New York Books

More good fun from Chester Himes. On the plus side, he finally includes some entertaining sex. On the other hand, one of the main bad guys here (the "Colonel") is particularly flat and unbelievable. Also, as usual, the end is much less satisfying than the ride to get there.

The dialogue, the action, the characters, it's Harlem world and it's all here! What else do you want?

Chester B. Himes wrote a series of "Hard Boiled" detective novels set in Harlem during the the 1950's and 60's. His two main protagonists were "Coffin Ed" Johnson and "Grave Digger" Jones, a couple of black police detectives operating in the seedy underworld of Harlem and New York City. Himes himself had served time for armed robbery in Ohio. While in prison he first read the works of Dashiell Hammet("The Maltese Falcon","The Thin Man",etc.)and decided that he could write similar fiction set in Harlem's vibrant African-American culture. He moved to France after his prison release and then began to write (in French!) his own brand of mysteries set in the New York City section that had become world famous for it's culture, nightlife and intellectual renaissance. The first of these mysteries was "A Rage in Harlem"(first published in French as "For Love of Imabelle" in 1959). Coffin Ed and Grave Digger were only minor characters in this first novel, but by the time of the 5th novel "Cotton Comes to Harlem" they were the stars of the series.

In "Cotton..." a ex con named Deke O'Hara scams $87,000 from a group of families who want to go to Africa to start a new life free from segregation and prejudice. Before O'Hara can abscond with the money a group of white gunmen steal it in the middle of the "Back to Africa" rally O'Hara is hosting and then escape. All this takes place in the first few pages, and the action only steps up the pace from that point on. Cotton Ed and Grave Digger are assigned to the case, and their brand of brutal, violent police work may not be always legal, but they have their own code of honor, which demands that they do all in their power to see to it that the families get their money back, as in most of the cases it amounts to their life savings. Through a maze of deceit and treachery filled with white supremacists, voluptuous women, scam artists, underworld informants, and real to life street people the two cops thread their way with both violence and guile. I won't spoil the ending, but suffice it to say that Himes delivers.

The book was made into a movie in 1970 which played up the humorous aspects of the book. While there is much mordant and cynical humor in Himes' writing, the book is much more than that, and deserves a place in the "Hard Boiled Detective" Hall of Fame. If you like this one I would recommend Himes' other works, especially "The Real Cool Killers".

A definite 5 stars.

This novel has some of the same characters as Himes' Rage in Harlem. This is not a sequel and it is not imperitve that you read "Rage" first, but I think that you will like this book more if you have read about Coffin Ed and Gravedigger Jones in the early novel.

... The book doesn't concern Bible Flowers. It's about the efforts of two black detectives, "Grave Digger" Jones and "Coffin Ed" Johnson, to recover $87,000 in money stolen from a con-man/storefront preacher in 1960s Harlem. Along the way, Grave Digger and Coffin Ed encounter a few murders, a southern colonel, and a 50-pound bale of cotton.

Raymond Chandler wrote that detectives must walk the mean streets, but they must not themselves be mean. Well, Grave Digger and Coffin Ed walk the mean streets just fine, but the "not being mean" part gives them trouble; they doubt the feasibility of solving a case without, say, slapping around a few witnesses or firing a few shots into a crowd. Despite the detectives' unhesitating brutality, this novel compares well to the best of Raymond Chandler and Robert B. Parker. This is due not only to the spot-on dialogue and the stark, vivid character depictions, but also the detectives' uncompromising determination to bring justice to Harlem. The plot is better, i.e., less predictable, than any of Parker's, and Himes's depiction of 1960s Harlem is so bizarre, yet compelling, that it invites comparison to Carl Hiassen's Florida rather than Chandler's LA. Add to this Himes's unique, excruciatingly honest depiction of race relations in the 1960s, and you have one of the best detective novels I have read in years.

...

A great job done by the authors for a multimedia piece that reflects America's melting pot story. The people are real and the work itself should inspire immigrants and descendants of immigrants to share the experience. I found the CD fascinating as a work to be enjoyed with the book. A wonderful job! I look for more work by the authors.

The book is well done except the authors failed to include the ethnicity that was and continues to be among the largest immigrant group, the Irish. The authors dropped the ball on that one.

If there was ever a time when we needed to be reminded that immigrants are the heart and soul of what makes this a textured, rich and interesting country, this is it. This book and its companion museum exhibit, which I was lucky enough to come upon serendipitously at Purchase College's Neuberger Museum, celebrates the gifts we have received as a nation from the diverse people who have struggled first to get here, and then to make a life for themselves here. Before we build walls on borders, before we villify those who are different from us, let's appreciate what we are gaining from the immigrants who choose the US as their home. Let's remember that very few of us are Native American. We have all benefitted from the open door to America.

Book is an excellent companion to a travelling show we saw at the University of Maine in Orono. It captures in an extraordinary fashion the incredible ethnic and cultural diversity within a relatively small section of Queens, NY.

Queens, in New York City, is the most ethnically diverse community in the country. Over a period of three years, from 1999 to 2002, editors Warren Lehrer and Judith Sloan collected stories from a sampling of the borough's 2 million residents. The result is this book, a much needed tribute to the people, most of them immigrants, who make Queens such a culturally rich locale.

The stories are wide and varied: a Congolese man who fled his country to seek asylum in the United States, only to be detained for nearly two years once he arrived here; an Afghan woman and her mother who were separated from each other for 22 years; a gay Colombian couple forced to flee their home; a pair of Egyptian brothers who opened a cafe and restaurant in Astoria. It's impossible to summarize them all here.

The words of the storytellers are, for the most part, kept intact. Everything is quoted directly, and even the speech mannerisms of those with rough or accented English are preserved, making the book feel just as colorful and diverse as the people featured in it. In a few cases, where the interviewee spoke little or no English at all, the stories are translated from the teller's native language. The editors have included helpful explanatory notes where the storyteller's make reference to events and individuals with which the reader may not be readily familiar.

"Crossing the BLVD" is also a refreshing visual treat. There are numerous photographs, pieces of artwork, maps, and other visuals. Each page has clearly been laid out with loving attention. Font style, size, and placement, along with the placement of the pictures, is carefully balanced to achieve certain effects. The book is just as colorful and full of character as the people whose stories it relates.

This is definitely a book everyone should read. Though nearly 400 pages in length, the text is large and makes for quick reading. But this simplicity is only a cover for the rich, inspiring, and heartfelt stories these people have to share. "Crossing the BLVD" certainly has something to offer any reader.

This was given to me by my mother when I was a teen. I still have this book today and I read it over and over. This book is really good.

Daddy Was A Number Runner provides a horrific historical and sociological picture of Harlem during the 1930's post-Renaissance era. The reader travels throughout the daily trials and tribulations of Francie Coffin, an adolescent girl living with her brothers, mother and father, who is a number runner.

Statistically we know of the crime, deviance, poverty, fatherless homes and emerging welfare system but what we do not read about is the human elements; the feelings involved. Through Francie's own words and her dreams we are able to feel and capture Francie's plight. While Francie appears to be somewhat naïve she is also able to navigate the streets and people within Harlem. Francie serves as an errand girl for her father, gets into scuffles with her friend and is a victim of molestation. On the positive side she is an obedient daughter and sister, attends school and she loves to read. For Francie, reading and attending movies at the theater is her salvation from the madness.

The book goes one step further to examine Black and Jewish relationships. These relationships are presented in the form of tenant/landlord, student/teacher, customer/business owner and domestic/employer and in each, the black characters appear to be the victims. While not harboring resentment towards Jews as a group, the characters demonstrate a dislike towards the individual because in each example the Black character is shown to be subservient towards the Jewish character for survival.

The characters portrayed are captivating and one of the books largest strengths is the ability of Meriwether to show some positive aspects of the inhabitants. Through all of this despair we find love, kindness and support of family and neighbors, male pride, the importance of education, and compassion. The word community resonates throughout this story and the women are the backbone of this community.

There is no happily ever after and everything is not neatly fixed at the conclusion for there is no conclusion. What we have is Francie's acceptance of her life and her community but also her ability to still dream of a different life. Meriwether has provided the reader with an assessment in the life of a small community but does not place blame on one entity. We, the reader, are able to empathize because Daddy Was A Number Runner offers a lesson in history that is relevant today. This is a story of family and the survival of it.

Reading Daddy Was A Number Runner for the second time as an adult was like visiting an old friend. I first read the novel when I was in junior high and the only thing I remembered from it was this freaky movie theater scene. That and the fact that it was good. Now that I am grown, I took a lot more away from it this time.

Francie is twelve and growing up in 1930's Harlem. She has two older brothers who have totally different aspirations in life. One wants to be a hoodlum and the other wants to quit school to become an undertaker. Her father, a number runner of course, is too proud to go onto public assistance and that causes a lot of turmoil between her parents. She has a best friend that likes to beat her up most of the time. Old white men try to feel her up whenever they get a chance. Francie really endures a lot for a person her age. If you are into period novels, this is a must read because it gives insight in a generation we know nothing about.

I have a 1970 copy of this book, and I love it, absolutely love it. I highly recommend it to anyone who wants to get lost in a book for hours. You feel like you're walking beside Francie, and Sukie on the streets of Harlem. This book is a thumbs up.

From beginning to end, the book was enjoyable. Brutally honest and very mature, but an excellent read. Many times hit close to home, others were a learning experience (like the use of rags, the electric hair on juveniles, etc.) It was a quick read that I didn't want to finish!

Some books teach you something new. Some books have you look at things in a different light. This book does both. Before reading this expansive historical work, I viewed the 1863 New York riots as a reaction to the draft. This book shows that it was that and a lot more. Schecter's book analyzes the social-political situation in the United States at the time of the riots and shows how much racial relations and fears, and those who preyed on both, played a role.

This book teaches on so many levels. It serves as a 1) an complete account of the civil disturbance in New York City in 1863, 2) an overview of race relations in the United States during the Civil War and Reconstruction, and 3) a history of New York city in this pivotal time frame. It even includes a travel guide for New York, which includes all the sites related to the narrative. Well written and superbly researched, this book is a great precursor to Eric Foner's works on Reconstruction.

This is the best historical work I have read in the last few years.

Thank heavens for independent scholars!

Barnet Schecter is rapidly becoming one of the best chroniclers of New York's history. His previous book, "The Battle for New York: The City at the Heart of the American Revolution", was an eye-opening revelation at how this city was the true "heart" of our separation from England, and how we (and Boston, as well) were that country's main target for conquest in 1776. Utilizing the same narrative style of writing, Barnet Schecter tackles the week-long convulsion in New York City four score and seven years later.

"The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America" fills a void in most histories of the Civil War: the fighting that took place OFF the battlefields of Pennsylvania, Virginia, Maryland, etc. These were the wars that were waged in newspapers, city halls, and, ultimately, the streets of major cities across America. Mr. Schecter is careful to explain that the New York City draft riots were not the only anti-war, anti-emancipation riots during the Civil War. But it was the largest. It was the worst. (While most New York historians claim that around 100 people were killed during the riots, Mr. Schecter rightfully, I believe, puts the number at 500, at the very least.)

The actual riots occupy only the middle one hundred or so pages of the book. Mr. Schecter devotes an appropriate amount of time to examining the roots of the riots: the racism, the class animosities, the mistrust between Nativists and immigrants, and so on. In the weeks and months immediately before the cataclysm, we see battle lines being drawn: Greeley vs. Marble, Democrats vs. Republicans, poor whites vs. poor blacks; in fact, it seems like it was almost everyone vs. the beseiged African-American population. When the five days of rioting are discussed, the sense of prevailing confusion and chaos--the near anarchy--are as expertly conveyed as the awful scenes of violence. The final third of the book is, in many ways, more tragic than the uprising. It is here where Mr. Schecter discusses the aftermath of the riots over the next two decades. Basically, the reconstruction of America fails. The North and the South do not fully unify. The working class does not get the respect it deserves. (Instead, it is treated with more brutality and unfairness.) Worst of all, African-Americans are not truly emancipated. The enmity and violence visited upon them, because they are never addressed, just worsens. And why were they never addressed? Mr. Barnet just comes out and says it: because most people never really wanted to. Therefore, it would takes decades before America would heal or truly reconstruct.

"The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America" is a sobering book, true, but it holds our fascination. The details about the quirky politicians, newspapermen, observers and participants breathe life into people who have been dead for almost 150 years. The maps and generous sprinkling of illustrations help us see the people and places more clearly. This is a monumental book for which Barnet Schecter deserves our appreciation.

Also recommended: Iver Bernstein's "The New York Civil War Draft Riots". Although not written in a narrative style, it contains valuable information about the causes of the riots. For a fictional treatment, Peter Quinn's novel, "Banished Children of Eve" is the best I have ever read.

Schecter's book is a great read that clearly explains the New York City draft riots and the political and ethnic issues that simmered to the point where in July 1863 Irish immigrants protested and rebelled against what they saw as an unfair draft system that had been put in place allowing $300 commutation fees and a recent Emancipation Proclamation which caused them to fear the loss of their jobs to newly freed slaves coming from the south.
It's an excellent book about a rarely discussed topic in our nation's history.

This is a good book that seeks to help desanitize and demythologize American history. Racism is and always has been an American problem, and not relegated to one region, or for that matter, one race. I think a good book to read with this one is Tom DiLorenzo's brave THE REAL LINCOLN, now available in paperback. It does something to show Lincoln's virulent racism and should act as a supplement to THE DEVIL'S OWN WORK.

Barnet Schecter's magisterial study of the five day insurrection that erupted in New York City, "The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America", is one of those historical accounts that illuminate more than just the times the work is set in. By providing a multilayered analysis to the issues that marked this breakdown of social order, and through a deft, perfect-pitch, use of basic sources, Mr. Schecter lets the contemporary voices of those living through these events and, at times, driving them, speak for themselves. The result is a tableau of compelling immediacy that is rarely seen in a historical study. Some of the expected characters are here: Lincoln, Seward and Lee, etc. but it is the less well-known characters of that era that permit the real force of the book to be felt. By knitting together and contrasting the recorded dialogue of the restive ferment of the slums of New York and Boston with the tense interchanges originating in the mahoganied board-rooms of these same cities Mr. Schecter recreates the social tensions of these turbulent times. With what seems to be an unerring sense of how the character of a subject will define for him the peculiar social reality that he may act in, we meet figures who by virtue of the author's skill and sympathy are never rendered as simple, one-dimensional heroes or villains. Landmark works in any field of study require that a sense of scope, sensitivity and balance be observed throughout the effort. But such traits alone cannot mark it as memorable. For this the electricity of personal exchanges in statehouses, boardrooms and back alleys must be captured in their raw force and then be woven in into a narrative that flows with seeming effortlessness, from it its own momentum. This is what Mr. Schecter has accomplished.

A sensitive and beautifully written novel of an elderly person's memoirs. Thoroughly enjoyable and highly recommended.

Irene, age 90, lies essentially bedridden in the parlor where she can still feel part of the farm. Her bedroom upstairs lies vacant now, along with the rooms of her dead parents and brother. Insistant on maintaining imput on the goings-on, she tries to keep the upper hand in everything. Lying quietly, she has embarked on documenting her life on the farm she was born on. Her mind is as sharp as the pencil she scribes her memories. Her notebooks serve as her testimony to the past and the very present.

Among her reminisces are her present day quips targeted at those that seem to be circling her, poised to take advantage of this old woman's lurking day of death. She fears losing the farm in her death, the land cut up into suburbs, the old machinery auctioned and the house left to those who will never understand the sacrifices and joy that have walked in and out the kitchen door. As she gazes out the window, she can see the graves of her parents, her uncle and the many faithful collie that guarded over the flock of sheep. It is a fearful thought that in the modern day, she would not be allowed to be buried alongside her family.

While she fights to maintain the bare bones of the farm in her later years, she recalls the years she spent keeping the farm going after her father's death at an early age. Passive in grief, her mother steps aside and lets this young woman manage the intricacies of a sheep farm, a large garden and the general upkeep of the land in the mid 1900's. Praised in national magazines for the quality of her sheep's wool she gains the respect in the community for her work.

It is this woman's memories that are golden as she recalls ninety years on the farm. Particularly insightful are Irene's recollection of seeing the first automobiles driving along the road at night. Unfamiliar with headlights, Irene and her mother stand nearly terrified as they ponder what those lights coming across the valley floor are. It is her impression, once the car has passed by the dirt road in front of their farmhouse, that things will never again be the same.

Living over 90 years is a sure bet that things will never be the same at one time or another. It is the wonderous theme of this lovely novel that allows Irene to move on but look fondly back.

This was a really good book to read - I definitely recommend it.

Irene, age 90, lies essentially bedridden in the parlor where she can still feel part of the farm. Her bedroom upstairs lies vacant now, along with the rooms of her dead parents and brother. Insistant on maintaining imput on the goings-on, she tries to keep the upper hand in everything. Lying quietly, she has embarked on documenting her life on the farm she was born on. Her mind is as sharp as the pencil she scribes her memories. Her notebooks serve as her testimony to the past and the very present.

Among her reminisces are her present day quips targeted at those that seem to be circling her, poised to take advantage of this old woman's lurking day of death. She fears losing the farm in her death, the land cut up into suburbs, the old machinery auctioned and the house left to those who will never understand the sacrifices and joy that have walked in and out the kitchen door. As she gazes out the window, she can see the graves of her parents, her uncle and the many faithful collie that guarded over the flock of sheep. It is a fearful thought that in the modern day, she would not be allowed to be buried alongside her family.

While she fights to maintain the bare bones of the farm in her later years, she recalls the years she spent keeping the farm going after her father's death at an early age. Passive in grief, her mother steps aside and lets this young woman manage the intricacies of a sheep farm, a large garden and the general upkeep of the land in the mid 1900's. Praised in national magazines for the quality of her sheep's wool she gains the respect in the community for her work.

It is this woman's memories that are golden as she recalls ninety years on the farm. Particularly insightful are Irene's recollection of seeing the first automobiles driving along the road at night. Unfamiliar with headlights, Irene and her mother stand nearly terrified as they ponder what those lights coming across the valley floor are. It is her impression, once the car has passed by the dirt road in front of their farmhouse, that things will never again be the same.

Living over 90 years is a sure bet that things will never be the same at one time or another. It is the wonderous theme of this lovely novel that allows Irene to move on but look fondly back.

I cannot express have wonderful I found this novel to be! I could not read it in public, because I was so filled with emotion at so many places throughout the story. The story of Irene's life itself was rather straightforward but the rich punctuations of reflections on nature, life on a farm, the essence of what a farm life means,and insight into the process of aging and dying ,raised the novel to great heights. For any reader who does not understand the attraction of life connected with nature, this book will provide refreshing insights. For those of us who were bitten by the bug to farm (certainly it was not in my NYC bred genes for generations!) it helps us to explain why we feel the way we do about the farm life, surrounded by animals. It actually awakens an awareness so that I found myself exclaiming why had I never thought that out loud but already knew in some deep place of the soul! For the farmer, it provides a possibility for keeping the working farm long after hehas moved on. For the person simply living a life, this book offers a perspective into the process of dying and into the exhilaration of the soul that dying a meaningful death can hold.

I was introduced to West through her book The Thinking Reed. I liked her obeservations of rich Europeans, as seen through the eyes of an American, in the era before the first world war. The Fountain Overflows takes place in Edwardian England and tells the story of an educated but impoverished family, told through the eyes of one of the young daughters. Whereas The Thinking Reed was a pleasurable, almost fluffy read for me, The Fountain Overflows raised issues that I feel it didn't answer. The father is a gambler and not emotionally dependable, and the effects on the children are alluded to at the end of the story, but then dropped. I would have liked West to stay more superficial, describing the fascinating details of family life, and leave the emotional analysis out of the story, since she didn't follow the emotional analysis through. This is a quibble, however. I thoroughly enjoyed reading The Fountain Overflows, and will be moving on to Black Lamb and Gray Falcon soon.

to be savored - a real treasure.
This book is hard to classify because it is both densely written, and yet, it is like cotten candy. If you like to be transported to another place and time, and enjoy writers who know how to use the English language, this is a book for you!

This was my first encounter with Dame Rebecca West's writing, but it won't be my last. Nearly every paragraph stood alone, as a description to savor or an emotion remarkably described. The characters linger long after the book is closed. I believe that someone has suggested that they are somewhat Dickensian, with which I would agree. The plot conveys to the reader a deep understanding of the frustrations encountered by women whose lives are held in thrall by men who are indifferent to their wellbeing.

The only thing that keeps this book from being 5-stars in my mind are occasional spots where you want it to move more quickly. Its subtlety and richness make it a book well worth revisiting.

A general comment about the Classics series of the New York Review of Books. I am particularly pleased to have discovered this series for two reasons. First, because of the beauty of the books themselves; the cover art is of a very high quality and the paper, printing and binding is as well. The books themselves are pleasurable to experience. Second, the series is introducing me to literature that I would otherwise have never read. I just finished "A High Wind in Jamaica," have begun "Indian Summer" by William Dean Howells (and my middle-school introduction to "The Rise of Silas Lapham" would have predicted that I would never have picked up a book by Howells again, which would have been my loss - I might even tackle Silas Lapham again), and have ordered a few more. I recommend that readers explore some of these treasures.

The header says it all. If pressed, I will have to admit that this is my absolute favorite novel of all time. There is something so haunting and so human and so memorable about this book, I can't stay away from it--I must have read it 20 times, and I never grow tired of it.

I had heard of author Rebecca West, mainly as the young woman who had a long term affair with a much older H.G. Wells and produced a child out of wedlock, back when things like this were considered shocking. I stumbled across a copy of this book and decided it might make an interesting read.
I never imagined that I had found a true classic, a book that uses the English language to a degree unsurpassed by any other author I have ever read. The story of is simple, that of a down on their luck family, living in London during the early 1900's. Their trials and tribulations are faithfully described, as are the multitude of characters they befriend. Actually to describe the plot, one might assume that not much really happens and to be honest, the plot is not the main attribute of this novel. But the language! I have often thought that I would some day like to write a novel but after reading this book, I would not even attempt it! This is how language should be used...clear and concise but also able to convey atmosphere and emotions. Page after page of luscious words, all combining together to create an unforgettable reading experience. If, like me, you wanted to read more, please note that the sequel, This Real Night is almost as good. A third book, Cousin Rosamund is much weaker since it was not completed at the time of the author's death.
Please do yourself a favor and read this book. I think this ranks with Pride and Prejudice and Wuthering Heights as books which define the best that the English language can offer.

THIS IS THE STORY OF THE NEW YORK JETS, HOW FAILURE AFTER FAILURE HAS FILLED THEIR HISTORY. THIS STORY DESCRIBES IN GREAT DETAIL THE FEW SUCESSFUL SEASONS AND THE MANY DISAPPOINTING AND TOTALLY PAIN FILLED ONES. THE AUTHOR DOES A GREAT JOB DESCRIBING AND INTERVIEWING THE PEOPLE WHO WERE DURING THESE DISASTEROUS TIMES. FROM WEEB AND JOE TO THE COMING OF THE TUNA, THIS BOOK HELD MY INTEREST AND I HIGHLY RECOMMEND THIS FOR ALL FOOTBALL FANS, I FEEL THE JETS PAIN.

This is a well-written history of the New York Jets. It covers the one great accomplishment (Super Bowl III) and the many failures and disappointments. As a fan you love the team and always get your hopes even though you know they will dash them in the end. This book covers those emotions well.

Gerry gave a very honest account of the New York Jets.

You'll enjoy the stories of the early years. Recounting the selling of season tickets from the apartment of one of the original owners, Walt Michaels finding a "good practice field" while flying home from a game (it was located on the grounds of a NYC prison), the press' examination of Joe Namath's knee in the restroom of a local restaurant and many others.

Those who were at that dreadful Miami comeback at the Meadowlands in 1994 will relive that sick feeling in the pit of their stomachs.

Parcells has come and gone and we still don't have another appearance in the Super Bowl. This book might expain why.

But we return each season with high hopes of reaching the big game. Reading Mr. Eskenazi's book will remind all of us of the pain we go through to have some fun on a sunny Sunday afternoon in the Meadowlands (NJ).

Well written, exciting and very difficult to relive all the abysmal moments in Jets history. END

Along came Bill Parcells and New York thought its troubles were over. Last year we were a half hour from the Superbowl and now we're in the cellar again. If you find yourself scratching your head and asking why. This book has the answers--the history of the Gang Green struggle and where we went wrong.

An incredible look into the heart and soul of America as it really was in the 30's & 40's. Written with perfect passion and honesty like never before or since. READ THIS BOOK!

There are very few novels that have knocked me out of my chair as consistently as this one. Thompson's writing may seem crude to the uninitiated, but one cannot resist being swept up by his delightful tapestry of slang which peppers some of the most captivating prose I've ever read. It's about life in America, in it's underwear, up way past its bedtime, broke, beaten up, bombed out of its skull, with a tenacious hope running through it all like a river. No heterosexual American male in his right mind will be able to put this book down, and none should miss the chance to read it.

Hi,
I love his work and am looking for any information on Earl Thompson, i.e., where he died and how, family, etc. Anyone out there with any info can contact me at dpollock@adelphia.com.
Thanks,
Donald Ray Pollock

He could have given us more books like Garden. Yes, the topics are a little off-kilter and the language a little rough, but the man could write! In my own opinion, Thompson belongs on the shelf next to Hemingway and Steinbeck as an American treasure.

When the smoke of obscenity trials cleared in the 1960s, publishers were free to print well known novels like Joyce's Ulysses, Miller's Tropic of Cancer and Lawrence's Lady Chatterley's Lover. The new freedom to write about sexually explicit topics subsequently led not only to a spate of sexploitaton novels such as Grace Metalious's Peyton Place and Harold Robbins's Carpetbaggers but also to a handful of honest, forthright novels that focused on men and women in their teens and twenties, including Thompson's Garden of Sand, Agnar Mykle's Lasso Round the Moon, and R. V. Cassill's Pretty Leslie. The sexual frankness of these novels so overshadowed their merit that they were doomed to a sniggering relegation to the back shelf. It is time to redeem them. I doubt any American writer, including Mark Twain and J. D. Salinger, has ever got inside the head of an adolescent young man more than Thompson in Garden of Sand and Tattoo. There is sex, yes, but also the ethos and the degradation of poverty and the wild hopes and expectant dreams of people without money, privilege, or an Ivy League education. Clearly, Thompson lovingly worked and reworked his writing, piling up detail upon detail, observation upon observation, all of which results in a novel much like a Breughel painting: having naturalistic characteristics but an elegaic tone. He reminds us of what growing up REALLY was like.

Love to hate lawyers? Here's one you'll love and...well, be exasperated by. Lawyer Farbman makes all the wrong moves and trusts all the wrong people in this hip, funny, and ultimately inspiring novel. To author and lawyer Donald Friedman, nothing is sacred: he skewers the usual suspects and then some--Jews, shiksas, lawyers, mobsters, bankers, partners, wives, girlfriends, the lame and the halt--as he sends his protagonist on a fast-paced trajectory to hell. A modern day Job, Farbman teaches us the value of living simply if only by being an example of someone who can't.

This book kisses you and holds you, makes you cry and makes you laugh but mostly it offers hope. It is a journey through human emotion and ancient philosophies that tie us into a bow of dreams and wishes for a good life on this good earth. God bless the author, and may he continue to write these stories we love to live.

It is rare to encounter a book so powerful that it forces us to reevaluate the direction of our lives. For me, Donald Friedman's extraordinary first novel, The Hand Before The Eye, was a mind-bending, life-transforming experience.

Forget the fact that this is one of the funniest and saddest books you'll ever read...

Or the fact that the lawyer Farbman perfectly captures the desperation and emptiness of the workaholic life that is seemingly unavoidable at the turn of the millennium...

Or that this compelling tale ends by shattering the plate glass wall separating us from a truly fulfilling life of freedom, love, and deep connection with nature.

If you're like me, this book will at the very least launch you on a journey of spiritual exploration and career transformation. Perhaps along the way you will discover or rediscover all that is truly important in living. Bravo!

This is a gutsy and engrossing book. The author keeps surprising us with his range of interests and his resourcefulness as a storyteller. The last chapter is a gem.

Farbman is a smart lawyer with successful parents, a brotherly partner, a beautiful wife, two perfect children and a good friend. His saga begins at a meeting with a Rabbi that gives him to insight into the emptiness of his success, and a hint a what is needed to turn things around. Contrary to appearances, his marriage is failing, his law practice is venal, he has no relationship with his parents or his children and his friendships will collapse. He realizes his life lacks meaning but he can't make the turn until his wife get's so sick that he is really needed. It looks as if purpose will serve a cure, but Donald Friedman is too smart for a simple story. Just when we expect him to be rewarded for his responsive behavior to his wife and children, Farbman's life crumbles from bonuses to boils. Donald Friedman has written a very important book in the guise of a funny and high paced melodrama. The book is about "Teshuva". It takes a book this good to explain that Teshuva is the "turn", or more accurately the "return", anyone seeking a spiritual connection in their life must make. Ultimately, it isn't fun; it's deadly serious. The wonderful thing about this book is that Friedman makes us laugh while he teaches us the theological formula for a sucessful life.

So glad I bought this book and can think of several people it would make a great gift for. I plan to use it as the basis of a few tours of New York (though at this point in my life, I'll only be sipping water at the later stops). What a fun thing to do with out-of-town guests--and the book will make you an excellent tour guide, as it contains so many great stories. You can tell that the author, Jef Klein, is a former bartender and somebody who knows and loves New York. Her passion for these places is contagious--it makes you want to visit them...or maybe head to your neighborhood bar and become part of the lore. The photos by Cary Hazlegrove are also incredible, and one of the great things is that they're in black and white, which is so fitting for the book's sense of history.

Mr. Klein has done a remarkable job of bringing to life some of the most well known bars and restaurants of New York to life in this photographic collection. Revisit the glory days of historic New York with this title. Each bar or restaurant has its own individual chapter, detailing the history of the location through pictures and antidotes. This form allows a more intimate introduction for the reader, especially if you are not terribly familiar with the business.

This is a must have for anyone's personal collection, would make a beautiful gift for those that enjoy a leisurely stroll through history with entertaining captions along with a healthy dose of beautifully taken photographs. This is one title I highly recommend.

Jef Klein sure knows how to put the reader in the story-or bar in this case - I thoroughly enjoyed "touring" the old glory days as well as the existing booths at some of the most interesting places NYC has to offer. I've made a list of which ones I plan to visit first- most notably the places with deep carpets, mood music, thick leather seats, soft lighting,and perhaps a celebrity or two (just for atmosphere). Thanks JK for a lovely evening! -RG

I've only been to New York one time and that was for a short stay on business so I didn't have a lot of time to experience the nightlife in the "city that never sleeps." But, when I do go back, I will be armed and ready with a great reference tool, "Best Bars of New York", by Turner Publishing Group. This is a gorgeous, hardcover book, loaded with great photography along with stories and histories about some of the top nightspots in the Big Apple. The locations in this book aren't the trendy, here today-gone tomorrow type places, but rather the long-established businesses that are often off the beaten track and known only to the locals...but not anymore thanks to Jef Klein's fascinating research.

Klein interviewed people at over 50 locations in preparation for his book, and the stories are truly mesmerizing. As a history buff who loves to visit local historical spots when I travel, Klein's book is the perfect offering, presenting clubs, taverns, and bars that have been around for decades, sometimes centuries! Klein doesn't give you just listings of establishments with notes on fare and prices...it's not a traveller's guide per se. Rather, Klein gives readers and inside and intimate look at the thirty bars that made the cut. You'll learn about the history of each one, and hear stories as if you were sitting barside, talking to the chatty barkeep.

Liquor has been dispensed at 279 Water St since 1794. The site on the waterfront is now the Bridge Café. The site has a history that is colorful to say the least. It was formerly the site of a bordello in the 1850's. When it was purchased in 1979 by the current owners, basement excavation turned up artifacts dating to not long after the revolutionary War period! Today, the café is romantic and elegant, perhaps haunted by a ghost or two, but much more quite than it was a couple of hundred years ago.

Chumley's is one of the more unique bars in the book...a former speakeasy, it has no name outside to identify itself, only the number "86" on the door...one of two doors with the same number, often leading to embarrassing mistakes. The bar had secret exits so its patrons could get out quickly during prohibition-era police raids. The bar was a popular spot among literary figures and the likes of Hemingway, Kerouac, Faulkner, Mailer, Steinbeck, and many others, all tipped a drink there.

The building that is now home to the Corner Bistro has been there since 1827. It's become a West Village establishment that has been frequented by the famous including James Baldwin, Bobby Timmons, Miles Davis. Al Pacino, and Robert De Niro.

In all, thirty bars are covered, from meeting places of the rich and powerful, to neighborhood hangouts, Jef Klein brings you all of their unique tales. Take this book with you on your next trip to New York and start your journey to all of these bars!

Reviewed by Tim Janson

I had already heard these stories about the usual suspects ("21". King Cole Bar. Fraunces Tavern. The Algonquin Hotel.)... I was looking for other bars that aren't in every other book about famous NYC bars. Basically there are no bars here that are less than 20 years old. Which is sad, because these are amazing too, and have not been done to death. Where is Red Rock West Saloon in Chelsea, which is an amazing and gorgeous place to photograph (with fire-breathing barmaids)? Flute (W. 54th St location) which at one time was owned by Texas Guinan and was a speakeasy? The Ava Lounge, an art deco masterpiece on top of the Dream Hotel?

Basically, this is a pretty good book if you want to read about bars you already know about, but it doesn't take any chances with the "new" generation of what, I think, are the real "Best Bars of New York" around.