Africa Books

Great overview of all African masks, with intelligent background and supportive material. Not just a picture book or rehash of oft-repeated images. Really a book to be used and absorbed.. It will be a great help.

First-rate, high quality throughout, this volume does what a book of this type should do: packs in plenty of color plates of the masks, and shows them being worn (in black-and-white in situ photos) on the accompanying left-hand pages of the spreads. The collection is far-ranging and, though it cannot include every type of mask, it does manage to convey the incredible variety, richness and paradoxical sophistication of this art form. Highly recommended.

This is the best book I have found on the psychology and understanding of African masks. Just fantastic, worth the money. 80% color plates, brief outline of basic African mask types and their interpretation, grouped by region and by style.

This is the best book I have found on the psychology and understanding of African masks. Just fantastic, worth the money. 80% color plates, brief outline of basic African mask types and their interpretation, grouped by region and by style.

I bought the hardcover version of this & it is well worth the additional expense because the photos are excellent in quality & number. The printing of the photos is of a very high quality. The book is well organized by region & tribes; since many tribes do not adhere to modern borders. I also bought THE TRIBAL ARTS OF AFRICA it is very good but the organization is poor (by region & country) and the descriptions for the smaller photos are not in the same order as the photos, so one has to really search to find out what one is looking at. Whereas the variety and great quality of the photos in AFRICAN MASKS enabled me to definitively identify a mask I acquired 30 years ago. If you collect or love viewing West African carvings I recommend investing in the hardcover version.

Taylor is one of the most competent gun writers I have ever read. He has tremendous practical experience with almost every large calibre rifle of his time, including the spell bounding numbers like 600, 577s, 500s, 450s, 450/400, 375 etc., with a nostalgic term of Nitro Express..! When discussing a calibre, he talks of taking literally hundreds of elephant, buffalo & other big game with it. So who can question his authority on African rifles. He has also covered every possible aspect of sporting rifle, which can be questioned, with respect of African hunting, e.g., doubles versus magazines, barrel length, weight, sights, triggers, ejectors/non-ejectors, etc. A must read book for the person who wants to know about large calibres, double rifles and nitro / black powder express. Excellent drawing of each cartridge is also given with details i.e., bullet weight, powder charge and pressure.

For most of us, the dream of going to Africa and hunting with the classics of the past will always remain that. However, if one has hankering for the great guns of the past and a by gone era, this book will fill that niche. If you are lucky enough to ever be able to travel to Africa, this book would be essentual reading as knowledge- practocal knowledge - of the big guns is very hard to find and full of misconceptions.

If you fall into the latter catagory, Taylor had several lifetimes of practical hunting experince, and his knowledge shines.

For most of us, there are very few hunters and shooters who have not dreamed of owning a Purdy, Holland and Holland and others of the past, in such lovely calibers as 375 H&H, and .600 Nitro. This is a book to own and dream with.

Incidentaly, despite its comparative age, much in here is still current, although much more recent calibers are not really discussed.

Grade: A+

Timeless writing! A treasure trove of literary delights for anyone interested in the ambience of a bygone era of action and adventure ala Hemingway, Selous and Bell. Something for everyone, whether an enthusiast of shooting, safari, classic cartridges and rifles of legend (doubles and single action sporters) or a mere naturalist. John Pondoro Taylor was clearly a genius in his given profession, albeit politically incorrect for his time.

If you love hunting- and african hunting in particular- you MUST have this book! It is the classic by which all others should be judged. I read my first copy so often- and referred to it when reading other African hunting books- that it started to fall apart. I bought another to read and loan, plus one bound in leather to keep for good in mint, unread condition.
Believe me, you will love this book if you are a hunter!

John Taylor's masterpiece - the definitive work on African hunting from a technical perspective. And even though his experience is nearly 100 years old now, it's still as fresh as yesterday, because the rifles and cartridges really haven't changed much. Craig Boddington's important work on the same subject is truly current, but you won't miss a beat if you just go by what Old Pondoro says.

But that's not the book's real glory - anyone can publish ballistic data and shooting tips. What Taylor does is to back up his opinions with some of the most exciting hunting literature ever jotted down by lantern light. He's a wonderful writer, with an easy flowing style that grabs you and takes you along. He saw and did things that noone else will ever again do or see, and in a sense saw the last of the old Africa pre WW2, and brings it alive. He tells you that the .577 NE is just the perfect thing for elephant, and has a couple of tales to prove it. Or how about the .375 H&H as a long range caliber? Well, did he ever tell you about the time that... It sounds contrived, but it isn't.

I can't put this book down, and approach it with caution because I know if I crack it open it'll be like saying "Jumanji" 3 times - the next thing you know hours have passed and there's a lion in your kitchen, licking the butter. Absolutely a desert island book, and one of the first to go in the lifeboat.

His works are profound. although, he has many critics who would like to ... his legacy. When i first read this book it really opened me up to the problems facing black men/women right here in the belly of the beast "America". I would recommend this book to anyone looking to face the problems that lingers still in the black communities all over the world!!!

During a time in my life, when I loved all things to do with Socialism, this book was almost my bible. Mr. Clarke preached Afro-Centric Socialism, to an extent that gave me new faith in myself. His views at time were extreme, but his insight into numerous topics gave me a strong respect for him.

The book is essentially a series of essays, detailing the problems in Africa, and to the other key areas of the Black Diaspora. For anyone interested in Black Nationalism or Pan-African movements, this book is essentially a bible for you.

DR. JOHN HENRIK CLARKE WAS DEFINATELY A ELDER AND A WARRIOR IN PAN-AFRICANISM, AFRICAN-CENTRICITY, AND AFRICAN WORLD NATIONALISM. HE WAS A PROPHET AND A MASTER TEACHER. HIS CONTRIBUTIONS TO THE LIBERATION AND MOTIVATION FOR AFRICAN PEOPLE WILL DEFINATELY BE REMEMBERED. THIS BOOK IS A EXCELLENT BOOK THAT GIVES ALOT OF INFORMATION ON THE LIVES OF KWAME NKRUMAH, MALCOLM X, PATRICE LUMUMBA, MARCUS GARVEY AND WEB DU'BOIS. HE HAS CHAPTER ON THE HISTORY OF AFRICAN PEOPLE AND REVOLUTION AND ACT OF LIBERATION BY AFRICAN PEOPLE ALL OVER THE WORLD.THIS BOOK IS DEFINATELY RECOMMENDED IN THE INVESTIGATION AND RE-AWAKENING OF THE AFRICAN MIND. MY THE GREAT GRIOT REST IN PEACE, HIS WORK AND LEGACY WILL ALWAYS BE REMEMBER AND UNHELD BY FUTURE GENERATIONS

Africans At The Crossroads is one of the best books you can ever read. John Henrik Clarke gives unsurmountable wisdom with each chapter as he details our struggle. He sheds light on noteworthy leaders like Malcolm X, Patrice Lumumba, Kwame Nkrumah, Marcus Garvey and others in this magnum opus of a publication. His death is a tragic loss especially at a time when the world is filled with craven pseudoscholars like Jesse Lee Petersucker and Skip Gates and Scary Elder. I had to hold back tears while watching his lectures after I found out that he passed away in 1999. This book as with everything else that John Henrik Clarke can give you is as good as gold. REST IN PEACE JOHN HENRIK CLARKE!!!

This book helps to remove the viel of ignorance. Dr. Clarke towards the end of the book gives a list of recommended reading material. He informs of past and present problems, gives recommended solutions to our problems, and then encourages us to move forward. Plainly, he forces us to think about what we've been told about ourselves.

This book captures one's attention quickly and pulls you into the soul of Africa. Through Marc, a main character, I was able to have my own safari in Africa. The knowledge portrayed through him and by the author really was captivating and well written. It sparks one's imagination and curiosity about a world so completely different than our own! It is as if your taken there and actually experience the dangers as well as the beauty! I have a whole new appreciation for Africa and her people, and I have never been there, but now want desperately to go! A love story mixed with danger and uncertainty in the wild are great ingredients of this, a great book! A must read! I look forward to Christy Carroll's next book with much anticipation!

I was given this book as a gift. Picked it up one day, and couldn't put it down. Loved the fact that the chapters are short and beckon you to go to the next to see what happens. As I read this book, I visualized it as if I was watching a movie. It has great feeling, appeal, is emotionally moving. I had to put it down before the end, afraid of what might happen to the characters. Anticipation was one of the factors that kept me reading. You want to get involved, and you wished and hoped for Julie all the way till the end. Left me wanting Christi's second book. This book is classy, no trash, a definite re-read. Hope you will love it as much as I did. I would love to see it as a movie.

This book makes you feel like you're in Africa and experiencing everything that happens in the book! There is a cool trailer at http://youtube.com/watch?v=z7GcAhRMd1c check it out.

I loved this book and couldn't put it down! Christy Carroll is a great writer. I fell in love with the characters and learned so much about beautiful Kenya. I was sorry when the book ended and I look forward to Carroll's next book.

This is a great book. It kept me on the edge of my seat the whole time I was reading it. It is very well written and the plot is very exciting. I want to travel to Africa after reading Amboseli Wimbo!! I can't wait for the next book by Christy Carroll.

If you buy this book because the title might indicate it is an overall look at the banjo, its playing, its musics, and its place in society, that is not what this book is or pretends to be.

This is a history of the physical development of the banjo and its construction and manufacture during the 19th Century. There are some small references to the different musics the instrument was used for, but not many. There is elaborate and detailed discussion of the main lines of construction of the banjos during this period. The authors also write well and thoroughly about the business dynamics of the chief producers
of the banjo during the 19th Century.

While this book is obviously the work of two of leading banjo collectors in the world and of interest to banjoists and instrument makers of all kinds, it is an important picture of America social and economic history as well. Someone interested in the rise and development of capitalist industry, fetishism of "the finer things in life" by the middle class, and how culture wars were waged in the 19th Century would profit from reading this book.

For the artistically inclined there are a number of beautiful plates of 19th Century Banjos as works of art. It is clear that the authors priviledge the decoration and physical beauty of the instruments as much as they do the instruments "playability."

This work is great in itself. I found it very readable and believe someone who did not know much about banjos would also find this readable.

If you are interested in the social and cultural history of the instrument to the present day, what you need is
That Half-Barbaric Twang: The Banjo in American Popular Culture Culture by Karen Linn.

If you are interested in the African origin of the instrument, its development from African playing styles, as well as the roots of contemporary "frailing" and clawhammer and much else about the musical tradition of the banjo, especially as used in traditional folk music try African Banjo Echoes in Appalachia: A Study of Folk Traditions by Cecelia Conway. Both books are available here on Amazon

At last, another important book has emerged to stand with the few other necessary references on early American 5-string banjos.

Unlike the two fine Tsumura books which are primarily photographic essays of considerable magnitude, Gura and Bollman's treatise combines a highly readable and informed history with a remarkable collection of rare antique photographs and ephemera plus 4 lengthy sections of recent photographs of exquisite instruments and banjo related objects. Any one of these three aspects would be sufficient reason to own the book.

The frequently startling and personal photographs impart a very human feeling as we progress through the story of the evolution of the banjo in American culture. Amazingly, they represent just a minor fraction of Jim Bollman's immense collection.

Special praise is due Peter Szego for his magnificent photographs of the wonderful early banjos from his own collection.

I find it hard to remain objective as I turn the pages and imagine what it must have been like to pose for one of those Dageurreotypes, rudely dressed, banjo in hand, daring the photographer to capture my soul. And again, when I turn to that favorite Boucher or Fairbanks banjo and long to feel and play it.

Well done, gentlemen, and thank you!

James Bollman's collection of banjos and banjo memorabilia is stunning and this volume may be the only way in which I would ever be able to view it in my home a photograph at a time. The history is a resource for historians and reenactors alike. The vintage photos are mostly ones I've never seen before. This collection has the most vintage photos of lady banjo players I have ever seen. The 1860's photo of a young woman playing the banjo on page 93 has enough detail for a reenactor to duplicate her dress and accessories as well as her banjo. The same is true of an 1895 photograph of a woman playing a Fairbanks Electric. The turn of the century all woman banjo band on page 10 is inspiring. It's great to know that there have always been lady banjo players and these photos give the lady reenactor a place to start when planning a period costume to go with a period banjo. There is a section of breath taking color plates in this book that allow you not only to see detail on some rare banjos, but also depict antique banjo clocks and memorabilia. I never knew such pieces existed until this book. A great book and a must have for anyone interested in vintage instruments and pickers.

As a banjo player of some twenty-five years experience, as well as a historic interpreter/performer of Early American music, all I can say is that this is the book that I've been waiting for! This well-researched, well-written, beautifully illustrated tome doesn't just give us an interesting history of the banjo; it offer us a fascinating view of the instrument's pivotal role in the birth of American "pop" music.

My favorite features of the book are the antique period photographs, as well as the many wonderful illustrations of authentic period instruments and ephemeria, primarily from the extensive personal collection of the book's authors and fellow collectors such as Peter Szego. The majority of the 19th century photos depicted belong to author Jim Bollman, whose home can best be described as a museum and shrine to the banjo. I'm also a collector of vintage photos of musicians and I can tell you there's no one more respected in the field than Jim. His name is constantly invoked with awe and reverence by both dealers and other collectors. I have to admit there were times at photo shows when I've had cause to harbor some unkindly thoughts towards Jim every time it had become that he had scored all the best photos. However, purchasing this book, which contains many of those incredible unattainable photos, more than makes up for that.

My only complaint about "America's Instrument..." is its failure to really explore the banjo's African roots other than to briefly quote Dena Epstein's pioneering work on the subject. Also, the authors are mistaken in their statements that the African ancestors of the banjo, such as the xalam, "lack the shortened string on the top of the fingerboard that is characteristic of later banjos." In fact, the xalam has three "chanterelles" (drone strings) of various lengths above the two long melody strings. A cursory look at the xalam illustrated in the book would reveal that.

Be that as it may, I highly recommend "America's Instrument...!"

If one were to collect instruments, art and ephemera to organize and document an exhibition about the banjo, a good place to start would be to review Gura's and Bollman's "America's Instrument: The Banjo in the Nineteenth Century." This impressive book actually seems like a comprehensive companion to a museum's exhibition which could have the same name, and I could envision such a treatise being a museum gift shop's best-seller.

James Bollman is recognized as one of our Nation's foremost banjo collectors, and his outstanding assortment of Victorian-era banjos and related paraphernalia is one of the finest in the world. He was very pivotal as a project consultant to the fine exhibition that took place in 1984 at the Massachusetts Institute of Technology called "Ring the Banjar!: The Banjo in America from Folklore to Factory," curated by Robert Lloyd Webb. That exhibit's catalogue had some wonderful information, photographs and illustrations. After seeing it, I was personally inspired to research and write an article about "Banjos at the Smithsonian Institution" which subsequently appeared in Bluegrass Unlimited magazine (Vol. 27, No. 5, November, 1992).

Philip Gura, historian and Professor of English and American Studies at the University of North Carolina, is an expert in the history and culture of America's music industry. I found Gura's 2003 charming book, "C.F. Martin and His Guitars 1976-1873," to be well-researched, thoughtfully written, beautifully illustrated, and professionally executed.

In "America's Instrument: The Banjo in the Nineteenth Century," Gura and Bollman begin by documenting the banjo's evolution from the plantation to the stage. An interesting overview of the minstrel tradition and early performers is given. The authors show how the popularity of banjos increased, largely due to effective marketing. As the banjo made its way from the minstrel stage to Victorian parlors and concert halls, the physical development of the instrument was also affected. Part III of the book addresses "selling the banjo to all America," focusing on the efforts of Philadelphia's S.S. Stewart. It's interesting that Stewart's adoption of the "cause" of the banjo (nothing short of everything about it) set him apart from other makers. The book's fourth part, "manufacturing the real thing," delves into how the Boston banjo makers (Fairbanks, Cole) began to challenge Stewart's preeminence in the mid-1880s and eventually design and build the acknowledged standards of the banjo world.

Ragtime is given cursory treatment in this book. Another direction that banjo music took was into classical music, and the book could have devoted something to that incarnation of the instrument. I found it curious that this book makes no mention of Alfred A. Farland, "the progressive banjoist," who caused quite a stir in the banjo world in the mid-1890s when he played concertos, Beethoven sonatas, and even Rossini's "William Tell Overture" on the instrument. He was also known as the "Scientific Banjoist of Pittsburgh, Pa."

It also becomes quite apparent that the major banjo makers in the late 19th Century were located mainly in the urban north, and the great majority of major makers are discussed. However, this book should have at least acknowledged J.B. Schall, from Chicago, who built a large number of banjos about 1870-1907. Of a list of manufacturers of "classic" banjos in Akira Tsumura's "Banjos: The Tsumura Collection," most are addressed. Rettberg & Lange (New York 1897-1929) aren't mentioned, and only very brief mention is made of Weymann & Son (who made banjos in Philadelphia from 1864-1935) and Charles Bobzin (who operated in Detroit from 1892-1915).

While this book is beautifully laid out with over 250 illustrations, some of the very special banjos featured in the MIT exhibition, at the Smithsonian Institution, and in private collections such as Akira Tsumura's or David Vachon's, might have further enhanced Gura and Bollman's book. Some of the instruments are credited as from the collection of Peter Szego or Philip Gura, and the other uncredited photographs are apparently from the extensive collection of James Bollman. While the many full page color illustrations are definitely nice, perhaps the book could've added many more by placing two to four per page. Banjo afficinados typically enjoy such "eye candy," and photos speak a thousand words.

Keep in mind that this book only covers the banjo in the 19th Century. There is a cursory link to the banjo in the 20th Century, and there's only minor mention of firms such as Gibson, Paramount, Bacon and Day, and Weymann. While the authors state that "the stories of these companies and their instruments are fairly well known and...belong to the history of the new century," I hope that Gura and Bollman will consider pulling all these tales together into a sequel that documents the banjo in the Twentieth Century. All in all, they've done a very fine job covering a hundred years of the instrument's early history in America. Banjo-players and others interested in the instrument's history should certainly add this book to their library. (Joe Ross, staff writer, Bluegrass Now)

My brother & I received this book when we were children in 1980 from our parents. It's one of my favorite childhood books & I still have the same copy. It's a great way to introduce African culture to not only African American children, but all children who yearn to learn about other cultures.

This is a book that describes different African tribes from each letter of the alphabet. This is a great way to teach children about African tribes, and the book also pronounces each tribe so it is easier to read. The illustrations are wonderful and full of detail. This would be a great lesson in the classroom to learn about Africa. It would also be great to use each page as a poster or transparency.

This is an amazing book, practically one of a kind! The information, illustions, and luster of the indigenous African cultures is beautiful to behold. I recommed introducing young children to cultures and peoples as varied as the come to fully portray to them the true beauty of this creation, life. There is nothing so intricate, so inveloping and powerful as life in this form. Pronounciation is given for the tribes names to bring ease of reading, which is, in fact, very enjoyable.

"Ashanti to Zulu" presents 26 African tribes, from A to Z, and lets children learn something about the culture and customs of each one. Aside from being a learning experience, the book is visually eye-popping; the illustrations are so gorgeous you'll want to blow them up and frame them. The book won a well-deserved Caldecott Medal for the best illustrated children's book of 1977. It's a great book for helping children to learn about some of the peoples of our least-known populated continent, and the pictures will hold the kids mesmerized. It's a volume that belongs on every youngsters bookshelf.

Ho hum, thought I when I first saw this book. Yet another African alphabet book. It wasn't too long ago that I read, "Jambo Means Hello", the Swahili alphabet book by Muriel Feelings that was published in 1974. That book was okay, but I was disappointed that it didn't distinguish between tribes or acknowledge the advance of technology in Africa in the 1970s. Then I picked up this 1976 Caldecott winning book and upon reading it I was stunned. This book is everything that "Jambo Mean Hello" SHOULD have been. With meticulously researched information, delicate details, and stunning illustrations this book deserves to be read to every single child in elementary school for as long as there are either children or schools.

The book goes through the alphabet by naming a different tribe for each letter. First of all, I was surprised that there actually was an African tribe for every letter in the alphabet. Shows what I know. As we view each tribe we get a stunning illustration of their clothing, towns or villages, and activities. Author Margaret Musgrove describes their life, picking out the most interesting details for each. Through this method we learn that in Baule legend the crocodiles aided them when they were at war with the Ashanti. Or we find out that in the Tuareg tribe the men are veiled and the women do most of the talking, storytelling, and poetry. From A to Z we see a wide spectrum of African inhabitants, ending with a map of Africa that shows where each tribe resides.

But it doesn't stop there. Feelings explains in her Author's Note in the front that modern technology is changing the face of African life, though she contends that the traditions pictured in this book are still being passed on from generation to generation. She points out that some customs mentioned here are unique and relate only to that particular tribe while other values and philosophies are shared by all. She is even so careful as to point out that many (not all) African language prefixes are added to denote the plural. She, however, has used the root words throughout the book for simplicity's sake. Should you have any doubts about the background of this author, you can read in a tiny note on the publication page that she lived and studied in Ghana for years and a list of publications consulted is included. And if you've any doubts about the illustrations, don't. As noted, even the interwoven designs at the corners of the pages are based on Kano Knots. Every article of clothing, every animal, every home depicted here is accurate and beautiful.

I don't mean to pooh-pooh "Jambo Means Hello", but that book hasn't got anything on the amazing "Ashanti to Zulu". It's stunning.

Having spent my teenage years in Mozambique during the 1950s, I've always felt a strong affinity for Mozambique and its people. I read Finnegan's book with a heavy heart, finally piecing together the puzzle of what has become of the, "Terra de boa gente", the land of the good people. Finnegan's book is amazingly sensitive and intelligent. This is a book built on a foundation of deep insight, patience and great scholarship. Through Finnegan's incisive reporting, I was transported back to this "harrowed" land down to the smell of the wood fires. Not having been in Mozambique since 1968, Finnegan re-kindled my interest and wish to re-visit this challenged land and to see it again for myself.

This is a great introductory book to understanding the war in Mozambique from independence until 1992. This would be the first book that I would recommend anyone wanting to know about the history behind current events not only in Mozambique, but in Southern Africa in general. Finnegan divided the war into sections based on the provinces of Mozambique, and then told the unique story relative to each region and how the war was influenced by Mozambicans and its neighbors. If anyone is interested in further reading on Mozambique and/or Southern Africa, the bibliography in the back of this book is exceptional. Most highly recommended!

I bought this book before a trip to Mozambique in the summer of 2000. I found it very hard to find books about the country. I found this to be the most complete book as far as giving me a big picture of what the people had been through in recent years. The book has many anecdotes to show the typical western reader just how different life is in Mozambique. I found that the sense of poverty as well as generosity and warmth that the author communicated was verified by my own experience. It is the stories of the everyday person in the book that are so wonderful. Stories of the joy of children upon recieving a gift of a pen or the desire of young man for a pair of shoes.

The Mozambicans are amazing people. I apprciated them even more because I had read this this book. I was filled with wonder at the total complete wonderful humanity I encountered given the populations truly horrible experience of war.

I bought this book before a trip to Mozambique in the summer of 2000. It was very hard to find books about the country. I ended up coming to Amazon and jsut doing a search. This was one of the books I bought sight unseen. It turned out to be the best. It was the most complete book as far as giving me a big picture of what the people had been through in recent years. The book has many anecdotes to show the typical western reader just how different life is in Mozambique. I found that the sense of poverty as well as generosity and warmth that the author communicated was verified by my own experience. It is the stories of the everyday person in the book that are so wonderful. Stories of the joy of children upon recieving a gift of a pen or the desire of young man for a pair of shoes.

The Mozambicans are amazing people. I apprciated them even more because I had read this this book. I was filled with wonder at the total complete wonderful humanity I encountered given the populations truly horrible experience of war.

This is a lively and well written book which deals with the period of civil war in Mozambique. It was completed and published just before the conclusion of a successful peace process and so provides a particularly clear and powerful view of recent history.It is based on the author's travels within country during the war period and includes extensive interviews. The people he talked and worked with emerge as very vivid and lively characters. The support of the rebels by Rhodesia and South Africa, and the reasons for that support, are well described. A must read for anyone going to work in Mz, strongly recommended for the serious traveler as well.

My husband is in the military and I found this book when we found out he was going to Kuwait for six months. The message is beautiful and my husband and I cried together while reading it. Since my daughter is only 9 mos. old we wanted a way for her to think of her Dad every day. Each night we look at his photo and read this book. It's a special way for me to let her know that her daddy loves her and that he's coming home soon. This book is perfect for any family in a similar situation.

My husband is in the Navy and we bought this book to read to our children as he prepares to leave for 14 months. It is very good at explaining that Daddy will always love his kids, even when he is gone. The only reason that I gave it 4 stars instead of 5 is because it only deals with 1 month and a business trip. It differs from our situation, but overall it is a very good book.

My son and I read this book almost every night when his daddy was traveling for weeks at a time. It was a very difficult time. I think that my son could relate to the little boy in the story on how much he missed his daddy. When a young boy is away from his father for a long period of time, he begins to wonder if his daddy still loves him and misses him. This book helps to ease those fears and that it is all going to be "ok". We are giving this book to two little boys that are my son's friends who are losing their daddy for 8 months while he fights this "War on Terrorism" with the Army in Egypt. We think that maybe this book will help them to come up with their own rituals while their daddy is gone and maybe help to ease their fears.

My husband is in the military and I bought this book for my 4 and 2 year old before he deployed. This book was an extreme comfort to my 4 yr. old. I read it to her when she had a hard time dealing with my husbands deployment. It became a nightly ritual while he was gone. If your spouse is in the military, this is a must. It really hits home with the feelings and it also talked about daddies feelings too. We used the idea of saving things to show daddy and my daughter loved it.

This is the kind of thing that's going to be read on Father's Day for a long time. A sweet story of a boy and his father and how difficult their separation is when dad has to go on a trip. I loved it.

Alan Moorehead was a war correspondent who covered most of the 3-year desert campaign in North Africa in World War II. Therefore, he saw the war at first hand, sometimes coming under fire himself (usually from aircraft), sometimes getting lost in the vast desert, sometimes missing key events because his reporter's intuition led him astray. Although he was not usually on the front line, he did manage to get into towns within hours of their liberation. He had interviews with the general staff of the (British and U.S.) armies and a good grasp on the overall strategic vision of the campaign, from the Allies' point of view.

The writing quality is top-notch, especially descriptions of the burnt out and fought-over towns and countryside. You get a good flavour for the conditions the troops fought in and for the bravery and resilience shown by the soldiers. There are a number of very interesting sidelights to the action, highlighting the difficulties encountered in trying to report the war.

Unfortunately, there are a number of quibbles that detract from a 5-star rating. This book is not a "definitive" history of the war - it was written too soon and from a purely Allied point of view. It is undoubtedly biased - he constantly makes excuses for the Allied generals' failings to deliver a knock-out blow to the Axis, especially blaming the long supply line from England (neglecting the fact that half of the Axis' supplies were sunk in the Mediterranean). He refuses to admit the Allied forces were consistently outgeneralled by Rommell, blaming the British training and internal organisation instead, first claiming the generals could not change it (bureaucratic inertia), then applauding Montgomery for changing it quickly. There's distracting (and long) digressions from the front, especially a trip through India and a vacation to the U.S. While the politics of Indian independence are interesting in their own right, they are complex and require an historical context so they couldn't be developed properly. Finally, there is no background material - the author assumes at least a passing knowledge of the people and politics of the day, so it might be frustrating for a beginner. The maps are generally quite good, however, so geographical mastery of the area is not necessary.

Therefore, I recommend this book as a personal snapshot of the attitudes and actions of the Allied armies in the desert campaigns of WWII. As such, it is clearly biased, but the quality of the writing and the descriptions overcomes this difficulty.

If you are interested in the War in North Africa this is the read for you. It is absorbing and well written with a flow of a correspondent who is constantly moving to different parts of the front. I love and would recommend anything by Moorehead, but this is still a special book because he lived most of it. It is not however a history of the war. There are large chunks of the war that are not written about, time frames where whole battles are not directly refered to. That is because Moorehead was not there to cover the war. That does not detract from the flavour and action of the book. Moorehead is great in, among other areas,

* his description of the British Campaign against Italy in Ethiopia
* his descrption of the early days of the war and also the Australian role in the war against Vichy France in Syria and then its role to nip a coup and Nazi support for Iraq, firmly in the bud
* his description of the ebb and flow of battle that confused both sides, but ultimately was most boldly exploited by the Germans. The swirl of dust and whole lines of transport and tanks wondering either into or out of battle can almost be tasted.
* the seldom written about race to Tunis at the end of the book, the sudden rush across Algeria and then bogged down fighting in Tunisia; tough battle that tested the Americans for the first time and one where, despite the public image, was still largely British in effort.

The book is also of note in that halfway through Moorehead leaves the front for India and covers the Scripp's mission on Indian Independence at the height of the Japanese invasion. I know of really few descriptions of the positions of all the major parties in debating future of India: Gandhi with his unrealistic notion of "sating the violence of the Japanese invader with the blood of pacifist Indians who merely submit to the bayonets;" Ali Jinnah's willingness to send millions of Muslim troops to support the British if Britain would grant defacto status of the Muslim homeland of Pakistan. Somewhere between the two was the ever boxing clever Nehru. Moorhead met all these men and interviewed them in detail.

Moorehead also relates the loss of other correspondents in the fighting. The constant weariness and grind of the campaign that had Britain in the fighting for more than 3 years is apparent and there is a heartrending description of a British Tommy experiencing too much of the constant slogging and pounding of battle and not caring, in desperation, leads a forlorn attack in what was obviously a case of suicide.

This is one of the best books on WWII and war that I have ever read... and I may have read over 1000 since my early teens.

In W.W.II there were many places were battles took place. There were battles in France, POland, Russia, and Africa. This book focuses on the African part of the war. The book War In the Desert was an excellent book. It was a very in depth book on th etrials an dtribulations of the war. The pictures are very good deppicting exactly whhat went on. This book was a great help for me to understand the war in the desert better.

Moorehead's first person account of the African Desert Campaign is top-flight. He captures the moment as he experiences it. I feel I am sitting right beside him as he describes events and his reactions to them. Could this man write! I carry this book in my briefcase and whip it out whenever I have a few minutes to spare. I am always rewarded.

Experience the Desert War (and other related campaigns) with the immediacy and freshness of a journalist writing his dispatches from the front. No dry, revisionst tome here. This beautifully written book gives you a sense of what it was like to actually be there. A must read for anyone interested in WW-2's North Africa Campaign.

In A Doctor's Life: Unique Stories, Dr. William Close draws upon his many years of practice to present the reader with invaluable insights into compassionate care giving in today's high-tech world of medicine. A medical memoir sharing cameos drawn from fifty years as a practicing physician and surgeon in New York's "Hell's Kitchen", sixteen years in Africa's brutal and chaotic Congo, and as a country doctor in rural Wyoming, these vignettes and observations include a broad spectrum of patients and notable characters ranging from African leaders to oil field roustabouts, casualties of civil war in the Congo to older people in rural Wyoming reaching the end of their lives at home. A Doctor's Life is highly recommended reading as both an autobiography and as a persuasive testament that compassion and courtesy are as important as scientific excellent when working for the benefit of patients and the advancement of the medical profession.

An elephant in the maternity ward? A carpenter's brace and bit to drill a hole in the cranium? The "Urine Man" at the Presbyterian Home for Women? Oh, and much more! Here is the story of a doctor who, using the most primitive of equipment, performed a host of procedures in this African outback so far removed from high tech medicine as most of us know it today. From the often violent, always political machinations of civil authorities in the African Congo to the quiet complacency of a small Wyoming community . . . from the hectic internship in New York to the broad expanse of the western plains . . . it's all there. A Doctor's Life is the embodiment of the tragic, the hilarious, the truly compassionate. This is a trilogy in one book: New York, Africa, Wyoming -- an exciting, wonderfully human account of Dr. William Close and his keen insight into, not just the world of medicine, but the human condition -- witty, inspiring and stunningly true to life.

My main complaint with "A Doctor's Life: Unique Stories" is that I wish there was more. In this book Dr. Close shares many unique and moving stories from his medical practice in New York, Congo/Zaire, and Wyoming. His stories from his time in Africa are especially interesting to me. In the pre-independence Belgian Congo he worked first as a hospital surgeon in Kinshasa, then in independent Zaire, as President Mobutu's personal physician. From his perspective as a physician he sees the end of colonialism in central Africa, and the beginning of the chaos of independent Zaire. One very touching story is that of his domestic security guard, an elderly veteran of WWII, whose wish is for a doctor to see his dying wife, just so he can tell his grandchildren that she was seen by a doctor before she died. The chapters about Mobutu depict a man very different than is typically seen in print; apparently even dictators have their good side. This book is recommended to anyone who is interested in medicine or Africa. [Note: most of this book is the same as the out-of-print "A Doctor's Story"; the newer version has two new chapters and photographs.]

If you aspire to be a physician--not just any physician, but a good one--these memoirs should be required reading. I first read these stories in manuscript form as a medical student, and they became the template for my professional life. As Doc told me in my last year of medical school: "Let med school teach you the science of medicine; I'll show you the art." And he did, through his life and through these very stories. For as physicians, we are trained to guard our professional boundaries, to not get involved in the lives of patients, and to equate curing with healing. Dr. Close's encounters, chronicled in this very readable first-person account, prove that's not always the best medicine. In "Tata Felix," he exposes with candor, warmth, and humility the foibles of his own humanity and demonstrates how powerful (and often overlooked)a simple act de presence can be. In his Wyoming anecdotes, he convincingly shows that while knowledge without compassion may cure, it doesn't always heal. The stories are well-written, the real-life characters vivid in your mind's eye, and you feel like you are there with him in Africa and in Big Piney. Most of the stories leave you with the distinct impression that here was one of those sublime moments in life when you learned something profound about what it really means to be a doctor. This book is, in essence, an impassioned plea to physicians everywhere to not assume the mantle of medicine lightly nor haughtily, but to wear it in humility and reverence, even perhaps with awe, remembering that they are called not to be served, but to serve.

"A Doctor's Life; Unique Stories" is a gripping, funny and touching real life depiction of the odyssey of Dr. William T. Close, with a description of his career as a surgeon and physician in New York, Africa and a small Wyoming town called Big Piney. His experiences speak humbly of an individual who is a humanitarian and a practical idealist, who exhibits a deep commitment to his fellow human beings, regardless of their circumstance.

But there's more! This book goes well beyond a collection of stories about a remarkable man's life. The messages illustrated in the descriptions of the patients Dr. Close encounters refocus attention on the human side of medicine. Dr. Close effectively reminds individuals working in the medical field that it is the patient whose health crisis brings the medical team together with the multiple goals of understanding the pathophysiology of disease, the delivery of optimal expert treatment and compassionate care. The patient, Dr. Close teaches us, is more than a disease, more than `a case to be plugged into a treatment protocol'.

This respect for human life is evident in the stories of his practice of rural medicine in Big Piney, Wyoming. Dr. Close describes spending the time necessary for good care and seeing many patients in their homes, especially at the end of their lives.

The messages in this book will inspire many who practice nursing and medicine to approach the care of their patients with expertise and compassion, for the sake of the patient, and for the optimum experience as a healer. Potential patients will yearn for the kind of patient/doctor relationship that Dr. Close's patients enjoy.

"A Doctor's Life; Unique Stories" is a celebration of an approach to life and fellow humans that is dedicated, passionate and honorable. Everyone who reads this book will be inspired and entertained.