New York Books

I read this play a few weeks ago and I must say it's fantastic. Of course there are some parts that are disappointing, but Eugene O'Neill draws the characters in such a way that you cannot help but relate to them.

Anna is so strong, so independent, so conflicted, and so human! Even if some people don't like the ending, I think it makes sense the way it is.

Great read, short play, and I think I like it better than Long Day's Journey Into Night, although it's usually regarded as O'Neill's best work.

Amazing!!! The characters were wonderfully acted out and the relationship between father and daughter was such a gripping story.

With the 1921 production of "Anna Christie," O'Neill's skills as a dramatist finally reached maturity. Entirely revamped from an earlier play ("Chris Christophersen"), this four-act drama depicts a headstrong young woman, Anna, who renounces her life as a prostitute and tracks down the father who abandoned her as a child. Enamored of his new charge and unaware of her past, Christopherson (O'Neill changed the spelling for this version) tries to pamper and protect the daughter he had neglected during her formative years.

Yet Chistopherson has issues of his own: now a captain of a coastal coal barge, he, too, has lived a seafaring live of loose morals and social irresponsibility. Believing that the vigorous demands and easy temptations of a sailor's career have ruined his own life, he has abandoned the sea for good. Confronted with a daughter who initially enjoys life on the ocean, he swears to keep her both from its influence and from the men who make their living from it--with predictable results.

When Anna falls in love with Mat, a stoker for a steamer, she finds herself torn between her father's expectations and her lover's demands, and she discovers that both men, like the clients from her previous life, are buffoonish cads and patronizing bullies. The third act, which depicts the inevitable three-side confrontation between Anna and her two "protectors," is one of the most skillfully scripted clashes in American theater.

The final act, alas, succumbs to a conventional melodramatic mawkishness. Yet overall the play is saved by the faithful rendering of sailor's speech, the emotional depth of its characters, and the (for its time) forward-looking presentation of social ills.

"Anna Christie," the play by the great U.S. writer Eugene O'Neill, won the Pulitzer Prize for the 1921-22 theater season. All these decades later, the play still packs an emotional punch. "Anna Christie" focuses on three characters: Anna, who has had a traumatic life in the United States; her father Chris, a Swedish merchant seaman; and Mat Burke, an Irish stoker who takes an interest in Anna. The play takes place in New York City and on Chris's barge.

"Anna Christie" is a compelling study of gender roles and expectations, ethnic conflict in the U.S., family ties and disruptions, the call of the seafaring life, and fatalism versus the embrace of free will. Particularly interesting is O'Neill's representation of various types of vernacular speech. Overall, a classic American play that deserves an ongoing reading audience.

. . . for the street kids, and for everyone in search of hope. This is a gripping book about a few of the kids who came to Covenant House (a shelter for homeless children in New York City), as well as those who were encouraged to come, but didn't, and one girl who tried to come, but was prevented. Their stories will shock you, make you cry, and, ironically, inspire you. Their poetry will touch you, and as they find God, even in the darkness, you will wish you could love Him - need Him - as much as they do. With brutal economy, Sister Mary Rose McGeady has shared their message of heartbreak to hope in this little book that all those with a passion for neglected children will come to love. I highly reccomend.

As I said about other books by Sister Mary Rose Mcgeady,this one is just as good.I will always reccomend her books for anybody,and proably ages 11 and over.They are super good and lets you into the New York streets.God bless all the children who wonder if there is a God.There is!

In this book Sister Mary Rose shares some letter and insight she has learned from her calling to work with children at the Convant House. The plight of children in America abandoned and lost in a world so dark and terror filled that they have a hard time believing that even God is there for them. With Convant House there is a shinning light in this darkness that they can safely go too. This book shares some of their incredible stories, uncut and unedited. The good Sister even adds a section on her reflections on raising kids today that will be of help to all parents.

This is a good book for people experiencing milestones in their lives. The stories about the children may help one realize that there are others living in inner cities suffering worse than you. This is an excellent book to give to someone looking for God.

Could not put it down and did not want it to end. Gave me a greater appreciation for the Daks. Really inspired me to get out there and hike!

My mother is from this area, and I have gone up my whole life (mid 40s) and this is the BEST book I think I have ever read about this area of the Adirondacks. A wonderful book - cannot recommend enough!!

I was aware, at least in part,of most of these stories
but didn't know the details. The author made these historic
events come alive.
Great book.
DML 4/5/08

Definitely one of the best books I've read on the Adirondacks.

Having just completed climbing all the 46 Adirondack High Peaks in the past year I found this book thoroughly enjoyable. It is well researched, well written and the stories are retold in such a way that keep you on the edge of your seat.

I really had a difficult time putting this book down as I read about many mishaps in areas in the "Daks" that I had personally "discovered" having passed through just recently- these areas will be well-know to those who frequent this still somewhat rugged wilderness.

Not only was the book entertaining but educational. One can always learn from other's mistakes thus minimizing a repeat of such tragedies or risky situations. It certainly pushes home the idea that safety should never be compromised when venturing out into any mountains or wilderness.

This book will be a big hit amoung those not familar with the region as well as those who love the Adirondacks. Anyone who enjoys mountaineering and adventure tales involving tragedy or survival will enjoy & benefit.

I can see this book selling like "hotcakes" once word gets around about its availability.

I recently purchased 'Aunt Arie: A Foxfire Portrait,' along with two Foxfire guides, to assist me in establishing an Appalachian setting (and characters)for a story I am working on. I've only skimmed the guides at this point, but I haven't put "Aunt Arie" down! I've still got a couple of chapters left to read, but so far the story of this woman's life, as told by her to the folks at Foxfire, has proven indispensable to my research.

The editors of the book have attempted, most successfully (they offer an explanation of ways and means at the beginning of the book)I think, to reproduce/preserve Aunt Arie's dialect and colloquialisms, as transcribed from the hundreds of hours of taped interviews. In this book, HOW she says things is just as important as WHAT she's saying...and what does she say? Where do I begin? Besides offering a virtual treasure-trove of information on the subjects of gardening, healing, economy, and food storage and preparation, she also delves into stories of her friends and neighbors, living and dead, speaks often of her life with her beloved husband, and before that her childhood, and all her talk of the people she's known, whether she loved them or could have done without them, is tinged with her faith, her basic love of and respect for humanity, and her simply ideology: you get what you give.

If any of the above appeals to you, get this book. You won't regret it. I'm back here b/c I'm about to get one for my grandmother. Just thought I'd leave a more complete review than the ones I'd seen.

terrific read - inspirational - one tough and lovable character who will be missed for many years to come

From the cover:, " The students, none of whom had ever been to Aunt Arie's before, were awed, drawn inexorably into the little circle of activity that surrounded this 5' 6" dynamo who laughed and pecked on each of them and tapped their shoulders and grasped their knees and tried to remember their names and loved them, instantly, and without reservation-strangers all". This book is wonder full, and heart full, and shines a little light into a way of being that is fast becoming a just catchy phrase on a hall mark card.

WHAT A GREAT "AMERICANA" STYLE BOOK, FANTASTIC ADDITION TO A FOXFIRE COLLECTION OR GREAT ON ITS OWN. AUNT ARIE HERSELF, HER OWN STYLE FROM COOKING TO HARVESTING, THOGUHTS, RELIGION AND HER FEELINGS ABOUT LIVING ALONE! SHE WAS AN HONORABLE WOMAN!

"What's in a name? History! The African American community has their community in Harlem; the Dominicans are beginning to carve out a space for their people...Spanish Harlem is the soul and heartbeat of the Puerto Rican people...groups survive by controlling space and maintaining a viable and visible presence..." (p. 73). This statement, made by an activist and poet during a debate on the use of the term "El Barrio" to reference East Harlem, touches on one of the main issues that Arlene Davila so brilliantly expresses in her book, Barrio Dreams: Puerto Ricans, Latinos, and the Neoliberal City. This rich ethnography focuses on the issue of space, particularly in the neighborhoods of El Barrio, or Spanish Harlem, located in the East Harlem district. She brings to light the cultural politics involved in the definition of space and its subsequent appropriation, as well as the commodification and marketability of ethnicity and race. Through extensive research, that includes interviews with local neighborhood residents, observations and participations at community meetings and organizations, and public hearings, Davila is able to put together a magnificent work that documents the complex effects of culture, space, commodification, representation and gentrification of space and the residents in El Barrio. In doing so, she is able to call "attention to the symbolic and representational processes that have tied race, ethnicity, and place in East Harlem within the public imagination...account[ing] for the value of these representations in the symbolic economy of contemporary cities" (p. 24).
El Barrio, a growing urban, Latino community is the foreground for Davila's examination of the politics of culture, urban space, gentrification of neighborhoods, and "the neoliberal policies that favor privatization and consumption" (p.2). Davila raises important questions in her work by focusing on the increasing attempts to create social change in urban communities through the introductions of new developments, businesses, museums, charter schools and tourist sites. In the chapters in her book, she devotes much time analyzing the complexities surrounding such gentrification issues, brining in to play the resistance of the local residents against developers. One particular impressive aspect of Davila's work, touches on the difficulties local residents face when they buy into the developer's ideas of programs that include home ownership and museums. Many residents agree that the image of Spanish Harlem as "poor, crime-ridden, and underdeveloped" sheds a negative light on their community (p.115). Developers, craftily pointing to the lack of value and marketability of Puerto Rican heritage or "Puerto Ricanness" reinforce the existing stereotyped image on El Barrio as unpopular (p.114).
Yet as Davila shows, the support of local residents of new projects can sometimes in fact lend a helping hand to the process of gentrification, resulting in residents jeopardizing their stake and claim in their own neighborhoods. In other words, "by supporting consumption and entertainment projects, such as museums and home-ownership programs, residents are furthering gentrification and increasing prices in East Harlem, thereby hindering their own future claims to the area" (p. 4). The Edison Project that Davila describes in her fourth chapter highlights the attempts of private organizations to claim stake in the urban communities of El Barrio, telling residents that "the project would educate residents about their own common heritage" while creating avenues "that would provide jobs and place the neighborhood on the map" (p. 129). But the price of these incentives was not free. Developers used culture as "the bait for a larger project for privatizing social services and further commodifying place in El Barrio" (p.129). Arlene Davila does an excellent job in bringing to light the complexities involved in the processes of gentrification and culture consumption and the desires of residents to reclaim their neighborhoods through highlighting their cultural values.
Another fascinating aspect of Davila's work touches on the issues of the relationships between the Puerto Rican residents of El Barrio and African Americans. Davila points out that both African Americans and Puerto Ricans share a common history, yet the introduction of a cultural space and the desire for "local control of resources" and "local electoral politics...has polarized the groups' relationship since the start of urban renewal projects and still mediates debates over space and development in the area" (p. 19). The advancement of African Americans in the political sphere is another point of tension between the two groups, as well as the dominant leadership roles of blacks in the urban development sectors. Additionally, Davila describes the tensions that exist between Puerto Ricans and Mexicans. The rapid growth of the Mexican population in El Barrio is causing the "rapid transformations in the area's demographics and landscapes" resulting in "tensions between Mexican and Puerto Rican populations, raced to their different histories, citizenship status, and/or self-conception as residents, racialized minorities, or temporary immigrants" (p. 21). While illuminating, the relationships and tensions that arise between the Puerto Ricans, African Americans and Mexicans alike can sometimes be messy. Their fight for control over space and their commonalities as minorities, whose culture is being commodified by developers and outside organizations, all tie in and relate to one another in a complex web of defining space and cultural values. As a results, the neighborhoods in which they all reside are slowly changing, reflecting the backdrops of multiculturalism, neoliberalism and globalization that form a common thread between the various issues and projects that Davila discusses in her work.
Barrio Dreams is an exceptional piece of work that illuminates the debates and issues surrounding the ever increasing urbanization and gentrification of one of New York's most well known neighborhoods. Arlene Davila is truly a genius at work!

Various historical points reveal where the redefinition of culture took place due to economically driven motives, which have proven pivotal for empowering as well as defining cultures. From the Pledge of Allegiance to the current war in Iraq, the lines drawn around the essence of one's culture have been exploited by money-driven entrepreneurs and politicians. Arlene Dávila exposes this phenomenon in East Harlem, and more specifically in el Barrio, in her new book Barrio Dreams: Puerto Ricans, Latinos, and the Neoliberal City. She is "concerned mostly with the specificity of current racial, ethnic, and spatial conflicts in the area" which, "become exacerbated by the cultural bases of many contemporary development initiatives at the very time that intraethnic and racial alliances among minorities are most impending and most needed." (5) Her book displays the reality of the struggle in El Barrio where "ethnic" groups have been battling for a place at the same time the "Latin" community as a whole has been fighting for a political position in order to gain control of the definition of their culture.
Culture, contrary to Dávila's belief that there was a time "when cultural demands commanded economic resources and political valence," (2) has almost always been advanced for economic reasons. Countries in the Arabian Gulf have attracted workers from all around the world to work in the oil and gas fields to an extent where now the citizen is a minority due to the influx of these workers-citizens of these countries have yet to object to the increasing number of workers. Surely when one's culture becomes the minority culture it will have a great impact on the shape it takes.
Dávila, author of Sponsored Identities: Culture, Politics in Puerto Rico and Latinos, Inc.: The Marketing and Making of a People, has done extensive study on the issue of politics in the marketing of the "Latin" identity. The use of "Latin" or "Latinidad" implies homogeneity-it is a remarkable how the author is sucked into this normative stereotypes constructed for categorization purposes. The author herself argues that the "Latin" community is not homogenous in any way, thus "these groups differ in mission and objective." (157) Hence we have El Barrio as an area where various groups are fighting for various ends-using the word "Latin" inevitably hinders our vision concerning the diversity of the "Latino" culture.
Nevertheless, it is not simply about homogeneity among the Puerto Ricans, Mexicans and Dominicans. It's about hierarchies within hierarchies; "the relations are mediated by existing racial and ethnic hierarchies that are shaped by racialist processes in the United States and in Latin America and also have particular manifestations that are historically and regionally situated" (171). Hence the "ethnic" groups are placed into hierarchies according to the basic social class and political participation in the United States, which finds El Barrio (in general) in the lower middle-class. But hierarchies exist within this hierarchy, which leads to the divide between the "Latino" groups. Their stance in this category revolves around several classifications such as devotion to work, crime rate, longevity in the community and other such ingredients. The "stereotypes of Mexicans as less educated or unsophisticated" (173) have been a catalyst for Mexicans to attempt to present themselves in a picture they believe suite their community most and thus they have considered themselves as "hard working, and ethical Mexicans" (173). But other than the competition between the "Latino" groups, in the one specific group there is a hierarchy. The example of Puerto Ricans "with a longer history in El Barrio, criticized Puerto Rican newcomers just as forcefully, despite their Puerto Rican nationality and pro-Puerto Rican leanings." (79) The complexity of these levels and allegiances causes conflict in the group, which ultimately leads to the dismantling of the "greater community"-the "Latin" one.
How does Dávila define culture? She states that culture is an "ethnic or racial identity" as well as an "object of entertainment." (10) Culture is almost always associated with tradition and history and it is ironic how modern means can reshape our concept of culture in addition to molding the minds of `outsiders' in regards to their perception of a community's culture. Culture is man-made and it is "imagined." It is interesting to note the use of Benedict Anderson's "imagined community" in Dávila's study of El Barrio. She throws it in on page 65 whilst talking about Puerto Ricans and their creation of their community. It is a shame that this notion of "imagined community" is not introduced earlier in her work. That is the foundational base of conflict in any society where various communities live and fight for elements of their own culture so as to proclaim its exclusivity to them.
But what is especially ironic is the fact that culture is not tangible and Dávila seems to miss a step between providing us with her definition of culture and the various problems that have taken shape in El Barrio due to gentrification, which ultimately means the exclusion of some communities-the exclusion from political representation in New York City is center to Dávila's study. She argues that the "Latin" communities are losing grip of the fate of El Barrio due to the lack or representation in organizations that decide the final outcome of El Barrio. Her argument is clear and impressive because of the depth of her research in the politics of representing a community; the author provides us with several examples of how tenants are defined by race and social class, and thus reshape the community.
Overall, the study is extremely interesting in seeing the impact of marketing and politics on culture and vice versa. El Barrio is not a unified force and culture-Dávila proclaims, "sure El Barrio continues to be "de todos." Which is obviously a partial todos." (96) The complexities that the author examines is impressive and brings to light the power of marketing and advertising that are politically motivated in a society. She is an anthropologist and it is a study that presents us with extensive examples and theories but leaves the door open, as anthropologists tend to observe and not interfere.

It is no secret that our society continues to thrive and grow out of the economic structure of capitalism. Globalization provides more opportunities for free trade, and in the process our economy becomes increasingly privatized. These concepts of neo-liberalism, which require less government intervention, have been expressed through policies that deregulate 'big business' and further the gap between the affluent and the impoverished. Although many are bearing the fruits of this growing interconnection of trade and exchange, it comes at the expense of those who remain indefinitely at the bottom of the economic pyramid. Through her book Barrio Dreams, Arlene Davila uncovers many repercussions concerning the growing competitive housing development market in El Barrio or East/Spanish Harlem. Davila discusses the process of gentrification that has resulted in a pauperized community within New York City. The book aims to characterize the cultural and political interactions between different groups of Latinos as well as between those within the greater community. Their attempts to shape the future of their barrio while understanding their own cultural capital are also constantly revealed. Davila portrays the politics of marketing ethnicity as culture, and how it is treated as industry to further the process of gentrification. This book highlights the increasingly significant role of Latinos in American society and their struggles to gain power and authority in their communities.
In areas such as New York City, where property value only has the ability to grow with time, impoverished neighborhoods such as East Harlem are susceptible to development from outside private companies. Government policies have further contributed to the gentrification in the Empowerment Zone in NYC and have opened the door for private development. Davila states, "Since the 1980's, similar policies involving tax incentives to the private sector, as in today's EZs, have consistently replaced publicly financed community-based development strategies as the dominant urban development strategy (pg 9)." In compliance with the philosophies of neo-liberalism, governmental organizations have shifted the responsibility of social housing onto private development organizations, which are solely driven by profitability. Unfortunately, this has rapidly decreased the amount of affordable housing in East Harlem. Local businesses and residents have been displaced and neglected as a result of this rapid gentrification. "East Harlem's real estate is not advertised in El Diario or other Latino and local newspapers...many believe, (they) intend to keep Latinos out of the area (pg 54)," said one the area's residents. This process is a result of the lack of representation from Latinos and residents of the community. Even those Latinos from the area who have shown upward mobility have been consequently displaced outside of East Harlem and thus do not intend to return. Spanish Harlem symbolizes the romanticized version of Latino culture and will unlikely relinquish its reputation of being underprivileged. Roberto, a union leader Davila interviewed, describes why he can not live in El Barrio: "I saw a lot of brutality...El Barrio will always be El Barrio, not the Puerto Rican Barrio, but the barrio of immigrants and the poor (pg 38)." Roberto's comments shine light on the fact that this neighborhood is not able to develop without providing outlets for upward mobility and representation.
Part of reshaping the marginalized perception of El Barrio is being provided by activists in order to "secure the identity of (their) place (pg 24)." The current commercialization and outside marketing contradicts attempts and assertions that are being made to redefine the associations to the Latino identity. Many of the residents that reside in East Harlem are not a homogenous culture or ethnicity. Specifically, Puerto Ricans have struggled to assert their identity as a community in American society. As a group, they have attempted to downplay the stereotypes and negative associations that are being exaggerated by cultural marketers. In attempting to understand the own accurate identity, Puerto Ricans must be able to understand their significance in El Barrio. Puerto Ricans have been commonly linked with other ethnic groups such as African-Americans, who reside in West Harlem. Davila discusses the movement of Puerto Ricans to differentiate themselves as a functioning and successful ethnic group. Mexicans, who are the fastest growing immigrant population in the United States, experience similar struggles of re-signification in East Harlem. They have tried to establish themselves as "worthy and hard-working immigrants," and separate themselves from the marginalized reputation of other Latinos in the area (pg 156). Davila cites one man who commented, "We Mexicans are hard workers and don't depend on welfare as do Dominicans...many Mexicans are deported because they are illegal. Each month, Dominicans are deported because they've been jailed for selling drugs, committing robberies, crimes and fraud (pg 172)." The US depends on Mexicans to fill the lowest positions in the workforce - those jobs that require extensive manual labor for very little pay - but our government and policies prevent these immigrants from gaining rights and representation in their communities. The Mexican Day Parade was one example of a culturally-specific event that was marketed and organized by non-Mexicans for corporate interests. Davila emphasizes that the control of such cultural events by marketers who do not represent the Mexican community actually undermines the purpose of such ethnic celebrations. Further, she stated that the outrage of Mexicans in such situations "asserted ethnicity over industry and challenged the inequities in the production and consumption of ethnic events (pg 167)."
Artists have become catalysts for publicly marketing the real Latino identity with images that represent both the past and present. This initiative contradicts the growing commercialization of Latino culture geared toward economic gains in the EZ. The author adds, "Heritage is ancillary to tourism, put in the service viable tourist districts containing cultural, entertainment, dining, and recreational attractions (98)." The various cultural projects in East Harlem that would further allow the appropriate exposure of Latino heritage, such as el Museo del Barrio and the Edison Project, were centered around tourism, economic interests, and employment. This only furthered the process of gentrification in East Harlem. To inhibit this process, artists began to show an effort to represent Latino aspirations and dreams through non-profitable murals and graffiti. Their actions signify that ethnicity is more than just a business venture. Davila posits, "The fact is that current ethnic and cultural identifications are being concurrently fueled by a variety of political and commercial interests, and are thus not about to fade, as long as they are profitable, politically marketable, and viable (pg 214)." Thus, the need for further artistic expression of the actual Latino ethnicity is vital.
Through her book, Arlene Davila clearly represents the position and role of many Latinos in American society today. Neoliberal policies further prevent these groups from taking hold of their community and ethnicity, and allowing private companies to consolidate affordable housing. This book can only shine light on the rapid gentrification of all cities around the country. It is difficult not to think of the re-urbanization process going on in Durham over the last five years, and in doing so I hope those involved think of places like East Harlem. Many of the same efforts to improve the image are fueled by economic interests, however without considering the history and diversity of this culturally-rich city, the future of Downtown Durham will continue to be tainted.

Arlene Davila's BARRIO DREAMS is simply amazing. It grapples with the diversification of New York's Latino population, asking important questions about community solidarity and alliances. The final chapter on Mexican immigration to El Barrio is especially informative. Professor Davila is a stellar scholar whose ground-breaking work is helping shape the future of Latino/a studies. A must-have book indeed!

The novelisation of the big 1989 movie. It also includes a photo section in the middle, as lots of those sort of books of the time did. It is competently handled, even asking "Have you ever danced with the devil by the pale moonlight?"

Batman faces off with Jack Napier as he becomes the Joker, and discovers the links to his past. He also has to deal with the prying of Vicki Vale.

Batman Is one of America's Favorite Superhero. This Book is very good. There is a lot of action and suspense in this book. Criag Shaw Gardner did an exceilent job on this book




if you liked this on then read batman Returns, Batman Forever & Batman & Robin

Accompanying the release of the 1989 smash hit, Tim Burton movie Batman, Dove Books on Tape released this audio book. Acclaimed author Craig Shaw Gardner took the screenplay for the movie, and did an excellent job of reorganizing the story for audio. Making the project complete, veteran actor Roddy McDowall provided the voice, doing an excellent job of playing the roles of the maniacal Joker, the sultry Vicky Vale, and the serious Batman.

Overall, I found this to be an excellent audio book. The story is quite close to the original movie, and Roddy McDowall pulls off a real coup, doing all three major characters in a believable and interesting way. Indeed, I highly recommend his performance as the Joker to everyone.

I loved this audio book, and highly recommend it to everyone. This is a prized part of my library, and my only regret is that I cannot now get it on CD!

It's strange. You'd never guess that a book based on a screenplay could be any good, but you'd be wrong in this case.

Craig Shaw Gardner, my favorite movie-tie-in author, wrote this book, taking a good screenplay and turning it into a truly masterful, exciting, and touching book!

To start off with, the book has whole sections that were cut from the film, giving it more depth and character development. Hmmm.... character development.... there's a whole lot of it. The book truly gets inside the head of everyone, Batman, The Joker, Alexander Knox, Commisioner Gordon, and even Vicki Vale, and all have varied outlooks on the book's events. The Joker sees everything as hilarious, and twisted, Vicki's stressful situations are more developed, Knox is detailed as a hard-boiled reporter (Moreso then the film), Commisioner Gordon is very interesting, in the fact that he likes Batman, but is sworn to his duty to arrest the vigilante, and he's very dedicated and tough, and Batman/Bruce is incredibly written. The writing for Batman's mind is at it's best toward the end, when Batman tries to get up into the Cathedral, while trying not to faint from the wounds he got by crashing the Batwing, and he fades in and out of reality as he remembers the night he lost his parents.

I mean, the film is excellent, but the book is not to be missed. It's deep, profound, moving, and truly exciting in the way Gardner writes fight scenes. Fast and furious, but also surprisingly detailed. I've read this thing so many times that the pages are starting to fall out, and I am continually surprised at the quality of the book. A truly enjoyable read from start to finish.

If you're a fan in the least, you'll pick up this wonderful book!

Robert is the author or co-author of a number of excellently written statistical texts from a Bayesian viewpoint. This text is no exception. It was quite popular in its first edition in 1994 (a translation and correction of an earlier text in French). The rapid advancement in Bayesian applications and theory due to the success of computer-intensive methods such as Markov Chain Monte Carlo Methods justifies an update in 2001.

Chapter 7 on model choice is entirely new and Chapter 6 on Bayesian calculations is extensively revised. Chapter 10 on hierarchical models and empirical Bayes extensions has been supplemented with a number of recent examples. Bayesian hierarchical models are now being used in the development of clinical trials particularly in the medical device industry.

This is an advanced graduate text in Bayesian statistics and has a wealth of references to the literature. In that respect it is very similar to the fine text by Bernardo and Smith (1994) "Bayesian Theory" but is a little more current.

An important reference for all statistical researchers, I highly recommend it for a graduate course text in Bayesian methods as well as for a reference book.

Robert is the author or co-author of a number of excellently written statistical texts from a Bayesian viewpoint. This text is no exception. It was quite popular in its first edition in 1994 (a translation and correction of an earlier text in French). The rapid advancement in Bayesian applications and theory due to the success of computer-intensive methods such as Markov Chain Monte Carlo Methods justifies an update in 2001.
Chapter 7 on model choice is entirely new and Chapter 6 on Bayesian calculations is extensively revised. Chapter 10 on hierarchical models and empirical Bayes extensions has been supplemented with a number of recent examples. Bayesian hierarchical models are now being used in the development of clinical trials particularly in the medical device industry.

This is an advanced graduate text in Bayesian statistics and has a wealth of references to the literature. In that respect it is very similar to the fine text by Bernardo and Smith (1994) "Bayesian Theory" but is a little more current.

An important reference for all statistical researchers, I highly recommend it for a graduate course text in Bayesian methods as well as for a reference book.

Robert's defend the bayesian choice is one of the clearest and convincing in the last years. The book is concise and direct and the math kept at an appropriate level. I can only hope Springer republises it ASAP.

The book is a good introduction to bayesian decision theory. The plenty examples in the book are helpful in the understanding of the subject, but one could wish a more detailed description of the bayesian paradigm. People with little experience with statistics should maybe consider another book.

This anthology was an incredible read. If you are looking to be inspired, to have your hope reborn, read these stories!! You are guaranteed to look within yourself and say, "Yes, I can!"

The stories in this book are an inspiration to people of all ages. The can-do spirit embodied by these students who chose the path of educational excellence, is a lesson in what can be achieved with the right support, encouragement and good training. When these kids succeed, we all, society writ large, benefit. And after 25 years of success, PREP FOR PREP must be doing something right. Share this book with anyone who doubts the power of possibility.

"Be the Dream" is a great inspirational read on hope and success through hard work in academics as told by adults who have survived the inner city hells of America. It is a good book for teachers, who firmly believe in the potential of all their students; for students, who lose sight of their dreams because of mainstream media; for parents who are struggling to not only put food on the table, but are also battling the negative/misguided messages thrown at their kids; and for other inner city survivors who feel that they are alone in their struggle to find justice in this world.

I bought a copy for my nephew who is in 10th grade. I plan to buy one for my niece who is in 11th grade, and more copies for my boss and friends who are teachers in the inner cities.

I have met and spent time with some of the writers in the book and they are truly inspirational.

A superb read about the stories of gifted minority youngsters whose lives, and the lives they have connected with, have evolved from the most challenging levels of our society with the assistance of the Prep program, community, and Mr. Simons into the talented leaders of present and future.

Wondefully inspirational to all who see the need for changes in education and society and especially for those who are unaware of the many ways in which these positive goals can be accomplished today!

This book is unbelievably well-researched. Ed describes the complete history of one of American's great fly-fishing rivers; yet he never loses sight that what made the Beaverkill special was many of its anglers, whom he brings to life. Like all great history books, The Beaverkill is much more than a telling of facts and events. I don't see how anyone could have written a better book about my favorite river. Everytime I stand in its water I feel that I'm standing in history and that I'm part of something so, so special, thanks to Ed.

Ed's book details the life and struggle of this famous trout stream since colonial times. It has not been easy! Intersting reading, especially for those that fish the region.

The Beaverkill is a "must" for all who fish this river and for those who are simply interested in its and the area's history. The book is a fascinating account and "easy read".

a very good book, about a river, itshistory, and the people around it. very well written, and very good pictures

Rutledge's sermons are moving, persuasive, and beautifully written. And as her theology is Catholic, her faith contagious, and her argument completely accessible to the lay reader, she may well be the best Christian (and Anglican) apologist since C.S. Lewis.

This is a book that you will want to keep handy that you may read again a chapter that is especially meaningful or pertinent to your circumstances. I found the application of scripture to the very topical subject matter was inspiring. An example is the Chapter called The Love Olympics Go To Jerusalem which used text from 1 Corinthians13. The news items used as examples included topics about the funeral of Princess Diana,Madonna's child and the break up of the relationship with the baby's father,and also reference to the White House items about the President and an intern.A quote from Frank Rich's column "What's love got to do with it?" lead into the meaning of love as spoken by St. Paul in that lesson from Corinthians.You'll be glad you've read this book.

When we see a title that puts the Bible alongside the "New York Times" we say, "Oh yes, that reminds me of Karl Barth, whose advice was: "The Christian must always read with the Bible in one hand and the morning paper in the other."

Dr. Rutledge does just that in this elegant collection of sermons, most of which she first preached at the Grace Episcopal Church in Manhattan, or congregations in some of New York's bedroom communities. Now, Dr. Rutledge has turned her attention to conducting a national evangelistic ministry, but at the time these sermons were first presented, she was a preaching pastor in a busy city congregation, of bright and thoughtful Christians and other seekers. Her messages were well received by that group of worshipers and they have the potential to inspire the reader.

Dr. Rutledge's prose is both eloquent and forthright. Her sermon "Believing without Seeing" is a good example, taking as its text the "Doubting Thomas" passage from the Gospel of John, Chapter 21. In one paragraph she opens up the Biblical narative to anyone who may have quesitons, by asking some very pointed questions, "Is there anyone here today who is wondering if the Resurrection could possibly be true? Do you have conditions that must be met before you will believe? Or, perhaps, do you believe vaguely in something called `life after death' without ever having considered putting your trust in the only One who has ever come back victoriously from the grave?" (Page 143)

This kind of preaching is invigorating. It puts me in mind of people like the late Dr. Fred Speakman and Dr. Frank Harrington. Suffice it to say that Dr. Rutledge's sermons are all edifying. One can understand why this book and others that she has published are so well received. To have the Bible in one hand and the newspaper in the other, and the ear and heart of those who are hungry to hear and receive-what could be better!

If you find this review helpful you might want to read some of my other reviews, including those on subjects ranging from biography to architecture, as well as religion and fiction.

I had the distinct pleasure of being able to hear Rev. Rutledge preach a few times and attend an all-day workshop and I was forever affected by her engaging style and thoughtful analysis. She is a highly theological thinker who is a very well-read person.

The Bible and the New York Times is just that: an exploration of popular culture and the Christian faith that is neither sugary nor ignorant of the realities of suffering and pain. Rev. Rutledge is able to bring sound biblical exegesis and a vibrant style to her writing that is only surpassed by actually hearing her in person. Following the main days of the church year, this book helps the reader to pause and think of how the various days of the church calendar are relevant to modern people with faith. She brings out the rhythm of the people of God as they try to live out their faith in a secularized world, but she does so without resorting to easy or pat answers.

Read and Enjoy!