New York Books

as we experience life we get pieces of the puzzle. Some times we are luck enough to get the edges so we have an outline and can begin to fill in the real informational and exeriential middle. With Jenny Wade you get the whole puzzle. A gift

In "Changes of Mind", Jenny Wade provides the reader with an excellent survey of research regarding stages of consciousness, from prenatal to after-death. Perhaps because she is working principally with academic research, her writing style is likewise very academic. Those not accustomed to the jargon of the field intially may find the writing style somewhat dry and less accessible; however, the content is very directly and lucidly presented. Wade presents differing opinions developed from research done in the field and carefully brings together her theory regarding the evolution of consciousness. I found the chapter regarding pre- and perinatal consciousness to be particularly fascinating. Also very useful are the charts that Wade developed listing the characteristics of each level of consciousness. For anyone who wishes to understand research regarding transpersonal psychology and holonomic theories, this book is invaluable.

This work brings together advances in the new sciences with studies in psychology, philosophy, and the history of mysticism, to challenge readers beyond linear and dualistic thinking. It outlines a new field for developmental psychology which would include the study of consciousness prior to birth and after death, as well as the transpersonal nature of consciousness. This development would have to be understood not so much as a progress toward something, but rather an access to our whole consciousness. The implications are profound for understanding psychic pain, the self, and our connections with each other, among other topics. The book is suprisingly modest in its claims, and thorough in its research. I cannot think of consciousness in the same way as I did before reading Changes of Mind.

Jenny Wade has made a most valuable contribution to the literature on human psychospiritual development with this substantive, well-researched work. She begins by placing overall consciousness research in the context of the new physics, specifically the post-Newtonian paradigm of physicist David Bohm, describing how the implications of such paradigms change not only earlier undestandings of human development but our understanding of what it fundamentally means to be a human being. Then she has opened up "stage theory" of development to explore research on the pre- and peri-natal stages of consciousness and the research on near-death experiences. She highlights a quality of "transcendent" consciouness revealed in this research that is similar in both the pre-birth and after-death "stages" of life, and explores the implications of this in understanding both the other stages between birth and death and the nature of human existence itself. She then draws on Eastern and Western mystical writings, showing how her conclusions correlate with the experiences of practicing mystics through the ages.

My only quarrel with Ms. Wade is that as she explores mystical literature she tends to privilege Eastern over Western mysticism. This reflects the general pattern in Transpersonal writings, and points to what I feel is a need in the Judeo-Christian world to affirm and bring forward more vigorously its own particular and very valuable strain of mystical literature.

I welcome this work for opening up regions not yet covered by other Transpersonalists, Wilber, Washburn, et al, and feel the perspective Ms. Wade offers will add invaluable depth and breadth to the developmental and Transpersonal dialogue.

To say this monumental book changed my life would be to use the most overused term in today's New Age pop-psychological world (I know because I've used it myself a few times describing other books!). But there is no other way to describe the power of what Dr. Jenny Wade has to say and the intellectual argument she makes- with the erudition of a scientist, and the humility of a mystic.

CHANGES OF MIND is the thinking man and woman's CELESTINE PROPHECY. She not only avoids backing down from the challenge of embracing previously accepted conventional psychoanalytical theory, religious philosophy and the scientific method. She embraces and redeems them all, as well as the myth and mysticism of practically every age and religion, by puttting them in what can only seem to be their proper intellectual/spiritual perspective. The model for charting and understanding the levels of consciousness of the human being- animal and spirit/mind- that she proposes becomes so immediately all encompassing that it can be considered a unified field theory for the human experience unlike anything that has been rendered before in Western Society.

Many writers, with their amazing intellect and insight, can give honor to their disciplines as they encompass enough of human endeavor and history into their perspective to make you become a intellectual roomate in the apartment of their minds whenever you look at the world afterwards. Camille Paglia and Nancy Friday, with their Freudian/Nietzschean, Anthropological/Psychological perspectives; Giorgio de Santillana (HAMLET'S MILL), with his profound and innovative (though not new) look at ancient myth in the context of astronomical science, immediately come to mind. Some, like the genius astrophyiscist Stephen Hawking, open you up to a world you otherwise would not have ever known.

CHANGES OF MIND has managed, for me, to create a paradigm of thought that encompasses every other, as if the intellectual house of every other thinker over the past three or four millenia around the world has been layed out to be easily visited and understood in the Urban Planning City-structure of Dr. Jenny Wade's mind. Gnostic Christianity, Freud, Piaget, Tibetan Mysticism, Sociology, Possibility thinkers, Success-oriented philosophies, New-age Spiritualism, Newtonian Physics, Quantum mechanics, psychic powers, dysfunctional families and codependency, Jung, history, the nature of time and space, reincarnation, pre-natal memories, English literature, sex, Buddhism, Christian Fundamentalism, Jesus Christ... there is little if anything in the human world that cannot be better understood and completely encapsulized by her vision of Transpersonal Psychology and the actual full stages of human development she clearly, lucidly and powerfully describes.

There are an extraordinarily few number of books that I have read that have touched me so profoundly, creating a paradigm shift in my view of people, myself and the world,while simultaneously reaffirming my most treasured pre-verbal intuitions- with science, not poetry. She does, however, make the poetry of all the world, from John Donne ("Death too, shall die") to the Egyptian Book of the Dead, to the New Testament, come alive in ways I never expected, and never would have guessed.

I cannot recommend this book to the fascinated and the skeptical alike enough.

As summarized by another reviewer, the story takes place on a cruise ship en route from New York to Buenos Aires in 1941. The world chess champion, Mirko Czentovic, is on board. Czentovic is a chess prodigy who is singularly ungifted in other areas of the intellect and social graces. Also on board is Dr. B, a former solicitor for the Austrian imperial family who is traveling to South America as a refugee from the Nazi regime.
At the outset, considering Czentovic's isolated and emotionally deprived childhood, I was prepared to allow him his arrogance and conceit. Acknowledged, he was a master at chess and his boorish behavior could be excused. When Dr. B becomes peripherally involved in the chess match and exhibits a mastery of moves, it becomes clear that this man has somehow or other been absorbed into the exalted realm of chess. As his story unfolds, the reader enters the world of isolation and solitary that Dr. B endured at the hands of his Nazi tormenters. Zweig is so masterful at the depiction of the incarceration and the man's mental salvation through the game of chess that we as readers are carried along so forcibly that we leave the confines of our homes for the world of Dr. B. Every emotion he experienced, every racing of his pulse, every fearful moment, his ultimate dissociation of his personality and his breakdown are experienced by the reader. The descriptions are powerful and cause a visceral reaction that is astonishing. As I was reading, I started to note a racing pulse and sweating and a sense of uncontrollable foreboding. As the story raced to its conclusion, I had the urge to shout, "Halt! Don't play again!" I wept when I set the book down. The tears were for Dr. B, all of the victims of the Nazi carnage and perhaps also a reaction to what came to pass, the suicide of the author. This gem of a small book explores and disturbs the human psyche like no other.

This is one of the best books that I have ever read. I just finished reading the original German version for the second time and came here to see if it is available in English for all of my non-German speaking friends.

This book is basically a psychological thriller that takes you inside the divided mind of one Dr. B and locks you there just as securely as his Nazi tormentors ever could through the final endgame. I cannot vouch for the quality of this specific translation, but the original work is a masterpiece.

This is truly a must read. Important historically, emotionally and I couldn't put it down. Be warned - I was so disturbed by this book I couln't fall asleep the night I read it.

This is a new translation of Stefan Zweig's novela, Royal Game. This translation's title, Chess Story, is the literal translation of the title which Zweig gave the work, Schachnovelle. It is a story of chess obsession against the backdrop of the Third Reich's insanity.

The story takes place on a cruise ship en route from New York to Buenos Aires in 1941. The world chess champion, Mirko Czentovic, is on board. Czentovic is a chess prodigy who is singularly ungifted in other areas of the intellect and social graces. Also on board is Dr. B, a former solictor for the Austrian imperial family who is traveling to South America as a refugee from the Nazi regime.

A nameless narrator sets out to lure the reluctant Czentovic into a chess match and unwittingly ensnares Dr. B as well. While Dr. B is pitted against Czentovic for two and a half games, the reader gradually learns what has happened to Dr. B and how he became so adept at chess that he can beat the reigning world champion. It is the story of a man who exerts such a force of will that his psyche splits in two and dissociates. This tragic story is all the more poignant knowing that Zweig made a similar voyage and took his own life almost immediately after forwarding the manuscript of Schachnovelle to his publishers.

Joel Rotenberg's translation makes clear points that I had missed with an earlier translation. In particular, this translation emphasizes the conflicts the protagonist encounters in trying to sustain himself. This is a book that deserves to be re-read. Even if you have already read one of the earlier translations entitled Royal Game, consider reading this fine new translation.

"Chess Story" (Original "Schachnovelle", previously published in English as "The Royal Game"), was Stefan Zweig's final work prior to his tragic death. It is a poignant, finely tuned psychological drama that will long linger in the reader's mind.

Chess Story centres around two extraordinary chess players. One is the world champion, Mirko Czentovic, who travels across the world for tournaments. The other is the enigmatic Dr. B., who claims not to have seen a chessboard in more than twenty years. The two are opposites in terms of personality, background and in their paths bringing them to a chance meeting on an ocean liner en route from New York to Buenos Aires. The narrator, who exhibits traits of an aspiring psychologist "passionately interested in monomaniacs", finds his first subject in the twenty-one year old chess prodigy, who otherwise exhibits poor education, intellect, and crude social behaviour. To satisfy his curiosity he instigates a game of chess between Czentovic and a group of "amateur chess lovers". Dr. B. watching the game in passing, is suddenly drawn into it, advising the hapless amateurs so that they reach a draw. His manifest expertise at the game as well as his strange conduct intrigues the narrator as much as the reader.

Using language that is sparse yet precise in detail, the first-person observer, although commenting on the game, is more fascinated by his subjects' personality and psyche. The narrator's inquisitiveness, heightened by Dr. B.'s unusual behaviour, leads him to follow his subject as he hurriedly flees the game room. Out on deck, Dr. B. eventually shares his personal story and recounts the recent harrowing events that forced him abruptly into exile from his native Austria. The narrator becomes at the same time listener and astute analyst. Dr. B.'s account reveals why chess for him has been both a salvation and a danger to his survival: his "involvement" with chess had gone beyond what a person can endure without dangerous consequences for the rest of his life.

Zweig's ability to build emotional tension and drama while keeping his choice of words neutral and objective is superb. The fluidity of language is maintained in the English translation. The story's impact is deepened by Zweig giving the narrator the dual role of audience and commentator. The intensity of the author's fascination with diametrically opposed characters and the clash of cultures they represent is evident throughout the novel. Certain parallels between Dr. B. and Zweig himself come easily to mind. Chess Story conveys a premonition of events occurring in the author's own life. Zweig, a well known and widely read Austrian author of biographies, essays and fiction in the first half of the twentieth century, left behind a remarkable opus of work. He fled Austria in 1935 anticipating the political upheaval in his country resulting from the rise of Nazism in Germany. Shortly after completing the novella in 1942, written during the previous three years, the author and his wife committed suicide while in exile in Brazil. Even after more than sixty years Chess Story remains pertinent today, both in its historical context and its primary subject matter. Peter Gay's informative introduction adds to the understanding of the story's context. [Friederike Knabe]

I find many of the reviews "right on".

However, many comments are off-base, and as His Cousin, I find inappropriate. Ask, and you may find Truth!

"No disrespect..." ..."but"... there is that word again... don't listen to what I just said, just what I am about to say...

Amazing how the critics, nearly a Century later, have criticisms that sting, but couldn't find the gumption to face Him... or me!

Let's get it on!

Simply put, William Roughead was and is the greatest true crime writer of them all. Combining unusually supple storytelling talents with an inimitable, pawky sense of humor, he remains the best prose stylist chronicling human depravity since, well, the compilers of the King James Bible. A Scot by birth, Roughead became a Writer to the Signet at the turn of the last century, a privileged position which allowed him to attend and write up the great murder trials of his day and his favorites from Great Britain's colorfully criminous past. Almost all of his works are shamefully out of print but are well worth searching out in used book stores: both his own popular accounts and his contributions to the more formally edited "Notable British Trials" series. Henry James was one of his many besotted fans, and even the briefest sample of his work makes it obvious why true crime buffs consider him the Master. "Classic Crimes" (which includes chapters on Deacon Brodie, Burke and Hare, Madeleine Smith, Dr. Pritchard and other irresistible villains) is the best collection of his work, and I would be remiss if I did not own that my introduction to his peerless work came via Toni Morrison, who confessed her own idolatrous admiration in the New York Times Book Review some two decades ago. If you like Roughead, you'll never be able to get enough. As Luc Sante writers in his perceptive introduction to this latest reprint, Roughead repeatedly creates narratives which contain "in full that collision of placid, well-furnished pedantry with savage howling atavism" that was the keynote of his fascination with evil--and Roughead did believe in evil--people. More of his genius is avalable on display in "Twelve Scots Trials," available from Amazon. co.uk. As Roughead so eloquently put it: "Murder has a magic of its own, its peculair alchemy. Touched by that crimson wand, things base and sordid, things ugly and of ill report, are transformed into matters wondrous, weird and tragical. Dull streets become fraught with mystery, commonplace dwellings assume sinister aspects, everyone concerned, howsoever plain and ordinary, is invested with a new value and importance as the red light fall upon each."

William Roughead's accounts of great crimes from eighteenth- and nineteenth-century Scotland and England are about the most delicious mind candy I can think of; I opened this new edition from NYRB and almost couldn't put it down. While his vocabulary and style at times go a bit overboard in terms of their purpleness, he still presents very readable and exciting accounts of some incredible crimes which still haunt the popular imagination today (such as his account of the West Port murders of Burke and Hare, the body snatchers).

Re-issuing Roughead's work is really a feather in NYRB's cap, and yet I can't help wishing they had taken more pains with this edition. (Because of this, I felt I could not really offer it the five stars it otherwise would've deserved.) The introduction by Luc Sante is interesting, but not without errors: he notes that all of the crimes excepting those of Burke and Hare "are discoveries [on the part of Roughead]"; yet Roughead himself admits that Deacon Brodie's case has been dramatized many times, and inspired Stevenson's "Strange Case of Dr. Jekyll and Mr. Hyde." Madeleine Smith's trial inspired a film, "Madeleine," directed by David Lean in the 1950s. Similarly, no editor seems to have taken the time to annotate some of Roughead's more bizarre (or anachronistic, or peculiarly Scottish) terms: "douce" is used repeatedly for "sweet", and "lands" (apparently a term for the highrise towers in Edinburgh) recurs often too, yet there's nary a word of explanation. This lack of editorial interference is not welcome, especially since Roughead often refers repeatedly to other writings of his which his original audience would have recognized but which remain obscure to a contemporary reader.

Still, this book is a real treasure--and, as with all NYRB books, it comes on beautiful paper and with a gorgeous cover.

Simply put, William Roughead was and is the greatest true crime writer of them all. Combining a supple prose style with an inimitable, pawky sense of humor, he remains the best prose stylist chronicling human depravity since, well, the authors of the King James Bible. A Scot by birth, Roughead became a Writer to the Signet, a privileged position which allowed him to attend and write up the great murder trials of his era (1870-1952). His works are shamefully out of print and are well worth searching out in used book stores: both his commercial collections and his contributions to the "Notable British Trials" series. Henry James was one of his many devoted fans and even the briefest sample of his prose makes it obvious why true-crime buffs consider him the master. "Classic Crimes"(which includes chapters on Deacon Brodie, Burke and Hare, Madeleine Smith, Dr. Pritchard, William Palmer, etc.) is the best collection of his work in print and I would be remiss if I did not mention that I owe my introduction to this peerless writer to Toni Morrison, who confessed her own idolatrous admiration in a New York Times Book Review piece more than 20 years ago. If you like his stuff you'll never be able to get enough of it. (Also worth securing are the works of Roughead's friend, the American Edmund Pearson, whose "Studies in Murder" was reprinted last last by the Ohio State University Press.) As Roughead so eloquently put it: "Murder has a magic of its own, its peculiar alchemy. Touched by that crimson wand, things base and sordid, things ugly and of ill report, are transformed into matters wondrous, weird and tragical. Dull streets become fraught with mystery, commonplace dwellings assume sinister aspects, everyone concerned, howsoever plain and ordinary, is invested with a new value and importance as the red light falls upon each."

This is a truly enjoyable read of murders and a recounting of the trials associated with them.-Roughead is an inimitable Scottish stylist and, as Luc Sante points out in the introduction, his "musical" use of abstruse Scottishisms is a joy in and of itself to read.

The only thing in literature to which one can really compare it is Sherlock Holmes-Sir Arthur Conan Doyle makes an appearance in one of these cases, btw.-I don't mean to do Roughead a disservice in this comparison-Certainly, these are as true to the actual facts as Roughead could make them (and he goes to great lengths to do so), and several of the cases remain unsolved or "Not Proven"-a verdict in Scots law with which you shall become all too familiar if you read this book. - But, the same Victorian atmospherics are present as in Doyle, the Victorian moralisms, the eerie descriptions, the bumbling Dogberries of police constables. It's actually refreshing to know that these things existed just as Doyle wrote of them....except these cases are REAL!

Of course, there's the question the contemplative reader asks himself from time to time as to why he is interested in the macabre and the details thereof.-An interesting question.-I know not the answer.-But we all are, it would seem, to one ghoulish extent or the other.

5 Macabre, Scottish Stars!

This book is a Christian themed police procedural. The protagonists are patrol officers assigned to the midnight shift of NYPD's Manhattan South Precinct, especially partners Joe Fiore and Jerry Cavalucci. The patrol vignettes are an interesting snapshot of NYPD activity in the commercial center of the city. The authors draw a compelling portrait of Cavalucci's struggle with alhocol and a dysfucntional family, especially the strains placed on his fiance and her son. Cavalucci's attempts to bring order and sense to his professional and private lives lead to the Christian component of the book. Joe Fiore, Cavalucci's partner, and Michele, his fiance, are deeply religious Christians who try to help Tony resolve life issues by example and references to scripture and the power of faith. The characters are engaging and the reader is caught up in Tony's struggle. The best part of the book is the account of 9/11 from our police officer characters' perspectives. It is at once terrifying and inspiring. We all saw the tragedy. The characters lived it. The authors vividly describe it. The last eighty pages alone make the book well worth buying and reading. An outstanding effort.

In CLEAR BLUE SKY, Frank and Pam (F. P.) Lione continue the story of New York Police Detective Tony Cavalucci in a stand-alone novel (their first in hardcover). The talented husband and wife duo have three previous NYPD books under their belt, and the experience shows as they pen their best --- and grittiest --- police novel to date.

If you missed the now (mostly) out-of-print Midtown Blue series that chronicles the time leading up to this novel, you're in for a treat here. Tony is engaged to single mom Michele and looking forward to being a full-time dad to her young son, Stevie. With a wedding in the works, the couple has lots to talk about --- and plenty of tension.

The chief stressor is a bachelor party that Tony's loud and argumentative Italian family is insisting on. Michele lets Tony know that if the bachelor party goes as planned, she's calling it quits. Of course, this isn't the real reason why Tony's family has mostly turned against him. They don't care for his hard-won sobriety (his sister Denise calls him "Mr. Twelve Stepper"), and they're not crazy about the fact that he's marrying Michele, a single mother. They also don't like his new-found commitment to faith. It's not long before the inevitable showdown occurs, and Tony finds that he must choose between his family and his fiancée and her son.

And what a family. Tony's divorced mom is dating a Harley biker. His father's trampy second wife is pregnant, which his father seems to find unusually upsetting --- and we discover why, as the novel unfolds. Add a few Mafia relatives, and the sparks (and punches) are sure to fly at any family gathering.

Underneath the tension is Tony's insecurity about his own worthiness. "The truth is, I felt kind of like a fraud with Michele. Like maybe if she really knew me, she wouldn't be so quick to marry me.... It was like I kept waiting for the hammer to hit me and things to crash and burn around me like they always did."

Joe Fiore is Tony's wise Christian partner, and one of the reasons why Tony has been able to stay sober and deal with his Italian family. He's also the reason why Tony has found a renewed faith. But Tony has stopped going to church and hasn't been able to talk to Michele or Joe about why. His conversations with Joe reflect the reality and messiness of church life.

Tony's life as a cop provides some of the best moments in the book. Speed chase scenes, almost-too-strange-to-be-true incidents (a dog that is electrocuted when it pees on open live wires on a lamp post vandalized by the homeless for their boom boxes), the ins and outs of a grand jury trial, and even a burglary in a geisha house all score high on the "wow, I didn't know stuff like this went on" scale. Insider lingo also enlivens the text --- one man with a bandaged head injury is said to be wearing a "Bronx party hat." As in the other Lione books, there are plentiful descriptions of Italian food that will make your mouth water. It's a wonder Tony doesn't weigh 300 lbs.

For those readers new to Tony's story, F. P. Lione is an Italian-American married couple, Frank and Pam, who are both children of NYPD detectives. (Frank has also served with the NYPD). Their direct experiences with the police force and love of the city lend authenticity to the novel. The narrative isn't without some troubles --- lots of consecutive sentences that begin with "We" and "I", for example. But they pen some killer descriptions, such as this one about Friday bingo night at St. Michael's: "Kind of like offtrack betting, with old Italian women in rolled-down stockings."

The twin towers on the cover and prologue clue in the reader that CLEAR BLUE SKY's story will climax in the events of September 11th. In a post 9/11 world, where it seems as if every emotional drop has been wrung out of the fictional and nonfictional publishable possibilities, I was skeptical that anyone could write a moving scene six years after the fact. But the Liones handled the tragedy well enough to give me goosebumps. It's also a crucial and believable way for them to literally nudge some of their characters into a stronger belief in God.

The Liones just keep getting better in every novel. They adeptly blend Italian life, relationship issues, fascinating stories from the New York City streets and faith into a page-turning read that will hook new readers while continuing to please fans of their previous books. Don't miss it.

--- Reviewed by Cindy Crosby

It's several months after the release date of Clear Blue Sky but I don't want to neglect writing it up. I've not read any of the Lione's previous novels so I don't have a feel for their voice overall. However, I will be picking up previous and future books because the story of Tony and Michelle, New York and his life as a cop, a son, a new Christian and a man were intriguing and gritty and real.

I was surprised that the majority of the book didn't deal with September 11th, that this huge and very well written and gut-wrenchingly told event was only a small part of the lives of Tony and Michelle.

The writing is narrative and to-the-point and through the eyes of Tony, an Italian New York cop, who is at a crossroads in life. He is facing changes within his close knit and very dysfunctional family. He has chosen to marry a woman who doesn't please the majority of his family members because she is not willing to put up with the dysfunction, the alcoholic brawls and the mind games. Tony, a reformed bad boy, has a fledgling faith and a strong friend/partner/mentor in Joe. But Tony is pulling away from church because something just isn't looking right and he doesn't know what to do about it. Tony's brother and father are closer than ever and edging Tony out and Grandma, the sweet old lady, is losing control so she's pulling out all the stops and not looking quite as sweet. All of a sudden alcohol is looking really good to Tony and he's wondering what it's going to cost him to have Michelle as a wife.

There is so much to this story. The writing is a little more nuts and bolts than I generally dig into, but the characters and descriptions and details pulled me in and didn't let me go. I want to read more about Tony and Michelle. I want to see the entire family healed. I want to hug Joe because he acts like Jesus. There are situations and words that would offend folks, so be forewarned. But if you aren't easily offended and squeamish, look into this novel.

I've said before that reading an F.P. Lione novel is like watching an un-cut taping of COPS, only you follow the cops home. But in a way that's doing their writing a disservice. A Lione novel is about much more than the domestic disputes, car chases, and gun wielding criminals often found on the tv show. That isn't to say these types of situations don't make it into the pages. They do. But a Lione novel digs deeper than that. By following police officer Tony Cavalucci on and off duty, the Lione's reveal the heart and soul of a cop. Tony's story has already filled three Midtown Blue novels (The Deuce, The Crossroads & Skells), and his saga continues in Clear Blue Sky, the unofficial 4th book.

This time around Tony's closer to marrying his fiance Michelle, and his Italian family continues to voice their objections to the union. Michelle isn't Italian or Catholic, two strikes against her. She had her young son Stevie out of wedlock and there's no sign of the father. Strike three. With the Cavalucci family you're guilty until proven innocent, and even then if you get on their bad side they'll find some way to convict you. Their crazy yet realistic dynamics provide just as much drama as the worst nights on Tony's midnight tour, and it's starting to wear on him. He finds himself torn between loyalty to his blood-family and the family he's come to love as his own. He doesn't want to lose either of them, but sooner or later he's going to have to make a choice.

Not to mention that he and God haven't been on the best of terms lately. Since Tony became a Christian his life has actually gotten harder. Not only does he have to face the temptation to hit the bottle again, but he's facing moral choices right and left. Case in point: he promised to throw his brother Vinny a bachelor party. Vinny wants it wild, like old times. Tony struggles with letting his brother down and standing behind his new-found principles, and Michelle. If it weren't for his Christian partner, Officer Joe Fiore, Tony would probably slip back into his old ways as easily as he slips on his gun belt.

It's an incredibly realistic portrayal of one man's struggle to live out his faith. Being a cop and a Christian are hard enough. Being an Italian cop with a dysfunctional family is harder. How can Tony keep the faith without losing his family?

Like the books before it, Clear Blue Sky is not a novel with a clear plot. But it will keep you riveted. There's something extremely compelling in the Lione's style. Their details are vivid and specific, adding to the authenticity. Like the others in the Midtown Blue series as you read Clear Blue Sky you really do feel like you're tagging along in the back seat of Tony's patrol car as he faces the sad, the serious, and the outrageous on his beat. You'll walk away from the novel with a new appreciation for police officers.

This novel is being marketed as a stand-alone about the 9/11 tragedy, which could be slightly misleading. The actual disaster doesn't occur until well into the story. I had expected to read more about Tony and Joe's experiences on that day. But holding off until the end was a natural and effective way to build tension. You know the Twin Towers are coming down, and you look for it on every page. Brings home the point that September 11th was a normal autumn day like any other.

If you've ever wondered what it's like to be a cop in one of the world's busiest cities, look no further. Pick up any Lione novel and feast on the experience. Clear Blue Sky is no exception. But in this one you'll come away with new insights on what really happened in New York City that fateful September day in 2001--the day the sky was clear and blue.

--Reviewed by C.J. Darlington for TitleTrakk

With the Labor Day weekend and its feasts over, the overworked NYPD police know they can catch a breath after tons of overtime mostly involving crowd control. Police officer Tony Cavalucci did his job, but crowd control is a part of his patrol work he hates as he dreams of getting "out of the bag" and into a plainclothes anti crime unit.

He and most of his peers fear the new mayor will return the streets to the perps as his aids are not impressive; still he does his job of patrolling the streets. Following a graveyard shift on the morning of 11 September 2001 on a warm clear day he stops for coffee and muses unhappily about the demands his family have placed on him. His brother wants him to host a wild last fling bachelor party to remind him what he is giving up by marrying. His extended Italian family especially his mother hates his fiancée Michelle as she is ethically and religiously incorrect and had a child Stevie out of wedlock. They insist he drop her or else. As he ponders whether he will have to give up one of the two families he loves, all that changes when he notices smoke coming from one of the Twin Towers.

CLEAR BLUE SKY continues the insightful look at the life of a New York City cop (see the previous three Midtown Blue novels: not read by me - THE DEUCE and THE CROSSROADS; read by me SKELLS). 9/11 is important to the plot, but comes towards the latter part of the novel as readers follow Tony's personal and professional life in the days just before the tragedy (much of the setting), during the rescue attempts, and immediately after. Fans of police procedurals will appreciate this series that focuses on the cop on the job and off the job as readers obtain a perceptive glimpse of the work pressures and family demands on a police officer.

Harriet Klausner

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The book is essential for compensation professionals.

Received with thanks the Compensation Handbook in a very good condition. It is exactly the product I was looking for. I believe that it would be a very important reference to my business.

As a compensation consultant, I sought a comprehensive guide for all aspects of the field. The 4th edition of The Compensation Handbook provides simple and direct answers for every compensation problem. It is a virtual "who's who" of compensation professionals providing well-constructed, concise information on their area of expertise. No matter what information I seek -- from base compensation, variable compensation, executive compensation, performance and compensation, compensation and corporate culture, or international compensation -- I can find pertinent, practical guidance in this one book. Compensation issues that are currently challenging every company - regardless of size, age, or industry -- are especially well developed in The Compensation Handbook. The section on Corporate Culture containing chapters on "Culture and Compensation" and "Connecting Compensation, Behaviors, Culture, and Strategy to Win" by William M. Mercer consultants, "Rewarding Scarce Talent" by Patricia Zingheim, "Gaining a Competitive Edge by Improving the Return on Human Capital" by Peter LeBlanc, and "The Role of Work-Life Benefits in the Total Pay Strategy" covers issues that every compensation practitioner or human resources professional will grapple with in the forseeable future. Even the effect of technology and computers on compensation administration are handled in The Compensation Handbook. Information on global compensation strategies is relevant not only to practitioners but to anyone seeking employment on foreign soil or working for a foreign company. The Compensation Handbook is a winner.

As a compensation consultant, I sought a comprehensive guide for all aspects of the field. The 4th edition of The Compensation Handbook provides simple and direct answers for every compensation problem. It is a virtual "who's who" of compensation professionals providing well-constructed, concise information on area of expertise. No matter what information I seek -- from base compensation, variable compensation, executive compensation, performance and compensation, compensation and corporate culture, or international compensation -- I can find pertinent, practical guidance in this one book. Compensation issues that are currently challenging every company - regardless of size, age, industry -- are especially well developed in The Compensation Handbook. The section on Corporate Culture containing chapters on "Culture and Compensation" and "Connecting Compensation, Behaviors, Culture, and Strategy to Win" by William M. Mercer consultants, "Rewarding Scarce Talent" by Patricia Zingheim, "Gaining a Competitive Edge by Improving the Return on Human Capital" by Peter LeBlanc, and "The Role of Work-Life Benefit in the Total Pay Strategy" covers issues that every compensation practitioner or human resources professional will grapple with in the forseeable future. Even the effect of technology and computers on compensation administration are handled in The Compensation Handbook. Information on global compensation strategies is relevant not only to practitioners by to anyone seeking employment on foreign soil or working for a foreign company. The Compensation Handbook is a winner.

I read it for an english class. It was my favorite book of the semester. My friends and I would just keep guessing what twist would come next, and we were consistantly wrong. Great fun.

Mr. fisher has you guessing until the very end! If you like Mosley, then read the man who inspired him. An excellent murder (?) mystery.

I read this book on a flight from Philadelphia to Seattle and just couldn't put it down. The characters come alive, the plot thickens with each passing page and the ending is fabulous.

A MUST READ!!!

This book transports you into the Harlem streets of the 1930s. It has the vernacular, the attitude, the mystique, and the community values of residents of 1930 Harlem down pat. I found the narrative very inviting. This book has detectives, criminals, lawmen, africans, and mystics. Once you read the first chapter, you will not be able to put the book down. It is a shame that the author did not live long enough to produce much more in this detective series.

This is the first African American mystery novel, originally published in 1932, and much celebrated by Walter Mosley, the most successful African American writer of mystery novels. (This book preceded Chester Himes's Coffin Ed and Grave Digger novels by more than a third of a century.)

W. E. B. DuBois castigated the group of younger writers of which Fisher was a part for sensationalizing low life rather than celebrating the "talented tenth" of which they were presumably a part. I don't know if Fisher was stung by this, but the protagonists include a physician (like Fisher himself), a policeman who is the only black who has risen to the rank of detective, and an African prince with a princely sense of noblesse oblige. Also an critically important part is played by a mortician, a kind of professional.

The main lower-status participants, who liven things up with a running game of the dozens, are not debauched, and the "conjure man" turns out not to be the wacko many thought him to be.

The middle of the novel sags. Unfortunately, Fisher did not live to hone his craft, leaving only this and _The Walls of Jericho_ and a few stories.

One of the most comprehensive studies on the subject I have come across. Leonard gives a thought provoking overview of the circumstances involving battered women who kill. Sure to bring invaluable perspective regarding "domestic violence" to every reader. The interviews with women serving time add an edge to the literature, that brings us into their lives, their fears, and their reality. Impressively thorough in introduction to the topic, giving readers a solid framework to process the real-life stories of women inmates. I highly recommend this book as a must have to any sociological library.

One of the most comprehensive studies on the subject I have come across. Leonard gives a thought provoking overview of the circumstances involving battered women who kill. Sure to bring invaluable perspective regarding "domestic violence" to every reader. The interviews with women serving time add an edge to the literature, that brings us into their lives, their fears, and their reality. Impressively thorough in introduction to the topic, giving readers a solid framework to process the real-life stories of women inmates. I highly recommend this book as a must have to any sociological library, And to the author, wonderful research! and much needed... I await your next publication.

How easy it is for most of us to go about our daily life without care or concern for those in prison. How easy it is for us to take the "They get what they deserve" attitude toward all prisoners. This books exposes the horrors of how the justice system convicts and treats women that come from homes in which spousal and child battering is routine, and who, ultimately kill their spouse in a desperate attempt to preserve both their own life and that of their children. It is horrific to see how sexist the system is, and how the concept of spousal abuse is so thoroughly swept under the rug and/or treated as non-issue. This occurs not only in the prison system, but in our country at large. Too many of us feel all prisoners are guilty, and that the system gives out an appropriate sentence for the crime.. do they? Do these women get equal treatment and punishment as the men do? Can you murder in self defense? Is spousal abuse for real? This book is a real eye opener, and a must read for anyone in or looking into a political, law enforcement or sociological career.

Elizabeth Leonard scored big with this book. The book approached the subject in an appropriate manner and will leave readers in anticipation for change. The narratives from actual California inmates really grabs your attention and makes you feel as if you want to reach out and touch these women. It has been long overdue for someone to bring the truth to light about spousal abuse and really make the public aware. That person was Elizabeth Leonard and she does it with perfection.

Elizabeth Leonard's book reveals a shocking difficiency in the United States' legal system. She systematically and clearly outlines the outrageous way the legal system treats victims of domestic violence when they defend themselves. It is the most fair and even book I have ever read on the subject, yet carries with it a passion and drive as such I couldn't put it down. The time and care with which the research has been done is astonishing, so much so that even Amnesty International has sat up and taken notice. If you want a well written sociological study of how women who have killed their abusers are treated in the American legal system, this is the best book to buy.

The Crane is a nice, interesting story. Behind the story is is the parable of what happens when war comes. It is a great lesson in life and a great classic

A wise and well illustrated (by the author) childrens book, that is well known in Europe, and sadly overlooked in the US. Like "The Little Prince", this book has a charm and quality that transends age. It is about a man and a crane. It is about work,life,...the big questions the big answers. Good stuff. Sadly out of print.

'The Crane' is one of the most beatifully written childrens stories of this century. It is a parable that carries many important questions about who we are and how we live. As a teacher of English, I have found this book a remarkable resource and one that really allows for differentiation of learning with children around 11-12. It is a funny, sad and very touching story and I emplore somebody to reprint it, so that more people can access this wonderfull book. Why it isn't more widely known I do not understand.

I read this every summer at my grandma's. I never quite understood it, and I didn't quite like it but I did keep coming back to it. It's something of a fairy tale and something of a philosophical tale. If I had to describe it now I would call it hauntingly beautiful.

Reiner Zimnik, a former carpenter, was 26 and student at the Munich Art Academy when he wrote and designed this book in 1956. The illustrations, simple black and white sketches, stayed with me all my life. The most powerful one covers two pages with a few black strokes of sky, a fallen over little shoe, a dazed bird und the scribble: "Da war das Land traurig, und die Erde weinte." (The country was sad. And the earth wept.) As an adult I might say that it's a fable about the Second World War - what was there before and what came after. As child I experienced no other book that would speak to me with such immediatness. Though it wasn't that widespread in Germany I would still say that it's our best children's book till today.

Frank McCourt must've penned a primer for those who write autobiographies profiling their rise out of quintessential Irish childhood to become successful teachers, pub owners or actors in the Big Apple. If not, we'll develop a one, having slogged through a few Irish experience autobiographies in the past few years. CROSSING HIGHBRIDGE, a soulful reflection penned by Maureen Waters, fits the bill. The first of her family not born in Ireland, Ms. Waters left a secure Irish Catholic Bronx neighborhood to become professor of English at Queens' College. In HIGHBRIDGE Waters revisits her old neighborhood and youth in an attempt to exorcise a few demons and make sense of tragic loss.

Speaking of school, name a primordial recollection that separates Catholic childhood experiences from those of the less fortunate. Stumped? Parochial school--does anything compare? I recall nuns swooping like hawks about the classroom slapping the ten-thumbed hands of boys while praising the girls, all who had mastered the fine motor skill control requisite to master the Palmer method of penmanship And priests, remember their surprise visits? They dashed about classrooms rooting out the heathens who failed to memorize today's catechism. Waters pens a charming reunion visit to that school we loved, where Sister Immaculata, or Sister Alvera, or Sister Whoever, ruled the roost with an iron claw, er, fist.

Waters infuses a recognizable dose of Irish Catholic guilt. To wit: "You want to be a teacher? Are you daft Maureen? The proper thing, young lady, is to save yourself, marry a decent man and have a dozen children!" Or the refrain heard by many a young Irish lad, "Pat, the family hasn't ordained a priest in two generations. Your mother and I want you to consider the seminary." Familial guilt threads its way through CROSSING HIGHBRIDGE.

No growing-up-Irish spiel should lack a smattering of old-country angst, and it doesn't hurt to parade a skeleton or two out of the family closet in the offing. Forced by her father to work the family farm at an age when she should've been in school, Water's Mayo-born mother exuded the lifelong melancholy of lost opportunity; melancholy she wore on her shirtsleeve. According to Waters, an aunt told her that her maternal grandfather beat the six daughters, including Maureen's mother, Agnes. Also prone to unleashing impressive levels of violence, maternal grandpa Ruane was once hush-hushed off to a mental institution. Further, Water's father, Daniel, witnessed his share of perverse Black and Tan justice and senseless political murder while caught in the flame of Ireland's republican fire of the 1920s. Waters also lost an uncle in a failed attack on a Sligo military garrison during the Free State revolution. There's more--but perhaps these are skeletons better left in the closet.

Which leads us to the subject of humor rampant in Irish tragicomedy. CROSSING HIGHBRIDGE is bound with all the Irish charm and storytelling one would expect---but not the leprechaun-like humor. Waters might've survived unscathed an abusive marriage, the lofty expectations of the Church, the vagaries of a difficult mother, and a professional career bound by the shackles of sexism, but the loss of a son in a tragic accident stopped her in her tracks. Waters wrote CROSSING HIGHBRIDGE, she offers, as a step to recovery and to pay homage to those who had gone before her. Writing with the passion of someone who needs to unlock the past in order to make sense of the present, she keeps an optimistic eye on the future. CROSSING HIGHBRIDGE is a worthwhile read.

Along with her title of Professor of English, Maureen Waters' résumé includes, Director of Irish Studies at Queens College in New York.

I was able to identify with nearly everything Miss Waters wrote about her Irish Catholic upbringing in Highbridge, because I too came from the same place, and I knew her sister Agnes many, many years ago. However, if I had not had the privilege of knowing Maureen and her literary family, I would still have been able to appreciate the writer's gift of style where she combined gracefully, history, philosophy, religion along with the socioeconomic conditions of the 1940's and 1950's growing up in Highbridge.

This profoundly moving memoir of growing up Irish/Catholic/female in the midcentury Bronx began with the author's need to understand the loss of her son to accidental death by drugs and alcohol. As she puts it, "the drive to piece together cause and effect was a belief that I had far more power than I actually did for good or ill." She sifts the past out of psychological necessity, desperate, guilty, and finds ordinary treasure: in human characters - her father, an immigrant from Sligo, her mother from Mayo, a feisty and lovable little sister, Agnes, and, above all, in her beautiful and enigmatic lost child of the flaming red hair, Brian Patrick - and also in their brave and lonely human places (Highbridge on Hudson, Long Island). She looks back for clues to her loss from the perspective of a divorced single mother trying to juggle children and hold her own in academe (she's now a professor of English). Memory sifted through the prism of such luminous prose and honest emotion offers a gentle and moving consolation to this reader. The story of the author's Catholic journey, from insider - the parish was Sacred Heart - to outsider is told with devastating brevity. I'll never forget the final image of women's exclusion. It rings so true. The abyss is present in Waters' world, but to me this is a book of hope

This beautiful memoir of growing up Irish-Catholic-female in the Bronx at midcentury began with the author's tragic loss of one of her sons to an accidental death from drugs and alcohol. In order to survive herself, she must understand: "The drive to piece together cause and effect was a belief that I had far more power than I actually did for good or ill." The bereaved mother, who is also a professor of English, sifts her past for answers. She uncovers the treasure of human characters (her father, Daniel Waters, an immigrant from Sligo, her mother from Mayo; her rebel little sister, Agnes) in their brave and lonely human settlement (Highbridge on the Hudson). She looks back on the cost of parenting alone as a divorced young mother and trying to hold her own in academe. The consolation that memory - and Waters' luminous prose - makes for her and for this reader is profoundly moving. The story of her Catholic journey, in particular, the movement from insider - the parish was Sacred Heart - to outsider, is especially strong: she tells it with a devastating brevity and one final image that I'll never forget. It rings so true. This is a courageous book about loss in which you come to see that what remains is, after all, a matter of life understood and hope.

I could relate to nearly everything that Miss Waters wrote about in Crossing Highbridge, because I came from that Irish Catholic enclave, I knew the Waters family long ago, and I went to Sacred Heart with Maureen's sister, Agnes.

Maureen Waters is a gifted writer who combines history, philosophy, religion, and the socio-econimic conditions in a working class environment in the 1940's and 1950's, with utter grace, and at the same time, the reader can experience some strong emotions of saddness and joy.

Helen Levitt's name is less well known than some of her images of New York street life. Perhaps that is the way she would wish it since she seems to have never sought fame. The book is as reticient as she and there is little commentary, but in truth little is necessary though I would love to know more about her and her work. This is a beautifully printed, organized and designed book and it was a pleasure to spend hours looking at the photographs. Often it was difficult to turn the page because each image is so compelling and resonates on many different levels. In a way, they are the perfect street images; they have the look of a snapshot but are so much more than that. Though they are all of New York they have a universal quality and speak about the truth of people's lives in a profound way. I admired the formal qualities of the photographs but what resonates most is the deep humanity of what she does, what she sees and records. It sometimes seems to me that photographers, in their quest for a good images,treats subjects with a level of distain and distance that is uncomfortable and ultimately manipulative. Crosstown is nothing like that and even when the photos are funny, and several are, they are funny in a very human way. There is nothing saccharine or trite in her work either and she has a great gift of photographing children without slipping into cuteness. I am a photographer and I treasure this book. I would certainly recommend it to others interested in photography, but I thinks its' appeal extends to anyone interested in the human condition and how we relate to one another.

Helen Levitt is not one of those New Yorkers who look neither to the left or right as they travel the streets of the city. This is a book about life. The neighborhoods she shoots are generally poor ones, yet we see people that are involved; people who are actively engaged in life even when they seem to be doing nothing. Her subjects -often children- play, they love, they communicate, they are lost in thought, and occasionally are sleeping.

A fine sense of humor permeates many of the scenes. Some subjects are caught in contorted, puzzling positions. We see the incongruous position of objects: an old 33rpm record in the street; a pair of shoes sitting by themselves on a sidewalk; three chickens wandering around a decrepit room -where did they come from? A mother's head is buried in the bottom of a baby buggy while the tyke yelps with joy. A dog is caught in the act of mistaking his owner's leg for a fire hydrant while she talks to a friend.

In general HL catches the warm side of humanity. Only a couple of pictures look like they were taken from a file of Jacob Riis (a 19th century photographer of New York tenement life). There was one particularly sad shot of a woman and her three children sitting on their front steps. They are obviously impoverished. The two youngest children seem quite content, but the mother seems weighed down with her life, and in the teen-age daughter we see the beginning of lost hopes.

This book is a must for anyone interested in street photography. It will take you a long time to get through this book as each photograph will hold your attention for some time.

This book has a number of unique photographs. Ms Levitt with many of these wonderful pictures,leaves you wondering what happened before or just after the picture was taken.
You can I believe see some connection to the style of Cartier Bresson with whom I understand she spent some time working.
I recommend the book.

If you admire the warmth and humanity of Helen Levitt's endearing photographs of New Yorkers, don't miss this book. The selection of photographs is superb and the printing and binding quality are first rate. This book could go out of print soon, from which time its value will grow quickly.

This is my latest favorite photography book. I have a large collection that includes many with Manhattan as subject. The images captured by Levitt are stunning and the binding of the book itself is wonderful.