Photography Books

As an educator of preschool age children I am always looking for a new, fresh take on the basics. Joanne Dugan's books "123 NYC" and "ABC NYC" have wonderful, colorful pictures of things we see everyday. Although these books can be enjoyed by all children, I think children who live in New York City in particular can really relate to them. My students love both of Ms. Dugan's books and visit them over and over again.

What a delightful approach to the world of numbers; our little boy loves to read through it with us, and now by himself. It's terrific, charming, and highly imaginative - and, also, a great idea for that kiddie birthday gift when you're wracking your brain for the kid that already has everything.

You will be delighted by Joanne Dugan's 123, A Counting Book because
1) It is a fun way to teach little ones basic counting skills
2) Whether you are a New York native or just love to visit, you'll enjoy identifying the locations of the images (my favorite: the 12 clocks)
and
3) Dugan strikes just the right blend of tribute to the city and with wry humor (check out the shoes.)

You can count on this to be the perfect gift!

123 NYC is lush; it makes for a perfect gift for any child with an interest in the city, in art or with an inquisitive nature. Keep your eyes peeled; some of these locations are pretty recognizable! If you are a Manhattan resident, it's always fun to try and find where each letter comes from. Highly recommended for children (of all ages).

Not only a New York City feast for the eyes, but a lesson in the art of seeing.

I haven't found any picture book of Manhattan that's as sharp, descriptive and beautiful as this one. Unfortunately, it is a bit outdated--for those seeking a realistic portrayal--because of new construction and destruction in New York City.

This book is really great. I recommend it to anyone who loves NY!

Let me first say I love New York, it is quite simply the most energetic, vibrant, alive place on earth. This book does the city such a service, it is spectacular and photographs just amazing. Mr. Cameron is such a singular talent and he does it hanging out of a helicopter. This book really captures the city and lets the viewer see the hidden New York, that very few see. I love the photos of Central Park, you have no idea what an oasis it is until you see it from high above. Some photos are in summer some are in winter and you get to see the city in all its various incarnations. Mr. Cameron also includes some vintage photos to let the viewer see how much the city has changed. I only wish that Mr. Careron had been able to photograph my city of Houston, she would have welcomed him with opened arms. I highly recommend this book, you won't be disappointed.

Robert Cameron's "Above New York: A Collection of Historical and Original Aerial Photographs of New York City" sets itself apart from other similar books. In no particular order:

a) the photos are unbelieveably crisp and the printing is of top-notch quality;
b) don't ask me how, but Mr. Cameron makes the city look like a place where human beings actually live and work, rather than making the cityscape look like an architectural diorama;
c) other boroughs are represented! New York is not just Manhattan, as so many other books would have you think.

The contrast of the modern skyline with the older photographs is very effective, as others have mentioned. But what is also appealing is the changes of the skyline between the time these photos were taken (ca. 1988) and today, as we New Yorkers would notice. The images of the World Trade Center are poignant, but I'm glad that the publishers did not update the book, in order to remove them. As time takes its healing course, we can look back fondly on those buildings--still with pain, but now with some acceptance. "Above New York: A Collection of Historical and Original Aerial Photographs of New York City" remains a glorious collection that has yet to be eclipsed in quality.

Rocco Dormarunno
author of The Five Points

This is the best photographic book I have ever seen. Its pictures of The Big Apple are magnificent! Comparative pictures taken in years past, many in the 1920s, show how sections of the city have changed. Whether one is a fan of New York and who isn't, you will enjoy this book. It makes me want all the other "Above" books now.

This book will soon find its place next to your bed and near your heart. It is full of amazing images. Great Work!

I was very pleased with the product, the time it took to get here and the over all experience of the Amazon system.

Thanks for being there.

Rich

Ken Duncan has been Australia's foremost photographer, taking superb shots with his panograph camera. He has again produced a beautiful collection of photographs across this great land. Each picture is a work of art in itself! The book makes a great coffee table book - one to pick up and browse at any time.

This is an awesome book and covers the majesty and beauty of America from sea to shining sea.

Don't forget to check out his other book, Australia Wide. Another incredible collection of photographs.

My whole family, teenagers included, keep looking at this book. We've been to many of these places, but the way Mr. Duncan presents them is beyond words.

David Homsher's book made me want to explore the AEF's battlegrounds around Chateau-Thierry. He has created a very tidy scrapbook of personal accounts and period photographs that provide snapshots of the doughboy's world. His organization is geographically shrewd: he begins at the Paris airport, and identifies AEF and Great War landmarks as a traveler would encounter them along the route to Chateau-Thierry. Through an eclectic treasure of first-hand accounts, you see the towns and fields as the doughboys and leathernecks did in 1918. The progession of accounts builds a sense of impending drama, recreating the essence of the unfolding crisis of the Chateau-Thierry fighting. The book culminates in a highly detailed description of a small but significant engagement between the 7th Machine Gun Battalion and the German attackers in and around Chateau-Thierry. For serious historians of the AEF, Mr Homsher's guidebook neatly complements the crusty but important military histories of the these battles. To get the most from Mr Homsher's book, plop down in a French cafe the evening before you visit the battlefield and let the wine & words bring you back to 1918.

Subtitled: Chateau Thierry--Then & Now

It is unfortunate that many of us fail to remember the efforts put forward by the American Expeditionary Force (AEF) in bring the Great War of Civilization, better known as World War I, to a close.

Without much doubt, France and Britain were on their last legs. Germany had what proved to be better tactics and a slightly stronger will to see the conflict thru to the end.

It wasn't until General John "Blackjack" Pershing and the men of the AEF landed in France in 1918, and finally made their way to the front, that the conflict slowly began to swing in the allies favor.

Chateau Thierry was what could be considered the linchpin of the Germ salient that was moving inexorably toward Paris and the ultimate capitulation of the French Army.

Davis Homsher has produced a welcome addition into the current library of non-fiction accounts of what took place in and around Chateau Thierry and how the AEF was able to move into the line. With fresh troops and fresh momentum, the allies pushed the German lines back to not only the spring front lines of 1918, but ultimately handed them such a thorough thrashing as to make the cessation of hostilities a reality.

This book is replete with maps, photographs and personal account from the men that were there. American Battlefields of WWI Chateau Thierry--Then & Now is what I hope is the first volume in what should be many and a necessary addition to any Great War Library.

Armchair Interviews says: This book will prove to be a wondrous testament to the men and woman that saved the world from the first German aggression of the past century.

This is a book about fighting men, infantry men whose world was often limited to the view from a hole in the ground, told in their own words.
This is the story, told by those who were there, of the men of the American Expeditionary Force of 1917-1918.
It is the clear and engrossing story of the first battle in America's first European War. It is also an illustration in prose and pictures of life as it was then; a world that is long gone both for the French and the "Sammies".
The "then and now" photos are useful and interesting, as are the town and street maps. Altogether, this a book that will be very useful in exploring the battlefield of Chateau Thierry. It will tell present-day Americans very clearly what Grandfather did in France nearly 100 years ago.

Christina Holstein, author and battlefield guide.

Reviewed by Joe Graham for Reader Views (8/06)

David Homsher has created a guide book for the American battlefields of World War I around the village of Chateau-Thierry. The book is a remarkable accomplishment and it operates on several levels.

First, if the reader is interesting in actually visiting the battlefield sites, Homsher gives the reader detailed instructions on how to reach each location up to how to find the location, where to park, and what precautions to take and what to do once the reader is on the site. And his directions start with the arrival at Charles De Gaulle airport and how to get out of the airport and onto the correct road.

Secondly, if the reader is an armchair traveler, they can enjoy the written text along with a wonderful collection of photographs of the area with pictures of the same buildings or locations before and after the war. The photographic collection also contains many pictures of the German and Allied forces, French refugees and other pictures taken during the war. Homsher also includes maps so the reader can accurately pinpoint the locations of the area in France.

Finally, Homsher has included first hand accounts from the participants in the war. The accounts range from descriptions of field hospitals and battle formations to diaries of the combatants. This material lifts the book above just the casual guidebook. Reading first hand accounts of an event brings an immediacy to the reader that can not be achieved any other way.

A good example is this quote from Pvt. Leo J. Bailey, 9th Infantry, 2nd Division, who wrote in his diary:
"Eighteen hours of marching hip to hip with a seventy-two pound pack, dry
throated in a cloud of dust, had wearied them. Most men lay in full equipment on the cobbles and slept, but some scroungers with keener nose smelled brandy."

This book should appeal to a wide range of readers. Scholars and teachers will appreciate the first person accounts that give a more complete picture of the action than is typically given in the dry accounts of battles that relate who attacked who, and with what results.

I would highly recommend this book for anyone with an interest in the battles of World War I. The book is in a coffee table book format that the reader can pick up and refer to easily. This is a wonderful book because Homsher gives you an actual guidebook to the area, then pictures and maps of the area both before and after the war and then finally the first hand accounts that bring the action of the war to life through the words of the participants.

I want to express my feelings about this book. It has been many years since I read a book so compelling. I took it from the mailbox a little after noon yesterday and save for the time I took to eat dinner, read straight through till 12:30 am, then finished it the next day.
I don't anticipate that I will ever travel to France, but David Homsher's book makes it seem that I have been there already. It has been really an emotional experience - running the gamut from humor, to sorrow to anger and to bursting with pride at the actions of the American troops there. The many descriptions put forth by various people "in their own words" results in a more thorough understanding than could ever be given by just a straight narrative from any single author. I also found so many little "nuggets" of information in Homsher's book that I was unaware of before. By the time I finished the book, I felt that I not only had a thorough picture in my mind of exactly what took place, but that I understood it well enough to explain it to others in detail. I congratulate David on doing such a fine job and highly recommend his book. As a former schoolteacher, I wish it could be a part of the education of every American so that they could truly appreciate what was done by this country in World War I.

I tell you now from the words of Red Moon, from the great spirit was born the wolf and man became his messenger, in other words the human race was created from wolves, or so says the author of the Book of The Moon.

Brother Wolf: A Forgotten Promise starts off with an emotional "letter" from wolves to men, focusing on how humans and wolves used to live together in harmony, and how men are now killers, of wolves and other creatures. The letter ends with 'I do not think I know you anymore.' It is highly emotional, and nearly made me cry!

After that, the book switches to its true form...a book with captivating text and even better photos of wolves, taken ina areas where they are very elusive and have lots of foliage to be hidden among.

Jim Brandenburg, a very well-known wildlife photographer and the author of multiple wolf books, even goes far enough to explain his first encounter with wolves and how he felt at that time. The book is highly educational, but also very touching.

Overall, the book has great text with even greater photographs, and is definitely a good read. The high price, however, is quite a problem. But if you like wolves, and if you're willing to pay the price, definitely buy this book. It's excellent.

Jim Brandenburg succinctly captures the essence of the wolf. The wolf has been so unfairly persecuted throughout our history; due on no small part to ranchers. Incredible photographs, this book will make you a wolf lover if you aren't already. Incredible text and photos!!!!

This book had drown my attention at the very first sight, as I had been trying to find a good book with lots wolf photos for ages and fail at almost every bookshop I went to. The photos in the book are magnificent, also other then wolves, there are wonderful photos of landscape and other wildlife.

I know this isn't really a review, but I'm so excited to read/look at the pictures in this book (I just ordered it) I just had to say something. Wolves are my favorite animals and it always makes me a little angery when people talk about them as vicious man-eaters, because they're not. This book really looks like it sets the record strait. I'm really looking forward to reading this book!

Enjoyed reading this book. I had family who survived Camille in Nelson County, spent several weeks there during the summers visiting during my youth and remember vividly going there as soon as we were allowed in to see the damage. This book did an excellent job describing the storm, the aftermath and how it changed the lives of so many people who lived in that area.

Once you pick this book up, you won't want to put it down until you've read the very last page and the dust cover notes as well. As a reader all too familiar with the wrath and destruction of hurricanes, I found the historical facts eerily accurate and the human drama so tense that the reader is drawn into the story as if sucked into the vortex of the storm itself. Category 5 is gripping and powerful like a well-written novel and not the true account of devastation and suffering that it is -- without the dry, clinical approach of a mere assessment of storm damage. The human element is often invisible when looking at the overall picture. Howard and Zebrowski take us to ground zero to examine the personal lives of those affected and no reader can ever put those images out of his or her mind. Excellent read!

Tom Aswell
Baton Rouge, LA.

"Category 5" is excellent reading. The plot, with many interesting facts, keeps the reader spellbound. It is difficult to stop reading once you start! Many long hours of research had to be done for this fact filled book. The racial feelings in Louisanna, corupt polititions, and the "state of the art" science of 1969, all combine to make this book all come together for one of the best books I have ever read!

The authors of this book were putting the finishing touches on it when Katrina made landfall in generally the same area as Camille. They went back and added a chapter but for the most part the book was left to stand on its own in light of the more recent disaster and it stood up quite well. All through the book there are obvious parallels between the two storms and especially the response that came in their aftermath. It is to be hoped that government officials took the lessons of Katrina to heart in a much more effective way than they did the lessons of Camille and that when the next major hurricane devastates a costal area the outside response will be far more effective.

One of the few things that did improve in the years between the hurricanes was the ability of forecasters to predict the track of the storm and to get the word out. In 1969 radar tracking and computer models were in their infancy and up until shortly before landfall forecasters were sure that Camille would strike Florida. Once they did realize that it was headed for Mississippi they had trouble getting the word out and had it not been for the foresight of local officials the death toll would have been much higher. These authors take the meteorological aspects of this story and present them in a remarkably easy to understand way and do so to the extent that the reader will almost be able to feel the angst of forecasters as they try to figure out just what Camille is up to. These Hurricane Center people are remarkable.

These authors do an excellent job of relating how local authorities had taken to heart the lessons learned from hurricane Audrey in 1957 and the precautions that they had taken because of those lessons. It is not hard to see in this narrative that state and federal authorities were far behind the local authorities in preparedness for Camille and that the same was true all those years later when Katrina came ashore. This is not however just a story about the failure of government though, it is also very much a story of the people who were the victims of this great storm. This is a story of the heroism of and resilience of people who were hit with the worst that nature has to offer.

These authors do a marvelous job of relating the stories of individuals and families who were in the path of the monster Camille. Through the reminiscences of those who survived the authors tell the stories of families ripped apart and of whole families who just vanished. They tell the true story of the much publicized collapse of the Richelieu apartments in Pass Christian, they tell the story of a group of men out for a sail who end up weathering the storm near the mouth of the Mississippi as their boat breaks up around them, they tell the story of people who sought refuge in local churches only to find the large old building disintegrating around them and they tell the story of quiet communities in Virginia where the people went to bed with no warning at all that many of them would be washed away before dawn. Through it all the survivors immediately turned their attention toward helping each other once the storm had passed and these survivors, many of them wounded or in mourning themselves immediately began rescue efforts that saved untold numbers of people. It is the heart and soul of these people that is the true story to be found in this book and these authors have truly done these people justice in this highly readable account of one of the great disasters in American history.

This book, the story of 1969's Hurricane Camille, is a breezy (yes, that word APPLIES) read which interweaves several plotlines -- the powerful force of a Cat 5 hurricane, the lives it touched and the tragedies which occurred, the will to survive, the peculiar and corrupt qualities of Louisiana politics, the ongoing civil rights movement of the time, and the surprisingly primitive nature of weather forecasting in the late 1960's.
As a person who once moved out of a city in part due to the fact that the local cable company DIDN'T carry The Weather Channel, I expected to enjoy the stormy aspects of the book. I did not expect the history and politics of the time to carry this story down unexpected avenues. It was a pleasant surprise.
I recommend it without hesitation.

An excellent behind the scenes look at Cuba today. No better example of a failed yet still forced socialist state. This is not some itellectual dissection of the situation but a "person on the street" documentary. Must read for those who take democracy and free enterprise for granted and for those who even think Cuba is better now than in pre-revolution time.
As a Cuban born US citizen I applaude this book.

An excellent travel/biography book interspersed by b&w pictures of many Havana et al locations in Cuba.

The author had to flee Cuba with his family when he was 18, just months after the thake over by dictator-narcissist Castro. In '96 he visists Cuba again briefly and takes with him his camera. This is not a touristic approach to Cuba. This is the personal and nostalgic -not angry- brief comeback of a Cuban exile. And man, does he succeed in making us feel like exiles too!

Themes visited:

-How does Cuba's socialist regime make it to survive so long?
Interviewee. "It's their fault (the Americans') Castro is still here making everyone's life in Cuba hell. Time and time again they've saved Castro. How? By permitting immigration. In 1980 Cuba was ready to explode. What does the US do? They allow a hundred thousand Marielitos to emigrate. I tell you, those people were ready to kill. So Fidel lets them go ... He's a master at duping the Europeans into thinking this a democratic socialist paradise. And he is a master of repression."

-Discrimination?
"Cuban leadreship is almost exclusively white, and out of a hundred generals in the army, ninety are white, while the majority of Cubans are black. The prison population is reported to be overwhelmingly black."

-A sharp question
"I've heard this joke: 'socialism or death: what's the difference' How come I don't see antigovernment graffiti? -Because we have the most sophisticated repression in the world ... the jails are full of people they have caught doing graffiti. We still have plenty, but it gets painted over immediately."

-The US embargo
"A visit to a dollar store makes it clear to everyone that the embargo doesn't prevent Cuba from acquiring whatever American products Cuba wants or needs since they can get them fairly easily through Panama or Mexico."

"The embargo provides Castro with his last excuse why the Cuban economy is in shambles. Also, Fidel functions best when he is attacked. He becomes energized. He needs an enemy, a scapegoat. And the Helms-Burton law is to order ... the way to fight him is to hit him where his system is vulnerable. Flood Cuba with American tourists, American dollars, with ideas and information. The socialist state cannot withstand that ... If something doesn't work for forty years, you try something else."

Out of 200 people he met, only 5 still supported the revolution. And they were professors or people with privileges.

I'd like to find another good book like this, even without pictures, only updated for the 12 years that have elapsed.

The author immigrated to the Northern states and his personal view reflects: he is not so radical as the people in Miami are, he claims. If I had to live in Cuba without freedom I'd even be more "radical" than the Miami exiles. I'm sure he changed his mind a little, after his excursion on the island, because the people there think more like me.

JAN. 12, 2001

I FOUND THIS BOOK VERY EASY TO READ. IT WAS AS IF I WAS READING PART OF MY STORY, MY LIFE. IT ANSWERED MANY QUESTIONS I HAVE HAD. IT ALSO ANSWERED THE WHY OF MANY FEELINGS I HAVE. THE LAST TIME I WAS IN CUBA WAS 1953, MUCH LONGER THAN HIM. I WOULD LOVE TO BE ABLE TO GO BACK AS HE DID. MY HUSBAND AND I WOULD LIKE TO SEE IF THIS YEAR WE CAN GO BACK. WE JUST ARE NOT SURE OF HOW SAFE IT WOULD BE. WE WOULD LIKE TO GO TO SANCTI SPIRITUS, LAS VILLA, VERY FAR FROM HAVANA. I FOUND IT TO BE GREAT READING. IT WAS TOLD IN A VERY CLEAR WAY. IT EXPLAINED MANY THINGS I DID NOT UNDERSTAND. THIS BOOK CAN BE READ BY CUBAN'S AND THOSE WHO ARE NOT CUBAN'S IT IS VERY INTERESTING FOR ALL. ALSO ONE CAN APPRECIATE ALL WE HAVE.

STILL WOULD OF LIKED MORE. I WOULD OF LIKED MORE PICTURES OF THINGS HE WROTE ABOUT. HIS SUMMER HOME, WOULD OF LIKED TO SEE OTHER PICTURES OF THE HOUSE. WOULD OF BEEN GREAT, FOR HIM TO HAVE BEEN ABLE TO MAKE HIS TRIP TO THE OTHER PROVINCES HAS HE HAD WANTED TO DO.

I ALSO WOULD LIKE TO KNOW IF THIS BOOK IS AVAILABLE IN SPANISH.

I WOULD LIKE TO THANK MR. MENDOZA FOR THIS BOOK. WISH HIM THE BEST, WILL BE LOOKING FOR OTHER WORK HE HAS DONE.

Like Tony I am a cuban american who left Cuba in the early 60s for political freedom to study in the States. I came from a successful middle class family and a history of political successes and upheaval. I have always wanted to go back to re-live my youth in Havana, Tarara y Santa Maria del Mar (like Tony in Varadero) where I spent the happiest time of my youth. I have known of the misery of our people because I kept in touch, however Tony has been able to portray that misery in his wonderful black and white pictures. His writtings and dialogues are very easy to read but with a real message for everyone to understand. This is a great book for those who will like an honest and unbias portray of the cuban situation today. Tony has let these people speak out their feelings (pro and against) for the world to judge. I envy Tony for having the opportunity to return. His book has made me very sad because we are limited in our ability to help them. I cried for the younger generation unable to better themselves. Only the beauty of our land and sea remains untouched. Someday our people will be free again to make their choices and Cuba will be a wonderful place to visit. I promised myself to be in the first plane to help rebuild it.

I,too,like Mr. Mendoza, was forced to leave Havana, Cuba, as a child because of my familys' political beliefs towards Castro. I was a child of 9 in 1967, when my parents and I uprooted ourselves from our beloved land because we had been politically betrayed by someone that a whole generation felt was to be their "savior" from the dictatorial regime of Batista. In the last few years I have started to rediscover my roots. I found this book extremely educating as to what to expect to see there, if you plan to "go home for a visit". It has convinced me that I must go home again even though it won't be the same as I remember as a child. This an easy to read book, with compelling sepia tinted pictures of scenes and people Mr. Mendoza came across throuhgout his travels. I highly recommend this book.

I would love this book even if I wasn't lucky enough to grace one of its pages (page 82 is myself and a co-worker at Yahoo! Inc. on that night). Alex, your work on this project was beyond imaginable, and the results are incredible!!

To see the world at large on this date, from every country, displayed on the pages of this book is really something wonderful. We are truly a global family, and this has never been more obvious.

I bought copies for everyone for Christmas!

This is a fabulous souvenir of the turning of the millennium. The project is fascinating and the content of the book is highly engaging.

I found myself flipping through the pages for hours.

It made me want to celebrate the millennium all over again.

Fantastic book. Really captured the spirit of entering the new century. Loved the variety of high quality pictures. Even more impressive when I learned that many of the photographers were amateurs.

Dawn of the 21st Century is a phenomenal photographic expression of the 24 hours surrounding the change of the millennium. A tremendous project undertaken by one man(Alx Klive) and his volunteers to collect and cull the best of over a quarter of a million pictures taken by thousands of photographers as the millennium dawned over a year ago. The pictures, however, remain timeless and serve to remind us what a wonderful art photography is for capturing an eternal moment. I'm proud to have been chosen as one of the Millennium Photo Project photographers and hope that you enjoy the book as much as we enjoyed producing it.

I first heard about this project through a colleague in the publishing industry. Apparently this renegade group of people (from Toronto I think) put together this whole thing completely on their own, after everyone in the publishing industry turned them down. They went ahead with it anyway and organized the whole thing on the Internet using amateur and enthusiast photographers from around the world. I was skeptical of what the final quality would be like but decided to order one to see for myself. I have to say I was blown away when the book arrived in the post. The pictures are astounding and very very different from any photography book I've ever seen before. They are incredibly 'real' - that's the best way I can think of describing it. Lots of ordinary people getting ready to go out, meeting up with old friends, celebrating at home, praying and so on. Basically the book is a visual feast that focuses heavily on the human experience. It is simply fascinating to see how different people from all different cultures and backgrounds celebrated the same event. My favourite photo is of a Masai tribesman standing on the plains of Kenya, where the human species is thought to have first evolved. It is a stunning and poignant image that should perhaps have been considered for the cover. But that is only a very minor criticism of what is overall an astounding achievement. The top art book publishers in the world (Phaidon? Taschen?) would have been immensely proud to have put a book like this together. The fact that a bunch of amateurs did it on their own makes it all the more remarkable. Whoever in the publishing industry turned this project done must have been out of their minds. Kudos to the sheer guts of the people who went ahead and did it anyway! Bravo!

Diane Arbus' works reflect for me, the tragic echoes of an artist's disconnected soul in search of kinship. I believe her subjects reflected this inner state in its polarity - from the curiously delightful to the stark nakedness of oddity. "What do i see when i look in the mirror? I search for you, to document your being, your existence, your very breath because you rebel for me, against all that they say is conventional, permissable and normal. i record your pneuma and the beauty of your unorthodoxy."
Be delighted to own this book if you truly appreciate art and the soul that creates it. You won't be disappointed.

I had the great fortune to see Revelations in person when the show was at the MET in NYC in 2004. There is nothing like seeing actual prints in person but this gorgous book is the next best thing. The paper stock is top notch as is the binding. I proudly display this book on my coffee table for family and friends to enjoy.

This was one of the greatest photography retrospectives and the book pretty much summarizes as well as delves deeply into the issues covered by the show. If you missed the exhibition, this book is a good substitute. If you want to know about what you saw in the show, this is an indispensable guide. Highest quality reproductions, even in the paperback.

The legacy of dead artists is always in the hands of others. As Doon Arbus, Diane's daughter, laments, some go way to far in "analyzing" the work of her mother. (For a particularly abominable and repulsive example of this, see Anthony Lee and John Stultz's "Diane Arbus: Family Albums".)

This gigantic Arbus exhibition was mounted by the San Francisco Museum of Modern Art. It features 200 Arbus photos, spanning her entire work and more than 300 auxillary images of her notebooks, darkroom and so on.

There are several short, informative and informed essays (unlike the aforementioned "Family Albums).

The production is gorgeous.

What is unfortunate about Arbus' work is that it is rarely explained in detail. People see Arbus' work and conclude that she really saw these weird people in the wild, so to speak. The reality is shown in fair detail here. For example, Arbus' absolute classic "Child with a toy hand grenade in Central Park" is shown with a contact sheet making it clear that Arbus took the one image that showed this little boy in a freakish pose. The other 11 images show a normal young boy playing. But Arbus wanted her subjects to appear as if they were trying out for a freak show. That was her point. That's why, for example, Arbus photographed "Dominatrix embracing her client" instead of a family picnic with everyone smiling for the camera.

Arbus - and this exhibition demonstrates the point - used electronic flash and high contrast to make her subjects appear weird. Weird was Arbus' metier. You can see this again in the contact sheet from which her freakish "Boy at a parade" is taken. Arbus does not print the sprightly looking woman holding a "Support Our Boys" sign and an American flag. No, she prints the pimply faced, self-concious boy wearing a plastic straw hat, a bow tie and carrying an American flag. She prints it because the harsh strobe makes the uncomfortable boy look like a freak.

Arbus was fascinated by the unsual, including twins and triplets. She suffered from various psychological problems, possibly alcoholism and drug addiction and killed herself.

She left behind a magnificient body of work, one that too often (again, see the awful "Family Albums") is subjected to academic balderdash.

In "Dane Arbus: Revelations", Arbus the person, Arbus the photographer is presented in splendid detail. It's a marvelous work.

Jerry

Diane Arbus Revelations may be a bargain, price-wise. However, there are many other women photographers who have produced much finer photographs. To me this book reveals Arbus as one who used photographs very selectively to portray a distorted, negative view of a subject. She seemed to exploit gloom as a trademark to make herself unique and gain notice.

The well-known Jewish Giant portrait of Eddie Carmel and his "dismayed" parents is a case in point of her deception. On page 300-301 is the enlargement of frame number 1 of the contact sheet shown on page 209. Obviously, it was hastily shot before the family was ready or in position for what they thought was to be a warm, family portrait. It was a trick pulled on the unsuspecting, and it does not truly represent anything other than people puzzling over where they should stand for the pictures to come.

In contrast, from the contact sheet on page 164, she selected the most obviously contrived pose of the Child With A Toy Hand Grenade, which appears on page 104-105 and as the enlargement she is holding in the Steven Frank photograph on page 208.

As a study in promoting a particular, melancholy viewpoint and imposing it on naive subjects kind enough to be photographed, this book may be useful. But for honest photography, there are other books.

IF YOU ARE TRYING TO BECOME A FILM DIRECTOR THIS IS ONE OF MANY BOOKS YOU SHOULD READ AND STUDY!!!

This puts the duties of a director into perspective. It emcompasses a lot of the tasks that amateaur directors neglect. It was an easy read and hit a lot of bases that film books miss.

Learn from the big picture to the nuances. I have a horrible memory and I find having the 'big picture' helps keep everything organized.

#1 - The first big plus;
I have been learning to write screenplays for several years. This book helped me understand what was wrong (and right) in my last two writings.
It turned them into a movie and showed 'where and why' they failed.

#2 - Secondly;
It demonstrated that writing and directing are much more integrated, than one would imagine. Learn them both and become better at each.

Start with the big picture, this book accomplishes that.

....the first book to make sense of it all...where to put the camera...how to stage the scene...how to help actors find the performance...it teaches these things as much as any book can, and will save you the cost of one third of film school

This book is filled with valuable and helpful information for budding directors. I'm currently in the process of putting everything in this book to good use. The thing I like about this book is that it's not just one of those books that says you need to storyboard everything, because unless you have good drawing skills that really isn't feasible. The book gives an in depth look on how to pre-plan your film shot by shot and the use of floor plans to illustrate camera set-up's. It's so simple, but this is the type of thing that will make you prepared when you come to shoot, instead of just winging it.