Wildlife Books

The author is as gifted a writer as he is a photographer. His eloquent narrative will keep you on the edge of your seat, while his photographs will amaze you. You will enjoy this book whether you are a patriot, naturalist, environmentalist, sportsman, photography buff, writer, adventurer, or couch potato. Every American should own this book.

John Pezzenti has the nobility of an eagle...the stamina of a panther and the endurance of an owl intent on it's foe. He is beyond any human explanation of what a photograher should or could ever aspire to be. When I experience his photograghs I am transformed to the reality that all mankind could benifit from his example. We are but players in the realm of a wonderous life cycle...not within our command but certainly within our protection. Thank You John for your gift and sharing it!

This book is absolutely exquisite. My husband is an avid eagle fan, a gorgeous coffee table quality book of photos was the perfect gift to add to his collection. I highly recommend this book to anyone who is an admirer of eagles.

Prepare yourself for another exhilarating adventure by one of wildlife photography's most talented photojournalists. John Pezzenti, Jr. has the unique ability to take his reader on a journey filled with fascinating tales and unparalleled photographs. In the American Eagle Pezzenti brilliantly captures the very essence and spirit of an American treasure - the powerful and majestic bald eagle - photographed by many but rarely to such perfection. Depicting the bald eagle in every conceivable situation, Pezzenti begins his photographic journey from the Florida Everglades through picturesque New England and northwest to Alaska - his home territory. I thoroughly enjoyed Pezzenti's engaging stories and portrayals of the dedicated eagle protectors across America who work tirelessly toward the survival of this magnificent bird. The photos alone make The American Eagle a "must have" for anyone with an adventurous spirit and a love of America's national treasure. Once again, Pezzenti has proven himself to be one of wildlife's finest photographers working in the field today.

Not long ago I sat with John Pezzenti Jr. in his beat up Suburban that he uses for nature photography as rain pounded upon the roof. John showed me a pre-release copy of his newest book, American Eagle. My 13 year old nephew from California looked over my shoulder as I turned each page, stunned by the breadth and depth of John's photographic coverage of this symbol of America. To say this is a remarkable book is an under statement. My nephew summed up how magnificant this book is when we were driving back home. "John's pictures are amazing," Shane said. "I'm going to start saving today so I can buy that book when it comes out!"

Satisfy your literary and scientific interest in whales--and it is a select few who have both--with Payne's fantastic and sadly out-of-print book.

By way of a deeper wrinkle, it should also be pointed out that Payne is (allegedly) a good friend of Cormac McCarthy, whose novel "Blood Meridian" has been characterized as the twentieth century's answer to "Moby Dick." At some point in the last twenty-five years, McCarthy wrote a (still unpublished) screenplay called "Whales and Men," which includes a character believed to be based on Payne. (McCarthy is credited in "Among Whales.") So, two literary strands, Melville and McCarthy, and one scientific one, cetology, are smoothly wound in Payne's book. Used copies abound.

Roger Payne brings up issuses that this world is going to have to deal with in the years to come. His passion for cetaceans shows through in every page, I encourage everyone to read this masterpeice!

If you have wondered about the beauty of these mammals, then you must read this book. Roger Payne shares the wonders of the graceful aminals. If you care for them at all, then you are foolish not to read this book. It has really bought me closer to who they really are.

This was a marvelous read although its flaws were sometimes predictable. I will try to minimize references to the flaws because the book was generally a joy to read. Payne has spent his passion on whales and presents a treasure trove of information, about the behavior, history, plight, and politics of the great cetaceans. Where he sticks to empirical science (which fortunately is most of the book), the eminent whale biologist takes the reader along on a wonder-filled journey beneath the waves. Accounts of his personal life fit nicely with accounts of his work. The reader comes to feel that, in some sense, he knows right whales and humpbacks, and knows Mr. Payne. The insights into the psychology, economics and politics of whaling are fascinating and troubling and are issues with which more people should have some familiarity.
The book is so good that I almost hate to offer any detracting comments, but in the interest of truth I must: (1.) Payne assigns a kind of well-intended and hopeful 'happy face' to zoological and marine parks. Yes, zoos and marine parks do educate the public, but that education is primarily this -- that wild animals make excellent and profitable corporate merchandise. For compelling counterpoint read Jack Turner's The Abstract Wild. (2.) Payne's metaphysical musings are too typical of a large number of biologists. Gaia is not science; it is a philosophy of aesthetics similar to aboriginal pantheism. The concept of "collectively immortal" biology presents the conclusion that, as Payne says, Life is god. It makes for a pleasant enough concept until it is subjected to critical analysis. Some priests of biology should (collectively?) think a little deeper. One needn't adopt a Star Trek religion or a form of shamanism to respect bio-diversity. Assailing Christianity because it was the claimed practice of "God fearing" and blood thirsty sea captains is as logically dubious as attacking biological science because it was the claimed practice of a Dr. Josef Mengele, is the claimed practice of the Japanese "scientific" whaling industry, and is in fact the practice of developers of biological warfare agents. The evil besetting nature is not theism, it is holy capitalism, saint self-interest, a god called greed, and hard-hearted indifference. In short, small minded selfishness. Most scientists, including Payne, are at their best when they stick with science (although the mathematical sciences have lent the world some excellent philosophers).
All nay-saying aside, this is a book well worth reading.

I am astonished that this book is out of print. How can this be? Why aren't people using it as a textbook in writing, psychology, ethics and marine biology classes? Why aren't high schools and universities clamouring to have Roger Payne speak at their commencement exercises? Why isn't he being interviewed by Oprah and Good Morning America? Why isn't the name Roger Payne as familiar to us as Jacques Cousteau or Keiko the whale? Believe me, it should be.

Roger Payne is a cetacean scientist - that is to say he studies whales - however that doesn't begin to tell you about what he really does or who he really is. You see, Roger Payne swims up to Right Whales and looks them in the eye. He hangs upside down next to Humpback whales in order to experience their bone shaking songs up close. He spends hundredsd of hours a year on boats watching and recording the movements, behaviors and songs of whales. Best of all, Roger Payne has stories to tell about another world that exists beyond land. He knows and can prove, for example, that Humpback whales sing. Yes sing. Not simply make sounds but create rhythm, patterns and notes in sequences that put some of our greatest composers to shame. He has stories to tell of his encounters with whales that make it abundantly clear that they think, feel and communicate. In short Roger Payne has something to teach us about our relationship to another species on this planet, and we should be listening.

But if you're not the sort to read a book just because it would be good for you, read it because Payne is a fine writer whose stories are well told and fascinating, and whose scientific explanations are so clear that even the most scientifically-challenged person can follow. Read it because it will enchant you with its descriptions of whales at play and captivate you with its studies of why whales do what they do. Read it because it will challenge your mind and touch your heart. It's that good.

This book makes a great complement to any gardener's home. It has tranquil photographs for you to admired the winded friends. In addition, the layout of pages has it flow to for quick references, ideas, and projects. Any gardener who receives this book will be inspired to be a Winded Wonders enthusiast.

I purchased 2 books and am looking forward to giving them as gifts at Christmas. They are wonderful. Great pictures, great info, great quality and great idea's. I'm real happy with them.

Great coffee table book! This book has sprarked many conversations with family and friends on author Kris Wetherbee's suggestions for inviting winged wonders into our yards. I especially enjoyed the great how to projects. I love the hanging bamboo birdbath, it looks great in my yard. The photography in the book is beautiful. This book is a must have for nature lovers!

Author Kris Wetherbee and Husband/Photographer Rick Wetherbee have combined the very best in subject, talent and creativity to develop a "must read" on nurturing nature in our back yards that is sure to be a best seller. Informative and entertaining to both novice and master gardener alike, Kris' simple yet thorough "three year plan" for attracting and keeping specific "Winged Wonders" in the garden, is genius. Likewise Rick's spectacular photography abundantly displayed, exemplifies the breathtaking beauty of various "creatures of flight" and the many simple and natural ways they can be nurtured, enhanced and enjoyed year round. Kris and Rick Wetherbee have combined powerful talents to create an essential guide and referential "must have" for all who love nature.

This is a beautiful book which can enjoyed on many levels. It reads like both a how to book as well as a tale of a gardener transforming spaces into gardens that attract birds and butterflies. The photographs are so wonderful you could spend hours without touching that spade.

I was so inspired, and you probably will be as well, I was correcting how I had pruned large plantings and trees to invite more creatures. In the first season we were rewarded with two bird nests. The book is also a good reference with guidance and information about what plantings to consider in your region and with your soil. There are also many suggestions for container gardens. Our trips to the garden store were better informed and more rewarding.

In the final chapters is a bird, butterfly, moth and dragonfly guide to help identify your new visitors. If only they would stay put long enough to get the book out.

This is another wonderful books of Gerald Durrell's memories of his time on the island of Corfu prior to the Second World War. He takes us back to another time and place before the world changed for good.

Each chapter is a separate story and rememberence of those days when as a young man he marvels at not only the natural world around him, but also the various people he encounters and learns to appreciate. It is easy to get lost in one of these stories and feel like you are there with him on a hot summer day with his faithful dogs tagging along beside him.

I recommend this book to anyone who not only loves nature, but also can appreciate a time gone by when people were different and even strangers were looked as guests. This book is one that I intend to read again and again in the coming years and will appreciate the stories just much each time as the first time.

I have been a huge fan of Gerald Durrell's books since childhood, especially the ones that his family features in, predominantly. This is the follow up to My Family and Other Animals and it is just as much fun!
Highly recommended.

The books arrived in perfect condition and in very good time. I am completely satisfied.

Gerald Durrell is the younger brother of Lawrence Durrell. The island of Corfu lies off of the Albanian and Greek coastlines. The family settled there to escape the deary English weather.

Gerald's mother fought a losing battle with the Greek language. The family members became familiar with all of the peasants in the region. Gerald had a tutor named George who was an adept of fencing and an adult scientist friend named Theodore.

Gerald visited the rock pools while his sister swam. Margo's sun bathing bothered a church functionary, a monk. Gerald sought permission to follow a fisherman, to accompany him in his boat when he fished at night. The fisherman used a trident to catch scorpios.

There was a myrtle forest near the family's house. Gerald received a rich dark brown donkey for his birthday. The donkey was used by Gerald to transport things. Larry brought home friends, artists and writers, and brought home an artist who could play the accordian, Sven.

Theordore had told a countess that Gerald, who was a fairly young boy at the time, was a naturalist and had a number of pets. The countess offered to give him a white owl who had an injured wing. Gerald went to fetch it and to meet her on his donkey.

He wanted to add baby hedgehogs to his menagerie. When he went away for a weekend his sister overfed them and they died. The book is joyous and colorful. The snippets above are used to give the reader a sense of what to expect.

I eagerly read this after "My Family and Other Animals" (which I had enjoyed immensely). It contains stories which were omitted from "My Family" and while the offerings were still magical and wonderfully well-written and sometimes hilarious (especially the story about the turtle), it lacked the memorability of its predecessor. There was also no real structure in the order of the stories, this is more of a miscellaneous collection.

You look at his life without knowing him, and you'd say he led a charmed, privileged life. Not so. He struggled like the rest of us, but did not let himself become callous, embittered, resentful, and all the other unproductive attitudes that people use as a crutch. He always dwelt on the positive aspects of life. I liked his social conscience. He photographed and wrote about Manzanar, and the plight of native Americans of Japanese ancestry. His Manzanar writings, for me, is one of the highlights in his autobiography. His many acquaintances and friends are fondly and personally recounted in ways that I've experienced from no other author. All throughout, you get a strong impression that he was a very scientifically-minded person who also excelled as an artist, and that's very rare even today. He poured himself out into this book.

These photos take my breath away. They've inspired me so much

A wonderful collection of black and white photography. Reproduced on quality photographic paper which is ideal to frame at the end of the year. Ansel Adams brings nature into your house in the most expert fashion. Each photograph is superbly shot. Wonderful!

Pauline Gaston

and not a wall calendar

The calender was spiral bound and oversized. The pictures were absolutely beautiful. I had bought another calender for 1999, but it just doesnt have the same beauty as the Ansel Adams one did, so I had to search out the Ansel Adams one again and get it. It is a choice that I am glad that I made!

Conquering the Food Chain: Living Amongst Animals Without Becoming One is a "feel good" read. Ms. Mantle brings readers into her domain by sharing her unique experiences with the pets she loves. The content is captivating and touches the emotions of all of us who love and respect our pets as family members. Some of the excerpts will make you laugh and others might make you cry. Whether the reader is already a pet owner or contemplating a new addition to the family, this book is a "must read."

This book had me laughing and crying. Through her humorous, sad, tragic, and poignant stories dealing with the experiences she's had with the various animals in her own life, Stacy Mantle has provided an excellent glimpse into the minds, hearts, and souls of dedicated animal rescue workers all over the world.

The world needs more books like this one!

In this humorous and touching book about living with a large assortment of pets, author Stacy Mantle had me chuckling out loud to myself more than once.

The book is composed of small essay-like chapters that are an excellent way to relax and end a busy day with a smile on your face. One of my favorite chapters was "Falling Into The Food Chain", where Stacy happens to fall while vacuuming and cannot get up (this is not the funny part...yet). Her pets think that this is quite a fun game, and are seemingly amazed at how "into" the game she is as she crawls to the nearest telephone. What fun!

This book makes a wonderful gift for yourself, for all of the pet lovers in your life, and for all of the people who don't know they are pet lovers... yet.

You don't need to be owned by multiple animals of different species to appreciate and relate to Stacy's book, but it will make it all the more pleasurable. Her writing is witty and full of heart, punctuated by endearing animal antics.

Ms. Mantle's down-to-earth writing style and her unusual experiences with animals makes this a fascinating read. Emotional without being maudlin, it offers a kaleidoscopic and often humorous perspective on living with wolf-hybrids, dogs, cats, and other animals. Animal lovers will enjoy reading this; non-animal lovers will likely be converted. Her book deftly analyzes pet ownership and its responsibilities and foibles without any sugar coating. Highly recommended!

DESERT by Jack Dykinga is published by Harry Abrams, Inc., a company that publishes high quality art books and not, for example, vacation tour guide books. DESERT is 143 pages long, and contains 83 full-sized color reproductions. Dykinga uses a 4X5 camera, resulting in a higher quality image.

Many of the images are merely of flowers or of pretty scenes. Here, there is no attempt to produce a photograph of artistic merit. However, this slight shortcoming is overwhelmed by a number of novel and creative photographs.

For example, JOSHUA TREE AT DAWN AFTER SPRING SNOW discloses a dark cloudy sky, tinged with purple, a shadowy snow-covered desert, and a grove of snow-covered Joshua trees--all cloaked with pre-dawn shadows. It is difficult to tear one's eyes away from this photograph.

DAWN ON THE PANAMINT MOUNTAINS and CRYSTALLIZED SALT FORMATIONS are two photographs that continue with the artist's experiments (successful experiments) with pre-dawn photography of the white desert. Here, the whiteness is not from snow, but from white salt.

Jack Dykinga has also focused his attention on cracked lakebeds (dried mud). CRACKED CLAY AND THE MESQUITE FLAT reveals a fascinating heart shape in a patio-like area of cracked sand. The cracked mud area abuts a region of desert that is soft sand.

Another fine shot, MESQUITE FLAT SAND DUNES AT SUNRISE, features a patio-like area of cracked sand, each pentangle of cracked mud is covered with warty clumps of earth. An open area in the middle of the cracked mud patio contains an open area in the shape of a diamond. At the center of the diamond-shaped open area is a small growing bush. The diamond-shaped area with the little round bush resembles an eye.

RACETRACK AT SUNRISE and RACETRACK AT SUNSET are fascinating images--the most unusual in this book. Each shows millions of tiny pentangles of cracked mud, stretching off into the distance. In the foreground are a couple of flattened areas resembling thick ruler-lines. The flattened areas were produced by small boulders, somehow propelled over the mud by the wind. At one end of each ruler-line one finds a boulder.

Again, if one is able to tolerate the abundance of conventional "pretty" scenes of flowers and sunsets, one should purchase this book, if only to view the seven great photographs discussed in this review.

Mr.Dykinga's skill as an artist is further demonstrated by his book, STONE CANYONS OF THE COLORADO PLATEAU, also published by Harry Abrams, Inc. STONE CANYONS is especially distinguished by its focus on a park called, Vermilion Cliffs (Paria Canyon, The Wave, Coyote Buttes), a park that is rarely the subject of published photographs. STONE CANYONS also uses the style of depicting scenes just before sunset (or just after sunrise), when all but a thin line of the horizon is steeped in shadow. Stand aside, David Muench, here comes Jack Dykinga.

There is a knock at my door and here is the UPS man delivering my order from Amazon.com. Among the books: Desert, The Mojave and Death Valley Photographs by Jack Dykinga, text by Janice Emily Bowers. I barely had time to read more than a page or two of the text before it made me want to go straight to the photos to see the place she was clearly, and intelligently writing about. And I was not disappointed: It was overwhelmed with joy of at being able to share the keeness of Mr. Dykinga's fine and perceptive photographic vision of that place. This is a more subtle body of work than the previous books based around his photographs.

The Sonoran Desert had a similar effect on me years ago and expanded my sense of what ilandscape photography could be. Stone Canyons did not have as great of affect on me as the first book

More than anything else, the images in this book remind me why the large format camera is such a tremendous aid to seeing something more clearly and perceptively than you can with the naked eye. even more so than a 35mm or medium format or easily portable digital gear can. Some of the photos even have a sense of humor to them and when did you last see that in a photograph of a natural landscape? The reproduction of the images appears to be first rate and the design and typography of the book match its contents in quality.

In short there are wonderful things to be found in this book.

This book just shows how spectacular a desert can look with the magnificent photos around the Mojave desert and Death valley of emptiness, stark flowers and blooms and just superb landscapes. It'll give you some inspiration to find something to look for even in a desert.

I know I will as I will be going to Ayer's Rock (Uluru) in Australia in a few months and it's also a big desert!

This book is a beauty, some of the most beautiful photographs I have ever seen.

I spent the first week of September in southern California this year, and on Sunday before Labor Day I drove from Los Angeles up to Death Valley. I hadn't been there since I was a child and I have to say although it is a desolate and lonely place (and 114 degrees at Furnace Creek the day I was there) it is also one of the most beautiful places I have ever seen. The sand dunes at Mesquite Flat alone are worth the trip.

Everyone should see it, but if you can't buy the book. My copy came shrinkwrapped in plastic which I really like, the last thing you want is to buy a nice book like this in a bookstore where someone has spilled coffee on the pages.

As I went through this book, I kept asking myself, am I looking at the dessert or am I looking at the landscape photographs of Jack Dykinga? I've been to the Mojave and to Death Valley and I don't remember them looking so beautiful.

Dykinga's style reminded me of the work of Eliot Porter, with modern film stock. Most of his pictures have the same subtle quality, created by the use of analogous colors, that is, colors near each other on the color wheel, and varying only by tint or small changes in hue. A Dykinga picture almost always has one dominant hue like brown or tan or blue, and the hue rarely feels intense, even if it's a field of California Poppies.

It's obvious that Dykinga's work utilizes a large format camera. Everything is in sharp focus from foreground to distant mountains, thanks to small apertures and the ability to twist the light through his camera. This means that the picture is not going to immediately draw your attention to one aspect of the scene by controlled focus. More likely, the viewer will have to work his way through the picture, discovering things along the way.

The layout of the book seems to be well considered. Quite often two plates with similar subject matter will face each other and there is a synergistic effect from the comparison. For example, I delighted in examining two facing pictures of desert sunflowers. In both cases the yellow orange flowers have a hilly background, but one group of flowers is pushing up through dried-out, cracked clay, while in the other picture the flowers are growing from a small body of water collected for a brief time from rainfall. The mud and the water are both magenta in color but the textures are completely different. The thoughts that arose from the juxtaposition were not only about the variety of the desert but also about the nature of color and vision.

I suppose one reason that I never saw the dessert the photographer portrays is because most of the pictures were taken at the golden hours of sunrise and sunset. To have been that many places in the desert at just those times would have taken me months and months. At the very least, I can be a philistine and thank Dykinga for saving me a lot of time.

As to the text in the book, my feeling is that it probably has to be included for marketing purposes. Janice Bowers' essays seemed poetic and show that she loves the desert, but like most such commentaries, they do little to illuminate the photographer's work. I suppose the essays are worth reading once. The pictures on the other hand can bear many, many viewings and add something to the sense of the place each time.

I finally concluded that I was looking at the desert through Jack Dykinga's eyes when I viewed this book. I resolved to return to the actual desert again and see if I could continue to see it through his eyes.

"Extra extraordinary chickens" is the sequel to a similarly titled book by the same author, "Extraordinary chickens". Sorry, did I say author? I meant PHOTOGRAPHER.

As Stephen Green-Armytage himself admits, this is not a reference work on rare chicken breeds. And it's definitely not a scholarly study. It's a PHOTO BOOK. In many ways, the book is a work of art. And so are the chicken!

Stephen Green-Armytage has travelled across both the United States, Germany and the Netherlands, visited poultry shows, and photographed about 200 chickens of 61 different breeds. In fact, he didn't simply "photograph" them. He took their portraits! Many of these chicken have PERSONALITY. Especially the chicken couples. Green-Armytage seem to have a special fondness for bizarre breeds and specimens. Indeed, some of the chickens in this book look as if they just stepped out of Twin Peaks, or live next to the Creature from the Black Lagoon. Grand Daddy Punk Rocker at the book's cover is just the beginning of it! My anti-favorites are the Silkies, which look like furry mammals rather than birds. The book also includes photos of Jungle Fowl, the ancestors of domesticated chicken.

So who is this book intended for? Chicken enthusiasts, first and foremost. But the photos are so artful, colorful and (sometimes) plain weird, that the book is perfect as a birthday or Christmas gift as well. It's a perfect "coffee table book". Show it to to your friends, scare your neighbours with it, and enjoy it for yourself.

CHECK OUT THE CHICKEN!

PS. Two other excellent coffee table books are "Parrots of the World: An Identification Guide" (2006) by Joseph M. Foreshaw, and "A Dazzle of Dragonflies" by Mitchell and Laswell. And, of course, the other photo books by Stephen Green-Armytage!

I give this a 5 star just for the pictures. If you want to know about chickens. I highly recommend these 2 books. Living with Chickens and Choosing and keeping Chickens.

My friend Marjorie is a person who is very fond of chickens. She decorated her little rental cottage with a chicken/rooster motif. I sent her this book for her birthday, because I knew she would be the right person to appreciate it. She called and raved about the pictures in the book. She said she did not know there were so many different kinds of chickens. Marjorie was delighted, and I was pleased to have made her so happy. The is not a book for everyone. but in the right hands it is a joy.

As a breeder of rare breeds in the Illawara region of Australia, I enjoyed adding to my poultry library a book as unique as this one. If you enjoy chicken breeds & photos of them I would recommend this book. The author has used a photgraphic studio to capture & highlight features of chickens that would never have been appreciated in previous books. I had purchased his original 'Extraordinary Chickens' & was delighted to add this extra book. The text is succinct & correlates well with other chicken information in other books. I recommend this book to all poultry enthusiasts.

This book is full of photographs of chickens. Not your typical chicken pictures mind you. You will see various breeds of chickens (many you have never seen before that are very interesting to look at), and you will also get a brief chicken history in the back of the book. What I especially enjoyed was the fact that the author wrote a small paragraph on each breed (again in the back of the book) featured in the book. I enjoyed the pictures of the various types of jungle fowl (the chickens early ancestor), and I thoroughly enjoyed this book. This is not a must have, but it sure is an enjoyable one.

This book deserves more than five stars. It is the finest set of flower photography that I have seen before, and presents more dimensions of what a flower can mean that I would have thought possible.

I took a course of creativity from author Dan Wakefield a number of years ago. One of the many excellent exercises we did was to take a flower and write as much as we could about what we observed during an hour. At the end of the time, I was bursting with new ideas for all kinds of things. Try it sometime!

Seeing this marvelous book by Robert Mapplethorpe (that would earn a G rating if it were a motion picture) reminded me of that exercise. I had the same feeling as I examined each image, and had a great desire to start taking notes.

The essay, A Final Flower, by Patti Smith helps put these great works in perspective. Mr. Mapplethorpe found it "as easy to hurl beauty as anything else." "He came, in time, to embrace the flower as the embodiment of all the contradictions reveling within [him]." He was inspired by "their sleekness, their fullness, Humble narcissus, Passionate zen." As such, he found flowers to be "worthy conspirators in the courting and development of conflicting emotions."

The images themselves evoke more complicated views than any others of flowers that I have seen. The closest to his style is that which Georgia O'Keeffe used in her painings. But there are more dimensions to these photographs.

For example, a single flower may evoke a part of a human body, but it will also stimulate an impression of a human emotion contained in the flower image separate from the body part. Further, the shadowed background behind the flower will add movement and context that greatly expand the meaning of the overall image. Mr. Mapplethorpe also displays a genius for using varieties of color together to express complicated rhythms that make looking at the images a lot like listening to a drum beating a distinctive tattoo. He also employs juxtaposition (to make one thing appear to be part of something else), allusions to emerging and receding, and contrasts to great effect.

The technical quality of the images is superb. The lighting, detail, and composition of each image are precisely as must have been intended. Each image is an exquisite gem. Although I liked all of the images, some appealed to me more than others. Here are my favorites:

Irises, 1988; Rose, 1989; Orchid, 1977; White Longstem Flower, 1982; Orchids, 1982; Orchid, 1986; Flowers in a Vase, 1985; Orchids, 1987; and Poppy, 1988 (second one). I would like to specially praise the astonishing Calla Lilies (1985-1988) for their amazing beauty and inspiring qualities.

Where else can something simple display so much important meaning and complexity about nature and the viewer? I suggest that you consider looking at leaves, rocks, and feathers as possible additional sources of inspiration. Try your hand at arranging tableaux that use the vocabulary of Mr. Mapplethorpe's work here.

May your heart and mind be suffused with the wonders around you . . . creating a meditation inspired by nature!

This collection of color photographs of flowers by Robert Mapplethorpe is stunning beyond words. Just when you thought that nothing else could be done with the overdone photographing of Calla Lilies, Mapplethorpe graces this book with eleven new shots of them, along with Orchids, Tulips, Poppies and a Rose or two. It should come as no surprise to anyone familiar with Mapplethorpe's work that some of these magnificent color shots are quite phallic in nature.

It is appropriate that the artist selected flowers for some of his last work since he like flowers was here for such a short time. (It is futile to speculate as to how many beautiful books he would have published by now had he lived.)

A short but moving introduction is included by his friend Patti Smith: She ends her comments with lines:

"A flower that grew from years of flowers./By one who caused a modern shudder/and was favored by his mother./It is the wall that conceals all the tears of a relatively young man/with nothing but glory in his grasp and what he would be/grasping is the hand of God drawing him into another garden."

For those who will never afford a Mapplethorpe, this book is a beautiful substitute.

While the photos are stunning, the presentation is a little rough. While most photos are presented with a blank page opposite there are a few photos that face other photos. This is a little jarring but worse is the two photos that are printed across the facing page. The spine break really detracts from a pair of beautiful photos.
Mapplethorpe was a genius with a camera and this book gives us many reminders of his skill. The publisher, however, lacks the artistic eye that would have prevented the distractions of a few photos that are damaged or badly placed by the layout. Minus a star because it could have been layed out better

Even though Mapplethorpe is better known for his controversial black and white nude photos, this book demonstrates his careful delicacy with not only the flowers but also the controlled lighting and the subtle colors. I have loved this book since the first time I leafed through it in studio photo class.

Unbelivable intensity out of such simplicity. Here is Mapplethorpe's ultimate genius, astoundingly powerful from such simple set-ups. The colour, composition, lighting, choice of vases and flowers: All the basics but brilliantly done.
I saw Mapplethorpe's famous exhibition in Philadelphia just before he died,the exhibit that was banned at the Corcoran in D.C., then siezed for a while in Cincinnati. The flower photographs were dye-transfer prints, which made the colour surprisingly intense; some were almost 3' tall. People would stand for a long time in front of those, enraptured, sensing the work on several different levels at once. This book does a good job of bringing that to you. You can look at this book over and over again, put in on a coffe table to start converstaions or, after having not seen it for a while, rediscover it to be awed and inspired anew once again.
The edition I have is a 1990 paperback 12" in height; the pictures are presented one to a spread, so that there is a blank white page accross from the flower, which is a very classy touch, completely the correct way to do it.

Highly recommend this to both hunters and non-hunters. Richard Nelson did a great job in capturing the evolution of deer and people interactions in America. An enjoyable book!

This book is the most thorough, most comprehensive, most graceful study of deer I have ever encountered. It deals with everything from the natural history of deer to the animal rights movement to different approaches to hunting and management. There's even a section that deals with the ways in which the film "Bambi" inextricably has altered Americans' views about deer. Nelson is honest about his own biases and convictions; he tells us that he is a hunter and that he believes in a strict ethical code with regard to his own hunting, a belief he learned while working as a cultural anthropologist with the Koyukon Indians in northern Alaska. Despite his strong beliefs, he is remarkably even-handed when dealing with the many controversial issues surrounding wildlife management in America today. I understand much better now why animal rights activists and wilderness preservationists do not always make comfortable allies. I trust this author; he has integrity. I loved "The Island Within" for capturing the mist-ridden world of an island off the coast of the Pacific Northwest, and I loved this book every bit as much. I highly recommend this book to anyone interested in deer, hunting, and the animal rights and environmental movements. It is balanced, fair, and majestic.

As a National Park Service Ranger and animal lover I've personally and professionally struggled with the issues surrounding deer management -- Bullets or starvation, which is more humane? Deer abundance or ecosystem biodiversity? Etc. etc. I've also read a great deal of literature spanning the entire HEART and BLOOD spectrum. This is the most accurate, fair, and comprehensive treatment on deer management I've ever seen.

Richard Nelson is the epitome of the professional anthropologist. He walks with as much confidence in the scientific and statistical world of biology/wildlife mgmt. as he does in the socio-political world of mass media, voters, and taxpayers.

The veteran scientist will regard the imagery in a few of his more vivid passages as "filler". These readers should be reminded that if the management of deer wasn't an emotional issue there would be far fewer researchers employed in such capacity. Hopefully they also realize that when Nelson describes tracking a food stressed doe in winter with "...at last I found her at the end of her tracks like a pencil resting in mid sentence," he didn't choose those words to impress an English teacher but to describe to the layperson exactly what it is like to pursue a starving animal.

On the other extreme the animal rights activist may try to skip over all of Nelson's nuances regarding deer behavior, physiology, and biochemistry. However, Nelson goes to great lengths to interject such information at a gentle rate and in very accessible terms.

With sincere unbiased reporting he describes opposing positions on classic bipolar debates. Then with his own arguments Nelson blurs the dividing line so thoroughly that animal rights activist will find themselves whispering "I can see how a hunter could be an animal lover too." and wildlife managers will end up muttering "I suppose individual animal welfare is worth the millions being spent on finding viable management alternatives to the bullet."

To say that this book has something for everybody would not only be cliche, it would be inaccurate. This book has everything for everybody. If you don't believe me, get a degree in Wildlife Management. Spend hundreds of hours tracking deer, thousands of hours pouring over scores of boring scientific research papers, EISs, lawsuits, and "blood-thirsty" calls-to-arms by animal rights organizations.

Or save yourself a few thousand dollars tuition and buy and enjoy reading this book. Allow Nelson who has already done the "BLOOD" work to take you directly to the "HEART" of the dilemma in a mere 400 pages.

Nelson explores deer history, management, and views in a thorough and unbiased review. He takes a personal perspective on values of hunting which will make the hunter and nonhunter alike ponder the marvels of the hunt.

Seriously, and I've met few non-fiction books that I can say that about. I'm not a hunter but I found this book quite engaging. Hunting is only one focus of the book. There is great appeal for readers interested in wilderness and conservation issues in the U.S. Remarkably detailed, intelligent, and colorful examination of deer across the U.S.; Alaska, Texas, Wisconsin, California, New York, etc. Very well-written; not a word is wasted and the whole is beautifully composed.