France Books

One of the best books for children ever written. I read it in Russian, when I was a kid. I reread it several times after. I read it to my sons. They both loved it. Why it is so difficult to find? This book should be available to every kid!

I read an abridged version of Sans Famille when I was little, and when I found this book I bought it without a second thought. And the story is just as touching and good as I remember. If you have never heard of this book, read it; you'll love it.

I read this book many years ago in Russian. It is still widely printed there, while virtually impossible to find in English in Canada. It is a beautiful story about a young orphan, Remi. The story begins with Remi finding out that he is in fact not his mother's son, but was found by her husband years ago on the streets of Paris. Now her husband has been crippled in an accident and money has became tight. So to get rid of the boy he secretly (from the mother) sells him to a travelling stranger he met at a tavern.

The book reads very fast and is incredibly emotionally touching. I reread it recently as an adult, and still found it as magical as I did when I was a child.

I read this book when i was less than 10 years old in Vietnamese and it took me almost 30 years to find it in English here. It's one of the most influential books in my life. It's a story of self sufficient, hamonious rapport, and integrity, imho. I would recommend this book and "Nobody's Girl" by the same author to all, especially parents for their children.

I was in third grade. It was the first library book I had ever read. I cried and cried it so emotionally touched me. I read it 3 times. It still is the best book I have ever read. Thank you Amazon for giving me the opportunity to read it again....

Mr Maxtone Graham's work is a pure piece of art for all people with a love for classic liners and their times. It revives a (regrettably) lost way of life. A true bible.

I have two copies of this book and keep one on our boat in Ft Pierce, FL for guests to read and one at home for ME to re-read. Although we have cruised on the blue-water fleet numerous times, I love to read about the pre-jet crossings of a (seemingly) romantic and for the most part, by-gone era. When you read this book, it is so evocative tht you can close your eyes and almost imagine that you are there on a chilly quai in New York City about to depart for the great cities of Europe on one of the great liners. An absolute MUST READ for any ocean liner fan. I re-read this one often in the wee hours of the morning.

I devoured this book and you will too. John Maxtone-Graham is one of a kind, a marine historian who is urbane, erudite, and literate. He has written an absorbing book, filled with fun, details, anecdotes, and marine dreams. Here's to Big Ships and big dreams - That toast has a kind of 1920's ring to it. But I loved it. You will too.

I had the pleasure of meeting John Maxtone-Graham aboard the SS Norway in 1985. He autographed a copy of "The Only Way to Cross" and I have read it at least 3 times. I'll never tire of his detailed accounts of the ships and the people that made that era.

What I found really wonderful about the book was not only learning about the best parts of transatlantic travel but the worst as well. The section on Steerage as well as on the Boiler rooms show you every side of what life was like aboard the grandest ships to ever ply the oceans of the world.

If you buy only one book in your life buy this one!

This is a must read for any Oceanliner or ship fan. It will transport you back to the days when the steamship was truly the only way to cross. After reading this book you'll realize that those floating barge-hotels that Carnival and the other Megalines call ships will never be Luxury liners! Long live the SS Norway!

One of the best books ever written about World War II. I had the 1st Edition of Brendan Phipps' book and "lent" it to my Grandson who has a great interest in the war. When I finished reading "Seven Days in January", a recent acquisition, I wanted to follow up and read "The Other Side of Time" again for the umpteenth time. Rather than ask for my copy back from him I gambled and found a copy on line which is in excellent (like new) condition and also a first edition.

"The Other Side of Time" really presents the gritty side of war and does so with emotion rarely exhibited. The rememberances are those of the author from notes kept by him. The story is told so well that it leaves a lasting impression.

Forget "Saving Private Ryan"--this is the real deal, the front lines story written by a combat surgeon without any of romantic claptrap. A bracing, funny, terrifying read--a classic of the genre. Granted, there are moments when the writing is a tad florid, but the reader quickly forgives these tangents--the core of the book holds your attention like few other books. If everyone read this book, there'd be far fewer wars.

This book is no longer out of print. It has just been republished in paperback under the title OUR WAR FOR THE WORLD.

"The Other Side Of Time" by Brendan Phibbs; sub-titled: "A Combat Surgeon In World War II. Little, Brown, and Company, Boston, 1987.

The writing in this book is superb. The insight equals the writing. Dr. Brendan Phipps was training as a surgeon when the Second World War interfered with his life. Some forty years later, after the death of his wife and after his children "scattered", he sat down with a box, full of notebooks ("...one stained with long-oxidized blood) , reports, a German soldier's paybook and a "...few pages of military jargon", to write his memoirs. He did a great job.

His book covers the end of the war in Europe, when American forces were advancing into Germany and it was becoming clear that the war was over. His comments hit the highpoints of many other books: "...they (the Germans) have dumber generals than we have". (Page 91). "An elderly Irishman ... (stated) ... that Germans learned slower than pigs at their Latin." (Page 90). American Sherman tanks burn: "Bitter commentary on American engineering. American slavish addition to high-octane gasoline; diesel-fueled , heavily armored German tanks keep right on coming." (Page 152). But, throughout it all, he is able to put a human face on the horror and terror that they experienced. Because of his ability in French and German, Dr. Phibbs also brings some of the other side into his book, as when he describes how the collaborators were dealt with in the so-called Colmar Pocket in France.

This book is, perhaps, one of the best-written memoirs of World War II. His last sentence in the Preface:
"Please, young people, listen to us before we leave."

The Other Side of Time, is, along with Paul Fussell's Wartime, one of the best books ever written about World War II. Brendan Phibbs was a combat surgeon drafted into the Army in 1942 who saw service in Europe later in the war. The book is written from the diaries he kept at the time and re-read years later. Some of the passages in this book are incredibly beautiful, the first
story, about the burial of an ordinary soldier named Wally is
fantastic. The book pulls no punches, Phibbs talks about the anti-semitism of his fellow doctors, the incompetence of many US military officers, the evil of the Germans and the stupidity of our Department of State in repatriating Russian POWs and displaced persons back to Stalinist Russia after the war. These stories make it hard to read, you want to weep when you read about the indifference of American medical authorities to the suffering of death camp inmates and gnash your teeth at the incompetence of our officers who sent inferior American tanks into head to head battles with the superior German panzers, only to see them destroyed. But despite these stories the heroism of the soldiers that Phibbs served with shines through. I really wish that they would reprint this book, or that HBO would do a series based on it as they did on Stephen Ambrose's Band of Brothers.

Although this book was written in 2000, when I saw it at a book boutique I bought it immediately...a fabulous book on a unique culinary culture for those who love to delve into french cooking recipes. I highly recommend it! The photos transport you back there and it has made me so homesick to return to Paris again even though I return there every year when I can to visit family there and have always made it a pilgrimmage to go to the Marches a few times a week, especially to the 'Richard Lenoir Marche at Place de La Bastille in the 11th arrondisement...you can spend the entire morning (they close at 1PM) there perusing from table to table and end your day walking home in the streets of Paris with a tote-ful of delicacies to prepare the sumptious evening 'repas'
The varieties of each food are endless and fabulous and fresh, the colors of the fruits and vegetables are brilliant, the energy at the marches are exhuberant, and venders are so proud of their products...This book really does take you back to feeling like you are there in the midst of a culinary feast; the recipes are easy and with US measurements, and the descriptions of each arrondisement gives you such a personal tour that you feel akin to each personality they present you with. This is really the true colloquial joie de vivre experience in Paris-a way to commune with nature's bounty. I highly recommend this book; 5 stars!! a true feast for the eyes!!

Nicolle Aimee Meyer and Amanda Pilar Smith have created a book that is part travel guide, part cookbook, part biography -- and all wonderful! The photographs are terrific. The text brings the markets and their people to life. And I can't wait to try some of the recipes, which are for many classic French favorites. Altogether a complete success! Bravo!!

Beautiful photography and lively writing make this a perfect gift this holiday season (or any time) for anyone who likes to eat and loves Paris. Even for a longtime resident of the City of Lights like myself, this book brings another Paris to life, one you will want to explore again and again, in these pages and of course like the authors did themselves, bicycling through every arrodisement, leaving no quartier unvisited, no fromage untasted, no croissant unfinished! A magnificent and original hommage sure to earn its place among the classics of cuisine and travel.

A must for anyone seeking out the real Paris, off the beaten track of tourist traps. Even if you can't visit more than two or three markets per visit to this wonderful city, this book will continue to be a major reference for seeking out these fascinating places of food, drink and 'objets'. Happy exploring!

I love this book! The cover roped me right in and before I knew it I was buying it. I am so glad I did. The book is organized by arrondissement; each chapter is devoted to one of them. They tend to focus on the biggest or best market in each arrondissement but they devote paragraphs to the others. The text itself is gracefully written and yet very convivial. For each of the main markets, the authors start you out on a typical Parisian morning and gently suggest the path you might want to follow as you navigate that particular market; it is almost as though they are walking along with you. They tell you what's available at each market and what are each market's strengths and weaknesses. You will be introduced to a lot of people - the butcher at the Marché d'Aligre, the poissonier at the Richard Lenoir, the organic farmer at the Batignolles market, the interesting old fellow who hawks bath salts as he soaks his feet in green water... I feel as though I'd be able to walk up to them and say hi. There's some history mixed in there, too, so you'll get to see some nice old photos and learn about everday Parisians of the past. And of course there are the recipes. Most of them appear delicious and a few rather exotic. Many of them come from the very people that you "met" in the chapter preceding, so you know they're authentic and the human element makes you want to try the recipe all the more.

I love Paris. This book really gives you a sense of what it is like to be there - colorful, vibrant, stately, modern, classic, young, old... Paris is all of these things and more at once. I went there seven years ago and I don't think I hit a single market. This book makes me feel incredibly well-equipped; I think that without it I would feel a bit intimidated. I plan to go back and I'm gonna bring this book with me!

A biography written by a child of someone famous often carries more than one burden, similar to the responsibility or encumbrance of the overshadowing parental fame. However, in filmmaker Jean Renoir's lovingly detailed remembrances of his Impressionist painter father, the reader gleans more than a timeline of an artist's rise to prominence. The author shares a richly detailed account of life in a culture that--in most areas of France save for Paris--was still foremostly agrarian. In this burgeoning Industrial world, Renoir tells of the rise of his father's art and the changing cultural behaviors, shifting societal patterns and troubling questions within that framework.

Beginning at Louis-Philippe's "July Monarchy" (1830-1848)-- generally seen as a period during which the haute bourgeoisie was dominant and the 1840's which saw financial crisises and bad harvests with an ensuing economic depression--we are reminded of the general and specific trends vis-à-vis how they affected the Renoir family's world. Curiously descriptive, this was a world of street oil lamps and chamber pots; anesthesia was not yet invented (nor any antiseptics); butchers slaughtered the animals on site in the back of the shop; great debates about the inferior railroad system and the overall safety of locomotives were waged (could a pregnant woman harm her unborn child by moving a such great speeds? Did the smoke and soot emitted hinder crops in nearby fields from growing). Adding to the vivid and graphic storytelling of French life are vignettes of the senior Renoir's dealings with fellow Impressionists and art dealers as well as his painting process behind some of his masterpieces. Family life, the defining touchstone of the artist as a man, is shared in humorous and matter-of-fact style ("My mother brought a great deal to my father: peace of mind, children whom he could paint; and a good excuse not to have to go out in the evening.") This book, which was first published in the mid-1950's, affords the reader a complete picture of the life of a great artist during a time of vicissitude and excitement in all facets of French society.

An affectionate remembrance of Renoir by his son, concentrating the years up to the turn of the century.

Renoir considered himself an artisan rather than an artist, disliked anything artificial, from margarine to ready-to-wear clothes, had among his friends artists, and musicians who are household names today. "It is when you have lost your teeth that you can buy the best beefsteak" he would say, and considering that he became more infirm with age, this truism affected him no less than the rest of us.

Impressionism is my favorite style of painting so I was really enchanted with this biography. Written by Renoir's middle son, Jean, Renoir, My Father not only gives us an intimate look at the life of Auguste Renoir, it gives us an intimate look at the Paris of Renoir's day as well.

As we get to know Renoir we get to know his contemporaries, too. Jean Renoir writes about Monet, Cezanne, Manet, Sisley and many other great artists. We learn many "little known" facts, such as Monet's penchant for lace and his "artful" way with the ladies.

Paris really comes alive in this book. Many of the places Renoir writes about still exist and can be visited today. This book makes any art lover's trip to Paris more meaningful whether he's a Renoir fan or not.

When reading this book, one must remember that this is not a "run of the mill" biography. This is a son writing about the father he adored. The portrait we are given is very intimate, detailed and loving. It's obvious that Jean Renoir adored his father, just as Auguste Renoir adored his family.

Ultimately, this book is a beautiful tribute from a loving son to a father who was one of history's consummate artists. If you have any interest at all in art, this is one book you simply must not pass up. The last page alone will break your heart.

Renoir was far more than one of the world's greatest artists. He was an adventurer, a family man, a man who held interesting views on just about every subject under the sun, and finally, in his later years, a martyr to life. Although this book was written by Renoir's middle son, Jean, it is as vibrant and alive as if Renoir, himself, had just written the words in his own hand. Through this book we learn how the Renoir family left its roots in Limoges and moved to Paris. We read of Renoir's early years as a painter of porcelain and how and why he became an artist, more specifically, an Impressionist. We learn of Renoir's marriage to Aline Charigot of Essoyes, the birth of his three sons and his move to the south of France. Some of the most interesting sections of the book deal with Renoir's feelings about the effect of light on a painting and why he needed to paint in a "natural" setting. Also, most interesting are the chapters on the birth of Impressionism and Renoir's relationships with the other artists of the time, such as Monet, Manet, Sisley and Cezanne, just to name a few. Lovingly and charmingly written, this book truly brings Renoir to life and makes him accessible to all. Absolutely a must for anyone with even a passing interest in art or artists!

We adopted "Renoir, My Father" as bedside reading while my wife was recovering from hip surgery, and (aside, perhaps, from "Goodnight, Moon,") I can't imagine better therapy. This is odd, in a way: Claude was an old man (and in pain) when Jean got to know him, and Jean was an old man when he finally brought his recollectios together. You might expect cranky, but nothing of the sort: it's a book full of sunny afterglow. Every parent would hope to be rememnbered so well.

The book might take a bit of getting used to: Jean has his own pace and his own way of telling his story. We did it in small doses and I'm not certain yet that I quite catch the rhythm. None of the rough edges have been smoothed off which, come to think of it, is just as Claude would have wanted: Jean speaks with his own voice. You have to listen well, but you know that the voice is nobody else's.

I suppose it helps to know a bit about the Impressionists to enjoy it all, but I can't say I know all that much, and I didn't feel impaired. Anyway, God bless Google: more than once, when Jean talked about a painting or a subject, I key-clicked my way to an image and completed (as it were) the picture.

Kudos also to NYRB (this time) for producing what it does not always produce: a finished physical specimen The paper feels like quality; the binding is sturdy, and there is a small but satisfying selection of pictures, both colored and black-and-white. There is even an index of sorts (I assume from the original translator) but it is patchy and incomplete. That last is a shortcoming, but forgivable in light of the book's other virtues. In the NYRB firmament, this is surely a star.

First published by Cassell & Co. in 1949, Winston Churchill goes to the meat of the subject of World War II. It starts with Winston taking the helm in 1940 with a National Coalition government. The fall of France, the deliverance of Dunkirk all melds into an English National nightmare for Mr. Churchill.
The agony of an eminent invasion of Hitler's Teutonic forces leads Winston to declare "I have nothing to offer but blood, toil, tears and sweat." Next came the Battle of Britain in which Churchill utters the classic statement of this great struggle, "Never in the field of human conflict was so much owed by so many to so few." Winston was in charge during this extraordinary historical event.
Winston describes his Naval relationship with FDR and with continued prodding convinces him into the remarkable program of Lend-Lease. It is here that Winston is both an excellent Salesman and a proper Statesman. He neither comes hat in hand nor does he come as a demanding potentate. He merely states the facts of the situation as they are. In the long run Roosevelt agreed.
Germany finally violates Russia. England is joined at the hip to the Russian Bear. What choice did England have? The long wait of fighting Germany alone was over. Pray tell what of a Grand Alliance with the giant of North America.
I found this book to be the highlight of Winston's writing of the Second World War. If you don't read it, shame on you!!

As a late boomer (47) one of my earliest memories was watching Churchill's funeral on TV. I remember feeling it was such a solemn occasion, I wasn't sure exactly why at three years old, but I felt it. Many years later I live on the other side of the planet. I met Winston's grandson, who was my local MP before I left England.
This is a fascinating insight into the situation, of decisions made and my first, first hand read from his own hand, there are many very important decisions made, on the hoof, with lives at stake, national identities at stake.
I intend to read more, from his WW1 books, to hopefully gain a clearer idea of what happened in the Dardinelles, an event which is used to create a pivot for the national identity here.

In the first half of Vol. 2, 'Their Finest Hour', Churchill covers the Battle of France. As new Prime Minister he sets up his Coalition Government to fight the 'common cause' and prepare for the War. Germany was already in France and the Western Front was under attack. The Belgian Government was striving to remain neutral and soon all was being lost in the 'deluge of disaster'. The Germans broke the Maginot line and soon the Battle of France was lost. There was the successful deliverance of the British Expeditionary Force at Dunkirk and the preparations to defend the home front.

The second half deals with the Battle of Britain with Hitler preparing for 'Operation Sea Lion'. In order for the invasion of England to be successful, Germany first had to control the air. London and various areas were shaken but neither the spirit nor the Country destroyed. Italy was on the move, in the Mediterranean, and invading the African coast. The Battle of Britain was won and the RAF had 'Their finest Hour', but the War was far from over. This volume covers the timeline of May 10, 1940 to Jan. 5, 1941.

It should be noted and remembered that England stands in a different position militarily than France. England is a small, ancient, insular island that has withstood many centuries of assaults and attempted invasions. So when Hitler and his forces sought to make the same attempt, not only the RAF and the Royal Navy but history was standing against them. Also it wasn't just England alone that was fighting. It was also their devoted Commonwealth, Dominions and Empirical Attachments that were involved in the war. England was pulling resources from all over their Empire. For instance, Australia and New Zealand were fighting on the African coast and in Greece.

America, under FDR, was moving closer to the war with the Lend-Lease Act and Japan was watching in the wings. Hilter was changing his war direction and moving into the Eastern Front. Stalin was changing his alliance with Hitler and moving closer to Britian and the United States. The impact and weight of the World's destiny was in the balance and starting to slowly shift. Nothing was yet certain and U-Boat packs still prowled the ocean.

This is another of those 'deserves to be read' books. Churchill fills in the volume with his correspondence and hindsight. It is good to read and become acquainted with Churchill's thoughts and this fateful time, in history, so that hopefully there will be no repeating of these terrible events. Well worth adding to the Library.

Americans have a warped view of history, and little understanding of the role of aristocracy and class in history--our own or Britain's. Churchill was a card carrying member of the aristocracy; one of the small group of men who ran England up to, and through, World War II. Their Finest Hour is an amazing documentation of the very height, and at the same time, end, of the all powerful aristocracy in England.

Churchill's second volume of his Six Volume history of the Second World War begins with May, 1940, as the German army is rolling through Luxembourg and Belgium (both clinging to their neutrality right up to the minute the German tanks crossed the border), toward a woefully unprepared France (still reliant upon the Maginot Line, which in turn depended on Luxembourg and Belgium neutrality.

Churchill has just assumed the post of Prime Minister, after having spent the prior year (and several before that) as an outsider bemoaning the refusal of Britain (and France) to prepare to meet the rising German threat. Those years of exile are the subject of volume one.

The present volume focuses on the extraordinary difficulties Churchill and others in the British government faced once the war actually began. Once France was forced to surrender, Germany was left in what most of us think of as continental Europe without any enemies. It had allied itself with fascist Italy, made peace with Stalin, conquered Poland and France, neutralized Spain, and occupied Austria, Luxembourg, Belgium, Norway, and the Netherlands.

In this sense, Britain stood alone. There was a very real risk that Germany could invade and conquer Britain in the Summer and early Fall of 1940. The German bombing of London was increasingly effective, and the British army was in total disarray, having just been forced to abandon France, leaving most of its equipment behind. Just how worried Churchill was comes through clearly and terrifyingly in this volume. Had Germany succeeded, the world might look very different today--the Second World War would have been transformed into a truly intercontinental war, with Asia and Europe allied against North America.

Of course, Britain was not really "Alone." Greece and Turkey were firm allies; Bulgaria and Yugoslavia stood against Hitler and Italy; and Britain controlled most of what we today think of as the third world--from Gibraltar at the southern tip of Europe, to Egypt, to South Africa, India, Malaysia and Burma, and Australia. Only by adopting a firmly eurocentric view of the world (which Churchill clearly had) can he title this volume "Alone."

Churchill and the rest of his government were able to move seamlessly into power, and immediately take control of this world wide empire precisely because of the peculiarly insular class system that ruled Britain. Even as an outsider, Churchill clearly had full access to all of the centers of power. He could not bend and shape them, but he was fully in the loop. Personal relationships and lifelong associations meant that he regularly met with leaders at all levels of the power structure--including most importantly (but by no means exclusively) top politicians and naval personnel. This sort of access by "losing" politicians in the United States today is unimaginable. Can anyone seriously envision Bush allowing the head of the CIA to meet regularly with Howard Dean to review the intelligence about weapons of mass destruction in Iraq?

The only weakness in this volume is Churchill's over reliance on his own contemporaneous telegrams and memos. he was absolutely prolific, apparently having dictated dozens of multi-page memos daily--yet still finding time to run the government. While fascinating historically, they really are bureaucratic memos. The first volume, by relying more on narration and less on historical documents, allowed Churchill greater reign to his incredible skill with the English language. Here, long sections read like just what they are--official documents written in haste, for the historical record.

That said, his brilliant use of words shines through. The most stirring passage is toward the end--his eulogy in November, 1940, for Neville Chamberlain, who more than anyone was responsible for "appeasing" Hitler. Rather than lapse into "I told you so", he marshals some of the most stirring words ever written to praise Chamberlain; urging history to judge him on the strength of his character rather than the results of his actions, which are subject to the fickleness of history.

In sum, this is a remarkable book, chronicling a remarkable time in history, written by a remarkable man who played a central roll in events. I can think of no other book by anyone at anytime which brings together all three of these elements--and is well written!

After reading this book, you truly begin to see how narrow minded the average American perception of World War II really is. Not to discount the magnificant American battles such as the landing at Normandy or the Battle for Midway, but the Battle for Britain was absolutely the finest display of honor and courage throughout the entire war. This tiny island and it's courageous people stood alone and stood tall against not only the behemoth Nazi-German menace, but at the same time fought the Mussolini in northern Africa and awaited the Japanese onslaught in their Australasian colonies. It's an absolutely inspiring work, and it's an absolute sin that American schools don't teach the story of how the British people shined so brightly during their darkest hour.

Published author Carine Fabius presents her latest wickedly insightful work, Sex, Cheese, and French Fries: Women are Perfect, Men are from France, a novel of an American woman's relationship with her irreverent French husband. Flavored with the solid feeling of veracity that can only come from life experience, Sex, Cheese, and French Fries pokes fun at relationship foibles, including contentious issues of sex, lifestyle, raising children (or not), politics, language, food, and much more. A delightful skewed, story of the conflicts, trade-offs, and joys of sharing one's life one day at a time.

Wonderfully written, refreshing and light. This book provides great insight, is hilarious to read and is an enjoyable experience for all readers.

Lively, entertaining exposure of cross cultural adventures in co-habitation. Refreshing honesty about relationship issue that effect us all but are accentuated when people of different culture join together.

A joyous, marvelously written gem of a book ! I thoroughly enjoyed every anecdote and side-splitting observation about love and life. A must-read for anyone who has ever wondered if their spouse is an alien.

Sex, Cheese and French Fries is a hillariously funny look at the differences in people. This candid peek-a-boo at a relationship and the challenges of different cultures and issues is graced with love, laughter and support. A universal story, a "must" read!
Viva la difference!!!

I have received The Wilderness War by Allan W. Eckert in good condition. While I have not had time to read it yet, I know that I shall enjoy it as much as the other books I have read by this author. He is careful and thorough in his research for each of his books, and his writing style is such that you hate to put the book down until it is finished. If you enjoy true history of the settlement of the great lakes region, Mohawk River region, and the Ohio River valley; of the struggles between the white men and native Indians for control of these lands, you will enjoy the series of books penned by Mr. Eckert.

For over 200 years the Iroquois were a force to be reckoned with. They constituted one leg of a three legged stool which balanced French and English interests on the North American Continent. This was a most profitable position for the Iroquois and they knew it: In this position they were the gate keepers between the English and French trading establishments and all other non Iroquois, native North Americans. With a home in upstate New York they waged war and demanded tribute as far North as Hudson's Bay, as far South as Georgia and the Carolinas and as far West as the Western Great Lakes and Minnesota. Because of this dominance in the economic and political interests in the eastern half of the US and Canada they provided a buffer zone between Indian and White, between French and English interests. Simply stated, they had to be dealt with.

Wilderness Empire is the story of the Iroquois during the apex of their influence and power, the French and Indian War. Struggling to maintain the status quo and their preeminent position, this Confederation of six tribes fails in its attempt to balance its competing interests, splitting along French and English lines of allegiance. Resulting in an Iroquois Civil War, the Confederation is ultimately destroyed.

This is a quite detailed, yet smooth flowing, description of the destruction of the Iroquois Confederation during the French and Indian War and it comes complete with an all star cast of characters: George Washington, Benjamin Franklin, King George, Montcalm, William Johnson, Pontiac, George Crogan, George Clinton, Wolfe, Charles Langlade and Bougainville, just to name a few. Fought all across the East Central US and Canada, this war stretch from Detroit and the Michigan Peninsula to Albany, Niagara, the Mohawk Valley, New York, Montreal and Lake Champlain, the sweep of the story line, the savagery of the battles, the intrigue and betrayals will leave you stunned.

Second in his Winning of America Series, this page turner may be Eckert's best.

This is one of the weaker books in Eckert's series, but it was still a good read. I'd recommend it for any Eckert fan, or any other American-History fan. You should definately read the other books in the series!!!

The best book I have ever read on the French and Indian War. It is utterly amazing how Eckert makes characters from the past come so alive. You really get the feeling that you not only learned about events that happened in the past, but that you get to know the people who experienced them.

Wow! What a book! For anyone interested in studying the French and Indian War period, this is a must read. Although it's not a "textbook" account it's still a lot of fun. I would read this book alongside Francis Parkman's "Montcalm and Wolfe" and Anderson's "Crucible of War". Probably Mr. Eckert's best work. It's really great for younger children or anyone who has forgotten about good old-fashioned American folklore. Fantastic!

Excellent transaction. Very informative book and exactly what I was looking for.

I found this to be a very interesting book. I did not think all the conclusions he arrived at where justified by the data provided, there was a touch of making mountains out of mole hills (IMHO). However, most of the discussion was well thought out, well presented, and very thought provoking. It was also well written. I would recommend this one for anyone interested in the period.

Andrew Bridgeford's "1066, the Hidden History of the Bayeux Tapestry," brings a fresh interpretation to an amazing, mysterious piece of cloth. This strip of linen seventy meters (230 feet) long presents an account of events leading up to William the Conqueror's successful invasion of England. The traditional interpretation is that the Tapestry was a costly trophy commissioned by a Norman baron or bishop celebrating the Norman victory. Bridgeford disputes that view. He finds conflicting messages stitched onto the fabric, messages that tend to support the French, rather than the Norman, point of view. He even finds support for the English, and perhaps a challenge to Duke William's right to the English throne. Such messages would have been punished by death, and whoever commissioned and stitched the Tapestry would have taken great risks. Nevertheless, the ambiguous message was embroidered less than a decade after William's invasion.

What were the real intentions of the sponsor who dictated the images and message stitched into the Bayeux Tapestry? The whole tale is here: ambiguous negotiations, fatal misunderstandings, Duke William's landing, the battle of Hastings, the death of King Harold in battle and the aftermath of war in a ravaged land. The Tapestry (an embroidery, really) was originally longer, but the final scenes are missing. Did fire, damp or rats carry the ending away? Or did fear suborn courage, causing an unknown hand to cut off a dangerous truth in a deadly world? That is one of a thousand mysteries inhering to the Bayeux Tapestry.

Nor is that all. The Tapestry brings us a dwarf who may have been a founding father of French literature; and reminds its contemporary viewers of an unlovely tale, of two queen-mothers thrusting their several sons forward, sometimes fatally, in their own lust for royal power. Why? How do these apparent sub-plots relate? It has been an abiding mystery, one for which Andrew Bridgeford may have supplied - if not the missing end of the cloth - then at least several answers.

By Robert Fripp, author,
Power of a Woman. Memoirs of a turbulent life: Eleanor of Aquitaine

A true delight in print, Andrew Bridgeford's "1066: The Hidden History in the Bayeux Tapestry" reads more like a well-written mystery book than a history text. Many a past author has tried to make history "interesting" with unusual and sometimes ludicrous literary devices, but this book doesn't stoop to such silliness. Instead, the history we read here is indeed real history, but woven with a most intriguing claim, turning the book into a page-turner of scholarship from start to finish.

The main contention of the work, which I will present here without spoiling the details and supporting evidence for the reader, is that the common view that the Tapestry is a work of Norman propaganda to support William the Conqueror's claim to the English throne is incorrect. Rather, Bridgeford argues, the Tapestry is instead a truly English work which gives more credit to a Frenchman (not a Norman) for the 1066 battle victory, and was meant to serve as continual reminder that William's taking of the English throne, though successful, was not morally just. In this sense, the work can be somewhat considered "subversive," because its message of the invalidity of William's ascent was played out in full view under the noses of all the Norman entourage, and indeed, full public scrutiny. The makers of the Tapestry could only do this by creating a work that passes the "scratch and sniff" test for supporting the Norman cause, but only for those wishing to read that preconceived notion into what they see, and for creating a work that, on its superficial elements, appears to do just that. But woven into the threads of this work is a contrary view that becomes apparent if one rejects the temptation to skim over and "read into" each of the Tapestry's scenes, and it is a message quite different that it might at first appear to be.

Bridgeford's prose is consistently up to this challenging task. Each page of the text further illuminates our understanding, not only of what we already know about 1066, but of those things we "know" that really do not "fit," if we took the time to further reflect on it. After carefully considering each of the pieces of evidence presented, we come to feel there is good reason to support the author's claims. In fact, the book at times lays out its evidence and persuasion much like a lawyer might do in court, and if we find ourselves on this jury of opinion, we tend to find ourselves convinced. And although the reader here might think the author will have to resort to fantastic claims and that we'll have to check credulity at the front cover, we quickly find we can rest easy. The author's case is logical, cogent, and reasonable; the work never veers outside of accepted scholarship for evidence, and rejects many surrounding claims even if some of those might further buttress the argument. This is a solid book that is a fascinating addition to the library of works surrounding the Tapestry.

Bridgeford's text begins by laying out what must be considered an epic drama of the history of the Tapestry itself, a history which begins in the 11th century but, much like an Indiana Jones movie, finds itself the target of Nazi's, governments, and various nefarious forces throughout the centuries. Once we have followed the Tapestry's journey throughout the years, we settle into an examination of the tapestry itself, a scene by scene look at each element with the work. Thankfully, the entire Tapestry is photographically reproduced in full color with additional scene numbers and annotated text to translate the Latin so that we can refer to the Tapestry itself while the author makes his points and explanations. Historical background is provided within the narrative whenever necessary, helping us understand the possible motivations for the prime characters and serving as a historical backdrop to the story. Bridgeford makes his case scene by scene, and is not unconvincing. It is a true adventure to pry open the explanations of each of the scenes, and regardless of how convinced the reader may be of the ultimate assertions of the book, the result is likely to be a newfound interest in the Tapestry itself, and perhaps even a desire to make a trip to see the Tapestry in person.

But much of the charm of this book remains in the prose which relates Harold's and William's story, with characters whose motives and intentions come alive, settings that jump out of the past, and the ebb and flow of history once again surging past us when we thought it was already finished. And that is indeed, according to the author, the whole purpose of those enigmatic creators of the Bayeux Tapestry: to serve as a constant witness of historical fact that would hopefully guide those of future generations who were willing to listen to its message. They may well have succeeded. It's now approaching 1,000 years since the Tapestry was woven, and we are still here examining, debating, and enjoying it.

Many years ago I saw the Bayeux Tapestry while on holidays in Europe. My lasting impression of the work is the sheer size of it. It was much larger than I would have believed based on the odd picture seen in a book I'd come across before leaving home. I now wish I'd been able to read a book like this one before I'd viewed the Tapestry (or embroidery actually).

This book takes you scene by scene through this massive work of art - and a different picture slowly emerges than the one you might have read about in other books on the subject. This embroidery is the work of a conquered people - and to please their new masters it superficially shows their success in the conquest. However, the events, and how the artist chooses to highlight them brings out another story, and its not the same one that the Normans told of their "right" to conquer England. The Tapestry also brings into focus formerly obscure people that never feature in any other period work on the conquest - and the author of this book has done some research into these named individuals and dug up some very interesting information indeed.

If you have any interest in the Bayeux Tapestry or the Norman conquest of England in 1066 this is a book you should read. The author is a Lawyer by trade and not a historian but he has done dome very impressive and detailed research with this book. I didn't know much about either the Tapestry or the Norman conquest before reading this book, so even if you don't know much about this period this is still a good read as the author tracks down the mysteries in the Tapestry that many other writers gloss over.

Almost the exact same thing can be said of this 721 page tome as can be said for Durant's "The Age of Faith". I enjoyed every page, never bored, but how much will I retain? I suspect not a lot. I find I agree quite well with Spinoza, at least as explained by Durant, as I have not actually read Spinoza. And I had not realized how badly Louis XIV almost devastated France due to all his wars. Moliere was here, Racine, Thomas Hobbes, Newton, a powerhouse of thought in all fields of knowledge. Superstition and ignorance begin to be broken, from 1648 to 1715. Also liked what Pascal had to say about the universe and man. And Cromwell - what a figure! Milton too, Peter the Great. Fabulous age. Fabulous book.

Over the past year I have read extensively about the 17th century. "The Age of Louis XIV" is the best book which I have found on the period. Volume VII of Will and Ariel Durant's multi-volume "Story of Civilization", this book documents more detail of the era than any others which I have read.

The book begins with sections on France and England. The next section is "The Periphery" dealing with Russia, Poland, Scandinavia, Germany, Italy, and Iberia. After the geographically oriented sections, the reader is treated to sections organized along intellectual topics, such as science, philosophy, and faith and reason, which contain chapters dealing with specific philosophers or scientists. The conclusion wraps it all up with the denouement of Louis XIV.

This book makes the 17th century understandable. The premier character of the era was Louis XIV, the Sun King of France. During his reign, the policies of he and his ministers established France's day in the sun. Absolute ruler of the most populous and powerful kingdom in Western Europe, Louis made France the center of Western Civilization. On these pages we learn about the Fronde, the revolt by the nobility at the rising of his Sun, from which Louis acquired his life long aversion to Paris, Louis' aggressive support of Catholicism, while at the same time maintaining illicit personal relationships, and his generous support for the arts. This era, rich in French literature and theatre, as represented in Moliere, is revealed.

The forces threatening to rend the Catholic Church further asunder, as well as the relationship between King and Pope, are dealt with in detail. I was surprised to learn that Louis exercised a power over the Church in France similar to that which Henry VIII had previously established over the Church in England.

England, meanwhile, endured Cromwell, The Stuart Restoration, and the Glorious Revolution, while spawning Milton, Dryden, Swift and other literary giants.

Interesting contrasts are illustrated. Whereas in France the monarchy was strengthened into absolutism, England was making hesitating steps toward democracy. Whereas Louis excluded much of the nobility from government and military service, essentially forcing them into the role of idle rich, the English nobility gradually gained power and responsibility for the governance of their country. We can see how these trends may have encouraged the resentment of the aristocrats on the part of the French peasantry, which may have contributed to the intensity of feeling during The Terror of the French Revolution. By contrast, the empowerment of the English nobility may have helped solidify the tradition of peaceful political maturation.

On the Periphery, Charles XII brought Sweden to the zenith of its international power, while Peter the great modernized Russia. Germany survived the onslaught of the Turks, while Italy and Iberia, the "Old Europe" of the day, slid through an era of decline.

Intellectually the era was one of giants. Many of the names with which we are familiar come alive as we read of Isaac Newton, Thomas Hobbes, John Lock, Spinoza, Leibniz and others.

The conclusion of the era was the sunset of the Sun King. Having exhausted his country with dynastic war, bled it with unequal taxation and incurred the enmity of the world, Louis negotiated a peace which left his kingdom a shattered hulk of its former greatness.

For anyone desiring an introduction to the history of the 17th century, this is a great place to start. It has me ready for other books in the Durants' "Story of Civilization".

Will Durant continues his wonderful series with this volume covering and important era which is quite often overlooked by our educational system. Much of what we are today has it's origins during this era. The Durants bring history to like with their wonderful text and use of language. These volumes, this one included, read more like a novel than a dry and dusty book of forgetable facts. I hate to use the word "lyrical" is describing Durant's style, but it is certainly close. The expierence of reading this volume, along with the others has been a wonderful expierence, one I would have not wanted to miss. Recommend this one, quite highly as I do the others.

In this, the eighth volume in the landmark acclaimed series, "The Story of Civilization, Dr. Will & Ariel Durant have recounted the history of Europe's great age of kings.

The reader will be treated to a masterly exposition of: France's King Louis XIV. The dawn of modern drama, letters, and philosophy from Moliere, Spinoza, Locke, Hobbes, Berkeley and others. King Charles II of England. Isaac Netwon. Russia's Peter The Great. The War of Spanish Succession. And much, much more including plates and maps.

Written to stand alone or within the series, the Durants have written a prose of smooth flowing narrative that is easy to read and understand. In short, this unparalleled work is for everyone, both professional and layperson. I rate this work at five stars. Well done!

Though the central figure of this book is Louix XIV, this book is not about French history, but about European history as a whole.

The focus of this book is not on political and military history but on the history of religion, art, literature, science and philosophy. Or I can say politics is deeply involved in religion, art, literature and philosophy. I have never studied European philosophy before, and I thought it would be exttremely difficult to understand philosophy. But while I was reading this book, I found that phlosophy could be much easier when it was explained in a political context of the times.

And in this book English history was emphasized as much as French history. It is quite natural because Louis himself was deeply involved in and greatly responsible for the 17th century English history, and Thomas Hobbes and John Locke were Englishmen.

I believe that this book is the best book I've ever read. I'd like to read all 12 volumes of Will & Ariel Durant's "The History of Civilization" series.

By the way, I found 2 trivial mistakes in this book.
According to p 505, Halley identified another comet, seen in 1680, with one observed in the year of Christ's death; he traced its recurrence every 575 years, and from the periodicity he computed its orbit and speed around the sun. According to my own calculation, however, 575 x 2 + 33 = 1183, while 575 x 3 + 33 = 1758.
According to p 513, Mariotte amused his friends by showing that "cold" could burn: with a concave slab of ice he focused sunlight upon gunpowder, causing it to explode. To focus sunlight, however, we need a convex lens, not a concave lens.