New York Books

This book pulled me out of the doldrums. What an appealing person Petit is! Daring, ingenious, and courageous to an insane degree, he pulled off the greatest feat of street theater in the history of the world. He makes the phrase 'the impossible dream' stand up and dance. What I didn't appreciate until I read this book was what a fine engineering coup it was - all the rigging done clandestinely in the dead of night, so that at first light he was ready to step into the air.

And what a nail biting read! He re-creates the months long drama, keeping you right there with him all the way to the exhilarating end. What I also wasn't prepared for was how agile and graceful a writer he is and what a benevolent, endearing spirit.

You think you're facing a daunting challenge? Read this book and put yours into perspective.

This is a beautiful book that proves dreams do come true if you really want something bad enough and are willing to work hard enough no matter what the risk to reach that goal. It was Paris, 1968, when young 18-year-old street performer Philippe Petit saw a sketch of the proposed World Trade Center towers, and he was so awestruck that he drew a line between the two rooftops of the towers, and decided then and there that his ultimate goal was to one day walk on a high wire between the two towers. Over the next six years he perfected his craft. He did public performances atop Paris' Notre Dame in June, 1971, and he walked between the northern pylons of the world's largest steel arch bridge in Sydney harbor, as well as other high wire acts. One day in late summer 1974, Petit's dream came true. As thousands watched he made eights crossings between the towers, 110 stories above the ground, in less than an hour.

I think the most fascinating aspect about this story, was the lengths that Petit and his co-conspirators went to plan, train, and carry out this unauthorized feat. It's all here in vivid detail. And even if you didn't bother to read the text in this book, the photographs are amazing and breathtaking by themselves. This is a captivating memoir that captures the excitement, triumph, and joy of Petit's stunning achievement. Now that the towers are, sadly, gone, it's all the more important as a part of the towers history. I more than enjoyed this memoir, I was fascinated by it. It is certainly a positive and enlightening ray of hope for those who dream of the impossible!

Joe Hanssen

I have just finished reading this book. The tension was unbearable as the operation in the sky was carried out and as I read on I realised.... my feet were sweating!! Perhaps my fear of heights was coming through but here was an experience that has never happened to me whilst reading. Do yourself a favour and get a copy.

I remember seeing the WTC towers being built, still partly framed in steel, as a child in the late 1960's. I also remember a snippet of this event in the news in the 70s. But, it was (I think) Ken Burns' American Stories on TV that reminded me of it and really gave it perspective that blew my mind as to how unbelievable an event it was. To me, it wason a scale of things like landing on the moon. With that still fresh in my head, I looked into the event and found this book and was unable to put it down from the first page until I finished it.

This book is inspiring. Petit is a bit crazy, but to pull off a hack of this magnitude, you have to be. Genius is touched with madness. To say the feat is inspiring is a great understatement. The logistics, planning, obstacles overcome, and just plain luck that all aligned in the end were really incomprehensible - more so after reading this book!

I thoroughly enjoyed every page. Sometimes, I get overwhelmed with things I need to do and obstacles I face, and I look at that timeless picture of Petit between the towers on the cover of this book and I am inspired. If he could do THAT, certainly I can find a way to overcome whatever is in my way today. THis book is fantastic.

Firstly, i am so surprised that this book does not figure in the "Hype list" of any Media outlet. Luckily, i came across a short review of this book in a magazine and was intrigued to know that Sep11'2001 was not the first time that the towers of World trade centre captivated the attention of millions around. It was way back in 1974, when a French tightrope walker did the unprecedented daredevilry act of walking between the peak of two towers on a cable which he had rigged illegaly the previous night. He walked for 45 minutes from one tower to another, making the sky his theatre. Why did he do it?? Was it for fame? Money? Lunacy?? Philipe Petit's book explains the whole adventure in simple prose accompanied by sketches and photographs which were done during the unfolding of his "project". It is an amazing adventure. Reading it is like reliving it- Petit achieves that magic of retelling a story and giving his readers a feeling of experiencing it vicariously.

When Petit was asked by a TV crew why he did it - his answer was, when i saw three oranged, i juggle. When i see two towers, i walk ! ;-)

Petit was not alone in his effort to breakthrough the security of the towers and implement his plan. Aiding him where his friends who believed in his ability and went to great lenghts against all odds in planning and pulling off the feat.

This is a great book, in the true spirit of adventure and the endless capacity of a human to set and achieve his goals. One more imporant thing to note, Petit doesn't sound arrogant or egoistical. At the peak moment of his success, he is modest and humble, bowing to the gods in every element which helped him in the feat - the wind, the sea, the people below, his dear friends, the friends who stood by and the friends who gave up- he sees gods in all of them and thanks them for their role.

I am not given to effusive praise and there is nothing like a perfect ten. But, this is a fine read.

A look back in time to understand the struggles in defining-and reaching your goals. A study in human nature. Things haven't changed. Great lessons still!!

This book is a down to earth, heart warming story of how Moss Hart became a premiere playwriter. Good book for those interested in working in the theater.

Moss Hart is arguably one of the finest and most successful authors of the 20th century theater in this or any other country. Like many successful men in the theater, he came from a background of serious poverty and the true drama of Act One is his perseverence and victory in extremely trying circumstances. There are fascinating glimpses into the theater world of NYC in the 40s and 50s, excellent sketches of George Kaufmann, Beatrice Kaufmann and Max Siegel, and poignant views into the people and places that forged Moss Hart into the extremely urbane, charming and successful man he became, against the hardest possible odds. Superb book!

A great read; very inspiring and funny and well written. A tale of a writer in a city which he knew so well, at least Broadway, his own neigborhoods, and the subway. His spontaneous decisions are what great showbiz tales are made of and from! His book made me want an Act Two and Act Three....excellent investment. Book in GRAND shape. Quick delivery too.

Act One is one of my favorite books. I have rearead it often since the first time I picked it up in my late teens. I love the anecdotes about the Broadway greats ans near greats and how Mr. Hart became famous, but my favorite parts of the book concern his memorable Aunt Kate, a woman whose fate in life was other than she deserved. She is very humanely portrayed, and so is the rest of Mr. Hart's family. I also enjoyed learning more about George Kaufman and his wife. This book's great!

A wonderful story! I did not realize that the CD was going to have the story read by the author....a nice surprise!

A wonderful story and the enclosed CD with the lovely song Ms. Peters wrote and performs is an added bonus. I love the fact that all proceeds go for adoption of animals. I bought four of these books for family/friends.

Excellent story line for kids. CD is great also. I would highly recommend this book!!

Book is nice but I really bought it for the CD included in the back. It is a song written as if you were singing to your dog. I love it!! Would have bought just the CD but could not find it offered without the book. Still a good value for the price.

Our grandchildren really enjoyed this book. Our grandson told his Mother. Mama I love this kind of music, when referring to the CD. I thought the illustrations were very nice. It has a simple but good story. It will grow with the child, as they learn to read.

This book has moved to the rankings of one of my favorite books ever! It was so smart and witty...I couldn't put it down and I was so sad when it ended. These characters were fresh and fun, they were confident but still flawed, and they were so relatable.
Not once was a character described by skin color or something else trivial, this book actually made fun of books like that! It was such a refreshing and smart read, I would recommend it to any reading diva!

I am always looking for something new to read. The story line has to move me. I loved he story line and characters. I could not put this book down. I think every woman can relate to each of these women. I loved it and will recommend it to others.

This book was entertaining, hilarious, and extremely true to life for single women of all races. I could totally relate to all of those characters! I have been some of all of them at different times in my life. I read this book straight though and almost never put it down. It was so funny that I found myself laughing out loud, which I almost NEVER do when reading a novel...even if I find it funny! I would recommend this book to everyone!!! :-)

FAB is the story of four friends who are trying to balance their careers while looking for love. Bianca has moved from New York to Hollywood as a television publicist, but finds her paycheck doesn't cover her lavish lifestyle, and she discovers the men in Hollywood don't follow her rules. Carolyn is a successful advertising executive; however, her love life isn't going so smoothly, and she has self-esteem issues that have her always belittling herself. Taylor is a corporate attorney who works six to seven days a week and can't find a man worth spending her time with until she meets Meschach. Finally, there is Roxanne, a struggling actress who has hit a standstill in her career and must take a break or lose her mind.

The four friends are fiercely loyal to one another and offer each other advice when things seem to be a bit rocky. The ladies must make some hard decisions in their personal and professional lives in order to find their true happiness. Bianca must hit rock bottom before realizing it is not about the name brands you are rocking, it is about being yourself. Carolyn must learn to love herself to find her true love, which happens to be closer than she realizes. Taylor must face her fears of rejection and learn to balance work and life by taking a leap of faith. Roxanne must undertake a small sabbatical to find her muse and reinvigorate her career.

As successful as these ladies are, they still harbor the same issues of most women as they maneuver in the dating world, searching for the right man. However, they know they can depend on each other no matter what and will be friends until the end. The quests to balance work and find Mr. Right makes for some witty moments between the ladies. The characters are easily relatable to most hardworking and successful African-American women. Their pain, hurt and eventual understanding makes them believable. Although the story is not fresh, since it centers on female friends searching for love, the approach with four different authors was. The writing was skillfully crafted where each character had a strong voice. My only issue with the story was at times there was too much narrative and not enough dialogue, which tended to slow the pace down a bit. When the dialogue was there, it brought out laugh-out-loud moments and kept me turning the pages. The authors have presented an engaging friendship story where the women have their pains and their struggles, but in the end they still have each other.

Reviewed by Cashana Seals
of The RAWSISTAZ™ Reviewers

Honestly, the only thing that I didn't like was the title. To me, the title didn't really do the book justice.

It's a great, realistic story about four black women who want to live "the fabulous life," but do it by working hard and enjoying their time with their friends, as opposed to scheming or marrying rich. What a refreshing change! They all want the same things -- a successful career, good friends, unconditional love and support, and, to be happy in their own skin. Each character is struggling in a different way to find the right balance and perspective. They all have flaws, but wonderfully, they all know it, and they all try, in varying ways, to improve themselves and their lives.

Because the writing is so clever and interesting, all of this is clear without ever sounding trite, simplistic, or cheesy. The writing is clear and the plot never slows down. Even better, the plot isn't silly or outlandish. The writing is also VERY witty, and intelligent. (I know I said that already, but I really appreciate cleverness and wit.) It made me laugh out loud several times. I enjoyed all the characters and felt like I really got to know and understand them all. The characters are real and developed. I don't mean to sound so suprised, but even with books where I enjoy the plot, I am disappointed by the character development or the writing. FAB has it all. It's probably the best black "chick lit" that I have ever read.

If you are (or you know) an intelligent, fun, professional, independent black woman, read (or tell her to read) FAB.

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

Namaste Mark Thornton!

I had exposure to some hardcopy and audiobooks and then I stumbled upon Mark Thornton's Meditation in a New York Minute...finally, a book/audiobook that really talked to me; I think Mark Thornton's easy, light delivery resonates with a person who hasn't had too much exposure to meditation, just like I haven't.

Mark's practical and supportive approach to learning how to meditate are relevant to my lifestyle, and I'll bet will be relevant to yours as well if you're interested in learning how to find some centering peace and calm in the whirlwind of your average day. An added bonus is that Mark debunks some commonly held misconceptions about meditation. I also have Mark to thank for suggesting involvement in local "meetups" - it's been fantastic. This book I wholeheartedly recommend-

If you are looking for the benefits of learning meditation without the need to find a new spiritual path, this is a great book. The author assumes you will read through the book quickly and writes in a way that allows you to skim quickly while identifying places where you need to slow down and read thoroughly. He has a practical style and a wide variety of techiniques that allow the busy person to engage in meditation without a radical change to his or her daily schedule. Mark Thornton clearly has knowledge of the topic, so those who already know some forms of meditation will recognize his experience. This is a great find for anyone with a high stress job or who is just curious about the topic.

MEDITATION IN A NEW YORK MINUTE, both in book and on CD, is a remarkable guide to meditation, successful thinking and responsible actions. Mark's invitation to meditate is gentle and persuasive. The use of inspiring quotes from spiritual leaders is motivational. The actual techniques that he presents are useful, doable and simple. I find listening to the CD life enhancing. Mark has the ability to invite his listeners into the ancient and deep practices of meditation and make it practical for the busy indiviual. His voice on the CD is kind and healing. The breathing techniques are simple. They can be performed through out your day and yet are profoundly relaxing and balancing. I highly recommend this book to anyone who desires calm, peace, harmony and contentment throughout their day, no matter what the chaos surrounding them may be.

In this hectic, 24/7 world, meditation is one of the last things for which most people have any time. This book shows a number of easy ways that anyone can do "mini-meditations" at any time during the day, and that take only one minute at a time.

Everyone has an area of calm deep inside themselves. Accessing that area will decrease stress, re-energize yourself, and enliven the spirit, without closing your eyes and sitting in a lotus position for hours.

Among the techniques are: breathing energy, ChiGung breath for calm, eating (or walking or commuting) with Awareness, magnify heart energy, magnify wisdom, seeing the good in all people and dealing with anger. Start with just one technique, and practice until it becomes second nature. Don't expect to "get" all of these techniques the first time.

This book also mentions quick things that can also be done by anyone at any time. Change your screensaver or cell phone display to CALM or PRACTICE CALM. Breathe in for four seconds, hold for one second, and breathe out for four seconds. Check the muscles in your forehead, and around your eyes, to see if they are relaxed. Massage them if needed. On the subway, imagine your spine is a tube of pure white light, growing brighter and more intense.

This is intended for busy people who don't want to read a lot of spiritual theory; they want to get right to How To Do It. The author is a former executive at JPMorgan, so he understands workplace stress. He has done a fine job with this book. It's simple, effective, and best of all, it's fast.

Calm Centered Relaxed Grounded Peaceful Open Be Delight

"Your mission is to stop thinking." ~Mark Thornton

How can you access a state of bliss in the middle of the day when you are stressed and under time constraints? Can meditation be incorporated into the busy workday by using techniques from the world's wisdom traditions?

Mark Thornton draws on his teachings from corporate seminars and condenses his lessons into the 8 laws of Super Calm and the 8 Golden Keys for flipping on compassion and insight in any situation. He explains how to withdraw from distraction and painful thoughts

Mark Thornton's relaxing and welcoming voice leads you through a number of healing techniques including power breath, breathing energy, serenity on a street corner, white light and magnifying wisdom.

Meditation in a New York Minute is a highly accessible collection of relaxation and life enhancing techniques with modern appeal.

Calm Centered Relaxed Grounded Peaceful Open Be Delight

~The Rebecca Review

Melainie is a very funny character. She has a very strong relationship with her friends. She has two friends. They fight. Melanie is very angry. She has to choose between her friends. She chooses Celia. Her other friend is very mad at her. Soon, her other friends sadness turns into revenge. In this world people have to take hard decisions in life. No ones life is perfect. Just believe in what decision you do.

As NYC's number one tour guide, I see I have some real competition with Melanie, she sure knows Manhattan. She shows us our city here in a very intetresting yet fun way. Nice going Carol, all the best!
Malachy Murray

This story is about an 11-year-old girl named Melanie who lives with her brother Matt the Brat. Melanie is going through a lot of problems. I think the book is good for girls 8-14. This book has very good artwork. This book is also a great book because it can teach you some Spanish and art. It also has very good humor. It is a very good book.

It is about a girl that has a long distance love with a guy named Miguel. Also, she has a girl that is stealing her best friend. Her name is Suze. Also they talk a LOT of Spanish. Next, the cover is really cool with a lot of action. Also she lives in the city.

Melanie is an 11-year-old girl who has an adventure in the big city of Manhattan. Her boyfriend Miguel is coming to New York for a week. Oh no! It was very good. However I recommend it for girls 10 and over.

It is about a girl who lives in the city. She has a boyfriend named Miguel. She also has a younger brother, Matt, her Dad and her Mom and an art teacher. I think it is a very good and detailed book. I loved the cover.

I think Melanie in Manhattan is a good book for kids in 4th-6th grade because the book could help through those years. The book is about a girl named Melanie and the problems she struggles with her friends. Her friends are Cecilia and Suze. Her boyfriend is Miguel. Miguel is a Spanish boyfriend she met in Spain. The boyfriend comes to visit all the way from Spain. There is also a lot of Spanish so if you are learning Spanish you should read it. She hates her brother so she calls him Matt the Brat.

A very good and interesting book. Made for middle-schoolers. Very nice and detailed cover. Lots of things going on. Melanie in Manhattan is the last of the series. There are a few before this book, like Melanie goes Dutch and With Love from Spain. I loved the book Melanie in Manhattan. It also was very funny and interesting.

I think Melanie in Manhattan is an OK book because it has inappropriate things. It is good because the illustrations are amazing. Also I like how it tells you about her life, and when she signs her name when she's done writing in her diary.

As Melanie goes through adventures, author Carol Weston makes it realistic and humourous. Although slightly inappropriate, Carol's pictures and Spanish dialogue make up for it. Her writing makes up for it. Her writing makes it seem like a real diary of an 11-year-old who wishes to be more mature.

This is a good book. This has amazing pictures. I love how Carol Weston has some Spanish in there. However it is a little inappropriate for kids 8 and under. 9 and up it should be a good book. It is about an 11-year-old who is trying to get more mature and has a little brother - Matt the Brat - and is sometimes getting in the way of her crush Miguel. Overall this is a great book.

Girl Scout Troop 154

Melanie Martin is beginning 6th grade and has many new challenges placed upon. Melanie has to find ways to deal with these daily life problems. Melanie in Manhattan has been one of my favorite books that had me laughing along.
Melanie in Manhattan is written in a diary format in the opinion of Melanie. She writes daily about her family and friends. Her best friend Cecily has become friends with the new, stuck up girl, Suze. They spend every minute together and rarely include Melanie. She feels like she's losing her best friend. On Melanie's trip to Spain that summer she met her mom's friend's son and she feels something special for him. They had many fun times together in Spain and Melanie is starting to really miss him. They send each other e-mails and keep in touch. Miguel's uncle has to come to New York for a work trip and has offered to take Miguel along to see Melanie. She couldn't believe what she had heard. She would see him once again. Together they tour New York with Melanie's family and see the great sights. Melanie starts to see the beauty of New York. Things start to change and Melanie isn't sure if Miguel considers her as just a friend or a girlfriend. Melanie likes him but she also has a small crush on Jason, a math whiz in her class. Melanie doesn't know how she feels. She has mixed feelings about everything at this point.
Carol Weston shows the fun-loving character's personality and describes the breath taking tourist attractions in the massive city of New York. Weston has put the teenage perspective in Melanie. Melanie talks and acts like an average middle school girl. When Melanie's mom leads her class on a field trip she says, "It's embarrassing having Mom stand in front of everyone like a teacher," (pg. 12.) All teenagers get embarrassed by their parents at some point or another. Like most siblings, Melanie can also be rude to her younger brother. Throughout the book she calls him, "Matt the Brat." During the book Melanie guides Miguel around New York. Melanie finds herself taking advantage of all the attractions New York has to offer like their museums and the skyscrapers. Miguel says, "New York is marvel," because he has never seen anything like it. He appreciates it the "marvel" New York more than her. As they walk through Central Park, Melanie and her family recognize all of the people enjoying the beautiful day. "Central Park is giant. You could walk all day and not get to see all of it...teams of kids were playing sports, a few mothers were jogging with their babies in strollers... we were in a park surrounded by tall buildings," (pg. 149.)If Melanie lived in a small rural town she could never experience this. She wouldn't get to walk outside late at night and see people walking around because like it says, "New York never sleeps." Melanie couldn't see people outside walking in the park because there aren't many people living in the country. Her closest neighbor would be a mile away.
The book, Melanie in Manhattan was a very funny and enjoyable book. Weston showed creativity in her format choice. She wrote the story in a diary and shows Melanie's real thoughts. She used many different fonts and ended each diary entry with an adjective to describe the entry. For example, Melanie ends with "Romantically Melanie," or "Mathematically Mel." This is a must-read book for all young girls.

Great story, love the NYC and art references. I previewed this book before I sent it as a gift and now I will pass it along to all my friends kids. Excited to read more in the series. M in M tackles real tween issues such as changing bodies, first smooch, troubles with friends in a very realistic and honest format. Wish I had Melanie when I was a kid.

what a marvelous book. more than any book i have read on fishing or outdoors, this one is well written. it captures the feelings of the changing of seasons and the hope and dread of how things will be that day. are there fish still in area or have they moved out. what will today bring. one learns a lot about fishing and life and the passion one can have for something. at same time it is not obvious or heavy-handed with some zen philosophy or fishing as allegory. ultimately it is about the love of fishing with a fly rod and sharing that with a few other friends who have the same feelings. while reading this gem of a book, one learns a lot about fishing. i live on the east end of long island but i didnt really know the areas he talked about and the history of some of them. the author really makes the region and the people come alive. it is like you are having breakfast in the local "greasy spoon" with the guys who fish and talk about it. you can see the guys with the bedraggled looks while they try to glean some info on where action is without giving away any of their own secrets. you can see the birds working the water and feel the hard tug. you can also feel the days where nothing working/nothing happening but it isnt dissappointing. the possibilty is almost enough ....but not quite. i have only fished for stripers once with a fly rod but after i read this book i made arrangements to go out to montauk area to try it. if it is 1/4 quarter as good as the author makes it out to be, it will be well worth it.

The Moon Pulled Up An Acre Of Bass

Fishing, cooking, and having a good time with your friends at your favorite vacation house, what could get better than that? That's the "good life" described by Peter Kaminsky in his nonfiction novel The Moon Pulled Up An Acre Of Bass.
Kaminsky shared his humorous fishing stories in October 2000 throughout the whole book. He picked the month of October because of the great fishing experiences he had with bass fishing and many other fish. One of his memorable moments was when he termed the expression "The moon pulled up an acre of bass." He used this term when he stood in amazement and shock while gazing at the water with what he called an "Acre" of bass while the moon glared at his face. Beside being a great fisherman and having a love of fishing, Kaminsky loved other things.
One of the things he loved to do was he loved to cook. He would love to catch fish, have friends over and then cook the fish in his kitchen that he loved. He said the kitchen had "Acres of counter space." Also what he liked to do was to spend time with his friends onshore and offshore. When he was with his friends he became a great fisherman. This happened because all his good fisherman friends gave him all various kinds of advice, which added up to him being a great fisherman. For example, one of his friends taught him how to cast under the wind on a windy day. This was great for him because then he could basically fish whenever he wanted since gusty weather wouldn't make it difficult for him.
Overall I really liked this book because I could connect to it so much. I could do this because I also have a love of fishing and the book takes place on Long Island. I have much background information of Long Island because I live there. As you can see, this book was mainly about Peter Kaminsky and his love of fishing with his friends. Since he and his friends were hilarious, this book turned out to be filled with humor. I really liked this book and I would recommend this book to anyone who loves fishing, comedy, and nonfiction novels.

Reading his first hand account of 30 straight days tracking the Montauk striper, I found ambitious reason to visit the East End for the first time myself. Not only did I meet one of the colorful characters Peter describes, but I romanticized what it'll be like out there in another month as the fall blitz approaches, with Peter's account coloring every image. A superb read for anyone who finds comfort in the flex of a flyrod, and a fantastic primer to anyone who endeavors to interrupt, albeit mildly and temporarily, one of nature's greatest migration of life: the fall blitz off Montauk.

I enjoyed the book and the concept, but the fawning treatment of certain guides (that probably gave Kaminisky free rides) read too much like promotional materials.

The author gives us a great look into not only the stiper fishng world, but the culture and heritage of the east coast. A pleasure to read, cover to cover. Even for those of us that may never see stripers in the salt, this is defintely a worthwhile read.

I read this book this past week during a cross country flight. I have been a Yankees fan since 1959 and have consumed almost every word written on the team. This publication is the very best of anything I have read on the team in the past 43 years. The writing took even familiar Yankees' lore to another level by digging beneath the surface to fully understand how being a Yankee impacted each and every one of the subjects even beyond their playing days. Regardless of the player's era, the author delivered a consistently enjoyable book that flowed and entertained at the highest level.

I think this is the best book that I ever read. I couldn't put this book down. This is a good book for die hard Yankee fans or just people who love baseball. Bill madden goes out to find players from past Yankee seasons. This is a good book I recommend this book for all baseball fans.

Baseball is a game of stories, and Bill Madden has transversed the United States to garner tales from a unique group of alumni, those who played for the New York Yankees through the twentieth century. The title is something of a misnomer. Some of Madden's subjects were never young Yankees. Reggie Jackson cut his teeth in Oakland, Lou Piniella caught fire in Kansas City, and Paul O'Neill even won a World Series ring in Cincinnati in 1990 before arriving at the East Coast. And even with the Yankee "lifers" interviewed for this work, many of the best remembered stories are about established ball players and their antics in their prime. Whitey, Mickey, Billy and Hank were hardly kids the night the Yanks trashed the Copa in 1957-in fact, it was Billy's 29th birthday that sparked the occasion. Yet this tale appears-more than once-among the multitude of memories along this nostalgic trail.

There are some interviews that actually do shed new light on Yankee history-or hagiography, if you will. Marius Russo's inclusion among Madden's subjects is fortuitous. One of the team's lesser known talents over the years, Russo, a left handed pitcher who joined the Yanks in 1938, was included in this work as one of the last living connections to the Iron Horse, Lou Gehrig. Russo sheds light on a remarkable Yankee pitching staff of 1939 remembered both for its depth and its sabermetrics. Seven starters finished the season with double figure wins: Ruffing [21-7], Hadley [12-6], Pearson [12-5], Gomez [12-8], Donald [13-3], Sundra [11-1], and Hildebrand [10-4]. Russo, added to the rotation late in the season [why?], went 8-3, including a 7-0 stretch in September. Russo would never win more than 14 games in any of his six Yankee seasons, but one of his most poignant memories involved fallout from the demise of Gehrig. When the Yankee team fell to fifth place in 1940, columnist Jimmy Powers of the New York Daily News reported that the entire team had been infected by Gehrig's "polio," as his affliction was then diagnosed. The report shook baseball and resulted in a $1 million lawsuit against the writer.

Another lesser-known Yankee interviewee was the observant bench jockey and reserve catcher Charlie Silvera, whose entire nine years of backing up Berra, Houk, and Howard produced only 429 at bats. Silvera recalls an obscure but impressive Casey Stengel accomplishment: winning five successive World Series with a depleted roster. The Yankees, under the rules of the day, carried two or three prospects who never made the team but counted against the 25-man roster. Silvera's recollections also highlight one of the secrets of the Yankee dynasty: a network of astute West Coast scouts who steered reports of promising young prospects to the East Coast Yankee front office that took such reporting seriously. Silvera as much as anyone recounts the awe that most players since 1920 have felt about donning the Yankee pinstripes. Silvera and others-including many of the household names--are as proud of their being Yankees as their personal stats as Yankees. In a year where Silvera, for example, did not get his first at bat until June 17 [1949], he still won his first of five consecutive World Series rings.

As all of the interviewed players wore Yankee pinstripes, it is hard at times to separate the individuals from the history of the team itself. And one era that Madden treats with considerable detail is the post 1964 Yankee decline. Some of the best interviews come from Yankees who played or managed through that ten year era: Yogi, Ralph Houk, Mel Stottlemyre, Joe Pepitone, Bobby Richardson, Ron Blomberg, and Bobby Murcer. There are many theories of the fall of the Roman Empire, nearly as many as to the decline of the Yankees in those years. The author and the players named above are in fair agreement that poor front office management [trading Roger Maris to St. Louis, for example], the failure of certain Yankee veterans to obey "one of their own," Yogi Berra, as manager, the free agent draft, the decline of the farm teams, and parity. One other applicable statistic: I looked up the 1965 Yankee roster, and discovered exactly one African-American in the starting lineup, Elston Howard [whose widow Arlene is the only non-player interviewed for this work], and one black pitcher on the staff, Al Downing.

As an interviewer Bill Madden is more Eddie Lopat than Vic Raschi. The questions arrive to the plate with a gentle thud in the catcher's mitt or get obscured in the dust in front of home plate. Madden has no problem getting his subjects to cry, but he is averse to making them squirm. Thus the free pass to Whitey "Slick" Ford, whose nickname comes from the old expression "city-slicker." Whitey's description of himself as a "professional drinker" in his playing days says nothing and says everything. It is no surprise he does not like to talk about Mickey and Billy, and Madden does not press.

But perhaps we should not be surprised that Madden is no Bob Woodward where investigative reporting is concerned. The author has covered the Yankees for a quarter century. I hardly think he would endanger the source of his bread and butter. It is in his vested interest in continue the legend, and he does this in a warm and congenial way. And we always have Jim Bouton for the hardball accounts.

Author Bill Madden has come up with a first rate book on significant Yankee players who have had distinguished careers with the team over the past several decades. The book reminds me of Roger Kahn's effort on the Brooklyn Dodgers of the early 1950's in which he traveled across the country to visit surviving members of that team. Madden has come up with a similar book on the Yankees with the only difference being the players that were interviewed didn't necessarily play on the same team. The oldest player interviewed by Madden was pitcher Marius Russo who concluded his career in 1946 with Paul O'Neill being the most recent Yankee included in the book. Madden interviewed the late Elston Howard's wife Arlene. Otherwise the book includes interviews only with still-living Yankee greats. The only disappointing omission from the book is Ron Guidry who certainly should have been included. However, Yankee fan or not, this is a first rate book for anyone who considers themself a baseball fan.

There have been a whole bunch of book put out to celebrate the first century of New York Yankee, of which "Pride of October: What it Was to Be Young and a Yankee" by Bill Madden is one of the best. It is also one of the more different, consisting basically of a series of conversations (they would not really be considered "interviews") between Madden and 17 former Yankees (and one very special Yankee widow). The other common denominator, obviously, is that they have to be alive, which sounds stupid when you write it down like this, but matters because it leads to some interesting and poignant choices.

Mickey Mantle and Billy Martin have died, which leaves only Whitey Ford to talk about the hell-raising days in the Fifties. Madden does talk with Hall of Famers Phil Rizzuto, Yogi Berra, and Reggie Jackson, but the chief charm here is in names that do not come to mind. I have all the New York Yankees Topps baseball cards from the year I was born, so I recognize the names Tommy Byrne and Charlie Silvera, but I do not know a lot about them. However, the name that stands out is Marius Russo, one of the last remaining links to Lou Gehrig, because I do not think I had ever heard (or even read) his name before.

I became a Yankee fans in 1965; in other words, the year after they stopped winning championships. So my early memories are watching Mel Stottlemyre hit an inside-the-park grand slam homerun at Yankee Stadium and my biggest (early) heartbreak was when my favorite player, Bobby Murcer, was traded for my father's favorite player, Bobby Bonds. So while "Pride of October" starts with as far back in Yankee history as living voices can remember, it eventually gets up to the teams and players of our lives. Even if, like Ron Blomberg, they never played in a postseason game. When Madden has chapters on Bobby Richardson and Joe Pepitone back to back, you know you are getting a true cross-section of the guys who have played for the Yankees.

The one exception to this rule is Arlene Howard, the widow of Elston Howard, who was the first African-American ballplayer to play for the Yankees. I totally buy into the argument that the reason the Yankees went from first to worst in the 1960s was because the front office was racist and refused to sign any blacks when they probably could have signed anyone they wanted (Mantle, Mays and Aaron in the same outfield? Sure, why not?). The only way to touch on that issue is for Howard's widow to relate what it was lie, talking forth in the home in Teaneck, New Jersey where the city fathers once tried to keep her and her husband from occupying.

My recommendation is to do what I did, which was basically to only read one chapter a day. Just enjoy the Scooter's stories about his friendship with Gerry Priddy and be offended by the way the Yankees forced him to retire, before moving on to Russo's recollections of the Iron Horse, Cro, and Fat Freddie Fitzsimmons. There is a brief section of black & white photographs, that starts with Gehrig and DiMaggio kneeling side by side in Spring Training and ends with Paul O'Neill cleaning out his locker for the last time. The photographs are just the frosting on the cake, because the main treat here is just reading how Madden sat down with each of these individuals, who told their stories, with Madden supplying relevant information to fill in the gaps.

For me--raised on Sherlock Holmes--this novel, first published 1968, is not a detective novel in which morality or heroism triumphs, or in which the hero is able to think his way out. When Conan Doyle invented his hero, he was writing within the context of a moral Victorian society in which Holmes's kind of detective work was able to triumph over perpetrators, or at least able to rationalize his own faults. But the world Sciascia shows us is one in which the police remain silent, and those who inquire and question are punished. Sciascia gives us an intelligent, inquisitive high school teacher, Professor Laurana--not a Sherlock Holmes--but, as a learned and well-meaning man, he is an engaging main character. What sort of society is it in which sensitive, inquisitive people are devalued and ignored?

Professor Laurana's questioning opens doors and others shut. And in a town in which people teach each other to keep quiet, we have to wonder what is being taught. It seems that this society is reduced to primitive survival instincts. Only someone like Laurana can break the vicious circle of crime, but Laurana's emotional vulnerability--his sensitivity to literature--is considered a fault. There are clearly characters who do not like anyone asking questions. And there are two characters who are philosophical and analytical, but their ability to understand human psychology disables Laurana's investigation. It's as though too much belief in moral ambiguity can stop a criminal investigation.

While this novel is a comment on Italian or Sicilian society and politics of the 1960s, this setting could be anywhere in the world. We all must be vigilant that through silence and acquiescence, our world does not become like the one Sciascia shows us.

This short novel (158 pages) has so much wonderful, nuanced writing that virtually every page is enjoyable in and of itself. One Amazon reviewer called "To Each His Own" postmodernist, but it also seems reminiscent at times of 19th Century writing that is more character insightful than plot driven. Sicilian master, Leonardo Sciascia, certainly does provide a plot in this novel - an inexplainable double homicide begins the story, followed by the slow accumulation of clues leading to the unlocking of the mystery by a hapless bystander, who reveals his revelations despite himself. The cautious innocent ultimately wanders into the killers' crosshairs betrayed by his own lust and the quiet complicity of the entire community. And it's lust that author Sciascia suggests is at the bottom of everything in the Sicilian town that is the novel's setting.

This is a highly literate and entertaining read that will encourage most readers to seek out other titles by this terrific author.

This book is a well written mystery. The author sets the crime out before you right at the beginning and gives many leads for you to try and draw your own conclusions. His style of writting is very different, but very interesting. It is the type of book that you must continue to read to find out what the ending is about.

The basic principles of right are: to live honorably, not to harm any other person, to render to each his own." Digest of the Emperor Justinian.

The Latin phrase "suum cuique tribuere" or "to each his own" is one of the three fundamental maxims of the law laid down by the Emperor Justinian. The peculiar interpretation of that phrase in Sciascia's native Sicily forms the emotional core of his brilliant "To Each His Own."

"To Each His Own" begins with a double-murder. A local pharmacist, Manno, receives a death threat in the mail, compiled with words and letters cut and pasted from a newspaper. The pharmacist laughs it off. He considers the letter to be a joke and although these threats are usually taken seriously in his town, Manno leads a blameless life and simply cannot believe anyone intends him harm. So he goes off hunting the next day with his friend Dr. Roscio and, without further ado, both Manno and Roscio are shot dead in the woods.

A police investigation follows but it is doomed to go nowhere. Sciascia paints a very explicit portrait of a society in which everyone knows (or suspects) everything but says nothing, certainly not to the local police. The general consensus (on the surface) seems to be that Manno was killed by a jealous husband and Roscio was an innocent bystander. The matter would have ended there but for the curious intercession of Professor Laurana. Laurana is a history and Italian teacher at the local liceo (high school). He walks into the pharmacy where the police are reading the anonymous letter and quickly spots a clue. The police dismiss his information out of hand. Laurana, however, driven by what appears to be no more than a desire to solve a puzzle, decides to follow up on the clue. In short order he seems to have solved the mystery. Laurana is oblivious to the fact that his musings on the crime pose more of a threat to the murderers than a typical local police investigation. Events play out to their natural conclusion, and in Sciascia's Sicily natural conclusions are not quite so neat and tidy as say in Agatha Christie's parlor room England.

The enjoyment to be found in reading "To Each His Own" is not the mystery itself. The fact of the matter is that, for Sciascia, solving a mystery doesn't require great insight. Rather, it simply requires a willingness to actually see that which is self-evident. As blind as Laurana may be to the danger he puts himself in, he can see well enough to understand why Manno and Roscio were murdered and who murdered them. Laurana's problem is not that he knows more than anyone else in town, Sciascia makes it clear that the actual events do not seem a surprise to anyone. No, Laurana's problem is that unlike everyone else in town, he doesn't bother to hide his knowledge.

Sciascia's writing is both precise and enjoyable. He seems to have a keen eye and affection for his native place, but that affection does not diminish, but likely enhances, the despair he feels for a culture in which silence is golden and in which "to each his own" does not bring to mind Roman traditions of equity but, rather, the critical importance of minding ones own business. "To Each His Own" is a cynical, but highly-entertaining piece or work.

Highly recommended. L. Fleisig

Having read "To Each His Own" (or rather, "Il ciascuno il suo") twice, once in Italian and once in English, I find that each time I found new interesting nuances.

Rich, ambiguous characters fill the novel and leaves one wondering who is considered intelligent and who is considered an idiot in Sicilian terms. It also leaves one wondering what exactly is the crime: the killer or the one that deems himself the investigator? Is it the one who deals in politics or the one breaking the law of "omerta"?The novel explores the mafiosi as an institution, as a family, what it is in the government, the church, the peasant village.

Sciascia's novel is a page-turner for both those who want an easy read detective thriller and also for those wanting to dig deeper into the story's message.