Radio Books

For a designer+Trekkie like me, this book is a collector's item. This compilation of scenic art, concept sketches and production stills is just inspirational.

When I was first given The Art of Star Trek as a special gift by a close friend I was to say the least, over the moon. The present came as something of a pleasant shock for I was totally unaware that it had been published. As a lover of "the art of" books and an avid fan of Star Trek, I had long hoped for such a title and finally... here it was! The Art of Star Trek has fast become my favourite "art of" book (along with the Art of Star Wars books) and it is always near at hand.

The Art of Star Trek is everything I would have expected and more, stunning colour pictures, informative text and lavish presentation. This long overdue book covers several of Star Treks many and varied incarnations thus far on television and film alike and charts its visual evolution over more than thirty years. It is positively overflowing with many fascinating examples of the sketches and storyboards, production and matte paintings, posters, costumes, props and sets [etc] that fill the Paramount archives and private collections alike. Although most of the designs will not be used for various reasons, they loosely form the basis for how a Star Trek production might appear when completed. The concept art included in this volume has been created by many of the top film-television designers to have worked in Hollywood throughout the years. These creative individuals have played a seminal role in shaping the distinctive aesthetic of Star Trek over its almost forty year history. Included are such artists as Mike Okuda, Andrew Probert, John Eaves, Mike Minor and Matt Jefferies, who created the first brilliant prototype Starship Enterprise in the 1960s. Mr. Jefferies classic design has served as the blueprint for all subsequent Starfleet starship designs. The many individuals included in this wonderful book are the unsung talents of Star Trek, and who for the most part go unrecognised by its legions of fans. They have diligently worked long hours behind the scenes of Star Trek series and movies to create the multitude of conceptual and commercial art that helps Trek run efficiently. Their concept art and finished designs play an important role in Star Treks appeal to a devoted fan-base around the world.

Judith and Garfield Reeves-Stevens have carefully chosen a wide selection of the finest art created for this most enduring of franchises. The book is arranged in a chronological order, the first half being devoted to the television series from The Original Series to Voyager. The second half of the book is devoted to Star Trek films from The Motion Picture leading up to Generations. With stunning full colour photographs throughout this is a fascinating and engrossing volume that will keep one rapt for hours. So if you haven't already got a copy in your library and are a serious Trekkie and art lover do yourself a big favour and buy this incredible coffee table book, you won't be disappointed.

Since The Art of Star Trek was first published (some years ago now) the Star Trek universe has been steadily expanding, Voyager and Deep Space Nine have long finished, three more movies have been made so far... and Star Trek: Enterprise has sadly been cancelled. In their wake they have left a whole gallery of exiting new material gathering dust in the Paramount archives that hopefully will be used in The Art of Star Trek: volume two at some future date.

This book has some of the best artwork that was made for the first four Star Trek series and some of the movies. It has photographs of the sets and props as well as diagrams of the ships, including Klingon and Romulan vessels, the movie and series Enterprises, and even Voyager. The book follows a plan which views the art history of Star Trek from the pilot film "The Cage" to "Star Trek: Voyager". You'll love this book if you're a Star Trek fan!

My initial reaction to The Art of Star Trek and it's hefty price was skepticism. Once I did purchase it and start running through it, the price could've been twice and I still would've bought this gem. The Art of Star Trek is a pure celebration of everything that Star Trek is and was all the way through it's publication date. It includes articles from the very beginning to the lastest on Voyager and Star Trek Generations. The pictures and drawings are stunning to say the least. This is a book you'll definitely want to add to your collection if you haven't already.

"The Art of Star Trek," by Judith and Garfield Reeves-Stevens, is to date the ultimate "coffee table" book for devoted Star Trek fans. This book, which was published in 1995, covers all aspects of "Trek" history up until its publication date. Through text and plentiful illustrations, the book celebrates the visual artistry that has been such an essential component of the "Trek" phenomenon.

The book deals with each of the specific series from the original until "Voyager," including both the often neglected animated series and the aborted "Phase II" series of the mid-1970s. All films from "Star Trek: The Motion Picture" to "Star Trek Generations" are also covered.

The amount and quality of items in this visual "museum" are astounding. There are behind-the-scenes photos, concept drawings, photos of models, prosthetic makeup designs, storyboards, movie posters from around the world, closeup shots of props, and more. Particularly interesting were the shots of certain props and aliens which were barely seen in fleeting shots, but which represent great imagination and artistry.

Also noteworthy are the drawings which document the evolution of both the original series "Enterprise" and the "Next Generation" ship. I was fascinated by the concept drawings of possible "Enterprises" for the aborted "Phase II" series, as well as by the rejected new uniforms for the first "Next Generation" feature film.

The concise but clear text is a good match for the wealth of glorious, full-color photographs. This book is, from start to finish, a visual feast for "Trek" fans.

Even if my dog ate the cover off of the book (he only eats books that I love), this is a great reference for the true Gunsmoke fan. Too many folks don't realize that the first 11 years were the best, and they need some reference to those. This is a great history of all of Gunsmoke, not just the TVLAND "scrubbed" version.

This book is AWESOME. It is filled with the history of Gunsmoke from the radio days through the TWENTY YEARS it was on TV. Also a very interesting history of Dodge City, Kansas.

This was a very good, very well written and very informative book to buy and read.
Janet Nazer

I am a huge gunsmoke fan, since it first was shown in 1955. i thought it was interesting on how they auditioned and chose the main charcters, I enjoyed this more than the 50th year, due to the fact that Miss Kitty, was alive and others that were guest star were also. It was not a boring book and the layout was very good. They also had an interview of Roger Ewing (Thad) Which was informative. I highly recommned paying the price for it to all Gunsmoke fans. )

I never thought I'd ever pay $85 for a book, but this book is worth every penny to anyone who is interested in the Gunsmoke radio and TV show characters and stories. The 836 page book is divided into sections about Gunsmoke history, photos of the cast and supporting crew, episode descriptions, and several appendices. The TV series ran from 1955 to 1975. Reruns are still shown on TVland.

The history tells why they didn't use the radio actors for the TV series and how James Arness was selected to play Matt Dillion. I was surprised to learn that Denver Pyle was a strong candidate for the job.

Among the 126 pictures are Milburn Stone (Doc) when was the bad guy in over 100 B Westerns, Sam the bartender when he played in monster and cowboy movies, photos of guest stars like Charles Bronson, Mariette Hartley, Alex Cord, Loretta Swit, Robert Lansing, Michael Learned, Anne Francis, Ed Asner, George Kennedy, Cloris Leachman, Harry Carey Jr., Katharine Ross, Forrest Tucker, Warren Oates, John Saxon, Bruce Durn, Bette Davis, Gilbert Roland, Lee J. Cobb, Andy Devine, Ralph Bellamy, Jack Elam, Pat Hingle, Gary Busey, Rory Calhoun, and many others. Appendix G lists 14 pages of actors who were on Gunsmoke TV. Appendix A lists 8 pages of famous quotes from Gunsmoke characters. The Gunsmoke history includes 41 pages of interesting reflections by Gunsmoke guest stars and crew.

The TV episode descriptions list the title, date, rerun date, production number, synopsis of plot, and cast members.

There is only a brief mention of a few women in Matt's life besides Kitty. I would have liked to see a brief mention of all the episodes when a woman tried to get herself involved with Matt.

The 44 page index is complete and well done.

I am Hilary Duff's nomber one fan! I would do anything for her.
Here are reasons why I love her so much,
1. she is the most beautiful artist on the planit
2. she is the coolist person on the planet
3. sht is intelligent
that is why I love her so so so so so so much!!!!!!!!
from Hil;ary Duff's #1 fan Mariah Vassar

I am a HUGE Hilary fan and when I saw this book at a book fair, I had to get it!!! This book can answer a lot of things that you may want to know about Hilary. The day I got the book I sat down and probably re-read it 4 times. I just couldn't get enough of it. It is almost like a long magazine, and not like a chapter book or anything. That's why I re-read it. I'm telling you, if you are a Hilary Duff fan, GET THIS BOOK!!! IT'S WORTH EVERY PENNY!!!!!!

Get all the Hilary Duff information and facts you want with this awesome book! This book is a compilation of Hilary Duff information and over 50 beautiful, high-quality photos. This book is stuffed to the brim with quotes, secrets, facts, and interesting information that Hilary Duff fans will all want to get their hands on. It gives you a brief biography of Hilary Duff, including her early movies and her Lizzie McGuire fame, up to her Metamorphosis CD and singing career. Plus, the book even includes facts on Hilary's upcoming projects, such as her new movies, and her new project, Stuff by Hilary Duff, a girl's clothing/product line. Not only that, but you'll also get information on other Hilary Duff stuff such as a day in the life of Hilary (with cool facts like what her bedtime is!), her fashion style, boy rumors uncovered, and Hilary Duff on her friends, family, singing career, acting, and more. For all Hilary Duff fans out there, this is a wonderful addition to your collection of Hilary Duff stuff. Just make sure to watch out- this book is unauthorized, so some of the facts may be wrong. Other than that, it's a fabulous Hilary Duff book!

i love hilary duff she is sooo cool i have everything of her. if you are a true and comitted fan you need this book. it has a lot of info its a great book to raed any time any day any were!!!!

Super book, very informative, my daughter couldn't put it down. has alot of great pictures in it also great buy!

Keillor is probably best known in the Midwest where his tales of the imaginary town of Lake Wobegon are heard on many radio stations in that region. This book is set in a variety of real Minnesota towns and depicts life in the rural Midwest. Those from these stomping grounds will easily relate to the short stories contained in this book. But even if you dwell in a California metropolis you will still find a warmth, perhaps uncommon, yet very appreciated. Take, for example, the following exerpt quoted from The Notebooks of Carl Krebsbach:
"It was the annual January thaw, nature's way of arousing false hopes and tempting the good people of Lake Wobegon to let lown their guard and not wear a scarf so that nature can kill them. A form of natural selection to reduce the optimist population and promote the survival of embittered stoics who believe that fate is against them. Which it is.
The thaw means that snow on the roof melts and freezes on the overhang of the eaves, forming a dam to back up the water so it can get under the shingles and freeze and gradually rip our house apart, which is nature's goal, to obliterate us. Nature is not benevolent towards us, it wants us out of here. It's good to know this. In summer, you can almost believe otherwise.
Luckily, summer is soon over. As it turns cold, our mood improves. we're excited. Cold is a stimulant. So is danger. It's good to have nature to deal with. That's why self-pity declines in the fall. People don't sit around and anguish over what to do with their lives. Instinct tells you. You're a mammal. Stay warm. Stay close to the food supply. Shovel the roof. Make babies. Make a few extra in case the wolves get one. And then on a cold night in January, you walk out in the moon light and agsinst all reason, beyodn all expectation, you're utterly happy."

In addition to Keillor's down-to-earth story telling this book contains wonderful photography by Richard Olsenius. I actually bought this book because I am a fan of photojounalistic photograghy. Great writing and great photography, a bookshelf is incomplete without this volume.

I was what you would call a "Noobie" to all of Garrison's work until recently. I picked up this book at a college library after speaking to my mother about the Minnesota author project I was recently assigned. She was familiar with his work and suggested that I look into it....so I did. I never thought that this would open up such big can of worms, and I mean this in a good sense. After reading the book from cover to cover, I went on the internet to find out more about Garrison's work and turned up some very interesting search results. I then read it again and now I guess you could say that I'm hooked on the Lake Wobegon saga and I am planning on picking up a couple of his earlier writings related to Lake Wobegon.
I really enjoyed reading this book and I would recommend this book to anyone who has vast, little, or no knowledge of Lake Wobegon.

I was what you would call a "Noobie" to all of Garrison's work until recently. I picked up this book at a college library after speaking to my mother about the Minnesota author project I was recently assigned. She was familiar with his work and suggested that I look into it....so I did. I never thought that this would open up such big can of worms, and I mean this in a good sense. After reading the book from cover to cover, I went on the internet to find out more about Garrison's work and turned up some very interesting search results. I then read it again and now I guess you could say that I'm hooked on the Lake Wobegon saga and I am planning on picking up a couple of his earlier writings related to Lake Wobegon.
I really enjoyed reading this book and I would recommend this book to anyone who has vast, little, or no knowledge of Lake Wobegon.

Fans of Keillor's "A Prairie Home Companion" are already an imaginative sort. We know what Arlene Bunsen looks like, or Pastor Inquist. We've got a good idea how Roger Hedlund has been rotating his crops, and the main goings on on Main Street. We don't need pictures of this area because we already know it by heart--we've seen it on the radio. This book does exactly what it should...it doesn't dispel our images of Lake Wobegon, but gives us pictures of its neighbors and people living their lives in rural Minnesota. All the images are sepia toned. With a few exceptions, the subjects are unposed and candid, getting ready for the prom, or readying the field for corn.

The composition of the shots are superb. The short prologue gives a first person retelling of how Keillor invented the town that "time forgot and the decades cannot improve." That introduction, however, is so short that it's almost unfair to say that this is a Garrison Keillor book. He essentially wrote the foreword (although it's not titled that way), and the pictures tell the real story.

My only disappointment is that there isn't any color. Certainly sepia tones give us nostalgia the way we'd like to remember it, but sunset on a farm is something you can't appreciate in shades of brown. Rural life has its monochromatic moments, to be sure, but there's enough color and life to help us remember that not everything is nostalgia.

This gripe doesn't detract from the beauty of this book, though. Thankfully we never see Lake Wobegon, only hints and shadows. It allows us to preserve our preconceptions, but gives us a deeper feeling of connection with the area. If you're a fan of APHC, you probably already own this book (or you should). If not, take a look at a lifestyle that might be foreign to you.

From the Central Minnesota prairie, in beautiful black and white pictures and picturesque prose, here is the Genesis of Garrison Keilor's magical mythical Lake Wobegon, site of "A Prairie Home Companion." Here we get to *see* the strong women, good-looking men, and above average children of and for whom he speaks on Saturday nights. Accompanying Richard Olsenius' stunning photography (how can the viewer not be deeply moved by the picture of the veterans at the St. Wendell cemetery on Memorial Day?) are excerpts from the Radio Show, interviews with inhabitants, and essays and musings from Keilor - like this:

"Culture isn't decor, it's what you know before you're twelve. It sticks with you all your born days. The apple doesn't fall far from the tree. You can try to wrestle free of it, like those geese who trail the V-formation, trying to look as if they aren't part of this bunch, as if flying south were a personal decision on their part, but your feint towards independence only makes it clearer who you really are. Some people like hot dish better if it's called cassoulet, or pot roast if it's pot-au-feu. Fine. Suit yourself. Same difference."

Whatever you call those culinary delights, you'll like this book. Come see Father Kleinschmidt's Annual Blessing of the Snowmobiles. Ja, you betcha! Reviewed by TundraVision.

"Murrow: His Life and Times" is a superb biography about Edward R. Murrow. No one had a greater impact in defining and shaping broadcast journalism than Murrow, and in highlighting the responsibility of journalists, broadcasters, government and citizens in a democracy. Television, he observed in 1954, "can teach, it can illuminate...but it can only do so to the extent that humans are determined to use it to those ends...otherwise it is merely lights and wires in a box." Whether his brilliant and breathtaking radio coverage from London of World War II, or his confrontation with red-baiting Senator Joe McCarthy, he was always principled, strong and courageous. Speaking of the anti-communist hysteria sweeping this country in the early fifties he would turn to Shakespeare, "The fault, dear Brutus, is not in the stars, but in ourselves." As mass media races onto the Internet and enters a new digital era, the experiences and issues raised during Murrow's life become even more relevant. In the mid-fifties he warned, "the frontiers of knowledge have been pushed back, and the more that comes to be known, the less is understood...looking ahead to a time when human destinies are to be determined by the uses or abuses of new sources of almost unlimited physical power, one may ask if democracy will be able to develop the competence to deal with these complexities." He concluded, "If so, it must be through a broadening of education and the use of communications not yet realized, or perhaps even conceived." Murrow is a man for all times.

Edward R. Murrow was elusive. He was a pioneer radio and television broadcaster. His career arc did not include print journalism. His success was modern. Murrow, b. 1908, had a golden natured man for a father and a shrewd and enterprising woman for a mother. He ws the youngest of three sons. Black moods dogged his whole life. In the 1930's Murrow worked for a committee placing European scholars in American academic posts. He had contacts at CBS. At college, Washington State, he had been a speech major. At CBS, 1935, he became the Director of Talks. Murrow was also responsible for education and religion.

Radio was changing the world of politics. Overseas radio was primarily a novelty act. NBC had Alistair Cooke and so its coverage of the abdication crisis was better. Murrow was asked to take a job in London as the European director for CBS. William Shirer was offered the job of continental representative of CBS. When Germans invaded Austria, Murrow traveled to Vienna. His immensely successful career as a radio reporter, commentator, had begun. Murrow and Shirer used stamina and imagination to cover the developing crisis in Prague and elsewhere on the continent. Listeners were taken to Nuremburg to hear Hitler. At the end of September NBC and CBS radio braodcasts reported on Munich. Murrow sat with Jan Masaryk.

War finally came over Poland. CBS staff positions in the European capitals were filled. Murrow put in time everywhere. In the spring, blitzkrieg tactics caused the occupation of Belgium, the Netherlands. Norway fell. The Dunkirk evacuation took place. Churchill assumed office as Prime Minister. Commentators crowded into London. As neutrals CBS staff faced endless delays and red tape. A stringer, Vincent Sheean, became Murrow's boon companion. The reader is immersed with Murrow and company in rather delightful fashion in the events leading up to America's entry into World War II. A reader is able to sense in the author's careful descriptions the immediacy of war as brought to the radio listeners. Broadcasting brought facts and analysis to the audience in real time.

London was under air attack. Janet Murrow busied herself with the evacuation of children to America. The BBC moved broadcasting underground. Murrow inhabited freely both the upper class and the London ghetto. Eventually daytime operations ceased. It was not known at the time, but it was an RAF victory. Night bombings continued. With the approval of the censors American audiences were permitted to hear the sounds of a raid. Murrow conveyed the impersonal nature of the new technology of killing. Home news editor at the BBC, R.T. Clark, became a mentor to Murrow. He was versed in the classics and military history. In the fall of 1940 Shirer left for home from Portugal. He and Murrow had built up radio news from nothing. Home leave, 1941, proved to be a case of culture shock for the Murrows. In America there were no shortages. Murrow was effective because he did more than his job. Through happenstance he met with FDR Pearl Harbor night. He sat on the scoop that the President was determined to go to war. In the spring of 1942 the Murrows returned to London.

Murrow, disappointingly, had to coordinate CBS staff reports at headquarters during the operation of Overlord, the Normandy Invasion. In the end he was cut up with rage seeing the camps, Buchenwald and others. The Nazis had done a more thorough job of brutalizing the people than he had deemed possible. After an eighteen months' stint as an executive, Murrow returned to broadcasting. He was bitter over the death of George Polk in Greece in 1948. Polk had modeled himself on Murrow. In 1950 he took an unequivocal stand against Joe McCarthy and lost his sponsor. Regional sponsorship was arranged. Owen Lattimore commended Murrow for keeping the record straight on his case.

Fred Friendly and Murrow were ready, in 1951, to convert I CAN HEAR IT NOW to television. ALCOA sponsored SEE IT NOW. It needed to brighten its image. At the beginning of 1953, after doing an historic piece, 'Christmas in Korea,' he was exhausted. His view of the US was changing. Murrow's attack on McCarthy on SEE IT NOW was considered an act of courage by most people. It resulted in FBI scrutiny, he became a watched man. After McCarthy's demise, employers and news broadcasters were still treading gently. By 1957 Murrow was a celebrity, but SEE IT NOW was cut and he and Friendly were given SMALL WORLD. After speaking in Chicago to an association of journalists about the need for independence in television news, Murrow lost clout at CBS. Informally he was demoted. Fred Friendly became the sole executive producer of CBS Reports. One of the programs in which Murrow participated notably was 'The Harvest of Shame.' Murrow was appointed to head USIA under Kennedy. He resigned in 1964 and died in 1965.

Thank Heaven that this book - long out of print, I had my copy nailed down - has now been re-issued, and thank Heaven for the current renaissance in interest in this magnificent journalist and iconic human being. Murrow's speech to camera at the end of the McCarthy expose ought, if there is any justice, to be committed to memory by every American in the same way that the Gettysburg address is now.

As for the book itself - well, I bought my first copy in the early 1980s, Murrow having been a childhood hero. It's bit, it's beautifully written, and is it enough to say that my original copy is falling apart? And that all my Christmas present problems are now solved?

There are other good biographies (I'm a Murrow fanatic, if this isn't clear already)and I wouldn't fault any of them; and the newly-reissued DVD set of the Murrow Years is also essential and full of the most wonderful surprises. I guess that Sperber wrote the ur-text, and so this is probably the place to start. But thank you to everyone who remembered that he should not be forgotten. Meet a true American hero.

By the time most of us baby boomers were old enough to watch more substantive television fare than Felix the Cat, Edward R. Murrow was an aging icon without portfolio. He did not have the regular exposure of a Douglas Edwards, Chet Huntley, or David Brinkley. He would on occasion do spectacular work-as elementary school students we would discuss his "Harvest of Shame" documentary on the sufferings of migrant farm workers. But it was from our parents and older relatives that we inherited something of a sense of his importance in an earlier time, in the same fashion that they might speak of a Bob Taft or an Adlai Stevenson.

What we could not know in 1959, what biographer A.M. Sperber makes abundantly clear, is that we were watching the shell of a driven man who had exhausted his incredible stores of emotional energy to international cooperation, then to radio coverage of the horrors of World War II, and on to shape the formation of the CBS new department during the explosion of the television era and the age of McCarthy. Sperber traces the rise and decline of this charismatic, almost manic, entrepreneur from the most unlikely of origins, that of a lumberjack named Egbert who quickly realized the liabilities of his given name in the male work camps of Washington State.

Egbert, now Edward, chopped wood only long enough to scratch and claw his way into Washington State College. A student with fingers in many campus pies, he joined an organization called the International Institute of Education in 1931. The IIE in the early 1930's was a form of college student exchange program, one of its sponsors being the not-quite-ready-for-prime-time Columbia Broadcast System. When Murrow spoke at a West Coast gathering of IIE representatives, he earned himself election to the national office of the IIE in New York, a paid position there, and free air time on CBS radio. Murrow produced Sunday afternoon radio lectures and round table discussions, demonstrating a flair for attracting international speakers. As Murrow learned more about the plight of Jews in Germany from reporter [and later close friend] William Shirer, he used the machinery of the IIE in the United States to rescue as many Jewish intellectuals as possible and place them in American colleges. It was a tactic not universally appreciated, nor would his close cooperation with the Russians be forgotten by J. Edgar Hoover.

By the beginning of the Battle of Britain, Murrow was assigned full time by CBS to provide radio coverage of Hitler's assaults and to coordinate the company's European reporting network. It is impossible to capsulize here the horrors of those eighteen months for Murrow and for England generally, when every night brought a terror at least as awful as the World Trade Center bombing. Murrow created a network of European radio correspondents-many of whom would become household names in their own rights. He overcame industry biases against putting reporters on the air and using taped reports from the fields. But most of all, he revolutionized the very style of radio news into "factual storytelling" by his nightly accounts of German bombings that by happenstance occurred during the East Coast's prime time 7 P.M. radio news hour. Later, as the theater of war shifted east, Murrow was among the first western reporters to see first hand an operating extermination camp. He could not bring himself to talk about it over the air for several days.

Murrow returned to CBS in New York a conquering hero of sorts, the network's hottest property. Sperber does a good job in explaining why the postwar Murrow-CBS marriage was a stormy one. For one thing, the war years had reshaped Murrow into a cross between an Old Testament prophet and a posttraumatic stress sufferer. He would never be quite at home in an industry moving toward television, increased advertising dependence, and escapism. Secondly, Murrow was too much the prophet to claim objectivity. He would never be confused with, say, Bob Trout. Long before Woodward and Bernstein, Murrow crafted the art of investigative reporting for a presumably concerned nation, particularly through the medium of his weekly "See It Now" series, a rough and tumble forerunner of "60 Minutes." His most controversial television piece, his hour-long exposure of Joe McCarthy, was out and out editorializing, albeit accurate. In Murrow's mind, he was serving the common good. Others were not so sure. Thirdly, Murrow himself had a past that made him a potential network liability. When he produced his "Harvest of Shame" documentary, for example, hardly a paean for capitalism, those with long memories would recall his enthusiastic embrace of Russian intellectuals in the late 1930's with the IIE.

The great irony in the breakup of Murrow and CBS is that the deciding infidelity may possibly have been unintentional. In 1960, with quiz show scandals threatening the credibility of the television industry, CBS President Frank Stanton announced a policy to eliminate the appearance of deceit in any of his network's programming, not just quiz shows. When pressed as to the extent of this policy, the network cited other programming, including rather surprisingly Murrow's own "Person to Person" prime time home visits to celebrities. In one reading of this event, Stanton may have simply been protesting the pre-scripting of interview questions and the staged walk-through of the homes. Or, there may have been a subtler message. A young Harry Reasoner inquired of Murrow on air, in so many words, "why are you, the Jeremiah of the industry, wasting precious prime time with the innocuous drivel of fighters and starlets?"

Unlike Reasoner and Howard K. Smith, who felt no compunction about switching networks, Murrow lived and died CBS. Illness and ultimately death interrupted his stint as window dressing for the Kennedy administration in 1965. Perhaps his prodigious cigarette smoking had finally claimed him. More likely, it was the pressure of living so many lives in one frail human shell.

Since its publication in 1986, no other biography on Edward R. Murrow has been written that can depose A.M. Sperber's magnificent work. "Murrow: His Life and Times" is, by far, the best biography written to date on America's first, and possibly last, great broadcasting journalist.

Sperber's book captures the essence of Murrow's life from a young intellectual to his rise from college campuses to directorship of the "Institute of International Education" and to Murrow's début at CBS where he broadcasted the bombing of London during World War II. It was during this period that Murrow demonstrated, so clearly, his finesse with the American audience as they listened to his broadcast of the traumatic events as they unfolded in World War II Europe.

Sperber's methodical research, numerous interviews, attention to detail, and her writing give the reader a close and personal look at the extraordinary triumphs and tragedies that made up Murrow's life. Readers are able to follow Murrow's footsteps and virtually see into his world, as he became the voice of World War II and the voice for America. Murrow's denunciation of Senator Joseph McCarthy's treatment of Americans during the HUAC (House Un-American Activities Committee) hearings set into motion the senator's decline and closed a dark chapter in American politics -- all with his rational, yet forceful manner of speaking.

Sperber writes of Murrow's journalistic integrity and his struggles for openness and frankness in the media -- ideals that brought Murrow into constant conflict with CBS. The author also illustrates Murrow's battle with tobacco addiction - an addiction that would have devastating affects on Murrow's health. An entire life flawlessly researched and written in 705 captivating pages that will embrace readers today as it did when the book was first published 1986. After reading Sperber's book the reader will understand why CBS headquarters in New York City still displays a plaque in their lobby which contains the image of Murrow and the inscription: "He set standards of excellence that remain unsurpassed."

"Murrow: His Life and Times" should be required reading for students of communications and those working in media. There is no better chronicle of America's greatest broadcasting journalist. Readers will find this book hard to put down once they begin reading it. It is superb in every respect and the very best biography on Edward R. Murrow.

NOBODY'S FOOL is a terrific sports novel that shows the changing heart in a relationship that grows in depth as the story unfolds. It's football better than FRIDAY NIGHT LIGHTS told in honest down-to-earth writing.

Paul Hemphill, likely the South's finest writer, has in the past written about country music, NASCAR racing and minor -league baseball. Now he brings his considerable powers to high-school football. "Nobody's Hero" is as exciting and drama-packed as the end-of-the-season championship game between two arch rivals. But what truly sets Hemphill's work apart and above other sports-centered novels are the complex and very human relationships that form the backdrop for the big game.

Paul Hemphill's works are marked by carefully drawn characters of complexity and sublety as befits a great writer who has delt so effectively in stories with a Southern context. His Birmingham upbringing, his Auburn U. 'education" and his Atlanta experience provide the football background and the racial context for a story of recovery and redemption in the modern South.

You don't have to be a football fan to appreciate this beautifully-written story of a man who finds out he's a lot better than he -- or anybody else -- thinks he is. It's a novel of redemption, and it's full of flesh-and-blood characters who grow and change -- people you find yourself caring about.
If you are a football fan, you'll appreciate "Nobody's Hero" all the more. It captures the grit and the glory of high school athletics, the kids who play and the adults who guide them. And it's a great read.

Hemphill's hilarious Long Gone was made into a movie, but Nobody's Hero is better. A former award-winning sports writer and a southerner, Hemphill's description of the relationship that develops between a down-and-out ex-jock from AL and a young African American athlete is beyond believable. You KNOW these guys and pull for them. And, their story is seasoned by the insertion of two salty female characters who are completely captivating. The reader can't help wondering what happens to these characters next so, Paul, how 'bout a sequel?

I didn't know what to expect when I ordered this. All I knew what that I knew nothing about radio. This little comic has changed that however. With its easy to read format and great illustrations I was able to understand the fundamentals of radio production in about an hour. I'm not going to be producing any award winning series anytime soon but I will be able to mumble an 'affirmative' grunt here and there should the topic ever arise in a conversation. Overall, it was worth the money. I gave it a 4 star rating rather than a 5 only because I wish there was more of it. If you want to know the absolute basics of production then buy it.

Jessica Abel and Ira Glass have done an admirable job of explaining the basics of what it takes to do radio reportage and story telling in a novel format, mainly that of a comic. Inexpensive, easy to read and even easier to understand, the book gave me a clearer idea of what it talks to engage in this field and how to do it properly. While it is by no means a substitute for hands-on or field experience, I was able to glean enough from this to know that I would like to do this full time!

The team at "This American Life" tell stories as well as anyone in the media. This book was recommended to me during a seminar on multimedia storytelling for photographers, so its value is not limited to those who only want to do radio. It's a comic book, but not shallow. Anything but. Ira Glass and his team at Chicago Public Radio go through how a particular week's show, Do-Gooders, was produced as well as basic tip for anyone wanting to do documentary audio work. This is a little gem.

Having read "Radio", I can say it is packed with information not only on the production, but on how to tell a story. My son is a natural conversationalist, I asked him how does he put together his stories. He said he didn't know and I suggested wouldn't it be cool to understand how the dynamics/mechanics of storytelling work. He simply shrugged his shoulders and said, "I dunno". He works for me in the summer and I told him I would pay him to read this book in lieu of working. He liked that idea. He read the story in about an hour. Now he has the rhyme to the reason. This comic is a great read and should be required for any collegiate types.

To anyone who has ever listened to This American Life and thought "I have a good story to tell", this is the book to read. "Thank you!" to Ira Glass for sharing his knowledge on how to write for radio. This book is easy to read and fun. So if you have a dream of hearing your story on NPR, get this book!

My dd (age 6) has listened to this audio book CD so many times she can quote entire passages with the dramatic flair of stage actress. She adores it. She desperately wants to listen to Anne of Avonlea, but I don't seem to find an Focus on the Family Radio Theatre version of that, and I am afraid any other version will fall seriously short of her expectations after loving this one so much. Even her older brother has been accused of secretly taking the cd's one by one and listening to them in his room, but he isn't openly admitting to it. LOL! A fantastic production.

I was never a fan of Anne of Green Gables until I came across this version of the story. And it's all thanks to Mae Whitman, that I now love the story. Mae brings Anne to life so well and she portrays her in a way that nobody else could. I highly recommend this version of the book to anyone who isn't already a fan. Mae does an awesome job of expressing her emotions and describing things in the story. All in all, Mae Whitman will always be a true rose of inspiration to me.

We listened to this story on a recent trip. It was a great way to spend time in the car. Even my husband enjoyed listening to the story!

Anne of Green Gables by Focus on the Family Radio Theater is the best audio product we have listened to in a long long time! My 3 daughters and their friends LOVE it and even my son enjoys it. WE have listened to it daily for several weeks and our enjoyment of it grows. This is a GREAT retelling of Anne Of Green Gables.

I bought this for my 2006 summer vacation road trip with my wife and two boys, 16 and 12. We all laughed, including the boys, and were very moved by the wonderful presentation and acting. There are many more things in this presentation than in the celebrated PBS version. I was concerned that my boys wouldn't like it, but after a few minutes they were really into it and couldn't wait to finish listening to all 4 hours. It is very moving and keeps the magic of this wonderful story intact. I highly recommend this.

This book is brilliantly constructed account of the 24 hours leading up to one of the maximum effort raids on Germany. Large cast of well portrayed character's recounts the incredible courage of the airmen of both sides and the appalling results on the ground.

Only one in three Bomber Command aircrew survived WWII and over 50,000 perished bringing the German war machine to it's knees. There has never been a battle like it. Fought in the middle of the night for 4 years with the prospect of a horrific death ever present night after night.

Imagine going "over the top" in WWI and surviving it, then being asked to do it again the next day. And the next.

Not only that but after the war being branded as murderer's by the very people whose lives you were protecting. The post war government quickly distanced themselves from what Bomber Command achieved, and no gratitude was ever publicly forthcoming for these boys sacrifice.

To this day it still beggars belief.

Though the title implies that this is the story of a single bomber crew over Germany in 1943, "Bomber" goes farther - much farther, only starting with the crew of the heavy bomber "Joe for King". Deighton proceeds to cover the families of the crew, other crew members and their superiors before cutting across the channel to the enemy - night-fighter pilots, their controllers in German air defense, various suspicious characters from across the spectrum of Germany's military - from "respectable" Luftwaffe and Wehrmacht personnel to shadowy types from the "Abwehr" and the SS. We also meet the civilian residents of Altgarten, a Ruhr-area town nobody would think of bombing, but which manages to get plastered all the same. It's mid-summer 1943, when "Joe for King" is sent into the Ruhr as part of a massive night-time raid against the industrial centers of Krefeld. Lacking night-vision goggles, RAF pilots drop their bombs on targets marked by flares left by directing aircraft - in this case, specially equipped Mosquitoe night-fighters. When the marking aircraft for the Krefeld raid is shot down too early, its flares are released over Altgarten. This error is compounded by inherent flaws in RAF tactics (like targeting bombs in the center of cities, where bombs are more likely to hit civilian homes than factories and military installations), and the town becomes the unintended target for the massive strike. "Bomber" is to RAF's wartime bomber command what "Traffic" is to the DEA - a story of massive scale borne by wide cast if characters that never stops growing. Deighton doesn't let something meaningless as nationality get in the way of determining who is good or evil (the Germans get the bombs here, but Nazi genocide also gets prominent mention, with plenty of nasty Waffen SS to remind us why people were fighting). On the British side, we see officers acting less like gentlemen than soldiers. Political correctness is the rule (this is the country that gave us "1984"; "Joe for King"'s commander is suspected of incipient Bolshevism - it's very name hints at Stalin). Those who won't fall in line risk being labeled as LMF (Lacking Moral Fiber) - officially branded as cowards. Though books with such a command of detail normally favor the efforts of those they depict, Deighton is uniformly negative on the subject, a tone reinforced by his many subplots. Lambert, "Joe for King's" rebel pilot, plays the best cricket in Bomber Command - leading his odious superior to compel his participation in an upcoming tournament on pain of getting LMF'd. (Worse - the commander puts pressure on Mrs. Lambert after her husband has departed for the big raid). The bombers fly from Warley Fen, a once verdant field seized from its original owners who now stare at the airfield, mourning for what they know they will never have again. In Germany, ADF is managed by August Bach, an aged warrior preparing to marry his young son's nanny, not knowing how her youthful looks have made her the target of vicious rumors through Altgarten. The pilots of a night-fighter squadron (nichtjagdeschwader), preparing for a feared RAF attack on the Ruhr, are thrown into turmoil when Abwehr and Gestapo appear in search of a stolen classifed memo. The memo, it turns out, details hypothermia experiments on concentration camp prisoners (this may be same memo mentioned early in Robert Harriss' superb "Fatherland"). The corrupt assistant to Altgarten's Burgomeister arranges for the downgrading of the town's remaining Jews (from 1/3rd to 2/3rd "Jewishness" - though these jews are even more likely to face deportation and certain death, they will have greater freedom to marry other jews). Altgarten itself is flooded with profiteers funneling goods looted from conquered parts of Russia and the Netherlands. It seems that war is the only thing keeping the world safe because it occupies all the amoral typed who have to fight it. The only morally just adults are the TENO - the civil safety personnel who dig people out of bombed buildings. Because they are stationed in Altgarten, they get the biggest break: when the raid comes, they have the shortest commute. With so much going on, you just know you're bound to miss something. This is the sort of book that speed-readers hate. You'll probably lose count of all the characters that Deighton throws at you, though this doesn't hurt the plot as much as make the book one you'll want to re-read. Be warned - once you pick up bomber, you'll probably be spoiled for any other novel on the war in the skies over Europe.

This is a superbly plotted panel book in which every story ends with some sort of twist or irony. I write only to correct one error made by an earlier reviewer. Lambert's plane is NOT 'Joe for King', but 'the Creaking Door'. The CO is so out of touch that he mistakes the planes, thereby indirectly saving Lambert's life, much to his young wife's relief. (The casualty rates were horrific for bomber crews.)

It is somewhat amusing that the reviewer made the same mistake.

Bomber follows the progress of an Allied air raid through a period of twenty-four hours in the summer of 1943. It is not for weak stomachs as it shows the brutality of war.

The best fictional account of the "Other Side's" (German) view of being the "attacked". Mr. Deighton obviously has done his homework in showing how one massive,confused attack on a German town in the Summer of 1943 devastates everyone involved from the British RAF planners and pilots, politicians, and even more the German civilian home front, not to mention just about everyone else on the German side,from the SS,Luftwaffe, to the totally innocent on the ground. When the air raid alarms go off in the ficticious German town to the inevitable,terrifying end, mistakes and all, you know you're reading from a master. The ending is as terrible as you can imagine...

No offense to Mr. Thoene, but there are a few pieces of dialogue in this book that make me cringe, esp. parts featuring Angel.
This one minor nit aside, Firefly Blue was an excellent read, fast paced, interesting, exciting, etc etc etc.
Thoene again puts poor Alstead through the save-the-world ringer. Oh well, such is the hero life. Ch. 16 rocks.

I have read the first two books of this series, Shaiton's Fire and Firefly Blue, and have begun the third one. There were a few aspects of the author's writing that annoyed me in the first book, but I didn't notice them so much in Firefly Blue.

I am really enjoying the series. With terrorism so prevalent in the world today, I find the technical aspects presented in these books very timely and intriguing. Faith is very dear to many of the characters, and they wrestle with real-world issues with which I can identify.

Some books seem to target a specific gender, but both my husband and I love these books. I will definitely look for more titles by Jake Thoene, and I definitely recommend this series.

This is an awesome story line from the new generation Thoene. The story has a fearsome ring of truth that keeps the reader on the edge of their seat. With real life characters and an all too real plot the reader will be hard pressed to put this volume down.

Yeah, I guess sometimes that would be the description of Steve Alstead, right? Keeps getting pulled away from that lovely wife of his and he sings the blues on occasion. So, while this didn't completely blow me away, it did keep my attention after getting it going, and I'm glad that I sang the blues with Jake Thoene.

WE'VE GOT CYANIDE! Oh, and Miles has a cool thing going on, and it happens to be called "Firefly", right? That's where the title comes into play. We have a few Mexicans to deal with, and like Taco Bell said before, "SEND 'EM RUNNIN' FOR THE BORDER!" or was it Ray Charles that said, "Hit the road, Jack"? But hey, a decent addition to a series that started off very well. Senator Morrison and the rest of the team makes sure the action is pure, yet interesting entertainment. Add Kristi Kross, and ask Steve's wife how exciting it can get! Just kidding.

What I appreciate the most about Jake Thoene is his love for country. Not only that, but he isn't ashamed of his God either. The God that built my America! That's something you don't always see these days. SO, while I prepare myself for "Fuel The Fire", I'll probably need a good pitcher of iced tea on hand. Good flames the whole way around so far.

Only a couple of decades ago, although it seems like more, I was born in the mountains of Southern California. At this time, my father was the only pastor in a town of about 300. Brock and Bodie Thoene were our next door neighbors, strong members in our church, and Bodie was writing her first book (in which the protaganist is named after me). We lived there for only a few years but my earliest memories are of an early teenager, Jake Thoene, teaching me very carefully how to ride his former movie stunt horse (which he rode with an amazing variety of tricks). Imagine my surpise, twenty something years later, when I see that Jake wrote a book on anti-terrorism with all the elements of a book that I normally look for: action, suspense, technology, devotion to God and a wonderful plot. Like it says on the cover of the book, Jake Thoene is "The Christian Tom Clancy". His suspense is unmatched by Tom Clancy, in my opinion. He manages to put a lot into the book, keeping the reader on the edge of the seat, and not confusing things. I suggest this book to anybody who enjoys being entertained with realistic spy novels.