Europe Books

Williams does a remarkable job of blending jazz, gender, and history into what I see as an absolutely unforgettable novel. If you thought you knew something about the Holocaust, think again. Williams, in his trademark manner, has a way of telling through fiction the factual history that others are to busy or racist to acknowledge. Certainly one of the best in his oeuvre.

A very interesting construction of a diary kept by a fictitious gay black American jazz pianist, Clifford Pepperidge, incarcerated in Dachau leading up to and during the Second World War, but driven by real events. Upon arrival at the concentration camp Clifford is recognised and selected as a house servant by SS Captain Dieter Lange, a former pimp and low life acquaintance of Clifford's, who is not only interested in the pianist's musical abilities, but also as potential for his own sexual outlet. The strange and dependant relationship that develops between Cliff and Dieter Lange, and Lange's wife Anna, becomes ever deeper as they learn each others secrets.
The diary is very revealing about life in a Dachau, and brings home the horrors of the suffering and struggle for survival of the inmates; how circumstances changed as war broke out and progressed, and the desperation of both inmates and captors as the war was clearly coming to, for Germany and possible for the inmates, a disastrous end.
While I am in no position to confirm the authenticity of such a fabrication, the accuracy concerning the fact that in addition to blacks, and Jews, dissidents, criminals, gypsies, gays etc, from very early on Jehovah's Witnesses were imprisoned in concentration camps (something rarely acknowledged), and their unique position (their potential freedom was in their own hands), leads me to assume that the John A Williams has carefully research all his facts, supported by the usefully included bibliography.
All in all it makes for a captivating, moving and informative read.

If only half of what is published were half as well crafted. By the way, the Kirkus Review at the top says this is Williams's first novel. But this is John A., the author of The Man Who Cried I Am, right? Does Kirkus have him confused with another John Williams?

It took me twenty years to finally pull Isaac Bashevis Singer's novel, Shosha, about Jews and the Holocaust from my bookcase and read it. One week later I had finished it and moved on to read Clifford's Blues. Two compelling and distinctive plys coil together to offer up complementary perspectives on the rise of Nazism in Germany. Singer puts a face on pre-World War II European Jews, richly depicting what it meant to be a Jew in western Europe in the years prior to and during the Holocaust. For most modern Americans this is a fairly familiar story.

Williams offers up a tale much less familiar. He introduces us to Clifford Pepperidge, a gay, black, American jazz musician who spends a dozen years incarcerated in Dachau prison, one of the many labeled undesirables who were captured as the Nazis rose to power. While other prisoners suffer the misery of prison barracks and captor abuse, Clifford sits in the comfortable home of a gay Nazi officer and his bovine German wife. There as a servant, Pepperidge allows himself to be used sexually and musically by both husband and wife, the price of survival. In his daily interaction with other prisoners he sees that good men, those with the character and ethics to stand up for their fellows, rarely survive long. It is those who capitulate, who sink down into the muck, who lose their humanity, who will endure.

Williams provides us with a fascinating picture of how people react to power and influence, even when it clearly is evil. We see the German burger who blinds himself to the fate of those caught up in the hungry trap of Nazism. The German officer who grasps at every opportunity to accumulate wealth and power. The many who stumbled forward in step with a horror that grows ever larger and more malignant. Where Singer presents a picture of people desperately trying to hold onto their hopes and dreams even in the face of rising oppression, Williams shows us the convolutions that strip away humanity in both victim and oppressor.

The writing is strong, and Williams clearly took the time to do the necesary research to bring his story to life. Richly developed characters hold the reader's interest. It is not a book to be quickly forgotten. Williams holds a mirror up and asks us to look at ourselves and think about how we can be shaped and influenced by people and events. His darkside tale underscores the possibility of our own tumble in inhumanity and evil.

I read this book a year ago and it haunts me still.

John A. Williams has crafted here a story so compelling, so engrossing in its depiction of life lived on a razor's edge, that you loathe putting it down; you may feel chills when you've finished it. It's that disturbing, and that good. CLIFFORD'S BLUES affirms that Williams retains his gifts (fresh as ever in his mid-70s!) and mastery of his craft.

Clifford Pepperidge is triple-crossed: condemned as "decadent" - for being American Negro, jazz musician, and active homosexual (especially impolitic when he's caught in bed with a prominent white man) - and interned "indefinitely" in a German concentration camp by Nazidom as it rises to power in the early 1930s.

This is a historical possibility we'd not thought of. Yet Williams, no stranger to historical fiction (see, for example, his novel CAPTAIN BLACKMAN), footnotes his text with incidences of real life black jazz musicians detained by the Nazis prior to the outbreak of World War II; I'd never heard about this.

John A. Williams has been publishing books, mostly novels, over 40 years. His heroes have tended to be "manly" black men: uncompromising, heterosexual, hard-loving, hard-drinking and cigarette-smoking urbane sophisticates. I've always taken them to be stand-ins for the author himself; perhaps they represent the image of manliness of a day not quite gone by.

Stepping out of his usual bounds and into Clifford's skin, however, Williams exhibits an even greater sense of manhood, an empathetic virility. Clifford may not fathom how he managed to get himself into such a mess, but he doesn't make excuses. He's as resolute about his sexuality as his racial and artistic makeup, though all combine to make him particularly alienated - and vulnerable - as he faces down brutal imprisonment with other Nazi-dictated "undesirables" (Communists, gays, Jehovah's Witnesses, Jews and gypsies) for twelve long years. He lives to see, almost veritably, the walls of his dungeon shake, practical escape, the possible passing on of his testimony - but at what cost?

I can say, with modesty and with pride, that I've read all John A. Williams' published novels. This is, for my money, his most powerful, arguably his greatest book since THE MAN WHO CRIED I AM.

Williams has always been a thinking person's writer and a darn good storyteller. In this extremely well written and deeply felt book he's rendered the poignant story of a character he made me truly care about. Clifford Pepperidge could be the long-feared-lost-or-dead relative whose tattered diary of surviving hell on earth has just been plopped down in your living room. How can you embrace all of what he's been through? What if it were you? The really eerie question is that, given history, or the record of human events, it's apparent that no one has a corner on inhumane depravity - we're each just as likely or capable of being captor or captive when, if, we allow a new holocaust. But when you look in the mirror, do you recognize the humanity within and extending beyond yourself? Will we remember?

Ann Milholland Webb's THE CONNEMARA BUS is one of those intimate epics that hooks a reader and just doesn't let go. It spins fascinating tales and adventures involving two people, their two cultures and countries and families, and the themes of heartbreak, loss of love and innocence, discovery and hope are not just universal, they become more personal as you read on. This is a ride well worth taking, beautifully told. Truly an intimate story of epic proportions!

I visited Galway, Ireland in June of this year and met Hugh and Annon the Connemara Bus which is now a tourist bus. They were great people.

I highly recommend this book to Irish Americans like myself who are interested in their ancestry and finidhing their relations.

The Connemara Bus is a beautifully well written autobiography which will hold the reader captivated from start to finish. The author describes her childhood, her close relationship to her father and her association with Hugh Ryan and his family. Accompanied by her brother, Dennis, Ann Milholland Webb while on tour in Ireland on The Connemara Bus, chronicals her personal "coming to terms" with the deaths of both her husband and her father in a way which makes the reader feel like they, too, are passengers on the bus and witnesses of her experiences. I am very much looking forward to a sequel of The Connemara Bus by this very talented author.

This is a superb work about greif bearing,roots, and the splendid man Mr. Ferguson. A look at the Connemara Region in times forgotten by many or rather unknown to more. A region of natural beauty not to be missed when you go to Galway. You will consider a tour on the Connemara Bus a bargain. If for no other reason, you will have had the company of Mr.Hugh Ryan, the driver, for an afternoon. Buy the book if you go or not. Ann Milholland has a lot to say in her first book.

Life is full of missed opportunities. How many of us have lamented over that moment of hesitation when we didn't seize the opportunity to speak to an intriguing stranger or take advantage of a once in a lifetime opportunity? Fortunately there are also those serendipitous moments that can change the whole course of your life. For Missouri native, Ann Milholland Webb, that moment came when she stepped on the Connemara Bus in Galway City. Bus owner and tour guide, Hugh Ryan, offered Ann much more than a tour of the Connemara landscape and history. He provided a glimpse into a simpler time when his grandfather, Andrew Ferguson, used the original bus as a means for women, especially, to come to the city to sell their wares and visit the world outside the narrow confines of village life. For Ann the journey served several purposes, not the least of which was a means of coming to terms with the death of the major figures in her life, her husband and her father. In addition, she found a sense of belonging and acceptanace within the Ryan's close-knit family. Even more surprising, she found a sense of purpose in life and a reason to go on by developing a cottage industry in the Connemara countryside which benefits the local inhabitants. Travel along with Ann on this trip of healing and renewal in the Connemara Bus. It is a journey well worth taking.

and How it Ended up Creating the World as We Know It_ could have been another title of this superb book that is written with cogency, urgency, and a real desire to get across the reader what the author has to say. The synopsis of the story is as another reveiwer has already described below: namely that the kick-off of modernity with Descartes' "I think therefore I am" was not something that popped out of the blue of his profound brain but a working hypothesis in search of a foundation of certainty---to be applied to theology promarily so as to end the sort of savagery that was devastating Europe in the name of religion during his lifetime (the 30 Years War).

Toulmin contextualizes Newton's discovery and Hobbes' political philosophy (briefly but enough to make the connection) in the light of this quest for certainty that held so many of the best minds in Europe spellbound for all these years. With a pace that won't let up, Toulmin takes you on a tour of Europe's social and intellectual transformation: going from poverty and social schism and a sense of doom in 1610 to a confident, unquestionable, and unquestioned, established cosmopolitical paradigm of order that was foisted onto social and political (thus also art) agendas.

So far so good but it sounds like something you've heard before doesn''t it? That's when this book takes off:
Toulmin digs at the 'subtexts' of these common-knowledge events to show you some very interesting presuppositions (seemingly innocuous at first) inherent in these great scientific discoveries that could not but lead to the institutionalization of racism, sexism, and nationalisms that had such traumatic consequences in the 20th century, with continuing severe after-shocks today.

Looking back, we might smugly click our tongues at the insanity that gripped post-Montaigne Europe, and wonder what the fuss was all about. But Toulmin makes his thesis pressingly relevant to us today by drawing parallels with events and situations that are still with us today.

The author rounds out his argument by giving a brief but clear accounting of the major players (French and German) today who are redefining the concept of modernity from mutually opposite ends.

Toumin's assessment of the legacy of modernity--however it may have got started--is one of of hope and optimism as he reminds the reader that in making the distinction between 'power' and 'force' (Hobbes) there is also this thing called ' moral influence' which, he hopes, will serve as the engine of renewal and humanization of 'modernity' in all its possibilities.

Maybe this is not the best or the most comprehensive account of the origin of post-modernism and/or its tendencies, but the book does give you about a 120 degree panorama--through a powerful telescope. Isn't that enough in a book?

The book is a inspiring discussion on modernity and basic aspects of our view of world. It's an essential book in time of the pos-modernity challenge.

Wow! Toulmin takes the reader on an exhaustive tour of the modernist program, tracing the roots of modern thought way, way back to the 16th century...and before. He makes a compelling case, with some interesting side trips, that modern thought grew out of the religious wars of the early 1600s and the desire for non-sectarian certainty that those wars created. If that doesn't make sense, you should read this book. Fascinating history, and a broad sweep of science and philosophy make this book quite readable, though neither short nor easy. Still, it goes a long way toward explaining why the ground seemed to shift under our feet around 1960. It was an earthquake that was as inevitable as it was overdue. I highly recommend this book to any serious student of culture.

This book is very useful for anyone who tries to understand the phenomenon of modernity, it origin, and its weaknesses.

Cosmopolis brings it all together! Dreary and disconnected readings of Aquinas, Montaigne and Descartes take on new significance with Toulmin's "revised account" of Modernism. By contextualizing prominent figures, Toulmin provides the novice reader with the opportunity to enjoy and appreciate the philosophical contribution to the historical idiom. His witty, often humorous discourse is essentially readable and familiar. Philosophy can be tedious and intimidating, Toulmin proves it both fundamental and accessible.

One of the most famous - and infamous - letters in all of literature, De Profundis is a strange little piece of work: either much more than it appears on the surface, or much less. It is something I think everyone should read, if only for its insight into the human character, particularly that of one under great personal suffering. Wilde wrote this extraordinarily long letter from prison to Lord Alfred Douglas, his friend, lover, and the man who - by all accounts - was the reason Wilde was in jail in the first place. Despite repeated assertions in the first few pages alone to the contrary, Wilde seems reluctant to blame himself. He clearly blames Douglas to the hilt, and harbors a certain bitter resentment towards him. And yet... he clearly still hold much dear affection toward - and even loves - Douglas. He still seems to be asking for forgiveness - despite the fact that, by all accounts hardly excluding his own, he was the man wronged. It is quite clear from reading this letter that, desite the view history holds of him, Wilde was clearly a man of very high moral character. Certainly, one would not put Wilde atop a pedastal as the zenith of ethics - he himself says that morals contain "absolutely nothing" for him, and clearly admits - and is proud of - his having lived the high life to the hilt during his youth - but Wilde was a man of principles, and he stuck to those principles to the tragic, bitter end. Perhaps you might say he carried them too far. One gets the sense in reading this letter - or a biography of Wilde - that, not only could he have stopped his immiment imprisonment, but could have severed his ties with Douglas completely - had he wanted to. Apparently, he had his own utterly compelling reasons for not doing so. Whatever the case, Oscar Wilde is one of the most fundamentally and perpetually interesting characters in the whole of history. A self-described man of paradoxes - Wilde was subsequently the true essence of his time, while also being far ahead of his time - De Profundis makes for required reading by one of the most endlessly fascinating individuals you'll ever read about, and also provides a startling - indeed, perhaps too much so - insight into human nature.

De Profundis, though long for a letter, is not a long work in the conventional sense. Consequently, as many editions of Wilde's collected works are available, buying this on its own may be deemed questionable. I highly reccommend purchasing a Collected Works of Oscar if you have not done so already - it's well worth the price - but, should you desire to have more compact editions of specific works, an edition such as this will be privy to your needs.

This is a very moving account of a heartbroken man who was betrayed by a person he loved dearly. The pain, the trauma, the love, the anger, the frustration is evident in every single well-written sentence. This book is not only a window into the mind of one of the best British writers of the late 19th century. It is also a timeless lesson on what can happen when one falls in love with someone who doesn't truly appreciate what they have before them. Of course there are other lessons to be learned in this book but rather than point them out here, I'd much prefer you pick up a copy of "De Profundis" as soon as you can.

Not actually a "letter," though it had to be originally presented as such for him to be allowed to write it while in prison, *De Profundis* is Wilde's masterpiece--one has to have really lived and really, really suffered to have written it and it's amazing that he achieved it.

I only very recently read it--and "got" it. It rings true to me, and is very, very moving and "profound." It ain't summer beach reading.

Wilde is still and will probably always be best known as a "Personality"--that and the author of a couple of decent period plays, a short novel, a few stories, and lots of forgettable poems and such. But THIS--THIS is IT.

He really WAS a great writer, it turns out, after all.

So many people concentrate on De Profundis' accusations cast towards Alfred Douglas. Yes, it's true that the letter was written to him and that Wilde is ruthless in letting Douglas know exactly what he thinks of him but that's not why De Profundis is a great piece of work. It is great for three reasons. Number one - It contains the best account of the life of Christ. Christ as the romantic artist is the only account that has moved me to tears and the only account I can personally embrace. Number two - it is chock full of the Oscar Wilde voice and wit and as a result it reverbates as a true work of art and number three - It is ultimately a work that celebrates the things in life worth feeling - failure, love, injustice, strength and forgiveness.

Don't waste your time with the accusations towards Douglas. He is unimportant. Oscar Wilde is what's important and De Profundis is Oscar Wilde bare.

Ah, me...one doesn't know which to be more irritated
and exasperated with: whether it be Walt Whitman doing
his dissembling shuck-and-shuffle about the children
he had sired (to throw off a probing, serious John
Addington Symonds) -- or Oscar, in this "j'accuse," which
he should have spoken while looking in a mirror, rather
than writing it on paper to Lord Alfred.
This is without doubt a fascinating, horrifying,
and yet in places humorous, "piece de Miserere mei"
(to combine a bit of French with Latin).
If one chooses to believe Oscar, his only fault
was weakness in "giving in" to Lord Alfred. Oh,
come now. Blinded by Eros, reason flies out the
door...if ever reason was in control. There are
some sentences which are devastatingly revealing,
but Oscar doesn't seem to see it. "The trivial in
thought and action is charming. I had made it
the keystone of a very brilliant philosophy expressed
in plays and paradoxes." Ye gods, and little fishes!

And this man dared to call himself a "Classicist?!"
Yikes!!!
The best exercise for the reader is to just take
many of the things which Oscar accuses Lord Alfred
of, and turn them toward the self-blind, self-
justifying Oscar, to see their devastating hitting
of the mark. Never having met the young man, but
only having the "benefit" of hearsay (mostly from
Oscar's literary defenders) Lord Alfred seems to have
been calculating, temperamental (using anger to get
his way), manipulative, etc., etc., etc. The best
description of him may be Wilde's referring to him
with the lines from Aeschylus' play AGAMEMNON,
about the lion cub being raised in a house and
being let loose to wreak havoc and ruin.
But Oscar bears his share of blame -- more than just
that of the "sin" of weakness which he constantly falls
back upon in his own justification. Even in the midst
of what purports to be some sort of penitent cry from
the depths of hell...Oscar still is ever the poseur:
"And I remember that afternoon, as I was in the railway
carriage whirling up to Paris, thinking what an impossible,
terrible, utterly wrong state my life had got into, when
I, a man of world-wide reputation, was actually forced
to run away from England, in order to try and get rid
of a friendship that was entirely destructive of everything
fine in me either from the intellectual or ethical point
of view...." Er, when was the last time that the
"everything fine" had last seen the light of day?
Was Oscar an "Artist," as he consistently claims?
Was he the wronged, harmed Artist? Perhaps only the
reader can decide that for himself. Without doubt
he was witty, acerbic, funny, cute, clever, perhaps
even charming (to some -- sort of like a Pillsbury
Dough Boy with flair and a clever tongue), perhaps
stylish (in a frumpy, velveteen sort of way). Was
he wronged by a predatory clinger and manipulator,
and a hypocritical social prudery and class power
play (Oscar is no Socrates--that's for sure!)? He
hardly seems worthy, in some ways, of being a poster-boy
for Gay Pride parades. More likely, he is a better
warning poster boy for the self-excusing, and never
take-responsibility-for-your-own-actions crowd.
But this is an incredible piece to read and think
about. There is some of it that is mordantly hilarious.

Unlike Schindler's List, in Divided Lives, a book by Cynthia Crane, the reader is able to put a face with a name and learn about personal experiences before, during, and after the war. No longer are these people just statistics, but they are actual people who had a life that was turned upside down by the Holocaust. Divided Lives is the type of resource that could be used in schools, especially high school, to show the truth about what Holocaust victims went through day after day and the effects it had on the rest of their lives. Divided Lives not only shows students about the uniqueness of this period in history, but children can also connect on an emotional level and learn an appreciation for their own lives and the human race.

I remember reading a poem back when I was a boy about the poet's life in the segregation era south that his father white and his mother black and being subjected to bigots both black and white. Somehow the meaning felt true while reading this book.

From the little boy who was beaten by nazi teachers because his father was Jewish, to the little girl whose Jewish father fled to America but sent divorce papers to his gentile wife, the stories here are in many ways far from pleasant. But not all the perpetrators are from the same group. A husband kicked out of the nazi party because of his wife's heritage, balanced against that of a girl kicked out of the BDM because of her heritage, only to discover after moving into in her new town the local BDM leadress telling her she was going to be in the BDM whether she liked or not 'unofficially'. A girl whose policeman father was driven mad by the stress and murdered by the T4 fiends to the loss of so many Jewish relatives by each, this is a very insightful book.

Life was not happy for these women when they were girls. Being prevented form joining the BDM because of their heritage or kicked out if the BDM found out. Being kept out of many things. Being stuck in the middle of nazi germany with less than politically correct heritage under allied bombs. Somehow they survived to tell their stories.

I didn't think it was up the the standards of Hitler's Jewish Soldiers, but that book drew from a larger pool of individuals.
But within its small scale, it's pretty good.

After reading this accumulation of sensitive and very private stories by the subjects still alive in Germany, I recommended to the author that this book should be required reading in high schools across the USA.
The women who dared have their stories told survived an unbelievable period in German history in the 1930s and 40s. Reading the painful recollections of the personal experiences of the subject Jewish women under the domination of the Third Reich reveals an awful human experiment too horrible to fully understand, but important that it be revealed.
Readers will not be disappointed in the revelations extracted by the author, who has a personal connection to this period in history. Her father was a fraternity brother of mine, and I only recently learned of the humiliations he suffered before he escaped to the United states at age ten. Humiliations that have affected him ever since.
The author learned why her maiden name isn't the same as her father's original last name. And that triggered the quest to learn more, and thus the research in Germany and this book.

"Divides Lives" tells the stories of woman living a in a real life "twilight zone" during the Third Reich. Dr. Crane brings her characters to life and the reader is swept into their confusing and frightening world. I am not particularly enamored by Holocaust literature. I have had my fill of books, articles and movies which portray the horrors of the camps. However, this book is different. These stories would stand by themselves regardless of the setting. The implications for our modern world, alluded to in the author's musings, are staggering. Anyone who enjoys short stories or biographies will absolutely love this book. I can hardly wait for Dr. Crane's next work.

Many of the mischling women interviewed in this book state that the young people of today, especially Americans don't have any feeling whatsoever for what happened in WWII. Sadly, they are correct in that we learn about the war, but we don't learn about real life during the war. Facts and technical outlines of battles can only give one the surface of the struggle. To dig deeper, you need to read first person accounts such as the ones given in this book...stories of persecution and oppression that will make the war seem all too real. The paper thin line of distinction between Germans and Jews comes to life here with the children of Jewish/Christian parents who are ranked according to the amount of Jewish blood they carry...first degree half-Jew or second degree quarter-Jew. Most are saved from the concentration camps by their affiliation with their Aryan (German) family, but all suffer some amount of anti-semitism and persecution under the Third Reich. This is a revealing portrait of the fate of the mischlinge, a people who are often forgotten in the gruesome and humiliating saga of the holocaust.

Through the Rug
Through The Rug 2: Follow That Dog (Through the Rug)

I am a children's author who likes to read books by other children's authors. I really enjoyed "Don't Know Where, Don't Know When".

Hannah and Alex Diaz and Brandon Clark arrive in England during World War 2, with a mystery to solve. They are unprepared for the world of war torn England. They are faced with air raids, evacuations, and miserable foods that stink. The children also eat dry bread and cakes, and wear hand-me-down clothing that should have been discarded long ago. They are faced with strict rules of behavior and firm punishments.

Brandon, who is black, faces prejudice and is disliked by some who have never before encountered a person of his race.

Alex takes his new environment as a challenge and an adventure. Hannah often opens her mouth and says inappropriate things. Brandon is separated from his friends, not only by being in a different home, but a different time in history.

I recomend "Don't Know Where, Don't Know When", for children and adults. It would be a great book to read to an elementary class for 3rd through 6th graders. This book would also be a good read-together book for a family.

I am adding this book to my list of 'Adventures with Grandma'. Verity's grandmother, Hannah and Alex call Mrs. D, is a harsh disciplinarian and a strict woman, but she is very endearing. She takes Alex and Hannah into her home and under her wing. We later find that Mrs. D has a past and wasn't always sweet and innocent herself. Her personality, as a young woman, was much like that of Hannah Diaz.

Join in the adventure of Hannah, Alex and Brandon, as they travel into the past and bring back lessons they can use in the future.

My sister is 13 years old and she despises books. After much begging and pleading I finally convinced her to read Don't Know Where, Don't Know When. Here's what she had to say:
That was a really good book. I loved it. I read a lil bit every night. I like those kids in the book. I would so read it again.
Don't Know Where, Don't Know When is the first book my sister has read and actually ENJOYED!!

This brought back my son's love of reading again. We found it under 'Historical Fiction' which is a bit of a stretch. They do talk about history, but not as much as their adventure. I would like to see more history in subsequent novels. My son loved the characters, especially Alex!

Don't Know Where, Don't Know When is an amazingly engaging book written very well. A good friend of mine recommended me to read it and after I asked what it was like, she responded that it was a bit like Harry Potter only with history. Now that I've read it, I agree. No, there's no wands or boarding school, but there is the magic of time travel and of characters that take you to another place and time. As I read the book, I marveled at some of the things that the kids, Alex, Hannah, and Brandon, encountered and wondered to myself "could this actually be the way it was then?" I found that these things were true.
Annette Laing is a wonderful writer who grabs you with her style. I highly suggest this book for anyone at all.

Don't Know Where, Don't Know When is a story of many people and times. Hannah and Alex Dias, two young teens from California have just been transplanted from the home they have always known to another world, otherwise known as Snipesville, Georgia. With its private luxury communities in the middle of cotton fields and mall known far and wide as the Small, Snipesville is the last place on earth Hannah wants to be.
Brandon Clark, born and raised in Snipesville, has one ambition: to get out, to be one of the "Big Shots" who leave black Snipesville and make a name for themselves in the wider world. However, Brandon's future seems to stretch before him, planned by his parents, like the grim parades of death that leave the family funeral home.
When Hannah, Alex, and Brandon are drawn together by their mutual differences and isolation, unlikely events begin to unfurl. Brandon's discovery of a British World War II national registration identity card and the appearance of a mysterious woman known as The Professor lead the children on a time travel journey spanning two World Wars and nearly one hundred years. The only clue to the mystery: Find George Braithwaite.
Don't Know Where, Don't Know When is author Annette Laing's first foray into the world of children's literature. It is the promising if slightly raw beginning of a series that has the potential to be great. Those familiar with Maiya Williams time travel series (The Golden Hour, The Hour of the Cobra) will find good grounds for comparison. The differences? Laing's use of social and/or cultural history is easier and more accurate, and there is an absolute avoidance of declaring a moral (not that this excludes the reader from finding one (or more).
The Characters: Hannah is a nightmare. I have never met a child like her (and thank my lucky stars that is so), but I have it on good authority that children like her really do exist. She speaks to everyone, regardless of age or relationship, with snotty abandon, no fear of physical punishment, or even as far and I can see, grounding, blunting her sarcastic tongue. Even those of us not in favor of spanking children cheer when one indomitable British dame finally gives Hannah her just desserts. By the end of the book she is not noticeably changed in attitude, but decidedly challenged in outlook by late experiences.
Alex is largely a secondary character in this book, with no real chances for expression. There are, however, hints of future importance and even leadership to look forward to.
The story built around Brandon is very interesting. Both of the father figures in his life, real life and time travel, are named Gordon. The wives are imposing (and in Mrs. Gordon's case, downright nasty) and there is an idolized older brother figure who looms large but is never really seen. It is lovely to see the confidence and self possession Brandon gains with the Gordons's that he seems to lack with his own family. Speaking of the Gordons, the daughter Peggy is a wonderfully despicable and yet pathetic character, because you have to wonder if it is her own weakness of character, an acceptance of family prejudice, or the troubles she has had to endure that have so warped her opinions. Peggy plays an important, if secondary and sometimes unrecognizable role throughout the story.
The real jewel of this Story is Mrs. D, who I will leave you to discover for yourself. She is a lovely and lovingly portrayed example of all the strong, staunch, somewhat undemonstrative women who kept Britain going during the horrendous years of World War II.
Do yourself a favor: read this book and read it carefully. At times it is a bit difficult to work your way through the teenage angst, especially in the first two or three chapters. Children may not find any of this distracting. By the time you reach chapters five and six you won't care any longer; you will be too involved in the lives and worlds being lived on the pages before you.This book is appropriate for the ages specified and beyond. Paying close attention will reward the reader with clues and hints as to the future of the series. Enjoy.

This is a very thorough guide for when you have only a day or two to visit. It actually has way more in it than we could possibly see or do.
Giving the top ten things to see is great for your first visit. It is also great for probably your second or third.

Very helpful, lots of pictures and maps.

the top 10 guides are the greatest books for traveling. they give the top 10 of everything you would like to know-sights, resturants, hotels. we traveled through europe and book several different types of books and the top 10 were our favorites!

This book is ideal in many ways. Read it before you travel - it reviews all of the highlights that you'll want to see while in Venice. It also explains and diagrams the public transportation system, a useful thing to know in advance of your arrival.
This book is a great size to take along while touring the Venice area. I referred to it often because navigating Venice can be a lot like trying to find your way around a labyrinth!
A nice feature of this book is that it cross-references topics in a variety of ways. If you want to see sights in a certain geographic area, you can look things up that way. However, if you have a special interest, like churches, art galleries, or whatever, the book is organized so that you can easily look up your specific interest and locate the sights you want to see throughout Venice. The book lists the entrance fees to the major attractions, as well as the days and times when they open and close.
Another nice feature of this book is the variety of historical information it contains on all manner of things Venetian - from gondolas to glass blowing. My husband and I used this book on our first trip to Venice and truly found it invaluable. I highly recommend it.

My girlfriend, a world traveller for 20 years, borrowed this guide from a friend before going to Venice. It was so helpful and easy to carry around, and made her trip so full and enjoyable, that she bought her own copy and plans to rely on this series of travel guides in the future.

My wife and I love the Top 10 series. We always buy a Frommers or Rick Steves book for the trip's planning, but the Top 10 is a must for the trip itself. It'll fit in a pocket (a long one), and will provide quick and easy references to the most important sights, as well as maps and public transportation routes.

If you are traveling to a city and spending only a short time (3 or less days) you need nothing more than an Eyewitness Top 10 Guide. I will never go anywhere without one. It categorizes and boils things down, but the print is large enough to read. If you will be spending longer in your destination (for instance you are studying abroad) you will want a more comprehensive guide. Don't hesitate to buy any of the Eyewitness Top 10 Guides -- I have 3 of them.

the top 10 guides are the greatest books for traveling. they give the top 10 of everything you would like to know-sights, resturants, hotels. we traveled through europe and book several different types of books and the top 10 were our favorites! some of the info is a little off like the hours of the collsium and the prices of somethings so i would confirm

This little book was our bible on a recent trip to Rome. I will always be grateful that DK included San Clemente in their top 10. This amazing little church is like a layer cake of fascinating things to see. The street level is a lovely 12th century church with beautiful floors, columns, and frescoes. Underneath is an excavated 4th century church that includes a frescoe with the first sentence ever written in Italian: "Fili de le pute traite", or "Pull, you sons of whores!" I kid you not. This level also includes the tomb of Saint Cyril, creator of the Cyrillic alphabet, and a wonderful tombstone with a pagan inscription on one side, and on the other, an early Christian inscription -- it was recycled! They have it set up so you can flip it over to see both sides. Finally, the bottom level has ancient ruins, including a Mithraic (pagan) shrine.

The only time the book let us down was its recommendation of Da Augusto, a restaurant in Trastevere. This was their #1 listing under "Cheap Eats" for Trastevere but it was the only unappetizing food we were served in our whole trip.

This is an excellent book to walk around with in Rome and it is also a very popular choice. During my recent trip to Rome, I saw many other tourists walking around with this book in their hands. The book is small enough to fit easily in a woman's purse and has a very good and detailed map of the historic centre of the city. There is also a decent but less detailed and less useful map of greater Rome.

Like the other "Top 10" travel guides, "Top 10 Rome" is in the format of top ten lists with related narrative and information for things like tourist sites, hotels, restaurants, etc. The list of top ten tourist sites is followed by lists of the top ten things about each site, and there are maps/diagrams of the Vatican, the Forum, Palatine Hill, and several museums. There are also top ten lists of sites, restaurants, shopping, bars and nightlife for different sections of the city with small maps showing where each place is.

There are top ten lists of "Ancient Sites," "Museums and Galleries," "Squares and Fountains," "Villas and Palaces," "Romantic Spots," "Green Spaces," and "Rome for Children." There are top ten lists for things such as "General Information," "Getting to Rome, "Getting Around Rome," "Eating and Drinking Tips," "Rome on a Budget" and "Things to Avoid." There are eight top ten lists of hotels/places to stay.

There is a top ten list of churches but in Rome you would really need a top twenty-five list of churches. You don't have to worry much about this, however, as most other churches of interest that are not included in the "Top 10 churches" list are included in the top ten lists of sites for different areas of the city, with one noteworthy exception: The book does not mention Santa Croce in Gerusalemme, founded in AD 320, where pieces of Christ's cross and an inscription by Pontius Pilate are on display.

My wife and I love the Top 10 series. We always buy a Frommers or Rick Steves book for the trip's planning, but the Top 10 is a must for the trip itself. It'll fit in a pocket (a long one), and will provide quick and easy references to the most important sights, as well as maps and public transportation routes.

This remarkably thoughtful and carefully researched study reports on the changes in religious belief and practice undergone by Holocaust survivors as a result of their ordeal. Most valuable are the personal testimonies of the survivors.

A sensitive study, carefully constructed and empirically based, that supplies substantial, balanced insight where before there were only opinions and surmise. The full range of the victims' religious feeling is revealed, often in their own agonized reflections. Everyone concerned about the contemporary religion, responses to catastrophe, and the state of Jewish belief will want to read this book.

What an important piece! This is a very valuable and carefully researched study on the theological meaning of human suffering in the Holocaust. This book focus primarily on how the survivors interpreted their Holocaust experiences and how their experiences affected their religious beliefs and observance. This is an excellent book and a very important study that will be very much appreciated by historians in years to come!

This book/study by Rabbi Reeve Brenner is a great service not only to the victims of the Holocaust but is also a great gift to future generations who are going to see these findings by Rabbi Brenner's research as extremely valuable.

One word: EXCELLENT!!!

The originality of the theme, the accuracy and vastness of the research - over 700 questionnaires and 100 in-depth interviews and the eloquence of language - surely cast this as one of the important books to emerge from the evergrowing literature of the Holocaust.

The author conceived and carried through his project with great skill. His judicious comments about his findings are enhanced by a sophisticated sense of the limitations of this sort of investigation. His balance of history, ideas, data, excerpts, and interpretation is evocative and enlightening, resulting in a text which is, for this sort of work, even pleasurable reading.

From the remarkably eloquent foreword to the beautifully drawn and written stories, each page of this graphic novel shines. The narratives are subtle and Chekhovian in their ability to evoke emotion and mood. They're also just plain funny. A must-read, especially for anyone who's spent time out of U.S.

The humour in this intimately-written graphic novel hits home with its baldly honest, personal stories. Like others, I didn't want the book to end, and found myself slowing the read by spending extra time with the expressive and fabulously rendered comic panels. Very entertaining & excellent to pass on to friends.

What a lovely book! The title conveys the sense perfectly. These finely drawn stories capture the moments any traveller will recognize, when throwing yourself at the mercy of the world leaves you exposed not only to things mind-blowingly new but also to your own template--sensory memories, childhood perceptions, early hurts and wonderings. Any reader who is interested in travel will appreciate this book, whether or not she usually likes comics. A FEW PERFECT HOURS works on so many levels, I've found myself leaving it out and turning to it again and again.

"A Few Perfect Hours" isn't the kind of work you can easily peg: A graphic novel, it's also the kind of compelling travel writing that takes you on a journey both inside and beyond yourself, to off-the-beaten-path adventures in countries that no longer exist precisely the way they did when Josh & his wife Sari once traveled the globe. The result is a journey in time as well as one between borders. With pieces ranging from humorous to thought-provoking, Neufeld shows he is as capable of fascinating us with his writing as he is with his illustrations. Both bear up to several visits. In fact, it might be worth reading the whole book through once for the stories, again for the visuals, and at least once more to explore how the two interact.

A tip-off to the care he took inside, Neufeld packaged his work in an impressive form (paper, ink, and front and back matter) that makes "A Few Perfect Hours" a beautiful book that stands apart on the shelf. The result is a very readable, rewarding graphic novel that would be equally perfect tucked in a backpack or lying on a coffeetable.

Much will be (and has already been) said about Josh Neufeld's journey -- spiritual, emotional, physical, and otherwise -- as he depicts it in this insightful compilation (and indeed it is highly satisfying for a reader to observe -- as a voyeur safely removed from the frequent moral quandaries one faces when travelling abroad -- Josh's struggles while schlepping his American-bred presumptions around the globe). But as gratifying as these anecdotes might be, what really stikes me the most is his journey as an artist. Here is not simply the chronicles of a young man and his adventures in a comic book format, it's also the chronicles of an artist: years of experimentation, study, and refining a singular vision and style. This book did not happen overnight. Look closely, and you'll recognize the Life of The Comic Book Artist -- hidden behind the stories, Josh has provided us with a glimpse of how much art and an artist can change over time, even if ever so subtly. Having read much of his other works, I can now appreciate even more the times he has discussed his stylistic choices, because this book contains it all -- the whole kit and caboodle at my fingertips. So, keeping in mind Josh's own self-analyses from earlier years, I can now smile and laugh even harder when I see Josh in a tight bodysuit or Sari's tiny little feet (p. 61, "How to Star in a Singaporean Soap Opera"). Hergé would be proud...