California Books

I'm a Taiwanese myself. Even though the content of this book is not new to me, it still provides a fantastic read for me personally and I can imagine it'd be more fantastic for someone wishing to know more about Taiwan. Because Taiwan is so isolated in the international arena, books such as this one is highly recommended for the average person. The only aspect I did not like about this book is the first part of this book's title: "Is Taiwan Chinese?". I'd just like to inform readers that all the population in Asian countries (east, north and south east) all originated from China. So basically everyone is Chinese, so it doesn't just apply to Taiwan. It is like saying: Is Australia British? Nevertheless, a rather informative book for all.

"The "one China" policy officially supported by the People's Republic of China, the United States, and other countries asserts that there is only one China and Taiwan is a part of it." The Description of this book is Misleading.

United States acknowledged China's claim but do not agree with "Taiwan is a part of China". United states position is the resolution shall be peaceful.

At last, a book that covers an aspect of Taiwanese history and culture not often discussed until recent years: the Taiwanese people are a hybrid people. Many have some Plains Aborigine blood (traced on the maternal side). But, with cultural stigma, many Plains Aborigines and part Plains Aborigines forfeited their identity and were absorbed by "Han" identity. I've been waiting for a book in English to discuss this area and am glad Melissa Brown published this book.

If - like me - you are interested in the title's answer, Ms.Brown's is the book! Quoting some of her words: " Many events are completely unknown to us, many events are known only through extremely biased perspectives, and many events are so contradictorily reported that is difficult to reconstruct even a chronological sequence of what occurred". And - believe me! - Ms. Brown interviewed people - in Taiwan ( living there) and interviewed people - in China !!! We are talking about an Stanford University Professor. Congratulations and thanks to Amazon .

Simply put, there is no book like this about rap in Los Angeles. From KDAY to the Watts Prophets to Death Row, this book covers EVERYTHING you know about Hip Hop in LA, a story that is distinctly different from Hip Hop in New York. It features interviews with LA's biggest - Dre, Eazy, Cube, Ice-T, Cypress Hill, etc. - and leaves nothing out. This is a story that's rarely told, which is strange when one considers that LA rap was the force that mainstreamed Hip Hop. Hard to find, but a must have for any mainstream rap historian.

I have to give it up to Brian for the very honest and understanding picture that he paints of the early to middle development of the westcoast hip hop scene. Through his interviews and writings, hip-hop fans get a real sense of how rap music developed on the west coast and they hear the stories directly from the artists themselves. This book is priceless and a definite must have for all music fans. In fact, somebody stole my only copy so I need to buy another one. Cli-N-Tel

My bedroom in the Picture section LINK'S Room with the SP1200 from back in the days

West Coast Style LINK

Freestyle Fellowship's Mikah 9 is the preeminent freestyle rapper of all time. He is the John Coltrane of the modern era.

I have no idea why "Therese Thau Heyman" review of world war two posters is on John Lautner's book page. Also, one of your two reviews is listed as refering to an out-of-print edition, rather unusual since this single book just came out rather recently

John Lautner, who passed away in 1994, designed some of the most innovative and daring buildings of post-war America. For many, his work is among the greatest statements to the the California lifestyle of the 1950's and 60's--bold, shaking off the past and looking to the wide-open future. Lautner made use of cast concrete, steel and glass to create dynamic stuctures that few architects or clients dare conceive today. Think Lautner, think Jetsons. This book shows us his work with outstanding photographs from the 1940's through the 70's and is peppered with Lautner's comments on the various projects. Whether you're an architect or a fan of the space age, this is one book that you're sure to leave on the coffee table!

Lautner's designs defined post-war architecture; bold, shaking off the conventions of the past and looking towards the future. Think of George Jetson--Lautner would have designed his house. If you drove a car with fins and it looked like a rocket, you would certainly park it in the driveway of a Lautner designed home. His designs made use of the new materials that came out of World War II stainless steel, cast concrete and aluminum. He designed houses perched on the hilltops around Los Angeles, with wide expanses of glass and wild rooflines. His commercial designs included restaurants, schools and municipal buildings. Lautner's style is distinct--his structures stand out from the rest. Buy this book! It's a great retrospect of his work, loaded with fine photography and commentary. Put this one on your coffee table!

Any Lautner enthusiast will be captivated by this book. It covers more buildings than any of the others, and includes Lautner's own comment on each, making it an invaluable record of Real Architecture.

Most of the photos in this book appear to have been taken shortly after the buildings were completed (and some during construction), so it makes a great companion to "The Architecture of John Lautner," which has mostly rescent photographs. Together, the books give a facinating "the and now" contrast, and demonstrate the timeless quality of Lautner's work.

This brilliant, witty little book is simply the most penetrating essay ever written on the greatest novel of the 20th century, James Joyce's Ulysses. For some odd reason, no critic before Kenner (or since) ever paid much attention to the most salient feature of Ulysses: its stylistic variousness, from the limpid Edwardian tones of its opening chapters through the long internal monologues of Bloom and Molly to the countless genre parodies interlarded throughout. All other critics have been content to dismiss it as a mere humorous quirk by Joyce, unrelated to the main point of the novel. Kenner shows that, in fact, it goes to the very heart of the novel: it is how the modern artist reinvokes the muse.

Kenner's explanation of Joyce's choices is absolutely brilliant. And along the way we get an insightful short history of the objective style and its problems, as well as numerous witty, perceptive asides on sundry matters. This is how literary criticism ought to be written.

What a shame this great little book is out of print. If you're even slightly interested in modern literature, grab a used copy immediately.

I want so much to like Kenner and his fine, early and original work in Joycean scholarship. But I discover myself arguing with him to the point of violent blows. Perhaps this comes from his having something to say.

These chapters originally comprised a series of lectures delivered at the University of Kent at Canterbury in England as part of the TS Eliot Memorial Lectures in 1975. Like Eliot, who based the authority of his early commentary of Ulysses (Ulysses: Order and Myth) on the fact at the time no one in England nor the USA were permitted to purchase the work, Kenner makes several outrageous statements completely opposite the facts of the book at hand. For one thing, addressing a mob of BRitish academes, he plays court jester and appeals to their prejudice regarding the Irish, including their absolute ignorance of Irish literature, myth, history, etc., by stating the Irish, including Joyce, shared that ignorance. For the British the Irish have no history, nor literature, nor mythology, whereas, as later studies such as The Irish Ulysses have proven, Joyce based his novel almost exculsively upon its archetypes, the real reason Joyce removed the Homeric Chapter titles at the last moment, in order not to distract us, instead of the assumptions Kenner presents here.

This brief volume is interesting as a milestone in JOycean scholarship, but its conclusions and judgments must not be taken at face value, as with anything Joycean. It is essential to read the later criticism which refutes, defuses, confuses, complements and deines the statements offered by Kenner. Nevertheless, as noted in other reviews upon this page, Kenner writes in an engaging and a breezy manner, happily opening doors, even if those doors lead on to bricked up passages and cellars without stairs.

Thus, approach this slim collection with caution, and get the more recent commentary, such as Rejoycing, which directly addresses the Uncle Charles Principle which Kenner first presents here.

Worth a reading in an idle moment upon your heroic and indeed Homeric adventure with Ulysses, before engaging in the more serious hand to hand battle with more substantial and later work.

Buy this book cheaply, and read it at your leisure. Then write your own commentary as to how you perceive it so horribly wrong. Unfortunately Professor Kenner is not close at hand to argue with over a small Jamesons. If anything Joyce achieves at least one goal in providing such excuse for lively scholarly conversation as he forges the conscience of our race within the smithy of his soul.

I could not put this down, unlike much of Joyce commentary. I had to read it to the end; it is that engaging. Please see as well his more comprehensive A Colder Eye written nearly ten years later at greater leisure than this brief lecture series, yet with the same engaging brilliance and wit and valuable insights and information. In fact his Colder Eye is as enveloping, enchanting, informing and entertaining as Ulysses himself.

If you're a modern day graduate student (or worse, a professor), you know that modern scholars aren't allowed to write the way Kenner wrote. More's the pity, too: Joyce's Voices is one of the most illuminating short works of criticism, even by New Critics' standards, which for stylistic agility were remarkably high. As Kenner said, he was almost solely responsible for putting the university at which he worked on the map, and it was that level of nonchalant genius that permeates this work.

Viewed first through a comparison between "objective" or "empirical" treatments of experience by other authors, Kenner shows the ways that Joyce sought to illuminate observed experience through a new means: the lens of style for its own sake. Without resorting to the jargon or jingoism that so commonly pervades academia, Kenner reveals Joyce's talent for pursuing his muse through a panopoly of styles and stylistic gestures that leaves one more capable of understanding, and therefore appreciating, Ulysses than ever before.

Well-written essays, concise, and enlightening. Some of Kenner's points blew my mind--and I've been reading Joyce for 20 years (already). Definitely worth a shot.

Brian Ward is currently teaching "The Southern Civil Rights Movement" at the University of Florida. As a scholar his knowledge on the civil rights movement is exhaustive. Not only that, Ward knows his music. In Just My Soul responding Ward displays extensive knowledge of black music ranging from fifties R&B and Doo Wop to seventies Funk & Soul. Not surprisingly Ward has written several publications on the relation between mass media and the civil rights struggle.

"Just My Soul Responding" focuses on the relation between the struggle and Black music, and black popular music to be precise. Ward doesn't take Jazz into his analyses by stating that this was music for the intellectual crowd. Ward is more interested in the influence popular music had on the advance of the movement and what it meant for race relations.

The strength of this publication lies in the fact that it's not burdened by a drive to prove cultural imperialism. Some scholars on the subject of black music at times tend to get blinded in their effort to show how the white co operations tried to steal or destroy black music. Although Ward acknowledges such mechanisms, he paints a much more subtle picture. Ward shows us how black and white music influenced each other, that the lines weren't always as sharp as they seemed. Most tellingly is his analysis of Southern Soul, now often seen as the epiphany of black music. Ward dissect Southern Soul and shows how much of it is actually a multi-racial effort. A lot of the music was backed by integrated bands. White musicians brought Country into Soul and vice versa. Ward doesn't take the road of easy analyses but tries to pierce the way segregation worked, and how far it extended. Through the course of the book we get a picture of where the racial lines blurred and where the space of advancement lied.

Ward's publication is interesting reading for those interested in the civil rights movement but also for those just interested in the music as well. The book is littered with amusing anecdotes of Black music's most influential artist. Going though the book it becomes clear that for true appreciation of Black music knowledge of the civil rights movement is essential.

Dr. Ward's work adds much needed academic perspective on America's cultural history. This is not a book you can just breeze through, but the payoff is high. Dr. Ward writes with a true passion for the music as well as a subtle wit.

what i dig about this Book is it's honesty.Music along with Sports have brought people of all Races together but when it's over folks go back into their Enviroment.The Music Speaks of Being Free&that's How People Get into Music but not Viewing the person as a Human Being is very sad.this book points that out&more.it's cool to Emulate James Brown, but being him?the business has always been Unequal.the charts have Pop,R-N-B/Rap(now Lumped as one)then Country,etc.....this is a Must Read.I Understood it all&then some.

I found this book informative and readable; a thoroughly documented guide to black music in the 50s, 60s and 70s by someone who is evidently a fan yet who does not allow his passion for the music to lead him into simplification or wishful thinking. Some parts of the book are a very useful corrective to this tendency in other books I have read - for example his treatment of black consumption of white music. He is particularly interesting on the subject of the sexual politics of the music and its relation to the social and political background. An accessible and entertaining book which maintains scholastic rigour throughout and is never guilty of sloppiness or turgidity.

Jae-eui Lee, Kwangju Diary: Beyond Death, Beyond the Darkness of the Age (UCLA, 1999)

How much do you know about modern Korean history? Unless you studied it in school, probably not a great deal. Especially if you're younger than I am; I was alive and old enough to be politically aware during the Kwangju uprising. I don't remember hearing about it on the news at all. Not once. In other words, don't blame yourself for your ignorance. You live in America; your lazy, apathetic media will not educate you. You must do it yourself.

When you do, however, always remember to take everything with a grain of salt. It should be relatively obvious to the average reader of Kwangju Diary that you're not dealing with a fair, objective account of the uprising. (Asking such of the author--who was actually involved in the proceedings, unlike the disinterested-reporter news media--would be far too much.) But still, hearing anything about an event of this magnitude that went all but unreported during its time period (and has been followed up on only sketchily afterwards; the afterword is penned by a journalist who covered the incident, and notes that the New York Times, who gave the incident a great deal [relatively] of coverage as it was happening, has completely ignored follow-ups that strongly implicate the American government in the proceedings). Besides, even allowing for a bit of hyperbole and the emotional state of the author when writing, this is a devastating indictment of the Korean government's actions in Kwangju in May 1980 (and, by implication, an indictment of the American government in May 1980 who allowed it to happen--if only, as the afterword seems to imply, as a sin of omission).

In any case, for those unaware of the incident itself: Kwangju, a city in southwestern Korea, was under martial law, and the citizens didn't like it. It started with student rallies, peaceful demonstrations calling for the end of martial law; it escalated when paratroopers were called in to aid the police in quelling what the government considered riots. Who exactly committed the atrocities is uncertain (though Lee lays the blame for most, if not all, of them at the feet of the paratroopers, which is probably accurate), and the overall death toll is not clear, but it's reasonable to say hundreds of Korean civilians were killed, a number of those tortured beforehand. It's probably not too unreasonable to increase that to "thousands." At one point before the final crackdown, Lee tells of a committee overseeing the tallying of the dead, and the number two thousand is mentioned. The death toll itself, though, is not the true indicator of the depths of depravity here; Lee speaks of shallow graves, some unfilled when the military retreated before it had time to bury the bodies. He speaks of bodies left in basements and alleyways, of bodies too destroyed for there to be any identification (in one particularly ugly scene, Lee relates a story, later backed up by other witnesses, of paratroopers attacking a school bus full of activists, killing all but one high school girl).

All that said, Kwangju Diary is not just a list of atrocities; the other, and more important, part is the days of liberation between the day the rebel militia ousted the paratroopers, police, and government and the final paratrooper crackdown that brought the city to heel. Once again, one has to make allowances for the emotional state of the author at the time, which make the waxing poetic on the utopia brought on by communism (though anarchy, being post-state communism, would be a better description) somewhat excusable. The middle section of the book is a paean to the triumph of the risen oppressed over their oppressors, but in no way does it ever seem to veer off into fantasyland; there are still skirmishes at the borders, impromptu leaders who need to rise and figure out how to ration scarce items like auto fuel, and much planning to be done to try and keep the liberated city from falling back into the hands of a despotic government. There is infighting, there is intrigue, there may even be foreign spies. (Lee discounts the idea that North Korean infiltrators were in the city, but let's face it, government agents did infiltrate the city, and wouldn't the North Koreans have been likely to use civil unrest as a basis for infiltration? Whether the idea that North Korean infiltrators would have been a bad thing or not, from Lee's perspective, is a topic which will remain unaddressed in this review.) A spontaneously-generated communist state born of strife and revolution, Lee wants us to know, has its share of difficulties as well.

Perhaps even more important is Lee's quick, and seemingly unconscious, treatise on how media spin can make even the most sanguine outlook an entirely different beast. Lee repeatedly reports that the media, both Korean and international, refer to the spontaneous demonstrations and victorious uprising as the actions of a mob minority (one wonders how many people actually live in the city, given that the numbers of demonstrators on some days swelled as high as an estimated one hundred fifty thousand). He also stresses that, during the period of liberation, crime in Kwangju was at an all-time low, hardly an indication of mob mentality. Even allowing for the heat of the moment from some of the international journalists, referring to the citizens of Kwangju as a mob is a move calculated to bring the rest of the world's opinions on the citizens of Kwangju to the lowest state possible. Disinterested observers indeed.

This is important stuff. If you don't know about it, you should. *** ½

This detailed, almost moment-by-moment account of the Kwangju rebellion is a fascinating read. A student protest leads to a vicious government crackdown so extreme - using elite paratroop forces against simple protesters - that the people of the city give up their lives and eventually take up arms to take their city back. The introduction provides a capsule history of South Korea, and the afterward an account of the American government's cowardly behavior before, during and after the rebellion. It's a fast read but will leave a lasting impression.

This book leaves the reader forever changed. It tells the story of the Kwangju uprising--one of the most important events in the history of the struggle for freedom in the latter part of the 20th century. Beyond a history of Korea, this book and its story is of utmost importance to all human beings.

This is an important book for anyone interested in Korea, human rights, or political movements. An excellent introduction by Bruce Cumings establishes the context; an equally excellent afterward by Tim Shorrock addresses the incident from the viewpoint of US foreign policy. But it is the diary itself that is truly unforgettable.

This book is clear, well-written and very readable. For the first time, I understand the hope my parents must have had when they migrated to Los Angeles in 1957.

Recently, I was speaking to 20-somethings about my mom's yearning to attend high school since here Louisiana hometown did not have a school for her. Slack-jawed, they marveled that someone still alive would have experienced these acts that they thought were in the distant past.

This should be required reading for all Californians.

_L.A. City Limits_ documents the history of black migration to Southern California, starting from the 1920's. Blacks, fleeing racism in the South and other parts of the US, believed that California would be free of these problems.

Although free from the Jim Crow of the South (people could sit anywhere they wanted to on the bus, or be served in most stores without problems), the three big problems blacks ran into in Southern California were:

1. Employment discrimination. Blacks weren't hired, or if they were, were stuck in the most menial, undesirable jobs. White co-workers, and unions were often more of an obstacle to black employment than the companies themselves.

2. Housing discrimination. With few exceptions, blacks were only allowed to move into South Central LA and Watts. A variety of legal and illegal means were used to keep them out of other parts of Los Angeles, or the suburbs. Even nearby cities like Compton and Lynwood would not see that many blacks until later....

(Related to the above was transportation availability--as the suburbs developed, jobs moved there. People in Watts without a car were at a clear disadvantage, as the bus service was inadequate for reaching these suburbs)

3. in Los Angeles, unlike the South or Midwest, Mexicans competed with blacks for the lower level jobs. The level of discrimination they faced, as compared with that faced by blacks, varied (sometimes much less, sometimes a lot more). Throughout the time scale of the book, the author compares the Mexican experience with the African-American one.

The book provides good coverage of the 1920's and 30's, the war years, and all the way up through the 1965 Watts riots and their aftermath. It tends to lose steam, though, when describing events after the mid-70's.

This is a great book. A special book. Here's why:

Josh Sides has given Los Angeles the kind of racial history that Mike Davis brought to bear on our popular image of the city and the kind of countervailing narrative that Chester Himes might have appreciated. This book's detailed look at Los Angeles shows us how the city's racial texture has changed, but it is also concerned to challenge how lazy we have all become in habitually characterizing racial LA as a city that can be reduced to the Watts Riots, OJ, gang violence, and Rodney King. As Sides tells the story, Los Angeles presents with a genuinely American paradox. Its racial story is a narrative of strife and difficulty, but it is also one of success and hope that rivals any other city's in the United States.

This book is perfectly readable, and it leaves you wondering how we can all think more carefully about what is actually happening in America, beneath easy stereotypes and lazy, stock media representations of race.

Well researched, written, accessible, and informative.
Useful to anyone interested in LA history, African-American history, and urban studies. A good book for undergrads, too.

"Land in California" is an excellent primer for those looking to get a grasp on how California was settled. It offers a clear description of who the players were in the settling of the state and offers great leads for other fields of inquiry into state history. A "must-have" for any California history buff.

This is an engrossing, thoroughly researched book about California land grants and ranchos during the period 1769-1846. Lists all such grants for the entire state. A "must read" for anyone researching the history of California.

This was an excellent book full of information not often found in other books on the California Ranchos. The author actually includes a chapter on Indian land ownership that is hard to find anywhere else. Some of the smaller ranchos were left out, which is why I gave this a 4 star reading, but well worth your time.

When W. W. Robinson wrote this history of land titles in California he was employed by Title Insurance and Trust Company in Los Angeles. He was what was referred to as a Titleman, a person trained to research and interpret land ownership and land titles. As a fellow Titleman for over 40 years I have purchased at least 100 copies of this book, which I use as a training aid in the title insurance industry. It is easily the best introduction to the history of California land ownership and titles and the origins of such legal rights. As a history book, a training aid, or just as a pleasure to read, this narrative would be an excellent choice.

A GREAT illustrated discussion of the San Andreas fault [and allies] by a master storyteller and photographer. [Declaration: Michael is a former student]

The San Andreas Fault traverses much of California from the Mexican border to far in the north. Those who have never seen it sometimes picture this tectonic feature as a lurking menace ready to swallow whole towns at a second's whim. This highly accurate book dispels such misimpressions and passes along a good deal of valid scientific information in an interesting, understandable way.

The book shows in colored diagrams and easily read narrative how plate tectonics has worked to create this piece of California that is moving inexorably northwest. The writers clearly explain how and why earthquake-producing stresses build up in and along the fault. Brief, but spectacular, histories show what happens when these stresses are released.

The book is exceptional in that it discusses rather esoteric scientific concepts in a non-patronizing way. The text is neither dry, nor overly simplistic. Any person with a limited scientific background and a high school education can grasp the concepts being examined.

The photographs of such things as offset streams, scarps, trees with interrupted growth, and sag ponds are carefully selected, and beautifully crafted. These follow the text well, avoiding the liability of having to probe through the book to match the picture with the explanation. They will call you to come to California.

Two excellent features are discussion segments with geologists who work on solving the fault's mysteries, and a section on parklands in which San Andreas Fault features may be found.

I highly recommend this wonderful book to anyone planning a trip to California, anyone who has an interest in the Earth and its processes, and anyone who just likes a darn good read.

Michael Collier has beautifully written and photographed the geological history of the San Andreas Fault. In what COULD have been an extremely dry subject he has captured my imagination with the most gorgeous photos and his plain-speaking explanations of geology. It's literally a page turner, too, with the flip-page diagram, showing the movement of the tectonic plates. A beautiful book worthy of the coffee table and a wonderful addition to my reference library.

Nice book. Fast reading. Excellent pictures. This book really hits home for Californians. Decent explanation of how the earth is moving.

The novel opens with an introduction to Sgt. Randall Blackburn of the SFPD as he finishes his night shift rounds in the early morning hours of April 18, 1906. Before he can return to the station house, it strikes - the great earthquake . . . and then the fires. What follows is a description of the carnage so vivid that you'd swear the author had witnessed it himself.

Against the backdrop of the resulting chaos, operates a serial killer known as "The Surgeon." During a particularly gruesome murder of the Nightingale family, we are introduced to twelve-year-old Shane Nightingale, unseen witness of the torture and murder of his recently adopted mother and sisters.

After reading of an unrelated murder in the paper, Shane instinctively knows who the murderer is and sends a note to Sgt. Blackburn. Based on that note, Sgt. Blackburn is able to break down the suspect and get a confession. Impressed by Shane's insights, Sgt. Blackburn seeks him out and the heart of the novel unfolds - the bond that forms between the widower, Blackburn, and the orphan, Shane.

Once "The Surgeon" learns that there is a surviving Nightingale, he devotes his efforts to eliminating that "loose end," which leads to the novel's suspenseful conclusion.

My only complaint is that the "ride" is over too soon. I'm eagerly awaiting the second installment in January.

Just over 100 years ago--1906--the Great Earthquake nearly destroyed San Francisco. Amidst the destruction and carnage, the Nightingale family was murdered, although the police observation at the scene attributed the deaths to the earthquake. Hidden in the house undetected was Shane, an adopted son, who heard the perpetrator talking to his victims as he slew them. When the carnage was over, Shane--the last Nightingale of the title--left the house and took refuge at the Mission Dolores, where he was given a job caretaking the cemetery, and a shed in which to live.

A larger-than-life police sergeant, Randall Blackburn, makes Shane's acquaintance when the boy writes him a note suggesting a motive for the murder of a prominent citizen for which Blackburne was assigned the investigation. Impressed with Shane's intuitive abilities, the policeman befriends the boy and tries to get him to assist in capturing a serial killer. Other relationships among the main characters develop, to a rousing conclusion.

The descriptions of the havoc caused by the earthquake are graphic, and the characterizations excellent. Written at a fast pace, the novel grips the reader from cover to cover. The book is among the first issued under the new Mortalis imprint.

Less than two days after picking up the book I was done--would've been quicker, but sleep and work got in the way.

Of course I live 12 miles from San Francisco and loved the setting--made me want to learn more about this traumatic time in my local history.

If you don't mind a raw and gripping read, then Flacco delivers. However, he does owe me a couple hours sleep and may end up owing you the same.

Ron

Flacco takes a fresh approach to a crisis situation such as the 1906 San Francisco Earthquake.

How many of us have found ourselves suddenly bonded and dependent on people we otherwise may never have known or been close to?

The backdrop and story of the earthquake are known, but the finely honed look underneath the rubble is what makes this book so compelling.

Flacco does a great 360 on each charater, major and minor. What struck me as unusually sensitive and frustrating at the same time is Shane's, the adopted boy, terror and resultant inability to speak after a terrifying "witness" to his families slaughter.

I can guarantee a great read.