Ireland Books

Rosenstock's classic black and white images evoke the spirit and power of the Irish landscape. The photographs are exquisitely reproduced, elegantly presented and then, wisely, left to speak for themselves. Rosenstock's artistic vision and his love of Ireland are clearly reflected in this beautifully designed volume. A must have for connoisseurs of landscape photography and lovers of Eire.

A beautiful art book containing 25 black and white photographs of Ireland. Anyone who loves landscapes, photography, or the rugged beauty of Ireland will appreciate the images and artistry shown in this volume. The photographic reproductions are of the highest quality and reveal the subtle details and tonal gradations present in the photographs. Mr. Rosenstock's statement at the beginning of the book is a wonderful introduction to the power and mystery of the light of Ireland. In short, it is illuminating. The Light of Ireland is a lovely book that invites the viewer to look at it again and again.

Iam thrilled to own this fabulous book; it is a work of art. I feel such a connection to these spectacular images. The reproductions of the photographs are wonderful. The simplicity of the silvery gray book jacket enhances the volume. I just love having this book. The Light of Ireland is a complete treasure!

This book is a MUST for the serious collector of photography. The 25 finely crafted images on the highest quality paper focus on Mr. Rosenstock's unique perspective of Ireland's mysterious landscape. Each page is a calming meditation. The people of Ireland ,among them notables, are already singing the praises of this book.

The Light of Ireland is a portfolio of twenty-five black and white photographs made in the west of Ireland over a period of nearly thirty years. Rosenstock's stunning images, rich in detail and range of tones, are exquisitely reproduced in a handsome volume in which the binding and typography contribute to its overall artistry. The few words of introduction are also carefully chosen; permitting the eloquent voice of the visual to command the attention of the reader.

Some people embroider their family trees on samplers, others create momentos and books for the family. Fortunately Di Robilant went further than this, making his great-great-great-great grandmother a research subject and having Knopf publish it for the general market. This ancestor was witness to and active in a critical time in the life of Venice and through her story we get an idea as to how the nobility coped during the Napoleonic years.

We are introduced to Lucia when she is 15 and her father is involved in extended and stressful marriage negotiations. At this time the Venetian elite are leading la dolce vita. Soon, Venetians and their republic will be jolted into new and uncharted territory.

Through the Mommo and Mocenigo families we see how the nobility adapted. Many fled. Others chose to work with the French, the Austrians, the French again and again the Austrians. Marriage and family scenes are just as striking as those of the famous events.

Lucia is resiliant. From an entralled young bride, she becomes realistic about her marriage that will only end when death due them part. There is infidelity, child birth and death, long separations, primitive medicine, fine entertaining, perilous travel and fiscal constraint.

Lucia learns to set up and manage households and farmsteads and to "wait" on a Princess who is half her age. Despite the many problems of her son and his education, she is a successful parent. She gets herself recognized in the Austrian court, educates herself in Paris, becomes a friend of Napoleon's Josephine, manages the family assets and has famous tenents in Venice. This woman is amazing for any age, but for her time, totally impressive.

There are two problems with the book, neither serious enough to take away stars. There are two maps but others are needed, one showing the various estates and others showing the travel routes to Vienna and Paris. The other problem may not be addressable. Lucia, while running what seems to be a large farmstead, refurbishes the main house. Then she raises, for sale, a small number of animals (are there not a lot of other animals on this farm?). Similarly, as a lady in waiting she raised two head of cattle. The economics/practicality of this husbandry doesn't compute for me.

What is wonderful about this book is that it makes history alive. It shows how larger events effect people's lives. The writer draws portraits of people whom we tend to care about and of the turmoil of Europe at the time.

Let's start with the lovely cover image: thanks to the research behind Lucia, this previously unknown work by the widely acclaimed Swiss painter, Angelica Kauffmann, came to light. And thanks to the owner's permission, its appearance on the cover allows us all to enjoy it. This is our first meeting with the blossoming young Lucia. Her glowing complexion, full bosom and that chestnut tendril that curls downward along her neck bespeak an innocent yet eager anticipation of life's sweetnesses. But this is not a love story. Lucia's life is much larger than her courtship and marriage with Alvise Mocenigo, and emphatically disproves what we think of as the bounds for a woman then.
From the start, Lucia's story shows her caught in the middle of things, from local power struggles in Venice to empires rising and falling and the devastating wars they brought about. Political events determine one challenge after another for her, as daughter, fiancée, wife, mother, woman on her own.
Accounts of political moves, diplomatic dealings, warfare strategy might not seem the stuff of a woman's life story, and yet they make perfect sense here, are fundamental, illuminating and intriguing. As these combine with finely wrought details of the everyday, the past truly comes to life. Di Robilant's style, as in A Venetian Affair, draws the reader in. When you read Lucia, you feel welcome and respected. And at once you are involved.
Di Robilant works with some very special material, unearthed not only among family papers but also in archives around Europe. In the end, he did not write the story exactly as he had set out to, for his research uncovered unexpected turns in what he knew as his family's history. He never makes an issue of this, but leaves it tacitly to his readers to imagine what it must be like to see a family legacy twisted into a different shape and to discover fundamental family ties you never knew existed. Di Robilant set out to bond with his past, which in the end he did, but not with the past as he knew it when he set out.
I highly recommend this book to readers with a passion for Venice, the Napoleonic years and memoirs about women who rise to unexpected challenges; to readers curious to have an insider view of life at court (Paris, Vienna, Milan) in the nineteenth century or a landlady's perspective on the scandalously libertine Lord Byron; to readers simply fond of books where biography and history elegantly merge with great merit to both genres.

I just finished reading this sequel to A Venetian Affair. Lucia is quite different from Giustiniana (the main character in the previous book) but this true story leaves you with the same mixture of fascination and melancholy. Unlike Giustiniana, Lucia immediately marries her first love, Alvise, and despite also being the protagonist of a scandal, her life is not as thrilling as Giustiniana's. Like Giustiniana, Lucia lives first hand through the European aristocracy, from Venice to Vienna and to Paris. But while in A Venetian Affair the source of dismay is the missed happy ending for Giustiniana and Memmo (her lover), in Lucia it's another demise that characterizes the book: the fall of her beloved Venice.
Through her detailed correspondence to her sister we learn of Alvise and Lucia's efforts to keep their status once orphans of the Most Serene Republic. This is what I believe defines this book. It's the story of a power couple who in their prime loses their motherland, and that helplessly witness a millennium of history being crushed between the French and Austrian power struggle. Alvise and Lucia, they really try. When Napoleon has the upper hand they get back on their feet and are actively involved in being part of the new world order. But as soon as the Austrians take control they have to start from square one, and we find Lucia mingling with the Viennese aristocracy while living in the Hasburgic capital. But then Napoleon is back, and off to Paris they go. These are not merely social ladder moves. There are estates to save, and the underlying theme is the slow but inevitable decadence due to unfortunate geopolitical circumstances that this otherwise very capable and visionary couple is subject to. Of course the book is packed with affairs and loaded with illegitimate children, but the force of this book is its historical value. It's the first hand account of how a historical European nation was phagocytized and of why its resurgence has been suffocated in the following decades.

Lucia: A Venetian Life in the Age of Napoleon begins where Andrea Di Robilant's A Venetian Affair left off. Lucia Mocenigo was the eldest daughter of Andrea Memmo, and she married at seventeen into one of the best-known patrician families in Venice. When the Republic fell in 1797 to Napoleon, Lucia went to Vienna, where she became friends with Josephine Bonaparte. Later, Lucia moved back to Venice, where she became Byron's landlord. She died in the 1850s, when she was in her 80s.

Lucia is a compelling look into the life of an intriguing woman. She was at the heart of European political change, as her letters to her husband and sister show. What Di Robilant does successfully in this book, as he did in A Venetian Affair, is bring the event s and people to life. Everything Lucia, her husband Alvise, and her son Alvisetto, do is documented here with precision. Sometimes with too much precision: when her son was a teenager, Lucia obsessively worried over his progress in school. But in all, Lucia was an impressive woman who rose to the challenges she faced with courage.

In this book Venice at the end of the eighteenth century comes to life. Lucia was only a young girl when she returned to her native city from Rome, where her father was Venetian Ambassador, to be married to a much older man. She lived in many of the great courts of Europe, travelled extensively, witnessed the fall of the Venetian Republic to Napoleon, and as an impecunious widow was the landlady who rented out her fabulous family palazzo to no other than Lord Byron. It was in the attic of Palazzo Mocenigo on the Grand Canal that her correspondence, recounting every minute detail of her long and fascinating life, was preserved and handed down through the generations until it came into the hands of the author, who is her descendant. A wonderful book. Highly recommended.

This was my favorite book growing up. I read it over and over until the pages fell out. The characters are so realistic and their aunt was so eccentric. I often wished I could be there with them exploring Ireland and having adventures. It is also a great book for kids who often "judge a book by it's cover". It teaches kids not to be judgemental about people, because the children learn a great deal about the kindness of their Great Aunt.

Penny, Robin, Naomi, and Alex Gareth are sent to live with their Great Aunt Dymphna in Ireland when their father takes ill (he's doing research outside of England) and their mother goes to be with him. Great Aunt Dymphna adds new shades of meaning to the word 'eccentric.' Her house is a dump and she expects the children to cook for themselves and do their own laundry and buy their own groceries--in a word, to be completely self-sufficient. The Gareth children are not a little put out, in more ways than one. Matters become even more complicated when they decide to hide a strange boy who claims that spies are after him. At summer's end, the Gareths go back home to London, having discovered that self-sufficiency is not impossible or even entirely distastful. Streatfeild writes in her customary elegant yet simultaneously down-to-earth style, with plenty of tongue in cheek comments and sharp observations. I'd love to give more details of the book's plot, complete with quotations, but that would take more space than I'm allowed to use. I'll just say that this is one of Streatfeild's absolute best, and (therefore, of course) one of the best children's books ever written.

I really enjoyed this book, and am very upset it went out of print. Magic with a twist of mystery, suspense, and set in Ireland~ who couldn't love it? I read it quickly~ couldn't put it down. =P It's written in sort of an English style, so if that's what you like you're sure to love this. Even though I live in Seattle (far away from both of the settings featured), I could relate to the characters, and really enjoyed the Author's way of describing just how Penny, Alex, Naomi, and Robin were feeling. If you like a good, slightly spooky mystery, don't miss this book!!

A twisting plot. One of the best Noel Streatfeild books ever. Please put it back in print with the "Shoe" books that are out of print (also by Noel Streatfeild.)

i read this book aloud twice to my four children during summers in vermont...after 15 years, the thought of it still makes me smile...the dialect which at first my children couldn't understand, but wound up mimicing; the friendships old and young; mysterious old drafty rooms; the notion of letting barking dogs know where you're headed, so they can stop chasing your car. streatfield paints a beautiful, eccentric character in the aunt (who's name escapes me, but who scurries before me in my mind's eye still) ...loved the whole family of characters.

This is a very good read. For anyone interested in history, interested in learning about a remarkable woman, interested in just good writing, try this book. Lanyon covers it all including Malinche's seminal importance to Mexican history. The author also explores the development of Malinche as traitor, an idea that many are now taking another look at. It began in the 1800's with an elitist nationalist movement that needed a scapegoat to rally round. At any rate, Malinche's life is one that even the most jaded can marvel at.

For a brief moment in the 16th century, a teenage slave was the most influential woman in the world. Malinche, to use one of her many names, was the translator and go-between in perhaps the pivotal cultural drama of the last millennium - the moment when the Old World represented by Hernan Cortes, conquered the New World in the form of Montezuma's Mexico.

Anna Lanyon, an Australian backpacker, stumbled onto the story of Malinche while travelling in Mexico in the 1970s. Intrigued, she returned home, studied Spanish and Portugese to literary translation level, and revisited Mexico in search of this enigmatic woman.

So few are the clues, and often so contradictory, that Lanyon works like an archeologist with a soft-haired brush to bring Malinche's life into relief from its bedrock of myth.

In official Mexican history, Malinche is the "betrayer". Her name forms the root of a modern-day word for traitor. Lanyon finds a teenager blessed with intelligence, intuition and a sharp instinct for survival. Her options were few. Given as a sexual slave to the conquistadors, Malinche became Cortes's concubine, adviser, and mother of his first child. She died in obscurity, probably before she was 30.

But those close to her admired her. Lanyon makes the point often forgotten in facile renderings of the conquest: to vast numbers of people in what now is Mexico, Montezuma's "Aztecs" (more accurately, the Culua-Mexicans) were the feared and hated enemy. Malinche was therefore not a betrayer so much as a warrior, within her own context. But even more than that, she was a woman, condemned to slavery as a child, "assigned" to alien men when not yet 20, who simply did the best she could.

While the full personality of Malinche may be irretrievable from what history has left us, Lanyon does great work in debunking many of the myths about her and in exploring how national myths come about. And tantalisingly an impression emerges of this accidental figure of history: a woman we would like to have known, a woman from the lowest rungs who took a hand, for better or worse, in changing the world.

In a world of information technology and instant gratification, I admit I skim over books to grasp only the information I need in the least amount of time. In looking for information on Malinche, I didn't think that I was interested in reading about the author's journey in piecing the puzzle together. I just wanted her to get to the point!

I was so wrong! Beautiful story, priceless information, and a rare balance of sensitivity to the subject while maintaining objectivity.

Highly recommended, especially to Latina women.

Thank you, Ms. Lanyon, for your priceless contribution to history.

Not only was it great to find a book on Malinche, but also a book that looks at her in a light other than as the evil betrayer we all thought she was. I started the book thinking "How could she have done that?" and ended up feeling sorry for her predicament in life. Or at least understanding why she made the choices she did. This book wasn't just a defense of her actions, but it explained why she became the enemy she has become and who and why made her that way. She was used while she was alive for political purposes and she was manipulated and used for political purposes hundreds of years after her death also.

I really enjoyed reading this book. I have since bought several copies for friends and family members. It is a wonderful look at the way that society views one of the most important women in the Americas in the past 500 years. People are quick to judge her as a traitor or whore, but after reading more about her life as a slave and the conditions around her, I feel that she was an incredible survivor who became the mother of a new generation of people. This book which chronicles Anna Lanyon's journey through Mexico to discover who Malinche was, inspired me to learn more about the Conquest and Mexico's history, as well as more about who the flesh and blood woman "Malinche" might have been. I have since read, "La Malinche in Mexican Literature - From History to Myth", and "The Discovery and Conquest of Mexico" by Bernal Diaz. I recommend it highly.

Until such time as Amazon calls up existing reviews for its Kindle editions, here are a couple from the paperback edition of Michael's War: A Story of the Irish Republican Army:

Terence Quigley gave it 5 stars: "'Michael's War' is a very fine yarn about the Irish Republican Army, complete with the mandatory love affair between the Irish farmer and the squire's daughter.... I especially liked the way Mr Ford, an American, caught the cadence of Irish speech. The story closely follows the course of Ireland's separation from England, from the Easter Week 'rising' in 1916 to the surrender of the IRA 'diehards' in 1923. At the end of all, as Michael would say, he sells the farm and sets out for America, leaving behind a country full of hate & suspicion as a result of civil war. The seeds of the IRA 'troubles' of the past half-century were sown in Cork & Kerry in the early 1920s. Mr Ford coats the history lesson with a satisfactory romance and an exciting tale of guerrilla warfare. Good job!"

So did Paul Estaver: "MICHAEL'S WAR is a serious literary work. It is also a page-turner, an exciting adventure yarn--and a warm-hearted love story--and a sound perspective of the tangled history of the Irish struggle for freedom. The characters are memorable and believable--and like so much Irish literature, the narrative sings.... In a word, I loved it. The story is set in the period 1917-23 when the Irish Republicans fought, with minimal resources, the arrogant British domination and made their mark, only to be tricked and betrayed so that in the end it was brother fighting brother. Equally important, this is a personal history of Michael Ford, a stubborn farmer, as he grows from boyhood to a commander of men, who ultimately escapes death by Irish luck and lives to look at his own gravestone before his departure for America. DON'T MISS THIS BOOK!"

Blue skies! -- Dan Ford

'Michael's War' is a very fine yarn about the Irish Republican Army, complete with the mandatory love affair between the Irish farmer and the squire's daughter. (Think of Tom Cruise & Nicole Kidman in 'Far & Away'!) I especially liked the way Mr Ford, an American, caught the cadence of Irish speech.

The story closely follows the course of Ireland's separation from England, from the Easter Week 'rising' in 1916 to the surrender of the IRA 'diehards' in 1923. At the end of all, as Michael would say, he sells the farm and sets out for America, leaving behind a country full of hate & suspicion as a result of civil war.

The seeds of the IRA 'troubles' of the past half-century were sown in Cork & Kerry in the early 1920s. Mr Ford coats the history lesson with a satisfactory romance and an exciting tale of guerrilla warfare. Good job! (reviewed Nov 2003 by Terence Quigley)

'Michael's War' is a very fine yarn about the Irish Republican Army, complete with the mandatory love affair between the Irish farmer and the squire's daughter. (Think of Tom Cruise & Nicole Kidman in 'Far & Away'!) I especially liked the way Mr Ford, an American, caught the cadence of Irish speech.

The story closely follows the course of Ireland's separation from England, from the Easter Week 'rising' in 1916 to the surrender of the IRA 'diehards' in 1923. At the end of all, as Michael would say, he sells the farm and sets out for America, leaving behind a country full of hate & suspicion as a result of civil war.

The seeds of the IRA 'troubles' of the past half-century were sown in Cork & Kerry in the early 1920s. Mr Ford coats the history lesson with a satisfactory romance and an exciting tale of guerrilla warfare. Good job! (reviewed Nov 2003 by Terence Quigley)

This book is a fiction, though its hero bears some resemblance to my father, Patrick Ford, born 1899 in the County Cork, died 1977 in Arizona--one of the wild geese who populated the far reaches of the world, for the most part to the world's great benefit. Toward the end of his life, Dad wrote a recollection of his youth in Ireland, and I referred to it constantly while writing my novel. He lived through much of Michael's life story (though he never, to the best of my knowledge, had an affair with the squire's daughter). The rest was experienced by other people, whose stories I adapted.

The heroines bear less resemblance to my mother, Anne Crowley, though Mom did serve in the Cumann na mBan--easier to pronounce than to spell!--and once or twice tucked blasting caps into her cleavage. She was a more forgiving person than my father, and she wouldn't be at all troubled to learn that her great-granddaughters carry British as well as American passports.

When the novel was done, I put it aside and turned to other things, among them a story about the Flying Tigers of World War II. If you have read "Remains," you may remember Austin and Annabel Love as members of the British Raj in Burma in 1941-42. They suited the role, so I borrowed their names and some of their circumstances. Now, as I return to "Michael's War," I find that they suit this book even more, so here they are as I first invented them. If the coincidence troubles you, just pretend that they hail from different branches of the same fictional family. -- Dan Ford

MICHAEL'S WAR is a serious literary work. It is also a page-turner, an exciting adventure yarn--and a warm-hearted love story--and a sound perspective of the tangled history of the Irish struggle for freedom. The characters are memorable and believable--and like so much Irish literature, the narrative sings. Finally, it is the heritage of Daniel Ford, its author.

In a word, I loved it.

The story is set in the period 1917-23 when the Irish Republicans fought, with minimal resources, the arrogant British domination and made their mark, only to be tricked and betrayed so that in the end it was brother fighting brother.

Equally important, this is a personal history of Michael Ford, a stubborn farmer, as he grows from boyhood to a commander of men, who ultimately escapes death by Irish luck and lives to look at his own gravestone before his departure for America.

DON'T MISS THIS BOOK!

-- Paul Estaver

Let's clear the air first.

It is a shame that Amazon has decided to highlight Susie Lindfield's rather unfortunate review of "Michelangelo in Ravensbruck" from the Washington Post's Book World. While Ms Lindfield's credentials would appear suitable to the task, her product (the review) certainly leaves one wondering by what tortured lens she viewed Karolina Lanckoronska's book.

If you have read the Lindfield review, consider then this passage from the second paragraph of the book's prologue: "My memoir is meant to be a report -- and only a report -- of what I witnessed during the Second World War. I know that others have lived through a great deal more than myself. I was never in Auschwitz or Kazakhstan. Nevertheless, I also know that every first-hand account contributes fresh detail to the picture of those years."

If only Lindfield demonstrated an understanding of those few words.

Those are the words of an historian -- because that is what Lanckoronska was. This book clearly demonstrates the historian's perspective, and the understanding that individual narrative has great value to researchers, those passionate about history and learning, and perhaps even the merely curious.

The puzzling thing about the Lindfield review is that it seems she would be more satisfied if this was a work of fiction that she could complain about for not fitting into her concept of history. The problem is that the events in this "story" happened -- and to the storyteller, not Ms Lindfield. To that extent, Ms Lindfield shows herself to be in a mild state of denial. Additionally, her review shows me no understanding of the importance of teasing out individualized threads of experienced history, and then placing them in context within that complex fabric of history -- not macerated into a homogenized "pour" of history.

I strongly recommend that you read John Carey's review from the Sunday Times (of London), published 12 FEB 06, or on the web at:

[...]

(If that link doesn't work, go to the Timesonline site and search for "Lanckoronska".) Carey's review has the advantage of actually telling you more about the book than about the reviewer.

The book itself? You certainly won't find flowery passages and gripping drama. But not so fast. Lanckoronska is a historian -- an art historian by education who later turned her talents to Polish art and culture. So perhaps her prose is a little dry. You can almost imagine a woman, speaking aloud from notes, going through this part of her life for you step by step. But as you become accustomed to her style, events emerge that surprise. Something as innocuous as a car breakdown is delivered in the same tone as a later scene were she realizes that she is witnessing fellow Poles being herded into lorries and heading for the execution grounds in the woods. More than once I had to stop reading just to let those scenes sink in.

This book is valuable because it snatches our attention away from the homogenized pour of World War Two and Nazi history that we have been spoon fed all these years. It understands the enormity and incomprehensibility of the Holocaust, while taking you into the places that Western European and North American histories are only just beginning to touch -- over 60 years after the fall of Hitler's Berlin.

At the back of the book are endnotes for each chapter (which, in future editions, I wish they would convert to footnotes) by the author or the editors. Fascinating too are the appendices which include the names of the Lwow professors that were murdered, and short biographies of major characters in this book. Just within those short biographies is a chilling reminder of the overt criminality of the Nazi regime, and all those that chose to follow it.

For students of recent Polish history, this is a must-have volume. And for anyone who would like another perspective on what happened in Poland, the Ukraine, and Germany between 1939 and 1945 -- especially to provide richer context for understanding the depths to which humanity seemed to plunge during that period -- I highly recommend "Michelangelo in Ravensbruck".

And let's make this very clear: A better understanding of this period of time from Karolina Lanckoronska's perspective in no way (at least for a moderately intelligent reader) diminishes the totality of those horrible years.

This is a missing link in WW2 history taught in the US.WW2 wasn't just about Jews. They suffered a lot and everybody knows it but nobody have any idea that during that war 25% of Polish nation was killed by Germans, Russians and Ukrainians.

In 1939 the author was a wealthy landowner and professor of art history, and also witness to the Soviet army's march into Poland as the Nazis staged their invasion from the west. She joined the resistance and was captured and sent to the Ravensbruck concentration camp - there to teach art history to other women who believed they would soon die. Her account discusses the mass murder of Poles and the ability to survive the most inhumane conditions, and should serve as an inspiring, outstanding addition to Holocaust literature for any collection seeking expanded views from eyewitness survivors.

This well written book is a cliff-hanger, a tear jerker and the most frightening lesson in the behaviour of supposedly civilized races.
It should be mandatory reading for all schools and universities in the free world. The bestial atrocities detailed in its pages need to be shown in the light of day so that public conscience ensures that they never be repeated.
The author's incredible faith and determination shine through, as does the spirit of the Polish people.
This might be the most comprehensive and detailed report ever written by a survivor.

Having read numerous accounts of the Holocaust, primarily from the Jewish point of view, I felt this book was a valuable addition to World War Two & even Holocaust literature, even though it is from a Gentile's point of view. It details the wartime [World War Two] experiences of a Polish aristocrat, Karolina Lanckoronska who was actively involved in resistance activities against the Nazis. Quite a bit of the book is devoted to detailing her resistance activities. These eventually get her labelled an undesirable and she gets sent off to Ravensbruck concentration camp. Her indefatigable spirit is evident in her lively outlook despite the horrors and bleakness around her. Her account of life in Ravensbruck is immensely valuable to enhancing our understanding of Nazi atrocities...female prisoners being subjected to horrific medical experiments, the infamous selections that make day to day living unberable for no one knew when death would come knocking, the rampant diseases that besieged the camp, all these horrors are vividly described in Countess Lanckoronska's account. Despite the worst living conditions imaginable, she was able to bring some measure of hope and light by teaching art etc. Her courage in standing up to the Nazis is inspiring and her account is a valuable addition to anyone interested in World War Two history & Nazi atrocities.

This book is the best in the series so far. The mystery was very good and kept me guessing until the end. In fact, I had picked another murderer and plotter entirely. Also, Fidelmaa is much more likeable in this series. My main complaint so far was that I really did not like her. She was too haughty and full of herself with an acid tongue. In this book, that seems to change. We meet a much more vulnerable Fidelma, but one who is still as smart as a tack. She finds her way through the morass and one or two red herrings to discover the murderer and to thrwart a very dangerous plot against her brother's kingship. She sets out to find out who arranged an assisination of her brother and a rival king who is supposedly trying to make peace with her brother's kingdom, and discovers a missing monk from a neighbouring abbey, an illegal mining operation and a very dangerous political plot. Great stuff!

The Monk who vanished is a mystery set in 6-7th century Ireland. It is very detailed and brings the reader easily to this ancient time without sounding like a history or anthropology lesson. The mystery stroy is very well developed and has unexpected twists and turns that are justified and well put together.

The stakes are high indeed in this seventh installment in the Sister Fidelma mystery series, because this time she is fighting to protect her brother's claim to the kingship of Murman.

The Ui Fidgente, a major clan of Murman, have been adversaries of Cashel for a long time, and indeed they have long challenged Cahsel's right to the kingship of Murman, refusing to pay tribute. Now however the current prince of Ui Fidgente, has decided to put all the bad blood between the two clans behind him and to negotiate a treaty of peace with Cashel. To this end, he and his retinue have come to Cashel in a gesture of goodwill in order to hammer out some form of an agreement. However, just as the two princes are about to exchange greetings, an unknown bowman shoots at them, wounding both men. He is later found dead, wearing the emblem of the Golden Chain, which identifies him as a member of Cashel's elite bodyguard. This proves to be a bad sign for Fidelma's brother, for if he is found guilty of the attempt of the prince of Ui Fidengente's life, the kingship of Murman would then be forfeit to the Ui Fidengente! Another bad sign: in the abbey at Imleach, the relics of the holy man Ailbe, has been stolen. Legend has it that if ever the relics were stolen then the kingship of Murman would fall from Cashel and chaos would ensue. It looks as if the two incidents are tied and that Fidelma will have to do some rather nifty detective work to discover who exactly is behind this move to take the throne away from her brother and start a war.

This historical mystery series is a really good one even if Peter Tremayne's writing style is a little to dense and dry. However he has struck gold in his creation of Sister Fidelma. In Fidelma, Tremanyne has created a brilliant and charming heroine, with a thirst to see justice done and set things right. The plot of this mystery novel is intriguing and a little convoluted, full of red herrings and sub-plots that have sometimes very little to do with the actual problem at hand. However the final denouncement where Fidelma finally lays all her cards on the table makes everything worthwhile: the somewhat dry and dense prose, the convoluted plot with all its red herrings, and the somewhat ranting style of communication that nearly everyone save Fidelma and Brother Eadulf seem to employ. A book well worth reading inspite of the few nit-picking problems I had with it.

As an avid reader of the Sister Fidelma books I was more than pleasantly surprised by The Monk Who Vanished. It kept me guessing from the start with unexpected twists and turns.

Fidelma's world is brought to life in this seventh installment in the mystery series. This is a highly personal adventure for her with her brother's kingdom at stake. As always there is more than meets the eye in this adventure. With all of the sub-stories Tremayne keeps you guessing as to whether it will all come together in the end or if they are separet mysteries unto themselves. With everything thrown at her, Fidelma keeps her cool and saves the day with her wit and incredibly sharp mind.

This was a story well worth waiting for. I eagerly await the next installment!

The seventh century in Europe became known as the Dark Ages yet Ireland remained a beacon of light where learning and enlightenment continued unabated. Rulers from around the known world sent their leading scholars to learn so that they could return home and educate the leaders. Women were treated as equals and even held office in the church. Sister Fidelma, daughter of a king and sister of the current monarch, is both a religieuse and an advocate of the law.

Long time enemies the Prince of Vi Fidgente and Colgu of Cashel the King of Muman seek a truce. As they near Colgu's home, an assassin hits both men with arrows. The Prince's men kill the culprit before anyone can question him. The King and the Prince accuse each other of duplicity and attempted murder. Unless Sister Fidelma can prove otherwise, her regal brother will be considered guilty and punished under Irish law. However, the clues take her to the Abbey of Imleach where a monk and relics connected to the case are missing with little hope of eminent discovery.

THE MONK WHO VANISHED is a fascinating mystery filled with unexpected twists that often lead to false clues and the wonderful Sister Fidelma, sleuth extraodinaire. However, the true beauty of the tale lies in the descriptions of seventh century Irish life as seen through the eyes of the religious and aristocratic leaders. Peter Tremayne is a gifted storyteller who provides his audience with a vivid view as if the reader is actually there. Even after a delightful decade of the Sister's stories, the latest entry remains fresh and hopefully means the start of another decade of tremendous historical mysteries from Mr. Tremayne.

Harriet Klausner

I read another books about the 1809 campaign but this exceeds in the analisis of the all around campaign fronts , including a detailled italian campaign point of view Eugene versus John both " minor " generals in the official history , and the austrian corp army evolution . A brief but essential study . If you likes Napoleonic strategy , you must have it !!!

Epstein believes it was greater combat effectiveness of Napoleon's adversaries and not the decline of the French army that led to the fall of Napoleon. In his book, Epstein writes about how the Austrians copied the French corps system that allowed greater personal intiative on the battlefield. This also permitted the Austrian army to retreat in detail rather than being surrounded in whole. As a result, unlike Austerlitz, Napoleon was unable to destroy the Austrain army at Wargam in 1809. I would reccomend this book to anyone who wants a new perspective of the closing phases of the Napoleonic Wars.

If you are interested in the development of war, this is an excellent read, otherwise turn away. The author shows how Napoleon's decline began as his enemies fought like he did, in a modern fashion. He makes the case that war as we understand it today began in 1809. The maps are wonderful, although the level of operational detail was a bit much.

Epstein's thesis is thought-provoking and admirably supported. He convincingly argues that the start of modern warfare occurred in 1809 during the Franco-Austrian War when, for the first time in history, two armies met in battle, each utilizing the new doctrine of independent army corps at the new operational level of war. His research sheds new light on the military history of the nineteenth century by challenging the popular wisdom that Napoleon won battles through tactical genius and force of personality alone. Rather, the author demonstrates that Napoleon's genius was primarily manifested in his creation of a new system of warfare based on interdependent action of individual army corps at the operational level of war to achieve strategic objectives. This was a major shift from the tactical-strategic paradigm of eighteenth century warfare (i.e. the ancien regime). Although Napoleon's ideas were based on those of prior theorists, he was the first commander to fully implement this new style of warfare. The result was a doctrinal asymmetry between Napoleon's army and those of his enemies that enabled him to achieve his astounding victories at Ulm, Austerlizt, and Jena-Auerstadt in 1805-1806.

After 1806, however, the other European powers began to organize their own armies according to this corps system. Although they generally lacked Napoleon's mastery of command and control at the operational level, this development ended Napoleon's doctrinal monopoly and restored operational balance to the battlefields of Europe. It was this restoration of doctrinal symmetry at the operational levels of war that account for Napoleon's inability to achieve another Austerlizt in 1809 or thereafter. He strongly suggests that Napoleon himself was unaware of the dynamics of this doctrinal paradigm. Epstein's thesis argues against the possibility of a Lee or Jackson, or for that matter Napoleon himself, capitalizing on this imbalance again. He also argues against the idea that Napoleon had lost his personal edge and was in decline starting in 1809. Rather, the decline of Napoleon's battlefield fortunes resulted from his enemies learning the lessons he himself had taught them in 1805-1806.

While the book is essentially about the developement of the corps system and the emergence of the operational level of war, it is also an excellent operational history of the Franco-Austrian War of 1809. His descriptions of the significant battles, especially Wagram, are thorough, detailed, and readable. The uninitiated reader in the field of military history may suffer from information overload when reading his descriptions and maps, but the detail is greatly appreciated by serious students of the subject. Nonetheless, the general reader will still greatly benefit from learning how warfare fundamentally and irreversably changed in the year 1809. Students of the U.S. Civil War will also benefit from his thesis in that it greatly effects how one weighs the roles of doctrine, technology, and personality during that war as it relates to Napoleon's development of the corps system and the operational level of war.

This book offers a refreshing and revolutionary new view of the history of warfare and emergence of modern war, one based on the history of military organization and structure rather than the traditional technology based analysis. The thesis is well made and well argued and will certainly be a guiding force in the future of military studies, especially now that are beginning to give greater value to decentralization of military operations in the 21st century. Not only is this work revolutionary and foundational in the field of military studies, it is also an excellent analysis of the 1809 War of the Fifth Coalition with many valuable insights into the relationship between Napoleon, his Marshals, and Prince Eugene.

The only reason I gave this book a 4, rather than a 5, is because of the maps. There are many large detailed maps included in the books, unfortunately the generally span two pages with the centre being unreadable between the pages, the difficulity with this is compounded because the deployments and action is generally towards the centre of the map and, therefore, unreadable. I am rather surprised that problem was not caught before publication. Because of this I often found myself having to resort to other sources for maps while reading the book. However, in spite of the maps, the book is more than worth the time and cost for the revolutionary new look at Napoleonic warfare.

Had company over to dinner and used recipes out of book. They all raved about the food.

Margaret Johnson's latest book is a visual and culinary delight! Through her wonderfully ethnic recipes, Margaret invites all readers into her Irish family. My family usually has an italian course during its holiday celebrations, but Margaret's fare has inspired me so much that I am going to recommend that the red-sauced staples are replaced by the the delacacies outlined in this wonderful work (I just hope my mother-in-law agrees). Margaret--thank you for opening my eyes to this cuisine...you are an emerald jewel of Ireland!

I have been a fan of Margaret Johnson for many years now and her latest publication is her best yet! The beautiful pictorial presentation of this book is bested only by Margaret's poetic descriptions of Irish fare. The irish tastes described by Margaret will transform the reader (and chef) to the emerald isle. It is a journey that anyone with an ounce of irish blood cannot miss! The "irishcook" has done it again!! This book is a must have!!

Margaret Johnson has struck gold again. This book is a wonderful journey through the world of New Irish cooking. The pictures are breathtaking. These are recepies you will want to try out in your own home! Thanks again Mrs. Johnson for keeping us close to Ireland.

`The New Irish Table' and `Irish Puddings, Tarts, Crumbles, and Fools' by Irish-American culinary journalist, Margaret M. Johnson who seems to provide low end books covering Irish culinary practice, beginning with her `The Irish Heritage Cookbook', also from Chronicle Books. The middle ground, being the `Julia Child' for Irish cooking is Darina Allen, along with husband, Tim Allen and mother in law, Myrtle Allen, all of the Cork culinary powerhouse, Ballymaloe House and Cooking School. The high end of modern Irish cooking is held by Irish-American culinary academician and chef, Noel C. Cullen. The ethnographic corner of Irish / Celtic foodways is filled out by `Celtic Folklore Cooking' by culinary writer and folklorist, JoAnne Asala of Chicago. There are many more Irish cookbooks to cover between now and St. Patrick's Day, but this pretty much covers most major points on the culinary compass for Irish cooking.

`The New Irish Table' and Cullen's `Elegant Irish Cooking' complement one another pretty well, as they both present recipes from modern Irish hospitality centers. The difference is that where Johnson is covering pubs and `bed and breakfast' style eateries, Cullen is covering dishes from Michelin one and two star restaurants in Ireland, as well as many of his own creations as a working chef, before he took up teaching at Boston University.

Between these two featured books, Johnson's Desserts book is a much more valuable addition to your cookbook collection, as it includes a lot of fancy and holiday desserts which I have not seen in any other good book on Irish cooking. The best thing about this book and its companion is that like a lot of Chronicle Books, it seems to be on a fast track to the Bargain Book table, both real and on-line. That means that at half price, this book is a real bargain for the cookbook collector with a genuine interest in dessert baking.

On the surface, this book seems to feature four basically different kinds of baking. The six chapters are:

1. Puddings
2. Tarts
3. Crumbles and Crisps
4. Fools and Flummeries
5. Tea Breads and Cakes
6. Christmas Treats

Anyone familiar with English cooking will recognize in the first chapter a wide range of desserts which the Anglo-Irish all lump together under the name of `pudding'. Actually, most puddings remind me a lot of French Toast, more properly called `pain perdu' by the French. They are all different ways of combining day old bread, custard, dried fruits and the like into a treat for the sweet tooth. Puddings and tarts, together, form a collection of dishes very familiar to those who know English sweets.

Crumbles and Crisps and Fools and Flummeries all seem remarkably like a style of dessert which is very popular in the United States and commonly associated with both the Pennsylvania Dutch and southeastern and south central styles of cooking. In Ireland, as in the United States, they are all primarily ways of combining stewed or jellied fruit with oats, milk and perhaps some custard. The thing that distinguishes `fools' from other similar desserts is the fact that they are made with gooseberries. A gooseberry, according to my `Berry Bible' illustration, looks a lot like a current, and just a bit like a blueberry, and seem to be common in the United States only in the northern west coast.

The breads and cakes chapter visits the most widely familiar realm of Irish baking, the world of soda breads and scones. This realm is covered much better in Tim Allen's `The Ballymaloe Bread Book', but the last chapter in this book makes the whole book worth the budget price of admission.

This last chapter is a bonanza for those looking for something interesting to bake for Christmas, especially if you are fond of confections which include a bit of stout or Irish whiskey in the ingredients. This chapter brings the tired old fruitcake into a whole New World of cakes, puddings, ice creams, breads, mince pies, and cider sauces.

The second book, `The New Irish Table' has but 70 recipes, all of which seem to be high end bar food, especially since about 75% of the pages are dedicated to appetizers and side dishes. The five chapters on recipes are:

Small Bites with 9 recipes for crackers, tartlets, pates, crostini, cheese bites, and chutneys.
Starters with 15 recipes for soups, salads, souffles, charlottes, sauces, and sabayon.
Main Courses with 16 recipes for fish, duck, chicken, lots of pork, lamb, venison, rabbit, and pheasant.
Side Dishes with 13 recipes of old standards such as colcannon, champ, boxty, cabbage, turnips, and leeks.
Sweets with 17 recipes for puddings, custards, brulees, cakes, tarts, cobblers, and crumbles.

All in all, if you already have one or two books on Irish savoury dishes and you get Johnson's dessert book, this volume becomes largely redundant. A lot of the sidebars between the two books are the same and the `Irish Table' simply confirms everything I already know about the heavy Irish use of apples, pears, berries, dairy, beer, whiskey, pork, and lamb.

Since you can get this cheap, I will recommend it as a small, inexpensive addition to your Irish cookbook collection. It may, however, be the first in line for regifting if you already own a few Irish cookbooks.

I wished this was longer and went into greater depth of the little things in life that changed during war time. There were some very interesting items, that unlesss you lived during those times you just wouldn't think about (driving without headlights at night, why street signs had to be taken down). It provides details of life at the time that only someone alive to live it could provide.

As I listened to Mrs. Stalcup's book, "On the Home Front," I was sucked into a world of Spitfires, Hurricane Bombers, and the Little Ships bringing soldiers from Dunkirk to Dover. Tears were shed when soldiers were lost in battle, and there was rejoicing when a major battle was won. I saw blood, I saw tears, and I saw glory.

It was quite an experience for my classmates and me. We had an author reading her book. Sometimes she would choose a student to read certain chapters because they were so emotional for her, such as the Little Ships and the Spitfire Funds.

It was an amazing book about a young girl who was living during World War Two. But the most amazing paart about it was who was reading it - the little girl from the book!!!!!

Stalcup shares her memoir of growing up in the town of Lydney, England, during World War 11. Ann stays with her parents and experiences war as it comes to her community with evacuees, German prisoners, Australian food packages, and American soldiers. Short, succinct chapters, enhanced by personal and archival photographs, make this a book to be savored as a read aloud or when read independently. Stalcup imparts the flavors of every day English life such as four o'clock tea, sweets, walks in the country, and the pleasures of a front garden, and how they are changed by a world at war. She retells moments of her life, from the age of three in 1938 with her first gas mask to V.E. Day in 1945. This factual memoir complements historical fiction titles such as Pearson's The Sky is Falling, Bawden's Carrie's War, Heneghan's Wish Me Luck, and Garrigue's All the Children Were Sent Away. Stalcup takes the reader's heart and mind into various events sharing humor, fear, courage, and community spirit. Thoroughly researched facts in combination with thoughtfully remembered experiences, make this compelling account a great starting point for curriculum dealing with war and a welcome addition to children's and youth's nonfiction collections. This first book of Stalcup's shows the beginning of a new children's writer with great potential.

Stalcup shares her memoir of growing up in the town of Lydney, England, during World War 11. Ann stays with her parents and experiences war as it comes to her community with evacuees, German prisoners, Australian food packages, and American soldiers. Short, succinct chapters, enhanced by personal and archival photographs, make this a book to be savored as a read aloud or when read independently. Stalcup imparts the flavors of every day English life such as four o'clock tea, sweets, walks in the country, and the pleasures of a front garden, and how they are changed by a world at war. She retells moments of her life, from the age of three in 1938 with her first gas mask to V.E. Day in 1945. This factual memoir complements historical fiction titles such as Pearson's The Sky is Falling, Bawden's Carrie's War, Heneghan's Wish Me Luck, and Garrigue's All the Children Were Sent Away. Stalcup takes the reader's heart and mind into various events sharing humor, fear, courage, and community spirit. Thoroughly researched facts in combination with thoughtfully remembered experiences, make this compelling account a great starting point for curriculum dealing with war and a welcome addition to children's and youth's nonfiction collections. This first book of Stalcup's shows the beginning of a new children's writer with great potential.

As Juvenile Literature, I suppose the book isn't bad in terms of its approach; as any sort of history, however, even for the American market, it falls well short because it's riddled with errors of fact and perception. This, despite the uncredited, but apparently heavy, reliance on Angus Calder's "The People's War" (Cape, 1969). It's no defence to claim "this is what I remembered" if the book purports to be a picture of "Growing Up in Wartime England." A better sub-title would have been "the middle-aged memoirs of a sheltered little girl." Stalcup is 20 days older than me and what I remember of WW2 in Britain is somewhat different.