Russia Books

If your looking for a general and linear narrative on the history of the Soviet Union, you will not find it in this book. In "The Soviet Century," Moshe Lewin has compiled a scholarly analytical deconstruction of the Soviet process, rise-and-fall, bureaucracy, dissolution and selected analysis of some major figures.
This is the book you read after reading, studying or understanding the general aspects of collective Russian history, to read this first is interesting, but could be overwhelming and should be treated as a collection of brilliant historical abstracts to be read later.
Lewin has drawn on Soviet sources previously unavailable to western audiences, or at least seldom surveyed in English.
The chapters feature pinpoint focus on the minutiae of the Soviet experiment. Lewin's analysis of the necessity of the Soviet Republic hits the mark and explains the Imperial Russian historical burden that the Soviets would be forced to bear.
Logical, intelligent, insightful and deeply scholastic.
REVIEW EVERY BOOK YOU READ, READERS, PUBLISHERS AND AUTHORS DESERVE YOUR OPINIONS.

This book gives an excellent, unbiased account of how Soviet Communism evolved from 1917 until its end in 1991. It shows how Stalin gained sufficient power to achieve his reign of terror, and how the Terror led to the destruction of the Communist Party as any sort of positive force. He clearly describes the Khrushchev thaw and the later period of stagnation, contrasting the latter especially with Stalin's rule. A key point in the author's analysis is the transfer, not long after Stalin's death, of the secret police's vast industrial empire to the relevent civilian and military bureaucracies. Thus was ended the need for vast numbers of arrests to maintain a pool of slave labor.
Another key point is the inability of the Soviet Communist Party to develop any legitimate rules of succession. Rulers either died in place or were ousted by their enemies. By the year 1991, Russians were sufficiently aware of these issues and sufficiently powerful, through their independent organizations, to negate Gorbachev's overthrow and to ban the Communist Party as an archaic and dangerous organization.

The only problem with Professor Lewin's work is the fact that the author chose not to have a continuously flowing text, as the book unfolds as a series of chapters of uneven lenght, dealing with case-studies of various issues, mostly about the post-Stalin period of Soviet history. Therefore the book cannot be treated as a reference work for the whole of the period covered. However, there is so much in the book to be offered praise for: firstly, its skillful use of recently avaliable documents in order to develop original observations about the history of the late URSS; second, its refusal of anti-communist mythologizing; thirdly, its concentration on the internal dilemmas facing Soviet bureaucracy rule as it had to face an ever-increasing crisis of legitimacy, even amid a process of sharp (relative) political liberalization. It's not the best written book on the subject, but it compensates in content what it lacks in style.

Lewin has outdone himself in this overview of the history of the USSR. Some potential readers might perhaps be somewhat dismayed by the fact that this book was published with radical leftist publisher Verso, but have no fears: this is no apologia for totalitarianism.

On the contrary, Lewin gives a balanced and very thorough overview of each of the periods of Soviet history, beginning with its Leninist inception and ending with Gorbachov. Most of the book deals with his description of the Stalinist period, and this is also the book's main strength. On the one hand Lewin effortlessly dispels the myths around the gigantic numbers of deaths that have been 'credited' to Stalin by less informed writers such as Conquest and Montefiore; using both statistical records of Chrushchov's period (hardly a fan of Stalin) and the most up-to-date Russian research by Khlevniuk and others, he shows that in fact the death toll of Stalin will have been in the millions rather than tens of millions.

Nevertheless, that is evil enough, and Lewin has no qualms in showing the horrid, oppressive and stifling side of communism. Not only Stalin gets this deserved treatment, but Brezhnev and similar people equally. Lewin also takes the time to look at the development of various socio-economic factors in Soviet history, such as the too often overlooked effects of rapid urbanization in the 1970s.

The only downside of the book will be to some that it pays relatively little attention to World War II, preferring instead to concentrate on the political and social history of the Soviet Union.

Nevertheless, the best in its kind, and far to be preferred over more mainstream works.

For those already familiar with the history of the USSR, Moshe Lewin's "The Soviet Century" is a very exciting book. Instead of offering a comprehensive overview of Soviet history, Lewin focuses on the aspects of the country and its system that have been neglected by previous scholarship. Amazingly, he identifies these phenomena as central to actually understanding the Soviet Union, and blames their neglect on both the unavailability of the relevant documents as well as plain "ideological frenzy" (1). Promising not "to play the role of counsel for the prosecution or for the defence" (274-5), Lewin bases his book almost exclusively on recent Russian-language scholarship dealing with the newly-discovered documents, hinting at a more comprehensive future work that will incorporate English-language scholarship as well.

Lewin focuses primarily on the means through which the rulers of the Soviet Union controlled the country and their subordinates. The first of three parts, "A Regime and its Psyche", focuses on Stalin, how he obtained absolute power, and how he protected it through purges, terror and elaborate structures of control over the party and bureaucracy. It begins in the 1920s with the "de-politicization" of the Communist Party, its abandonment of socialism and absorption by the bureaucracy. Lewin explores in great detail the apparatus set up by Stalin to control the Party, especially the NKVD and its "industrial empire" of labor camps (113). He concludes by characterizing Stalin's rule as an "agrarian despotism", a combination of old-style Tsarism with a new focus on industrialization (146). "Focused on the cult of a supreme leader", it was "a despotism that allowed free range to one individual's delirium... and a huge repressive system" (147).

The second part of the book, "The 1960s and Beyond: From a New Model to a New Impasse", focuses on the second great neglected aspect of Soviet history, the bureaucracy, which cemented its hold on power after Stalin's death, despite efforts by Khrushchev and some others to put the Party back on top. The result was "bureaucratic absolutism... much more modern than that of the Tsars or Stalin [but of] the same species" (380). Lewin includes in this section a lot of nitty-gritty details of the structure and functioning of various bureaucratic institutions (especially Gosplan and Gossnab), and also profiles some post-Stalinist leaders such as Kosygin, Andropov, Mikoyan, Khrushchev and Gromyko. In addition, he addresses the "avalanche of urbanization" (202) and other social development in these decades.

Themes such as urbanization and long-term developments in society are the focus of the third and final part, "The Soviet Century: Russia in Historical Context". This section is in many ways the most interesting, as it addresses thematic issues over the whole of soviet history: backwardness, modernity, urbanization, bureaucracy, demography, etc. Lewin describes "a social and cultural landscape undergoing massive changes" (319) and criticizes other authors for focusing exclusively on the regime and its leaders, as though Soviet society did not exist or were unimportant. Lewin also criticizes those who tend to "Over-Staliniz[e] the whole of Soviet history, by extending it backwards and forwards", and he argues that the changes following Stalin's death "should be acknowledged, and not dismissed with contempt on the grounds that a democratic system offers much more" (324). He distinguishes two different comparisons that can be made: between the Soviet Union and the democratic West, and between Stalinism and the bureaucratic stagnation that followed it, when "improvement in social conditions" (324) led to high levels of development in terms of "demography, education, health, urbanization, [and] the role of science" (373), which were to positively decline during the 1990s.

"The Soviet Century", though focusing for the most part on nitty-gritty details of apparatus and bureaucracy, deals with the largest questions of the central nature of the Soviet Union. Thus Lewin can conclude that the sorry story of the Soviet Union "cannot be described as the 'failure of socialism', because socialism was not there in the first place" (308) and that the USSR never actually "represented the alternative to capitalism it sometimes claimed to be" (359). It should be of great interest to all students of the history and nature of the Soviet Union.

Soltis does an excellent job in this work. This book is much realistic than the Soviet Chess School which is pure propaganda - other than the fact that it has very realistic caricatures of soviet chess players.
Soltis has done some excellent research into the games and player history. A must read.

GM Soltis has produced a fine work here, just like his biography of Frank Marshall, as well as his 70s book "The Younger Soviet School of Chess" (more than can be said for his opening books alas). He covers chess in the Soviet Union from the October Revolution to the Union's demise.

Soltis covers the inauspicious beginnings of Soviet chess, largely due to the whims of Krylenko, the much feared Soviet prosecutor. There were bad setbacks at first, particularly the defections of Alekhine and Bogolyubov, the outclassing of the leading Russians (albeit of a pre-revolonary generation) by the best Westerners at the great Moscow 1925 tournament (of course, apart from the soon-to-defect Bogolyubov), to the rise of Botvinnik to world class.

By the end of WW2, Soviet strength had grown enormously, but was almost unknown in the West. The West realized it soon enough with the Soviets' drubbing of the USA team, victors in the four previous Olympiad. Then Botvinnik convincingly captured the World Title, and the Soviets held it ever since apart from the three-year reign of Fischer.

Soltis also covers the horrors of Communist Russia, showing that even chessmasters were not immune from Stalin's paranoia. Even Krylenko met the fate he had handed out to so many others. The "Great Patriotic War" also took a terrible toll, including Iljin Genevsky, and Romanovsky's first wife and all their daughters. Soltis speculates on the effects of the Soviet oppression on the character of many of its grandmasters.

There is a good collection of lightly annotated games, many unknown but still high quality. At the end, there's even a guide to pronouncing Russian names, which may surprise many, but on the ones I've heard pronounced by native Russian speakers, Soltis provides an accurate guide as far as is possible with the Latin alphabet.

This book offers a fascinating historical account of chess in the Soviet Union. While it does contain lots of game scores with light annotations by the author, the book is more historical than instructional. The book gives a detailed account of the evolution of Soviet chess from the basement of a small house in Moscow just after the revolution, to a national fascination that would dominate the world scene. All throughout the book there is a strong emphasis on the connection between chess and politics in the USSR. A great read for history buffs.

This is a fascinating account of the Soviet (chess) compound. Whether you be an academic or an avid chess player, this book will suit you well. Complete with annotated games and extensive Soviet history, Soltis' scholarship is superb. Sovietologists will likely find themselves in uncharted but important territory.

Those who have read 'Bobby Fischer Goes to War' will recognize this as Edmond & Eidinow's main source. Perhaps the most impressive aspect of this work is its politically unbiased nature.

Best read with a board, pen, and notebook.

Soltis and Mcfarland realized a great work. Soviet chess is an historical topic of absolute interest for chess players and not. Soltis keeps a good balance between historical/anecdotical facts and chess facts. the price is high but correct: hardcover, good paper, many photopgraphs.

The pictures are elegant even if the subject isn't. Very beautiful book. Know that the book is not intended to show you all aspects of life in Soviet Russia. It focuses more on the downside of life.

Having traveled in Russia during the Soviet era, I believe that Sherbell, in words and images, has captured the essence of the latter stages of the Empire. The picures and text show a deep understanding and appreciation of the problems of the Soviet system. More importantly, the beauty, humanity and resiience of the Russian people come shining through. It is a terrific photo book.

One can always tell looking at a book if the photographer was just a "tourist" in the area, on a brief assignment from a magazine, or if he really "lived" in the story and made it part of his life. There have been numerous failed attempts by western photographers to capture this period of history. Shepard Sherbell's book is different. He obviously not only put his heart into every image, he made this work a part of his life, spending several years in Moscow and in different Soviet republics before, during and after the USSR fell apart. His photographs speak about the human spirit, the dignity of the people, their feelings and day to day worries. It is well balanced.
But for someone unfamiliar with the subject the advise is - don't try to "consume" all the images at once. The material is too rich. One has to sink into the book little by little, explore it and revisit it again and again.

Sherbell is a master of his craft. He takes the reader on a virtual tour of the former Soviet Union. This talented photographer manages to convey the personality and texture of a complex country and period of history with sensitivity and wit.

"Soviets" is a book that is best savoured one page at a time. The photographs are matched only by the text which, unlike many photography books, adds another level to the work. This is a book that could be placed in the history section of any library as easily as photography.

Whether or not you ever visited the Soviet Union in its dying days, Shepard Sherbell's photographs will grab you. His images of that moribund nation reveal the darkest secrets of the U.S.S.R. Those of us who lived through those final moments will recognize the chilling faces of a great power in demise. The crumbling buildings, cracking monuments and crushed spirits of a once-mighty state are beautifully portrayed in this book. It's an eyewitness to a land of infinite impossibilities.

Make no mistake: THE SOVIETS is not another collection of snapshots from Red Square and the Bolshoi Theater. Instead, its pages are populated with glimpses into the real life of that now-extinct country. Unless you'd lived there, this is a side of the Soviet Union you probably never saw.

Brace yourself.

As the author states,"Stalin successfully imposed his vision upon one sixth of Earth's landmass." Whereas Hitler's charisma was instrumental in his rise to power, Stalin's success was due to his self control and his extraordinary ability in successfully interacting with others, even his enemies. De Jonge's detailed account of Stalin's life helps us understand the man who greatly influenced the course of Russia's recent history.

Stalin as chief thug, with lots of black humor.

"Ezhov was a rat, he killed many innocent people, and that's why we shot him."- Stalin speaking of his former head of the NKVD.

I just want to add a note to the review I wrote earlier. De Jonge's "Stalin" was written before glasnost opened some new materials from the Soviet Union for scholars to access. Thus, it is limited from that standpoint. However, this is in no way a serious hindrance to the book. Having also read Conquest's biography of Stalin, which WAS written after glasnost, there is very little that Conquest added to de Jonge and certainly no major re-interpretation. Both books are excellent, de Jonge's a little easier read.

Joseph Stalin is a fascinating subject. Alex de Jonge is an outstanding writer. They combine for a great book. There are other biographies of Stalin; Deutscher is a bit dry, Conquest is excellent, but perhaps a bit short. De Jonge covers his subject thoroughly, but not with so much detail as to overwhelm or lose the reader. De Jonge is an excellent writer, and he combines his talent with useful information and a plethora of fascinating, sometimes hilarious, anecdotes. He doesn't get bogged down in Marxist theory, but he does give a brief synopsis which will benefit the average reader; a scholar might wish for more. Perhaps the most outstanding and useful part of the book are those sections dealing with foreign affairs, especially in the aftermath of World War II. Brilliant analysis....

Although this book is fairly large at somewhere around a thousand pages, it's awesome. De Jonge is a superior biographer who manages to avoid getting bogged down in Stalinist politics and subcommitees. De Jonge narrates the rise of the dictator and his subsequent maneuverings very well, keeping you interested with little effort, despite the fact he's describing bleak people against a bleak background. Stalin is a fascinating, evil personage worthy of remembrance and De Jonge does his life justice. A masterpiece of modern biographical work.

Honours children's closeness to Spirit and is a beautiful story - being based on a true story all the more memorable.

Heard about this book on NPR and bought it for nephew cos I liked the idea and the story. What wasn't clearly told was just how incredibly rich Peter Sylvada's illustrations are... all oil paintings... they capture the beauty and harsh environment of Alaska, as well as slices of life from a native Alaskan village. Even southern dwellers can see some of why those who love it do so. The story is clearly and simply told, with a very likeable heroine, and gave me shivers at the end... but it was really the illustrations that blew me away.

I purchased this book (among many on here) for my unit on whales and the Inuit (Eskimo) people for my first grade class. This was a great book to share the relationship the people have with whales. It also shared a wonderful way the communities work together as well. What a great book! If you like whales, this is a great one to read to children!

Although technically a children's book, "A Symphony of Whales" shook me up and blew me away with rich illustrations and an even more potent story. Sweet and simple, author Schuch tells the beautiful story of an Inuit girl and her whale spirit friend "Narna" -- and (not to give away the ending) the dramatic escape of three thousand whales trapped in an icy inlet of the Pacific ocean.

Not to be cute, but the book really is as much for adults as for children. Illustrator Peter Sylvada's pictures must literally be seen to be believed.

I liked the girls kindness for the whales. She was cute and lovable. She was like a mother.

Love this Novel series! I purchased this set for my mother's birthday, she is an avid reader and expects high quality writing. She loved them; her friends loved them and so do I! Full of historical informations, but not to the detriment of a great story!

I don't know how Judith Pella continues writing such excellent books one after another. This was another excellent book but I really missed Sergei. I know he died in the last one but I still couldn't get it through my head that he was gone!I was so attached to him throughout the series. This book focuses more on Sergei and Anna's sons, Andrei and Yuri. Andrei pursues his revolutionary ideals, while his older brother takes on the Federcenko name and becomes a respectable Russian doctor. Each of the characters face numerous obstacles in a country that is slowly crumbling to pieces beneath their feet. Another excellent read in the series. The story line never faulters and the characters never become dull or uninteresting. If you loved the first five in the series, then you will definitely love this one as well.

This novel is as well-written as the first and the storyline keeps the reader interested. Five stars for each book in the seven-part series.

"The Russians" series is by far the best historical fiction I have ever read. Judith Pella(and Micheal Phillips in the earlier books) weave a wonderful story of life during the Russian Revolution. These books don't portray an idealistic view of life during this time, but,rather, a very realistic view of what people went through in Russia during the revolution. I reccomend this series to anybody who loves Russian history, romance, intrigue, or just a good cry because this series has it all!

The Russian series has been one of the best I've read. These are the kind of books that make learning history exciting! As you read this series, you become so involved in the charcters lives and feelings, it as if you have known them personally. But the authors have done extensive research to make the true history so accurate as the characters walk through life and we view it from their eyes.The struggles and hardships, as well as the joy and happiness, we feel it all. I love the way belief and faith in God,or the search to find it, is protrayed in the lives of each individual.This book is nearing the revolution and you see how family and friends may have had differing opinions and how they dealt with it. The whole series is excellent and keeps you riveted to the end!

Mr. Butler just had one of his articles translated into Russian and published in our aviation newspaper which is circulated throughout Eastern Europe and Russia. His adventure certainly is both timely in terms of Russian history and unique in terms of aviation history. Such times of optimism are very rare in Russian history, plus with the cultural exchange aspects, and the fact they were guests of then VP Rutskoi, this group of international adventurers snuck through a window in time not likely to come around any time soon.

I commend their spirit and Mr. Butler's efforts in creating such a wonderful book about the trip.

Vladmir

As this is being written, two adventurers have just become the first to circumnavigate the world nonstop in a balloon. Almost seven years earlier, a group of private pilots flew around the world with much the same enthusiasm in their small General Aviation aircraft. But it is the very subject of their stops that makes A World Flight Over Russia entertaining.

Written by Brad Butler, the group's historian and photographer, it is the true story of 12 small planes flying 17,500 miles around the world in 20 days while traversing Russia. This was supposed to be the inaugural event of what was to be repeated every summer with a different group flying a different route across that vast country. Unfortunately, as the political landscape changed, so did the opportunity to make this an annual aviation happening.

Though they created several aviation "firsts," the book distills down to a story about people. Despite years of deprivation and political problems, the Russian people were found to be consistently warm-hearted and giving. And though it may be only a footnote in a long line of aviation achievements, it is nonetheless a truly unique tale about a group of determined pilots. It makes from some fascinating reading.

It is a truly unique story at one of the most interesting turning points in history, a time when the world was changing right before everyone's eyes. A great read for pilot and non-pilot alike, truly a story for the ages.

The World Flight Over Russia kept me captivated from beginning to end. I felt as if I was seated next to the author taking photogprahs along side him and feeling the fear of some of the close calls. I would not have known the historical signficance of such an adventurous feat if I had not read this book.

The son of a Fergus Falls native has published a book that documents an around-the-world flight of 12 small planes. The trip placed Brad Butler in peril of dying several times as the group crossed Russia in 1992, during the breakup of the Soviet Empire.

Butler, son of Ted H. Butler, who graduated from high school here in 1950, is a photographer, not an aviator, by trade. He was doing photography and film work at a Fortune 100 company when he was tapped as a last-minute replacement to document the rally.

Years following the 20 day event, using several pilots' journals, 25 hours of videotape, thousands of photographs and his memory, Butler wrote, A World Flight Over Russia.

Pushkin was a master of the Russian language, and these short works (which have been translated by Paul Debreczeny) are living proof. Each of these stories are works of art. "The Blackamoor of Peter the Great" is brilliant beyond belief, while "A Novel in Letters" and "The Captain's Daughter" are definitely worth reading. "A History of Pugachev" takes about 1/4 of the entire book, and it drags sometimes. But I hope I'll admire it once I read it a second time. The other stories ("Roslavlev", "A Tale of Roman Life", The Queen of Spades", etc.) will not disappoint. I give this an A.

This is a very good collection of stories. The Queen of Spades and the Captain's Daughter stand out.

What makes this book so beautiful is that word "Complete". In one handy reference you can enjoy all of Pushkin's prose. Mr. Debreczeny's translation of Pushkin's work is hearty. I believe it's nearly as close as we can come to feeling the work outside of really knowing Russian.

That would be amazing for me: to know Russian and read Pushkin in the language that he raised high in the face of the patrician encroachment of French that had relegated Russian to servant status. Each language must have a unique and valuable propriety in it's innermost meanings, and in reading this work (plus knowing something of Russian culture), I believe you can feel that unique Russian "thing" even through this translation.

You have about fifteen pieces plus Pushkin's own pre-work/research and some fragments. Mr. Debreczeny has arranged them such that you walk through the development of Pushkin as a prose writer. Early on, he did have quite a disdain for prose in comparison to poetry. To paraphrase Debreczeny, Pushkin's first serious writing treated prose as a necessary evil, writing with technical correctness but approaching parody of itself with strict adherence to the concept of prose as a sterile, low medium for expression.

I the later works, you will see the layering of complex themes and characters into prose that for me felt like driving a standard shift with power-assisted steering -- You get just enough resistance to feel the road and keep you engaged and thinking. Also, you just plain enjoy the ride.

Mr. Debreczeny is an excellent guide in his commentary and in his translation.

Pushkin is to Russian speakers what Shakespeare is to English speakers. His influence on the prose and poetry of the language is second to no one and writing influences Russian literature to this day. Amazingly Pushkin only lived until the age of 38. Even now you can visit his gravesite (as I did) and still see teenage girls weeping and putting flowers on his grave.

This edition of the complete prose of Pushkin is truly excellent. The Queen of Spades and the Captain's Daughter are included are and are worth the price alone.

The translators, Arndt and Debreczeny, do a fine job in translating Pushkin's prose, while the stories are set up in chronological order so the reader can see Pushkin's growth as a prose writer. In fact this was the volume of Pushkin writings in English I took with me while living in Russia for a short while.

Very readable and a worthwhile introduction to the greatest of Russian writers.

In his first novel, Larry Hubbell, paints a brutally honest picture of Russia, a nation in transition. This novel is both exciting and fun to read. A great first book that is well worth the [money].

Professor Hubbell's book was worthwhile on three levels. First, through his words he gives us a snapshot of Russia, Italy and Wyoming. Second, he describes the workings of a Russian university and juxtaposes it on a typical American university experience. On top of it all, he tells the very entertaining story.

While maintaining an underlying satirical tone, the author manages an engaging story about the challenges of intellectual and physical burnout. The international flavor lends a modern day touch and a unique way to view the tales of family and romance that weave into the mystery and suspense. By combining harshly real descriptions of the environmental settings with refreshingly accurate portrayals of real human reactions to those environments, the author invites the reader to empathize with the characters and get completely involved in the story.

Larry Hubbell shows an extraordinary insight into all of the characters in "Almost Dysfunctional".Their feelings,their expressions, and their actions. Suspenseful to the end. A remarkable first book.

I love this book. Benjamin Nathans really captures the thoughts of an average russian man. I know this because im his close friend.
thankyou and good night

You should know that having been selected a Slavic Studies award it was not going to be all plot and laughs. Though if you read it with the right mindset, some of it looks like it was made-up by Myron Cohen. Probably the most interesting part of the scholarship brought up by Nathans was that once Russian Jews were allowed into law schools, they turned out to be recognized as the most expert in the law.

Anyone who has studied under a talmudic system will know that you must learn not only the law itself, but learn to read between the lines as to it's intent. Even the non-Jewish lawyers admitted that the Jewish lawyers were much more committed to their clients and their clients welfare. Many non-Jews hired Jews as apprentice lawyers because of their attention to detail.


From the American Association for the Advancement of Slavic Studies (AAASS) awards committee:

Benjamin Nathans' masterful study provides a fresh look at an age old problem, the entry and integration of Jews into larger territorial, cultural and political communities. The book takes us, literally and figuratively, "beyond the pale" of Jewish life in late imperial Russia to the encounter of Jewish professionals and intellectuals with Russian civil institutions.

Through exhaustive and innovative research, from newly available archives to private family memoirs, Nathans brings to life key personalities and social interactions that redefine the Jewish presence in St. Petersburg, and in turn reshape ties to the other subjects of the empire and to Russian Jewry. Through these vibrant portraits of the Jewish-Russian encounter, the author paints a much larger canvas tracing a cultural world of understandings and misconceptions, a social existence beset by advances and setbacks, and a political discourse of emancipation and reaction.

This is a fascinating study of the Jews in Russia. The book description is accurate... it is a highly detailed and first rate work of scholarship. The only concern is that it is not casual reading-- it is an in-depth and comprehensive study that rewards the devoted reader.

Beyond the Pale: The Jewish Encounter with Late Imperial Russia won the 2003 Wayne S. Vucinich book prize awarded annually by the American Association for the Advancement of Slavic Studies (AAASS) for the most outstanding monograph in Russian, Eurasian, or East European studies in any discipline of the humanities.

The book prize selection committee wrote the following about this volume:

Benjamin Nathans' masterful study provides a fresh look at an age old problem, the entry and integration of Jews into larger territorial, cultural and political communities. The book takes us, literally and figuratively, "beyond the pale" of Jewish life in late imperial Russia to the encounter of Jewish professionals and intellectuals with Russian civil institutions.

Through exhaustive and innovative research, from newly available archives to private family memoirs, Nathans brings to life key personalities and social interactions that redefine the Jewish presence in St. Petersburg, and in turn reshape ties to the other subjects of the empire and to Russian Jewry. Through these vibrant portraits of the Jewish-Russian encounter, the author paints a much larger canvas tracing a cultural world of understandings and misconceptions, a social existence beset by advances and setbacks, and a political discourse of emancipation and reaction.

This exemplary, insightful book, argued with balance and nuance and written with flair, provides an original interpretation of a central problem in Russian history and politics. More, the intellectual journey goes well beyond Russia to recast our understanding of broader, ever-present issues of identity, integration, and conflict.