Illinois Books
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Batter my heart, Frank Lloyd WrightReview Date: 2000-02-25
"...the ecstasy of power in ordering space..."Review Date: 2001-12-26
and analysis, of one of Frank Lloyd Wright's masterpieces
of architecture. Too often the words "artist" and
"genius" only dimly suggest the true nature of the
person or work being discussed; but this book with
its keen and accurate delineations about Robie,
the client and his desires, Wright, the architect/
artist/genius and his desires, and the work of art
itself -- the Robie House -- help one to fully
understand the harmonious combination of elements
which can come together in producing a masterpiece.
The author of this work is Donald Hoffmann, and
he has himself produced a work of magnificence
in this full presentation of the design and execution
of a "dream house." Hoffmann gives full and interesting
accounts of Robie and of Wright as their two psyches
come together to promote an "idealized" artwork which
pleases both client and architect.
The book also has wonderful footnotes filled
with insightful comments and quotes. Here is
an example of one:
Louis H. Sullivan at the end of his life wrote
quite beautifully that Wright was gifted with
"an apprehension of the material,so delicate as
to border on the mystic, and yet remain coordinate
with those facts we call real life." (p. 31)
The text itself is filled with suggestive and
provocative commentary:
Wright's ideal was the comprehensive and unified
work of art, the *Gesamtkunstwerk. German culture
fascinated him. He spoke of Bach and Beethoven
as the two greatest architects, and he confessed
his love for the old Germany of Goethe, Schiller,
even Nietzsche. (p. 14)
Wright stood almost alone in his intuition of
the prairie. * * * Everything about the site
suggested a long, low, stream-lined, ship-like
house: the prairie, the nearby lake, the new
sense of speed, * * * and the shape of the lot ,
three times as long as it was wide. (p. 17)
Radical and masculine, the Robie house would be
built in a part of Chicago characteristically
stern and urbane. (p. 13)
-------------
The book is filled with "160 carefully selected
illustrations" --which include architectural
drawings and many photos, both of the house,
of Robie and his family, of Wright, and of some
of Wright's other previous houses leading up to
the Robie House. Hoffmann also did excellent
research by gaining access to complete
taped transcripts by Robie, and interviews with
Robie's son, and others.
There is something very compelling and involving
to my sense perceptions about Wright's long, sleek,
tiered approach to architecture, as well as the
various designs of lamps and chairs and lights
which he included in the house. But on seeing the
photos of the dining room...and the rigid but
beautiful "Gothic" like chairs, as well as the
photos of the "stuff" that the Robie family
cluttered the Spartan rooms with in their
attempts to "customize" it to their living
desires...the house seems incredibly beautiful,
but not incredibly utilitarian: idealized, abstract,
geometric beauty and organic harmony with the
beauty and structure of Nature, but not necessarily
"organic" in its relation to people and "common
creature" comforts.

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A remarkable man from a literary familyReview Date: 2007-01-10
Frank NorrisReview Date: 2006-02-23

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Great and needed biographyReview Date: 2008-02-10
Efforts such as Carroll's help keep the memories of Pollard alive for those who have never heard of or fully grasped the achievements of Pollard. Carroll's assertion that Pollard was a pioneer in race relations, however, appears to fall flat in some respects. As Carroll points out, Pollard had to negotiate a subtle balance between asserting his race and accepting the tide of racism. Yet, it appears that Pollard endured more racism and contempt on the playing field rather than in business endeavors. Perhaps this was because most of Pollard's business activities were aimed at African Americans themselves, but it seems plausible that Pollard would face far more discrimination and racial injustices in the business arena than the sporting one. One must also question what Pollard really thought of his role in pioneering racial equality.
Towards the end of the book, Carroll notes that Pollard displays bitterness in regards to the racial animosities delivered his way. Pollard's daughter, Leslie asserts that Pollard deeply cared about his race and the cause of civil rights. (239) Acknowledging that some of Pollard's efforts were behind closed doors and diminished because of a natural assumption that the black middle class emulated white society too much, Carroll's contention that Pollard was truly a pioneer in race relations seems weak. Perhaps it is only a case of the author failing to connect accurately his argument to his examples. Whether his deeds pioneered race relations or not, Pollard deserves remembering for all of the firsts and successes he indeed accomplished.
The Best Book EverReview Date: 2000-06-21

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The Real History of the BungalowReview Date: 2008-02-20
Great local history lessonReview Date: 2003-10-06

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Story of Pathos and Divergent ViewsReview Date: 1999-02-22
A Mormon Scholar reportsReview Date: 1999-04-07

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Racism Then.... and Now?Review Date: 2008-10-01
A powerful indictment of Third Reich "science"Review Date: 2005-05-13
Dr. Schafft has done an extremely thorough job of reviewing holocaust literature and newly available archival materials from both the Smithsonian Institution and sources in Europe to bring the reader extensive understanding of this co-option. She places the activities of the Third Reich's anthropologists in the context of other well known events from the rise of Nazism and the war. This convincing saga has, as Schafft says "no smoking gun" pointing to the crimes (including euthanasia, trafficking in body parts, and unethical torture filled medical experimentation) that these anthropologists very probably were complicit in.
I bought this book because I am interested in the moral lessons of the holocaust. As an applied anthropologist myself, this disturbing and detailed story awakened in me a desire to deeply evaluate my own work as an applied anthropologist. The book is well written, although some of the translated German memos have a stuffy bureaucratic sound--attesting to their authenticity, no doubt. I recommend this book to general readers as well as professional specialists in history, anthropology, and the history of science. It will change how you think about the German public's awareness of the evils perpetrated by Hitler's regime.
by Charlotte Miller, Ph.D.
Collectible price: $10.00

Expression of Grief Enables You to "Go Out In Joy"Review Date: 2003-04-21
J. Kent Borgaard
...
I LOVED this book as a childReview Date: 2001-12-08
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An introduction to the history of influential women in the Chicago's Catholic communityReview Date: 2006-08-10
Most historians tend to ignore or dismiss the work of nuns.Review Date: 2006-06-21

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"Poetry that's whimsical and wise"Review Date: 1998-12-14
"Celebration abounds but never gives way to sentimentalism in this sixth volume of poetry by veteran author Ira Sadoff. Often spare in his descriptions, Sadoff allows objects and observations to suggest their stories rather than overstate them. In many of the poems, a whimsical but wise voice presides, especially in 'An Improbable Delirium,' where a speaker slyly ruminates: 'Something tells me it's the job of poetry/ to bring some wretched character out on stage,/ to gesture wildly, giving a soliloquy....'"--Carolyn Alessio, deputy editor
Wow.Review Date: 2005-04-27
I find it very hard to write reviews of Ira Sadoff's books; there's nothing I can say about Sadoff's work that will be objective in the least. I am a slavish fan to the pen of Ira Sadoff, and find each of his books to be pure delight. So when I say that Grazing may well be Sadoff's best book (arguably, the brilliant Emotional Traffic stacks up), it's saying something.
Grazing is, above all, an angry book, and the poems where it's not angry seem almost as if they're lulls during the storm. And despite the fact that Sadoff is one of those "academic" poets who are so often sneered at in the small press for being dry, dusty, and antiquated, it's impossible to read Grazing and not feel anger radiating off the pages. After all this anger, the book's final piece, "The Inner Life," resounds with a desolation it might not otherwise have. It's impossible to instill a sense of the way this poem works with the rest of the book by excerpting it here, but it still deserves quotation:
..."Going off like a buzzer
in a factory, where we charge out of the doors denouncing
the one who sticks his head in a stack of papers
then comes out shrugging, giving us the thumb."...
This is powerful stuff, folks, and well worth the time it takes to hunt down. Get to know the work of Ira Sadoff. The man is amazing. *****

A True Thriller from cover to coverReview Date: 2002-09-30
This book deserves a place on the shelves of Lincolniana.Review Date: 1999-09-06
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