California Books

Great Book if you are wanting to get into the acting biz and have no clue where to start...read once then read 5 more times very useful info!

Wow, this is probably the most informative book about acting that I have ever read. Yes, I know commenting on a book before I finish reading it probably isn't the wisest thing.
I am at the acting tests, which I still have to do. But I did make dates with courage and determination! I am excited to ask my neighbor for a pair of socks.
I didn't think I would have what it takes to be an actor, but this book offers encouragement and ways to get you ready to be an actor.

READ IT!!!

Well, I guess you're not really supposed to write a review on a book until you've finished it, but this book is great. I got it two days ago and I'm almost finished reading it. I almost can't put it down, and i'm not a huge reading fan. I've read other books and none of them seemed to catch my attention or explain a process as well as pete does in this book. I would recommend it to anyone considering the acting career, not only does it help you decide wether you have the courage to act or not, it also gives you a step by step process to help keep you on track. I believe that this can help any actor, and is essential to the beginner.

I read some of the other reviews and wondered what these guys were thinking if they're skeptical at all. Even though this is the only acting book I've read, I can't imagine that there could be anything more helpful. Talk about to the point. It seems pretty clear after reading this, that I can do this if I just follow these steps. I like that the writer doesn't use any false promises. At the same time though, he really nails it witht the whole step by steep thing. He made me think of things I never realized before like exactly how you get that first role that leads to other roles. This book is gold in my opinion. I'm just starting out and trying to get my feet wet. If you're that way, I think you'll enjoy this too. I read through the my highlights every day.

I have dreamed of becoming an actor all my life, but i wasn't sure how to go about starting a career other than school plays. When I got this book I began reading it right away...and I did not put it down until the last page. This book is a goldmine for anyone who wants to get into the acting industry. Peter's advice and his steps are realistic and after reading it I was inspired to really go for it. now I ask myself everyday..."What have you done today to advance your acting career?"

Great book, easy to read. CD is a little over the top and bizarre though.

In Amy Gorman's Aging Artfully, Dr. Gene Cohen, who has conducted long-term research on creativity and the elderly, is quoted as stating "that seniors who participate in arts activities enjoy better health, visit doctors less frequently and use less medicine, to name a few of the benefits." If Gorman's interviews of twelve visual and performing women artists aged 85-105 is any indication, we certainly have to concur with Dr. Cohen's findings.

Gorman was very intrigued with the connection between longevity and the impact of creative activities on the over-85 age population. As a result of her curiosity, she interviewed twelve women in the San Francisco Bay area who were between the ages of 85 and 105. Moreover, together with the collaboration of her friend and colleague, Frances Kandl, Gorman transcribed these interviews and published them in Aging Artfully, while Kandl wrote seven songs about some of the interviewees. The songs were recorded and appear on a CD that accompanies the book.

The 12 women, who candidly share their life their experiences with Gorman, are all connected in one way or another to the world of art and all were quite capable of recounting poignant and careful examinations of their lives.

This does make for some very fascinating reading as we are introduced to Lily Hearst, a 107- year old pianist, Frances Dunham Catlett, a 97-year old painter, Ann Davlin, a 95 year dancer, Mary Beth Washington, an 85-year old storyteller, Dorothy Takahashi Toy, an 88-year old dancer, Faith Craig Petric, a 90-year old folk singer,Rosa Maria Morales Escobar, an 82-year old singer and folklorico dancer, Grace Gildersleeve, a 94-year old rug braider, Elsie Ogata, a 90-year old Ikebana artist, Stella Toogood Cope, a 90-year old storyteller, Madeline Mason, a 104-year old doll marker and sculptor, and Isabel Ferguson, an 89-year old actor, illustrator, painter and assemblage artist. You probably won't find most of these women listed in the various Internet search engines, however, what they have to share is quite an eye-opener.

Although, all of these feisty women are unique, exhibiting strong characters, there are some surprising standouts such as Dorothy Takahashi Toy, who had a lifetime of dancing, choreographing and producing shows, and had barely slowed down at the age of 88 when interviewed by Gorman. Imagine a 107-year old, Lily Hearst, who died in 2005, and who was still practising daily on her cherished Schiedmayer grand piano. When Gorman met African American Madeline Mason, who at the time was over a hundred, she greeted her with a cheerful smile and laughingly told her she would be 102 on April 20th, the same birthday as Hitler, and he didn't like or Jews."

Gorman's interview technique is clever and masterful, turning what might easily have wound up as tedious and monotonous conversations into an informative look at the benefits of art that has kept these individuals alive and kicking in their ninth decade and beyond. Her transcriptions of the interviews are plainspoken and direct with a minimum of flourish, an approach that permits her readers to understand why art was so much part of them or as Gorman states: "Their art is now so deeply ingrained in their beings that they cannot separate it from themselves. The art and the person have merged."

In addition, the interviewees do not shy away from discussing the difficult realities that they may have endured during their lifetime. In fact, they even confront their past sufferings without resorting to complaining or dwelling on unpleasant experiences. In the end the interviews together with the several black and white photos that are thrown in felt like I was having a pleasant rendezvous with elderly neighbours while enjoying a good laugh or maybe shedding a tear or two. And after putting the book to rest, I shook my head in amazement with a new perspective on growing old.

Norm Goldman, Editor Bookpleasures

It's so nice to find inspirational women role models for creative aging. As a former actress and singer, I have promised myself that I would some day go back to my earlier career in the theater. If I had any doubts that it was too late to do that, this book has put those doubts to rest! Pamela D. Blair, Author The Next Fifty Years: A Guide for Women at Mid-Life And Beyond

"Aging Artfully" is Amy Gorman's inspiring and touching rejoinder to the pervasive idea that age is some sort of wasteland. Gorman--who "woke up one morning, age was on my mind," interviews 12 women who by any measure are very old--85-105--and yet are deeply engaged in the visual and performing arts. She finds that the arts have become so much a part of these old women that "the art and the person have merged," that in the face of declining strength, it is their art, in fact, that keeps them going. In an unusual touch, Gorman's heartfelt profiles are complemented with music, songs composed by her colleague Frances Kandl, whose CD is included with the book. Kandl composed these special songs in response to the spirit of seven of the 12 women; they are performed by--the Crones' Kwartet! Some of the women have always been involved in the arts, others discovered them late in life, and as each tells us her story, we see how the lives of all of them are enriched thereby. These women have a lot to tell us -- it's up to us to hear them.

"Slow down," one of my children may tell me; sometimes, I even say it to myself.

Forget it!

The great message of this book is "Keep going--full tilt."

Consider Dorothy Toy, 88, with a dance class full of high school girls, or Lily Hearst at the piano practicing her scales before she tackled Chopin, all this before her students arrive. Lily didn't like teaching youngsters--she insisted that they be at least 70. It makes sense, since when Lily taught her students, she was 105 herself. Dorothy and Lily are but two of the inspiring women whose stories enliven the pages of this fascinating book.

Author Amy Gorman, along with her colleague, Frances Kandl, became intrigued with women artists who continued to pursue their art into their later years. Amy was so intrigued, that in 2006 she interviewed twelve of them, all but one 85 or older, who lived in or near Berkeley, California. The interviews and these women became this book, which is itself an inspiration.

The women followed many muses: Lily, music; Dorothy, dance; the well-named Stella Toogood Cope told stories, as did Orunamanu (Mary Beth Washington). There are painters, singers, a doll maker, a rug braider and an Ikebana artist as well. Despite the differences in craft and life story among the women, the author noted many similarities: they accepted the limitations of age without complaint and they "continued to do their art no matter what."

As my own clock ticks along (whose does not?), I find inspiration in each story. These women can serve as models for all of us. It would be a fine book to share with older women's groups, not only to encourage the participants but also to serve as a catalyst for the sharing of their own stories. This book also deserves a place in the larger field of women's history, for while each woman was living her later years in California, their stories spanned three centuries and several continents. Lily began her life in Austria, where with her sister, she pioneered skiing for women--and wore pants to do it! Stella began her storytelling career on the radio in England, while Madeline, the doll maker, was a pioneering African-American nurse in New York. Dancer Rosa Maria traces her family back to the Tarahumara Indians of Mexico, and dancer Dorothy, American born with Japanese heritage, spent the Second World War in her parents' homeland. Such diversity, such a wealth of personal creativity. If these women are all in Berkeley, I wonder about the women around me!

A bonus comes with this book. Frances Kandl composed seven songs about the women interviewed here. She performed them as a salute to the women; a compact disc is included with the book.

This is a book to appreciate and share.

by Patricia Nordyke Pando
for Story Circle Book Reviews
www.storycirclebookreviews

I received this book as a gift. What a treasure it has become - great recipes for all seasons, an excellent layout, beautiful illustrations, and simple instructions. It is now the first cookbook I go to!

Absolutely a phenomenonal cookbook! Just purchased on vacation in Cape May, New Jersey at Love the Cook. Gorgeous pictures, wonderful recipes......California at it's best! A real winner...a real find.

I originally received this cookbook as a gift. I was so delighted with it, I subsequently ordered four additional copies to give as gifts. The recipients are still thanking me! First, the recipes are creative and delicious -- fully enhancing the flavors of bountiful, diverse, fresh ingredients found in the San Francisco Bay Area and Wine Country. (It's hard NOT to eat well in this region!) Second, the cookbook itself is uncommonly successful in evoking this spectacular setting with gorgeous photos, sidebars of interesting sidetrips, local restaurants and wineries, and mind-boggling facts regarding the abundance of local agriculture. Food preparation tips, background information on local food and wine festivals/events, and delicacies such as Meyer Lemons are also highlighted. While it's fun to simply browse through this beautiful cookbook, it's even better to sample the Junior League's trade-mark "home cooking with flair." Full menus are offered here. My personal favorites are the Baja Guacamole, Savory Polenta w/Asiago Cheese, Garlic-Roasted Chicken, Pork Tenderloin w/Apricot Ginger Sauce, and Cherries & Berries Compote w/Crispy Puffed Pancake. The Chocolate Caramel Shortbread Bars are worth the price of admission all by themselves! I'm not surprised this cookbook is winning national rave reviews and awards. They are very well deserved! It is so beautifully rendered, it puts most commercially-produced cookbooks to shame.

Received this cookbook as a gift and have since given it as a wedding gift... this is my favorite cookbook hands down... has a great layout with nice pictures... recipes are organized seasonally with focus on fresh local food... recipes have interesting combinations of flavors and spices... everything I've made has turned out to be something I'd make again as a staple meal for entertaining or just for the family.

I received this cookbook as a gift. I must admit, at first I found it so nice to look at that it sat on my coffee table on display. Recently, however, I hosted a baby shower and prepared several dishes which were simple yet elegant. Everyone was so impressed--I felt like Martha Stewart without any of the hassle. Another nice feature of this cookbook is that it recommends menus, which is great, b/c I never know what to serve together. This is one of my favorite cookbooks now!

I was looking for a simple rebuild manual for this series of GM I6 motors. Since this is the only thing close that's available, I bought it. I'm only restoring my engine, but if you want to hot rod your motor, this has some great info and tips. Even if you're like me and only interested in restoration, it's better to overshoot when it comes to knowledge.

This book is hands down the best book I have read about the Chevrolet 6cyl. It gives very in depth explinations of how to achieve excellent power and/or performance out of your 6cyl.

Very helpful, lots of combined information from a number of sources
Well worth the purchase!

Chevrolet Inline Six-Cylinder Power Manual This is possibly the most incredible well written and informative engine performance book ever written. It's not just that I am smitten by the late model Chevrolet Inline Six Cylinder motors. No they are a mere testament to perfection. Ask anyone who has driven a car with these engines and they simply last forever.
But I digress, what Mr. Santucci has done here is assemble and share his most comprehensive insiders knowledge to building these outstanding American engines into true performance overachievers! He also details everyone in America who specializes in building this inline six and gives the novice many tips on durability and general performance.
Outstanding and if I may say "The Bible" of the Chevrolet L6 Engine!!

Bravo!
James Kuenzi

I'm a graduate mechanical engineer and former Chevy Six racer, and this book taught me things I never knew - or even thought about. It gives every piece of info necessary to select and build a Chevy or GMC six from mild street to full race. It even provides the part numbers and interchangeability info, so you can't go wrong if you pay attention to the author's comments.

Also included are the strengths and weaknesses of each engine model, modifications necessary to get reliable performance and power, and little secrets of tuning that make the difference between good and great engines.

If the info you're looking for isn't in this book, you don't need the info.

VERY highly recommended!!

Let me start this review with the following statement: This is the most prized book in my collection. I'll try not to be too biased. It is also the most expensive and one of the hardest to come by. In the Afterwords section of Walt's Time, Bruce explains how The Nickel Tour came to be:

"We talked to every publisher we could find, and heard the same story, word for word. No Commercial Potential. No audience. No Market. No Deal."

They put the book together themselves: Scanned all of the cards, did the layout of every page and had it printed in Italy. They lugged the books to every convention and sold them through mail-order.

"And guess what: we sold every book we printed". --p. 241, Bruce Gordon, Walt's Time - From Before to Beyond

Disneyland, the Nickel Tour is a look at the first 45 years of Disneyland's history seen through the postcards of the park. In addition to Randy Bright's wonderful Disneyland the Inside Story, The Nickel Tour stands as one of the two most comprehensive books about Disneyland's history. Where it edges out Mr. Bright' work is that The Nickel Tour does cover the past 20 years. Unfortunately, Mr. Bright passed away in 1990 and a second edition is not forthcoming. Bruce Gordon, the primary writer of The Nickel Tour, was an Imagineer and started with the Company in 1980. Mr. Gordon co-authored many books about Disney and there are several that will be published posthumously later this year. Mr. Gordon passed away in November 2007. As it stands, the second edition of The Nickel Tour will probably be the last.

The Nickel Tour is an amazing work on so many different levels: the postcard images, the photographs of attractions that weren't released in postcard form, the historical information and the writing. They begin by sharing pre-opening cards and work their way through the history of Disneyland. One of Gordon and Mumford's strengths is that they write well and can take something as simple as post cards and turn it into an epic look at a theme park. The writing never gets technical and is always filled with reverence, love and a little remorse. Occasionally, they slip in some humor. It is always fitting and they obvious love word-play. The following paragraph could have been presented as just a litany of facts, but they went a different way with it.

"On the left hand side of Main Street, we encounter the Sunkist Citrus House. Long before this view was taken, the Citrus House had actually been two separate stores, one housing "Sunny View Jams and Jellies" and the other housing the "Puffin Bake Shop." By October of 1958, Disneyland had canned the jam and jelly shop and opened a candy store in its place. It was a sweet deal until June of 1960, when the Puffin Bake Shop went stale. (It seems they just weren't making enough dough to stay in business.) And even worse, it wasn't long before everyone was beginning to sour on the candy shop next door. So the two shops were joined together, and in a dedication ceremony held with Walt on July 31, they finally became the home of the Sunkist Citrus Shop. Things were calm until 1990, when the time was ripe to spin around in a circle once more - only to find the Sunkist moving out and the Bakery moving back in! Well, that story certainly had a peel. Orange you glad we wasted all this time? Meanwhile, here's the scoop on the Carnation Ice Cream parlor: in 1997 they split from their original parlor and (having lost their Carnation along the way) floated into the home of the bakery. Then, with perfect Disneyland logic, the bakery moved into - the ice cream parlor! If that doesn't get a rise out of you, nothing will!" p. 121

The sense of history that you get from The Nickel Tour, through the postcards and photographs, has not been presented in any other form. Besides being a reference work for postcards, it is almost a wish book--one you can flip open to any page and see a favorite or long-gone attraction and dream about visiting or re-experiencing. The images are stellar and your appreciation of postcards as art and history will grow.

Bottom Line: This work was obviously a labor of love for Gordon and Mumford. It is hard to stress how important this work is in the Disney Literature. Beside being one of two major historical works about Disneyland, you get a feel for how Disneyland evolved, how Walt plussed the park and how the Disney Company moved forward after Walt. It is the most cherished book in my entire collection. If you are lucky enough to find a copy, get it. I know that many people will dismiss this book because it is about Disneyland, but without Disneyland, there would be no Walt Disney World. The history of Disneyland offers a lot of insight into the growth of Walt Disney World as well.

This book is simply amazing!

www.imaginerding.com

For an excellent crash-course on Disneyland, this book can't be beat. Excellent photos, commentary, and fun back-stage stories. Learn about the park from the idea stage to execution. Truly the best resource book on Disneyland available. Besides photos of every postcard released, there are a number of historic photos as well, and indepth information about each attraction. There are no "tear-out" postcards in this book. Get your hands on it while you can!

What memories this brings back! Not only are the postcards wonderful, but the narrative is very entertaining - much more than I had hoped for - and the postcards are supplemented with some wonderful photos to fill in some of the gaps. A great way for us (we?) older Disney fans to share our memories of Disneyland with our children (and later grandchildren), too. I know I will get many hours of enjoyment from this book over the years to come. I am so glad I decided it might be worth the price - it's worth many times over! 2007 update - Wow, the price I was referring to was $52.50, not the $189 I see it going for now.

I cannot say enough about this handsome, evocative, skilfullywritten book. Just as Disneyland is more than an amusement park, thisis more than a trip through Disneyland's places and times...

I wouldhasten to add that this book does more than to simply transport you tothe park as it is today; it is the best simulation of a time machine,transporting you back to previous incarnations of the park, the waythat they were experienced and enjoyed in the vanished culturallandscape of the 1950s and the 1960s. A lot of those joys are gone --the Rainbow Caverns of the Mine Train, the subatomic journey of InnerSpace -- and this is the best way to see them again.

What Iparticularly enjoy about this book is that the authors clearly sharemy childhood fascination with wondering "how it all worked."You get aerial shots of the park under construction, pictures ofaborted attraction developments, and the stories behind detailsranging from the marching band kiosk to the eucalyptus trees inAdventureland.

Walt would have approved of this magnificentlyconceived and executed journey through Disneyland's past and present.

I've read "The Art of Walt Disney", "Walt Disney Imagineering", "Disneyland:The Inside Story", and several other books about the Magic Kingdom, and this book is by far the most detailed and enjoyable of them all. Every store that's ever had an address on Main Street...every sponsor that's ever had an exhibit in Tommorowland...IT'S ALL HERE. My only complaint is that I wish some of the illustrations were larger so you could take in more detail...but considering that every postcard ever issued by Disneyland is included, in addition to behind-the-scenes photos and concept art, this is an understandable compromise. Absolutely the best book ever printed on Disneyland.

My children love these books I didn't know if they would like them because they don't have alot of pictures. They just can't get enough

waited for a month to receive the book.

This book is fabulous.
One of the reasons I like it is because it talked about fires, earthquake and natural disaster. Another reason is because it was near our city! The last reason I liked it is because they lost their city but still had hope. I learned some exellent facts. I learned the fire burned 28,000 buildings! They had half a millon people there. The earthquake was called "The Great Shake". It was one of the biggest earthquakes ever! I would recommend this book for three reasons. The characters are fun. Jack likes the realistic and Annie likes the magic. The second reason is the excitement and learning wonderful facts.
Earthquake in the Early Morning is a excellent book.

My 1st grader hates to put it down, he would rather read Magic Tree House books, than play video games. He even reads them to his class and explains the story for show and tell. In his kindergarten class the teacher would also let him read the Magic Tree House books out loud, not to give her a break, but to promote reading out loud. Great books!

I like this book because it is interesting.
It keeps you wondering whats going to happen next.
It is also very funny.
So you might want to read this book.

FADE IN...You network, network and network some more. Just keep smiling as you get S%$@!. The book really is excellent and a must read before taking the leap to LA. As part of the rules, I really shouldn't be letting you know about it. The book will not tell you how to get that luck break, but it will save you some pain along the way. I would also suggest Hollywood 101: The Film Industry for a excellent break down of the various jobs that are need to make a movie. FADE OUT

When I bought this book, I was prepared to read the words of someone who had watched Swimming With Sharks and The Player one too many times. However, this is not a book that teaches you how to be a player. This is a book that teaches you how to get noticed. You can tell that "Anonymous" knows his or her stuff about how to set yourself apart in Hollywood-- by playing by the right rules. There are insightful tips in this book that it would take three years worth of meetings to realize yourself. It is like the Hollywood version of Strunk & White's Elements of Style. Don't leave the east coast without it.

I am a writer and found this book to have helpful information in it for me. It is geared towards the film industry but is a good read with some good information if you are a writer, actor or in the entertainment industry or want to be.

This book not only specifically applies to how one should comport themselves in "the Biz", but has lessons that apply to all industries across the board. A must-read for all who choose to succeed. Buy it! You won't waste your money.

The Hollywood Rules - this book has a special aura about it. It encourages you to understand your talent and how it will most likely be perceived and handled by those in power who can enhance/create your career in movies. It brings Hollywood to your living room for some brief moments, making you believe that you can find the way to whatever you're striving for. And not only that - it shows you the way, providing that you are prepared to work hard, play by the rules, break the rules, and dream on until you make it [...]

I've been fascinated with the 200" Hale telescope on Mt Palomar since I read "The Glass Giant of Palomar" as kid. "The Perfect Machine" meets the highest standard you can apply to a non-fiction book--it reads like a novel. Not only does it correct the many errors and omissions of "The Glass Giant of Palomar," but it weaves interleaving stories in a fscinating and riveting way. There's the story of the glass blank of Pyrex and the difficulties casting it, the extraordinary vision of George Ellery Hale, and even the Surrier Truss design first used on this telescope tube. Then there is the site selection, constuction problems, and most of all a vivid portrait of the personalities involved in the construction of this giant. It is even more mind-boggling to realize that all this happened in the first few decades of the 20th century!

After reading this book I finally made my pilgrammage to Mt. Palomar to view the monster for myself. Knowing the details of the telescope's construction added even more to the sense of awe I felt standing in the visitor's gallery gazing in disbelief at this huge, huge machine, and knowing all the discoveries made with it over the years. It was an incredible experience. No photograph of the Hale telescope does it justice.

This is an extraordinary book.

Not only does Ronald Florence give a vibrant account of the design and construction of the Hale telescope, he manages to make the reader share his fascination for an admirable project and an awe-inspiring science machine. The book is better than well written, it is captivating. Having been closely involved in a major telescope project, I can only state that his account of the production of the "giant eye" rings true. Rarely has a science writer shown so much understanding of the intricate processes, technologies, and human relations underlying a large science project. Still, there are a few disturbing inaccuracies in Florence's story. On a number of occasions, the author wrongly gives credit to the Palomar telescope designers for innovations that had been experimented long before, such as the principle of the support of the primary mirror, actually due to Lassel (Malta, 1861). The account of the in-situ finishing of the primary mirror sounds completely implausible, the metrology of the time (I saw the Hartmann screen on the occasion of a privileged visit in 1995) being of too low resolution to allow any meaningful verification of local refiguring as reported by Florence. The post-1950 period would also have deserved a somewhat broader and fairer account; the Russian 6-m may not have been a success comparable to the Palomar but paved the way for modern mechanical designs, and the advent of entirely new and far-reaching concepts, such as active optics, in the hands of European designers and suppliers is completely ignored. Still, the vision and the endeavour underlying the making of the Palomar telescope emanate from every page; it is a nearly perfect book about a nearly perfect machine.

I purchased this book at the telescope gift shop on Mount Palomar back in 1996. I read it in the next few days. It is the fascinating tale of George Hale, a remarkable man who had to battle personal demons (in the form of debilitating mental breakdowns) to build the world's largest telescope--then do it again and again! I can't remember the first one offhand, but the 100-inch Hooker Telescope on Mt. Wilson was next, then the 200-inch Hale telescope on Mt. Palomar. This book talks about all the technical, financal and other difficulties that were overcome to make the giant telescope possible. It explains large earlier telescopes and how the problems encountered in their construction provided lessons for the designers and builders of the Palomar telescope. Anyone interested in the history of technology or astronomy should give this book a look.

I have no trouble pinpointing the splendid-ness of this book. All I have to do is mutate a cliche and say that "the angel is in the details." Florence's full, dramatic account of the various attempts to create the mirror for this enormous telescope -- first by General Electric and then by Corning -- is worth many times the price of admission. What you get is an exciting story of engineering hurdles met, overcome, and sometimes not overcome ... I am not an engineer, but probably should have been one. My father _was_ an engineer and, while reading this book, decided he would probably find it enthralling, and I was right.

Florence is such a careful and masterful writer, that this tale of seemingly-insurmountable obstacles and struggles should appeal to anyone. He makes molten glass come to life. Bravo. One of the better books I've read in the past 5 years - and I read a lot.

Florence's narrative brings alive the fascinating saga of the great Mt. Palomar reflector, in its time the world's largest telescope and a pioneering example of "Big Science." The instrument's gestation period, beginning in 1928 and interrupted by the second World War, was so long that three of the principal figures didn't live to see it dedicated in 1948. Included in this group was the project's founding father, George Ellery Hale, for whom the telescope is named. The author uses Hale's remarkable abilities and seemingly unending physical and mental travails as a unifying theme throughout the book.

A renowned telescope developer and respected solar astronomer, Hale had the establishment clout and scientific connections to launch such a grand project and assemble a team to carry it out. While suffering from a chronic nervous condition that often left him isolated in a darkened room, he was nevertheless able to lead the program through its most critical periods and help rescue it from a multitude of financial and organizational crises.

The immense 200-inch (nearly 17 ft) diameter of the Palomar telescope's main mirror gave it twice the theoretical resolution and four times the light grasp of its Hale-inspired predecessor, the 100-inch reflector on Mt. Wilson. Everything about the 500-ton machine was Brobdingnagian, perhaps best symbolized by the fact that an observer at the prime focus actually sat inside the telescope tube, with plenty of clearance for starlight to stream past him to the mirror some fifty-five feet below.

In the hands of Florence, what might have been a confusing welter of facts becomes a coherent and utterly engrossing suspense story. He seemingly overlooks nothing about the relevant issues of Astronomy, optics, engineering, business, politics and personalities; yet there is no sense of overkill and one always feels eager to begin the next chapter. The dozens of interacting characters are portrayed with enough subtlety, irony and humor to make them seem real and familiar. I have seldom gotten so much pure enjoyment from a book.

I wish Nora Gallagher lived next door to me. I'd like to hear more about her courageous faith. I wanted more about practicing resurrection. She left me hungry. What a great title! Gallagher writes so wonderfully about matters unspeakable, ineffable, silent and deep. She puts words to hidden yearnings. The glimpse into the clerical side of the Ep[iscopal Church was fascinating too, and her critique enlightening. It's so gratifying to read a book about God that is real, touching, and grounded.

In Practicing Resurrection, Nora Gallagher writes movingly and spiritually about the various crises facing her and the world around her. Her book has a lot to say about living in community and finding spiritual direction; unfortunately, the structure of her tale does not contain a similar direction. It is riveting in the middle, but suffers from a muddled, boring beginning and a rambling, uncertain ending. It contains a lot of good thoughts hidden in the midst of irrelevant chatter. Perhaps the problem is more than structure, for Gallagher seems to travel from uncertainty to uncertainty and, though this is a journey, in the end, doesn't change all that much. Maybe she just wanted to write another book.

In this sequel to her bestseller Things Seen and Unseen (1998), Nora Gallagher continues to explore what a life of Christian faith marked by authenticity and integrity might look like in our contemporary world. She compares her journey of faith to the swimming lessons she took as a child: "The life of faith [is] amorphous, ephemeral, a glimpse, a moment. Trusting it [is] like my early swimming lessons learning to float." In particular, her brother Kit's diagnosis of bladder cancer, a prognosis for a "zero percent" chance of recovery, the horrors of surgery and chemotherapy, and eventual death all forced her to ask life-altering questions about God's call upon her own life.

The themes of vocation and call loom large in Practicing Resurrection. Through her many involvements at Trinity Episcopal Church in Santa Barbara, Gallagher began to wonder what might God have for her. To what could she devote her passion and considerable skills? Where did her joy and gladness intersect with the world's needs, as Buechner once put it? Sensing a possible call to the priesthood, her church formed a "discernment committee" of four saints. They met once a month for three hours across the year, plying Gallagher with questions, telling their own stories about vocation, reading the Scriptures, praying, and, perhaps most important of all, "honoring listening." What voices should she listen to? Which ones should she tune out? What about her husband's deep ambivalence? Was the priesthood any more sacred than her identity as a writer that she had nurtured for over thirty years? After negotiating the labyrinth of the Episcopal bureaucracy and its application process, Gallagher was "exiled" to a very different parish with a very different priest for a year as a ministry-study student. At first she felt like she and the priest were on a "bad blind date," but across the year she gained a deep appreciation for her mentor's faithfulness.

While Gallagher was trying to discern how she might hear God's call, Trinity Episcopal grappled with how as a church they might extend a call. Their interim pastor had informed the vestry that he was gay. Should that impact whether they called him as their regular priest? How did they guard issues of confidentiality once the vestry knew but the congregation did not? How to tell the congregation? What about feelings of distrust and betrayal? Should the church wrap the different but related matter of gay marriages in with the possible call of the pastor? How might the denominational officials respond, if at all?

You'll have to read this fine memoir to learn about Gallagher's call to church and the church's call to their pastor. In the end she likens herself to a friend who was listening to an unctuous priest ask, "what do you really want for Christmas this year?" Her friend responded, "What I wanted to do was to stand up and call out, 'I would like to really believe in the resurrection.'" Her remark reminded me of the words of the eminent church historian Jaroslav Pelikan, who near the end of his life said, "If Jesus rose from the dead, nothing else matters. If Jesus did not raise from the dead, nothing else matters." In practicing resurrection we thus inaugurate a tiny bit of God's eschatological future into our lives today.

Gallagher's fans, and their numbers are considerable, will want to note the release of her first novel, Changing Light, in early 2007.

I bought this book totally on the recommendations of all the previous Amazon reviewers. Nora G. is a very gifted and insightful author. I love the way that she is master weaver with her insights and honesty.

I am at the other end of her theological spectrum and disagree with all most all of her conclusions and positions. I find it amazing that in her spiritual "Christian" journey she rarely refers to scripture. So many of her insights bring clarity to the scripture and other points they disagree.

I will not keep this book and have no people I know interested in reading the copy I just read and will send it to anyone free" no postage fees.

tim@twright.co.uk

Nora Gallagher tells a wonderful story about the everyday as well as the "big" events of life. Through a year of searching for answers and asking the needed questions, she goes beyond the usual metaphors to look at how to deal with the death of her brother, how to reconnect to her husband and most significantly, how to make an decision about which road to take next in her life. Readers - don't be put off by the religious words and subtext of this powerful book! It is not a book about going to church, but rather about the value of people, prayer, introspection, respect and bravery in all our lives. Relish its beautiful language and poetic flow. It is well worth your time to live in the world created by Ms. Gallagher!

Robert Irwin has lived his life as both a solitary creator and unrelenting seeker to the same consummate degree that only Dante Alighieri, Agnes Martin, Meister Eckhart, Lao Tsu, and a handful of others have sought. If you haven't heard of him, you should read this anyway. Remember, it even took Bach two centuries to get his proper due. Regardless, this book changed a lot for me. I am forever grateful.

Weschler's prose is Irwin's lighting. His book good as this biography junkie has ever read, and he does it in only 203 pages. As I write this, you can buy this book used for the price of a Domino's pizza - that's all i'm saying.

If you're an artist, you need this book. Even if you don't like Irwin's work (or never heard of him.) Remarkably, this biography of the most minimal of minimal artists contains no abstruse language, no mysteriously self-important pronouncements, nor even a single reference to any French esthetic theorist. Not only is this written in clean, straightforward prose; you can hardly put it down. It also raises critical, fascinating questions about the nature of art, and of the way we see. I've recommended this book to several people. It's never what they expect. They've always thanked me.

*

I am fascinated by the creative process. I am fascinated by physical manifestations born from the spark of an idea. I am fascinated by the complex psychology, rigorous philosophy and simple backbone evinced by those devotees of method. And I am blown-away by Robert Irwin.

My first contact with Robert Irwin's work came in graduate school when a few friends and I drove from Philadelphia to Manhattan to visit the Dia Center for the Arts. There on an upper floor I encountered a truly shocking, yet subduing, experience. Irwin had taken over the entire level and divided into rooms demarcated with translucent scrim. I walked slowly, from space to space, enclosed but not, silent in presence yet bursting with internal applause, and in awe. I marveled at the solidity of light that slid through the Dia's industrial steel windows, tracing its way across two layers of the thin white fabric and gently landing on the concrete floor. My eyes were tickled by the subtlety of color emanating from the vertical fluorescent lights wrapped in gels. There must have been thirty others there at the same time, meandering like ghosts whitened by one, two, three layers of scrim, yet the space was absolutely quiet. This was the first time that I truly understood the word ?perception.? It came in a space filled with exacted simplicity.

Since then I have tried to follow Irwin's work, both past and present, only to find that it is rarely photographed, as the medium cannot do the work justice. However, Lawrence Weschler's biography on the artist is a tremendous piece of writing that will give you much more appreciation for Irwin than any catalog ever could. Weschler spent years interviewing the artist, tracking down collaborators and researching the works. He exhibits an amazing understanding of Irwin's intentions and adds much needed commentary to keep the story straight while tracing the complex and highly personal evolution of the man and his art. From descriptions of Irwin's self-imposed eight month exile in Ibiza, to his two year long rigorous exercise (and again, exile) to create what amounted to twenty lines, Weschler gives us an in depth look at the zen-like disposition of the artist in his search for the perceptual (and hence, not conceptual). Irwin's diligence and rigor will stupefy even those most devoted to their process, and discussion of his material experimentation will act to spur imaginations. Robert Irwin supplies the majority of storytelling, however, and lets the reader in on often humorous tales of the art world from the point of view of a very personable and highly influential artist.

In short, I highly recommend that anyone devoted to design, be it fine art or architecture, read this book. I also recommend that you travel to San Diego to see the first major exhibition of Irwin?s work since 1993, "Robert Irwin: Primaries and Secondaries" at the MCASD through February 23rd.

Note: The installation at the Dia Center was reviewed thoroughly, with an included history of the artist?s work, in an article entitled "Robert Irwin?s Doors of Perception" by Carol Diehl in Art in America magazine, December, 1999, findarticles.com

This is simply the best book about art I have ever read. Like other reviewers, I can say that this book permanently altered the way I see the world (and art). Irwin did it and he still does it.

I picked up this book in 1984 because it was on a reading list for an Art History class I was taking at Oberlin College. I stayed up all night in the library that night. I couldn't put it down. My mind has never been the same.

I still often think of it,tell stories from it and give it as a gift. I always say "skip the first chapter-it gets much better." If I remember right, the book begins with a description of Irwin's perfectionism when cleaning the engine of his car. I figure that will bore my friends.

I tell my students about Irwin's many years attempt to make the perfect line, to his wife's chagrin and his painting the back side of his paintings because it matters to him. They like the story of the riots that occured in South America due to the disorientation of his discs-concave and convex-the viewers couldn't tell where the wall started and the disc stopped. I have given the book as a graduation present.

I thought about this book at the mechanic the other day. My engine is very, very dirty.

I will never forget,forgetting. Great book.