Ireland Books

This book is filled with loads of laugh-out-loud scenes. O'Brien is especially good at setting up a scene and then delivering a hilarious punchline. Even when the reader can predict how the joke will play out, O'Brien teases the story out in such a way to make the humor even funnier. Each chapter is episodic and stands on its own, but there's a wonderful arc to the entire book. The allusions to Irish history, literature, and folklore add to the writing, and O'Brien really captures the style of writers like Tomas O'Crohan and Peig Sayers. There also are some clever allusions to Wm Butler Yeats and John Millington Syne. I found the satire to be a good-natured, tongue-in-cheek humor that revolves around hyperbole and even surrealism. I find it curious that some fans of Gaelic literature, especially those who admire the real "poor mouth" writers, would be offended by the book. I like the writing of O'Crohan, Sayers, and others, and O'Brien's satire actually seems to complement and enhance the humor in their books, rather than cynically criticize their tomes. O'Brien's real target seems to be more focused on the misty-eyed romanticism of readers of Gaelic writing.

The bleak atmosphere and the beautiful, flowing prose in "The Poor Mouth" are completely at odds, which is what makes this novel so hilarious. O'Coonassa has no idea what's happening to him much of the time, but he dutifully records it as best he can, with amazingly comical results.

The concept here is much like a Buster Keaton film, in that the protagonist is presumably ignorant, but he keeps a sharp eye on events, and he's basically good-hearted (except when he has to resort to stealing a pig or a chicken or some silverware, just to stay alive).

Have you ever had a laughing fit while reading on a bus? It was almost enough to have me committed.Although not personally aware of any Irish in my blood, the way this erupted in me makes it a strong chance.

It has never been better explained why so many Irish ended up in America and elsewhere abroad. A true story!

Lighten up guys. This is satire. Flan O'Brien is satirising those - like Yeats - who mythologised a Celtic and Gaelic past that never existed. The spirit is like Paddy Kananagh - but it's satire rather than gritty realism. Understand?

This book is an inside joke, and a classic at that. It is a grand send up of professional Irish (both at home and abroad). As example, consider a book written in Gaelic making sport of the Gaelic movement by means of a Gaelic festival. ( In ourland of the professional ethnic festival, this might serve as an effective antidote to "Irish" nights and "Scots weekends.") If you are inclined to romanticize villages of the old sod dominated by pigs, mud, rain and potatos, avoid this work. If you want a great classic of the jaundiced eye school of literature, read this book. By the way, some of the fun lies in the many parodies of Irish literary works in the assorted chapters; knowledge of the genre helps.

This book makes you feel like you are right there w/ the characters engaging in everything they do. It takes you on an emotional roller coaster ride and leaves you in suspense w/ it's bizarre twists. I had a hard time putting the book down. The vivid descriptions were great. It is evident that he put a lot of time and effort into researching for this book. Job well done! Can't wait for the next book.

What an excellent read. Characters are wonderful, plot is well thought out, and this book is a page turner! Patrick Quinn is a character you can relate to. For anyone interested in Irish literature or just a good read for a summer day, this book is for you!

Loghshinny is a brilliant first novel by promising newcomer Michael Nunes. It reminds me of Michael Chabon's first novel, "Mysteries of Pittsburgh" in so much as the story is a small personal one about the main character, Patrick Quinn, edging his way into manhood. He struggles to stay true to himself and his heritage as he ventures away from home, tries to make his way in the corporate world, finds love, loses love, and struggles to find it again. In the end it's through great pain and suffering that he is able to blossom into adulthood (as it is with all of us), and it's the greatest of losses that Patrick finally realizes what being a man is all about. Expect great things in Loughshinny, and great things to come from Mr. Nunes.

A remarkable feat for a first effort. A surefire winner fron start to finish. Truly believable, a novel of emotional highs and lows that anyone can understand and appreciate. Looking forward to the next.

Loved Michael Nunes debut novel. Interesting characters, descriptive, and the story moved along fairly quickly. Looking forward to future works by Mr. Nunes.

I group this book with Eric Newby's "Love and War in the Appenines" for unsentimental and direct views of the corrupting power of war that use Italy as examples. Liberation seems such a romantic idea that one can hardly resist it, and yet here we can easily read and understand that true liberation takes a lot more than military objectives and shouting in congress.

Lewis's eye was remarkable in one so young. I hope that both these books have found their way to the library at West Point. It is perhaps too much to ask that they should be read anywhere inside the beltway.

Can a foreign military "successfully" occupy another country? Where can we look for historical lessons to our clusterf**k in Iraq. What are our boys reading in West Point? Is there large scale prostitution and venereal disease..Are there markets openly selling stolen U.S. military items.. Where are ordinary Iraqi's getting $ to survive with their economy is shambles? Lots of questions.

Naples 44 is a beautifully crafted account of allied occupation in Naples. Norman Lewis describes, with his usual gentle irony, the unique lifestyle of Neapolitans and how they survive abject poverty.
He has an eye for the absurd whilst retaining his compassionate love of humanity.

When I was younger I knew an Italian-American veteran who spent time in Naples at roughly the time covered by this book. His stories while entertaining always seemed a bit exagerated to me. Now, after reading Norman Lewis' account of those days I owe my long departed friend an apology for having doubted him.
This is a remarkable account from a gifted observer. Lewis as a British intelligence officer assigned to the Area occupied by American forces immediately following the expulsion of the Germans was in a unique position to observe many aspects of the struggles and adaptations of the locals under these extraordianry conditions. The ingenuity and superstition of the Italian people is displayed from a point of view that is neutral in it's judgements while sparing the reader nothing of the darker side of the stuggle to survive at the same time.
As somone who has read extensively about WWII I was surprised this one got by me for so long. I stumbled on it while browsing Amazon and highly recommend it to anyone interested in the War ,Italy or just a good entertaining read.

Lewis left us with a fascinating account of this small but very human part of WWII. And gathered some very interesting details that otherwise would have been lost forever.

Most books with really good illustrations are usually a little weak in the next. Not The Ancient City. The excellent text in this book is completmented by beautiful illustrations of what is being told.

The past is another country, and the farther back in time we try to go, the harder it is to get there. If it is difficult to understand daily life in Rome and Athens today, even if we are there in person, able to see the sights and walk the streets with a native guide, then imagine how much more difficult the task to go back several thousand years. The natives are long gone, and only the shattered remains of marble buildings and monuments remain to guide us.

"The Ancient City" shows us, with a wealth of pictures and artistic reproductions, what life may have been like when Rome and Athens were the centers of their respective empires. Illustrator Peter Connolly draws on the latest archaeological finds to recreate buildings that range from the well-known, such as the Parthenon and the Colosseum, to tenements, temples, public baths and latrines (of the one in Rome -- dedicated to topping any other city -- boasted of one that featured an open-air design and over 100 seats).

Connolly also recreates statues, reliefs, frienzes and pottery, sometimes adding the original color scheme, creating a startling effect to an eye used to seeing plain white marble. The text, co-written with Hazel Dodge, describes daily life, how the people dressed, wed, entertained, worshiped and died.

Short of building your own time machine, "The Ancient World" is a worthwhile passport to the past.

The Ancient City: LIfe in Classical Athens and Rome is a good book because it has a good description of the two civilizations. Ancient Rome and Ancient Greece are two different periods, and the book divides the two with clarity and nice colorfull pictures. It will give you good information that you can't find in a encyclopedia.

I teach Classical Studies from the junior school to the senior student and am always on the lookout for resource material which can make the subject more inherently interesting. This book has it all-a wealth .of information presented in a great format with brilliant illustrations. I have posters by the author hanging in my classroom but in this production he outdoes himself. I can now readily picture what the great Panathenaic procession might have looked like , what happened in bathing establishments and how the average citizen coped with the problems of everyday life.
If anyone ever thought the Classics were dull, I would encourage him or her to peruse this book. A new adventure awaits the reader.

I wanted a basic overview text on Greek and Roman civilizations. Luckily I stumbled upon this book by Connolly and Dodge. The book is terrific. The layout is excellent. The writing is succinct and the text moves along smoothly. I now have a basic knowledge of Greek and Roman eras. I got a lot more out of this book by also reading Edith Hamilton's The Greek Way. However, I must confess, this book is far more interesting and keeps one glued. A joy to read. Very highly recommended.

This book is short and very appealing to young readers. The message is universal. It's about love.

We loved this story for its message about the real reason for the Christmas season. In today's culture of "political correctness" and not wanting to offend anyone that often is missing. The artwork is soft and beautiful. It will be a book that is set out for Christmas reading for many years to come.

my entire family loved this book! My son's received it first & thought it would be a great gift for our uncle who is a priest! The only difference between the children's version & the adult is the art work. It's a lovely story!

Enjoyed reading it to the grandchildren but pictures were a little dark for the younger ones.

This is a very precious and special book for everyone. It tells the beautiful story of how far a little girl and her brother were willing to go to protect Baby Jesus. It signifies the innocence that so many children lose so earlier in life, and exemplifies the spirit of why we celebrate Jesus's birth. Please give this book to all of the little girls and boys (big girls and boys too) you know to help instill in them the beautiful message that Angela and the Baby Jesus bring.

Of the three Josef Pieper books I have read (namely i) the anthology and ii) Faith, Hope and Charity and this present one), this has been the best for me. Pieper excels in crystalline clarity of thought; he exudes the wisdom of St Thomas. The brilliance of this book lies in Pieper's ability to see the depth of meaning in things, how we human being are configured towards right order and that when we damage and destroy this order, such as by committing an injustice, we not only damage others but counterintuitively harm ourselves more. Pieper examines Prudence, Justice, Fortitude and Temperance, shows their ranking in the order of virtues and shows how they interrelate.

Pieper has shown me something I would simply never have come to know myself, namely that prudence (as classically understood, not the cunning of the tactician, as understood in modern times) is the pre-eminent virtue. But, not only that, he shows clearly the true nature of the virtues and distinguishes them from the counterfeit virtues which society labels by the same name. Pieper is particularly good at showing how counterfeits of these virtues are in fact manichaeistic in nature, often showing disdain of the body. Thus, he cites St Thomas as saying that in paradise the pleasure which man derived from the sexual act would have been greater rather than impaired by an over-spiritualism. He is also excellent on anger. The tendency towards an overly spiritualist attitude with disdain for the body has resurfaced in recent years (see, for example, the talks of Anthony de Mello SJ where he indicates that Christ's manifestation of the natual passions, such as anger, is indeed a short coming!). Referring to St Thomas, Pieper shows that "anger" at times may be in fact a manifestation of right reason and the lack thereof may show deep spiritual disorder.

In this book, one finds one continually surprised, almost taken aback by a train of thought. The real star of the book is the Great St Thomas, mediated by the great Josef Pieper!

This book contains four separate sections, one on each of the cardinal virtues. In each of these, Pieper takes a look at the virtue as defined, or often mis-defined by the contemporary world and he contrasts this with how the Church in general and St. Thomas in particular understand that given virtue. What emerges is a picture of true humanity. Often what the world offers us is appealing but insufficient, God calls us to go deeper and strive to reach higher, and in return He promises us true joy. As other reviewers have noted, this is a challenging but rewarding read. The insights it provides leave much to ponder as to how we can truly begin to live more richly in God's desire for us.

Simply brilliant reading. Living naturally is what the crux of this book is all about.

The book delves into ethics, civics, justice, philosophy, psychology, and I think it is a healthy tool for understanding classical literature: Shakespeare, for example, and the inner psychology of his characters as this moral plain, that Pieper describes, is so much closer to his than most of what we hear in our modernity.

Pieper, here, spends time defining what the classic moral compass is, taken primarily from the last officially sanctioned church doctor St. Thomas Aquinas. Pieper brings Aquinas and other philosophers' language up to date, for the ears of the modern mind. Christianityfs definition has too much to do with how it's enemies, or alterior users, wish to define it and Pieper spends a short time correcting this in places.

If you liked this you might like Pieper's Virtues of the Human Heart which is a bit less discriptive but more powerful.

Pieper also makes the point that the most important stuggle is the internal struggle for meaning and direction in any organization or person.

Tapping into the core of the western philosophical tradition, Pieper shows the reader how the ancient virtues of Prudence, Justice, Fortitude, and Temperance, have a universal and pressing contemporary application, in the world of human decision making....i.e., the right thinking that clears a path ahead. Formulated out of the Greek, Roman, Hebrew, and Christian traditions, he reminds of their elemental spirtual basis in Faith, Hope, and Charity.

He notes with special emphasis, the primacy of the Cardinal Virtue of Prudence, as the clear eyed and humanly perfectable, effort to take a hard, and as objective as possible, look, at the entire factual context of a decision. And, in one of the most beautiful chapters among many in this wonderful book, is Pieper's elucidation of how this caluclation is aligned and informed by the the Spiritual Virtue of Charity.

I find the book to be both a practical and a spiritual insight into human awareness itself.

I first came into contact with this work because it was a required text for my seminary class on ethics. Pieper is a first rate German philosopher and expert on the works of St. Thomas Aquinas.

If you study this book, The Four Cardinal Virtues (fortitude, temperance, justice, and prudence), along with his other book, Faith, Hope, Love (the three theological virtues), you will have a wonderful primer on ethics.

One word of warning. Philosophy is not light reading. I know, it was one of my majors. Philosophy written in German and translated into English produces a book not for the timid. If you are willing to take on the challenge, more power to you. It is worth the effort, but you should know what you are getting into before you put down your money. This is a book for those who want to think and wrestle with ethics. It is not for everyone.

I liked the book because I am a history major but some parts are hard to get through. It is a classic however and is a great stepping stone to use when reviewing ancient history

Cornelius Tacitus knows perfectly what the cardinal human characteristic is: `From time immemorial, man has had an instinctive love of power.' And, `the reward for virtue was inevitable death.'
His book is a mighty illustration of the ruthless fight for the top spot: emperor. The ambitious and the wealthy fight one another without mercy. `The truth is that revolution and strife put tremendous power into the hands of evil men.' The vanquished are brutally slain.
For Tacitus, the most important factors in the power struggle are money (`money was the sinews of civil war') and control of the military (`the lesson that an army can create an emperor'). If you could `reward` your soldiers, you could win. However, the legions were not interested in war itself only in looting, plundering, raping and enslaving. `The men wanted campaign and set battles, as the prizes here were more attractive than their normal pay.' The victims were innocent peasants, women and children.
Overall, `Italy found it hard to put up with such hordes of infantry and cavalry, and with violence, financial loss and acts of lawlessness.'

While the `Annals' contain more human touch, the `Histories' are nearly completely centered on military, diplomatic and tactical manoeuvres, followed by terrifying and merciless violence after the battles (`the fury of the soldiers').

This for mankind severe and pessimistic book is a must read for all those interested in the lessons of history and for lovers of great classical literature.

Every now and then a pivotal moment in history is witnessed and recorded by a master communicator. The mid-first century of Rome was such a time and Tacitus was such a communicator. The Histories will forever be a benchmark of good history with its observations on human nature and behaviour along with their impact on history. The historian will do well to read Tacitus not just for the historical lessons but for his approach to history as a record of human activity. While observing and commenting on the human element in history, Tacitus avoids making moral judgements and remains as objective as possible in the midst of turmoil, wars, and rumors of wars. His beloved nation and people were suffering under the barbarity of fratricidal war yet he remains above the madness and records the events with passion tempered with objectivity. His example is one that has remained difficult for others to follow.

A word on this translation in particular - I found Mr. Wellesley's translation very readable and poetic. He seems to have captured the literature value of the text as well as the content. Well done.

Tacitus Histories deals with the turbulent year 69AD the year of four emperors. Tacitus eye for detail which allows us to understand the personalities of Galba, Otho, Vitellius and Vespatian and their motivations and ambitions in this trully chaotic time in Rome's history. The sinister role of the Praetorians in these events is faithfully accounted. I found I could not put it down! Very readable compared to the Annals. The translation is first rate. The work is also supported by numerous foot notes and maps. Anyone interested in this period of Roman history must read this book.

Reading Tacitus' Annals I oft remembered Thucydides' account of the Peleponnesian wars. An important theme of the latter work was the corrupting effects of prolonged war on the morals and intellect of the Athenian people, who were ultimately degraded so much that they voted the destruction of the people of a small island just because they had chosen to remain neutral. Tacitus, on the other hand, seems to have dedicated himself in this work to examining the corrupting effects of absolutism on the Roman people after the fall of the Republic. He shows how absolute power brought out the worst traits in the character of rulers like Tiberius and Nero, who grew more and more tyrannical with every year on the throne, and how members of the illustruous Roman senate and other sections of the Roman political society turned into a horde of spineless sycophants, informers and debauches. There were still a few honourable individuals, but as Tacitus shows in an endless series of judicial and non-judicial murders, most of these paid the price of sticking to the ancient traditions of liberty and honour with their lives. Tacitus also deals at length with the relations of the Romans with the subject peo-ples. I may be wrong here, but it seems to me that in such passages Tacitus draws a parallels between the fate of these enslaved peoples and that of the enslaved Roman people -the first a slave to the Romans, the second a slave to the emperor and his bureaucracy made up of ex-slaves. Many subject peoples rebelled and some like the Cherusci under Arminius (towards whom he does not seem averse at all) could successfully preserve their liberty against the in-trusion of the Romans. Those Romans who dared defy the tyrant on the other hand, and especially those who could wisely remain independent and yet stay alive, were far fewer, Tacitus seems to imply. Insofar as it demonstrates how closely liberty (including liberty of thought) and morals are intertwined, this work is still relevant today as a central work of liberal humanism.

This book makes fascinating reading. It helped me to appreciate more the musicians I was already familiar with, such as Jack Teagarden, and opened my eyes to a lot of people I knew little or nothing about. Be sure to pick up the companion CD, too.

This is the finest book about jazz that I have ever read. I own many of the records that the author dissects, as well as having seen several of these great jazz artists perform, and I find his judgment perceptive and unerring. But this is far more than just a book about jazz music. What makes these musicians tick, how did they happen to assemble together for a recording session, how did the record business impact their selection of pieces to perform? The author draws on a variety of academic disciplinces, including art, psychology, economics, and social history, to put his subjects in perspective. Most important, he is a fine storyteller who empathizes with the people he writes about. While many reviews focus on his overall thesis about race in jazz, this is but one theme he articulates, and it serves more as an organizing structure for the book than as its sole message.

First of all, Dick Sudhalter is a gifted writer. He crafts his narratives like a well constructed solo or composition. Second, this book tells us about early white jazz musicians and correctly describes the interplay between vital African American innovations and the contributions of Caucasian jazzmen. Sudhalter in no way diminishes the seminal contributions of African American jazzmen. He simply talks about the contributions of other artists, and does a masterful job of helping us to see the interplay between musicians who have given us this wonderfully entertaining music. I thought I knew a fair amount about the history of jazz. After reading this book, I know more. Nothing is more American than Jazz music (just my opinion), and the more you understand it, the more you know about the USA in the 20's and 30's. I keep re-reading parts of this book because there's so much here.

While a brilliant documentary, Burns' "Jazz" also reinforced the notion that jazz is exclusively an African-American artform. Fortunately, "Lost Chords" does much to blow away that misperception. While never belittling or downplaying the role of those African-American giants in jazz, this book does an outstanding job of profiling all of the individuals and bands who received short shrift from Burns: Steve Brown, who pretty much invented jazz bass playing; the Jean Goldkette Orchestra; Miff Mole; Frank Trumbauer; and may more. And he does so in a way that is both interesting to the casual fan (with anecdotes and such) and the hardened muso (excerpts of scores abound). A scholarly tome, this is a worthy addition for any jazz fan's library. I look forward to Volume II.

Not a mere antidote to political correctness in jazz criticism; Lost Chords is a prewar cultural history, a lesson in music structure, a history of woodwind instruments, a guide to innovations in guitar tuning, AND MORE. It shows the musicians as human beings with all their failings, humor, drives, hard work, and talent. I especially loved the account of the bass sax --- an instrument that looks like it could double as a moonshine still --- and its usefulness in the early days of sound recording. Sudhalter admonishes us to listen to the music and to make up your own mind. Exactly right. A good place to start is Robert Parker's Bix Beiderbecke Great Original Performances 1924-1930 (available on Amazon) If you have ever heard an early 78 rpm record, you will be astonished at Parker's sound restoration.

Richard Pipes does a good job at laying out the workings of Russia's Tsarist Regime. What I found to be most interesting and persuasive is Pipes' frequent contrasts between Russia and Western Europe. For instance, he looks at the status of the nobility and the strength of the church. In both instances, Pipes draws a clear path as to how, in Tsarist Russia, these institutions became virtual extensions of the state bureaucracy (in sharp contrast to Western Europe, where they often served as brakes on royal power). In addition, Pipes places Russia squarely in the sphere of Asian (specifically Mongol) influence. As evidence, he points to close similarities between the Khanate and Tsarist "patrimonialism." In doing so, he de-emphasizes the oft-stated argument that Russia was the close heir to Byzantium. Finally, Pipes continally demonstrates how Tsarist policies laid the groundwork for the Soviet system (though the latter took those policies to a far bloodier and more extreme conclusion). My only criticism of the book is that Pipes does not deal directly with the issue of Russia's "national minorities" (beyond a quick mention of the Jewish Pale of Settlement and several Polish rebellions against Russian rule) and the attempts by the Tsarist regime to "Russify" those groups. I think that this would have been quite relevant to look at in Russia during this period. I am looking forward to reading Pipes' writings on later events in Russia.

I think this is the best of what I guess you would call Pipes' "Revolutionary Trilogy." "The Russian Revolution," perhaps two or three times the length, is impaired a bit by Pipes' sometimes tedious moral-pointing. "Russia Under the Bolshevik Regime" seems a bit less ambitious than the other two, and in any event it is surely the one least likely to survive the torrent of new material that is becoming available after the fall.

What distinguishes Russia in Pipes' eye is the tradition of "patrimonialism" -- as a political category, a coinage of Pipes' own, though with its roots in Weber, in Hobbes and Bodin, even in Aristotle. Pipes means to denote "a regime where the rights of sovereignty and those of ownership blend to the point of becoming indistinguishable, and political power is exercised in the same manner as economic power."

"Despotism," Pipes continues, "has much the same etymological origins, but over time it has acquired the meaning of a deviation or corruption of genuine kingship, the latter being understood to respect the property rights of subjects. The patrimonial regime, on the other hand, is a regime in its own right, not a corruption of something else."

This is a brave assertion, and Pipes remains faithful to it. Indeed, the core of the book is perhaps his chapter entitled "The Anatomy of the Patrimonial Regime," where Pipes tries to show how utterly different is the tradition of governance in Russia from the tradition in the West -- even in Western nations that we might think of as "reactionary."

There are other virtues to this book. His introductory chapter on the environment is perhaps worth the price of admission, as he retails the grim arithmetic of topsoil and grain production. His discussion of serfdom provokes all kinds of questions about the relationship between serfdom in Russia and slavery in the West.

A work of just 318 pages can hardly pretend to be the last word on the history of a great nation, and Pipes maintains no such pretention. I take it as given that much more could be said to inform, expand upon, or criticize, Pipes' perspective. But as a framework for approaching the study of Russia, it is hard for me to see how it could be bettered. As a provative contribution to the literature of political analysis generally, I should think its claim is equally strong.

This book is an absolute must-read! Before I read this book the history of Russia was a weakly connected sequence of contradictory events to me - that I wasn't able to organize in my mind in any comprehensible way. After reading this book I see a clear picture of my country's history. I suddenly understand what is going on. Every historical event, every action of a historic person suddenly falls into place, I see their meaning. This book provides you with an understanding of the real issues that have been troubling Russia for the past 1200 years. You will understand Russia and you will understand its people. The mext time Russia is on the news, and you have some Russians making a statement or conducting some action - you will understand where they are coming from when they are doing that.

This is indeed a brilliant book. Any one who wants to understand Russia should read it. I can not praise it highly enough. Please get a copy and learn and enjoy.

When I purchased this title in a used bookstore for two dollars, I was somewhat apprehensive about its scholarly quality, author biography not withstanding. Upon reading, however, I must say that I felt Pipes admirably illumined what is a very complex economic, social, and cultural subject. Specifically, his thesis concerns the manner in which the Russian state, under various formative influences, developed an essentially proprietary attitude towards land and subject alike. In Pipes' view this has been the primary determinant of all Russian history following Mongol domination. I myself make no pretenses to be an authority on the subject, but Pipes' use of evidence generally convinced me of the credibility of his claim. I would recommend this title to anyone interested in a general account of the pre-revolutionary Russian state apparatus.

This gorgeous giant book, measuring in at 16" x 12", capture the beauty and uniqueness of Ireland through spectacular photographs. At times in this book, not only do you see a panoramic photograph spanning two 16" wide pages, some actually extend further through a folding flap to measure over 38" wide! In addition to the beautiful photographs the authors have included detailed written descriptions.

People of all ages that are interested in the history, landscape, and culture of Ireland will thoroughly enjoy this book. The list price is $75 according to the inside flap, making it a bargain at the current Amazon price.

This is the best photo book of Ireland I have seen over ten years, and the text is excellent.

This is a great book to give to someone who will be traveling to Ireland in the future, has visited before, or is just a huge fan of this amazing country and wants a good coffee table book. The photos are gorgeous and really showcase the beauty of the Emerald Isle. There's also a great variety of photos: not just from one area of the country. It also gives you a bit of historical background. There are several pages that fold out to reveal huge panoramic shots. I would recommend this book to anyone who loves Ireland. It really is spectacular!

First of all, please note that this is a coffee table-type book. It is oversized and oddly-shaped. So if that bothers you, steer clear.

BUT the size is very appropriate to the pictures! It's a large-rectangular book that fits the panoramic wide-angle photography inside of it! The photos are intensely colored and the paper used in side the book is a thicker, glossy high-quality paper. Some of the most gorgeous photographs of Irelands landscapes, castles and towns are in this book. It also includes a bit of history.

FYI... the book normally comes with a slip-cover that has the same cover design printed on it that the actual book cover underneath has. Nice touch. A lot of books of this fashion do not have the same cover printed on the actual book itself, but only the slip-cover.

Very nice. If you love photography or Ireland...or both....this is the book for you!

I bought this book because my dad's side of the family is Irish and I'd hoped to one day go. The book is a gorgeous addition to my photography book collection...and my desire to go to Ireland has been upgraded from 'one day hope to go' to 'can't wait to go!'.
--Vicki Landes, author of "Europe For The Senses - A Photographic Journal"