Europe Books

Sorry to be crude, but this book is great to read in the restroom. Makes me feel happy reading all the little sayings.

This is a beautiful and winsome "big little book" of the things that are Irish.
Physically,it is only 4 1/2" X 6" but 1 1/2 " thick.It has 366 pages and a hard cover.The hard cover is glossy and printed with the same charming color sketch of an Irish ,thatched-roof cottage as on the dust jacket. The book is printed on high quality gloss paper.The printing is high quality and there are 245 (I counted them) delightful sketches ,similar to the one on the cover,to accompany each wee bit of wit and wisdom. It is almost like 6 little books in one. Each section,Irish Blessings,Irish Toasts,Irish Proverbs,Irish Riddles Irish Laws and Irish Wisdom are illustrated by different artists.The book is very well constructed,comes with a book mark on a ribbon with a metalic Celtic charm.Hence,you get a captivating little treasure that nobody can resist picking up and thumbing through and enjoying.
The Irish are well known for their wit, expressions, and their unmatched use of language,much of it handed down for thousands of years,orally,as there was no written language left by the Celts.
You may come across things you have heard before,but most of what you find in this little tome,will be new to you,whether you have a little or a lot of knowledge of Irish culture.
It's impossible to select a couple of favorites,but here is just a sample;

"May the Lord keep you
in his hand
And never close His fist too tight
on you."


For a Happy Death

"When your eyes shall be closing
And your mouth be opening
And your senses be slipping away.
When your heart shall grow cold
And your limbs be old
God comfort your soul that day."


"In the New Year,may your right
hand always
Be stretched out in friendship
and never in want,"


St Patrick was a gentleman
Who through strategy and stealth
Drove all the snakes from Ireland,
Here's a toasting to his health;
But not too many toastings
Least you lose yourself and then
Forget the good St Patrick
And see all those snakes again."


"Drink is the curse of the land.
It makes you fight with
your neighbour. It makes
you shoot at your landlord--
and it makes you miss him."


"You never plough a field
by turning it over in
your mind."


"The Irish forgive their
great men when they are
safely buried."

And finally;


"May you live to be
a hundred years,
With one extra year to repent."

Even if you are only Irish in spirit, you will enjoy this book. It goes from the Irish proverbs to the humor of the Irish. It's a book to enjoy.

This is one of those delightful books to be browsed, treasured and shared. This book draws together Irish blessings, toasts, proverbs, riddles, laws and wisdom. Many of us who are part of a wider Irish diaspora will have heard at least some of these. They reflect a version of Irish wit and wisdom that perhaps grows stronger at each remove from its geographic centre. The book has its own delightful illustrations (which are especially important in the riddle section).

To give you a hint of the flavour, I'll share one entry from each of the six separate headings.

From Irish Blessings, here is `The Emigrants Prayer':
`Brigid that is in Faughart
Blinne that is in Killeavey,
Bronagh that is in Ballinakill
May you bring me back to Ireland'

From Irish Toasts:
`May the face of every good news
And the back of every bad news
Be towards us'

And how many of us are familiar with this proverb:
`A turkey never voted for an early Christmas'?

One of the riddles:
`It was in the river but wasn't drowned
It was in the grass but wasn't cut
It was in the shop but wasn't sold'

My personal favourite from the Irish laws would be:
`Speech is given to three:
To the historian-poet for the narration and relating of tales,
To the poet-seer for praise and satire,
And to the Brehons for giving judgement'

Finally, from the Irish Wisdom (which presents ideas in triads):

`Three things which judgement demands:
Wisdom,
Penetration,
Knowledge.'

Explore this book for yourself. In brevity there is both wit and beauty.

Jennifer Cameron-Smith

This is an enchanting little book that encompasses a collection of Irish Blessings, Irish Toasts, Irish Proverbs, Irish Riddles, Irish Laws, and Irish Wisdom. They are inspiring, funny, uplifting. Each saying is accompanied by a beautiful illustration. I would recommend this book to anyone, you don't have to be Irish to enjoy it! This is a keeper on my shelf!

If you've never read a book by Leon Garfield before, then you don't know what you're missing. One of the masters of children's literature, and a direct literary descendant of Charles Dickens (encompassing his love of dark and murky plots, meaningful character names and stupendous use of language), Garfield writes stories set in the mid-18th century with such authenticity that it's as if he'd lived through them.

Bartholomew Dorking (later dubbed "Tolly") is a young apprentice to a draper when he's accosted by Mrs Gorgandy, a professional widow who claims bodies from the gallows for the sole purpose of selling them to surgeons. Coercing the young teenager into watching the body of the dreadful Black Jack, Tolly is horrified when the corpse suddenly lurches back to life! By the insertion of a piping into his windpipe, Black Jack has cheated strangulation by the noose, much to the dismay of Tolly who now finds himself the convict's unwilling associate as he flees through the dark London streets.

Feeling responsible for the criminal's return to life, Tolly finds himself intolerably bound to him, even when he finds himself assisting in the sabotage of coaches. Yet by twist of fate, Black Jack upturns a carriage traveling from the Carter household, which contains young Belle Carter on the way to an asylum. Considered mad since she was a little girl, Tolly now finds himself with a new traveling companion, one that his soft heart cannot bear to see locked away in madhouse. Caught up with a traveling circus, troubled by the twin burdens of Black Jack and Belle, hounded by the malicious Hatch and desperate to evade the authorities, Tolly grows from boy to man in the vividly portrayed atmosphere of Dickensian London.

Garfield incorporates certain aspects of 18th century life into his story; the beginning of medical study (resulting in the need for dead bodies), the tricks of the trade in traveling fairgrounds, the idea that madness was contained in the bloodlines of families, and the religious fervor that heralded the end of the world (apparently Armageddon was forecast on a regular basis). Reading a Garfield book is getting a history lesson without realizing it, as all these components are beautifully knitted into the context of the story.

Also worth mentioning are the characters themselves; each one brought vividly to life. Tolly is a kind-hearted teenager with a somewhat nervous disposition, though Garfield tells us: "Sort hearts are easily combustible, and when they take fire, they burn with a sudden blaze." Burdened with a clear sense of right and wrong, with a conscience that makes him act on these impulses, (probably due to his idolization of his uncle, a sea captain) you can't help but admire his determination to do the right thing - whether he really wants to or not. Likewise, the terrifying Black Jack is a figure out of a nightmare: hulking, unpredictable, violent and menacing. Even minor characters, such as the dreamy Belle, cheerful Doctor Carmody and blustering Mrs Gorgandy are all great examples of creating unforgettable characters with the right imaginative language.

And Garfield was the master of descriptive language; reading any book of his a joy simply because it is wrapped in expert use of the English language, so rich and dense, you'll find yourself re-reading sentences just to appreciate the care with which they were crafted. Want some examples?

"The boy and the giant felon stared towards each other. In the one pair of eyes was savagery, contempt, even murder - and an angry bitterness that he should be obliged to the white-faced maggot of an apprentice who peered up at him. In the boy's eyes there was fear of savagery, fear of murder, and also a glint of bitterness provoked by the felon's contempt."

"They moved with circumspection through the night; chose infirm alleys and crippled lanes that slunk by the river in a blind and stinking confusion - as if the very streets were lost and would have cast themselves into the river if only they could have found the way."

"A huge spade struck and tore the green quilt...then another. Again and again the spades struck, till the earth flew up in gusts and scudding showers, spattering the stones and spoiling the green. Bending above these spades were two questing faces: one enormous, bearded, black as sin - the other young, desperate, not knowing or daring to know what lay beneath...only wild with hurry."

If you've never read Leon Garfield before, then you're doing yourself a great disservice. Although "Black Jack" is not my favourite of his works (that honour belongs to Smith), you won't regret picking up this book.

There's something in this book--in its characters, its settings, its situations--that is quite reminiscent of the work of Charles Dickens. But it's a lot shorter and simpler than the average Dickens novel. So I could recommend this book to anyone who likes Dickens, and even more so, to anyone who would like Dickens if only he weren't so long-winded. Or just to anyone who enjoys a rousing, well-written, action-packed novel with colorful characters.

Oh, and even though this book is marketed for younger readers, I see no reason why adults could not thoroughly enjoy it as well.

Leon Garfield is one of the best writers for older children ever; no, make that for anyone! His gorgeous language, fabulous, gripping plots, vivid characters and Shakespearean understanding of humanity put him in the very top class of that golden age of children's books of the 60s and 70's--and some of the best of today's golden age, such as Philip Pullman, cite him as an importantinfluence. Back Jack is one of his best books, a wild, terrifying, exciting, romantic and mysterious adventure story that left me reeling as a kid, and still thrills me to bits! Don't miss it!

Leon Garfield's one of those authors that, once discovered, feel like personal triumphs. When I read a Leon Garfield book, I suddenly have the impression that I've done something noble and great for the cause of humanity. He feels like my own personal children's author. The kind that I discovered all on my own and that, as one of the best kept secrets in kiddie lit, I don't necessarily want anyone else to know about. Then I come to my senses, sigh, and write a review like this one. Ever since I discovered his brilliant Dickensian, "Smith", I've been meaning to work my way through the Garfield oeuvre. "Black Jack" was second on my reading list and, now that I've read it through, it has become my favorite book by this author. If you've a child that's been enraptured by books like, "A Series of Unfortunate Events" or even, "The Wolves of Willoughby Chase", then you'd be committing a serious crime to omit from your reading list this most enjoyable of high Victorian adventures.

When a set of unlikely circumstances end with young Bartholomew Dorking guarding the coffin of the recently hanged villain Black Jack, the boy is less than delighted. An apprentice to a draper, Tolly has always led an upstanding pious life. Next thing he knows, however, the recently hanged Black Jack (the kind of man described here as, "a mighty fellow, and rough... as if the Almighty had sketched him out (and left the Devil to fill him in) before He'd settled on something of a quieter, more genteel size") is not as dead as he first appeared. In fact, he is very much alive. Taking Tolly with him wherever he goes, the boy finds himself the unwitting accomplice to this most dark-hearted of villains. In the course of their adventures they meet madwomen, frauds, fortune tellers, and sailors. And while Tolly finds true love in the most unlikely of places, Black Jack learns how to use his enormous strength for something other than villainy.

The book is a highly satisfying read. Part of this is due to the characters Garfield's conjured up. Tolly is fourteen and your typical heroic orphan. The kind of lad that Oliver Twist could've grown up to be (if Oliver was a little less saintly and little more human). His eventual lady love, one Miss Belle Carter, begins the book as mad but eventually is seen to be just a gal who suffered a severe shock in her youth and has needed to recover from it ever since. But the true hero of this tale is the title character. Black Jack's one in a million. He's so real that you can practically feel his villainy emanating off the pages that describe him. At the same time, there are chinks in his personality that allow you to understand why Tolly feels he must earn Jack's respect, even as he hates and fears him. Jack has his weaknesses as well. He fears madness above all things and he's often rather disconcerted when he observes Tolly doing the right thing in the face of what's easy. By the end of the book you'll find yourself cheering Jack and Tolly on and wishing that Mr. Leon Garfield had had the inclination to make several sequels of their adventures to accompany this marvelous tale.

So there you have it. A children's book for everyone to enjoy. You like descriptions? Then take a gander at passages like: "(She was) a happy, greasy, jingly lady whose skin was always aglitter with fine brass dust so that she had the air of being a worn but once costly Christmas present". You like a riveting story? By the second half of this book you'll be disinclined to set it down for even half a breath. You can't read a book unless the characters are likable? Even Tolly is a great guy to root for, and HE'S the saintly hero! Some people pooh-pooh Garfield as a lesser Dickens. I prefer to think of him as the logical step kids need between their everyday literature and real Dickens. If you want your child to pick up "Nicholas Nickleby" for fun, don't immediately ungulf them in that text first. Start them out slowly with a little Leon Garfield. With any luck, they'll be howling for more things along that vein. But don't relegate Garfield simply to the ranks of second-rate Dickens. He's an artist in his own right and his books are well worth discovering. You'll love it. I promise.

My sister, the unstoppable Codemaster Talon, gave this book to read as part of our literary exchange program (she gives me books to read, and I give her books to read). When I first glanced at this book, I thought it would be an easy read (it's just over 200 pages). Then, when I started reading it, I found myself stumbling over some of the old-fashioned English phrases. I asked her when it was written. "The 70s." she said. "The 1970s?" I asked? "No, the 1870s", she joked. I honestly wasn't sure which one was the real date when until she told me. Yes, this book is indeed authentic in it's language. But for me it was hard. My sister told me to stick with it. Boy am I glad I did.

The story starts out with the giant Black Jack being executed, and then procedes to tell the story of a poor good-natured youngster who finds himself in this terrifying scoundral's strange company. The strange thing is that for some reason, this terrible man finds that he likes the young lad, and won't let him go.

When the boy finds himself suddenly and strangely abandoned by the giant after starting (and ending) his search for an escaped lunatic young girl, he folows the road till he finds (and joins) a traveling carnival. The that's where our story begins.

As Black Jack struggles with his fear of lunatics (can you believe it?) and growing admiration for his young friend, Tolly (the young fellow) gains maturity and learns about life as he helps the poor lunatic (her name's Belle) regain her sanity. It's really engaging, because all the characters are so very HUMAN, and as Tolly continually tries to help the girl while at the same time keeping her from getting to close (she loves him you know) he starts to find that he cares for her too.

When Belle becomes convinced that she really is insane and has herself commited, and Tolly can't get the people imprisoning her to let him see her (despite his growing love for her), and Black Jack won't let anything get in the way of his friend's happiness... Well, let's just say it makes for one of the greatest climaxes I've ever seen in a book (especially when you consider the world is ending at the same time).

What really addicted me to this book was one thing. Love. When I read the passages about how Tolly and Belle found their feelings for each other grow, it gave me a simply wonderful feeling. The author of this book has managed to perfectly describe the feeling of being in love. I haven't felt this way while reading a book in a long time. This feeling the book gave me grew stronger and stronger as it progressed, but the very, very end made it shoot to the sky. Because what Belle kept describing in her wild rants of insanity turned out not to be mere dreams after all, but visions of a future more wonderful than she could have imagined.

If anything I have said connected with you in any way, READ THIS BOOK.

Martinusen writes with confidence in this sequel to "Winter Passing." She paints believable characters, beautiful landscapes, and conflicts that aren't oversimplified. Although the book stands alone, the tie-ins to the previous novel are well handled.

The story starts with a heart-rending hook: Kate Porter's husband disappears during their trip to Venice. The only evidence of any wrongdoing is a broken blue tile. Three years later, she has no answers and is going on with her life. Soon, Kate is dragged into a plot that involves family secrets and national sins. The search for the truth will lead her back to Europe and the heart of the Nazi evil.

I had two complaints while reading. First, on the trivial side, the city of Corvalis (Kate's hometown) is actually spelled "Corvallis." I lived near there, so this inaccuracy tripped me up throughout. Second, the meaning of the blue tiles was anticlimactic and felt forced. Still, this is a story that is so much stronger than those issues and deserves to be read for entertainment and enlightenment both.

"Blue Night" has its dark side, but it won't leave you feeling blue. I can't wait to read the third book, "North of Tomorrow."

Set in Oregon, California, Venice and Austria, Cindy Martinusen's wonderful book, Blue Night, is a compelling, suspenseful read, the next in the Winter Passing trilogy.

I REALLY enjoyed this book. Kate Porter's plight as she attempts to put her life in some sort of meaningful order after the disappearance of her husband, Jack, was a heart-tugger. She was all that a heroine needed to be: tender, brave, frightened and adventureous. I loved coming alongside Kate, walking with her as she tried to find Jack and solve the mystery. Since I didn't want it to end, it made me happy that one more book in the trilogy was yet to come.

Be sure to consider Cindy's books when you are looking for a good read. They are terrific!

I thought this was a great book. I loved it and I would recomend it. I hate it when I'm reading and the book is totally predictable, but this book wasn't at all, and that's what kept me reading. I also liked how it has stuff in there about God.

I read the first book, Winter Passing, about a year ago. I picked this one up recently and didn't put it down until I was finished! I look forward to many more books from this author.

This book was the best book I have ever read. I picked it up for a book report for my Church History class. I had 3 days to read it, and because it was so good, it wasn't that hard. The way she rights is very good. Kate Porter was a great character and so was Lukas. If you are even debating getting this, get it! You'll love it.

I just finished reading Bruno Lange's book, Born Into Turmoil.
The book is universally appealing in its portrayal of young boys in search of adventure in a world of chaos and/or peace.
Reading it reminded me of the many stunts pulled by Tom Sawyer as written by Mark Twain.
Bruno gives a refreshing, yet solemn biography of what it was like to grow up as an indoctrinated, Nazi youth. His father was drafted into the German Army as a medic in Poland while Bruno, himself, was drafted into the Hitler Youth movement. Hiding Jews and helping Poles were only a few examples in the book of the kindness of his parents.

Bruno gives examples from a Nazi propaganda book, The Poisoned Mushrooms, in which Jews are depicted as animals and thieves and slaughterers of innocent animals...not to be trusted. One can only imagine the effects it had on the minds of young German youth at the time.
Luckily, with the advance of the Allies into Germany, Bruno's family is captured and re-indoctrinated...able to let go of the hate that was sown into a country so full of beauty and promise.

As a German teacher, I will make it a must read for my students. I feel it is a story they would be able to relate to on a personal level.
Bruno tells of having lied about having appendicitis in order to skip school, and ends up with his appendics actually being removed! He finds a bazooka in the woods and fires it into a tree...knocking him and the tree to the ground and setting the surrounding grass on fire. He is starving for food and invents ingenious ways to feed his family, including making himself potato pancakes. Lacking lard or butter to fry them in, he resorts to using Singer sewing machine oil...only to discover that it turned out quite delicious.

From leaping onto a moving Allied train to steal coal to keep his family warm or bicycling with a buddy across Europe on $3.85, he keeps the reader intrigued and squealing in delightful laughter the whole way through. It took me six hours to read and I recommend it to anyone who wants to see war from the German side.
This is a MUST READ for those who would believe that HATE is the only way to resolve conflict.

Bruno Lange's story of a child caught up in the ravages of WWII and his struggle to survive the deadly bombings and the war's aftermath, will touch your heart and lift your spirits. The account of this young boy's wartime experiences will make you laugh, smile and cry, but is never boring. And like a bird fluttering against the wind, young Bruno's struggle moved him upward and onward. With the strong will and determination of a Rhinelander, Bruno emerges from his wartime experiences a whole person; a person who leaves the normal scares of hatred and resentment behind. Bruno Lange's book, "Born Into Turmoil" will inspire and strengthen all who read it.

I have always been fascinated by the events of WW II. No other incident in modern history has left us with such a dreadful, and far reaching legacy.
"Born into Turmoil" will offer the English speaking reader something different and fresh. Mr. Lange chronicles his experiences as a child growing up in Germany during the Second World War. Together with Mr. Lange you will experience the dreadful bombing raids, and the daily struggle to survive during an unbearable hardship. The theme which keeps surfacing throughout his book is his families love, and how this love managed to preserve the family through the war.
When the war ends we witness the resourcefulness of Mr. Lange and his family as they try to survive while being threatened with starvation, and roaming hoards of "liberated" criminals. As time progresses we are given an insight into what things were like in post war Germany through Lange's eyes.
No serious student of these times should be without their copy of "Born into Turmoil", It will give the reader a better understanding of the "other sides" story, and a more complete picture of a larger whole.

What a tremendous book this author has written,- one that takes you right to the heart of the German family before, during, and after the war. Amazingly,- all youngsters have their own ways of dealing with situations forced upon them. Bruno Lange dealt with his in wildly funny ways. The family love is such an inspiration to the reader. This book tells so much of what many have never learned in school,- a must for every library!

Bruno Lange's book 'Born Into Turmoil' gives us a growing German boy's account on how his family endured their hardships during WWII and in the Postwar years. How the family helped each other out during these unthinkably harsh years of the war. Bruno Lange has meticulously written this book to show both sides of the war. He introduces his story by showing us what led to Hitler's Germany and why so many Germans supported him. He pointed out the Treaty of Versailles and it's Points against Germany, which created a blue print for the coming of WWII. I enjoyed reading 'Born Into Turmoil' immensely and would like to see a sequel to it written. Bruno Lange is a well versed author with a sense of humour, who manages to write a story taken from hard times but yet the reader feels comfortable reading it. He adds his warmth and personal touch to many of the Chapters. His pointing out the morals of the time shows us how much change we have gone through in such a short span of time. I found this book to be written compassionately but yet factual and historically precise. Unlike many of Hollywood's movies, which are constantly being altered and made more Politically correct to appease the public and profit from it, Bruno has not altered any of the events that he wrote about in 'Born Into Turmoil' at all. He writes actual historical and documented facts as they occurred during those years. Bruno Lange's 'Born into Turmoil' gets a five star review from me and I hope that more books like it will be written by many more Germans that lived during those years and have kept silent until now. The new generation needs to know what really happened to so many innocent German civilians during WWII

310 Blesionwest 5-8 Ouhatachou Nishinomiyashi Hyougoken 662-0836

310 Blesionwest 5-8 Ouhatachou Nishinomiyashi Hyougoken 662-0836

310 Bulesionwest 5-8 Ouhatachou Nishinomiyashi Hyougoken 662-0836

310 Bulesionwest 5-8 Ouhatachou Nishinomiyashi Hyougoken 662-0836

310 Bulesionwest 5-8 Ouhatachou Nishinomiyashi Hyougoken 662-0836

This book is an excellent summary of English sea power. Great life stories of many of the key Naval Officers and Ship captains.

As usual David Howarth has served up a great smorgasbord of English Imperial history, warts and all, and answers the fundamental question on how and why Britain attained rule of the seas to a degree that for 200 yrs she was the unrivalled master of the waves.

Howarth has wonderful flashes of brilliance, and brings together themes that make one think in different terms about the rise of English seamanship.
1) the establishment of a key hierarchy of rules and eventually laws of the sea, leading to people with sea knowledge -- sailors and captains -- commanding at sea, not people of class or priveledge. Eventually all navies copied this, but some of them were relatively later in doing so.
2) the introduction of freedom of the high seas for England's selfish reasons mainly (but not exclusively: Britain put down the slave trade by force almost 60 yrs before the Americans and cleared the sea of pirates).
3) An intrepid spirit for adventure and mapping, unmatched by any other nation. Particularly the English interest in the Northwest and Northeast Passage.
4) A prediliction to be concerned with aggressive combat at sea, steady training and a tradition in line with Nelson to "engage the enemy more closely."
5) The predominance of British Nval and Maritime Power right into the 20th Cen. often with the wrong type of ships -- usually too large when smaller gunboats would have sufficed.
--------------
One of the few areas that Howarth does not shine in his usual sense is his last chapter of the book dedicated solely to the British Navy in the 20th Cen. I was expecting more...but compared to the history of the rise of British sea power, there is only one chapter on the British Navy in the 20th Cen.

Wonderful, but not a classic...

Howarth has achieved the impossible: he has adequately - nay, magnificently - summarized the history of Britannia ruling the waves. Beginning with the Middle Ages, Howarth tracks British naval history through its most stirring days and shows it as it sails from strength to strength. Perhaps its best feature is the way Howarth is able to tell (or retell) the great stories of Britain at sea. For example, I had always known that Admiral George Anson had done something great, but I didn't know just how great his deeds were until Howarth told me of his incredible voyage around the world via Cape Horn - spending weeks in a frightful gale that dispersed his ships and set them hundreds of miles back on their course, and enduring with fortitude many other disasters and crises.

Indeed, Anson and his fellows in the constellation of brilliant British naval heroes did not merely endure but triumph with gallantry going beyond all praise. But Howarth goes a long way toward praising them adequately, pointing out errors, and generally informing while also delighting.

This book is an excellent springboard for future study -- one may simply choose an era, man, or event and delve into it. Howarth certainly inspires one to read more.

This book is an excellent primer on the history of ships and naval warfare from the point of view of the British. In addition to providing some useful technical information, it provides an absolutely engrossing account of the past millenium of exploration and war by the ships of the British Navy. Definitely an indispensable read for any history buff.

When I first scanned through this book I thought it seemed sort of scattered. I bought it anyhow. And I was wrong. It does go on little tangents sometimes but it doesn't detract from the book. It covers the major aspects of improvements and wars that attributed to the advancement of the british navy. I suppose going into too much detail would make the book over a 1000 pages long. At 450 pages the book gives a pretty good overall glimpse of the passing of time and the movements of the naval command. Great read.

As a relatively experienced traveler who had never been to Prague before, I wanted to make sure I covered all the bases and bought a series of travel guides: Rough Guide, Eyewitness, Let's Go, Fodor's, etc., and studied them all so that my brief (6 day) visit would be as broad and deep as possible. A friend lent me the first edition of the Cadogan Guide and I quickly ordered the 3rd edition. It arrived just before my departure. It is far and away the finest guide I have ever encountered. All of the other guides moved to the bottom of my suitcase back at the pension, and I conquered Prague, Cadogan in hand. Wry, insightful, fact-laden, and witty, I occasionally found myself laughing out loud in the street. The restaurant, bar, and store recommendations were spot on, and led laterally to other adventures. The walking tours were exceptionally well done. I am never travelling without a Cadogan guide again.

I read several other travel guides to Prague while planning my trip, but I used this one exclusively when wandering through the city because of its excellent and humorous commentary. Using this guide is like having a chatty, witty, and knowledgable guide who shows you the real Prague, not the tourist Prague. Not only does this guide contain pratical details such as using the transportation system, getting to the city from the airport, weather information, travel advice, places to find helpful info, etc., it contains an accessible and enjoyable overview of the history of Prague, excellent and well planned walks through the city (complete with detailed and witty commentary), restaurant and hotel recommendations, and a few necessary (and not so necessary) phrases in Czech. Also included is a chapter on moving to Prague as nearly everyone who goes there ends up wanting to live there. Unfortunately, due to new immigration laws the process of obtaining a residential visa is a long and exasperating process.

The walks (maps and directions included) themselves are wonderful as they lead you through different sections of the city at a pace that allows you to really enjoy and deeply experience many aspects of this complex city.

The only drawback to this otherwise excellent guide is that it sorely needs an update or a new edition. Many of the phone numbers are wrong as the phone system undergoes frequent changes. Several of the businesses have closed or moved elsewhere. Other then that, this city guide stands above those that are ladened with only facts and impersonal descriptions.

I also spent just 6 days visiting the city. I bought this guide after I arrived in Prague and it remains as one of my most cherished books. Incredibly witty, humorous, well-informed and useful. And so dead-on, it sometimes felt as if I was being teased (i.e. Mr Kadri describes a certain club as prone to "shoulder-brushing encounters"; I get there with my friends, go up to the bar to order and... someone's brushing his arm against mine! Seemed like a joke). Also, it made the most out of Prague's odd history and legends.

It's too bad it hasn't been updated, but even if you travel now to Prague, I'd still recommend it for the descriptions. You can get up-to-date phone numbers in other guides, but what Mr Kadri offers I've never seen.

By the way, who's this guy? I haven't seen any other guides by him.

This is one of the best city guide books I have ever used. Particularly good is the very detailed and enjoyable walks which bring the city alive, and the quirky history and cultural sections. Prague has such a strange and bohemian history it takes an unusual and observant writer to capture it in the written word. This book does it. Also worth noting is the Prague day trips. Visit all the towns the author mentions, they are fantastic.

This was my main guide book when I lived in Prague for several months. The hotel and restaurant reviews are good, but buy it for the commentary and walking tours. Some of the details, secrets, and tricks that he knows are nothing short of amazing. Particularly noteworthy are the tours of museums, which proved invaluable when attempting to make sense of the odd museums in Prague.

Great little book. Both the writing and illustrations work really well. Humerous and informative. My kids(10 and 8) really enjoyed this book. As did I. An intelligent way to make history fun for younger readers.

Blushing and turning in my toes (just like George, Himself), I, like millions of others stand corrected about that arch-villain of our history, George III! As it turns out, he's a real person, just like the rest of us.

Can't You Make Them Behave, King George? brings his story to life for young readers. There's a lot for parents and teachers to enjoy here, too. Huzzah for Jean Fritz, who knows how to tell "his-story" with a great sense of humor making it as enjoyable as it should be.

This book is a pleasure to read.

I learned all kinds of things about King George, Queen Charlotte and others. It really helped me with my research on the Revolutionary war. In this book you get to learn the funny things about King George and things that happened during his time.

I bought this book to read with my children (ages 8 and 10). I found the book interesting, and learned a bit about King George's youth. My children thought it wasokay, even though their father was forcing it on them. I even caught my wife sneaking a read.

The writing style is nice and folksy, and the illustrations are charmingly naive. The personal spin it places on the American Revolution, coupled with the emphasis on the British perspective, is a refreshing contrast to some of the more serious books I've read on revolutionary history.

All in all, a nice read.

King George is considered to be one of the greatest opponents of the American Revolution. But does anyone ever really hear of his good traits until now. And in a childrens book! Well I know I didn't. And after reading this short story I found that ole George wasn't such a bad guy after all. All he wanted was for Brittain to become, well...richer. Couldn't those colonists help pay for some of his debts. Well maybe, if those colonists actually had any SAY in British matters then they should have to pay taxes. Well I still think he wasn't a BAD guy, he just tried to take the easiest way out.

Tomie DePaola and Jean Fritz-I think-make the perfect team. His comical illustrations with her undefinable text make this book a classic.

Fritz or Freedman '04. You decide.

It is irritating that critics still feel that anyone could think the reader in this day and age would not be able to feel the resonance of a character's voice just because it's realistically spoken in a period's language. Cockneyed accents, usage of Victorian terms and thoughts, combined with the despair of being alone in a large, uncaring, and unseeing city only enhances the beauty and strength of protagonist, Enola Holmes.

If thinking that students and middle aged students cannot follow Nancy Springer's new book because of the terminology and such, take heart. She explains in detail many times what things are even while making this odd quirkiness just another delightful part of Enola's 14-year-old, inquisitive voice. Believe her, she does not underestimate her readers and neither should you.

Enola spelled backwards forms the word, alone. And that is exactly how Enola feels. Having run away (which is why I call her a protagonist) from being sent to boarding school by her particularly emotionless older brother Mycroft Holmes (yes, that Mycroft Holmes), she now lives in London as a "person who finds lost things" during the day and "Sister of the Streets" by night. (Get your mind out of the gutter, this book is aimed at fifth graders.) "Sister of the Streets," a mute nun who feeds and offers comfort to the lowest of the dredges of the poor only reveals the heart-breaking seedy side of London. Springer's details to everything London could and was during this period never gets glossed over. London, harsh and devoid of warmth, but into it Enola ventures and manages with a perserverance felt anew each time she comes out of her adventures successfully.

In this installment, Enola becomes stronger, but lonelier. Learning that her other brother, Sherlock Holmes may have actually been affected by her disappearance, she finds herself faced not only with loneliness, but stabbing pains of guilt and remorse. In the midst of this emotional turmoil, she still searches for a Lady on streets where Jack the Ripper and other frightful characters roam. Each new day, she approaches life warily but determinedly and her sheer pluck at desiring to help the plight of others make her a true heroine worthy of admiration. The mystery surrounding her never seems contrived and the danger very real. Every new situation offers more mystery, more puzzles enticing the reader to be buffeted along in eager anticipation of what could possibly come next!

A long standing Sherlock Holmes fan, this book whets my appetite for more of his interaction with Enola. Each book, he corners Enola in ways of his making and sometimes not of his making. Yet like the last book, Enola must discard her old persona and create a brand new one to escape detection. A brilliant twist to an already enigmatic heroine. One day will she ever be able to live as she is surrounded again by those she loves and not disguised, uncertain and alone? Only Springer knows, but I for one am as anxious for her as her brother, Sherlock Holmes!

The year is 1889. Fourteen-year-old Enola Holmes always thought very little of her mother, but once she disappeared - on her birthday, no less! - Enola realized just how very much she truly wanted her mother by her side, and felt as if she had been plucked into a lonely existence. That is, until her older brothers - Sherlock and Mycroft - came about, attempting to turn her into the proper young lady she has strived so hard not to be. Refusing to conform to the standards of society, Enola takes her life into her own hands, and escapes the clutches of her controlling siblings to embark on a high-risk life among the streets of Victorian London. Others of her young age may be frightened, but to Enola, frightened isn't even so much a part of her vocabulary.

Working as a perditorian, Enola is convinced that she will be able to kill a large part of her days, but business is slow. Luckily, she has her mother's ciphers to piece together, constructing secret messages to communicate with her lost parent. Using a handful of aliases, and disguises, Enola has managed to keep the coppers off her trail, but it may not stay that way for long. Sir Eustace Austair's teenage daughter, Lady Cecily, has recently disappeared from her privileged life. The only clue to her disappearance being a large ladder placed against her windowsill. Enola, being similar in age to Lady Eustace, is convinced that she has the ability to locate the girl and return her to her cushy lifestyle. But upon some investigation, Enola comes to realize that Lady Cecily may not want to be found. The girl is a magnificent artist who manages to capture the hopelessness and sadness of the London street folk, and seems bent on ranting on about the horrible times these individuals experience after being cast out from their homes. Enola wonders if the girl hasn't purposely runaway to live among these people. But with a few interviews, she comes to believe that something more sinister is at work here. Something involving magic and hypnosis. Maybe even kidnapping and threats. Enola knows that it's up to her to rescue Lady Cecily, but, if she's not careful, doing so may cost her, her very own life.

I fell in love with Enola Holmes when she debuted in THE CASE OF THE MISSING MARQUESS, and I have only grown to adore her more since completing THE CASE OF THE LEFT-HANDED LADY. Nancy Springer has done such a splendid job of bringing Enola, and the 1800's to life. Enola is such a spirited, hardheaded, brave, independent young woman, whose determination to prove her brothers wrong, and fulfill her mothers prophecy - that she will do quite well on her own - is thrilling. The maturity that she displays in each and every situation is both humorous and remarkable; while Enola's ability to fool just about anyone leaves the reader praising her for her handiwork. The backdrop of Victorian London makes the tale even more lovely, as you are treated to cobblestoned streets, unscrupulous individuals, and drizzly, windswept evenings; along with countless historical facts that leave you feeling as if you've just had a history lesson - albeit a fun one. Left or right, you won't be able to keep your hands off this book!

Erika Sorocco
Freelance Reviewer

While written for young adults, the Enola Holmes books have a lot to recommend them for readers of any age. This is the second book in the series; I strongly recommend that you read "The Case of the Missing Marquess" first. Nancy Springer has created a smart, brave leading character, while still being true to the spirit of the Conan Doyle stories. When I heard about these books, I rolled my eyes at the idea of Sherlock holmes' younger sister. But Springer does a fine job of making the characters and relationships plausible. I'm looking forward to Book Three!

I really like the first book in this series so naturally I bought the second. I liked the first one better but this book was still worth the read. Like a previous reader stated, Enola is an interesting character who's fun to spend a couple of hours with. Some of the content is a bit mature of younger readers, and I wouldn't recommend it for sensitive children under the age of 12, but otherwise it's a good read.

This is the second book in the series and I have enjoyed it even more than the first. It is an excellent picture of the Victorian era through the eyes of a 14 year old girl. Enola Holmes has already proven a match for her brilliant older brother Sherlock and certainly much more likable that Mycroft the eldest of the lot. It is hard to believe a girl this young could survive in London during this time, even with money left her by her mom. Nancy Springer brilliantly makes a good case for Enola's survival. It is a tale that even the most hardened Sherlockian would approve. Now to pass it on, like the first, to my 14 year old grand daughter.

Catalan cuisine is ancient. It earliest roots go all the way back to the Romans who occupied northeastern Spain.

It uses many of the same ingredients as other Mediterranean cuisines -- tomatoes, eggplant, garlic, beans, pasta and all kinds of meat -- but it combines them in unexpected ways.

Who would expect salt cod with honey, for example? Catalan cuisine has it, and Colman Andrews presents its recipe here. And who would expect a restaurant which specializes in salt cod? Andrews tells us that Barcelona has one.

He says that one very unusual -- indeed unique -- feature of Catalan cuisine is its habit of mixing olive oil and lard together, in the same dish, as a cooking oil. Catalans also use butter as a cooking fat, making for rich, nourishing, tasty dishes.

Catalonia has both mountains and seashore. So one may find spiny lobster stew (Civet de Llogosta) on the one hand and Andorran-style trout (Truita de Riu Andorrana) on the other.

`Catalan Cuisine, Vivid Flavors from Spain's Mediterranean Coast' by the very notable culinary journalist and editor, Colman Andrews, contributes to Spain's cuisine's being the third best documented European cuisine, after Italy and France. Andrews is an important figure in culinary reporting less from his books than from his position as editor of the excellent `Saveur' magazine which, with `Cooks Illustrated', should be one of the two magazines a foodie really should be reading.

`Catalan Cuisine' is as good or better than Andrews other ethno-culinary volume, `Flavors from the Riviera'. Like the earlier volume, its strengths lie primarily in history and a focus on ethnographic accuracy (without loosing too much in the way of practical cookery). For example, Andrews' recipe for the Catalan version of `tortilla espagnole' (potato frittata or omelet) is different from every other recipe I have seen from Spanish culinary experts such as Penelope Casas and Janet Mendel in that it contains no onion. This omission makes the dish a lot less interesting to me as food, but it reveals something which sets Catalan cooking apart from the rest of Spain.

In `Delicioso', Ms. Casas identifies Catalonia as the land of the casseroles. On first blush, there is little evidence of this attribution in Mr. Andrews' book. `Casserole' doesn't even appear in his index. But then, we recall a paragraph early in the book where Andrews identifies the most important cooking utensils in Catalonia. After the ubiquitous paella pan, there is the `cassola' (in Catalan, or `cazuela' in Castilian), an earthenware dish with deeper, straighter sides than a paella and an inside glaze. I really regret that Mr. Andrews didn't find his way clear to give us a picture of this dish, as I visualize it as a sort of `Tarte Tatin' dish a bit over 12 inches in diameter and about two inches deep.

One of the more interesting aspects of Andrews' books is that he always illuminates interesting historical and geographical aspects of his subject. On the Riviera, we learned that for a large part of its history, the French Riviera was politically a part of Italy. Here, we learn that the Catalan influenced region, `paisos catalans', extends into southwestern France, Valencia, the Balearic Islands, Andorra, and even a corner of Italian Sardinia. The evidence of this influence is the range of the Catalan language (`Spanish' is actually Castilian, one of the four official languages of Spain, including Basque and Galician), which is not simply a Spanish dialect, but a language of its own, as similar to Italian and French as to Castilian. This is due to the fact that Catalonia was the center of Roman influence in their province, `Hispanolia', and Barcelona was the principle Roman seaport to this region, through which was introduced olive and grape cultivation techniques.

Andrews' primary premise in this book is that Catalan cuisine is at least as distinctive in European food as, for example the cuisine of Campagnia (Naples and Southern Italy). To this end, his organization is highly analytical rather than simply being a collection of representative recipes. The flagship of things distinct about Catalan cuisine may be the four classic sauces of the region, `allioli', `sofregit', `picada', and `samfaina'. While each has some similarities to sauces well known to French and Italian cuisines, the real importance lies in the differences. `Allioli' in Catalonia is made exclusively with garlic and olive oil plus salt (All Catalan food is heavily salted). Other minor ingredients such as vinegar and herbs are allowed (making it seem very much like vinaigrette). The similar Provencal sauce, `Aioli which includes eggs is dismissed as `fancy mayonnaise' which, by the way, Catalans claim was invented in Minorca and not the French city of Mayenne. `Sofregit' is similar to the Italian `soffritto' and the French `mirepoix'. `Picada' is very similar to the `pesto' of nearby Liguria in Italy. Samfaina is similar to ratatouille, cooked down to the consistency of a relish.

Next, practically a third of the book is taken up by `Part Three: The Raw Materials', in which Andrews discusses and presents recipes for the fifteen most important ingredients, which are eggplant, nuts, anchovies, rice, poultry, salt cod, mushrooms, wild game, snails, legumes, organ meats, olives and olive oil, eggs, seafood, and `the pig'. To the logical among us, this may seem a bit messy since one would think that anchovies and salt cod would fall under `seafood', and that organ meats would fall under `the pig', but it all works well enough, as the categories are a way of organizing recipes and not a guide to the Barcelona commodities market.

I really like the fact that aside from having an excellent bibliography, the book refers to several important books on related subject not only to support a point, but also to refer one to important recipes Andrews does not include himself in this book. His most important references are to Penelope Casas' `The Food and Wine of Spain' for recipes on sausage making. This is symptomatic, in that Parsons has no recipes for `basic' techniques such as pasta, pastry, bread, or charcuterie (sausages), in spite of the fact that both pasta and sausage and ham are important Catalan culinary products.

Andrews makes up for his unusual organization by providing an excellent Appendix of `Recipes according to Category' and other useful sources for Spanish tourism and shopping.

I think it's ironic that at the top of the cover is a blurb by the famous Barcelona chef, Ferran Adria praising the book, while there is not a single reference to Adria or El Bulli in this 1988 original book.

A superb culinary essay. Excellent for lovers of Spanish food and foodies in general.

This study of Catalan cuisine provides an in-depth and excellent approach to the foods and customs of the Spanish province. No color photos, but the book is packed with not only recipes, but observations of the culinary traditions which make Catalan cuisine unique. An outstanding reference.

In Catalan Cuisine, Colman Andrews draws upon the great cooking traditions of Spain's Catalonia region. This superb collection of regional dishes showcases the simple and vibrant flavors in hundreds of Catalonia's best and beloved recipes ranging from Valencian Paella with Shellfish; Eggplant Flan; and Sweet Red Peppers Stuffed with Duck, to Salt Cod with Garlic and Paprika; Pork-Stuffed Apples, and Cinnamon Ice Cream with Warm Strawberry Coulis. The recipes are "kitchen cook friendly" and will turn any family meal into a celebration of taste and delight.

I am a Catalan person living abroad, and sometimes it is difficult to explain friends that Catalan food is something different to what everybody knows as Mediterranean food, since being totally Mediterranean, it is not Italian nor French. This books discovers the authentic taste of Catalan food, that, as the author says, HAS TO BE DISCOVERED. Try it and enjoy your meals. I can say that CATALAN FOOD IS ONE MILLION BETTER THAN ITALIAN AND FRENCH. It keeps simple and accentuated flavors with simple raw materials, but obtaining an PERFECT COMBINATION.

CONGRATULATIONS TO THE AUTHOR, and please continue plublishing thousands of more recipes of Catalan food.