Croatia Books

My wife and I went to Croatia and Slovenia in September 2007. This was an excellent guide. We loved the fact that it was completely up to date

I was in Montenegro for business and took a 3-day trip to see Dubrovnik. This guidebook was excellent for seeing the town. You don't need any other guidebook. Additionally, it was perfect for touring the "Bay of Kotor" area of Montenegro, which is a popular day-trip from Dubrovnik.

I have used several guide books for each international trip and Rick Steves always has the most useful information for someone looking for a fun but affordable trip. He picks the best values for the money, and always knows where the locals go. The best was a little cafe in Aix en Provence where we went for lunch, and as we were sitting, Rick Steves walked by with his film crew, so we all ran out and had him sign our Rick Steves' Provence books!

Rick Steves knows Europe and how to convey his insightful comments in an entertaining way. I read the book cover to cover without being bored or inundated with any useless data....everything was relevant. Highly recommended.

I used Rick Steve's throughout Germany and Belgium and his tips and recommendations were spot on. We are now planning a trip to Italy and Croatia and I am once again, using his money & time saving tips, and recommendations on where to stay.

If you want to be simply a tourist, then Rick Steve's is not for you. If you want to truly experience a culture and have a great time then use his book.

Stunningly powerful, this tragedy and triumph of a non-practicing Jewish family portrays a happy and privileged family life dedicated to medicine and intellectual pursuits. All that changed in late May of 1941, when first German motorcycle with machine guns arrived practically in front of their home. Forced to run and hide, first from Germans and soon from Ustashe, Julius family with two sons barely survives attacks and joins resistance.
The parents, father a doctor and mother a nurse, worked day and night to save wounded communist partisans. Their youngest son Stevo, the author, at age 14 is appointed a military courier, given an outdated gun, and sent to roam alone through mountains, forests, and small rural villages of Croatia. Their older son, 18-year-old bravely defends the territory of Croatia and Bosnia and Herzegovina. Severely wounded, caught by Germans, he talks his way out with fluent German.
"Neither Red Nor Dead" is an inside story, full of details and naming names among 481 pages, explaining why communism failed in Croatia and former Yugoslavia (now referred to as f-Y).
After the WWII, in 1953, the Julius family suffers a fatal blow, when dirty communist politics in Zagreb pins the father, a hard working and totally dedicated head of a hospital, against the wall with false accusations. Meddling into hospital administration in a typical communist style, Dr. Julius sees no way out and commits suicide.
The elder son dedicates his life to the communist ideals, but when he critizes Slobodan Milosevic (now a war criminal), he is considered a persona non grata in the country he loved so much. He dies from cancer.
The author, Stevo Julius, educated in Croatia is now internationally recognized as one of the leading scientists in the field of hypertension.

Submitted by Katarina Tepesh

As a reader with only a vague awareness, understanding, or even interest in Yugoslavia and the history of the south Slavs, Julius' book not only opened my eyes to that part of the world but also enhanced my strong feelings of empathy for persons ensnared in the horrors and anomalies of war. His reminiscences of how he handled his ordeal are lively, pointed, and get to the heart of how people react in times of great upheaval. In spite of the serious character of this autobiography, the author was able to see the humorous side of the human condition. Maps and a brief history primer help explain the geography and the times. Not only for history buffs, this book gives all readers a better perception of events in a part of the world that has moved from relative obscurity to major importance in present times.

Have you ever wondered what motivates those who make great contributions to society? Neither Red Nor Dead is the mesmerizing autobiographical account of a young teen-ager caught up in the horror of the Nazi invasion of Yugoslavia during World War II. Blessed with intelligence, incredible insight, perhaps an overabundance of courage and much luck, the author describes in great detail the activities of Yugoslavian partisans and a young boy, largely separated from his family during this horrible time. After the end of World War II the author and his family attempted to reconstruct some semblance of a normal life during the equally terrifying Communist takeover. We follow the trauma of life during the author's education in University and Medical School with amazement, laughter and sadness. It is difficult to put this captivating and fast-moving account down. What makes the epic so much more incredible is the recognition that despite the difficulties and personal loss sustained during this period, the author developed a keen sense of humor and used his brilliance and insight to make many major contributions to the benefit of mankind. This is the personal story of one of the great hypertension (high blood pressure) researchers of our age to whom hundreds, even thousands of people are indebted for his services as a physician, teacher, researcher and friend.

Reading this book has added greatly to my understanding of a significant set of social and political events in the Balkans. It is more important, though, in providing insight into the ways in which individuals cope and grow through being part of those events.

Prof. Julius is a wonderful scientist and clinician. This book addresses issues well beyond medicine and science.

For the American, Prof Julius' book provides a the history of the Balkan peoples and describes the maelstrom there during and after World War II. Often our histories overlook this region. Through his eyes, the very unique state of post-WWII Yugoslavia becomes plausible. Secondarily, more recent events in the area are more understandable.

However, it is the experience seen through the lives of his father, mother, and brother that capture the imagination in a unique manner. The struggle of the individual within large social and political movements is captivating. Late at night, when I wake from sleep, I often wonder about one or more of young Stevo's experiences described in the book. It is a life well-lived and aspects of his life will always remain with me.

Neither Red nor Dead, an autobiographical memoir by Dr. Stevo Julius (Medvista, Ann Arbor, MI, www.medvistaa.com, Amazon.com, barnesandnoble.com) is a great read! The author, who is an internationally known researcher in the field of hypertension, is now the Frederick G.L. Huetwell Professor of Hypertension at the University of Michigan. He describes his childhood growing up in a Yugoslavia that was occupied by the Nazis during World War II. He is separated from his family, becomes involved in the Partisan resistance, and then suffers excruciating hardship under the post-war Communist regime. Despite such difficulties, he survives and even thrives under these career-threatening circumstances.

His story is told in fine detail but with great charm, humor, and optimism. The descriptions of the Yugoslavian countryside, people, cities and politics are extremely informative and well written. The text maintained my intense interest throughout the 481 pages. Accompanying the text are maps showing specific areas of the country where the action takes place. One small concern here is that many of the towns are not depicted on the maps and so the most intricate details of his travels cannot be carefully examined.

While most of the account takes place in Yugoslavia, only the Epilogue deals with the authorýs leaving the country for Ann Arbor and the University of Michigan. Unlike the rest of the book, the facts leading up to this emigration are less detailed. The last chapter, The South Slavs, is an historical primer, which describes the background of the establishment of the Yugoslavian country after World War I. The author clearly displays the reasons for the internal strife, which has so damaged this territory in the past decade. I might suggest that the interested reader read this chapter first to better prepare for the unfolding of this fascinating memoir.

Dr. Julius maintains his wonderful humor, humility and sense of family and country throughout the book. There are many interesting literary details (stories and poems) included in the text. Most importantly, the writing is not at all medically oriented, so that readers of any background can enjoy the book. After reading it, besides offering it to my friends, I found that I would very much like to meet the author and shake his hand...

Ms Ugresic makes a real case when she exposes the nationalisms that permeate our world. How do things that are similar become different? Why do people not approach themselves but are being "held apart"? Much of the reasons are political policies, money and power struggles. At the end of the day, everyone of us is victim of national brainwashing. This is why we ought to be critical and never forget how we have something essential in common: we are all human.

This well-written book gives keen insight to events surrounding the dissolution of Yugoslavia while providing a view into the collective mind of former Yugoslavians. This book also makes one wonder about how nationalism is used, for better or worse, in other countries as a political vehicle to motivate its people to support specific ideals. While I agree with Ugresic's criticism of nationalism and the role it plays in post-Yugoslavian times, I also wonder if it is just a collective defense-mechanism, a means for survival when collective identity is being shattered. It is a fascinating read, well-written, and illuminating on many different levels.

Although it has taken the English translation of this collection of essays a few years to come into print (it was first published in Dutch),this is a highly relevant, illuminating, and moving book. Most of the essays were written between '92 and '94, with more recent postscripts. With rare clarity and complexity of thought, gift of articulation, emotional courage and absence of pretence or squeamishness, Ugresic has carried out a highly accessible investigation into the Yugoslav war, the demise of communist Europe, the East-West polarity, the ambiguities of exile. With references to other East European writers and thinkers (Milan Kundera, Miroslav Krleja, Danilo Kis, Josiph Brodsky), she explores the tyranny of the new constructs of national identity in the Balkan states, the enforced collective amnesia of the former Yugoslavs, the many traumas of their history, as well as the common psycho-cultural lanscape of the 'Eastern block'. There are many deeply moving episodes and revealing insights here, delivered in the familiar 'Central European' style of ironic, melancholic, bitter humanism. Vaguely reminiscent of Milan Kundera, only better because of the lack of smugness and the final doubting humility of someone who has felt intense pain and articulated the nature of this pain.

Dubravka Ugresic is perhaps less well-known in the English-speaking world than the other Croatian "dissident" writer Slavenka Drakulic, which is unfortunate. Both Ugresic's essays and especially fiction are far superior to that of Drakulic. "Culture of Lies" includes the author's observations of Croatian society and politics of the last ten years, both of which have been none too kind to her (indeed, while achieving great acclaim in other European countries, she was branded a "traitor" and worse by Croatian politicians and the pro-regime press for her uncompromising criticism of Croatian nationalism, etc.). In this book, Ugresic shows the many ways in which nationalism imbued all levels of society in Croatia, making people increasingly hostile to different views and people who were/are "different." Her particular area of interest is the way this was reflected in the behavior of intellectuals, who-at least one would like to think-are not supposed to be as susceptible to the appeal of God-and-country patriotism and nationalistic kitsch. Her description of an incident in a Zagreb tram, in which a young man accosts and beats an old destitute drunken man, is particularly vivid and sadly indicative. In fact, this whole section of the book, called "Souvenirs from Paradise" is an excellent collection of impressions and observations of the underside of Croatian life. Despite the recent sweeping political changes in Croatia, many of the negative aspects of society in this country as described by Ugresic are still here, and they will haunt this country for some time to come.

It tells truth of thousends of people manipulated with mass media on Balkans. If you want an expert book on how wars started in ex-yugoslavia you should read this one.

In her heart breaking account of the impact of the Balkan war on children, author Leah Curtin quotes Darija - a thirteen year old survivor living outside the town of Biograd:

"War is nothing like I thought it would be...Tell the children of America that I hope for them, they never learn what war is. It is to be so afraid that you cannot sleep even when there are no bombs. It is to see everything, everything destroyed. I cannot speak of those who are dead...my heart is still in bandages."

Ms. Curtin - with the help of Patricija Padelin, child psychologist at the hospital in Zadar - chronicles the almost unspeakable violence the children suffered during the course of the war, along with their fears, hopes, dreams and enormous capacity for survival.

In the face of complicated mourning - in one of the stories a boy recounts how he had to choose between betraying his father or grandfather - the children are encouraged to speak about their experiences and to draw and paint images based on how they feel. Some of the illustrations were drawn in refugee camps during and after the war; others during interviews with the children to help them express their experiences.

The result is a moving and illuminating chronicle of the inner lives of children who have been victims of war.

The atrocities inflicted upon civilians - the most vulnerable targets of modern warfare - are nearly unspeakable. The rape of women in Croatia during the course of the conflict has been extensively documented and made public.

Less well known is the sexual savagery directed toward infants, and the brutal torture to which the old were subjected. I hesitate to repeat one child's account of what he witnessed in a church: elderly people tied to pews, begging to be killed, while soldiers cut out their eyes and forced these innocent people to swallow them.

How does one ever forgive such atrocities? Ms. Curtin - a nurse and widely published health ethicist - offers no simple, unrealistic answer. It may not be possible, at least not in these children's lifetimes.

How do children heal then? How do they overcome the impulse to hate not only the soldiers who did these things, but their own neighbors who may carry the burden of the enemy's ethnic identity?

One of the many virtues of Ms. Curtin's book is her insistent answer: the inner, creative life of the children and the need for adults to honor it, to learn from it, to be changed by it.

Just as war is the enemy of art, so art is the antidote for war. As the poet Jane Kenyon has said, "We cannot afford to ignore our inner lives, our imaginations, for when we do, we become capable of extreme cruelty and destruction. Tenderness toward existence is what we lose when we lose art."

Ms. Curtin, with the assistance of Ms. Padelin, has taken us into the inferno of war and found, miraculously, war's primary victims taking off the bandages and making narrative and visual art. Ms. Curtin's narrative is interwoven with the children's voices and with their remarkable drawings. Upon being asked to tell his story, a boy named Davor declares "I am as normal as anyone else. It's the world that's crazy, not me." What artist has not felt a similar need to declare him or herself sane!

In one revealing example painted by a child refugee from Zagreb, a boy's face is surrounded by an exploding city. Drawn in the form of a pastiche, it is impossible to separate the head in the drawing from the bombed landscape surrounding it. The boy's eyes are not the eyes of a child, but of one who has been forced to grow up too fast.

A boy named Hrovje, whose skull had been badly damaged by a grenade while he was rocked to sleep by his grandmother, has had his story juxtaposed with another child's portrait of a woman holding an infant. The anguished face of the woman is reminiscent of the haunted faces painted by the Norwegian expressionist Edvard Munch.

Some of the stories and illustrations leave a lighter, almost whimsical impression. Kristina dreams of being a dancer in Hawaii and hopes that one day she will appear on the American TV program Hawaii Five O. She seems to be perfectly represented in a drawing made by another child recuperating in intensive care at the hospital in Zadar. A hula dancer with a bright red dress and bouffant hairdo seems a long way from these children's scarred childhoods.

The most haunting images are perhaps the ones of hearts. In one heart colored orange, there are teeth within the heart and a world outside it where a child is raising her arms to a sky without bombs. In another picture, there is a mouth with a twisted smile that appears to have stitches for lips. Under two dancing hearts the caption reads: "Usually when a child draws hearts, the larger the heart, the more he is in need of love."

My favorite painting is reproduced on the cover of the book: a beautiful blue dove, its wings outstretched, an olive branch in its beak. The bird is flying through the war torn countryside where there are still sunflowers lifting their yellow heads to the sky. But if the viewer looks closely, there is a skull with an open mouth, and just above that image of death there are the instruments of war. This painting was a large mural made collaboratively by fifteen Croatian children who wrote peace messages on the back.

I thought of Picasso's GUERNICA, of course, and along with it the temptation to despair, which any honest depiction of the madness of modern war brings us.

The final and most important achievement of SUNFLOWERS IN THE SAND is Leah Curtin's refusal to embrace hopelessness. By letting the children speak, by empowering them to show through art their own inner lives and resilient spirits, she has in her own unforgettable words instructed us to follow them "and there will be hope for the world."

Sunflowers In The Sand: Stories From Children Of War is the story of war in present day Europe and its poignant and heart-wrenching effects and influences on children caught in the horror of conflict. Illustrated by the artwork of Croatian children, Leah Curtin's informative, engaging, powerful text is a vivid expression of the experience of children in the Balkan conflict telling with a compelling candor what it is like for a child to be trapped in an incomprehensible world of adult hatred, conflict, and horror. Ultimately, Sunflowers In The Sand is a testament to the endurance and resilience of these children who survived the loss of home, family, and their own childhood -- all sacrificed on the altar of war created by political and military leaders in the name philosophies, ideologies, and ethnic hatreds. Highly recommended.

Sunflowers in the Sand highlights the triumph of the human spirit over adversity when tested by the harshest circumstances. The twelve chapters are really short stories skillfully woven together into a primer on the evils of war. The voices of children from all sides of the war speak through Leah Curtin, trying to explain what happened to them and how they survived with their spirits intact despite the dark brutality of war. Mixing tragedy and triumph, hope and despair, Curtin draws the reader into each child's world. The confusion of sudden flight, panic of separation, terror of capture and the horror of slaughter intermingle with the sweet, exhausting relief of survival throughout this too brief novel. The best part about this book is that one is left with the genuine hope that with luck and perseverance, these wounded spirits might again THRIVE.

Using art work drawn by Croatian children and a compilation of their stories, Leah Curtin brings war to life in a very real and unique manner. The children, who are the survivors of the war, were caught in unimaginable situations, enduring untold hardships. Their stories express a yearning for peace and a way to rebuild their lives. The art enfleshes the stories in a powerful and poignant way.

In her heart breaking account of the impact of the Balkan war on children, author Leah Curtin quotes Darija - a thirteen year old survivor living outside the town of Biograd:

"War is nothing like I thought it would be...Tell the children of America that I hope for them, they never learn what war is. It is to be so afraid that you cannot sleep even when there are no bombs. It is to see everything, everything destroyed. I cannot speak of those who are dead ...my heart is still in bandages."

Ms. Curtin - with the help of Patricija Padelin, child psychologist at the hospital in Zadar - chronicles the almost unspeakable violence the children suffered during the course of the war, along with their fears, hopes, dreams and enormous capacity for survival.

In the face of complicated mourning - in one of the stories a boy recounts how he had to choose between betraying his father or grandfather - the children are encouraged to speak about their experiences and to draw and paint images based on how they feel. Some of the illustrations were drawn in refugee camps during and after the war; others during interviews with the children to help them express their experiences.

The result is a moving and illuminating chronicle of the inner lives of children who have been victims of war.

Just as war is the enemy of art, so art is the antidote for war. As the poet Jane Kenyon has said, "We cannot afford to ignore our inner lives, our imaginations, for when we do, we become capable of extreme cruelty and destruction. Tenderness toward existence is what we lose when we lose art."

Ms. Curtin, with the assistance of Ms. Padelin, has taken us into the inferno of war and found, miraculously, war's primary victims taking off the bandages and making narrative and visual art. Ms. Curtin's narrative is interwoven with the children's voices and with their remarkable drawings. Upon being asked to tell his story, a boy named Davor declares "I am as normal as anyone else. It's the world that's crazy, not me." What artist has not felt a similar need to declare him or herself sane!

The most haunting images are perhaps the ones of hearts. In one heart colored orange, there are teeth within the heart and a world outside it where a child is raising her arms to a sky without bombs. In another picture, there is a mouth with a twisted smile that appears to have stitches for lips. Under two dancing hearts the caption reads: "Usually when a child draws hearts, the larger the heart, the more he is in need of love."

My favorite painting is reproduced on the cover of the book: a beautiful blue dove, its wings outstretched, an olive branch in its beak. The bird is flying through the war torn countryside where there are still sunflowers lifting their yellow heads to the sky. But if the viewer looks closely, there is a skull with an open mouth, and just above that image of death there are the instruments of war. This painting was a large mural made collaboratively by fifteen Croatian children who wrote peace messages on the back.

I thought of Picasso's GUERNICA, of course, and along with it the temptation to despair, which any honest depiction of the madness of modern war brings us.

The final and most important achievement of SUNFLOWERS IN THE SAND is Leah Curtin's refusal to embrace hopelessness. By letting the children speak, by empowering them to show through art their own inner lives and resilient spirits, she has in her own unforgettable words instructed us to follow them "and there will be hope for the world."

Croatia: Travels In Undiscovered Country by Tony Fabijancic is a superbly written, personal memoir and eye-witness travelogue of what it was like to experience the land and people of Croatia as both an ancestral home and an undiscovered country. Transporting the reader on one man's journey into a rich and varied landscape, Croatia: Travels In Undiscovered Country is a vividly written, deftly informative, and memorably presented experience of a land steeped in centuries of tradition and lore. Croatia: Travels In Undiscovered Country is especially recommended reading for armchair travelogue adventure enthusiasts and anyone thinking of a trip to Croatia for themselves.

A terrific book. I have found no other book on Croatia that offers such insight into the country's current way of life and historical emblems, without becoming trite or resorting solely to political fact listing. Reveals the fragile beauty of a an undiscovered country in the midst of economic and cultural change. A wonderful travel book. Accessible and imaginative writing. Very well done.

I recently returned from three weeks in Croatia and came across this book. I would say Tony's writing is fair to good, and I enjoyed his insights into how the country felt and looked in 1996 post war. Because most of my time was spent along the Dalmatian Coastline his stories have inspired me to spend time on my upcoming return to Croatia in the rurual areas. Speaking Hrvatska is going to help and for anyone contemplating travel to Croatia he does a good job of articulating the lifestyle of 10 years ago. It is changing drmatically now that it is poised to join the EU. His stories are off the beaten tourist path and defininitely reflect the flavor of a very diverse country that remains in denial about its history and its future.

This is an account of its author's travels in what for him was "undiscovered country" but for the reader, save for this book, would be forever undiscoverable. Mr. Fabiancic, a Canadian born in Croatia, fluent in the language and connected with the culture, combines a native's access with a foreigner's perspective; he thus engages deeply on our behalf with places and people that otherwise, if we encountered them at all, would be no more than two-dimensional snapshots, real or remembered.

Indeed, much of what Mr. Fabiancic saw and experienced just ten or so years ago may well already have been swept away by the riptide of progress that has swept over the newly independent nation since the disintegration of the Socialist Republic of Yugoslavia in 1991. His observations are keen and his descriptions immediate.

Mr. Fabiancic also shares his inner travels with his audience. That aspect of the book is not especially to the taste of this reader, for whom Mr. Fabiancic's reports of personal epiphanies and developmental milestones ("My youth is over") get in the way of his descriptions of the often striking landscape and its often colorful and, it seems, always engaging inhabitants. At times, too, his striving for literary effect can be a bit labored: in places the similes are so thickly spread as to obscure the nouns they are meant to illuminate, and more than one perfectly effective account is blunted by a last-minute effort to give it Meaning.

Should such distractions tempt you to put the book down, don't. If you find a chapter heavy going, try another; they vary in style, as in subject matter, and little is lost by reading them out of order. Later, returning to a passage that had seemed a little overblown, you may experience it more sympathetically. Especially if you have in mind to visit Croatia, the author's vivid insight into what the country and its people are and have been will make coping with the book's less successful qualities more than worth your while.

The large number of women who, like Sofi Moore's protagonist Maria, have suffered mental and emotional abuse at the hands of their philandering husbands will no doubt see a reflection of themselves in this book and hopefully face the fact that a philanderer will not change, and summon the courage to act accordingly. Unfortunately for Maria, she suffers from a chronic health condition which impacts her outlook on life and keeps her more dependant on her cheating husband. Sofi's description of Maria's feelings and despair is so real and accurate that the story left me with the desire to reach out to Maria to offer comfort and a shoulder to cry on. As for Maria's husband, one can only hope that he will get his comeuppance one day! Good Job Sofi and keep us posted on how Maria is doing, please.

This book is AMAZING! Every page is filled with an important lesson. I could not put this book down until I finished it. It is truly one of the greatest novels I have ever read. Moore is able to scrutinize the meaning of life which encompasses the best and worst of love and determination. I sincerely recommend this book to any person who wants to understand and discover the true meaning of what it is like to be human and the mistakes and decisions that we all make in our lives. This is an epic novel that intertwines the endless difficulties of Maria's cheating husband, to her only strength and love for Chris, her son. This is a novel that should not be ignored, for it will bring a self-realization of one's own reality in life and capture one in a shocking awareness of the choices people make, and the lives that effect.

This book tells a story of a woman from Europe, who meets a man that has given her everything her heart desires. She then gets married to him and moves to the states to start a new life. He seems like everything a woman could ever want in a man. He is a very hard worker, who works very long hours everyday at his business to give his wife and son everything they could ever need. But is he really the guy that she thinks he is? Is he using his long working hours as an excuse to live a second life? Read this book and find out how far a man will go to feel young again, and how naive a woman can become after so many years of marriage.

It's been a long time since I've actually been able to sit down to read a book all the way through. I've made some attempts but quickly lost interest. With this book "Losing Her Place, by Sofi Moore," I could not put this book down. I practically read this book all the way through in one sitting. And I'm actually reading it again. If you feel that your spouse may be cheating on you then this book is definitely for you. "Losing Her Place" will give you ideas on things to look for and ways to catch your spouse in lies. If you are in a relationship where you know your being lied to and your spouse is living a double life then you will totally be able to relate to the main character, Maria.

I really hope this author writes another book after this one and tells the rest of the story. After reading this book you feel like you are know this person, and you just want to give her a big hug! This book would be an awesome gift for anyone you know who might be in the same situation as Maria. Maybe just for somebody looking for a great book to read. It's so inspirational, and sad at the same time. It goes to show that even after many, many years of marriage that you may not totally know the person who you planned to spend the rest of your life with, they may be living a double life.

I would give this book more stars if possible. I promise you if you read this book you will be totally satisfied. You get so emotionally involved in this book that unless you don't have a heart, you will find yourself wishing you could do something to help her. Well in fact you can, buy this book and read it. Tell your friends.

I was very surprised that while reading this book I began to see periods of
my life in retrospect; periods that I did not want to remember again. I
could not believe how strong Maria's denial was, but all the while it
reminded me of my own past denial. Relating to Maria was shocking as well as
comforting, because I began to see how mistakes similar to my own played out
in her life. In this sense it was a very thoughtful read and I thoroughly
enjoyed the book.

There is finally an account of what happened to the Croatians after WWII. After hearing about the crimes of Jasenovac for years, the crimes perpetrated against the Croatian people have come to light.

The times of silence are over. Even whispering about the events at Bleiburg and the Way fo the Cross during Tito's reign were answered with severe punishment.

Thank you for carrying such a revealing piece of literature. There may be some rest for the victims after this.

Sir Peter Ustinov once wrote "what the world never hears about, the world assumes never happened." And I am afraid his words ring true when dealing with the post-war/peacetime massacres of hundreds of thousands of civilians by Tito's troops, after being turned away by British forces. This massacre of primarily women, children and the elderly is particularly grotesque because it occured once peace had been signed and continued in the years following. Recently, having had the opportunity to interview survivors of this massacre, what strikes me most is there ability to rise above this tragedy and the sadness I feel because their stories remain largely untold and are buried with them when they die. Thank you Amazon for carrying this valuable book

Very well written and compelling to read, historic and straight-forward. The documentation is amazing. In fact, that is what about half the book is. I was lucky enough to find this, though it was written back in about 1969.

As my heading suggest, the largest postwar massacre in Europe is probably this event, rather than exclusively Srebrenica, as stated on the cover of David Rohde's excellent book "Endgame", but at the same time, this is close to being a World War II era event. I still believe this is a point of contention. Another interesting aspect of this book, is that it was written during high tensions of the cold war. Out of Print? They need to reprint it.

I only wish that more people can hear of the atrocities commited against hundreds of thousands of children, women and elderly men by Tito's Partisan troops post WWII. The Croats have been long demonized by the Serbs by their Communistic whitewashing of history. Now for the first time, light is shed on the massacres at Bleiburg and the Croatian Way of the Cross across the whole of Yugoslavia.

A simply enlightening piece of work! Thank you for carrying this book.

a fascinating book which deals with the suffering croatians faced during Tito's regime, a subject few contemporary writers approach. an insight into the heart of communist darkness.

What a horrible life these people had to have in Yugoslavia, struggling for their life under Tito's communist killers.

The book shows the view of one of the creators of the Macedonian alphabet, who was sentenced to 5 years in the concentration camp Goli Otok (Naked Island) in Yugoslavia between 1956-1961. It gives dark but truthful description of the conditions in which the POLITICAL prisoners were held. A book one must read before visiting ex-Yugoslavia

This book is marvellous diary about people who help to childrens all over the world. Also have a good descriptions of my state: (general situation, war, cities, people...). I hope that next edition will have more successful stories. Thanks! :-)

You feel a part of each patients family, their sorrows and their joys. You see the inside of each sternum.

This is a great book about people who help childrens in countries which dont have possibilities for high-tech medicine. Also this book have a wonderful descriptions of my country (people, situation, cities...).

I agree with the prior reviews re: "Plum Brandy." For me, the final chapter on Josip searching for his grandmother's grave in Cleveland is worth the price on its own. Reminded me of my search (less complicated!) for the grave of my Slovenian great-aunt Marija in Saint Louis. The effect was very sentimental and uniquely personal. The memories of time spent and years since her death race through the mind. Glad to see another example of good relations between Slovenes and Croats. We are much more culturally and politically similar than different.

This is a collection of stories from an award-winning author who straddles two very different worlds. Born in Croatia when it was still part of Yugoslavia, he emigrated to the United States at age 20. He has traveled back to Croatia many times and spent some time there during the brake up of Yugoslavia. As both a native Croat and an American he was able to view the turbulent times of the 90s with the detachment of an outsider looking in and the insight of a native son. This book however is not about the war in former Yugoslavia but a collection of personal experiences that took place at that time.

In the following example he manages to tell us, in a personal way, something about the Serb rebellion in the Krajina region of Croatia. In the Guns of August essay, he writes: ýI took a train ride to Rijeka ý or rather I wanted to. The train was cancelled: the line passed along the Krajina region. I took the bus, and it went right to the Slovenian border. Krajina had squeezed the rest of Croatia all the way to Slovenia at one point.ý

In another essay, he describes in lyrical prose moments of his childhood in a Croatian village: ýMy sweating father interrupted carving wood and gave me leafy red bank notes to buy loaves. Yeasty smells drew the townspeople who were still fresh from rising in a cold dawn to the old bakery with its uneven walls and swelling mortar. Beyond the threshold, I saw naked and skinless white loaves slide into the metal oven above the random licks of flames. Soon a pale man sprinkled water from a crimson cup, glazing the emerging an tanning bread skins into polished crusts.ý

Josip Novakovich is an extremely gifted writer who offered me, the reader, genuine pleasure out of the simple act of reading. I recommend this book highly because I am certain it will have the same effect on you.

I laughed out loud at the wry and tender humour Novakovich brings to these intimate essays. Several of these essays belong alongside David Sedaris' writing about his misadventures in France--insightful, intimate, and heartbreakingly funny observations on our human predicament. Picking up this book is so much like sitting in a Balkan cafe with a long-lost friend telling exquiste funny / sad stories that leave you hanging on every word that later you swear you can smell the espresso, brandy and smoke. Reccomended!