California Books

I picked up Cypress Point at a book store when I was on vacation and needed a book. I had never read Diane Chamberlain before.I was very happy to have chosen a book that kept my attention with every chapter.I look forward to reading more of her books.

I've loved Diane Chamberlain's work from the moment I discovered her and have bought and read all of her books. CYPRESS POINT is one of my favorites--a complex mix of mystery, romance, and family drama--the kind of book Ms. Chamberlain does so beautifully. The whole time I was reading it I kept thinking how much I wished I'd thought of this plot first, which is the highest compliment a writer can give to another writer. Diane Chamberlain is one of the very best voices in women's fiction today. HIGHLY RECOMMENDED.

This is a story of two women, Joelle and Carlynn, whose lives run parallel, yet are more intertwined than meets the eye. There are two separate stories. One traces Carlynn's life beginning in 1937 at the age of 7; the other begins with Joelle's birth in 1967. The two stories merge into one where deep rooted feelings and secrets are revealed between the two women and that of their loved ones. Diane Chamberlain is best known for underlying themes where things are not always what they seem. "Cypress Point" will not disappoint the reader in line with that theme.

When her best friend, Mara, had an anerysm (sp?) during the delivery of her son, Joelle D'Angelo was heartbroken. Not only for the little boy that would grow up without his mother, but for Mara's husband, Liam. Because she loved Mara like a sister, Joelle did all she could to ease Liam's heartbreak. She spent time with their son, Sam, and even helped find a home to put Mara in when it looked like she would not be recovering. There friendship took a drastic turn one night when they slept together. For Joelle, she was sleeping with the man she loved, while for Liam, all he saw was the betrayal of his wife.

Now Joelle is pregnant herself. Having had a hard time conceiving with her ex-husband, Joelle is estatic, even though she knows that Liam won't show her enthusiasm. Before she moves away, she wants to do one more thing for Liam and Mara. The woman tha saved her life when she was born was said to have worked miracles, and Joelle wants that miracle for the man she loves. Even if the woman he loves isn't her.

Chamberlain again delivers in this intensely emotional read. I was entralled by the story of Lisabeth and Carlynn as well as Joelle and Liam. It made my heartbreak to see what Liam was putting himself through by trying to remain faithful to a woman that simply didn't exisist anymore.

Don't miss it!

I first began reading Diane Chamberlain in 1992 with her book, Keeper of the Light. After that title I made it my business to find and read every book she wrote and then buy all of her new books almost as soon as they are published. For some reason I saved Cypress Point which I bought at a reading featuring the author in 2002. And while Keeper of the Light and the Keeper trilogy which include Kiss River and Her Mother's Shadow will remain my favorite book, I do think I saved one of the best for last since Cypress Point was a most wonderful read.

Cypress Point takes place in the beautiful area of Monterey, California surrounded by the cypress trees we all marvel at whether we live there or visit. And what better place than to tell the story of a medical healer and the young woman she saves at birth whose paths once again are about to cross.

Carlynne Shire knew she was a medical healer at an early age. And while she has always been treated special by her family her twin sister, Lisbeth, didn't possess the same gift and was virtually ignored by her mother. Growing up and treated differently, Carlynne becomes a gifted doctor while her sister only attends secretarial school. Both sisters find love although neither of them have quite as traditional marriages as one would think.

Then sometime later when Carlynn saves a young baby born on a commune, little does she know that in the future years later she would be asked to save this woman's best friend. Or how this birth at the commune would effect the life of her sister, herself or their husbands.

For Joelle reaching out to the woman who saved her years before may be both a blessing and a curse if she is able to help her. Joelle needs Carlyn to try and help heal her best friend who suffered a brain aneurysm while giving birth to a son. But if Mara regains her abilities and life, what will happen to the love Joelle feels for Mara's husband, Liam. How the medical healer and Joelle meet after more than 30 yearsprovides readers with a wonderful novel filled with romance and a bit of a mystery.

As the author Diane Chamberlain provides readers with in most of her books, this one really captivated me and I hated to see it end. I highly recommend this book as well as all of Diane's books. They are emotional stories with characters you will think about long after you finish her books. Now that I also read Diane's latest book, The Bay at Midnight, I will be anxiously waiting for her next book to arrive on the bookshelves.

Who among us hasn't struggled with the comnflicting strees of life - children, spouses, family, work - and tried to achieve a balance that will answer everyone's needs? For Dr. Renee Altman these all come crashing together when the center of her world, her daughjter Molly, is kidnapped. Det. Jessie Drake copnfronts her own individual conflicts as she races against time to find Molly and apprehend the kidnapper without endangering others who are objects of his hate.
Rochelle Krich draws her characters with such realism you feel like they are part of your life. She skillfully weaves the tension of the drama with character profiles in a way that draws you personally into the plot. As with all her books, this one is difficult to put down before the end. You'll be missing a wonderful treat if you don't read this and the other Jessie Drake books.

I really enjoyed reading this book, it was so good I almost finished it the same day I began reading it. I am looking forward to reading all future books that she writes. I am hopeful that her critics will put her up there with Faye Kellerman and others of her genre.

"Dead Air" is Krich's best novel since "Speak No Evil". Jesse Drake is back. She is an LAPD detective who has previously appeared in several Krich novels. This time, Jesse is investigating the kidnapping of Molly, the daughter of Dr. Renee (a radio psychologist), and the murder of Molly's nanny. Renee Altman and Jesse Drake used to be friends, but they drifted apart over the years. Now Jesse is once again involved with Renne as she delves into her friend's troubled life. Not only is Renee in torment over Molly's diappearance, but she is also upset about her separation from her husband, Barry, and the sinking ratings of her radio show. Jesse and her colleagues must find out who kidnapped Molly and where the child is being held. Could Barry, Renee's estranged husband, have had something to do with the child's disappearance? Or is the kidnapper someone with a grudge against Dr. Renee? Krich captures the atmosphere of "radio psychology" well, as Dr. Renee lambastes her callers with scathing advice and withering criticism. Dr. Renee is a thinly veiled Dr. Laura, whom the author mentions in the book several times. Krich explores the theme of how effective and therapeutic radio psychology can ever be. Do radio psychologists serve a beneficial purpose or is what they do shallow and harmful--"microwave psychology," as one character derisively labels it? Krich explores Renee's and Jesse's personal and professional problems nicely and the book is exciting and entertaining. "Dead Air" is a timely and engrossing mystery.

I waited for this new Jesse Drake book and was not dissappionted in it. It kept me spell bound to find out who had Molly .I enjoyed learning more about Jesse,but I was hoping her relationship with her ex would go in a different direction.I am really interested in how Jesse adds her jewishness to her life as a detective.If you enjoy Kellerman than you will love Krich and her characters as they keep you turning the pages for more.

This is one of the most enjoyable books I have devoured recently. I am not a reader who keeps trying to figure out "who done it" before the author reveals the ending. But I truly appreciate a finely crafted mystery with unexpected twists and turns. Krich juggles several potential culprets convincingly. Just when I thought the ending was in sight, she turned another corner in the story line.

After reading this I had to find another title by Krich to see if she was this good or if she just wrote a real "winner." Having read _Speak no Evil_, I can say, "She is a wonderful writer." I also devoured the second book by her. Now I intend to find as many of her titles as I can. I hope her publishers take notice of her "out of stock" and "out of print" titles and make them available as soon as possible.

She is an author to discover, if you haven't read anything by her yet.

This is the best California fishing book series available. There are also the Northern and Southern California editions. The best features of these books that makes them so valuble is the commentary and especially the pictures. So many times I have gone to a campsite or lake, only to be so disappointed to find a pond instead of a lake or a campsite with no scenic beauty. These books have pictures of each fishing site, so you have an excellent idea of what you are in for. There is nothing as disappointing as finding a site way below your expectations after driving for hours to get there. These books pretty much eliminate that scenario, especially since they also give you contact information so you can verify the fishing site is still intact, active and as you see it in the picture. Beautiful color pictures on EVERY page of the book. Outstanding.

This guy is a knows his stuff! Buy all his books, and follow his reviews.

Everyone I know that is an avid fisherman and outdoorsman loves this book as well as all the others written by Mr. Shaffer. Not only are the descriptions excellent, but the pictures give a clear indication of what you are going to see and experience at each locale. Without question, I would recommend this book to anyone I know and already have done so.

Even if you don't fish, this book will give you great advise on places to go for camping or family outings and how to get the most out of it. Directions to all sites included.

My dad is the kind of dad who has everything. I spent months and months looking for a Christmas present for him when i came across this book. He always talks about how he wishes he could go fishing more and this book was perfect for him because of all the different fishing spots it covers. It gave him ideas of all the different places to go that he has never been to before. I know he really liked the book, but i liked it too because of all the pictures.

This is the best California fishing book series available. There are also the Central and Northern California editions. The best features of these books that makes them so valuble is the commentary and especially the pictures. So many times I have gone to a campsite or lake, only to be so disappointed to find a pond instead of a lake or a campsite with no scenic beauty. These books have pictures of each fishing site, so you have an excellent idea of what you are in for. There is nothing as disappointing as finding a site way below your expectations after driving for hours to get there. These books pretty much eliminate that scenario, especially since they also give you contact information so you can verify the fishing site is still intact, active and as you see it in the picture. Beautiful color pictures on EVERY page of the book. Outstanding.

I have used this book so much I may need to buy a new copy! His reviews tell you everything.

Save yourself some time and buy two or three copies of this fishing guide. You are certain to want to share all of the great info with friends and it's likely that you will wear out your own!
This guy knows every place you could possibly find to fish in Southern California and tells you exactly what to expect at each place (saves disappointments without ruining pleasant surprises).
Great advice - great guide - GREAT gift!

I live near the Los Padres National Forrest. Reading first about the destinations I am personally familiar with, I can tell that Chris has personally fished and hiked these areas with regularity. This guy knows what he's talking about.

The book will primarily tell you where to go and what bait offerings to use. If you are not an experienced fishermen, its not a great primer on the basics of fishing. You'll need complimentary books for that.

This book is an absolute must for any Southern California hiker, backpacker or camper who incorporates fishing into the recreational package. It's stimulated some great new outdoor ideas for me. I can't wait to hit some of the new spots that Chris talks about.

(Chris, if you read this, how about adding GPS coordinates in your next book?)

I'm a fly fisher who has fished (both fly and conventional) many of the streams and lakes (as well as the ocean) in Southern California for the last twenty six years. I've looked at many guide and how to books only to put them down, realizing that what I'm holding was not "definitive." But Shaffer's book is definitive, and more importantly, it is very practical. All of the essential items are in each of his entries, and the information is very up-to-date. Also, there are phone numbers, maps, directions, and other important pieces of data.

I was talking to a friend of mine of some of the places I had fished and camped at as a child, but I couldn't remember the names of these specific places--only the locations. I very badly wanted to go back, but I couldn't find the information on the Internet. As I perused this book, I found the stream in this book. It was easy because it goes by region or area.

It also gives some tactics for dealing with certain streams and lakes. Once again, the information is very up-to-date and practical.

Overall, I was very satisfied with this book and would recommend it to anyone who wants to fish Southern California.

DESERT by Jack Dykinga is published by Harry Abrams, Inc., a company that publishes high quality art books and not, for example, vacation tour guide books. DESERT is 143 pages long, and contains 83 full-sized color reproductions. Dykinga uses a 4X5 camera, resulting in a higher quality image.

Many of the images are merely of flowers or of pretty scenes. Here, there is no attempt to produce a photograph of artistic merit. However, this slight shortcoming is overwhelmed by a number of novel and creative photographs.

For example, JOSHUA TREE AT DAWN AFTER SPRING SNOW discloses a dark cloudy sky, tinged with purple, a shadowy snow-covered desert, and a grove of snow-covered Joshua trees--all cloaked with pre-dawn shadows. It is difficult to tear one's eyes away from this photograph.

DAWN ON THE PANAMINT MOUNTAINS and CRYSTALLIZED SALT FORMATIONS are two photographs that continue with the artist's experiments (successful experiments) with pre-dawn photography of the white desert. Here, the whiteness is not from snow, but from white salt.

Jack Dykinga has also focused his attention on cracked lakebeds (dried mud). CRACKED CLAY AND THE MESQUITE FLAT reveals a fascinating heart shape in a patio-like area of cracked sand. The cracked mud area abuts a region of desert that is soft sand.

Another fine shot, MESQUITE FLAT SAND DUNES AT SUNRISE, features a patio-like area of cracked sand, each pentangle of cracked mud is covered with warty clumps of earth. An open area in the middle of the cracked mud patio contains an open area in the shape of a diamond. At the center of the diamond-shaped open area is a small growing bush. The diamond-shaped area with the little round bush resembles an eye.

RACETRACK AT SUNRISE and RACETRACK AT SUNSET are fascinating images--the most unusual in this book. Each shows millions of tiny pentangles of cracked mud, stretching off into the distance. In the foreground are a couple of flattened areas resembling thick ruler-lines. The flattened areas were produced by small boulders, somehow propelled over the mud by the wind. At one end of each ruler-line one finds a boulder.

Again, if one is able to tolerate the abundance of conventional "pretty" scenes of flowers and sunsets, one should purchase this book, if only to view the seven great photographs discussed in this review.

Mr.Dykinga's skill as an artist is further demonstrated by his book, STONE CANYONS OF THE COLORADO PLATEAU, also published by Harry Abrams, Inc. STONE CANYONS is especially distinguished by its focus on a park called, Vermilion Cliffs (Paria Canyon, The Wave, Coyote Buttes), a park that is rarely the subject of published photographs. STONE CANYONS also uses the style of depicting scenes just before sunset (or just after sunrise), when all but a thin line of the horizon is steeped in shadow. Stand aside, David Muench, here comes Jack Dykinga.

There is a knock at my door and here is the UPS man delivering my order from Amazon.com. Among the books: Desert, The Mojave and Death Valley Photographs by Jack Dykinga, text by Janice Emily Bowers. I barely had time to read more than a page or two of the text before it made me want to go straight to the photos to see the place she was clearly, and intelligently writing about. And I was not disappointed: It was overwhelmed with joy of at being able to share the keeness of Mr. Dykinga's fine and perceptive photographic vision of that place. This is a more subtle body of work than the previous books based around his photographs.

The Sonoran Desert had a similar effect on me years ago and expanded my sense of what ilandscape photography could be. Stone Canyons did not have as great of affect on me as the first book

More than anything else, the images in this book remind me why the large format camera is such a tremendous aid to seeing something more clearly and perceptively than you can with the naked eye. even more so than a 35mm or medium format or easily portable digital gear can. Some of the photos even have a sense of humor to them and when did you last see that in a photograph of a natural landscape? The reproduction of the images appears to be first rate and the design and typography of the book match its contents in quality.

In short there are wonderful things to be found in this book.

This book just shows how spectacular a desert can look with the magnificent photos around the Mojave desert and Death valley of emptiness, stark flowers and blooms and just superb landscapes. It'll give you some inspiration to find something to look for even in a desert.

I know I will as I will be going to Ayer's Rock (Uluru) in Australia in a few months and it's also a big desert!

This book is a beauty, some of the most beautiful photographs I have ever seen.

I spent the first week of September in southern California this year, and on Sunday before Labor Day I drove from Los Angeles up to Death Valley. I hadn't been there since I was a child and I have to say although it is a desolate and lonely place (and 114 degrees at Furnace Creek the day I was there) it is also one of the most beautiful places I have ever seen. The sand dunes at Mesquite Flat alone are worth the trip.

Everyone should see it, but if you can't buy the book. My copy came shrinkwrapped in plastic which I really like, the last thing you want is to buy a nice book like this in a bookstore where someone has spilled coffee on the pages.

As I went through this book, I kept asking myself, am I looking at the dessert or am I looking at the landscape photographs of Jack Dykinga? I've been to the Mojave and to Death Valley and I don't remember them looking so beautiful.

Dykinga's style reminded me of the work of Eliot Porter, with modern film stock. Most of his pictures have the same subtle quality, created by the use of analogous colors, that is, colors near each other on the color wheel, and varying only by tint or small changes in hue. A Dykinga picture almost always has one dominant hue like brown or tan or blue, and the hue rarely feels intense, even if it's a field of California Poppies.

It's obvious that Dykinga's work utilizes a large format camera. Everything is in sharp focus from foreground to distant mountains, thanks to small apertures and the ability to twist the light through his camera. This means that the picture is not going to immediately draw your attention to one aspect of the scene by controlled focus. More likely, the viewer will have to work his way through the picture, discovering things along the way.

The layout of the book seems to be well considered. Quite often two plates with similar subject matter will face each other and there is a synergistic effect from the comparison. For example, I delighted in examining two facing pictures of desert sunflowers. In both cases the yellow orange flowers have a hilly background, but one group of flowers is pushing up through dried-out, cracked clay, while in the other picture the flowers are growing from a small body of water collected for a brief time from rainfall. The mud and the water are both magenta in color but the textures are completely different. The thoughts that arose from the juxtaposition were not only about the variety of the desert but also about the nature of color and vision.

I suppose one reason that I never saw the dessert the photographer portrays is because most of the pictures were taken at the golden hours of sunrise and sunset. To have been that many places in the desert at just those times would have taken me months and months. At the very least, I can be a philistine and thank Dykinga for saving me a lot of time.

As to the text in the book, my feeling is that it probably has to be included for marketing purposes. Janice Bowers' essays seemed poetic and show that she loves the desert, but like most such commentaries, they do little to illuminate the photographer's work. I suppose the essays are worth reading once. The pictures on the other hand can bear many, many viewings and add something to the sense of the place each time.

I finally concluded that I was looking at the desert through Jack Dykinga's eyes when I viewed this book. I resolved to return to the actual desert again and see if I could continue to see it through his eyes.

Weber is great, so is this book. You can find the most origins of modern thoughts in his book

It seems that many people comment this book with the difficulty to read and the bad organization. However, I want to suggest that after read Schluchter's 'The Rise of Western Rationalism', you will know more about why Weber's writings are in this style. Simply speaking, it links to Weber's view of History, and if he want to elaborate the history in a approiate way, not a simple linear evolutionary way, he had to demonstrate the whole picture--or in Schluchter's word, 'basic configuration'--of history. History, in this case the rise of Rationalism, is not compose solely by few influential events, but also related to the others. Those 'significant historical events' are only the consequence of the competition between ideas and historical events, therefore, Weber wanted to explain why the configuration favour the rise of western rationalism, so he must concern all elements constitute the history. That is, Weber showed us the conditions and the process of competition within or among the many spheres, I think that is why Weber had to use this seems fragmented writing style.

I'm a little confused. I purchased this book because of it's comprehensiveness (1400+ pages of work by Weber), but when the book arrived, it was only about 700 pages long. Am I missing something here? If I paid $20 for a used 1400 page copy and receive a 700 page book, should I only be charged $10? Strange.

This is an uncommly brilliant work in social theory and sociology. Moreover, economic sociology was founded through "Economy and Society", especially its second chapter ("Sociological Categories of Economic Action") which is the size of a small book (approx. 200 pages).
The general theoretical approach of Weber can be characterized as one of "interpretive economic sociology", that is, as a type of economic sociology in which the concept of "meaning" is at the very center of the explanatory exercise.
Social action (to follow Ch. 1) is defined as a type of behavior to which meaning is attached ("action"), and which is oriented to the behavior of others ("social"). Economic sociology consequently deals with "economic social action".
"Economy and Society" was part of a larger work entitled "Handbook of Social Economics", which included volumess on "Economy and Nature", "Economy and Technology" - and "Economy and Society". In his work Weber explores such topics as "economy and law", "economy and religion", "economy and politics", and much more.
The work "Economy and Society", finally, is a bric-a-brac. Weber himself only sent 4 chs to the printer (=Chs 1-4). The rest of the 2 volumes consists of manuscripts that his wife and economist Melchior Palyi put together, pretty much as they saw fit. Caution is consequently necessary when reading "Economy and Society"; and this work should not be treated as "a book" by Weber.

I expect this comment is going to be useful, if at all, only to first year graduate students, so it'll be understandable if it's not rated very highly.... Anyway, just a quick note on Mr. Jack White's comment of April 11, 2000. One thing that Max Weber's Economy and Society is NOT, is a foundational text for structural-functionalism. That honor would probably go to Emile Durkheim's The Division of Labor in Society-- to be followed oh-so many years later by seminal works of Americans Talcott Parsons and Robert K. Merton. I'm not sure what Mr. White was thinking, but I'm pretty sure it wasn't about classical sociological theory.

Once again Samantha Dunn takes me to another place. She makes me laugh with her candid clumsiness and her determination to never fail. This is a woman that would be a wonderful best friend. OPRAH you should be reading Samantha Dunn!!!!!

When I read Sam Dunn's fabulous book, I felt exhiliarated -- not only was the writing so exciting, but she made me feel as if I, too, could be sexy, wild, a salsa dancer, maybe (despite being the much-harried mother of three children). Her writing is both vulnerable and wise, poignant and clear-headed -- I read the memoir in one sitting and then went to buy her other books.

I enjoyed this book. Her depiction of the evolution that a person undergoes when they commit themselves to learning how to dance salsa well was very accurate. I also loved how she accurately depicted the mentality of salseros on the salsa scene. It was dead on!

I loved this book so much - it's well written, insightful, and fun. I read the whole memoir in one sitting - I simply could not put it down! It's rich in metaphor and meaning: a must read!

I bought Faith in Carlos Gomez because it was selected by my book club for March, but I've already plowed through it and just ordered the author's other two books! For some reason, I was expecting a book about the life of a dancer, but the salsa world is merely a colorful backdrop for this heartfelt, lyrical, wildly funny book about one woman's search for love, identity and understanding. You will love this book if you've ever searched for love in all the wrong faces, lusted after a gorgeous stranger, found understanding in unforeseen places. SPOILER ALERT!!! There is an unexpected chapter about love and loss that will leave you in a puddle on the floor. I loved it!!

Great overview of the valley history and key players who influenced the culture and its success. Ashley's recommendations on restaurants are eclectic and fun as well.

Highly recommended. I bought some for gifts as well.

Larry Laurich, CEO DRC Computer Corp

This book delivers as advertised. A great summary of Silicon Valley. If you've just arrived in the valley it is indispensable. Pick up this book and spend your time learning, visiting and eating through the locales mentioned. (They should hand this out to incoming students at Stanford, and at the immigration line at SFO.)

Minor quibble, the book suffers from "young journalist syndrome," where its history, anecdotes and insights are a synthesis of the bibliography in the back. However, kudos to the author for reading more valley history than 99% of other writers. He is headed for greatness when he finds his own voice.

I've been involved with the tech business for 15 years and know my way around the places and companies in the valley. I found this book hugely entertaining and informative. At first look, it seems more like a travel book or specialized city guide than anything else - which is fine and a worthy accomplishment. However, there's a whole lot more....Ashlee lays out the history of the valley and the reasons why it has developed into the technical center of the world. Along the way, he provides easy to understand explanations of the technology and how each invention and advance launched new ventures or opened new markets. Finally, he delves into the personalities of both the key individuals and companies, which, for me at least, ties everything together and makes it a much more interesting and enjoyable read. Highly recommended....

Like technology? Like history? Like good writing? OK. This is your book. A little bit travel guide, a little bit history and a lot of fun, Ashlee Vance brings his truly unique and refreshing writing style in a book that is required reading for anyone involved in the technology industry.

I suspect they will be using this as a text book for some course or another at Stanford, and then Ashlee will become a full professor and his head will get really big and, well, that will be that. But read it anyway.

This is a great little book. Part historical overview, part travel guide, it's written in the breezy, easy-going style of Vance's columns in The Register, the best of the online IT rags (except that the book has been carefully proofread, unlike a typical Register story). In less than 250 pages Vance has covered almost all of the important historic events and personalities behind Silicon Valley, and provided a great set of tips of places for visiting, dining and drinking. There's even a good list of books and web sites for further reading.

I've lived in the Valley for nearly 15 years, and yet learned a fair amount from this book, including several places to visit that were new to me. There were only a few curious omissions: e.g., Halted gets a mention, but Fry's does not; neither does Buck's in Woodside; and surely Frank Drake should be mentioned in the section on the SETI Institute? - but otherwise the text is remarkably accurate, despite having condensed many complex histories, each worthy of a book in its own right, into paragraphs or pages. Vance clearly did his homework. My only historical quibble is with his description of the demise of SGI. I thought it was mainly done in by cheap graphics chips from Nvidia and the like; Itanic was just the icing on the cake.

The book mentions his web site and claims additional information can be found there, but so far there isn't anything new. Hopefully that will change over time. Another concern is that quite a bit of the information in the book will date fast; I hope Vance and his publisher refreshes the text (or the website, or both) regularly.

If you live in the Valley, visit the Valley, or you just want to know what the heck the place is about, this book is for you. And if you're a geek too, it's a must-read.

I checked this book out of the library, and enjoyed it so much that I'm buying my own copy. Great pictures and really great stories. The mostly one-sided feud between Bette Davis and Joan Crawford is a great example. I love Bette Davis as an actor, her sharp mind and acid tongue, but, oh, what she was like to work with!

This book is not only beautiful to look at, it is so beautifully written! The text gives great insights into the genres of classic horror films and fills them with little-known details of how the films were made. Vieira understands that films are made by people and he explores the personalities behind some of the most indelible cinematic creations ever. For any fan of horror films, this is a must own, must read!

I read everything published on the horror movie genre, and a lot of it is repetitive (there is almost nothing new to be unearthed after so many decades), but Mark Vieira has written anecdotes and observations that are fresh and lively. With a slightly wicked delight in gossipy tales of professional jealousy and schadenfreud, he has also gotten access to the clearest most beautiful pictures I've seen on the subject. His interest and knowledge of photography is outstanding. Where did he get the juicy tidbits of personal knowledge he relates about the great figures of genre filmmaking?

It is one of the most familiar faces from Hollywood: huge, boxy forehead, heavy lidded eyes, railroad-track surgical scars, and bolt through the neck. Frankenstein (or more properly, Frankenstein's monster), in a gorgeous, detailed black and white photo (which for all the fussing over its production would have been called a glamour shot if the subject were someone else) stares from the cover of _Hollywood Horror: From Gothic to Cosmic_ (Harry N. Abrams) by Mark A. Vieira. In his Acknowledgements section, Vieira thanks his dad for letting him watch horror movies "on the Early Show, the Late, Late Show, and everything between." He also thanks him for making trips so he could buy _Famous Monsters_ magazines. One cannot doubt that he has a lifelong enthusiasm for his subject, and the format of his book makes this clear. It has large, glossy pages filled with black and white images of celluloid nightmares, and most of them are by the studio photographers (some of them famous, like Ernest Bachrach) who were responsible for the stills that would sell the film to the public. Although for many the pictures will be the show, Vieira's intelligent text and cataloguing of the films is worth reading on its own.

Vieira has chronologically divided the genre into the Gothic, Psychic, Atomic, and Cosmic. Boris Karloff's career stretches over them all, starting from his Frankenstein role, for which his costume weighed all of 48 pounds. Dracula and Frankenstein made lots of money, with violence and the sexuality (both of which seem wonderfully understated in our times) before the Production Code came out drew the "grandstanding censure of women's clubs, clergymen, and politicians." The Psychic section of the book is largely given to the films of Val Lewton, who refused to go along with any previous horror formula. Cutting in mere suggestions of horror into a love story about normal people was just what budget-conscious RKO went for. The Atomic years were a reaction to the atmosphere of the Cold War, and routine horror films "began to portray science as a tool more evil than Dr. Frankenstein had ever anticipated." The first of many films to show how nuclear devices could bring forth monsters was 1953's _The Beast from 20,000 Fathoms_, with a custom-designed dinosaur awakened by an atomic test. Vieira ends with the Cosmic films, paying most attention to a movie monster that is among the most realistic ever, and which has caused more serious analysis than even Frankenstein's monster: HAL the computer from _2001_. The years tick by and we have yet to make a machine nearly as smart (or fortunately, as diabolical) as HAL.

The final portion of the book also includes films that are quite dissimilar from the monster movies covered in other pages. In a book like this, one will always think of films that ought to have been included or excluded, but Vieira is calling the shots. He has included _Psycho_, which is not really a monster film but has plenty of terror. For real scares, read about how Alfred Hitchcock treated Tippi Hedren during the shooting of the filming of the climactic sequence of _The Birds_, or how Frank Sinatra treated Mia Farrow while she was making _Rosemary's Baby_. Also here are _Whatever Happened to Baby Jane?_ and _Hush... Hush, Sweet Charlotte_, in which the real monsters are the actresses Bette Davis and Joan Crawford, aging grandes dames of cinema, who were at each other's throats onstage and off. There are some eccentric choices here, but Vieira's book is a fine-looking survey of a genre of films that, like so many of their monsters depicted, just does not die, and if it does, it comes back with surprising transformations.

The horror movie has evolved from its origins in German Expressionism to our current day of graphic gore.Mr.Vieira is both entertaining and informative as he guides us along this shadowy path.We are offered behind-the-scenes anecdotes of the actors,directors,writers,producers and even the composers of some of the film scores.Quite fittingly we are given a glimpse of Universal's make-up wizard Jack Pierce.His painstaking creations persist more than sixty years later(even though we are told they did not look good in color).
All of the major as well as the lesser known works are covered.They are arbitrarily grouped under the titles of"The Gothic","The Psychic","The Atomic",and "The Cosmic".These unifying headings help the author to correlate relevant social and historical events with metaphorical images(eg 1950's Aliens as Cold War invaders).The section devoted to Val Lewton was especially enjoyable.I was able to better appreciate these artfully done low budget horror movies when viewing the recently released DVD collection.
I would highly recommend this book to the enthusiast and to the casual fan.Mr.Vieira obviously has a passion for this genre and it is infectious.An added bonus is the sumptuous black and white photographs many of which are rare studio stills.This is a book I was sorry to finish but I know I will be referring to it often in the future.

"~I would largely reiterate what the other reviewers have said: this book is the single most comprehensive reference for a partial or ground-up rebuild of your Z. I would have only a couple of negative things to say about it:"~ you are told to adjust the flange angle on the Johnson Rod strut, it can leave you scratching your head...

perhaps the last chapter should include a trailer shopping guide for the shear fact it would be sickening to restore a Z this much and then abuse it again by driving it. this book is worshiped more than likely by people who like trailer queens, and the author needs a hair cut.(buttttt) i did enjoy seeing someone else doing the work for once. and i would recommend the book to others for its various useful tips.

This book gave an excellent overview of how to restore your z car and a lot of interesting bacground stuff. But was technically weak. I still found myself going to the repair manuals for many things.

I saw this book long before I bought it, and after buying it, I was very sorry I took so long to get it! It covers most every aspect of the full restoration of this beloved car. From the frame-up or a little at a time. This book has the info you need, and more. The info inside can not be purchased, borrowed, or stolen for a better price! Alone, this book is not enough, but it's a great way to get the spark ignited. (No single book could possibly have everything, I know, I have bought almost all of 'em.)

This book is great, it takes you through almost all of the steps that you need to completely restore your car, but on a lot of things it merely mentions them and doesn't really tell you a lot about what your supposed to do. What I did was I bought this book and a haynes automotive repair manual(or Chilton's) and I used that for the more technical stuff. This book has 20-30 pages of exploded views of various areas on the cars and also has a list of retailers that sell parts and/or services for the z series. If your trying to restore your car get this book.