, a lot of what I see is the same-different movie, different space ship, but they're all rendered the same way and most use the same software, with only minor modifications or original code going into it to get a certain look or solve a certain problem.

I suspect the Digital Realm of the movies, while producing better special effects, lacks the mystique of knowing that several people labored for months to build that model. That instead it was modeled by a few people over a period of a week. (Though it should be noted that a lot of films, including the Phantom Menace, used practical models). I suspect their days are number.

Pér tutti quelli che vogliono sapere come fanno i film, per tutti quelli che amano Star Wars con tutti i suoi segreti, direi che questo è il libro che fà propio al caso vostro.Scritto in un inglese molto facile è un libro che può veramente appassionare

Years ago I longed for this book, as it sat on the shelf in the local book store(it was not cheap). I received it with much gratitude on my birthday. Now as a teenager I found a reinterest in this book, and was overjoyed when the next book "into the digital realm" came out. For anyone who is captured by the magic of special effects, this is for you.

This book is phenomenal. Not only in its ironic ability to tell these tales, but for also revealing the clear errors that the judicial system cranks out. Anyone interested in those who are falsely convicted should check out www.wm3.org.

Medium: Book
ISBN: 1-884167-18-7
Book Type: Hardcover with Jacket
Pages: 112 pages, 104 4-color illustrations
Size: 12.5 x 10 inches
Item #: 11430
Name: The Innocents
About this book...
This compelling book of photographs and interviews with the wrongfully convicted by Taryn Simon includes commentary and case profiles by Peter Neufeld and Barry Scheck. The failings of the criminal justice system and the use of the death penalty in this country are currently under close scrutiny and an important topic of public debate. The images and voices of The Innocents mark this historic turning point in America.

The Innocence Project, founded by leading civil rights attorneys Peter Neufeld and Barry Scheck, is responsible for most of the postconviction DNA exonerations in the United States today, many of which are included in this book. On the ten-year anniversary of its founding, the Project continues to free the innocent, striving to transform criminal justice into a more equitable and reliable system.

Photographer Taryn Simon brings us face-to-face with individuals falsely accused and convicted. While mugshots and photoarrays are used to condemn and imprison these innocents, Simon has turned the camera around to document these victims of mistaken identity and perverted justice. Simon photographed the wrongfully convicted at locations that were crucial in these legal cases: the scene of misindentification, the scene of arrest, the alibi location, or the scene of the crime. Through Simon's interviews with each, the men and women in this book confront the paradox of innocence and imprisonment, the inability to recover the years stolen from them, and the states' unconscionable refusal to compensate them or ease their traumatic transition to civilian life.

Jerry Layne Rogers, Sr. -- wrongfully convicted and innocent. From 1989 - 1992, I was his investigator at CCR.

Mr. Rogers' case consisted in 1992 of at least 80 boxes of documents, from court files, prosecutor and law enforcement files, trial and evidentiary hearing transcripts, etc. Mr. Rogers's case was the largest and most complicated that CCR [The Office of Capital Collateral Representative -- a state agency in the judicial branch of Florida government] has ever represented that I am aware of.

The second largest and most complicated was that of Mr. Gerald Stano, whose lead attorney during most of the development of his case was Mark E. Olive.

In 1995, Mr. Rogers began receiving pro bono representation from the Washington, D.C. law firm Covington and Burling. The result was an unanimous Florida Supreme Court (FSC) 26 page opinion ordering a new trial in Mr. Rogers' case due primarily to prosecutorial misconduct, in particular Brady v. Maryland violations.

To read the opinion, go to the FSC website, then at "Public Information", to the recent opinions, to the year 2001, then toward the bottom at February 15, 2001, one will find the FSC opinion.

During the summer of 2002, Mr. Rogers was re-convicted, however sentenced to life upon the jury recommendation. Now twice Mr. Rogers has been wrongfully convicted.

In 2004, the Florida 5th District Court of Appeal denied relief. The FSC declined to accept jurisdiction and thus denied the petition for review.

Mr. Rogers' case is pending Federal review.




For those interested in reading the narrowly decided by four to three vote Florida Supreme Court opinions regarding two more death sentenced persons whose innocence is an authentic issue, please go to the FSC website, then go to the recent opinions, then chose the correct year and scroll down to the following two cases:

Roy Swafford: April 18, 2002

Peter Ventura: May 24, 2001


Additionally, the issue in the below cases is DNA testing that proves that Roy Swafford did not rape Brenda Rucker:

Roy Swafford: March 26, 2004 Case Nos. SC03.931 and SC03.1153

"The Innocents" is a jarring photo documentation of the issues raised by the scores of false convictions which have been overturned, primarily as a result of DNA evidence. As with Barry Scheck's book, "Actual Innocence", one of the most disturbing conclusions is that there are many more falsely-convicted individuals who never will be cleared because their alleged crimes did not leave DNA evidence behind.

The pictures in this book put a human face to the exonerated. The simple, direct accompanying text and quotes from the former prisoners tell the story over and over. I highly recommend this book in conjunction with Actual Innocence which discusses the causes of false convictions and attempts to articulate solutions to this ongoing problem with our legal system (even though it is one of the best legal systems in the world).

There are emerging artists whose work tends to emphasize style over substance, of which there are many (Notable examples include Williamsburg, Brooklyn, NY artist Anissa Mack, perhaps best known for her performance piece "Pies for a Passerby" and most, though not all, of the emerging artists represented in the recent Brooklyn Museum exhibition "Open House: Working in Brooklyn".). And then there are those who can produce stylishly beautiful work, and make profound statements about culture, society, etc. through their art. Fellow Brunonian Taryn Simon - she studied photography primarily at the Rhode Island School of Design, widely regarded as America's premier art school, while still an undergraduate at Brown - is unquestionably one of these, with a distinctive documentary style which harkens back to Walker Evans's sympathetic black and white photographic portrayals of people in Depression-era America. However, here Simon has worked deliberately in color, using the conventions of commercial fashion photography to create memorable images. Hers is a splendid, mature body of work, replete with much empathy for her subjects; former convicts who were falsely accused and convicted. Each photograph is accompanied with commentary from the two attorneys in charge of the Innocence Project, Barry Scheck and Peter Neufeld. Through their Innocence Project, attorneys Scheck and Neufeld have freed scores of people who were wrongly convicted. Simon received a Guggenheim Fellowship in Photography for this project; an award normally given to artists who are in mid-career or further along, not to an emerging artist. Simon's work has been exhibited at New York City's International Center of Photography and P. S. 1 Contemporary Art Center; an international tour of these photographs had its first stop at P. S. 1. As both a fellow alumnus of her college and a fellow photographer, I eagerly look forward to yet another impressive body of work from Ms. Simon.

Outstanding!! A simply awesome book about one of the gnarliest spots. Five stars hands down. Buy it now!

A first-class trio has come together to create the latest and greatest on the big green monster that is Mavericks. The format here is a collection of intimate perspectives by an ensemble of the knights-errant who have made it their business to ride these coldwater giants. The book is nicely split between the paddlers and the tow-surfers, with narratives collected by editors Bruce Jenkins (sports communist for the San Francisco Chronicle and author of The North Shore Chronicles) and Grant Washburn (surfer and documentary filmmaker) that paint a full, satisfying, and pretty scary picture of what goes in this marine no-man's land formerly known as Jeff Clark's private playground.
Contributors to this volume include Surfing mag editor and big-wave hound dog Evan Slater, paddle-surf advocate Dr. Mark Renneker, and a host of other giant killers including Josh Loya, Zach Wormhoudt, Peter Mel, Kenny Collins, Shawn Rhodes, and still more hugely talented riders, all of whom know how to spin a good yarn.
In addition to his editing duties, Jenkins offers up a trio of quality profiles and a neat piece on "going left" at this predominantly right-hander. For his part, coeditor Washburn, himself one of the great Mavs surfers, contributes an excellent reflective essay on the historic death of Mark Foo here in 1994.
But for me the big story in this book is the tremendous portfolio of legendary Bay Area shooter Doug Acton, who's been chronicling the Mavericks scene since the early 1990s. Acton has captured it all - from the biggest swells and the gapingest pits to nervous pre-session huddles and crux moments to the serene overviews and majestic lineups. With action shots bolstered by lots of images reflecting the mix of local and international camaraderie and lifestyle in and around this Half Moon Bay, California, phenomenon, this is beautifully-paced the book of classic proportions.
- Drew Kampion for The Surfer's Path [www.surferspath.com]

Inside Maverick's is an outstanding mix of excellent photos, writing and story telling. The book captures amazing stories from the unique mix of surfers that ride Maverick's. No extreme sport enthusiast's coffee table or bookshelf is complete without this book.

The stunning photos alone make this book worthwhile, but the surfing commentary is topnotch as well. A great companion to the DVD "Riding Giants", and you will recognize many of the people from the DVD in the book.

If you are in to any adventure sports or just an armchair surfer, this book is for you.

"Are you KIDDING ME???"

Those are usually the first words out of anyone's mouth when they see this book on my coffee table. And then, usually I have to throw in "Riding Giants" and change any conversation we may have been having.

The photography and story telling present by Grant and team in top notch. Grant alone has spent more than a decade chronicling the history of the world's heaviest big wave, and it comes through in an amazing presentation that anyone who could possible comprehend what these guys do will appreciate.

But then again, comprehending just exactly what these guys are doing is pretty much impossible.