Washington Books

This is a well researched and written book about the Indian wars on the New York and Pennsylvania frontiers during the American Revolution. It tells the stories of the Wyoming Massacre, the Cherry Valley Massacre and the Sullivan campaign providing the details on each but in a very readable format. It also provides some details on other not so well known events on the frontiers like the situation around Pittsburgh and in western Pennsylvania. Consequently, this book fills in a gap in the American Revolution and worth the purchase for any individual interested in reading more about that period.

After two years of fighting in America with limited success, the British felt they were, to coin a popularized modern term, in a bit of a quagmire, and sought a new strategy for their overseas war. The new strategy involved moving the war away from the more populated northeast and into the western frontier. This move would not only disperse the already diminutive American forces, but would also allow Britain to utilize its strongest North American allied force, the Iroquois Indian Confederacy.

Glenn William's book, THE YEAR OF THE HANGMAN: WASHINGTON'S WAR AGAINST THE IROQUOIS chronicles the events that took place in those western frontier skirmishes and battles. The book derives its name for the year, 1777, which had become popularly known at the time as the `year of the hangman' due to the three sevens appearance of gallows when written, though the majority of the events actually occurred in 1779. Though using that title for his book was too good of an opportunity to pass up, William's title is slightly misleading as to the dates of the primary events.

The Iroquois, though primarily located in Western and Central New York, were quite possibly the strongest Indian nation of North America for a span of over 500 years. Their control reached across the Great Lakes into Central Wisconsin and their rise to prominence came at the cost of driving out, and driving to extinction, numerous other Indian tribes of the region. They were, to be sure, a force to be reckoned with.

Both the Americans and the British had heavily lobbied allegiance with the Iroquois, but in the end, the Indians felt their best chance for future lay at the hands of the British and consequently, four of the six main tribes of the Iroquois sided with the British. This error in judgment would prove fatal to the Iroquois nation, when, as a primary result of the Sullivan Expedition, the Iroquois nation would virtually lose all of its military and political power.

While the Sullivan Expedition is the primary focus of William's book, other major events are deftly chronicled as well, such as the Battle of Oriskany and the Wyoming Valley attacks. By 1979, Gen. Washington had successfully developed the army making it capable of taking the fight to the Indians and literally destroying their economical stability and rendering them harmless, not just for the remainder of the revolution, but into the subsequent years of frontier settlement into the traditional Iroquois homelands.

That Washington was able to develop a force the size of the Sullivan Expedition (5000 men) is in and of itself, a testament to Washington's military leadership abilities and, though today, only an afterthought in Revolutionary history, stands as one of the General's greatest military accomplishments.

This is good reading. Glenn William's had put together a readable and valuable presentation of a rather forgotten aspect of America's fight for independence.

Monty Rainey
Junto Society

Mr. Williams recent book describes in excellent, understandable detail what caused the Americans to invade Iroquois territory and the effects of the invasion. His book is an excellent companion to another book I have read titled History of Wyoming, by Charles Miner that was originally written in 1845. Miner interviewed people who survived or were connected to the Wyoming Massacre, while Williams had access to all the archives. The two books fill in details and each makes the other more rewarding to read.

I read this book because I have Loyalist ancestors who were members of Butler's Rangers and almost certainly participated in the battles described in such detail. My ancestors, William Pickard and his 2 sons James and Benjamin, two privates and a drummer boy, did not get mentioned in the book, but that was not a problem since around 900 people were in Butler's Rangers. They survived to move to Canada after the war and they started large families after leaving their homes in Tryon County.

The book has a nice section on the key personalities that I found useful since there were Butlers on both the Loyalist and Patriot sides. The book would be improved by detailed maps. Unless you can imagine where places like Tioga, Unidilla and Stone Arabia are, you will read the book in front of your computer with Google Maps open as I did. The book would also be improved with contemporary photos of the battle sites; some of these, like the Battle of Newton, were easily found on the web.

I learned much from the book and enjoyed it. It was very interesting to see that the Rangers contained a good number of Black soldiers who lived with the rest of the Rangers and the Indians. It was also interesting to see how both sides courted the Indians and tried to win their support. The book really makes the Revolution look much more like a civil war than people typically think.

The book was well written to the point that the book rich in detail was not lost by the tremendous amout of utilized quotes and reference points. More detail on the life style and pressures (for survival)of settlements along the frontier border would have been benefical.

The word artificial originally meant "artful, crafty." That's an apt description of ARTIFICIAL IMAGINATION, which blends art, craft, and wit into a narrative that teaches us life lessons that we did not knew we knew.
-- Richard Lederer, author of Anguished English

Watch Video Here: http://www.amazon.com/review/R2JQ1EBHV3YOR6 Great book, nice splash of humor--high quality photos! I specially like the love story at the end.

Here are some links to photo posters and calendars from the book and promotional T-shirts:
Scenic City and Boat Photo Poster
University of Washington Photo Poster
Seattle Secenic Sunset Photograph
Seattle Secenic Photograph
Thonging At the Beach
San Francisco Scenic Union Square Photo Poster
Pike Place Market Photo Print
Beach Hotties Poster

This book transcends genre -- it's a good collection of memoirs, entertaining style, nice splash of humor, an extremely detailed travelogue with beautiful photographs, a good description of technology, a touch of Science Fiction (since it is purportedly written by a Artificial Imagination program) and suffused with philosophical musings.

Even though it's obviously written by a Technologist, the book is very human. It is primarily about the immigrant experience, but Kalpanik is extremely observant and has an eye to look for the unusual, notice what stands out and build humorous side of people, places and his own life.

Wonderful! one can feel a touch of his bitter-sweet experiences but one is encouraged by his ability to find humor everywhere.

Watch Video Here: http://www.amazon.com/review/R1CJDZRIOJJIFN Kalpanik's writing is down to earth, funny, witty and smart. He chronicles his journey of self-discovery with an amazing detail and humor. His coverage of the various places he has been to--UC Davis, San Francisco, San Diego, Seattle and Nashville-- was informative and enjoyable, and so were his jokes around them. I recommend this book to anyone looking for light reading, specially busy professionals who do not have time to read a whole book in one straight session but want to read one entertaining a chapter at a time.

Watch Video Here: http://www.amazon.com/review/R3T5IX83S8N7DX Light reading, but very engaging! Entertaining and excellent for busy professionals since you can read it chapter at a time and still enjoy it!

Rita D. French, Perrin L. French and Irvin F. Lin Baltimore's Own Little Italy Artist: The artwork of Tony De Sales (Genovefa Press P.O. Box 50954, Palo Alto, CA 94303 www.genovefapress.com), 2003, 224 pp. $29.95

This volume spotlights the artwork of Tony De Sales. His pen and ink drawings, some colored with crayon or simple paint, documented the architectural details and settings of his origins in working class Baltimore. Tony's sister, Rita De Sales French, and brother-in-law, Perrin L. French, unite Tony's life story with his artwork.
For thirty five years Tony maintained his "outdoor" studio and sales room at the corner of Fawn and High streets in Little Italy, an intersection frequented by locals, tourists and celebrities en route to see the sights of this historic and culinary-rich area of Baltimore. Tony's grandparents, his paternal side from Palermo, his maternal side from Warsaw, arrived in Baltimore in the early part of the 20th century. At an early age Tony became the family mainstay-his parents separated and his mother, Genevieve, suffered from mental illness. He never married and helped to raise his younger siblings and later cared for his mother until her death in 1998. On good summer days Genevieve would sit with him as he worked and greeted passersby.
The people he met on his corner of Little Italy often became friends. He gave them postcards of his prints to mail back to him when they returned to their homes across the U.S. and the world.
The book is filled with reproductions of Tony's artwork and some photos of the actual scenes he drew accompanied with descriptive text. The book covers the span of his artwork: Little Italy, Baltimore Harbor at Fells Point and seaway, Annapolis and places outside Maryland that Tony visited.
This volume makes a perfect gift for collectors of Italian American art, devotees of maritime and urban landscape art. It would serve well as a souvenir for tourists to Baltimore, Annapolis and Washington D.C. and a rewarding way for residents of the Baltimore-Washington D.C. corridor to learn and appreciate the place they call home.

This book is a unique combination of biography, city-history, and insight into the feelings and production of a gifted, self-taught artist. Tony DeSales overcame limitations of means and circumstance to bear witness to the city and neighborhood he loved.

The authors of this book, in turn, do justice to the artist's life and deep-felt monochrome and color sketches. Writing, production, and reproduction of the artwork are all first-rate.

This book is a bargain at its price, and is priceless for those who share Tony DeSales' love for Baltimore.

I highly recommend this book to anyone interested in street art and the Baltimore area. It is packed with Tony's beautiful artwork and the authors' detailed stories of the area. Every Baltimorean should own a copy. Rita and her co-authors have done a superb job.

This book is like a trip down "memory lane" for those of us who grew up in Baltimore. It is apparent that a great deal of thought went into the prepartion of this book. The full page prints are nicely presented on glossy paper. This is also an inspiring story of a man's generosity to his family and his community via his artwork.

This lovingly crafted book Rita and Perrin French
traces the work of Rita's brother Tony DeSales.
The prints are warm,evocative and touch the spirit of
place, They show artist and scene as one; his trying to
make you observe the vision of Baltimore that he had embraced.
Many are hauntingly beautiful renderings and show a warm remembrance of his vision. You will see many nuances
of place and look again at places found in this wonderfully
crafted editon.

Burl Barer is a true crime writer in the Pacific Northwest where the Queen of True Crime, Ann Rule, is also based. This book is about the Spokane serial killer, Robert Yates Jr., who mostly killed prostitutes and drug addicts as well as others. Barer does not forget the victims which is important because he makes it clear that no victim deserves to be killed and discarded like trash and garbage. People's attitudes about prostitutes and drug addicts must be revised in order to pay attention to the serious problems. Prostitutes are illegal in Washington but they are also mostly likely to be victims of serial killers like Ridgway and Yates. If Bundy had murdered prostitutes, they received little or no attention. Bundy referred to them as bottom feeders as the lowest of society. He had higher standards towards his victims but he still treated them like garbage. We might have to legalize prostitution in order to save their lives. We have to stop the fear of them being arrested, tormented, and used by police authorities as well as their clients. People don't know how dangerous that prostitution can be in their line of work. They are often desperate to be put in that position in the first place. My biggest problem with the book is the lack of organized outline regarding the victims like a chronology detailing their age, background, date of disappearance, etc. Barer does try to humanize each victim's background by describing their families and their loss.

BODY COUNT relates the story of Robert Yates, Jr., a serial killer responsible for 18 murders in a time span of approximately 20 years.

The author, Burl Barer, provides great insight into life on the street as a prostitute, constantly living for the next john while just trying to survive. Barer does a tremendous job of reminding readers that "sex workers" are people too; that they have families who mourn and miss them when their lives, no matter how trecherous or disgusting to the averge joe, are prematurely ended.

Readers are also provided with an upclose view of how such cases can haunt the detectives who work to solve them, and the toll it can take on their sanity and physical health.

And lastly, Barer reminds his readers with his story just how "normal" a serial killer can be. Yates was a father and a husband, someone no one ever suspected. A creepy reminder that the nice guy next door could be a Ted Bundy when no one is looking.

This is an interesting and insightful book. If you enjoy stories about serial killers, this is definitely recommend for you.

Burl Barer is, in my opinion, the #1 true crime writer in America. Each book takes a tragic case, elevates the victims' deaths to the level of sacrifice, and probes the inner working of the killer's mind and upbringing. I was mystified by the review that said there was no information about Yates' life and upbringing -- in truth, Barer delves deeply into Yates personal history. An added shocker is that author Burl Barer knew Yates' first victims, and also knew one of Yates' final victims. Both the killer and author lived in the same small town; their daughters attending the same school.
Unlike Mark Fuhrman's book about the same case, Barer's is accurate in detail. Yes, there is one unsolved murdrer after another...a repetitive "problem" with serial killers -- but Barer uses this very aspect of the case, and the dead ends of the investigation for many years, to heighten the sense of frustration and desperation that haunted the Homicide Task Force prior to their arrest of Robert Lee Yates. If you want to read true crime at its best, pick up any book by Burl Barer.

Body Count was a very interesting read. As an avid true crime fan, I don't remember hearing about the Yates case until now. Burl Barer perfectly balanced Yates' background with the investigation and victims' stories. Ann Rule is still my favorite true crime author, but Burl Barer is a close second.

The reason why I gave the book 4 stars instead of 5 was because of several typographical errors throughout the book and the name of one victim not being consistent throughout the book. As a proofreader, these errors stood out and bothered me. If readers ignore these things, you will enjoy reading this book.

Historically speaking, the northwestern part of the United States has seemed to breed its share of serial killers. This being said, it may seem challenging to stand out in a background with the Green River Killer and Ted Bundy. Yet the story of Robert Yates Jr. is compelling on a number of levels. And just as important, Burl Barer proves to be a talented writer in "Body Count" with good pacing, appropriate word choice, and lending a sense of dignity to the genre of true crime.

Robert Yates Jr. committed his first murder in 1975. However, the uncontrollable urge to kill did not take him over until the late 1990's. Despite having a daughter the was near the same age of some of his victims, Yates systematically murdered prostitutes in the area of Spokane, Washington. Unlike his somewhat random first murders of the 70's, the prostitute murders were typified by a bullet behind the ear and three plastic bags over the head to seemingly control bleeding.

There are many interesting aspects to this case which I am somewhat hesitant to advertise and spoil the enjoyment of this book for others. The miltary and security guard background of Yates seem to play to the idea that he not only sought control in his killings in addition to sexual gratification. While Yates seemed to defend his crimes to some degree by noting that he was molested as a child, not every molested child becomes a serial killer.

Burl Barer is a true crime writer that I believe belongs in the upper echelon of the genre. I never got the impression that he was exploiting the misfortune of others or just out to make a quick buck in this book. He tells the story with a solid writing style.

dada: zurich, berlin, hanover, cologne, new yorkk, paris

This book is wonderfully informative, plus it has so many full-color reproductions--the type of terrific catalog that inspires one to stroke its pages with a sense of seduction (works in my mind!).

Coupled with Hans Richter's: "Dada, Art and Antiart" and movement's philosophy and works are clearly understood. Graphics are truly great and commentary enlighten. It might be noted this book is German published as the Max Ernst book "Life and Work". Both with numerous colored plates of the highest quality. The Dada book though excels in text.

I have always had a weakness for Dada, and within this quixotic movement a special liking for Schwitters. So I visited the Dada-exposition in the Paris Centre Pompidou last year, and there bought both the Dickerman catalogue of the American exposition, and the (French language) catalogue of the Centre Pompidou itself, which differ in many ways. The exposition was wonderful by the way, and one of the best I' ve seen in many years. Thinking that a morning would be enough to see what I wanted to see, I changed my mind, decided to take dinner in the Pompidou, and stayed for the rest of the day. The immense amount of material was stunning. And the same thing really goes for both impressive catalogues. The American (Dickerman) version (520 pages) follows Dada by way of the cities where Dada developed, and does so in a more or less chronological fashion. Essays are excellent, photomaterial looks great. It is the sort of catalogue you would expect from an exposition like this. The European catalogue, more than thousand pages, printed on very thin paper, treats subjects, artists, and everything else connected with Dada according to alfabet. It seems to me that the catalogue has just about everything that could be seen at the exposition, with exception of the films of course. Although I felt a bit silly after buying both catalogues (spending some 100 euros), I was in the end very glad that I did. Everybody who buys catalogues now and then, know how disappointing these sometimes are. Well, these aren't. They are both superb, knowledgeable. And the people who made them have done a terrific job. In the end you wind up thinking: Hey, these guys (and girls) must have loved Dada as much as I do.

IF YOU LIKE ART THIS IS THE PERFECT MEAL.
BREAKFAST LUNCH DINNER AND SNACKS
I WISH I HAD ONE OF THESE BOOKS IN EVERY ONE OF MY ROOMS
OR ANYWHERE I VISIT WHERE THERE MIGHT BE FREE TIME TO LEAF THRU IT!

While somewhat out of date, Hard Living on Clay Street is one of the best observations of poor white Southern working class folks ever done. Howell came to the research with some background, but more importantly with the ability to get these people to let him into their lives. He tells a compelling story. I have used the book for a Qualitative Methods class, and the students are impressed with both the writing and the characters. Anyone who wants to get a good look inside the lower middle class in this country should spend a little time on Clay Street.

I ran across this book after it was misfiled at the library, and I picked it up because I wondered what a book with a title like that was doing in the section. I read the whole thing through in one sitting. I think it is one of the most incredible anthropological studies I have ever read. As others have commented, the methods that Howell uses are extremely effective - he quite literally moves across the street from his stubjects. I get the feeling that to write this book about "blue collar" people (although the first family at least is really quite destitute) Howell does not hesitate to drink a lot of cheap beer, go deer hunting, etc.

Al Gore might have grown up there had his father been a plumber who moved north for work. Not many St.Albans boys in that neighborhood though. As in none. Gotta wonder if Harrington and Gore don't hook up once in a while what with the wellheeled intellectual Nashville/DC connection. All in all not a bad intro to a forgotten people in a very interesting time and place. I was happy to have stumbled upon it.

This book should be mandatory reading for all high school students in the United States. Poverty is indeed a virtual reality in this book. You cannot help but gain an appreciation for all you have, however little it may be.

Howell utilizes a "hands on " approach to drive home the reality of a very large segment of our society by literally moving in with them and living the life - in spite of peril for one year. Through this approach, he gains the trust of two families, the Shacklefords and the Mosebys, and we are able to move into their homes, travel with them on their drunken runs, and thereby gain an insight from a perspective within that no "text" could ever offer us. I applaud this book and have used it yearly in classes since 1978 with raves from the students.

When Washington Post columnist Colman McCarthy was invited to teach a course on writing at an impoverished public school in Washington DC, he responded that he'd 'rather teach peace' - and thus he began a new career, teaching courses on nonviolence and conflict management to a range of schools. "I'd Rather Teach Peace" details one semester in six of these schools, and is an excellent pick for educators seeking insights on teaching peace within the education curriculum.

Very heart-felt, and gets to the core of many issues affecting us as a nation, and really does make you wonder "Why don't they teach Peace in school?".

In 2002, I read 101 books. "I'd Rather Teach Peace" was the best one.

Colman McCarthy tells stories about teaching people to resolve conflicts. He describes what worked and what didn't. He also tells you what his students taught HIM --- he's humble enough to know he's a student, too.

I learned that I don't think about peace enough. Now I think about it more and I keep an eye out for conflicts that I can help to resolve. I don't know exactly how to create peace around me, but thanks to Colman McCarthy I know I need to learn.

This is an inspiring and simple book. I'd gladly read another 100 just to stumble across something like this again.

McCarthy's book is inspirational. I'm working on a manuscript on peace and writing, and sometimes the realities of the world raise serious doubts. When it becomes hard to believe in the possibility of peace, I open this book.

I love McCarthy's book. His writing is enjoyable, which is how all writing should be. It was a pleasure to learn from this man.

I recently started studying anything I could find about peace and this book was the second one I read after searching at the local library.

I now have an idea how much literature there is out there about non-violence. McCarthy has successfully urged me to keep reading about this subject. Besides his occasional description of other sources, mentioned throughout his book, he even put a section at the end that lists additional authors and their titles, for further study.

As a result of reading his book, I find that I would like to help in any way I can to make the world a better place through teaching non-violence.

Fascinating, funny, romantic, wise... This is a stunning exploration of the American Jewish experience - the heartfelt tale of every immigrant torn between the culture of his forefathers and the glorious temptations of a new land's dream. - A grand piece of storytelling-Boston Globe. Rich and compelling-The New York Times. Laugh until your side aches...Wipe away a tear...-Pittsburgh Press

Herman Wouk is an exceptional writer and this book lives up to all the others. I feel like I know the characters and I've gained a much better understanding of Jewish life in America.

There's no such thing as a bad book by Herman Wouk, and the breadth of his writing is almost as vast as the depth. To think that one man wrote MARJORIE MORNINGSTAR, THE CAINE MUTINY, THIS IS MY GOD, THE WINDS OF WAR, WAR & REMEMBRANCE, DON'T STOP THE CARNIVAL plus a half dozen others simply boggles the imagination.

Along with DON'T STOP THE CARNIVAL, Wouk's funniest book, INSIDE, OUTSIDE is an easier read than most of the other topics he has tackled. Set in a recent decade, the title refers to the fact that in Jewish families, some people use one name at home, their Hebrew, "inside" name and the Anglicized version of that same name out in the big world. Along with the name chosen go two different and distinctive aspects of their personalities.

It seemed clear on reading INSIDE, OUTSIDE that the hero's sister, Lee, is the all-grown up version of Marjorie Morningstar. This is not Herman Wouk's most important book, far from it, but it is one of his easiest works to read. The story he has told, as always, is an interesting one. There is no such thing as a bad book when Mr. Wouk is the author.

Took this book with me on a cruise and couldn't put it down. Wouk's writing so fabulous I am now reading all of his book, some a second time.

He is a masterful writer and creates characters that come alive and stay with you.Inside, Outside: A Novel

"Inside, Outside" comes as close to being an outright autobiography as Wouk is likely to write."

"Wouk demonstrates his ability to write with compassion about people both literary and historical, real and imaginary."

Wouk's 1985 saga is a social comedy of Jewish-American life reaching from New York to Jerusalem and spanning much of the 20th century.

This is an amazing book... I was really moved by the adventures and trials of this little girl growing up on an island by the lighthouse, with the backdrop of the beautiful, yet dangerous, Pacific Northwest at the turn of the XX century. The language is simple and direct, but the stories are so full of life and all those little details that make up childhood. Even if this book is a child's story, it is very romantic, in the highest sense of this word. So if you love the sea, or childhood, or the Northwest, or if you're a dreamer at heart, read this book!

This book if fun to read, Good writing, Makes you laugh and cry. You will have a great time with this book.

Patos Island is a tiny, magical, mystical undeveloped island that only a few fortunate sailors visit. I fell in love with it on my first visit, and only later did I learn of Helene Glidden's book. What a treasure! It brings her family alive in vivid detail--the hilarious, the heartbreaks and the nearly unimaginable hardships. After reading "The Light on the Island" I could not sail in that area without the benevolent company of their ghosts--I could almost hear them singing across the water, as if rowing on their way to a party on a neighboring island. Anyone who loves the San Juan Islands, anyone with a thirst for history will love this little book.

The Light On The Island was written by my great aunt, Helene Glidden. We have enjoyed reading the story over and over, and have spent two nights in Active Cove on Patos Island with our children. The last night we spent there was about 5 years ago, tied up to a bouy in our 29 foot sailboat. It was a terrible night, as Active Cove often lives up to it's name. I spent all night thinking about my aunt and what it must have been like to call that lighthouse home.
...a lovely book. I hope you read it and enjoy it as much as we have.

Helen Glidden wrote this gem for the amusement of her children. Lucky for us, she was persuaded to have it published. Now, happily, 50 years hence it's back in print. It's an enchanting story (mostly true) about a large family (13 children) of light house keepers posted to tiny Patos Island in the San Juan Islands of NW Washington State at the turn of the century. It is told through the eyes of the five-year-old, middle daughter and comes complete with smugglers, heroes, a murder or two, colorful characters, whimsy and plenty of humor. Glidden masters the tricky business of writing from the point of view of a youngster growing from five to 13 who, for example, thinks the bushy bearded man living on the lam in their forest and know only to her is God. The author was this girl.

Most of the poems here are beautiful. Some convey the feeling of love gained and others tell the story of love lost or the perils of love.

I really like the poem "Thyrsis and Amaranta" by Jean De La Fontaine hilariously true!! It tells the story of a young man who is in love with a girl who doesn't even know he longs for her. He hints and clues his feelings to her and in the end-- well, if you've ever fallen in love and found out someone has already beaten you to the person you want to be with, you'll instantly get this poem.

There are other poems here that have haunting truths like "They That Have Power" by William Shakespeare. A must read for anyone who knows someone who uses their looks for the disadvantage of others.

This book is a must have for anyone who is interested in poetry. Anyone who is interested in love. And anyone who wants to laugh here and there at a general truth of people who are in love. A real good buy.

Though this book was filled with a grand assortment of poems, it did not strike my fancy as I thought it would. When I first ran across the book, I was enthusiastic about reading it for the very reason that love poems are appealing to me, as I am a high school girl.

Before I began to scroll through the pages of poems, I had high expectations for this book. I envisioned myself basking in the sun in a hammock, reading endless love poems, all of which were appealing to my romantic nature. However, I found that the majority of these poems were dull and repetitive. They did not remind me of the romantic fantasy that can be found in fairy tales, or the type of romantic poem that lovers write to one another.

This book consisted of a variety of different authors as well, many who were either from a different origin or not well known. Not only were many of their poems repetitive, but also difficult to understand and envision in one's own mind.

While the majority of this book was not appealing to me, there were some poems in this book that I found I enjoyed. An example is, "When You Are Old," by WB Yeats. I enjoyed this poem because I was able to envision myself, years down the road, with the love of my life. I connected with this poem because I consistently imagine myself growing old with someone and loving him unconditionally, just as the poem insinuated.

But true Love is a durable fire
In the mind ever burning;
Never sick, never old, never dead,
From itself never turning. ~Walter Ralegh

I am naturally drawn to tiny books and this book was no exception. I saw it and instantly fell in love with the red library binding and gold embossing on the fabric cover. This is one of those books you want to carry around with you in your pocket to read on a sunny day while sitting on a park bench.

While most of the poems were new to me, I did find lines to make any poet drown in the pure beauty of words. "In My Sky at Twilight" is a paraphrase of the 30th poem in Raindranath Tagore's The Gardener. The images are lush and mingle emotion with nature. "In Former Days" by Bhartrhari (5th Century) is witty and beautiful in its simplicity. Two lovers are so in love they forget their separateness and then drift back to being "you" and "me." The poem is a mere four lines and yet it provides a intimate look at how lovers feel when in love and when they drift apart. I loved a few lines in "The Palanquin" where a butterfly lands on delicate skin and transfers colors onto the lover's skin.

The poems are divided into 7 sections:

Definitions and Persuasions
Love and Poetry
Praising the Loved One
Pleasures and Pains
Fidelity and Inconstancy
Absence, Estrangement and Parting
Love Past

You may recognize poems by Lord Byron, Edgar Allan Poe, William Shakespeare, Walt Whitman and Dorothy Parker. I was pleasantly surprised by poems by Leconte De Lisle, Pablo Neruda and Dioskorides.

You will find a wide range of love poems. This book contains selections from ancient China to modern America. These poems present the universal experience of the human heart.

~The Rebecca Review

This is both an excellent and beautiful collection of
love poetry collected from many different poets, male
and female, and from many different eras, and from
many different lands...but the focus is Love...and the
responses to Love...
The poems are grouped in sections. The titles of
the sections are: Definitions and Persuasions; Love
and Poetry; Praising the Loved One; Pleasures and
Pains; Fidelity and Inconstancy; Absence, Estrangement,
and Parting; Love Past.
The "selecter" and editor, Peter Washington, says
the best words about the nature, scope, and purpose
of this book in his "Foreword": "My selection of poems
for the anthology which follows has been guided by
simple principles. Each piece had to be first-rate
in its own way, and each had to contribute something
distinctive to our understanding of love. Where there
is similarity of mood, there is difference of emphasis;
where there is repetition of an idea, there is variety
in music. The juxtaposition of apparently comparable
lyrics brings out their differences, and although the
poems are arranged in broad categories which follow
an obvious sequence, it is the echoes they set up in
one another which enrich them all."
-- Peter Washington.
There are so many fine poems that it is very difficult
to pick a sample--but this is very fine indeed:
* * * * * * * * *
In the moonlit chamber, always she thinks of him
Soft wisps of silken willows, languor in the air
of spring.
Verdant were the grasses beyond the gates;
At their parting, she heard the horses neigh.

Draperies patterned of gold kingfishers;
Within, fragrant candle melts in tears.
Falling petals, the morning plaint of the cuckoo,
Green-gauze windows -- fragments of an illusive
dream.

-- Wen T'ing-Yun (?813-870)
[Trans. William R. Schultz]

I love this little book. It's chock full of poetic gems, yet each one is so different. The differences in variety are surprising...there are different moods, cadences, emphases.

The poems are arranged in broad categories and follow a rather natural progression from the joys of meeting to the pleasures and pains of being "in love," to an absence of one's beloved and past loves.

Some poets are represented more extensively than are others. These include John Donne, Boris Pasternak, Anna Akhmatova and Christina Rossetti, among others. I don't think anyone who loves good poetry will complain about his disproportionate representation, however. The poets named above are so good, and their ideas so universal, that not repeating them would have been the mistake.

Although all of these poems concentrate on a universally recognized aspect of love, the perspectives vary sharply. There are poems from ancient India, classical Greece, medieval Japan, renaissance England, 19th century France and modern-day America.

The one quality all of these poems share is first-rate writing. You will no doubt find some poems you prefer over others, but you won't find poems that are "better" than others. They are all of the highest quality.

Another thing I like about this series of books is their size. They're small enough to carry in a purse or even a laptop case. I read mine on the train, on the bus, while waiting for the bus, anywhere, really. I couldn't think of a way to improve them.