Texas Books

The life - project of Pessoa in his making of multiple poetic alter egos, reminds of the life - project of Kierkegaard who explored various aspects of the religious life through use of alter egos often representing different faculties, approaches and moods of life. But if Kierkegaard's aim is to bring the reader to realization of what it might be to be in true connection with God, Pessoa's seems to be more to dissipate the notion of unique identity completely out of existence. Thus the fragments he shores around his own ruin and attributes to alter ego , heteronym Bernard Soares have within them a strong nihilistic self- and - world denying element.
Yet and here is the contradiction and the deeper truth they also reveal a kind of beauty both in perception and in the varied motion of the mental life itself. Lonely solitary lost fragmented Pessoa knows no human sacrifice like that of Kierkegaard with Regina, knows no dedication to his father's task of doing God's duty in the most ultimate way. He instead seems to reveal hidden realities as he conceals that beyond them all may well lie an eternal nothing. Kierkegaard is the many- selved servant of God, and Pessoa the many - selved servant of nothing more holy than human poetry.

"If i think, it all seems absurd to me; if i feel, it all seems strange; if i desire, he who desires is something inside of me."
Sums up the book perfectly. Pessoa explores one of his many personalities. "The Book of Disquiet" explains, in complete depth and faith, the beauty of a lonely, existential, moment by moment life. He explains the beauty that people forget. He explains the world, his perception, as if every moment were the last.
"The book of disquiet" is one of the most insightful books a person can read, but only if one has imagination and an ability to let go. Bernardo Soars, Pessoa's personality who wrote the book, is extreme and eccentric. It isn't easy reading, and it won't affect you if you can't overlook the fact that life doesn't go on like Soars'; that there is more in thinking, dreaming, and desiring than Soars admits. What makes the book so special is how Soars can forget everything but the thought and the moment, and how he can analyze and critique and put into words something that most of us forget to remember. "The book of disquiet" reminds me, at least, of how to appreciate my own mind. It is the only philosophy-like book that i enjoy (as yet) because it is the real thing and encompasses a forgotten part of real life.

Fernando Pesoa's genius lies within who Pesoa was as nil and not. He wasn't anyone. Only somene who continually writes in "disquiet" his persona's variable exegesis. The writing is in the book but the author who wrote it, Fernando Pesoa does not "feel himself" as actually being who he is. So, maybe he's actually a different author, with a different name who begins to write a different book. There's all of the writing there, its genius evident in the mystery of the writing itself. All the writing invested with absolute revelation of numinous absence. The absence is that of the author's presence. Magic? Truly. The author is not there. But he must be "there" because he has no choice but to write. What's the answer for the author who is finds himself as absent? He must undertake the creation of the abent author's presence. How? By literally creating a utterly unique form of literature. A literature whose grammar is of being literal by making it possible to write of the absence of an author to himself into a presence to be known as the once absent identity. Writing through a textual hermeticism capable of transmutation through written words of the emanation of an author as "logos," or the Word. "In the beginning there was the Word." Through the Word as logos, all identity is created in the appearance, ex nilho, of the writer mediated solely through himself in this the new logos of writing itself. Pesoa is not himself. He's a man who achieves glimpses of a unmanifest self-referential identity only through his books. In the work of writing these books, this identity is made manifest as the author's anamnesis. Seemingly he finds out (remembers) he is, and always was, a certain author he now "remembers" as himself as a manifested presence. An absolute genius manifested as the author himself being (repeatedly) annihilated through radical self-doubt. Only later remembering who he was as absolute presence never to be lost again. Until this is accomplished all of the laborious, literal negotiations must of necessity begin anew, and are written as literature whose search arises from absence's discontent becomes the new discourse as the art and improvisation of real identity forged in the alchemy of narrative. This peculiar narative reaveals itself as a lived experience of self-discovery. One man of many parts dismembered in his own identity become self-inflicted and religious. Pesoa's own holy inquisition seeking and finding the indentity he is spurious, a phantasm of derealized personality perpetually guilty of having a persona found lacking, Wriiten out in texts as being found guilty of the "heresy" of having an identity. Never before Pesoa has an identity crisis of infinite magnitude been witnessed in Pesoa absence made real presence in some of the 2OTH century's finest writing and poetry. of the 20TH century in The writing of a man named Fernando Pesoa. A man lost to himself, in search of the "person" underneath the name. Personality and identity as reality grounded in a mystery only to be known by itself: self found through words that are the artifacts of the self discovered. A genius lost to himself and calling his absent identity into gradual existence by a person's absence fading into a personality that's presented in multiple, shifting Heteronyms, or cases of terminal identity lost and regained.

Poetry often speaks to us; we see something in it, something recognizable, and it's like we are shown a piece of ourselves that had been hidden for a lifetime before. Finding Pessoa's *Book of Disquiet* was like finding a piece of myself. In the pages of this poetic novel you will find honesty, often self-disparaging, and you will find beauty in the smallest observation. However, be forewarned, this is not a book that should be picked up with the idea of light reading in mind. In fact, you may find that you have to put it down, repeatedly, to get away from it, to think, but you will always, always come back to it. Keep it close to hand.

there are few poets able to assume so many diferent personalites as Fernando Pessoa. But Bernardo Soares is not a diferent personality, is just the other side of his personnal mirror, an escape to his tortured soul. Probably that is why The Book of Disquiet is so universal, a portait of the human fears, an example of a lonely man,travelling across his own mind, looking at the world through the most ironic eyes. Fernando Pessoa was able to understand dissapointment and regreat in a intemporal way, as a natural part of human nature. So, this book has the ability to make you look inside yourself, guide by one of the best poets of all times!

A great 1st book by the author filled with suspense & humor. The story keeps you glued to the pages wanting to know what happens next. Can't wait for the next book from Kiki Curry!

There is never a dull moment in this fast-paced thriller. Mysteries are
my favorite genre, and I thoroughly enjoyed the book. Curry kept my
attention with several humorous subplots going on, woven into the death
of a girl in Marble Falls, Texas.
I don't believe in coincidences, like the story suggests and to follow
your intuition. Today, after reading Crows Calling, I found and bought
a piece of art named, "Yellow Bird Ascending." It has the Kachina gods
representing the animal totems. The bird representing the soul.
In this book, the story told of the Indian lore of the crow medicine
being the avenger of truth. It was interesting how the plot captured
the Native American ways of seeing nature as a way Spirit speaks to us
if we have the eyes to see and the ears to hear in a very believable
way.
Crows Calling would make an excellent movie because of the nonstop
action, and humor. I loved the characters and would like to see them
continued in her Curry's future books. By the way, if it is ever made
into a movie, I see David Leach as a character, or maybe Billy Bob
Thornton as one of the thugs.
I can't wait for her next novel to come out. I read her bio on her
website and noticed she was a standup comic. This really was apparent
reading this entertaining book!

As a screenwriter living in Texas, I found this book to be very interesting. Set in the Texas hill country, it is rich with local color. Kiki Curry gives us a new age spiritual woman's point of view of events concerning the death of a young woman in Marble Falls, Texas. The book contains lots of humor and suspense. Curry's narration is very visual and filled with Texan idioms and cultural references. In addition to a fun supspense story, it is an interesting cultural study.

Fun story that as a new Texan, I was able to recognize many landmarks! (Like Stephen King always made me feel about New England). The characters in the story were memorable and endearing. Quite a few sounded like people that would be fun to meet (if they exsisted of course!)
I would recommend this as a entertaining, easy read and I hope to see more from Kiki in the future!

I could not put this book down once I started to read it. Not only does Kiki keep you guessing she keep you thinking. The book was original, engrossing, and endlessly inventive; my only problem with the book was that it ended way too soon. To the Author - Please write a follow-up book very soon.

This is an excellent book for the novice or the expert. Everything you need to know about making stone tools the way neolithic man did is easily explained using simple very clear language. The author has done an excellent job explaining the methods, history and reasons behind a very fascinating, little known subject. Those who are interested in the history of technology will love this book.

This book is without a doubt, one of the best books I have ever read on flintknapping! The black and white photos and drawings show the exact methods of making stone tools, and how they were probably used by Native Americans.

I bought this as a gift for my husband who is an avid arrowhead collector. He was very impressed!!!

This is another five star pick, a must have if you are learning to flintknap or just studying primitive skills. Full of information for the beginner to expert.

Pick this book up and you'll be able to start flintknapping immediately. This guide is entertaining while being informative.

Even though I have read a number of books about ancient Mesopotamia, many of which are focussed on political and economic history rather than on beliefs and religious practices, I am was still very confused about who were the principal gods and goddesses, during what period of time and where they became prominent, and why they were worshipped. The uniformly positive customer reviews of this 192 page book were what persuaded me to buy it , and I was not disappointed.

When I buy a book, however, I do prefer to read it from start to finish, so reading a dictionary in this way is somewhat difficult and it is probably not the best way to read this one. The "gods and goddesses " entry in this dictionary indicate that more than 3000 names have been recovered, and while the book doesn't attempt to describe all of these, it does provide a significant amount of interesting reference material about the beliefs and religious practices of the peoples of Ancient Mesopotamia. Perhaps it would be better to use the term "ruler" or "the elite" rather than the term "peoples" since it is clear that nearly all the available information about the gods, demons, and symbols comes from inscriptions which were either from the rulers or from the priests of the religious institutions.

At the beginning of the book there is a useful author's note on the variant spellings of ancient names which explains the scholarly consensus on the probable pronunciation of the Akkadian and Sumerian languages. This is followed, by a concise introduction which provides summaries on the places and peoples of Mesopotamia, their mythology and legends, their art and iconography and the periods of the various dynasties and a helpful one page chronological table. At the end of the book there is also a short bibliography listing books recommended for further reading.

The bulk of the book consists of about a thousand entries (I didn't count them) on the different deities, religious objects, icons, symbols, and practices, of the peoples of ancient Mesopotamia. Most of these are quite short, although there are a few which run to three or four pages. At least half of them refer to one or more illustrations which are liberally sprinkled throughout the book, and this approach definitely enhanced my understanding of what I was reading. I did get the impression, though, that much of the information about the earlier period comes from the Assyrian kings of the 1st millennium, and while they were heirs to the Sumerian and Akkadian traditions, it is still not clear to me how much of a bias they brought into their inscriptions in order to better serve their own interests

There are 159 illustrations in all, which are a mixture of drawings and very clear black and white photographs. The drawings by Tessa Rickards, the illustrator, are beautifully done, elegantly simple, and in my opinion, bring out the essence of the object of the illustration. While most illustrations are embedded in the text close to the most relevant entry, there are a number which are referred to by several different entries. I found it was quite time consuming to flip around the book to find the references of those which were not close by, so I ended up by using book markers to speed up my search for the most important, which were the groups of illustrations on demons, monsters, and symbols for the gods, and the genealogical table of gods and goddesses. Perhaps there is no way around this, but I think it would have been helpful if there had been an index of the illustrations referenced by time period and page number. It may also have been easier to refer to them if they were included one place, perhaps at the back of the book.

Notwithstanding these minor quibbles about the organization and content of the book, I found that reading it the way I did, was an effective and time efficient way of increasing my depth of knowledge about this aspect of ancient Mesopotamia. It will serve as a useful reference tool for my other books on the civilizations and dynasties of Mesopotamia, and I certainly recommend it to other students who are focussing their studies on this particular subject.

This illustrated dictionary is excellant, and informative. The authors have a knack for noting out of the ordinary tidbits, which enhance their profiles. Unfortunately, they do not recognize that Mythology is 95%
Propaganda. Thus, Ea, called "favorable to man", is in fact the Ultimate
Architect of Evil, who along with his "two-faced" minister Usmu, and the
scribe Nabu, propagated a Revisionist Mythology, that has subjugated and
subverted the 5% Truth, ever since.

"Gods, Demons and Symbols of Ancient Mesopotamia" (An Illustrated Dictionary) is the best resource on the Gods of the different cultures from that region that exists. Though they call it a dictionary, Jeremy Black and Anthony Green (editors) have put together an encyclopedia of knowledge on the subject. They cover Sumerian, Akkadian, Assyrian, Babylonian, and Hurrian mythologies, and touch on several more as well. This review is based off of the fifth edition of the book, which was published in 2003 by the University of Texas Press.

There is a lot of material here, and it would be easy to give this book five stars based on what it does provide. However, as I use this resource I often think about what more they could have done to make it more useful. One big thing would have been more visual resources. I would have liked to see a map section where it shows the various eras and empires and the extent of their control. There is one map near the front of the book, but it provides only a limited view.

A big area of improvement would have been to provide sections instead of including all the material together from A to Z. For example the maps mentioned above could have gone into a geography section which could have also shown the evolution of the city names as they spanned eras, including the modern names for those which still exist. Another section could have covered the kings, queens, and heroes for each of the empires. The section on deities could have covered the evolution of deities as they were adopted by the later empires, as well as the new deities which arose during the passage of time. You will find that some of this material is scattered throughout the resource, but it is not complete, and it is difficult to find unless you already know where to look.

Despite all the things I would have liked to have, I still think this is a very good reference, and one which anyone who studies the ancient history of that region will want to have in their library. It is easy to come up with ideas of ways to improve things, but the work that was done in putting together this reference was exceptional, and as with most things which whet one's appetite, it leaves the reader wanting more.

Excellent resource listing much more than the title would suggest. Black really knows his stuff and generously shares his knowledge. Much better than I thought it would be. Includes all kinds of definitions in great detail. Well written. Highly recommend.

I am saddened to see that this is no longer available. If you are interested in ancient Mesopotamian religion, then this book is needed. It is a perfect resource to get quick information, and provides enough information to conduct further research in the areas. If you are a student taking a class on Mesopotamia, a religious historian, or a Reconstructionist, then this will give you the facts you need at your fingertips.

This is another wonderful tool given to us by the author Marvie Ellis and the illustrator/artist, Jenny Loehr. The author uses a little girl, the older sister of an autistic child, Keisha. This is very effective! The author certainly has a way of taking a very complex subject, and through her use of words, bringing that subject to the level that a child is able to understand. I loved her concept of "closed doors" and "opening doors." This is quite understandable to a child, and indeed, an adult faced with this devastating condition. Well done! The author takes us step by step through the process of identifying the condition, its treatment and, again, does it in a way that a young person can well understand.

I was delighted, and in fact thrilled, to see this work presented in both Spanish and English, together between two covers. Over the past five years our area of the country has gone through a change with the influx of Spanish speaking people. Our resources were, and are quite thin, and I am sorry to say, quite limited. Books such as this go along way in correcting this situation. My daughter, a first grade teacher, is faced with this language (and indeed, autistic children) problem each and every year, and works such as this are most helpful.

I personally found the illustrations in this book, by artist Jenny Loehr, quite pleasing as I like her method and style. She has the ability to capture so much with her simple facial expressions. The color choices certainly appeal to children and are quite eye catching in a subdued way. The illustrations go perfectly with the text and each, the text and the art work, complement each other perfectly.

Children have as much of a struggle understanding this devastating condition, even more than most adults. The author has done a wonderful job, in the way of explanation, at their level. I might add that any adult will also find this work quite informative. This is another valuable tool and should be included in any school program or home library were applicable. I, as a fully retired individual, do a tremendous amount of substitute teaching at our local schools. I fully intend to read these books to my younger classes. Ignorance is a horrible thing, and this book and the author's other book, Tacos Anyone?, go a long way in stamping it, the ignorance, out. Well done Ms Ellis! I highly recommend this one!

This book is a great tool to help siblings, other family members and non-relatives (including teachers and students) to understand some of the world of kids with autism. This is a very touching story deserving of the acclaim it has received and more. Schools systems would do well to include this book in their libraries. Great story and illustrations! Great work!

Author Marvie Ellis, pediatric speech-language pathologist, founded Speech Kids Texas Press in 2005 for to publish children's storybooks on communication needs. Kiesha's Doors is a bilingual storybook in which English and Spanish text appear simultaneously on the same page. This technique reinforces to children and adults alike the multicultural nature of the modern world we live in, and seeing other languages on the same page may encourage children to explore secondary languages. I think this technique is superior to the alternative of publishing two separate translations. Children's brains easily learn multiple languages, so why not give them as much exposure as possible?

In Kiesha's Doors (Las Puertas de Keisha), 2 year-old Kiesha has stopped communicating with her family, become a picky eater, and taken to a favorite rocking chair. Kiesha parents and her older sister Monica (age 9) learn that she has autism, and they must adapt their communication style to reach Kiesha (to "open her doors"). The story is not just about Monica's adjustment to life with Kiesha, but about the Mom and Dad's journey to get a diagnosis and learn how to relate to their child. It is truly a family story, and it raises important diagnosis questions as well as coping skills. The illustrations are vibrant crayon-style (I loved the way the eyes and faces glow!).

Every library should invest in a copy of this book, and every child and parent should read it at least once, to learn about dealing with people who communicate differently from ourselves.

I have a son w/autism and I purchased this book because I haven't seen any af/am profiled in autism related childrens books before. I enjoyed the book very much. Kudos to the author!

Marvie Ellis is providing a great service to a significant number of people with her Autism Story Books. If you're like me, you know less about autism than you think you do - unless and until someone in your life is born autistic. And if we adults don't really understand what autism is and is not, imagine how hard it would be for a young child to understand it all. Keisha's Doors is told from the perspective of just such a child, a nine-year-old girl who doesn't understand why her three-year-old sister Keisha won't play with her or speak when spoken to. When Keisha is diagnosed with autism, we are there with her family as the doctor and therapist explain what this means and begin to teach them techniques for establishing better communication with the little girl.

The conventional, knee-jerk reaction to a diagnosis of autism would probably be one of alarm and grief, and I'm sure one of the author's purposes in writing this book is to dispel such notions. Here, Keisha's condition is described in terms even her nine-year-old sister can understand: Keisha has certain mental "doors" that are closing her off from some of the people and things around her, and she just needs help opening up some of those closed doors. Rather than tearing the family apart, the situation actually brings them closer together. Now, even Keisha's sister understands why Keisha is different - she even knows a little bit about how to go about helping her expand her awareness.

This is a very positive, heart-warming look at a family caring in the proper way for an autistic child. The story itself is printed in both English and Spanish, while Jenny Loehr's beautiful illustrations speak volumes in and of themselves. Put it all together, and you have a wonderful book - perhaps the only one of its kind - designed to reach as many different people as possible with its important message. I learned something about autism myself in these pages, and I'm sure anyone with any kind of connection to an autistic child will benefit from this book - and Marvie Ellis' succeeding Autism Story Books - immensely.

This was a very well-crafted and informative book, which I would recommend reading to those who haven't yet. For those who have, and who enjoyed it like I did, I would recommend Tent Life in Siberia: An Incredible Account of Siberian Adventure, Travel, and Survival, which George Kennan's account of his travels around eastern Siberia on dogs and reindeer sleds.

The Other Side of Russia is part travel narrative, part social history, part memoir, part food writing. All these parts come together to make a terrific book.

Sharon Hudgins and her husband Tom spent a year and a half in post-Soviet Siberia teaching business management for the University of Maryland's overseas program. As peripatetic ex-patriates, they were familiar with unfamiliarity. But they were still not prepared for what Siberia had to offer them.

Join Sharon and Tom as they picnic with the Russian Mafiya, try to teach in an educational system that discourages questions and independent thinking, and ponder why a herd of horses is tangled in downtown rush hour traffic.

In "Absurdistan" it is just one perplexing thing after another. The electricity and water in their poorly-constructed apartment building work only intermittently. But in spite of such challenges, they make friends and entertain regularly. Cultural differences mean that the same friends who swoon over delicacies such as wafer-thin horse liver slices rolled with layers of horse fat, are unable to enjoy a Hudgins Tex-Mex feast.

Hudgins's previous work as a food and travel writer are evident here, and I wouldn't be surprised to learn that she writes fiction as well. The narrative is effortless and the stories she tells are by turns engaging and frightening.

In The Other Side Of Russia, author Sharon Hudgins takes the reader along on her Trains-Siberian Railroad adventure through Siberia and the Russian Far East, an area that was closed off to Westerners (and most Russians) prior to 1990s and the collapse of the old Soviet Union. Here the reader will be treated to a unique travelogue that will take them from the frozen surface of Lake Baikal, to feast with native Siberian Buryats, the food markets and "high-rise villages" of Vladivostok and Irkutsk, Christmas celebrations, New Year's banquets, Easter dinners, and Siberian festivals. The Other Side Of Russia dispels the myths and misconceptions about the Asian part of Russia which extends across eight time zones between the Ural Mountains and the Pacific Ocean. Offering a window of observation into this land of harsh winters, vast uninhabited spaces, friendly people, strange cuisines, and thriving modern cities, The Other Side Of Russia is a welcome, informative, and highly entertaining read which is especially commended to the attention of armchair travelers and students of Russian culture and history.

The Other Side of Russia emerged from Barbara Hudgins experience of living in Siberia for a year and a half, from 1993 to 1994. Working as the onsite program coordinator for the University of Maryland University College in Siberia and the Russian Far East, she worked and lived in Vladivostok and Irkutsk.

Hudgins book is the first book about Siberia I'd come across written by someone who spent extensive time in Siberia. This gives her a depth of understanding that adds a lot to her memoir.

The structure of her memoir is unusual. She's divided the book into two sections. The chapters in part one focus on place - Irkutsk, Vladivostok, Lake Baikal, etc. - and the chapters in the second part focus on aspects of life and culture in Siberia - housing, education, food and festivals. Hudgins supplemented her first-hand experience with extensive research. This offers readers an in-depth source of information about many aspects of Siberian place and life.

What's lost in this non-chronological format is Hudgin's own adaptations and reactions over her time in Siberia. She does insert some feelings and personality, but the focus is on the topic, rather than on her personal experience or characters who change and develop over the period.

Hudgins seems to have thrown herself into Siberia with a remarkably open mind. She expertly captures the small details of Siberian life and renders vivid pictures of feasts shared with Russian friends. For those who have been to Siberia, this book will take you back there. For those planning on going, The Other Side of Russia provides a great overview of the life and culture.

In THE OTHER SIDE OF RUSSIA, the University of Maryland University College has established a joint undergraduate degree program in business management with the Far Eastern State University in Vladivostok and the State University in Irkutsk. In the summer of 1993, author Sharon Hudgins and her husband, Tom, packed off to Siberia and the Russian Far East to serve as teachers in this cooperative venture, while the former was also Maryland's on-site program coordinator in both cities. This book chronicles their experiences from their arrival until their departure in December 1994.

Whether she's describing the immensity of pristine Lake Baikal, the problematic living conditions in their high-rise apartment, local customs and food of the Buryat people, the vagaries and perils of shopping for household necessities, maddening water and electricity outages, local festivals, the growing pains of a free-market economy, the university students' learning ethic, or the conviviality and generosity of their Russian friends, Hudgins has a keen eye for small details, as when describing an open air market:

"An Uzbek woman ... sold raisins and nuts in small paper cones made out of official forms from the Irkutsk Municipal Water Department ... In one part of the market, a pretty teenage girl, wearing a garish, flower-printed dress and a thousand-yard stare, held a handful of peacock feathers and sipped a can of Dr Pepper, while in another section two older women, both drunk, tried to punch each other out in a fist fight."

I haven't been so engaged by a travel essay about Russia since Hedrick Smith's 1976 bestseller, THE RUSSIANS. My only criticism is the relative lack of photographs - only a couple at most per chapter. Luckily, Sharon's poetic prose paints pictures almost as effective as snapshots, as this from her vantage point on the Trans-Siberian Railroad:

"A profusion of wildflowers carpeted the meadows, like an Impressionist painting exuberantly expanding beyond the limits of canvas and frame: undulating shades of yellow, gold, and blue, maroon and magenta, soft pink and pristine white, the pale purple globes of wild onions gone to seed, thousands of red-orange tiger lilies, whole fields of dark purple Siberian irises, and occasionally a single red poppy or two, like a stubborn symbol of politics past. Outside Chita a small lake glistened under the midnight moon."

For me, a travel narrative is all it can be if it makes me want to go there myself. THE OTHER SIDE OF RUSSIA accomplishes that. Well, maybe for just a brief visit, perhaps, because I certainly wouldn't want to live there.

I read this in one day... I was so into the story that I couldn't put the book down! Corey Mitchell did a wonderful job describing what took place back in 1993. He gives great detail describing the character of each individual in the story and makes you feel like you are right there when the murder takes place. This was an awesome book and I look forward to reading more stories by Corey Mitchell.

This is one of the sickest murders I ever heard of. I read a bit about it on the internet then heard about this book last month. It's a lot more detailed then stuff I previously read on the internet. Corey Mitchell details all of the people who were directly involved with this crime and how they came to meet on that fateful night in the park. It's my first from Corey Mitchell and after reading it in less then a day it won't be my last. A truly powerful written story in such a tragic circumstance.

Once again Corey Mitchell provides. As with all of Mr Mitchells books he should be rated #1 True Crime author. I wish he could write a new book as fast as I can read. He brings out and gets you familiar with all the people in his writings both good and bad. I can never set one of his books down once I open the cover. Please never stop writing.

For many years now, I've been a fan of the true crime genre; reading nothing but these nonfiction tales of the worst side of mankind. After a while, while still interested in the crimes, the forensics, and the inner workings of the justice system, a reader can easily reach a point where the crime in and of itself has no shock value.

That was not the case in my most recently read book: Pure Murder by Corey Mitchell.

In Pure Murder, Mitchell tells the gut-wrenching, absolutely sickening tale surrounding the deaths of two Houston, Texas teenager girls: Jennifer Ertman and Elizabeth Pena.

On what should have been a short walk home through on of Houston's city parks, these young girls had the bad fortune of meeting up with six of Texas' teenage lowlifes: Efrain Perez, Raul Villarreal, Peter Cantu, Joe Medellin, Venancio "Yuni" Medellin, Jr., and Sean O'Brien.

Simply because the young, innocent girls were in the wrong place at the wrong time when these scumbags were "feeling their oats," they were tortured, raped, and murdered.

For the first time in a while, this true crime piece managed to enrage me as I could not hardly fantom that in a group of six people there was not one decent individual that could have, in some way, helped these young victims.

And, as an added bonus, especially in a time where illegal immigration is such a hot topic, the attempts by Joe Medellin to use his illegal immigrant status as a means to absolve the indictment against him was, to say the least, infuriating. He participates in the raping, mutilating and murder of two young girls and he expects that this country will allow him freedom on a technicality?! I could not even begin to understand the audacity of this pathetic, spineless child killer.

If you're up for a good read that evokes so many emotions you feel as though you are on an emotional rollercoaster, look no further than this newest release from Corey Mitchell.

I recall first learning of the tragic murders of Jennifer Ertman and Elizabeth Pena after reading about the account in "Newsweek" in 1993 while I was finishing my first year in Seminary. I will always remember the cold and nearly heartless stare at the camera by Sean O'Brien, one of the young men accused of their brutal murder. Corey Mitchell writes a powerful account of the entire tragedy, giving a face to all of the players in the tragic story of kids who have been lost in this insane society, and in turn become its major cause of fear. While we may point fingers at the accusers and the supposed ones who allowed them to run rampant and do what they did, we are reminded of two beautiful young women, the best of friends who were taken away from their friends, loved ones, and the society that may have benefited by their presence. Mr. Mitchell tells a powerful story that does not hide us from the gruesome reality of what happened, yet doesn't seem to revel in the details. May the journey of the families of these young ladies and others who have lost loved ones in such a terrible way never be forgotten by us who are blessed with the gift of life and relative safety.

I became addicted to Haim Potok's writing. Once I finish one of his books, I can't help it - I buy a new one. Amazing story-teller!

This is a beautiful story; it is my very favourite book. I love it with all my heart.

I too have read the more well known books of Potok. I picked up this one at a used book sale. This book is somewhat different from the others in that it it goes deeply into one characte's thoughts and emotions. One could label the book slow, but I didn't find it that way. I found the story of David Lurie's mother to be by far the most painful to read. As a reader, we are given only bits and pieces of this woman's very broken heart. Perhaps it's a sign of a wonderful writer that every character in this book seemed to warrant a book of his or her own.

I've never encountered a novel structured exactly like this one. The details given in the first 4/5ths of its length led a reader to believe In The Beginning was a story about a brilliant young Jewish boy and his family, their life in America, where the boy and his brother where born to recent Polish emigrants, and of the determined struggle this family undertakes, not only to establish their lives in the United States, but to honorably aid numerous Jewish families who wish to leave Poland and settle in New York. As the story of this family, the novel served a detailed, well-written tale that gave terrific insights into the psyche and values of east-European Jews in the early twentieth-century. The family thrives in the US in the prosperous 1920's, though the pre-school-age David is sadistically bullied by anti-Semitic local boys, and he lives to piece together the whispered secrets of his father's conduct as a one-time militant activist among Jews in the "old country." We follow this family into the Great Depression, when its fortunes declined, into World War Two, where its newly-discovered prosperity is scant comfort as its members learn of the Nazis' cruelty to family and acquaintances they left behind in Europe.

However, like a magician dealing out a slight of hand trick, Chaim Potok revealed the true story only at the very end of In The Beginning---and all else that came before this point was merely establishing the stage for the final act and a statement he wished to make on the subject of faith, reason, and evidence. The central character, David Lurie, due to his intellectual brilliance the shining star of his local school, stuns his family, friends, and classmates, by laying aside his Orthodox upbringing and upon college graduation becoming a secular Biblical scholar. Lurie announces his newfound conviction that the Torah was not given by G-d to Moses on Sinai, but was authored by numerous Jews across an indefinite time period, long after Moses' death. To Lurie's parents this is an act of unmitigated treason to all that is holy and life-sustaining in their world. That their much-loved eldest son, their pride and great hope, should plan to write skeptical books on this topic, and thereby "sin by making others sin" is crushing to them one and all. And only at the extreme conclusion of this 430 page novel is this revealed when beforehand a straightforward plot about Jews reacting to a changing world was what we had been lulled into expecting. The earlier tale of David's health struggles, his father's rise and fall, the immigration movement, and even at the end the horrors of Nazi Germany, all of that I found was Potok's subterfuge to sneak in an ending so different from what the deliberately-paced novel seemed to prepare us for that this work almost deserves to be spoken of as having some sort of twist at its shocking ending.

As always, Potok wrote well here and his characters and the setting were magnificently accomplished, but I was left feeling I had read two different books, one a family tale, the other a dissertation on modern Talmudic scholarship. I also strongly felt that the characters at the end, while bearing the same names they had 300 pages earlier, were not exactly the same ones I had been reading about as they advanced thru twenty harsh years in their lives. I also have read that this book is slightly autobiographical, so that deserves to be pointed out. This is a good book but it is slow-moving and spends much of its time inside David's head and the pseudo fantasy world which he inhabits, so be prepared for that. I also wish Potok had written a sequel, as he did with The Chosen. I ended up saying, "Yes, and what happens next?" Sadly, we'll never know...

Never before have I ever read something so influential, so vividly drawn before me. I am a huge fan of Potok, and after reading Asher, Promise, Chosen, and Davita, this obscure novel that barely comes up in Borders search is my favorite. It is a shame to see it is widely ignored.

Potok is a genious, and one can understand this brilliant man in this book. He is able to create a person, a character, that seems life like. You want to jump in the book to hug him, to stop him, or to help him. It is an impossible book to put down, and by far the best book I have ever read. He is the best author I have ever read.

I recommend this book to everyone. Everyone could use a little of Danny in their lives.

Simolke, Duane. "The Acorn Stories", iUniverse, 2003.

Living in a Small Town

Amos Lassen and Literary Pride

Acorn, Texas--population 21. 001 is the setting for Duane Simolke's wonderful "The Acorn Stories". The town of Acorn is full of stories and if you have lived in a small town you know exactly what I mean. Each of Simolke's stories lets us look into the lives of some of the most interesting characters I have ever read about. As you read each story, you seem to make new friends and when I closed the book I felt as if I actually knew many in the town. Just as the stories are all separate, they eventually tie together. There is just the right amount of detail to let the reader feel he knows the people of Acorn.
Even more interesting is that Simolke wrote this book in a very difficult style of writing--the stream of consciousness. This allows the reader to feel as if he is one of the characters and as the stories come together, we get a picture of Acorn, Texas in quite a unique way. The 16 stories in the book, although separate, are all related and this is not an easy way to write. As the characters merge, the imaginary (at least I think it is imaginary0 town seems to be very real.
The residents of Acorn are very real people--or so they seemed to me as I met them. And as the stores come together the town of Acorn is laid bare reminding me of what is left of a turkey after Thanksgiving dinner. As we meet the townsfolk, we dig below the outside appearance and go deep into the characters. The characters are quite a menagerie of folk all of whom have challenges and problem (just like we all do). It is the personalities and actions of the members of Acorn that make the stories live. In fact, I am not really sure that this is a collection of short stories because of the interactions between the stories and when they all come together it is like reading a novel.
Acorn is located in west Texas and there, under the Texas sun and the majestic oak trees (so unlike Texas) is a mixture of Hispanics and Anglos as well as a few Afro-Americans. Some were born in Acorn and some are hiding in Acorn. Newlyweds Becky and Kyle are very much in love and they are starting a life together. We meet the [...] art dealer and gallery owner who is being blackmailed by the [....] mayor of the town. There is also a famous writer hiding in Acorn because he stages his own fake suicide. There is the high school teacher who favors sports over academics and the young kid who is keeping a secret, a young man looking for a sugar momma to pay his rent, a widow ad her cat, Regina, an overbearing sister, a widow, Mae, who remembers how life was once and so on.
I must say that I loved this book and have reread several of the stories. It is a rare treat and one that will have you laughing, crying, commiserating and identifying. I have not had this much fun in a long time.

Duane Simolke's, "The Acorn Stories," is set in the fictional West Texas town of Acorn, so named because it's the only town in the entire region that has trees, thanks to the foresight of its founders. The stories are a compilation of vignettes that give the reader a glimpse into the everyday happenings of a group of residents whose lives, we learn as the chapters unfold, interconnect in fascinating and unexpected ways. With each new story, or chapter, the reader is introduced to a new character. The stories and lives of the citizens of Acorn interweave, turning "The Acorn Stories" into what is essentially a novel...quite a feat for the author to accomplish in a relatively short book.

Simolke allows the reader peeks into the thoughts of diverse characters, from a policeman's recollection of his abusive childhood, to the befuddled thoughts of a senile old man. We see events from the points of view of a deaf man who manages to do a good job as the high school's English teacher, an esteemed best selling author desperately trying to escape life's travails, and a young couple who find love and, like it or not, become parents at a most unexpected time and place...the opening of an Art Gallery that happens to be owned by the teacher's boyfriend. A small example of how the stories go around.

"The Acorn Stories" allows the reader an understanding of the human condition. We learn what makes each individual's personality tick. Simolke's characters are male and female, young and old, black and white, rich and poor, gay and straight, handicapped and gifted, happy and sad, satisfied and searching, hypocritical and fair-minded. The ability to depict such a wide cross section of humanity, including details of each character's breadth of knowledge and experience, takes a talented, insightful author, and Duane Simolke is such a writer.

I dislike giving ratings to books...they are too subjective...but The Acorn Stories deserves 5 stars as a very intelligently written book. Don't miss it.

Duane Simolke's offering of his sixteen short stories, many with overlapping characters and plot-lines, all set within or around the fictitious west-Texas small town of Acorn, provides its readers an insightful and literate look at what goes on in the hinderlands beyond the boundaries of this country's big cities.

Not as salaciously rendered as was Peyton Place (which, if you remember, was a small town taken on by Grace Metalious), Simolke's Acorn, Texas, still turns out to be rife with some of the same angst-ridden problems, thereby, once again, exploding the myth that rural "out there" is actually more idyllic (even Edenesque), as compared to big-city "in here".

From the who-will-have-control-of-this-relationship "dueling" of Regina Thibodeaux and Dirk Palmer in Simolke's lead-off story "Acorn", to the not-always-that-pleasant reminisces of town maven Aragon Carsons in the book's concluding "Acorn Pie", Simolke puts rural America under a microscope to unveil all of its acne, sores, scars, and festering wounds.

THE ACORN STORIES isn't for any reader out to preserve his or her unrealistic nostaligic notion that rural-America is the place "to be" "to get away from it all". On the other hand, for those of us not put off by realism and always interested in a literate writer who can provide us a peek beneath the veneer, Simolke provides some very enjoyable reading moments.

"The Acorn Stories" is BRILLIANT! I COULD NOT PUT IT DOWN! Heck, it's right in front of me now. I just finished it. I LOVE IT I LOVE IT I LOVE IT! EVERYONE SHOULD READ IT! I cried reading "Mae", and smiled viciously at "Mirrors: A Blackmail letter". Duane, where is "Acorn Revisited."? :) KUDOS!

The Acorn Stories
Duane Simolke

Review by Mountman

Picture a small town in West Texas. Acorn. The reason it's called Acorn is that it is the only town in West Texas that has a lot of trees. Yes, Acorn is a fictional town but after reading The Acorn Stories, I wanted to visit the place, just to check it out.

" "Welcome to Acorn, population 21,001, the Texas town with a little name and a big heart" - Sign marking city limits of Acorn" (taken from the book.)

Like the branches of the Main Street Oak tree, the town has just as many histories and legends. Each story gives you a glimpse into lives of the people of Acorn. Also how their lives are intertwined.

There are stories about the founding family, newcomers, the rich, the poor and in between. When I first started reading it I felt like I was left hanging. Just then, in Simolke unique clever style, things began to connect. Growing up in a small town I could relate to some of the characters. Duane gives you just enough details that you get a feel for where each of the characters are coming from. There are people that you like, some that you can't wait to see if they get theirs. Big cheers for when they do!

Ones that really grabbed me are Survival and Dead Enough. Survival is about a gay, deaf teacher. Dead Enough is about a writer of murder mysteries. I'm not going to give you any details because you will have to find out for yourself.

Whether you are an avid short story reader, or a novel reader this is a must read! So check it out.

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