California Books

I thought that the book was very well written and engaging. Ms. Mints writes very well and draws you in from the beginning. It is one of the better books that I have read as it is real and powerful...showing the side of mental illness that so many of us fear and rarely talk about.

Legacy of Courage was a book that wrapped itself around my heart and made me feel the emotions of a family and their painful challenges of watching the woman in the center of it all struggle for survival. It gave me insight on the horrific bad luck of being genetically challenged w/schizophrenic genes. How a woman vacilated between living her life in a drug induced state that allowed her to function in society and just wanting to be. I can't imagine being controlled by voices that inhabit your every thought. This book allowed me to appreciate my own blessings and left me feeling empathetic to the author who no doubt painfully poured out her heart and soul so that other's could learn and understand through her mother's story, thereby allowing the legacy of her mother to live on, while putting to rest so many of her own struggles. A truly moving book, with inspiration for anyone dealing with a challenge in their life.

Paula's story is a must for anyone working in the mental health field. Reading about what it is like to have a mother who is schizophrenic is something one does not get in classroom texts. I was deeply moved by both the book as well as seeing her last night at a book reading in Campbell, California. Everyone will be affected by this cogent narrative.

Paula Mints's mother, Elaine Rothwell, suffered from schizophrenia. Legacy of Courage is the story of Elaine's life and her brutal death, as seen through Mints's eyes. It's also the story of how one daughter discovered her mother and the love they had for each other.

Mints's childhood was tumultuous and unhappy. She treasures a few early memories of her happpy and pretty mother teaching her to curl her hair, comforting her, or listening to her stories. But Mints also remembers seeing her mother hitting her head against the wall to quiet the voices tormenting her, and she remembers the subdued, but not healed, woman who returned from a series of electric shock treatments.

What Mints remembers most is the day her mother disappeared, and the phone call she got three years later asking her to come to the morgue and identify Elaine's body. She began a search then for the man who had raped and murdered a homeless insane woman. Working by herself, she found enough evidence for the police to make an arrest. She then endured an eight-year wait for that man to be brought to trial, "determined to prove that the murderer's victim was more than just another crazy homeless person, but someone once loved and treasured who deserves vindication."

One of the most moving and powerful books I've read in a long time, Legacy of Courage not only details a fight for justice and the effects of the fight on the victim's family, it's also "ultimately the chronicle of one woman's cathartic journey to the roots of forgiveness and the flowering of peace." Devoid of pretensions and permeated with truth, it's a book that can't be put down once started.

Legacy Of Courage is the true and riveting story of Paula Mints' search for her mother's killer and her own identity. Lucia Elaine Rothwell had been homeless, living in a cardboard box, and ended up savaged and brutally murdered. Paula, as a young girl, barely survived her childhood years when her mother's mental condition distorted reality. Paula describes the harrowing days of her mother's decent into schizophrenia and her father's ultimate abandonment, of trying to care for her mother whose condition was worsening. But when authorities failed to commit her mother to a psychiatric hospital, Lucia disappeared -- until the day the Coroner's office contacted Paula with the devastating news of her mothers homicide. Legacy Of Courage is the story of how Paula came to terms with the death of her mother, the pain of her own past, and the guilt she felt for losing touch. It's also the story of a justice system apathetic to the plight of the homeless and Paula's becoming adamant in proving that the murderer's victim was not some anonymous homeless person, but a human being once loved and part of a family. Paula sets out to bring her mother's murderer to justice. Legacy Of Courage is a true story that compels the reader with a real-life drama that exceeds anything thought up by some Hollywood scriptwriter.

This highest praise I can give to this wonderful series by Joy Hakim is that my 11-year old son asks me every night, "Can we read some history?"

The books work magic in making history engaging. The well-written text, the illustrations, the text boxes with small but fascinating anecdotes -- all contribute to draw readers' interest. I have learned many new pieces of United States history from these books.

One small aspect of the books won me over from the start. In the introduction, Ms. Hakim tells readers that the Puritans, the founding fathers, the Native Americans are a part of every American, no matter how or when your family came to the United States - a "history of us." My children are binational, and reside overseas. I could tell when we read this part that the author's words spoke to them in a way few history books do.

"Liberty for All? 1820-1860" is the fifth volume in Joy Hakim's "A History of US," and focuses on the question of how slavery could exist in the land of the free. While this book clearly sets up the next volume, "War, Terrible War 1855-1865," which covers the Civil War, it also has some significant overlap with the previous volume, "The New Nation 1780-1850," which ends with the Compromise of 1850 that put off the coming war for a decade. There is not a neat and simple way of dividing up American history when covering the first half of the 19th-century, so it is not like there is an obvious solution to Hakim's problems of deciding where to end one book and begin the next.

Whereas "The New Nation" looks primarily at the on going political experiment that saw the creation of parties and the peaceful transition from Federalists to Democratic-Republicans, "Liberty for All?" is more about the slavery question in the context of the young nation's expansion. The volume begins with the story of Westward expansion along the Santa Fe Trail and other routes and ends with the story of the Underground Railroad. In between Hakim tells young readers about Mormons moving to Utah, Texas joining the Union, and gold being discovered in California. Opening up Japan to American trade and the Seneca Falls conference on the Rights of Women are also part of this period of American history.

This volume covers a lot of different topics from this time period. "The New Nation" has a much clearer sense of structure because it follows the administrations of the first presidents, but I think you can see four significant units in this book. The first (Chapters 1-20) deals with all the myriad aspects of western expansion, from the Mississippi to the west coast and beyond to Japan. The second (Chapters 21-26) focuses on the conditions faced by women and children during this time. The third (Chapters 27-31) focuses on the impact of the transcendentalists on philosophy and literature, from Thoreau and Melville to Whitman and Dickinson (including some choice poems) as well as Audubon and Caitlin. The final section (Chapters 32-38) is rather powerful dealing with the "Amistad" case, the Compromise of 1850, Stephen Douglas's "popular sovereignty" solution, the Dred Scott decision, and the idea that the entire issue of slavery was coming to head.

These books are all richly illustrated, almost exclusively with historic paintings, etching, drawings, cartoons, and the like. The margins are crammed with mini-biographies, definitions, lines of poetry, and suggestions for places where young readers can find more information about a topic. This series has a deserved reputation among parents who are home schooling their children because not only is it very informative, but Hakim makes a concerted effort to engage her young readers. She is constantly asking them to put themselves in the perspective of the people being written about, whether they are pioneers heading over the Rocky Mountains or slaves trying to find their way North to freedom. More importantly, Hakim has an innate ability to anticipate questions from her readers; you can count on her to explain "why" at the point where a student in class would be raising their hand to ask that very question.

Joy Hakim's entire series is a homeschoolers dream. The books are written so well and the pictures are so nice that interest is kept by both student and teacher.

I bought this series for my wife so she could better understand the history of the US and improve her English language skills in an area of intense interest for her. In the end, I pored over these books and gave my wife little time with them. Written for kids but fabulous for adults with little time. Buy the index and you can find sources if you're interested in diving a little deeper on a particular topic. I hope to keep these books for out future child(ren?) and am sure they will find them intriguing. The series lets us know how magnificent a country we really live in and how dramatic the history really is. With all the turmoil and all the diversity, how do we manage to keep it together? And, there are plenty who take umbrage at the extensive coverage of race and gender equality but they really are at the root of so many of our societal problems, historically speaking.

"Liberty for All? 1820-1860" is the fifth volume in Joy Hakim's "A History of US," and focuses on the question of how slavery could exist in the land of the free. While this book clearly sets up the next volume, "War, Terrible War 1855-1865," which covers the Civil War, it also has some significant overlap with the previous volume, "The New Nation 1780-1850," which ends with the Compromise of 1850 that put off the coming war for a decade. There is not a neat and simple way of dividing up American history when covering the first half of the 19th-century, so it is not like there is an obvious solution to Hakim's problems of deciding where to end one book and begin the next.

Whereas "The New Nation" looks primarily at the on going political experiment that saw the creation of parties and the peaceful transition from Federalists to Democratic-Republicans, "Liberty for All?" is more about the slavery question in the context of the young nation's expanasion. The volume begins with the story of Westward expansion along the Sante Fe trail and other routes and ends with the story of the Underground Railroad. In between Hakim tells young readers about Mormons moving to Utah, Texas joining the Union, and gold being discovered in California. Opening up Japan to American trade and the Seneca Falls conference on the Rights of Women are also part of this period of American history.

This volume covers a lot of different topics from this time period. "The New Nation" has a much clearer sense of structure because it follows the administrations of the first presidents, but I think you can see four significant units in this book. The first (Chapters 1-20) deals with all the myriad aspects of western expansion, from the Mississippi to the west coast and beyond to Japan. The second (Chapters 21-26) focuses on the conditions faced by women and children during this time. The third (Chapters 27-31) focuses on the impact of the transcendentalists on philosophy and literature, from Thoreau and Melville to Whitman and Dickinson (including some choice poems) as well as Aubudon and Caitlin. The final section (Chatpers 32-38) is rather powerful dealing with the "Amistad" case, the Compromise of 1850, Stephen Douglas's "popular sovereignty" solution, the Dred Scott decision, and the idea that the entire issue of slavery was coming to head.

These books are all richly illustrated, almost exclusively with historic paintings, etching, drawings, cartoons, and the like. The margins are cramed with mini-biographies, definitions, lines of poetry, and suggestions for places where young readers can find more information about a topic. This series has a deserved reputation among parents who are home schooling their children because not only is it very informative, but Hakim makes a concerted effort to engage her young readers. She is constantly asking them to put themselves in the perspective of the people being written about, whether they are pioneers heading over the Rocky Mountains or slaves trying to find their way North to freedom. More importantly, Hakim has an innate ability to anticipate questions from her readers; you can count on her to explain "why" at the point where a student in class would be raising their hand to ask that very question.

Have you ever wondered about some creature washed ashore in Monterey, or sat fascinated while intently watching the teeming life of a tide pool? This book will satisfy your curiosity, opening you to worlds you never imagined existed. In one example, the book describes the complex life cycle of Velella, from deep sea denizen to the pelagic blue sails seen awash on beaches. Throughout, A Living Bay shares a fascinating story of Monterey sea life, from towering kelp forests to miniscule colonies of byrozoans--with beautiful photos, detailed and passionate writing that keeps you reading.
This is my favorite book on sea life: a must-have supplement for lovers of Monterey bay, aquarium visitors, and all curious minds.

The authors' love of their subject and the depth of their knowledge shines out from the pages of this beautiful, fact-packed book, which overflows with spectacular photos and lively, interesting text. Instead of dry and technical captions, each photo is accompanied by a mini-essay filled with wonderful information. What makes this book truly marvelous to me is that as you read it, you forget that many of their subjects are only millimeters in size; they are the kind of thing we overlook until a book like this does them justice.

An exceptional book. Those tar spots on the beach, those yucky lumps of rotting kelp, those minor shellfish will all become fascinating interacting worlds for you. Beautiful photos that excite and succinct explanations that educate in a package that could well be an excellent coffee table book. We should all hope that this is what all nature books would become. I recommend this book to anyone interested in ocean life (not just Monterey Bay).

I am giving this book out as gifts to friends and relatives.

I'm an avid Monterey Area scuba diver who was on the verge of thinking I knew something about Monterey marine life. That was before I read this book. Despite my many hundreds of dives and many hours of time spent studying the things I'd seen this book opened my eyes to all sorts of things I'd never noticed before. Anybody interested in west coast marine life simply must have this book.

One of it's best features is the novel organization. It's broken up into habitat areas rather than by Phylum/Genus/Species etc. This really helps the reader understand the relationships between the various organisms. Also the photographs are truly exceptional.

Overall a real gem.

This book provides many many photographs of marine organisms found in Monterey Bay (California coast). The photographs are clear, well-reproduced, and organisms are identified by common and Latin name. This alone would be a good reason to buy the book. However, the authors went beyond excellent photography into detailed marine biology. For every organism, they provide fascinating details from the biology of the organism, often supplemented with additional photographs illustrating the phenomenon being described. I have taught chemistry, biology, and marine biology at the high school level, as well as being a SCUBA diver; I found this book to be full of new and fascinating information, well presented and carefully documented, with scientific sources cited (but not obnoxiously). I loaned this book to two high school students, one fascinated with marine biology, one not so fascinated, and they were both enthralled: "that book is so cool!" "did you know anemones fight?" One of the best books on the ocean environment I've ever seen; clearly a labor of love on the part of the authors.

Totally agree about the locals comment. I just moved here from San Francisco and found great stuff in the book to make me feel like a native. Well-written, funny, entertaining, and a great resource for anyone visiting or living here!

This guidebook is witty, useful, and trail-breaking.
Mary Herczog takes Los Angeles and somehow makes it fun, organized, and not scary. What I liked best about it, she focuses on things most people miss, the sort of thing that you absolutely want to know about if you're going there without any kind of inside knowledge or friends in town, and she makes it all so fascinating and entertaining to read about. You can have a good read here even if you're not going to LA anytime in the foreseeable future.

Also she knows where all the really cool places are. And I know the title says "For Dummies" but obviously she's not, and she doesnt' treat her readers as dummies either. A terrific book.
Highly recommended.

My husband travels to Los Angeles often for business
so he knows a lot about the city but I went for the
first time on his last trip. Since he was going to be
in meetings a lot I was worried about being on my own
so I bought this LA for Dummies guide and I'm so glad
I did! It was fun to read and so informative - it
even showed my husband the "LA expert" a few tricks.
I totally recommend it!

We visited Los Angeles for the first time recently and were worried about what we had heard - that the city is a big sprawling mess, difficult to get around, etc. All of which is true, but this book made it less intimidating and actually a lot of fun. We took the author's advice to heart and wound up not feeling like dummies at all! This is a great book for the first time visitor.

Some friends of mine from high school were coming to visit me here in LA and bought this book and had a great vacation, largely due to the terrific advice given in it. LA is a big sprawling mess of a city and the book helps narrow it down to a manageable size, especially for first time visitors. The surprising part was when I looked at the book while they were here - the stuff I learned on restaurants, attractions, and more that I never knew existed was amazing. It's opened my eyes to a whole new LA. Excellent all the way around.

The book was exactly what I wanted for a Christmas present and at a good price.

Los Angeles. There were a few years there when Los Angles was the center of the world. 1965-1985, give or take a few years. Oh yes, even the Brits were raving. David Hockney had declared LA the best place to paint ("Splash") and Reyner Banham declared LA the city of tomorrow. Things were cooking and I was there. Then things started to go wrong. Spielberg and the boys from USC took over Hollywood and turned the city from a culture center into an amusement park. The pollution started to get too dangerous to laugh at. The gangs took over much of the fringe. There was Rodney King, O.J., riots, earthquakes, fires, gang warfare. All in all, the city was destroyed. Who knows what Banham might make of the place now. This is a great little book.

Outstanding book about Los Angeles, a must-read for anyone interested in history, architecture, and culture.It reads like poetry.

Reyner Banham's writing is intelligent and entertaining. He has taken LA to heart and reveals how its "four ecologies" have affected its contemporary appearance and character. You'll not only learn how LA's architecture came to be as it is, but learn a great deal about the history and personality of the city as well. I read this book to get to know LA better. I couldn't have picked a better one.

Even though Banham's book was written in the early '70's, it remains a cogent view of a metropolis that has changed yet remained the same. It is a place, yes a real place, that is defined by geography and the various cultures of its inhabitants to a unique degree. Architecture is but a backdrop to Banham's larger point about the inter-relationship of people to the natural and built environments. The perspective of 35 years only sharpens the observations made by the insightful author.

Overall I was pleased with Roszak's book. Most of the pieces i've read about the sixties and the "hippie" era focus only on the sex, the drugs, and the music. While Roszak did dicuss this, his book was quite different because it focused mainly on the politcal and social issues of the time. Roszak include everything from the Vietnam War to how the counter culture has affected the lifestyles of the typical American family. Although Roszk is clearly on the far left side of the political spectrum, it is obvious that he tries his best to be objective and is sure to back up most of his points and information with credible sources. What I admire most about Roszak's book is the tone he takes. In my experience, many adult pieces concerning this era in history and the taboo, radical things that went on are often full of criticism towards that particular generation. Roszak did not criticize the protestors or the acid droppers, like most do. In his book, he carefully explained and supported the motives for these people, suggestng his approval and admiration for those who weren't afraid to stand up for what they believed in, no matter how much society frowned upon it.

This book offers a highly detailed examination of the relationship of the late 1960's counterculture to cutting-edge intellectual ideas of the same era; Roszak discusses Herbert Marcuse and Norman Brown, among others, in great detail and shows very lucidly how their ideas influenced intellectual and political movements on college campuses in both America and Europe. Roszak's prescience here is amazing, considering that he wrote this book in 1967-68, while the phonemena he discusses were still unfolding! It would be interesting if Roszak were to write a response to his own book today, considering how the counterculture of the early 1990's has been so rapidly devoured by the mainstream--Roszak foresaw the possibility of this happening to the 1960's counterculture, but it took far longer then than it has now. Roszak's ruminations on the absurdity of the Alternative Nation would be welcome with this reader!

Roszak's "Making of a Counter Culture" defined an era and the youth society that composed it. A thrilling expose' of Counter Culture Philosophy and oreintation, this is where the discussion all began. His bent on analysis of cultural differences and tendency to omit much of the political implications necessitated the need for a library of text thereafter.
Timothy Fitzgerald

read this still inspiring report on the counterculture and own its potential for self-transformation in your own life and the life of our global society.

I read this book in 1979 and it helped me to make sense of the 60s landslide in my own life. Re-reading it many times over the years, together with Roszak's other very insightful work (Unfinished Animal, 1975) is always an inspiring reminder of the counterculture's deep potential for cultural renewal. Forty years after the Summer of Love, Roszak's insights are still right on.

This book is by far the most seminal book one can read in attempting to get an accurate and unvarnished understanding of the sixties counterculture; the social and historical reasons for its rise, its intellectual underpinnings, and the way in which its actions were informed and indeed propelled by its unique constellation of integrating values into a cultural ethos.

Recently the counterculture has been viciously attacked, intellectually trashed and intentionally trivialized by a series of books and articles by mainstream neoconservatives who wish to discredit the counterculture once and for all by blaming it and the "permissiveness" it spawned for the manifest ills the mainstream society has actually engendered through the evolution of its own corrupted, nonrepresentative, and nondemocratic political process. Many ignorant youthful authors have succumbed to attributing fallacious ideas and notions of this ethos in a way that is not only inaccurate and disingenuous, but which serves to trivialize the quite serious cultural critique it comprised.

All that is set aside here. Remember, this book was written more than 30 years ago, even as the counterculture was rising, so it is very much a observational history, one done at ground zero of the demonstrations, sit-ins, when the tumult and strident calls for radical new solutions rang clear, and the heady air of nascent social and intellectual revolution was in the air.

Here one finds the counterculture placed in its proper context, and not just discussed 'en passant' as the demonized triage of sex, drugs, and rock and roll'. One can hardly understand the sixties in such simplistic terms, and Roszak helps one to understand the complex welter of social, economic, and political factors that led to its emergence. In its essence the counterculture was a social and political reaction to the hypocrisy of the mainstream materialistic culture from which it sprang, and as sociologist Philp Slater has commented elsewhere, most of the individual elements of the value system of the counterculture stem from values the mainstream culture in fact claims to hold but actually does not practice and employ.

This, then, is book with remarkable insight, perspective, and historical verve. Rosazak nails quite accurately the tensions, problems and contradictions associated with the rise of the counterculture and the innate problems its continued existence eventually portended for the materialistic mainstream culture. Of course, as history shows us, the sixties ethos was flattened by the overwhelming onslaught of the establishment and the Ohio National Guard, and the political and social ethos of the counterculture melded into the domain of increasingly isolated private and personal philosphies of hippies being assimilated into the mainstream.

The fact that its ethos is now blamed for much of the discontent and confusion of contemporary America is a likely result of what happens when one tries to merge antagonistic ideas and notions into a cultural system that is inconsistent with its own. This is a wonderful book, and one needs to read before the victors of those fractious times so revise the official version of the history of the 1960s that those of us who were there will no longer recognize it.

An outstanding book covering the founding and development of one of the great ski and resort areas in the country. .

The photographs alone are worthy of buying this book. There are plenty of rare b&w shots of mammoth from the turn of the 20th century on up and prime photos of the Mccoy legend. One of my favorite shots is Dave's Harley with skis strapped to it--circa late '30's! In addition, the text is nicely written giving you a sense of the key players in the development of mammoth as a ski town, mammoth in the world of ski racing, and nice vignettes on some unique things to the eastern sierra--from Schat's Bakkery to big horn sheep.

This book is awesome! The pictures are excelent and the information is great. Nice to know what Mammoth used to look like before it became the famous place that it is today.

Anyone who likes skiing will love this book. Forstenzer's familiarity with the Sierra makes it one that won't just sit around on the coffee table. He writes engagingly and tells great stories about the early days of skiing in Mammoth and its culture, how the ski area was built and some of the people involved. The photographs are astonishing and well worth the price alone, but in combination with the writing Forstenzer lets us glimpse what made Mammoth Mountain the great ski resort it has become. This is a terrific book about past and present skiing days at Mammoth. Like most any ski item associated with Warren Miller - breathtaking!

Absolutely the most beautiful collection of photos of Mammoth and the surrounding area can be found in this book! It provides a wonderful history and insight into the creation and life of this skiing Mecca. This is a must have for any Mammoth lover!

Unlike many works that Alan Lomax had has hand in, this book is great reading, if nothing more. I am not known to be a fan of Alan Lomax and his father as my review of _The Land Where the Blues Began_ attests, but at least Lomax realized what a treasure Jelly Roll Morton was and interviewed him and also had Morton create hours and hours of singing and piano music.


This book offers a digest of hours and hours of interviews with Morton in the late 1930s when Morton was living in Washington. It is supplemented by some very useful interviews Lomax did with New Orleans musicians and their families in the late 1940s. The New Orleans interviews provide very useful direct source material about the social and culture and professional milieu that both Creole and Black musicians in New Orleans Sprang from. A recently written criticial review by a real scholar at the close of the book explains the great limitations of Lomax's selections and writngs here.


Lomax apparently knew little about the real history and processes of New Orleans jazz and life, so that a lot of questions that someone interest in Morton's impact on music are not asked, not just in what Lomax selected to put in this book, but in the larger transcripts of Lomax's interviews and in the monologues Morton dictated to a stenographer as part of this project. Lomax's tendency is to seek out non-musical issue his stereotypical images of Blues and Jazz musicians call forth. This is quite unfortunate because to the end of his life, Morton had a very sophsiticated and articulate understanding of music and was capable of serious discussion of jazz and blues in formal musical terminology. He was a person who seriously thought about music most of the time when he was not playing it.

Recently scholars with new information drawn from new discoveries of Morton's personal archives, correspondence, and musical library as well as the range of interviews with other musicians tend to verify much of what as thought of after these intervews as bragadoccio. Morton probably was the first person to produce written compositions that were Jazz as opposed to rag time. He was certainly playing and writing down blues compositions before Handy. Even the greatest of early Jazz Pianists like James P. Johnson affirmed that both in the days before WWI and in the 1920s Morton outplayed all the great Jazz Pianists.

The examination and performance of the music that Morton wrote in the late 1930s indicates that Morton had not only mastered composition and band arrangement in a style that would have surpassed the most surpassed swing of his day but had written orchestral pieces that prefigured the modal Jazz that Coltrane and others presented in the 1950s. These and other compositions indicate that whatever the fortunes of his public performances, Morton was a serious composer whose skills continued to advance even in his last years when his health collapsed.

Yet flagged by failing health, Morton was never able to organize an orchestra that could have played these pieces. He had been told that he could have lived ten or fifteen more years had he given up performing music, but he wanted to make his music more than he wanted to live.

Finally, Morton WAS cheated out of millions of dollars in royalties by the music industry, especially by the Melrose Brothers and by ASCAP. He was one of the first musicians to challange the way the Mafia-connected music publishers simply robbed musicians of their compositions or did not pay them. Unlike some musicians who suffered quietly or WC Handy who was one of the token Blacks ASCAP paraded around to hide its racism, Morton launched a public campaign in Downbeat and other Jazz magazines that exposed the crimes of ASCAP and music publishers like Melrose.

Until the mid 1940s, ASCAP which collected royalties for compositions from record producers, radio, night clubs, and other places where music was played had a racist setup. Few Black members were admitted although royalties were collected for their music. Morton carried out a public and legal campaign for years to be admitted to ASCAP even though it was collecting millions for the large number of his compositions that had become great hits in the swing era, like the King Porter Stomp that became a standard that any competent string band cut its teeth on.

Once inside ASCAP, he found ASCAP distributed its royalties not based on the money different songs brought royalties but on what a board of ASCAP leaders decided was the cultural worth of different kinds of music. Thus while Broadway and classical writers were getting hundreds of thousands of dollars in royalty payments, Morton received under 200 dollars each of the two years he was living and a member of ASCAP. Morton protested and exposed this publically in the last years of his life and attempted to gather other victims of this system in a law suit. While he was dying and unable to carry on this struggle, his protests and the information he gathered led to congressional investigations in the 1940s that forced an end to discrimination in ASCAP in regard to membership and forced it to distribute royalties based on the sales of the music, not on its "value."

The issue of braggadocio also comes here from the fact that Lomax supplied Morton with a bottle of whiskey for each Interview. Morton was not an alcholic, but those who have studied the transcripts have noted that Morton grew more inaccurate, abrasive, and unreliable longer into the interviews as the booze took effect.

This fits into Alan Lomax's consistent pattern of trying to make sources, particularly Black sources fit into the stereotypes he had about them. Lomax who took many photographs of his folk sources, for example, would force people who preferred being photographed in the Sunday Best, to appear in old work clothes. While Leadbelly actually favored the finest suits and imposed a dress code on Sonny Terry and Brownie MCGhee when they roomed at his New York Home (suits and ties as musicians are professionals and get a case, not a sack for the instrument) Lomax forced him to perform in prison garb or overalls. Lomax also created the fiction that singing and the intercession of his father John Lomax had some relationship with Leadbelly being released fromthe Louisiana penitentary when Leadbelly was released as part of program that automatically reduced prison sentences due to depression-caused cutbacks.

Lomax wanted precisely to convey a picture of Morton filled with whiskey, smokey rooms, and so forth, when Morton was one of the biggest stars of music between 1917 and 1930, performing in some of the most sophisticated venues and a particular favorite with Hollywood film stars of the period.

Despite these criticisms, I urge anyone interested in finding out not only about Jelly Roll Morton, but about the origins of Jazz in New Orleans and the entertainment industry in the earkly 20th Century to read this book. A good supplement, or perhaps a better place to start would be _Jelly's Blues: The Life, Music, and Redemption of Jelly Roll Morton_ by Howard Reich. This can be followed by _Dead Man Blues: Jelly Roll Morton Way Out West by Phil Pastras_.

In spite of Jelly's bragadocio and the author's lack of Jazz background (Lomax was a folklorist) it's a very interesting book. Jelly must have felt injusticed when, in the late thirties, Benny Goodman was earning lots of money with "King Porter's Stomp". But the truth is that, exactly like King Oliver, he was outpaced by the revolution started by Satchmo.

I have always been a fan of Jelly Roll Morton, and I've always looked for books about him. This is by far the best. I loved it. I wish they would re-issue it

Alan Lomax interviewed Jelly Roll while doing an extensive set of recordings shortly before Morton's death. He followed up with a number of interviews with people who knew Jelly Roll. Lomax did a fabulous job of keeping himself out of the way while letting the often colorful information from the interviews tell the story of Jelly's part in the birth of jazz, a story with triumphs, massive ego and ultimate decline. I read a library copy and am buying a copy for a present.

This is one of the rare books for it can be enjoyed by just about anyone who picks it up. Its the amazing account of the life of Jelly Roll Morton, one of the best jazz pianists of all time. Though a braggart and troubled man, he created some of the very best pieces of jazz. The book goes into his life from his childhood and his time working at Storyville to the very troubled end in the early forties. You learn about his family, his troubled relationships with Anita and Mabel and how he went from being wildly successful to dying virtually forgotten. Voodoo, New Orleans, jazz and Creole culture, its all here.

Written with flair and never boring, Mr. Jelly Roll is a book that you will read more than once. Its a look at a legend and a glimpse into a world we can only know of through books and music. Get this if you want a good read and a look at Mr. Morton's life. A true classic.

More Than a Mutt hits the spot for anyone who loves dogs. Roger did a great job of humanizing a very special dog's personality. Our whole family enjoyed the book and we highly recommend it.

Having been a neighbor for many years, I observed his love for animals. Not being an animal lover, the book touched me deeply and made me think differently about my feelings. Reading this book brought proof that a dog can be man's best friend. Rusty's antics were memorable.

The book makes me happy in the sense that a mutt can make himself a part of a family, actually an indispensable part so naturally. The phrases used in the book are best chosen so that it is easy to read and feel the real emotion in it.

Rusty just had so many things to make you love him. It paints a true picture of some of the bad times along with all the antics he took part in. I'd recommend it to readers of all ages.

More Than A Mutt is an exceptionally good book, filled with good humor. One can sense the love, appreciation and joy this dog gave to Roger and his family. This is a story that all pet lovers can relate to.

Mosaic's style of church is not just an "L.A. thing" but all across the country as leaders of churches from almost all denominations and hundreds of younger adults starting new churches look to the ministry of pastor Erwin McManus and Mosaic as their North Star. The church grew while experimenting with new structures for congregational ministry and engaging diversity, pluralism, and urbanization.

Other books covering related topics include: Hollywood Faith: Holiness, Prosperity, and Ambition in a Los Angeles Church about a vibrant church meeting in a converted movie theater in the center of Hollywood. A new, practical book on megachurches based on good scholarship is Beyond Megachurch Myths: What We Can Learn from America's Largest Churches (J-B Leadership Network Series). And, an in-depth look at the influence of evangelical megachurches on mainline denominations is The Megachurch and the Mainline: Remaking Religious Tradition in the Twenty-first Century.

This book is an artform. The work is an in-depth glimpse of the inner-workings of the emerging church that many philosophize and prophesize about, yet never have the opportunity to live within. The care and balance that Marti brought to the project as a pastor and scholar was obvious and reassuring. I am confident that Gerardo's work will provide a methodological basis that provides others with the courage to do the same. This book is timely as the denominational form of Christianity continues to slide into oblivion in the U.S. However, it is a refreshing testament to the fact that God has something more in mind. He's not done with Christianity in the U.S. just yet. He is the God of MORE...much more. Marti's book is a refreshing, uplifting testament to the fact that He is alive and working diligently in our world...He just needs some disciples to hear Him and "Follow Me." Clearly, the finished work spawns more questions and opportunities for additional research, as any substantial research endeavor should.

Looking under the conventional labels used to depict religious believers, ethnographers and cultural historians are uncovering some unexpected findings. We know, for example, that religious conservatives are likely to vote Republican, but what, exactly, does it mean to be a religious conservative? If the scholarship of historians like R. Marie Griffith or sociologists like Gerardo Marti is any indication, it does not necessarily mean turning one's back on the modern world. [...] Marti's 'A Mosaic of Believers: Diversity and Innovation in a Multiethnic Church,' to be published next month, offers a case study of a Los Angeles-based church that is at one and the same time Southern Baptist in affiliation and conservative theologically and attractive to a young, primarily single Hollywood clientele working at cutting-edge cultural jobs in the entertainment industry. As such books illustrate, the ethnographic trend overlaps with interest in the complexities of religion and American culture and their intersection. While religion has certainly done its share to shape American culture, it is also the case that American culture shapes religion, and in very powerful ways.

-- From Alan Wolfe, "Scholars Infuse Religion With Cultural Light," The Chronicle of Higher Education

Detailed Table of Contents

Acknowledgements
Introduction
   Mosaic Havens: Dual Movement of Escape and Refuge
   Max Weber and the Dynamic Nature of Ethnicity
   Overview

Chapter 1: Multi-Ethnic Churches, Mosaic, and Social Change
   Significance of Multi-ethnic Churches
   Significance of Mosaic
   A Glimpse Into the Future

Chapter 2: Describing Mosaic
   An Oral History
   Unique Aspects of This Congregation

Chapter 3: History, Agency, and the Evangelical Faith: A Reconstruction of Ideology
   Exploring Mosaic's Theological Haven
   Catalytic Preaching and the Shaping of a Congregation
   A Theology of Mission
   The Apostolic Community and the Movement of History

Chapter 4: The Hollywood Connection and the Management of Artistic Talent: A Reconstruction of Involvement
   Exploring Mosaic's Artistic Haven
   Parallels between Mosaic and the Entertainment Industry
   Mobilization as the Core Activity at Mosaic

Chapter 5: Innovation and the Cultivation of Catalytic Leaders: A Reconstruction of Imperative
   Exploring Mosaic's Innovator Haven
   Discovery, Development, and Deployment of Leaders
   Diversification and Innovation through Catalytic Leaders

Chapter 6: Mosaic and the Emerging American Culture: A Reconstruction of an Institution
   Exploring Mosaic's Age Haven
   Reversing the Age Hierarchy
   Cultural Appeal to the Coming Century

Chapter 7: Becoming Mosaic: A Reconstruction of Identity
   Exploring Mosaic's Ethnic Haven
   Charismatic Authority and the Strategic Management of Ethnic Identity
   Charismatic Re-orientation of Ethnic Identity

Conclusion
   Innovation and Diversification in Pursuit of Mission
   Popular Culture, Younger Generations, and the Rejection of Modernity
   Capturing a Movement in Action

Bibliography

Appendix: Methodological Considerations from a Religious Insider
   Qualitative Research and the Dilemma of Researcher Involvement
   Seeking Validity for This Researcher in Studying This Congregation
   Guidelines Offered in Hindsight

Appendix: Women and Leadership at Mosaic

-- Quoted from CHOICE Reviews by K. D. Lyon (Jones County Junior College), January 2006.

"Through careful ethnography and masterful application of sociological theory, Marti (sociology, Davidson College) provides a rewarding and insightful study of one of the nation's largest multiethnic churches, Los Angeles's Mosaic."

"Principally, Marti attributes Mosaic's remarkable success to five "havens" of inclusion/involvement within the church that allow transcendence of ethnic separateness in favor of spiritual commonalty. The "theological" haven offers a purposeful ideology of evangelical mission that animates other havens, while the haven of "artistic creativity" harnesses a wealth of Hollywood talent and integrates myriad artistic forms into worship. Analyzing the "innovator" haven, Marti explains how congregants viewed as deviant in organizationally conservative churches frequently become "catalytic leadership" within Mosaic. The "age" haven attracts and empowers young people, especially those fleeing "entrapment" in their parents' monoethnic subcultures."

"A superb chapter explores "ethnic" haven in terms of the fluidity, subjectivity, and situational construction of ethnic identity, allowing emphasis, reconfiguration or muting of ethnicity within Mosaic's context and missiology. Engagingly and accessibly written, this excellent book deserves wide readership among everyone interested in US religion, ethnicity, organizations and urban culture."

"Summing Up: Highly recommended. All levels/libraries."

-- Quoted from Journal for Scientific Study of Religion by Elaine Howard Ecklund (University of Buffalo, SUNY, and Rice University), September 2006 (Vol 45/No 3), pp. 467-468.

"Mosaic of Believers is a highly readable volume, following in the footsteps of other congregational ethnographies within the sociology of religion (e.g. works by Nancy Ammerman, Brenda Brasher, and R. Stephen Warner)."

"He shows that Mosaic retains its unique mission, in part, by rewarding change-agents, providing a haven for self-starters and leaders."

"Carefully walking the line between overindulgent navel-gazing and unquestioned objectivism, Marti writes an engaging methodological appendix.... Throughout the volume, he implicitly pushes forward a dialogue on the different roles that insiders and outsiders to a religious community have in ethnographic accounts of such settings."

"Overall, this is a strong volume and I look forward to reading Marti's future work."

-- Quoted from "Multiethnic Mix: A Model of Congregational Diversity?" by R. Stephen Warner (University of Illinois at Chicago), The Christian Century, July 26, 2005 (Vol 122/No 15), pp. 26-29.

"As Marti sees it, the key to building a congregation of people from diverse, often alienated ethnic backgrounds is to appeal to them in ways that trump their differences."

"Marti stresses the malleability of identities and the way that being a follower of Jesus Christ at Mosaic "transcends" ethnicity. In so doing he offers an appealing vision of a church that builds on the dynamism of demography and popular culture to overcome the scandal of religious segregation (as well as the specter of civic balkanization)."

"Clearly, Mosaic is spiritually compelling. Its members are on fire with their faith, eager to share it with everyone in Los Angeles. Its leaders take risks that most pastors would not dare."

"His book will be on the syllabus the next time I teach a course on race, ethnicity and gender in American religion."

-- Quoted from Sociology of Religion: A Quarterly Review by Kathleen Garces-Foley (Cal State Northridge and Marymount University), Fall 2006.

"Marti's analysis is a well-crafted mix of first-person accounts and sociological theory."

"As an assistant pastor at Mosaic during the course of his research, he straddles the religoius insider/outsider tension with ease and precision, and the methodological appendix offers insightful advice for other scholars in this position."

"It also offers valueable insights into the postmodern church movement, and I found the discussion of Mosaic's theological position with regard to premillenialism particularly helpful."

This book does a masterful job of piecing apart Mosaic, how it is structured and how it operates. It provides facts and unique insights behind the scenes and gives the reader what he needs to understand diversity in a local church that is impacting the world.