New York Books

Obviously, 200 years is a lot of history. That's why you leave this book with a "I want more" flavor on your mouth. But this book has the most important happenings in the past 200 years of NY history -- including 9/11. It is something to read over and over, and to use as a history source, even for kids.

This will be a pleasantly surprising book for those unfamiliar with the long and, dare I say, glorious history of the oldest daily newspaper in the USA.

Founded by Alexander Hamilton, the NYP went on to help shape New York City and even the nation, in substantial, surprising ways (the creation of Central Park, the candidacy of Lincoln, the founding of the NAACP, etc.). Page Six fans will be pleased too -- there are ample servings of dirt, scandal and snort-inducing headlines. In short: an informative, fun read.

One small complaint: I would have liked to see 200 years worth of editorial/political cartoons included in the book.

I grew up with all those great New York Post headlines. But I never knew how big a part the newspaper played in the city's - and country's - history.

This is a great, fun read.

Whether you love or hate New York, you will love this book. Whether you love or hate the New York Post, you will love this book. I was surprised at how quickly I was taken in my the fabulous photographs and memorable headlines. It's a wonderful historical record of New York. It's also a wonderful historical record of the country.

I could see history bufs, celebratory hounds and just about everyone being interested in it. It would make a great gift.

This is a book ideal for perusing. All the headlines, front pages, photos, and stories make for a unique view into New York's history. It is at the same time, entertaining, informative, and truly relaxing. Over the course of its history, the Post has covered the ideological spectrum from Left to Right, and this places fascinating interpretations into past and recent events.

A couple of shortcomings ring loud: (1) There is weak writing (or editing), and (2) there should be a bit more depth to the history presented.

Overall, however, this is highly recommended, especially for anyone interested in New York City, and those living here.

Initially I thought this book would be focused more on parenting, in the traditional sense. But this book is so much more: Maria's inner struggle as a Latina in America- wanting more of her own culture, and wanting to succeed here in America at the same time; finding a man who helped her know herself... how all of this and more molded her as a parent.
I am buying a copy for a friend who is not even a mom because I know she will enjoy it.

I read this book a few years ago and loved it so much that I am looking to buy a new copy so I can read it again. The writing is so VIVID and above all so HONEST, that you feel like she's sitting right in front of you. This book is definitely one of my favorites of all time and I would recommend it to everyone.

Raising Raul was such a refreshing book to read because of Hinojosa's ability to keep me glued. I read it in two days. How did she manage to do that?? Her struggle to achieve motherhood is narrated in such a frank manner,with such flavorful intimate details;you just can't help but be drawn into her world. While the book in itself is wonderful I did have an objection. The name, Raising Raul, is a bit of a misnomer. I thought the book spent too much time on Hinojosa trying to conceive Raul rather than focusing on when she did have him which is what the title suggests.

My mother gave this book to me right after my son was born. She liked the general mothering idea it proposed - sort of a "whatever you do, so long as you do your best, all will be OK." It was wonderful to read Maria's thoughts on motherhood (and all of it's ups and downs) while I was still adjusting myself. I read most of it while breastfeeding (the early months can be marathon feedings)!

Men have no reason to feel uncomfortable about reading and appreciating this book. I love Maria Hinojosa's memoir because it is easy to empathize with her efforts to become pregnant after past near misses. She writes about so much more than just pregnancy and motherhood, though. The book's richness resides in how honest and open she is about her struggle; and its impact on her relationships with her parents, husband, and friends. Even when she discussed painful topics and incidents, I detected no bitterness or sense of blame. Most of all, I appreciate Hinojosa's acknowledgement of spirituality as a constant pillar of her development. This is a rich, down to earth, and moving invitation into one woman's experience of parenthood, marriage, friendship, culture and love. Do not miss it!

I did like this book, but I gave it 4 stars mostly to draw attention that this book might not be for everyone. My children (ages 4 and 6) were definitely a bit disconcerted when the sweet granny got eaten up. Certainly not what they (nor I) was expecting! Of course, it all gets happily resolved in the end - but I had my reservations getting through the book myself. So if you have especially tender-hearted young'uns in the audience, you may want to go for the "sanitized" versions of this classic.

I love all James Marshall books. They are clever, funny and I love the illustrations.

We liked this book but I don't think we'd give it 5 Stars. Five Stars should mean a knock-you-socks off book. This is nice, but rather typical of Marshall, and more or less what you see with most Red Riding Hood stories.

Which is not to say that there isn't humor nor merit in the book. I love that Granny gets cranky at being interrupted while reading in bed (she has a stack of books by the bed), and that in one picture there is an empty box of after dinner mints laying open on the floor. [Granny in fact comments that it was so dark in the wolf's stomach that she couldn't see to read.]

Four Stars. [B-]. Good Read-aloud. Marshall's usual clever artwork. Story follows the older versions in that grandma and Red are swallowed.

Robert Barfield
Book Review

Red Riding Hood by James Marshal


In this version of Little Red Riding Hood Little Red disobeyed her mom. Her mom says, "Stay on the path". But she did not stay on the path. She found woof the wolf and he told her to pick flowers so he could get to Grandmas house before little Red Riding Hood got there the wolf got there and ate the Grandma. When Little Red Riding Hood s mother knocked at the door the wolf opened the door and he let little Red come in side. Little Red said " What big eyes you have" The walk said "More the better to seeyouwith my dear" "What big teeth you have". The wolf yelled "More the better to eat you my Dear"


Theme: Caution


Message: do not talk to people or animals you do not know. Because it is a warning sign because you could get eaten or kidnapped.

Genre: Fiction. Why: because wolfs cannot talk.


Audience: I would recommend this book to little kids because they do not know whets in the woods.
I liked this book because it was funny and it had a good lesson in it.

You have to love ANY version of this where Grandma and Little Red get EATEN! Younger readers more familiar with the Grandma getting thrown in the closet or under the bed version may be a little shocked, but it's usually short lived. I find that kids appreciate and enjoy the versions that have the "nasty" bits left in much more than the sanitized version. We are treated to an even greater delight with a few sly details in both the art and text that give the characters some personality traits you don't normally see in the standard retelling...in this version Granny loves to read, Red is charmed by the sly and slightly urban wolf, and the wolf is, well, wicked (he says so himself, more than once)! I really love the silly "surprise at the very end...nicely done!! A very nice retelling that is manages to convey a lot in just a few words and everything is enhanced by the simple (but highly effective) illustrations! I'll definitely be adding this one to my permanent collection! I give it a solid A!

I used to work in WTC building #7 until I moved to LA about a year before 9/11. I never felt so out of place as I did for a few weeks after 9/11 as I watched the recovery and clean-up efforts from Ground Zero from California. I wanted to know everything I could which is of course impossible unless you were there. This book gives you incredible insight to the bravery, courage, strength and gut-wrenching horrors of those who were there to find, clean-up and recover.

This is absolutely a great book, probably the best one for getting you into ground zero and feeling what they felt, to as great of an extent as you can. I don't quite understand all of the [---] he uses, for example, "the [firefighters] started down Vessey". Is he just trying something new? I don't care though, I have never read a book that is as honest and makes you feel like your fighting the fires with dennis more then his series of books. Great job!

A very readable, moving book that adds still more to the memory-bank of September 11, 2001. The book is divided into two sections: 9/11 itself and the first months afterward, recounted day by day. Most of the second section is Smith's own experiences, with fewer "interviews" with others; however, this doesn't take away from the power of the work.

One peeve is that Smith too often refers to his previous work "Report from Engine Co. 82" in terms of whether or not people were aware of it--including incredulity that a police officer guarding the crime scene a few days afterwards didn't know. However, he writes some of the best descriptions of a profession, any profession, that I have ever read: "...to me it was always the best responsibility to have in a fire--to be on my stomach and to have the officer and the men shouting, 'That's it, you got it, move in, a little more, get the ceiling, get the ceiling, watch the windows, you got it now...".

One quote from an Assistant Chief of Department captures how quickly people forget--from November 5, 2001: "They came down to the World Trade Center in fire trucks and we should not let them leave in dump trucks." Five years later, don't forget all of those who did not leave that day the way they started it.

It's hard to not give this book a 5-star rating because I was moved in many places and I'm so grateful for the sacrifice of the firemen on 9/11. This book opened my eyes in many ways to their ultimate sacrifice and their continued efforts to honor their own.

I do think, however, that this could have been edited a bit better. The aftermath section (which is about half of the book) seems repetitive to me and thus, not quite as powerful as the earlier section. Also, I found it strange that there was no mention of the crash of flight 587 on November 12th, 2001. Mr. Smith records that on that day he was in a meeting with Mayor Guilliani and other firemen about their role at ground zero. He focused on this day for several pages and failed to mention that 250+ people perished in a NY neighborhood aboard that flight and everyone initially suspected terrorism as the cause of the crash. This omission, perhaps, would have been more understandable had he not mentioned 11/12/01 at all, but there is a whole section for that day and certainly this crash was on his mind, since it did indeed involve firemen.

Overall, I recommend this book.

"Report from Ground Zero: The Story of the Rescue Efforts at the World Trade Center" by Dennis Smith provides a poetic-journalistic look at a tragedy which still continues to shake America. You'll find the book stronger in intensity than many of the photographic collections of September 11, 2001.

Why? Dennis Smith was a fireman who understood tragedy from an experienced viewpoint. Like all of us, he saw the worst of humankind crash into the World Trade Center. Then, he saw the best of humankind enter those same buildings to save the victims.

Now, three years later, after many in America have preferred to see terrorism as a political event and not one of evil and hate, it is important to remember the violent images, and the tender responses to the hurting and scared. America was in one its greatest moments in those torrid days, and we should never forget.

Smith's descriptions are more than photo-realistic versions of what he saw, but brings forth the anguish and passion, and the smell of wet ash and burning debris. Smith manages to connect with the reader beyond the hype and politics. You will not be able to read this unaffected.

The people in the high-rises, on the planes, and the policemen and fireman all were real people. Even the foolish young men who hijacked the planes, the ones who believe Bin Laden -- all real people who died for another man's lie. Smith draws out the real, draws out the essence as well as the actual accounts of the awful events.

I fully recommend "Report from Ground Zero: The Story of the Rescue Efforts at the World Trade Center" by Dennis Smith.

Anthony Trendl
editor, HungarianBookstore.com

This item was purchased for someone else, but she LOVED it. The book was in excellent condition.

The stars of top New York City ballet companies have been selected by dance photography Roy Round for profile in Round About The Ballet, a visual treat and an effort to capture the movements and artistry of ballet in photo book format. But Round About The Ballet isn't just visuals alone: interviews with the dancers probe their achievements, lives, and dancing challenges alike, covering such diverse topics as how ballet competitions have changed their lives, how associations with particular companies have influenced their dancing styles, and both physical and psychological dancing challenges. A 'must' for any serious dancer, especially for fans of ballet.

I've always been a fan of Roy Round's pictures. I never imagined text could rival their command of my attention, but these interviews are fabulous.

If you can't find out what you want to know about these dancers by chatting with them over lunch, reading these interviews is almost as good.

I have been going to the ballet seriously for 35 years. Nothing gets into the heart and soul of dancers the way this book does. And the photographs of the fifteen individual dancers simply take the breath away -- especially the one on the cover.

This book is easily one of my favorite books. For the true Balletomane, this book is a MUST! And for the rest of the world I also highly reccommend it.
The Photographs by Roy Round are MAGNIFICENT! The grain, (clarity), is something seldom seen in the world of ballet photography where it is so diffucult to photograph the suject in a moving or semi-moving position or even in a "posed" photograph.
With all of his subjects, and he chooses several contemperary dancers including Nikolaj Hubbe, Julie Kent, Angel Corella, Wendy Whelan and my favorite in this book, Ethan Stiefel, the color saturation, (the natural look of color), is BEAUTIFUL!
My best advice to you, dear Reader, is run don't walk to Amazon to buy this GREAT book! The cover alone is worth the price of admission. And what follows between the boards will simply amaze you.
Gary R. Brown

Nick Carbo has us see New York through the eyes of a Filipino immigrant with such candor, humor, and savvy that it's amazing to me that this book hasn't been optioned for a movie! Or maybe it has? It's poetry to be sure but it's also a screenplay, a novel, a multi-genre cyber cartoon. Carbo enlarges world poetry and what it can do!

I would never have purchased this book, nor would I have even become familiar with the (frickin' awesome!!!) work of Carbos without my needing the book for a class... some classes really are worthwhile!! I recommend (highly) ANYTHING by Nick Carbos.

I've just discovered Nick Carbo. Thank God. Thank God.

Nick takes it to the hilt on this one. I felt like I was reading a suspense thriller as I get taken through the life of one Ang Tunay ng Lalaki who interacts both in the "real" world where he meets Nick Carbo but also falls hobnobs with kindred icons of advertising and lore: Hello Kitty, Orpheus from a previous Carbo poem, and Barbie. And it's only in this in between world where Carbo can take on Asian and American ideals head on.

One of the reasons I like to review books of poetry is it gets me out of the "ME" kick that poetry is too well known for. Ask yourself this: how many poetry readings have I been to where I spoke soley of someone else's work? Someone who is alive, but that I don't personally know? Not just to say that I like their work, but what I like about it and how it inspires me? Can I, as a poet, go for a month, talking about this person's work, pushing this person's book, without ever mentioning my own poetry? Poet Karla Huston turned me on to Nick Carbo's Secret Asian Man and he's the latest poet I'll be pushing. His new book is full of satyrical irony and poem after poem makes you both cringe and laugh out loud. This is one of the few books of poetry that I'd like to see Quintin Terrantino or the Zucker Brothers make into a movie. Carbo lives in two worlds, the American's and the Filipino immigrant's. But the reflections and dichotmy don't stop there. His main character is Ang Tulay Na Lalaki, is the Filipino version of the Marlboro Man. Carbo starts each poem off "Ang Tunay Na Lalaki..." does something. Like Lyn Lifshin's Mad Girl poems this gives the reader an instant image of who the main character is in a series format. Unlike Lifshin, Carbo forces his white American reader to face up to accepting a non-white- American name. In some poems he does shorten it to 'Lalaki' within the poem, again forcing us to confront our written prejudices. Carbo plays on both sides of the prejudice field. In one poem he criticizes American film makers for having no roles for Asian American Men (only women), while in another he pokes fun at a visiting Filipino friend who's accent is too thick. He has Wonder woman fight a fetus-eating Filipino demon-goddess, picks up Barbie from a shopping bag to tell here about her about her part overseas Asian slave labor, and as Secret Asian Man, helps unite Hello Kitty and Barney the Purple Dinosaur. Even one step better is how Secret Asian Man flows. It reads in part poetry, in part story. No poem should be randomly turned to. Like reading a Richard Brautigan story and the more you read from the beginning, the more you understand the sequence. Early on in the book, Ang Tulay Na Lalaki meets up with a character, Orpheus, who tells him that he feels like a character written by poet Nick Carbo. Later on, Ang Tulay Na Lalaki takes a writing workshop from Carbo and we get to see how Ang Tulay Na Lalaki's poetry differs from Carbo's and how Carbo would run a writing workshop. To add another layer to Carbo's maze of mirrors, I got the book from someone who attended Carbo's workshop. Now I'm beginning to wonder if she is a character written by Nick Carbo? Pushing Secret Asian Man, one might only conclude that I am just an ongoing workshop exercise by Nick Carbo.

Terry Matthews, Reviewer

I have waited 18 months to get a copy of this book and I am delighted to have finally obtained one. Aa a travel agent, I brought out a group to New York CHristmas shopping and arranged for a guide and a coach to take us round the city.The group was from Leeds, England and the majority were from Yorkshire Television PLC How lucky we were to have Tim Levitch. This was 1995.I have spent my life in travel but have never experienced such an interesting, caring and totally dedicated guide. His wit, depth of feeling, knowledge and clear love of the city shone throughout. His comments were thought provoking and deep - this outstanding ability shines through in his book. To really appreciate the book and the mind behind it it is preferable to have met him - however the book is an excellent buy as it stands. Well done Timothy - we all loved you and your book is just icing on the cake

CHristine Hill

WOW, if you've ever been to NYC.... this embodies it all. If you've NEVER been to NYC... you'll have to go after reading this book! Get one while you can, if "they" all find out about it... it'll not be available soon.

Speedology: Speed on New York on Speed is really superb. the title suggests where the book goes: Speed tours you through a few of his guided tours of NYC while imparting life lessons, yoga lessons, and smiles. It's a fast read, like on speed, but there's no actual speed. Speed is just the author's moniker. Speed speeds you through NYC giving you a little bit of history, mystery, and nowstory. If you've never let Speed sleep on your couch, you really should! Ask Speed about his Shakesphere evenings too. -I am curious why copies of this book, which were 16 bucks new, are listing on some websites, unsigned by the author, not first edition, and they're listing for 700 bucks? what's up with that. Who's gettin rich THERE?

Timothy "Speed" Levitch is a creative maelstrom. After reading Speedology, I have never felt so utterly alive and ready to overcome fear in my life. It has made me hunger to visit New York to see the world through the literary eyes I have been given as well as a need to think, feel and express more than I previously have. The poetics and spiritual reflection are superb to the point that even an atheist or skeptic can find utter beauty in them...the question of god is irrelevant, as the book is about Cruising with one's self. The oxymoronic idea of "spiritual non-belief" kept floating through my mind as I read and yet it made total sense.

This is a book that is difficult to categorize. It wants to be a New York guide book, but also speaks a great deal about Western and Eastern Philosophy, performance art, tantra and much more. It is perhaps best to consider this the colors of life using New York City as its canvas. Breaking down the ideas that are taken for granted today (money, sex and sexuality, freedom, fear, materialism, etc.), Speed shows us just how connected we can be through discovering, loving and then shattering our own alienation. I can only hope to be a fraction of the creative creature that Speed Levitch is, after all, we are all members of the exuberant party, the Cruise that is the world.

It is a sorry state of things that this book is priced the way it is from second hand dealers. The publisher, Context books, is indeed out of business, but $60 dollars is a ridiculous crime. Look for your profit in $25 at best. It should be enjoyed by those who want to read it, not just by those who can afford it. I found my copy at Strand Books out of New York, the only company that had a copy priced as a book and not as an antique.

I have had the pleasure of crusing with Speed in New York last year and I bought my copy from him. (Sorry AMAZON) He is an artist. Of what, I don't really know, but that's the beauty of Speed. Time with him on our cruise is genuine, funny, endearing, educational and most of all precious. His book Speedology, is not just a tour guide, it is this psychatrist/poet's interpretaion of New York and it's many layers itself.
A note to Speed: Coming out this summer. Hope to catch up with you again.

Cavaliere

This is a good introduction to the New York Jets. I consider myself a big fan of the Jets and I really enjoyed the book. It's not loaded with to much information and statistics that would bore someone who is not a die-hard football fan. Easy reading with some interesting information on some of the Jets biggest names, new and old. Also talks about fans, owners,the AFC and NFL.

This is the best sports book to come out ever. Usually I find these books boring, or uninteresting, but this book is completely different. It was a great book, and once i started reading i couldnt put it down. I suggest this book to everyone, even if you usually dont like sports books. This book is different, and amazing.

This is the best sports book of the year! I Hope he writes another one.

i have been a jets fan for many years now, and this is the best jets book to ever come out! Everyone go read it now!

An absolute must have for EVERY Jets fan, and a great read for any football fan. This book is not your typical home-team love fest; Mr. Lange regales the reader with stories of triumph and of tribulation with equal aplomb. Book is loaded with facts, stats, and history. Highly Recommended!

Surprisingly well written.
Informative.
I especially liked the comparisons between the belligerents and the role of tactics in the different armies. It takes into account the "intangibles" of combat which makes this more interesting than mere technical descriptions of what, where, when and who.

The German Army's prewar focus was on operational matters, and tactics were neglected. This changed with trench warfare and the resultant lack of vulnerable flanks to attack. Because Germany was a new nation, formerly composed of a myriad of small states, the army was decentralized. So in small units, commanders tried different things; they were told the objective - but not how to accomplish it. The prewar lack of officers, and a belief that men had to be controlled - influenced perhaps by the rise of socialism - reinforced the early use of company columns which, upon contact with the enemy, deployed into closed order lines. This system lead to high casualties, poor results, and a search for a better way. From the beginning, however, some units used open order lines and suffered much less under fire. Without a centralized command telling low level officers how to do their jobs, new ideas were tried, and successful ones were spread. Because of shortages of artillery ammunition, short bombardments which kept the enemy's heads down were developed - essentially shock action. Trench mortars, developed from observation of the Russo Japanese War, served the same purpose, and poison gas was developed. More importantly, through the influence of limited objective attacks and special raiding units, the traditional infantry companies were no longer composed solely of riflemen. Flame throwers, grenades, and light machine guns were added, and units were allowed to advance as far as possible into the enemy position, with squad leaders given much more freedom to act on their own. Gudmundsson focuses attention on these sorts of developments up to 1917 but relatively little on the great 1918 attacks, which brought the new methods into use on a massive scale.

This is and excellent text on German Infantry tactics of WWI (1914-1918). The Germans were always innovators when it applied to warfare, in WWI with the trench war at a stale mate the Germans formed these elite infantry "Stormtroop" units to infiltrate and breakthrough the lines to make way for their follow on troops. In this highly detailed account of the tactics employed by these Stormtrooper you will read how they were employed in mountain and fortress warfare, how they were organized and their special assault units. It is amazing to see a lot of these types of tactics are still employed today.

The German Army of World War I created some of the most basic principles of what we call today 3rd Generation Warfare, which many armies worldwide are still unable to implement or even understand its essence. The book is a great contribution to the history of the innovative stormtroop tactics, how they came to prominence, what kind of problems they solved and why the Germans were the first among the belligerents to find such revolutionary solutions. The focus of the book is not so much on «assault battalions» but on their tactics, although the various personalities are well covered. Gudmundsson presents also some examples of battles on the Western and Eastern Front (First Ypres, Cambrai, Kaiserschlacht, Riga, Caporetto etc.) in a clear and fascinating way and gives ample evidence of the good results that the German Army reaped from its new doctrine. I found most interesting the part about the nature of German delegation of authority and the culture of personal iniative cultivated among the NCOs and the junior officers. It is one of the best «force multipliers» ever conceived! There are no photographs in the book, only a few diagrams and also a few primitive and rather crude maps, but the text is worth the money.

I have read this book three or four times since I first purchased it in 1989, and it never fails to impress me with the attention to detail and meticulously researched origins of modern infantry combat. The book covers events leading up to WWI that cause turmoil in the German High Command regarding the use of infantry, and how scrutiny of specific tactical employments in various battles in the early to mid stages of the war led to the first experimental stormtroop unit. The book goes on to document the unit's successes and the eventual adoption of special stormtroop units to spearhead attacks at the division level, and finally how complete divisions were organized in the stormtroop fashion. All the major personalities, weaponry, and tactics involved are described in detail, and while dramatic descriptions of the gory and macabre business of trench warfare are omitted, one can easily infer from the descriptions of sharpened entrenching tools and flame throwers how violent and terrible it was to be on the receiving end of one of those attacks. Author Gudmundsson's work interjects some objective scholarship on this subject in an age where it is not politically correct to acknowledge the German military's pioneering efforts in both world wars in establishing modern combined arms tactics.

We once again join Irish immigrant Molly Murphy in her New York adventures as a private investigator in the early 1900's. Work seems to be pouring in enough that Molly is able to hire her beau Daniel, a police Captain who has been suspended but whose charges have been dismissed. Pending approval from the superintendant, Daniel will be reinstated, but until then he is doing nothing but getting under Molly's feet, so she decides to put his skills to good use by giving him work to do by finding the missing nephew of a wealthy society matron with whom Molly is friends. But could this young man be on the lam with the loot from the latest job of burglaries?

Molly is busy trying to unearth the supernatural pranks that threaten the well-being of a well known actress who is friends with a former client of Molly's. As Molly begins to suspect that no ghost is responsible for the mischief, she winds up with a role in the performance and less time to work on her other cases. Her biggest concern is the young woman she found in the snow in Central Park, almost dead. Mute, Molly calls her Mary and visits her in the hospital to see if there is any improvement in her health. Upon finding out that she will be shipped off to the mental institution upon discharge, Molly kidnaps her and takes Mary home to rehabilitate herself. Daniel, frustrated beyond measure, tries to take the upper hand in the relationship, but Molly will have none of it. The two continue working their cases as best they can with the little time they can spare.

In between the drama of the private investigations that Molly is running we get to peek inside her social life and update on her multitude of friends from the variety of stations in life. Like many Americans in the coming years, Molly's friends come from all walks of life - the caste systems are not nearly as strict in the Melting Pot as they were in many of the Home Lands. Bowen's portrayal of the early twentieth century can almost make you feel as though you are shivering in the slushy streets with dripping petticoats along with Molly.

I have enjoyed every one of Bowen's books. I love Molly's ferocity and loyalty and independence, not to mention intelligence and heart. But I do not like Daniel. I haven't liked him since after Murphy's Law, although I cannot say why in particular. I understand the gender assignments, especially for the era, but for someone who supposedly loves Molly so much, he simply does not understand her. So I guess I have to say that is my beef with this series. I don't want them together. I don't think Molly should have a `yes man' but definitely not someone who expects her to stay home and be taken care of, and to do the cooking, etc. If Daniel hasn't picked up on that by now, which it doesn't seem to appear so, then he isn't going to. Keep looking Molly!!!!

This is a great addition to the series! I wasn't as fond of "In Dublin's Fair City" and was worried this installment would go in that direction. No worries. I enjoy how Ms. Bowen works actual events into her books. It's a great series that should be good for a while yet.

In 1902 in snowy Central Park Molly Murphy and her sweetheart suspended New York City police Captain Daniel Sullivan (see OH DANNY BOY) are walking together enjoying the moment. However their idyllic stroll abruptly ends when they see a scantily clad woman half buried in a snow drift. They rescue the near dead but obviously traumatized young lady.

Molly is outraged that someone could do this to another human. She vows to learn the identity of the still in shock woman and uncover who coldly left her to die. At about the same time, actress Blanche Lovejoy hires Molly to investigate the spiritual mischief that is devastating her production of a play scheduled to open shortly but is in trouble due to the ghostly vandalism. Although her time is already tight, Molly agrees to make inquiries into the vanished nephew of a wealthy client, who wants to know if her relative disappeared to avoid a homicide prosecution or is the victim of foul play.

Molly's business is booming so she hires an assistant, an out of work cop who is dating her. Fascinatingly, the cases tie together in the theater leading to Molly going on stage to solve the mysteries. Readers will appreciate the latest entry of the unsinkable Molly Murphy as she continues to prove that she can make it in Manhattan.

Harriet Klausner

December 1902 finds Molly back from her ill-fated trip to Ireland and trying to juggle multiple cases at once. First, there's the prospective husband she's been hired to tail to make sure he is above board. Then she is hired to protect aging actress Blanch Lovejoy from the ghost haunting the theater where her comeback Broadway play is supposed to debut. Next, she's hired to find out what happened to John Jacob Halsted, a rich Yale student who is accused of robbing friends right before he vanished. Finally, she and beau Daniel Sullivan find a woman unconscious in the snow in Central Park. The woman wasn't dressed for the outdoors, and when she awakes can't speak and doesn't seem to track with anyone.

While Molly is pleased to have so much work to pay her bills, she also can't juggle it all. So she approaches Daniel, a wrongfully suspended police captain, about helping her. But that potential partnership seems to only cause more friction in their relationship. Can the two find a way to work together and successfully solve all these cases?

When done right, this series is as much about the historical as it is about the mystery. Here, it is done well. Occasionally, the plot appears to wander, but every one of those details becomes an important part of the story. There is still plenty of coincidence here, but Molly is also able to make a few deductions herself. The cases are juggled well, and one plot or the other was always moving forward.

What I found most interesting is the relationship between Molly and Daniel. I have never really liked him, but here I couldn't decide whose side I was on. One minute, I was mad at him, but a few pages later I couldn't believe that Molly could be so childish. I'm still not sure where I want their relationship to go, but I am more open to the possibilities then I used to be.

This series uses mystery to entertain and give us a glimpse into life 100 years ago. And you'll enjoy every minute of this time machine.

**Small Spoiler**

I did not enjoy "Tell Me, Pretty Maiden" as much as I have enjoyed the other books in the Molly Murphy series. I feel like Molly & Daniel's relationship needs to make some headway; there is no tension now that Arabella is out of the picture, & Daniel persists in his archaic views on a woman's role in marriage. The entire scenario is running thin with me. Another reason I did not find this book up to par is the 3 different plot lines that made the book feel scattered. Molly & Daniel ran back & forth between investigations, but, in the end, all 3 cases were linked, which was a little too unbelievable even for me. Even so, I will definitely continue to read this series.