Europe Books

Judith Sherman's Say the Name can be seen as a theodicy that arises out of the Jewish tradition and in response to the events of the Holocaust. In poetry and prose we see, on the one hand, the horror of human evil, and on the other, the hope and meaning that arises out of tragedy in the form of poetic expression and imagination. Sherman a provides vivid and horrific account of physical pain, mental suffering, and moral wickedness. In a moving passage, Sherman recounts:

Today a woman runs suddenly from the Appell line--she runs towards the electrified fence. The dogs get to her before she reaches it. Screaming, she tries to put push the dog away...The animal is not called back, he attacks until there is no more movement. Every horrified one of us wants to rush and help--no one does. Silence. There are so many of us here, how are we so crushed into silence and inaction? The reason right there, in front of us--they watch us closely, provocatively, hand on the trigger and dogs at the ready--hoping for another futile sacrifice...We are filled with rage and pity and helplessness and are paralyzed by their brutality (102).

This passage confronts us with the reality of evil as experienced by Jewish women in German concentration camps. Based on this reality, it is not difficult to see how people who believe in God, and have a particular image of God, can question or call into account the God in whom they believe. Sherman's account reveals a questioning of the divine. Is God not outraged? Does God not hear what is going on? Indeed, where is God? "Where is the judge? Where are you, judge? Is there a judge?" (117).

Her response to these questions is to invoke biblical imagery and to invite God to come and witness, and account for the tragedy that has taken place. In her poem, "The Invitation," she invokes the imagery of Jacob's ladder and asks that God come down the ladder and witness the sights "not fit/ for Godly eyes/ not fit for thee/ is it for me?/ who will make it fit for Thee?" (118). Or again, having experienced so much pain, she requests that God take on her pain, "You have it/ and be/ branded" (122). Does God identify with our pain? Is God in solidarity with those who suffer? It seems that Sherman is inviting God to be present with the women beaten down by guards, chased by dogs, shot to death, and with those who have to witness these events without the ability to respond. It is a moving book in which the author has mustered up the courage to recount her experiences and to "say the name."

How can there be so much evil in the world? More pointedly, how can an all powerful and loving God allow such evil? Where is God? These and other tough questions are asked by Judith Sherman as she reflects on her time spent at the Nazi concentration camp Ravensbruck at the young age of fourteen. Combining narrative prose with short poignant poetry, Sherman walks the reader through the painful and emotional events, describing her sense of frustration at a God who has abandoned her and the rest of the Jewish people. Most accounts of the Holocaust elicit deep emotions and feelings and this book certainly does that, but in a unique way. The prose unfolds the details of her story and then all of a sudden you become struck by the overwhelming emotion and powerful insight of a short three or four line poem. This combination has a strong effect and throughout the book the poems remain clearly in your memory and serve to give more meaning to the details and descriptions of the horrendous struggles of a concentration camp.

With detailed descriptions, Sherman focuses on everyday objects, such as a pair of shoes, and transforms them from their ordinary status into things that have a greater significance and meaning. The transformation and emphasis on objects shows how Sherman's outlook on life has changed and through this outlook Sherman has finally been given the voice to tell her story, giving the reader the chance to connect to it in a moving and profound way. Reading this book will give new meaning to the themes of theodocy, family, memory, the human spirit, and most of all will give you a new outlook on life.

After having learned at length about the atrocities of the Holocaust in history class every year of middle and high school, and after hearing personal accounts from my many Jewish classmates about their grandparents in concentration camps, I felt almost overloaded with news of the horrors and wasn't particularly excited about reading another book about the Holocaust.

But Say the Name is different. Judith Sherman manages to convey the depths of despair and suffering that occurred during her time in hiding, in concentration camps, on a death march without any trace of stridency, but rather with her own quiet and simple words that are humbly defiant and moving. She communicated to me, for the first time really, how it feels to not have any control over what happens to your body, to be stripped of a voice, to be robbed of a name. This poetic novel, more than any other I have read on the topic, speaks to the psychological death as well as the physical one that the Nazis inflicted on so many millions. Judith Sherman resists both, however, and her spirit is evident in the fact that she was able to share in writing her deepest and most agonizing thoughts and memories about her experience.

Another aspect of the book is Sherman's relationship with God, which is a complex and vacillating one. In some passages it almost seems as if she is referring to a lover who has betryaed her, and she is filled with sadness, anger, longing, and ultimately a love that she will not forsake. She does not, however, blindly accept "the will of God," instead demanding over and over, "where are you?" If God should be praised for the blessings he gave her, then he should also be held accountable for his apparent abandonment of his people.

To read this book is to explore memory, theodicy, religion, family, genocide, the human spirit, and will leave you saying its name.

Say the Name is a powerful and poignant account of a young woman's experience in Nazi imprisonment during WWII. After years of silence, Judith Sherman was compelled to come out and tell her story, not only for herself and her family, but for the millions of other who had no voice. The unnamed victims of human suffering in camps like Ravensbruck cannot be put away with the history books. They are people who were made to be things, but they were not things. Sherman describes in her prose and poetry how the life that they had known before the war melted away, and was replaced by a reality that terrorized, brutalized, and destroyed. This reality was the dehumanizing force of the Nazi regime.

I wonder how an author who is so modest with her prose, who even wrote that "words fail" to capture the "monumental horror" of the Holocaust, is able to to move the reader with her words with such remarkable ease. Her voice resonates with the child, the daughter, the mother, the friend, and the person who had to ask God, "Why?". Sherman's writing, and especially her poetry, are evocative and elegant for sure, but I think that it is the place that she is writing from that creates this feeling of "being there' with her. Her pain and the pain of those she names is human pain. Their loss is human loss. As people we have lost something by allowing evil like this to exist in the world. It doesn't have to.

Her tale is not one of Jewish suffering but human suffering and survival. She recalls the ways she resisted the forces that sought to destroy her. Sherman's life was never the name when the war was over, which is to say that the experience never ended. However, she is able to take her pain and wordlessness and make something that helps others understand. I thank her for that. Sherman's book would be good for students of all ages and particularly those interested in the stories and history of the Holocaust. I guarantee this courageous little book will move you no matter what you're looking at it for. Her connections with human suffering are particularly intense regarding family loss, motherhood, friendship, the struggle with divine over the existence of evil, and the loss of the "ordinary things" we take for granted when we're home.

Judith Sherman's Say the Name is a survivor's account of a teenage girl's struggle with God and humanity in Ravensbruck concentration camp during the Holocaust. Sherman, now a wife, mother and grandmother living in the United States, writes her memoir some 50 to 60 years after the Nazi's carried out their "Final Solution."

Sherman's poetry and prose in this book reflect a loss of people, places and things that make up the fabric of a person's life, culture and beliefs. She is, at turns, angry and bewildered. She demands an accounting for these atrocities. But ultimately Sherman's quest for survival and her insistence on remembering the names of women who were killed conveys a sense of humanity and even of hope. This is Sherman's first book, and she is not a polished writer. She writes in fragments and one has the sense of poetry scribbled on napkins over the years and then included in the memoir. Her book is all the stronger for this.

John Conroy performed a courageous feat of journalism with this book. As an American writer he put himself in the midst of the conflict and in incredible danger at times to capture the true picture of Belfast in the 80's. The stories of the people he encountered and the tough environment he experienced and witnessed is indispensible reading for anyone who wants to understand what the conflict was all about at the street level.
While Belfast seems to be enjoying more peaceful times at the moment this book is a reminder of just how volatile a political climate there is and provides the reader with a much fuller understanding of the how , the why and major developments in the Troubles in Northern Ireland.

Not only do I admire John Conroy's writing, but I admire his courage to put himself right in the middle of 'the troubles' just to get the story right. It would one thing if Conroy was a Belfast resident and was just reporting on his day to day life, but he is not. He is an American who more or less stumbled upon this assignment and saw it through.

It struck me a few times in the book just how close Conroy was coming to being killed in a place where death is a way of life. He is to be commended for this and we owe a debt of gratitude for making this sacrifice just so we could get a look right from the belly of the beast.

I really enjoyed this book. I thought that Conroy did a great job putting the 'Troubles' in Belfast into perspective from an American living in the midst of it all. Having visted the area that he writes of brought back memories. I referred to his map at least 50 times during my reading of the book to recall the streets that I walked in relation to where he wrote the book and spent his time in Belfast. I highly recommend this book.

of what it is like to live, work and experience the turmoil of "The Troubles." Conroy covered the Troubles the right way...he went in and lived among the people in Belfast instead of swooping in for drive-by interviews like too many journalists have done in the past. He also manages to convey what he experienced while maintaining objectivity...this skill when dealing with terrorist and paramilitary violence is something writers covering the "War on Terror" these days could learn from. Required reading for anybody interested in Northern Ireland, its history and how to possibly make a better future in that wartorn nation...

This book was recommended to me as excellent reading about the Troubles, particularly for Americans. I whole-heartedly agree; it is all that and more. Conroy does describe the daily workings of life in Northern Ireland but he also tackles the prejudices and ignorance of Americans (and the U.S. government) when it comes to the political climate in Northern Ireland. He pulls no punches and sugar-coats no issues. He explicates the situation as he sees it and is not afraid to indict those who turn blind eyes. The version I read was older so I have not yet seen the updated book that includes information on semi-recent IRA ceasefires. But I do think many of Conroy's observations are still applicable, changes in administration notwithstanding. He describes the intolerant view towards Sinn Fein taken by the American government in the 80s and the biased, oversimplified treatment of the Troubles by the American media. Indeed as Conroy notes it has not been hard to sell the British point-of-view to American audiences but what of the counterpoint? When do proponents of the other side get a chance? Conroy also concludes that for as long as Northern Ireland remains a British enclave, continued violence is guaranteed. For that reason alone, Americans owe it to themselves to read _Belfast Diary_.

A Child's Christmas In Wales CD: And Five Poems
Hurrah! Now I won't have to wait for the radio to play Dylan Thomas reading his wonderful Child's Christmas every Christmas. Truly a beautiful recording of the other poems as well.

My goodness, these illustrations are ugly. They completely detract from the beauty of the language. Either read it out loud to a blind person or stick with the version illustrated by Trina Schart Hyman.

This reading of A Child's Christmas in Wales is tops! It wouldn't be Christmas for us without hearing Dylan Thomas tell his story. He recounts a holiday of simple, family and neighborhood doings, and paints a picture of snowy, seaside Wales of the 1920's.

I love this story, as do all my children, who, from their earliest years, have not much struggled with the density of the language nor the scatteredness of the story. 5 of my 8 great-grandparents are from Wales, and the remaining 3 have the blood in them as well, so maybe it is like drinking water for us.:-D Our minds are all scattered, and words, even English words ;-D, fall on us in clumps....which makes it doubly hard to keep a clean house. LOL

The sort of prose-poetry imaginative way of seeing and describing the world unique to Welshwomen and Welshmen and Welshchildren, which does not seek to keep up the pretense that history can be separated from myth, story and desire, and which requires loving with eyes wide open to [and eventually embracing] one's own and others' bumps, bruises and idiosyncracies included, is extraordinarily well represented here. So, by the way, is speaking and listening to the close and Holy darkness!

My favorite version isthe one illustrated by Trina Schart Hyman. To me she has captured the complexity of the Welsh personality best, though i have nothing to say against the other illustrators praised in these reviews. I DO have a warning for you: there are some skinny versions flying about which do not have the poem-story complete and correct. This sort of work cannot suffer removal or modification, IMHO.

gbg

If you have read A Child's Christmas in Wales, you know that it has to be a classic. But you can't fully appreciate it until you have heard Dylan Thomas read it. What a deep, expressive, poetic voice. For years, I have listened to the recording on a Caedman record. It is wonderful to have it on a CD.

Amazing book! Proves that not all Germans were rabid Nazis. A personal journey through a unique perspective on how and why the Nazis were able to assume power, as well as why the Germans were unable to stop them. Highly recommended!

This is the story of Sebastian Haffner, a man who lived in Germany during Hitler's rise to power. I loved hearing the story from the perspective of the average German. I can't imagine living in such tumultuous times, but reading this book gives me a glimpse. The best part about it is the fact that it tries to answer two very important questions: how on earth a regime like the Nazis could rise to power, and how almost the entire nation where corrupted by them. It's a wonderful story that I would recommend to anyone that is the bit interested in that period. Remember, it's by understanding the past that we can best keep from repeating it.

Excellent book on the rise of the Nazis by an author with a very humane and sensible view of life who lived through the events. Haffner gives voice to the average Germans who witnessed the rise of Hitler and did not approve - the majority, as it turns out - but who could simply not make sense of the madness around them nor could they find a way to realistically oppose the Nazis.

Haffner's narrative is often touching as he discusses personal events of his own, friends' and family's, illustrating how the sphere of their private lives was affected by politics. The result is that it reads like a 'non-fiction novel', and one extremely relevant for contemporary world events.

It is a pity that Haffner never actually concluded the book. In the last section, his son briefly explains what happened after the abrupt ending of the narrative, thus we miss the detail and richness that Hafner's own perspective would have undoubtedly provided. Still, it is an unmissable book, packed with lessons for present and future generations.

Sebastian Haffner's "Defying Hitler" has an ambitious initial scope - to chronicle the rise of Hitler from 1918-1939. The memoir is "unfinished" in that the narrative leaves off in 1933 as Haffner put down writing the manuscript with the advent of World War II and never came back to it. Haffner's son, Oliver Pretzel ultimately had the work published after Haffner's death.

Even in its "unfinished" condition, the work is a masterpiece. Haffner's purpose is not to excuse the average German in germany to succumbing to Nazism and to Hitler but rather to EXPLAIN the phenomenon. Excusing it would simply be post hoc. Explaining it serves the additional function of future application.

Defying Hitler was a difficult thing to do in practice. One could certainly not do so in public. The repression of Nazism in Germany was all the more pervasive by its reach into the private sphere and by doing so, obliterating the prior German distinction between public and private. The only safe way to defy Hitler was, ultimately emigration.

Haffner's narrative is frank, honest and ironic. It was a joy to read.

Finally, a word about Robert Whitfield, the reader of the Audio edition of "Defying Hitler." I believe there are instances in which the audio edition of a work is equal to or superior to the printed version. These instances of "audio excellence" are directly related to the quality of the reader. Robert Whitfield repeatedly accomplishes "aduio excellence." Whitfield's diction is spot on, his tone fluctuates to match the text. If the text is ironic, so then is Whitfield's tone. If the text is frank, so then is Whitfield's tone. If the text contains italics for emphasis, that emphasis is contained within Whitfield's voice. In short, his contributions always enhance a book and never detract from it. For other texts read by Robert Whitfield, I would recommend Bleak House by Charles Dickens, and The Abolition of Man & the Great Divorce: Library Edition by C.S. Lewis.

This is a powerful story of the rise of the Nazi movement with scary parallels to modern day events. The question has often been asked how the Germans could allow this to happen and Haffner does an amazing job at describing how. Along with a controlled media, one method was to turn the volume of fear and intimidation one little almost imperceptible increment at the time. Most people just laughed at the antics of Hitler and his crowd in the beginning, but by the time that people caught on to the seriousness of the issue it was too late. By this time many secretly just hoped that it would go away like a bad dream, but history tells a different story.

The difference with this book is that it is told from a very human perspective from an ordinary German who was living through those times and who saw the transformation of German society and social interaction.

Along with this book I would recommend the movie V for Vendetta (Two-Disc Special Edition), and the book Political Ponerology (A Science on the Nature of Evil Adjusted for Political Purposes), which describes the process by which a society is taken over, and by what kind of people.

Those who do not learn from history are bound to repeat it. This book is an important book to read so as to be better able to read the warning signs before it is too late.

the illustrations and delightful story of Eloise in Paris with Nanny and all of their pets. Almost as delightful as the original, if you and/or your children liked the first book, you will like this one too. I promise, i promise, i promise....

I love Kay Thompson and ordered this for my great-niece without ever having read an Eloise book. It certainly has the feel of a different era (one moment of Eloise swatting the doctor and him ordering a Johnny Walker Black) but the flair, exhuberance and open personality of Eloise makes it "tres drole". Just remember to read it fast and without taking a breath. Pure fun.

Eloise's First trip to Paris, is unforgetable.
With her Nanny (Nanny), Turtle (Skiperdee), and her Dog (Weenie)...It's a Treasure. It's a keeper. It's great. A+

Eloise gets a telegram one day from her mum inviting her and Nanny to come over to Paris. Eloise can't wait. She falls onto the French capital like an American storm and goes just about everywhere. She dines, sightsees, meets locals, gets a dress made just for her by none other than M. Dior, and she eats so much she gains "rawther" a lot of weight. In the end, Eloise misses the Plaza and is happy about her return home to New York. In a nice touch, in the doorway above the famous old hotel Eloise and Nanny call home, a big banner hangs, and it reads, "Welcome Back Eloise!" Eloise has gone full circle and we feel we've taken every galloping step along the way with her. Yet another fun and charming volume in the Eloise series from Kay Thompson and Hillary Knight!

I'm 32 years old and I LOVE Eloise - she is an absolutely delightful character! I have bought several of the Eloise books for my 5 year old daughter and she just loves Eloise as well. How fun and inspiring is it for a little girl to read about a character as whimsical and independent as Eloise?

The illustrations in this book are fantastic and really bring Paris to life for children. I have read this book at least 100 times to my daughter, and each time I enjoy it more. My daughter now wants a champagne cork necklace just like Eloise...thanks Kay Thompson for laughs you have allowed my daughter and me to share!

I served in the RCAF durin ww2. I later flew fighters in th USAF, served as captain on USAirways for 28 years.I have written 5 books on aviation.Jeoffrey Wellum's book is a master piece.His breath -taking descriptions of aeral battles puts you right in the cockpit of his BEAUTIFUL Spitfire.
" The narrow legs of it 'undercarrage give it a delicate apperance.It has the air of a thoroughbread---It's ellipitical wings and sleder body give it an air above all other fighters,the sound of it'sRR Merline engine produces a sound ,like nothing else in the air.I firmly believe that the Spitfire was the most beautiful fighter of ww2, and I as jeoffery said ,I would also give my arm to fly it.
I don't know which was his most dangerous flying conditions were,weather flack, or bullets. He did a yomans job in all these instances.
I have read dozens of books by RAF fighter pilots, This book is at the top of my list.Great job " BOY"

The best first hand book on flying - particularly the Spitfire, I have ever read. And I've read a lot!

Excellent first person account of the Battle of Britain but not the best I've read. If you're looking for something with a little more of the overall picture, try Fly For Your Life by Robert Stanford Tuck. Tuck's book is definitely the best memoir on the Battle of Britain I've come across and one of the best WW II books I've ever read.

This is one of those books I pick up again and again just to read a random chapter. It is that well written. It tells a story of a generation of people and there unbelievable courage & humility. I know because my own father was one of them. The deeply humourous and self depreciating strong and silent type. I doubt we shall see there like again.

Bookwriters use their fantasy and imagination to tell a tale.
Geoffrey Wellum has written from his younger years, from his own experience,what kind of world he faced.A story so incredible that our mind almost refuse to believe it's true. There's one way of capturing a reader, and that is HONESTY. Mr.Wellum is dead honest.I'm reading the book for the tenths time, stil laughing at some situations and very, very sad at others.A book very hard to put down.I guess most of the persons who want to read this book is aviations "freaks", but this book is a good read whoever you are.I've been so fortunate to have met, one of my heroes,mr Geoffrey Wellum, and talked to him.A fantastic person that I hope to meet again.

I must say that the author did an excellent job if he intended this book to be a record of the day to day action on all theaters of engagement between the French and the Viet Minh.

Because of the excessive level of detail, the book is very diffcult to read and appreciate. It is a mind numbing experience.

Read this only if you wish to know in detail the horrible sufferings that that combatants on either side faced in a senseless war. Otherwise you will be better off with just a summary.

The Last Valley: Dien Bien Phu And the French Defeat in Vietnam

Apparently the best account ever written on Dien Bien Phu. Just two brief remarks:
1. History is shaped by strong personalities, and there was an abundance of them in Dien Bien Phu. Despite the book's large volume, there would be welcome a chapter sketching portraits of key protagonists (Bigeard, Langlais, de Castries etc), at the expense of details on arms specifications.
2.The author is favorably predisposed to French military leaders, and I tend to sustain his argument about injustices inflicted to the French army by politicians. Nevertheless, he is inclined to offer unnecessary excuses to the former, as well as to soothe down quarrels. Why not state bluntly that Cogny and Langlais could not tolerate Navarre and de Castries respectively? Even though the outcome might not be different, leadership exercised by de Castries was apparently inadequate. During this epic battle, besides heroism, mistakes had been made also on the French part, which the author appears quite eager to justify, out of respect to this unique effort.

T. E. Lawrence wrote that amateurs do something because they love to, and professionals because they must. We can thank the muses that Martin Windrow is a self-described amateur, because this work bears all the hallmarks of serious and loving craftsmanship. He places both the war, and the battle in context, he casts a glaring light upon some of its myths, and he gives serious attention to the technical aspects of the battle that the great majority of military professionals would otherwise miss, such as the state of Viet Minh artillery tactics and doctrine. Were Fall still alive and writing, Windrow would still have outclassed him. Anything and everything you want or need to know about the battle for Dien Bien Phu is here. The very best military history I've read in English in a very long time. Bravo!

the book just kind of grabbed me, twice.
first when i saw it on the library shelf, i read "hell in a very small place" many years ago and have a continuing interest in vietnam and america's involvement there.
the second time is when i started reading it, it reads like an excellent detective story, i sat and sat and finished it at one sitting, not a small feat considering it is over 700 pages long. This style is the first very notable characteristic.

not only is the writing excellent, but the author is one of those people who you can imagine talking to. he appears to a military historian from his amazon authors page. writing since the 1970's with an accent on french and the foreign legion. But this book looks like a long term research project and literally a work of love. the detail and interest he displays puts it in a class almost by itself. the only other military history that i've been this impressed by is the boer war by pakenham. The research and simply put love that went into this book is evident thoughout and is a second notable item.

there is something else that makes it outstanding, several places he shows some very unique and well thought out ideas. they are just snatches of his worldview: some pages about the wounds caused by military bullets, a couple of places where he talks about the relationships between politicians and military leaders, and his discussion about how men fight for their buddies next to them, not geopolitical big things. There are just a few of these rather tantilizing glimpses, enough to make me look for more of his books. This disclosure of the man behind the work and his ideas developed from a lifetime of study in history is remarkable and the 3rd item i wish to point out.

I'd not a fan of military histories, nor an i particularly interested in the genre. But i do like his writing. I find the careful analysis of what happened, what lead up to it, how people responded fascinating and as yesterday proved, somewhat addictive. There is an overwhelming number of names, who went where and fought whom, etc, those datum that make up military history, but it is not so bad that it bores or obscures the ideas. He is a very careful documenter of the facts, desirous of completeness and setting the historical record straight. All elements which appear strongly in the book.

There is another thing remarkable about the book and it's author, a desire to look at the facts and the events and truly learn from them. To see this part of our world, a somewhat dark one, filled with the dead and lost, and remember them not just for their sacrifices but what these things have to teach us about ourselves and the societies we find ourselves in. and the first place to find the meaning of events is to get them right, to be factual and see what happened and propose why. something that this book does in a uniquely interesting and useful way.

i sure wish the militaries of the world had more thoughtful people like this author, either in their general staffs or in their officer universities. perhaps a significant dose of reality and history is what more of our military leaders need before embarking on disastrous campaigns.

This is a superb and well constructed book and is by far one of the best accounts of the Battle of Dien Bien Phu that has been written. The author gives the reader a great insight to the formation of the Viet Minh and their rise to become a formidable fighting force whose journey to power led to the French defeat at Dien Bien Phu.

The book is well balanced and very readable. It gives a well presented account of the battle and how it unfolded and also shows how, although the French were defeated, at some stages of the fighting, victory could have gone either way with the staggering battle casualties suffered by the Viet Minh.

He also deals with the communist purges in the north after the French had been defeated and the division of the country into North and South Vietnam.

This fine book would not be out of place on the bookshelf of anyone interested in the military campaigns of Vietnam.

Being a fan of Walter Lord's impeccably researched book "A Night to Remember," I was instantly intrigued upon learning of "The Night Lives On." I had had several lingering questions for years: why was an order given to turn the ship starboard when the iceberg eventually hit starboard? How, specifically, was the matter of the Californian's involvement dealt with? Which theories about "the gash" don't pan out? All of my questions and more were painstakingly answered as if I had asked Mr. Lord for an explanation myself. His ingenius weaving of history, statistics, personal testimonies, and logic, blended into an easily understandable format, made my love of the Titanic's story grow even more. Anyone can buy one book and know the generalities of the ship. But this book goes above and beyond to educate those already acquainted with the story and wanting a much more in-depth look.

WALTER LORD DOES IT AGAIN. HE BRINGS IT ALL TO LIFE. A MUST HAVE FOR ALL "TITANIC" FANS!

I picked up this audiocasette due to curiosity. The information packed tape was interesting, and even made me angry because this tragedy did not have to happen. Like people say, most tragedies are a string of unfortunate events coming together at the same time. I don't think the sinking of this liner is anything different. It gives a glimpse into the technological limitations of the day, the caste system of the gilded age, and the prevailing seaman's attitude of the time. After listening to this (and reading The Perfect Storm), my interest was certainly piqued. I ordered some books on the Titanic and the SS Edmund Fitzgerald, and can't wait until they get here.

Walter Lord follows up his best seller of the fifties-A Night to Remember--with this eighties version on some mysteries about the sunken liner. One learns about the musicians (two groups actually) and what they played that night while the life boats were being loaded. Another story details the negligence of the freighter Californian for not answering the eight rockets of distress from the Titanic. Another story details the shootings and suicide near the end of the launch of the last life boats. Still another story details why there were not enough life boats on the Titanic and most other ocean liners of the day. Walter Lord clears the air about these mysteries with his well informed writing.
If you want to know more about the Titanic, read both Lord's books on the subject (A Night to Remember, The Night Lives On). They will help the reader understand this tragedy. I have seen the movie and I know the producers consulted these books when they made the movie.

Calling this 'the sequel to _A Night to Remember_' is slightly misleading. Rather than the storytelling style employed to relate the story of the sinking of the Titanic, this is almost a collection of 17 1-chapter essays about various points of the disaster. Excellent stuff, but if you were expecting, say, the story of the Congressional and Parliamentary investigations of the disaster, you need to look elsewhere, e.g. Wyn Craig Wade's _The Titanic: End of a Dream_.

"Unsinkable Subject" - Overview of the popular fascination with Titanic.

"What's in a Name?" - The actual launching of Titanic from Harland & Wolff's shipyards.

"Legendary from the Start" - Titanic was indeed popularly supposed to be unsinkable, but the trend of sacrificing safety features for competitiveness had actually taken hold during her design.

"Had Ships Gotten Too Big for Captain Smith?" - Explores Smith's record, including a near-collision in harbor with Titanic's sister ship, the Olympic.

"Our Coterie" - The group of first class passengers, including Col. Gracie, mentioned in _A Night to Remember_.

"Everything Was Against Us" - Contrasts the ice warnings, lack of coordination between radio room & bridge, and lookouts, with the notion that the accident was a one-in-a-million chance.

"The Gash" - The collision itself.

"I Was Very Soft the Day I Signed That" - How and why ships the size of Titanic could legally sail while carrying so few lifeboats.

"What Happened to the Goodwins?" - Facts and figures about 1st class vs. 3rd, contrasting White Star's implication that those people down there couldn't understand English, with the Goodwin family (an electrical engineer and his family, emigrating from London to New York, all of whom were lost, including the 6-year-old).

"Shots in the Dark" - Explores the stories about Murdoch, one of the officers loading the lifeboats, and whether shots were fired.

"The Sound of Music" - An in-depth look at the "Nearer My God to Thee" myth, and the 2 bands on the Titanic. (I was aggravated to learn that that entire, touching sequence with the cornet in _Raise the Titanic!_, which I loved as a kid, was made up from whole cloth - the musicians were just as courageous as the movie made them out to be, but no cornet players.) And if you're a professional musician who thinks *your* agent is heartless, wait till you read this.

"She's Gone" - Compares the eyewitness accounts of Titanic's last moments with what we now know.

"The Electric Spark" Captain Rostron of the Carpathia, who picked up the survivors at great personal risk.

"A Certain Amount of Slackness" Discussion of Captain Lord (no relation to the author) of the Californian, in sharp contrast to the preceding chapter.

"Second-guessing" - The inquiries and subsequent litigation (Lord's treatment of Senator Smith should be contrasted with Wade's more detailed treatment, but then Wade has a whole book to play with).

"Why Was Craganour Disqualified?" What happened to some of the survivors. (Craganour, owned by a member of the Ismay family, was disqualified from winning a major British horse race.)

"Unlocking the Ocean's Secret" - The search for the Titanic, leading up to Robert Ballard's successful attempt in 1985 (written before others began plundering the ship for relics).

Ted Lawson's first-person tale of America's first blow back at the Empire of Japan is a "must read" for anyone interested in military history. The first book published on the Doolittle Raid, Lawson's narrative describes the genesis, preparation, and execution of the raid, and should be followed with a reading of Doolittle's autobiography, in which Doolittle describes his mission as well as his despair after bailing out of his B-25. Little did either of them suspect that a raid intended to boost American morale would have strategic consequences, and that Japan would divert badly needed resources to home defense that otherwise would have gone to the front lines.

Well told story of the Doolittle raid told by one of the pilots on the raid. The story is about the pre-raid, the raid itself, and the aftermath, which tells about the injuries sustained by Capt. Lawson and his crew and the help they received from missionaires and the Chinese in escaping capture by the Japanese. He also relates the stories of some of the other crews on the raid.

This is a tense account of the Doolittle Raid on Tokyo in the spring of 1942. World War II pilot Ted Lawson describes the pre-raid preparation, taking off from the aircraft carrier Hornet, attacking Tokyo, and crash landing his B-25 bomber in Japanese-occupied China. As many know, the B-25's took off farther out to sea than planned after the Hornet was spotted while approaching Japan. With too little fuel to reach the safety of Chinese lines, the crews bailed out or crash land in Japanese-occupied China. The surviving airmen then tried to avoid Japanese army patrols and find help from friendly Chinese. Most flyers did so despite the language barrier and survived. But Lawson was injured in the crash-landing, and when infection set in his leg was amputated in a field hospital. Lawson survived, returned to the USA, and wrote this book in a matter of days in 1943. The story is often gripping but loses a bit of steam later on - thus just four stars.

I read this book as a youngster for its thrill value without fully realizing that war is mostly tragedy rather than adventure. The book became a 1944 film starring Van Johnson, Robert Walker and Robert Mitchum. As for Lawson, he returned with his wife to California where he eventually ran a machine shop and he lived until 1992.

It a first person account of the Doolittle raid over Tokyo in 1942, written by one of the B-25 pilots from the raid. It covers his story from flight school all the way through his eventual return to the United States. Its an amazing story, especially the crews crash in China and the 5 month ordeal of evading the Japanese. It is a great book for younger readers with its fast pace and informaly written style.

I first read this book so many years ago that I can't remember, but I think it was about when I was in the eighth grade, say about 1955. I remember the book, and I remember the Van Johnson movie. The scene where the Chinese peasant brings Van Johnson the pair of slippers only to see that he has lost one leg stays with me even now. ==This is a classic book. It was written by one of the pilots on the Doolittle raid over Japan. In fact it was the character played by Van Johnson, Lt. Ted W. Lawson, that wrote this book.

This book, these men as much as any other that I can think of illustrates exactly what Tom Brokaw had in mind when he referred to them as the 'greatest generation.' Especially so when you talk to one of them and they invariably tell you they were not a hero. Heros were the ones who didn't come back. Heros were the other guys. I was just doing my job. Heros they were all.

Read this book. Read it again if you read it years ago. Give a copy to that youngster in your family or church that you think will appreciate it.

This is an exciting autobiography, which I have read and reread over the years. Of particular interest is the author's introduction into the SAS.

This book will become a permanent fixture in your library.

Pre WWII, Maclean finagled trips through parts of the USSR where no westerner had previously been, even crossing into Afghanistan from the north at one point. He spent much of WWI aiding Marshal Tito's effort to drive the Germans out of the Balkans. Fascinating stuff, this, eloquently written and he's a damn good storyteller.

This book is of great historical value. The narration is witty and elegant. I would recomant it to everybody interested in European history.

Great entertaining read, although it is said to have inspired Ian Fleming to write James Bond, this story is worth a place on the silver screen.

This is a truly unique book and comparable only with Churchill's 'My Early Life' as an adventure history. Some people write adventure books, some people have adventures but Fitzroy McLean, like Churchill, or TE Lawrence, is able to do both. A rare treat and very easy to read.