Africa Books

Pete Turner has often been called a photographer's photographer--but that doesn't mean his work lacks wide appeal. His latest book, Pete Turner African Journey, a 206-page collection of images from seven trips he made to Africa, amply demonstrates his ability to please everyone's eye. Here, with his friendly introduction serving as a guide, he takes you on a tour of his pictures and tells you some of the many stories behind them.

Few photographers have displayed as graphic an approach to the art as Turner or such a strong color sense. His shots of the people, the land and the animals glow with the intensity of stained glass. Graphis, the publisher, is to be congratulated for bringing Turner's brilliance to us--and Turner for giving us this chance to bask with him the warmth of the African sun.

Anyone familiar with Pete Turner's work over the past years, knows that he is a master magician of color. His new book, Pete Turner African Journey, a collection of color photographs taken over his many years of return travel throughout Africa is magnificent to behold for both its color and content. Pete has a creative passion for color. His connection to color reminds me of a statement by the artist Paul Klee, "Colour possesses me...color and I are one." So it is with Pete who creates his colorful art using a camera and a searching eye. The way he photographs the people, places and culture of Africa is best said in one of the quotes I have by Gordon Parks. " Recording images of serenity and beauty was a matter of devout observance." I can think of no better way to describe the beauty, sensitivity and reverence of Pete Turner's photographs. His photographs are artfully displayed in a beautifully designed book by the prominent designer and friend, Massimo Vignelli. An introduction by another prominent friend, Gordon Parks, pays tribute to Turner for "...an unforgettable gift that urges me to breathe my own roots." African Journey, is a hero's journey, and an invitation to witness the rich and radiant colors and culture of Africa, the second largest continent on our mother earth.

Showcasing 148 full-color photographs, and with an informative introduction by photography, fillmmaker, composer and author Gordon Parks, Pete Turner African Journey captures the exotic glamor of a seven-month journey from Capetown, South Africa to Cairo, Egypt while Pete Turner was on assignment for National Geographic. This is a stunningly visual journal of people, landscapes, wildlife, and visual beauty where the images captured by Turner's camera could easily stand as individual works of high art and hang on any gallery wall. Pete Turner African Journey is a superbly produced and highly recommended addition to any personal, academic, professional, or community library photography collection.

This book is a wonderful trip that takes us though the landscapes of Africa, visiting the people and the incredible wildlife, seen through the lens of one of the world's greatest photographers. Turner is a master of color and light, and he fell in love early in his career with the richness of the African continent. To spend time with this book is to be his travelling-companion, visiting ancient temples, witnessing animals in their world, crossing the Sahara and spending time in villages, getting to know the proud people who live there. One beautiful image is of a dog sleeping in an Ndebele village, its white paw matching the painted architecture. In images like this, Turner shows us again and again scenes that only his eye and lens could capture.

An inspiring book in every way! Get this book if you are interested in real Africa and African cooking. The recipes are great and the photo's give you real insight into the safari travel and the bush lifestyle.

As a South African and having spent time in the USA, I tried to think of ingredients etc that one would need if you were living outside of Africa, most seem easy to obtain. It's a beautiful book both in recipes and photos.Being a professional photographer it's a fun book to look at for the photos as well as different style of cooking. Most recipe books are static and don't motivate me into purchasing it, but this one caught me. It has a great African feel. Worth buying.

I really have enjoyed this book. It gives you an insight into African cooking and the beautiful scenery. I had the pleasure of meeting Josie Stow at Tswalu and sampled some of the recipes in the book. They are incredible. Most of the items are easy to prepare and the photos will make you want to go there!

The book is simply stunning, I was most impressed with the food and images. I reccomend the termite mound pizza, although with all the termites it isn't really a veggie dish, you can always pick them off....(he he ha ha)

Really enjoyed it. inpsired me to go to Africa

These prayers will feed and nurture your soul and at an unusual (and sometimes uncomfortable) depth. Purchase this book for yourself or for someone else whom you love. It is the gift of spirit and spirit-care. Be prepared to be moved, and moved deeply.

i got this book a few years back&it touched me.the prayers&Poems really touched me alot.Desmond TuTu is a Great Human Being.This Man has touched many lives.i have enjoyed this book since day one.

This book is just beautiful. It is a wonderful collection of prayers and poetry. The very first one entitled An African Canticle is worth the price alone.

In "The African Prayer Book," Archbishop Desmond Tutu, Archbishop Emeritus of Cape Town has assembled a series of prayers on such topics as adoration, contrition, thanksgiving, supplication and daily life; ranging from authors who wrote their prayers in antiquity, and those living in modern times. Although the primary focus is Christian, prayers from other faith traditions are included.

This book is exquisite, to see and touch as well as to read, and the prayers are beautiful. Archbishop Tutu prefaces each chapter with a meditation on the topic: those alone are well worth owning the book. A wonderful collection.

This is a remarkable work that fits African music into its cultural context and is consistently provocative and enlightening. It's a world music classic, along with such studies as "The Latin Tinge," "The Brazilian Sound" and "Catch a Fire."

What begins as a primer in African polyrhythm becomes a spiritual quest to understand culture and humanity. Don't skip the endnotes in this impassioned examination of musical tonality and rhythm. Forging a tentative balance between scholarship and interpretation, Chernoff's book addresses the subconscious dynamics of culture, and unwittingly explains "race" more convincingly than the agitprop self-promoters whose explicit goal is to deconstruct the historical consciences of Africans and Europeans.

This book's sweetness, modesty, humor and graceful scholarship honors one of the world's greatest achievements. It's about drumming, and life.

this is THE classic on african music. you will find it listed in the bibliographies of almost any serious study that came later. it is in-depth and comprehensive. if you want to get just one: this is it.

Very nice book. Borrowed it from the library and was able to read and understand the book. I plan on renewing the book so I can read over some parts again.

I found this book a very quick read, but incredibly insightful especially with regards to the reasons behind the traditions described. It delves into the consciousness in a personal yet impartial way, which I appreciated.

I wanted to learn something about the traditional beliefs of the Akan people so I ordered this book. It was very readable and very informative. What interested me the most was that the author used structures developed by Fowler and Erikson. Since these two are foundational in the study of western faith and personality development, I felt right at home, even though the destination of the book was halfway around the globe. I would highly recommend this book to anyone interested in a "first book" about this subject.

This book is written by an African who was educated in the US -- rec'd his PhD from Emory U. This is real look at real life in Ghana among the Ashanti and their view of life and death. This book is the result of Dr. Donkor's research for his PhD. This text is suitable for classroom and research purposes or for those who would like to find about their African roots.

Let me just say one thing: I'm completely in love with this book. It's amazing and full of breathtaking pictures that will take you right away to the very heart of Africa.

The funny thing is that I got it for a very good price as well. The best purchase of my life!

Don't miss it if you're interested in Kenya and its surroundings.

This was bought as a gift, my dear friend who is also my mom had this on her wish list and I bought it for her birthday.
I didn't really know what to expect of the book, since it was not I who wished for it.
When it came, I was completely delighted with it. Not only is it a beautiful, big, coffee-table size volume, but the photographs inside are wonderful! Something else--the text of the book is written in a font that appears to have been written by hand, straight out of the explorers journal. A nice touch when accompanied by these wonderful photos.
A beautiful book, indeed and the price is very fair, in my opinion.

It makes a great gift, too! :-)

This is something of a `summing it all up' book for this photographer of Africa. With four books and an entire lifetime behind her, she is looking back over the path of her days and trying to clarify for herself what her relationship with the land of her birth has become. "I am a child of Africa," she begins by saying, and yet as we wander through the pages of her life it is clear that it is never so simple as that.

The journey that Ricciardi takes us on is made up of long passages of text and an equal abundance of beautiful photographs. This was my first introduction to this talented photographer, and some of her work took my breath away. The photographs each have descriptions and comments written along side them, and I ended up reading these before working through the sections of text.

Ricciardi's life has been vibrant and is fascinating to read about, though her tone is somewhat melancholy. She is looking back on the Africa that was, the Africa of her youth that has disappeared. She is also looking at it through her `white man's eyes', and realizing that although she may be rooted in the land she has always been a foreigner.

The photographs moved me and Ricciardi's words challenged me. As a white woman who loved Africa she has in interesting view point, caught between what her people have done to Africa and what Africa has done for her. Sorrow and pain and regret are unavoidable when it comes to the Africa of today, but they are bound up with incredible beauty. This book doesn't so much show us the heart of Africa, but the heart of a woman who has been effected forever by the two faces of this land.

Although Ricciardi writes eloquently about Africa and shares herself and her deepest thoughts with the reader in a personal, searching way, it is her photographs that tell her story best. She has captured both the last days of the Africa she knew and the beginning of its new life, in this collection of some of her best and favorite work. A beautiful book.

This book contains images of modest nudity, including nursing mothers and children, that would probably earn this book an "R" rating if it were a motion picture.

Having known of Ms. Mirella Ricciardi's work as a photographer in Africa, I expected this book to be the typical photography book. What I found instead was far more interesting and rewarding. The book combines brief essays about her life in Africa with captioned photographs of her family and friends, and of the scenes she visited, studied, and photographed. Extending from a privileged childhood in what was then colonial British East Africa to recently in Kenya and neighboring nations, you see the collapse of a fantasy-like way of life, the rise of a troubled new one, vanishing wilderness, and the reflections of an intensely self-critical woman. If you are like me, you will be moved by what you see and read.

First, you will be impressed by Ms. Ricciardi's frankness. "I was a bad mother, a discontented wife and a frustrated photographer." She blames herself for the death of her older daughter, Marina, at thirty-six. "To this day, I am convinced this tragic event was my punishment." Personally, I think she is too hard on herself. Her story shows a warm heart and an eye for beauty that have enriched all those who have seen her work. I hope she finds self-forgiveness in the future.

Her mother was quite remarkable, as well. Coming from an influential and wealthy French family, she studied sculpture with Auguste Rodin and lived life as an artist in Paris before meeting the author's father, who was an exile from Italy. Relying on her mother's wealth, the couple soon set up a dream-like existence on a vast estate in Africa based in a "vast pink Italian villa" they built there near Lake Naivasha.

Ms. Ricciardi grew up with great wealth, hunting and enjoying the wilderness, and appreciating the native Africans. Later, she learned how to be a photographer while working with her future husband, and produced her well-known photographic work, Vanishing Africa. You will find many examples of that book as well as the details of how it was shot. Married to this adventuresome man, you get a sense of their time together as well as their discontent. As part of this, Ms. Ricciardi recounts her years with a young black lover, and how they handled the social challenges this presented in the class conscious society. Her two daughters were raised in an unself-conscious way with African children, often cavorting together nude as many young children do. You will enjoy seeing these scenes of carefree youth. Ms. Ricciardi's love of nature is matched by her love of the African people, and you will especially enjoy her images of the Maasai.

Moving forward in time, you see photographs of white Kenyans who fought the Mau-Mau, farmed and studied wildlife, the destruction that war brought to Africans, and the retreating wilderness. I especially enjoyed her profiles of people who have found a continued life in Africa whose family roots go back to colonial days. Ms. Caroline Roumegeure was especially interesting to me, with her background as the daughter of a Maasai warrior and a French woman in a family with 6 wives and 26 other children. She seemed to blend the best of both cultures together. Ms. Ricciardi eventually became estranged from Africa and has left it.

The photography captures breath-taking beauty that will stun you with its mystical appeal. You will feel like you are looking at something that is beyond your own understanding, but which will beckon you forward. Ms. Ricciardi's openness to the people, land, and animals will become your own, and you will be the better for it.

After you finish contemplating this deep and self-critical view of another way of life, I suggest that you think about where you are divided from other people and nature in your community. How can you reach out to bridge the gaps in a loving way?

Share your love with all around!

This is the only book I've found that explains shunts in simple terms that children can understand. I am already reading this book to my two year old, and although some of the passages are a little too long to hold her attention, I know she's absorbing the information. I also can read this story to her cousins (who are 1, 5, and 8), to help them understand why my daughter has surgeries on her head. I would recommend this book for anyone who has a young child with hydrocephalus.

My little girl had a shunt put in when she was 1 1/2 and I bought this book for my son who was 7 at the time to help him understand what was happening. Actually a lot of adults have read through this to get a quick understanding of the situation as well. I highly, highly recommend this book.

An excellent book to introduce hydrocephalus to a child with the condition or to other children to make them understand. Written very simply, text and illustrations paint a very realistic picture of what a child with hydrocephalus goes through. My niece read it and I find it is the best and simplest way to explain the medical condition.

I am an adult, born with hydrocephalus, and I would have loved to have had a book like this when I was a kid. It's written in easy-to-understand language for young children, and I'm especially excited about that, because I think they'll truly feel reassured that they aren't alone, as I thought I was for 23 years.

Some years ago, there was a book about a beagle, Barney, who had "hydro." The book was written for kids ages 3-6 or so, and it was, unfortunately, discontinued. I see this book as a great successor. If you are a parent of a young child with hydrocephalus, or even if you're a parent who has it and has young children who have, or will soon have, questions about it, this is a great place to start. Please pick it up. You'll be glad you did.

I just love this version of how Anansi--with the help of his cunning wife--becomes the owner of stories. The illustrations in this book are wonderful and unique in the realm of Anansi tales for children. The spiders look like spiders--though with gentle, chubby-cheeked human faces as to show their emotions and expressions. Their clothes are colorful and seem culturally appropriate for their setting. It's quite clever how the illustrator shows recognizably human gestures with spidery legs.

One of the best images is the prideful Anansi standing "nose to nose" with the Sky God as he boldly announces that he has come for the stories. Viewers can even see the spider's cocky shadow carefully included on this page.

A nice touch in this book is the little "Glossary" near the front of the story, which gives pronunciations and definitions of the names and terms used in the tale. Example:pesa (PAY-suh): The breathy sound of whispering. // The glossary is of great benefit to readers who share the story out loud.

This book would be worth sharing with classes and with young family members. Even adults can appreciate the resourceful spider couple as they plot to do the impossible. Overall, I was impressed with this tale, and I recommend it for school and home libraries.

This book was such a delight. My first grade class could not wait to hear what Anansi would do next. For the first time, Anansi uses his trickery to help someone other than himself! It was refreshing to have the author show how Anani's wife, Aso, helped him to reach his goal. I think my readers learned a lot of valuable lessons from this story.

Both of my children, ages 2 and 5, love this book. The two-year-old, normally wiggling and wandering around the room during story time, stays put for this one. They can't wait to see what tricks Anansi and Aso will be up to next!

The Anansi series are a great read. As usual the author keeps us in suspense as to who and how Anansi will trick. My first grade class loved it. They were at the edge of their seats. I can't wait to read more to them.

Reads like a cloak and dagger thriller at times. This is a riveting account of the end of apartheid and the birth of democracy in a society that should be, by all rights, engaged in civil war at this time. Instead, Ms. Waldmeir gives us the reasons, historically and diplomatically, as to why this amazing transition took place in relative peace. She tries to give a fair representation of the roles of all the major players in this incredibly complex real life drama. I found the writing to be very insightful as an academic work while at the same time it was told as the dramatic, tension filled drama that the story truly is.

Anatomy of a Miracle: The End of Apartheid and the Birth of the New South Africa
This book came on time and was delivered directly to my place of residence within two days. So far this book is worth more than just an assignment for class. This book also helps me to see another side of conflict that most people may never see in their life time; unless they live within a collective culture where group needs are put before the individual self.

This is surely the most informative book to have been written on the subject of South Africa since the end of the white regime. Ms Waldmeiris a superb writer, with a perceptive and self -deprecating wit.May she write heaps more. Dermot Ros

Anatomy of a Miracle is one of those history books you never forget. It does such a good job putting you there. You feel like you are at the meeting between Mandela and DeKlerk. This is history at its best. Anyone interested in Current Events or the History of South Africa and its transformation from Apartheid and White Rule to One Man One Vote and Democracy needs to read this book. I had no idea that Mandela and the South African government had been in negotiation long before Mandela's release. I also had no idea how well Mandela used his ability to speak Afrikaaner and his knowledge of Afrikaaner History to while negotiating to end Apartheid. You see the challenges DeKlerk, Mandela, and all of South Africa had to overcome. And they did. This is a short book, but after reading this you will become an expert on the events that led to the end of Apartheid and the beginning of Democracy in South Africa. This is a great book.

Morell's astounding level of research reveals the Leakeys individually, as a family, and as dogged searchers for the truth about man's origins--and as living, breathing humans. Through letters, diaries, journals, personal interviews, and family archives, they speak to the reader with unprecedented candor about their personal travails, but more importantly, about their early struggles for funding, their fossil discoveries in remote desert locations, their constant surprise by the historical record, and their uncertainty, to this day, about modern man's exact lineage.

Some Leakey peccadilloes, never secret, are fully documented here: Louis's constant womanizing and his "adoption" of young female researchers, such as Jane Goodall, Dian Fossey, and Birute Galdikas; Mary's scotch-drinking, her cigar-smoking, and her intolerance of those on her Stinker List, some of them other researchers; and Richard's boyish brashness and arrogance, along with his health problems and dislike of Donald Johanson. Less appreciated, however, is the fact that before Louis's work and significant discoveries, people still believed that early man was from China or Europe, not Africa. Mary Leakey was the first person ever to excavate a Paleolithic site, and her meticulous care about documenting the tools and animals found in the same stratae as her hominid fossils, told here in detail, revolutionized the way fossils were recovered and catalogued. Richard found as many hominid fossils in two years (1971 and 1972) as Mary and Louis found in 36 years, and his level of dedication to research since finding his first hominid fossil at age 6, his mentoring of young researchers, and his creation of museums and foundations in Nairobi have perhaps received less attention than they deserve.

The Leakeys believe at least two and perhaps three or four different hominids may have lived in certain areas simultaneously, sharing space for a million or more years, and that the exact line of descent to modern man is still unknown. Tens of thousands of extinct, fossilized species of hippos, elephants, saber-toothed cats, crocodiles, antelopes, and even insects, unearthed by the Leakeys, are overwhelming evidence that if species, including hominids, do not change and adapt, they die. While some may argue about how certain hominids are labeled, no one can argue with their existence in the historical record, and nearly all of them have been unearthed by just one family. These contributions continue beyond the purview of this book into a new generation: Dr. Louise Leakey and her mother Maeve (Richard's wife) found yet another completely new hominid species in March, 2001. Mary Whipple

This is an engrossing story of archealogy's first family. The title hints at their adventures, loves, intrigues, battles, all most passionate. I could not put the book down. The landscape of archealogy will forever be, for me, after this book, a color filled map with the land of our ancestors fully pictured in my mind. No longer will archealolgists seem to be dull digging tan people,but exciting real people, made of the passion of us all. A superb read

Amidst the splendor and corruption of Africa, this family battle the weather, the government, the prejudices, the lack of funds, and even each other. Their intelligence and love for the country is evident as they search for prehistoric evidence of earliest humans. The more I read about them, the more I admired their contribution to East Africa and to the world.

This is a long, engrossing, detailed book about the Leakey family and their impact on paleoanthropology in Africa. It's a real pot-boiler of a book--hard to put down and a totally fascinating study of the family. You get a real sense of their human failings as well as their triumphs. The family comes across as stubborn, intense, egomaniacal and prickly, as well as totally dedicated to their pursuit of man's ancestry in Africa. Although the author has a higher opinion of the Leakeys than some of their rivals (Donald Johanson), she by no means glosses over the more unsavory aspects of their characters. I would highly recommend this book, regardless of your level of familiarity with paleoanthropology.