Africa Books

Shephard created a book satiated with texture, woven in embroidery of dyes and rituals. In African Accents, the author shares with us her stories through textiles. She recreates African accents for readers who have formerly collected pieces of cultural tradition and for the newly converted. Scanning through the craft section of any bookstore, one could notice a scarcity of African crafts, house style, and decorating books. With this book, Shephard undertakes a worthy task. The author's time spent in Senegal piqued her already flourishing interest in African design. Shephard prefaces each chapter with anecdotes, the significance of fiber technique, and facts about the fabrics used for the easy to follow hand-made crafts she shares later in the book. The author separates the fabric regionally and explains the social and rich cultural aspects tied into the various designs and processes.
The first part of the book is devoted to recreating the essence of each separate style of fabric, (that is, if you choose to). Some fabric recreations are simple and others are intricate including embroidery and weaving. Shephard cautions that replicating the fabric does not replace the real thing, but could rather deepen one's appreciation for the years of apprenticeship. In reproducing the designs on the fabrics, the book includes actual sized symbols with their meaning. Some of the Ashanti designs on the fabrics, the author indicates, are the equivalent of the European family crest.
In part two of the book the chapters are devoted to each room of your home and the art of gift giving. Secrets and tricks are provided to lend your pillows, clocks and picture frames the professional touch. There is certainly no limitation of "how to" procedures. I tried a few myself and although the suggestion of the staple gun for the kente stool fell short of my expectation (probably the gun itself) I pulled out the old hammer and nail and my stool looked unfailingly as Shephard had promised. Some of the crafts, if you were not handy with a sewing machine would be better left to the local tailor. Yet, there was a time when a sewing machine was a staple in most family's homes. The art of sewing and the practicality of its uses have been forgotten. But if sewing seems impossible for you, Shephard happily offers other easy alternatives.
This is a consummate reason for a recommendation of this slim book to be on the shelves of all art leagues. The book makes it apparent that Spanish and French artists popular in the 19th and 20th centuries have gained much of their appeal with the use of African art infused with their own. Shephard's passion for the continent exudes throughout the book, aquatinting the reader with crafts and fabric otherwise inaccessible. It is a craft-book du nouveau, a comprehensive history lesson, and a full color tabletop book. It is a significant forefront of a happily growing movement. Through this thoughtful undertaking the beauty of the textiles, that have been admired and used for years, could now have intimate meanings and representations. Choosing that kente, Kuba or mudcloth after reading Shephard's book will add new substance to its use.

Yasmain Broady-Soya...

African Accents by Lisa Shepard is more than just another book with homey decorator projects for the Do-It-Yourselfer. As Shepard makes clear in her introduction, her passion for genuine African fabrics is based on admiration for their strong colors and designs coupled an educated appreciation for the craftsmanship that goes into their creation.

Since she recognizes that collection of these beautiful fabrics may well be beyond the reach of the average pocketbook, she sets out to teach us how to duplicate the look with affordable materials and then provides detailed instructions for sophisticated decorating projects that are reasonably easy to accomplish.

Make your own stamps with potatoes, compressed sponges or rubber stamps to get the look of Adinkra cloth. Shepard provides over 20 different Adinkra symbols to copy together with their African names and meanings.

Choose from over a dozen images to create unique Korhogo designs (and I dare you to resist trying the panels and floor cloth projects in the book). Try mudcloth, Kuba cloth or Kasaii velvet.

The instructions are clear and the power of the designs would enhance just about any room in your home or office.

They would also be fairly easy for a school group or Scout troop to teach children about the strength and beauty of the cultures they represent. I can easily imagine a group of kids having a good time creating Adinkra stamps at a children's birthday party.

Shepard expresses the hope that working on the projects will increase the readers appreciation for the real thing. A quick glance through this lovely book will convince you.

This was exactly what I was searching for...beautiful, inspiring photos of projects that you can easily do for yourself. If has great graphic designs you can copy and use for stenciling, stamping, etc. Loved the cardboard spear and the textiles.

I must have bought 10 other books on exotic decor, ethnic decor and this is the only one that really thrilled me.

I enjoyed lisa's book but I'm not much of a craftsperson. I love african style, and came away with some good ideas. Some of these projects require more than I am willing to give. I'm into simplistic projects that look like there was alot of effort. The projects range from easy to not so easy. The are some good internet sources but some of them are no longer avalible. I have not attempted any of the crafts in the book but I'm looking foreward to Lisa's next release (coming out in October). I think her next release may be what I'm looking for.

Ms. Shepard's knowledge and appreciation for African textiles and crafts is shown with style throughout this book. The craft instructions are clear and easy to follow (even for a novice craftsperson like myself!) The photographs are terrific also, they act as real motivators to try some of these great decorating ideas. How refreshing to see a crafts and decorating book with culturally diverse appeal!

I work with Ryan at RVA, and I like him enough that I was afraid I wouldn't like the book. There was no reason to fear; this is a terrific book. He is wise and honest, and it comes through. Anyone with a heart for missions will love this book, although you might suggest to Ryan that he devote a LARGE section to ME in the sequel that is sure to come.

Set in Kenya during the Murphy family's first years as teachers of missionary children, Ryan Murphy tells the real story of a faith-driven life abroad. Away from the comforts of home, friends and family, he recounts not only the daily challenges and frustrations, but also the heart-warming victories inherent in doing the Lord's work afar. Murphy's tales of daily life evoke humor, compassion and wonder and take the reader on a unique voyage to a rich and colorful land where adventure and uncertainty lurk around every corner. This is a real page-turner, sincerely told in everyday language. It is a delightful read for anyone interested in a unique memoir and a must for anyone contemplating the missionary life.

This easy read give a fresh look at what God can do with two open heart. Honest, open and enjoyable this book will be an highlight of your day as you fell like you actually been to Rift Valley Ac. This book talks about real life and dose not forget what's really important.

Ryan Murphy has created a realistic view into the modern day mission field. The realities, joys, dangers and frustrations are brought to life in an excellent narrative by this new author. He also challenges today's rather passive, self-serving church to examine itself against the dictates of scripture and the needs of the African people. Ryan and his wife Heather have accepted Jesus call to this faith-based mission. Their courage and selflessness are worthy of support by all who read this excellent book. If the Lord has directed you to this narrative, it's for more than informational reading. Prayfully consider directing your support to their calling! RHMurphy@aimint.net

My husband and I have been volunteering an American missionary school last two months. It has been an interesting adjustment to the culture. We have gone through all sorts of emotions, but the most disturbing emotions have been ones of discouragement and questioning God's hand in bringing us here. Living here has been tough. Praise God that Ryan Murphy's book "ALL THAT YOU CAN'T LEAVE BEHIND" was given to us to read. Not only is it a delightful and entertaining book, but God used the book to show us that our feelings were not unusual. We could relate to Heather and Ryan's first year missionary life and laughed as we realized how similar our experiences were. I am encouraged to know that my emotions are to be expected and that they are not signs that I shouldn't be here, but rather part of the process of entering missionary life. I have been able to see through the Murphys' experiences that we too will survive and grow to love this place.



This book helps one take a deep breath and realize that these feelings are okay. To realize that the struggle will not last forever but that it is part of God's plan is liberating. Praise God for this encouragement! I think anyone who is considering a cross cultural experience should read this book. It is an easy read and will help those coming to the field to understand the "fitting into the new culture" process. I think it is a must read.

Very useful if you want to go there and understand the real Morocco. Well written, too.

It is all very well, but the main vehicle of culture is the language. This book is helpful in highlighting cultural features but a good section on the language would also be a good idea.

In anticipation of accompanying my close Moroccon friend to his homeland on a business trip with another American, I read this book in one sitting and read it twice more before leaving for Morocco. It proved to be an invaluable tool to better understanding my Moroccan friend here in the states and it provided knowledge, information and tips that proved priceless during my recent stay in Morocco. I have no doubt that had I not read this book, I would have had a very different experience. This book enabled me to have the most incredible travel experience of my life despite the fact that I don't speak arabic or french. At the very least I had an understanding of this wonderfully rich culture steeped in tradition. I recommend this book to anyone interested in Morocco whether for travelling or simply interested in the country, their people and customs. While this book is ideal for someone relocating, I found it to be more useful than any of the other travel companions I purchased for my trip. Any future travel plans of mine will start with a purchase of "Culture Shock..." for that country.

I have spent 3 summers in Morocco and 5 years with my husband who is Moroccan and this book clarified a lot aspects of Moroccan life for me. No matter how objective one may be about cultural differences, it helps to have a neutral party explain what is happening in a given interaction. I didn't even realize how much I suffered from culture shock until I read "Culture Shock!" Particually helpful were the author's comments on the difference in Western and Eastern concepts of personal space, public space and privacy.

After reading this book, now I'm all the more excited to go to Morocco. Hargraves paints such a vivid picture of the people, the culture. It is a complicated society, very foreign to my understanding and experience. And yet, as I read through it, so many times, page after page, I realize that the culture is so familiar, so like my experience. Most of all, I now understand that it will take a lifetime to learn to adapt to Moroccan culture. I am eager to see how the words lift off the pages and into reality.

Almost every page has nuggets and key points to learn and understand, and my copy is mostly yellow from highlighting. One aspect that I wish were different, though- Hargraves appears too often to accept the stratification in Moroccan culture, and the mistreatment of the lower classes, as par the course, and something Moroccans accept, and therefore something that we should accept, and something culturally neutral. There is so much good in Moroccan society, but, just as in any society, some that is not as good as well.

But that's only one small detraction in an otherwise great text. Particularly interesting is the quiz at the end of the book, where you test one's knowledge gained through reading. I've never seen this in any other culture or travel book, and it should really be more common! Hargraves doesn't just repeat information here either- rather, he asks the reader to intuit the answers not yet given, from the information that he's previously provided- and then of course, he provides all the possible correct answers.

I want to learn how to live and eat and talk and think, Moroccan. I want to see what it means to be a Moroccan who is so adept at adaptation to so many different cultural situations. I want to learn to engage in real Arab relationship, and to learn how to politely refuse a request, and how to be a good guest, and a good host. I want to learn how to serve the Moroccan peoples. If you're interested in this as well, then this is a book you need to get.

This was the first book I had read by this author, I found her style captivating.She has the ability of making the personality become real in one's world.I wanted the book to go on and on.

I've read this book several times over the last 10 years. This time, it had been packed away after a move and I hadn't seen it in quite a while. When I pulled it out of a box I was searching through for something else, I immediately sat down to read it again. I would love to pass it on to my daughter, who is 14, but I had forgotten about some of the more "romantic" scenes. Someday, though, I know she'll enjoy it as much as I have. This is just one of those books that you carry with you forever. Treat yourself to this one and you'll be glad you did.

I'm always looking for books about Africa. The fact that Ms. Bickmore has never been to Africa was an initial turn-off. It's strange to me that she didn't travel there before using it as a setting for her book. So I think that her descriptions of Africa was what a well-read American would expect. From my limited travel in African (five trips to East and South Africa), I'd say she did that part pretty well.

As to the story itself, it's all about indendent women and the price they pay for that independence. Her three women all married (or committed) too young!

What can I say, I absolutely loved this book. I hated for it to end. I was so drawn in right from the beginning and stayed that way through the entire book. The characters were well developed and believable. I have read three of Bickmores other books and loved all of them as well, but this one is my favorite.

This book is absolutely the best book I have ever read. I've read it about 5 times(both books)and I just love it. It's catching, you can't tear yourself from it until you're finished. You feel like your right there, living their lives and I cry everytime I read the sad parts. I recommend this book to everyone, read it, you won't be the same.

I gave this book to my husband who is working in Djibouti. So far, there have been no inconsistencies in the information presented and the actual culture, climate, etc. of Djibouti. Accurate and highly readable. I reccomend this book to anyone planning a trip to Djibouti.

I just went to Djibouti for a 10 day visit and this is one of the only English speaking guidebooks available (used). Luckily, it's very well written and the descriptions are still spot on. Maybe it's because very little changes in Djibouti given its geological history, but the author's recommendations (restaurants and tourist attractions) are still accurate. I've used a lot of lonely planet guides and this is by far the most readable and full of interesting details. Highly recommended!

As a Lonely Planet author, I'd like to echo the words of other reviewers of this book. This is clearly Lonely Planet's best title - the writing is clear, concise and informative, the asides are entertaining, the tone is objective yet engaging, and Frances Linzee Gordon's photos are nothing short of spectacular. Congratulations, Frances - you've produced a winner!

A recent front page article in the New York Times on the Lalibela churches in northern Ethiopia sent me running for my LP copy of this book. I was most pleasantly surprised to find over a dozen pages of detailed information on this incredible center of early Christianity. F. Linzee-Gordon's first hand account of a visit to the churches provided a most informative background lacking in the NY Times article. Well done!

I live in Norway, and Africa's Horn is far from my everyday life. I have travelled several times to Eritrea though, and have been searching for guide books from the country. When I went to Eritrea last fall it was with great pleasure I bought the LP book by Frances Linzee Gordon, Ethiopia, Eritrea & Djibouti.

The book is one of the best LP books I've read. The writing is clearly, and it gives us good insight in history, facts, geography, and so on. I have read parts of the book about all three countries, but the Eritrean part is the only one I have actuallu used when travelling.

The books has some very good pictures and maps, and give alot of up to date information. My favorite part is the part about Asmara's architecture, "Asmara, or Piccola Roma, soon came to epitomise the new philosophy: it was not just beautiful, but was well planned, well built and, above all, functiomal. The book is a good guide to use when you plan your travel ahead, and is even better when you actually are there and need or want information.

An extra benefit of the book is the small notes you find alot of, giving interesting information. Reading these notes makes your travel alot more special.

When I travel I use my guidebooks as kind of diaries. I write down restaurants I visit, hotel I stay at, interesting places I see and so on. And this book is filled with my writings almost on all pages. Gordon has seen it all, and gives very useful information about a very interesting, though little known country.

Britt Arnhild Lindland

This is a wonderful book. Mary Kingley was a typical Victorian woman in many ways, but what makes this book great is the way her character was not typical. She formed a relationship with the British Museum and collected fresh water fish to bring back to them, but the real point of her trip was to see things and feel things she could not experience in her drawing room. Her account of a meeting with a crocodile that nearly capsized her canoe (she merely remarks that the croc was "a pushing young creature") is worth the price of the book all by itself. She traveled with cannibals, climbed Mount Cameroon, and enjoyed herself, referring to any brush with fatality as "a knockabout farce with King Death". Her writing is lovely and straightforward. Watching an African sunset she says, "Providence saw that we had everything but beauty, and so gave us some." The tragedy is that she died at the age of 30, and that there were not many more books like this one.

Single and independent, with a small allowance after the death of her parents, Mary Kingsley decides to explore Africa. She sets off to the Congo, with no entourage nor special clothing and with no knowledge of the local lingo, knowing that this area was renowned for cannibals. Considering that Richard Burton set off to find the centre of Africa with an entourage of 600 bearers puts Ms.Kingsley's trip into perspective.
This is not just a wishful fantasy, she has an agenda to research the fetish cults of the natives and collect animal specimens, as well as fulfil the wanderlust that she had bottled up while looking after her parents.
She takes everything in her stride, beating off crocodiles - 'he was only a pushing young creature', wading through fetid swamps, falling into a staked animal trap and attributing her salvation to the benefits of a good thick woollen skirt!
She has a wonderful way with words; that dry, laconic humour that starts one into fits of giggling; the page-long description of 'Hubbards' sent out by well-meaning, misguided women in Europe for the use of the natives is absolutely wonderful.
She has excellent communication skills, getting what she wants from any native by offering him exactly what he wants - tobacco (reminding us of Xabicheh in 'Dead Man') - and if he doesn't want that, then he must need a hairpin to clean out his pipe!
I am awed by the determination, bravery, guts and chutzpah of this young woman; even more awed by her writing skills - which are definitely not in the Victorian mold, would that there were more of her books than the two she wrote (the other is 'West African Studies'), sadly this was not to be, as she died of typhoid in Capetown in 1900.
A book to savour - highly recommended! *****

In 1893 Mary Kingsley, a single Victorian woman, traveled alone to Africa. The sources of her interest in Africa are obscure. Possibly the tales her father brought back to England of his extensive travels lie at the root of her own interest. In any case her account of her travels in west and west-central Africa are a remarkable addition to our knowledge of the region during the early years of the colonial period. Kingsley wrote with a very outward focus. We hear little of her inner feelings, her comfort or lack thereof. Rather, she is consumed with a desire to know the land and its human and natural inhabitants.

We begin to taste the real flavor of Kingsley's experience in Chapter 2 in her account of the island of Fernando Po and its prominent people group, the Bubis. She then voyages down the coast, describing the lonely beauty of the great mangrove swamps that border the Bight of Benin.

Kingsley developed great respect, admiration, and even affection for the traders, black and white, whom she met in her journey. She traveled in their company and relied on them in what would otherwise have been impossible circumstances. Her views of other white colonials were less sanguine. She expressed mixed feelings about white missionaries, acknowledging the uplifting effects of their moral teaching while disdaining their confusion of cultural with spiritual messages.

One of Kingsley's central adventures was her trip from the Ogowe River to the Rembwe River. On this journey, she visited a series of villages each of which was reputed to be more dangerous and depraved than the one before. Her accounts of her lodging in these places are priceless. The difficulties of traveling through swamps and jungles, and across the great rivers of this region, were daunting. Kingsley's accounts of her determination to master the piloting of the native canoes are both funny and insightful. It took a lot for anyone to travel overland, and her perseverance marked her grit, her commitment to finish what she started.

The last third of the book consists of three long chapters on fetish customs. Although she lacks a systematic view of the role of fetishes and other spiritual tokens in the cultures she met, her depiction of their impact on everyday life and on funeral customs is enlightening. She delves into the afterlife beliefs of the peoples she encountered; in many of these cultures today, the beliefs she relates are still expressed in a form of syncretistic Christianity.

This edition of Kingsley's travel accounts is an abridgement of a much longer, multi-volume original that does not seem to be in print today. Since Kingsley herself prepared the abridgement, we can read it with confidence that it expresses both the details as she recorded them and the priority events or images that best characterize her travel experiences.

Gabon, Cameroon, and the areas around them continue today to rank among the wildest, best preserved areas of Africa, both naturally and anthropologically. Whether you visit these regions or not, there is no better introduction to them than these accounts by a Victorian original.

Mary Kingsley's "Travels in West Africa" has become a classic, and deservedly so. Her story is remarkable. In the 1890s, unmarried and no longer having to care for her parents, Kingsley decides she should travel in "the tropics" and sets off for "West Africa" (i.e., the West coast of Central Africa). She travels as a scientist, collecting fish specimens, and finances her travels by trading along the way--but mostly she travels for the love of adventure and to satisfy an appetite for the unknown.

Kingsley's book is a treasure trove of information about Atlantic-coast Central Africa in the late 1800s. But beyond its historic and sociological value, the book is just wonderful. Her descriptions are vivid, her insights interesting, and her understated humor is a joy. Anyone with a love of exploration and a good story would enjoy this book. Unabridged versions are highly recommended.

Readers with a particular interest in Gabon should also see the works of Robert Nassau, an American missionary who was in Gabon when Kingsley traveled there. Evidently they met and discussed all things African at length, though Kingsley makes little mention of him. Nassau wrote "Fetichism in West Africa", "In an Elephant Corral" and "My Ogowe", but doesn't get the credit he deserves. Also of interest is "One Dry Season: In the Footsteps of Mary Kingsley" by Caroline Alexander. Alexander visited Gabon in the 1980s and compared what she saw then to what Kingsley had seen a century earlier.

I bought this book because it was supposed to be one of the 100 greatest adventure books of all time. While it does have narrow escapes and Mary Kingsley was very brave, there is too much discussion of "the African mind". I found the constant reference to the superiority of the European colonists very offputting. Of course it was written in the 1890's!

Ms. Cannon will probably always be remembered for her first book, Stellaluna, but she has had a series of wonderful children's books that all deserve attention. Pinduli is the latest and one of the best and I have purchased it for multiple kids as gifts and they all have loved it. I highly recommend this book!

What a cute puppy! Just look at those soft brown eyes, that little tongue, its smile. How adorable! Let's get this book for our grand. What's that you say? A hyena! No way! No animal this cute could be a hyena! Why, those critters are known for scavaging and tearing chunks of meat from an animal. A hyena! Why, I declare, at least, let's look through the book.

And another Janell Cannon illustrated children's book hits the bestseller list. Hyena or not, this is a cute puppy. But I mis-speak. From the back of the book I learn that there are four kinds of hyenas, which do resemble dogs but belong to their own Hyaenidae family. Our Pinduli belongs to the striped species which has the fartherest habitat range and eats anything from bugs to fruit to small animals. All the facts about striped hyenas, as well as the other animals, can be found disguised in the story. Clever.

The story of Pinduli takes her adrift from Mother. When the wild dogs laugh at her ears, she plip-plops them and finds her hearing diminished. The lion laughs at her bristly fur and shames her into the water to hide it. Then her weak stripes are made fun of. Finally, Pinduli rolls in dust, making her a ghastly white. When she begins her return trip home, she passes the water hole where the animals are gathered. They scream and run from "the ghost." Pinduli also runs. Once she realizes the mistaken identity, she assumes the character of the Great Spirit and demands each bad deed must be erased and the Great Spirit appeased.

There is food aplenty for Penduli and her mother from then on. The mother exclaims that Pinduli is not only beautiful but smart. As a children's librarian, I try not to emphasize the lessons of the stories but let children make their own conclusions which they do. Through experience, I have learned that this is a beautiful book for children. And there are no cute puppies in it!

Another wonderful book by Jean Cannon. We have all her books and they are just wonderful. The animals are not your backyard animals or pets and children expand their vocabulary and knowledge about them. The illustrations are astonishing. The story is also so beautiful and as any other story by her, there is a lesson to be learned. Great addition to any child's library.

A great book to read that sends a much needed message to our youth. Janell Cannon has written another wonderful book to add to her long list. I felt that this book had a great message and displayed it in a colorful and imaginative way. Little Pinduli was getting picked on by all the animals and come to find out, the animals that were picking on Pinduli were also picking on one another. In the end, all the animals realized that they were different and that they shouldn't make fun of someone for being different. This message was apparent when Dog said "Who am I to be talking about ears?" Overall it was a great book with vivid and bright illustrations that really captivated the eyes. I will definitely be reading Ms. Cannon's next book.

I bought Stellaluna even before I had a child! I absolutely fell in love not only with the story and message the book conveyed, but also the wonderful and endearing artwork. I have since had a child and purchased all of her books, the latest one being Pinduli. It is the perfect follow-up to her other books.

My son absolutly loves these books as well! As I read these to him, he is just captivated!

Do yourself and your child(ren) a favor and buy these books...you will not be disappointed!!

Excellent book, it gives a good account of one of the British irregular army units in action in Italy and Germany during the later states of WWII.

Peniakoff tells a interesting tale of WWII, but I was struck by his continually contradictory behaviour.

In one sentence he'll say that the purpose of a mission was reconnaissance only, and his unit was not to engage the enemy unless escape was not possible and they were attacked. In the next paragraph, he'll tell how they attacked a convoy of enemy vehicles simply because they felt the need for some action before heading back to base.

He complains about the Italian gentry exploiting the peasantry and the next minute, he's eating a seven course meal with them.
That's just a couple of examples; the book is loaded with similar incidents.

Still, it's a good read, and shows how intelligence is gathered during wartime (sometimes you just get on the phone and call ahead!).

There are books on your shelf you should never loan out if you ever hope to see them again. This is one of those books. The WW2 British unit known as Popski's Private Army (PPA) operated in North Africa and Italy. Written by its founder, Vladimir Peniakoff (Popski), the book covers the units contributuion to the war effort. Using machinegun armed Jeeps like the later fictional TV Rat Patrol, this small united operated behind the German and Italian lines. The PPA did not beat Nazi Germany by itself, but its contribution far exceeded its small size. If the grand sweep of armies leaves you hungering for the individual courage found in small units, then this is the book for you. I also recommend "Fighting with Popski's Private Army" by fellow PPA member Park Yunnie.

This book is hard to find but well worth the effort. Peniakoff led a facinating life and this book is a must for anybody interested in World War II special operations.

On the 6th of May 1945 men in wheeled vehicles crossed the mosaic floor of the Piazza San Marco in Venice for the very first time in history. They drove around the square seven times in the small, heavily armoured vehicles in which they'd fought their way across North Africa, Italy, and were to travel on to Austria. At the head of this curious band was a man who sported a hook for a hand, and a nom de guerre which was similarly incongruous for a 48 year old Major in the British army. Vladimir Peniakoff, or "Popski" as he became known, was the enigmatic Belgian born son of White Russian emigres, who had until recent years "pursued the ordinary activities of industry" as a discontented sugar refiner in Egypt. Having tutored himself, alone in the Sand Sea but for the navigational instruments of antiquity, he emerged from the wilderness to train the men who accompanied him through the years of turmoil to this long dreamt of moment of victory. "Private Army" is one of the finest military memoirs I have read, and ranks alongside Fitzroy McLean's "Eastern Approaches" and TE Lawrence's "The Mint". This is the authoritative work on Popski's Private Army, but is much more than a Regimental history. This is a superb piece of literature which you will not quickly forget. Read also "With Popski's Private Army" by Ben Owen, a superb companion book to the above.

Excellent book steeped in history and written with great style. One can almost feel Africa and how Safaris changed people as well as a country.

This book, Safari, is one of the best books I have ever read. The
chapters can be read individually yet read perfectly as a whole.
I bought a number of the books as gifts. They were VERY well received.
Thank you for this excellent product.

Safari: A Chronicle Of Adventure details the history of the African safari from its first expedition of 1836 to modern times. Bull is an environmentalist, so his survey Safari isn't your typical gun-hunter's celebration of good old days, but a survey of conflicts between hunting and conservation, weapons and transport, game control and more. From economics and financers of the safari to mishaps, adventures, and famous personalities involved in safaris, vintage black and white photos pair with wide-ranging personal and political stories for maximum effect.

A wonderful book covering the beginnings of the African Safari to the present. Many current authors use this book as reference for their own books such as Peter Beard, Bibi Jordan, Kuki Gallman, and Mirella Ricciardi. If all of these authors use this book as a reference and quote it throughout their own books it has just got be good. I recommend it highly for any African Safari book collection!

This well written book documents the evolution of Safaris from the early Boer settlers through the modern camera hunters.

James Hall made me feel that I was an African. The view was from thse eyes.
Americans can really feel and see the people of that community.

A fine read to get a total world view and not the myopic view that we Americans have of the world and others.

Please let me know where I could find him now and get caught up on his life. His kids would be about 14 1nd 20 now. let me know bob huff
bob_huff@comcast.net thanks

From the back flap of the book we learn that James Hall has written a candid and dramatically personal account of his unique journey from a comfortable, predictable life in Los Angeles to a harsh and uncharted one in the tiny kingdom of Swaziland. His story shows how the pieces of life can fit together to balance people and nature, the mortal and the immortal, the physical and the spiritual. Sangoma weaves together the excitement of an adventure story and the wisdom of a deeply felt memoir from a man who has b1ended his roles as modern American and as diviner and healer of timeless provenance.

James Hall takes us on his personal journey as a midwestern America who slowly gets drawn into the world of African healers. The story is personal, poignant, and very detailed. It lets us look into several windowns we don't ordinarily get to look through - everyday living in rural Africa and the world of the african healer.

From 1977 to 1980 I taught at a major university in Africa and spent 2+ years working closely with sangomas. Most of my acquaintances were Zulu or Sotho, but there are not very many differences to the Swazi that Hall talks about. What does differ considerable is whether or not the spirits are from the river or from the land, but that's another issue.

Hall gives a precious insight into the role of the sangoma and the personal issues that sangoma must face. My own work was in the urban areas, and it's very different from Hall's rural adventures.

Anyone interested in africa, african healers, and stories of personal growth will find this book very interesting and informative. It is suitable for young adults as well as adults.

Another interesting book on indigenous cultures, this book tells the story of a westerner who underwent the rituals to become a Sangoma, a Zulu medicine man. What makes this excellent is that it is easy to understand the religion of the Zulu because it is filtered through a western view yet still understood. If you enjoyed this book, I also suggest that you check out Malidoma Patrice Some's "Of Water and the Spirit" as well.

This book depicts another white man's life journey in Africa. Miriam Makeba, the famous singer, suggested to James Hall (the author of "Sangoma") that there may be more than meets the eye in his fascination with Africa and African-American women. Hall followed her advice and consulted a Swazi witch doctor ("sangoma") who declared, to surprise of all, that Hall was destined to become a sangoma himself. This book depicts his travails leading to his initiation into the circle of Swazi healers.

It was a bittersweet path, filled with encounters with supernatural (Hall turned out to possess access to many different spirits, including those of a Native American, a NY advertising executive and - wait for this - a fetus). In addition to description of his training, Hall provides valuable accounts of his interactions with ordinary Swazis (some good, some bad; there seem to be as many racially intolerant people in Africa as everywhere else) and, especially, with women. Hall shows that relationships between men and women in Swaziland are pragmatic, based on exchange of material goods and services rather than sentimental.

Throughout the book we participate in Hall's inner life, his decisions and his torments as well as in his decision to adopt a parentless child and marry the woman he fell in love with. Hall now lives and practices in Swaziland and I think Swazis are lucky to have such a courageous, dedicated, life-affirming and generous sangoma.