Personal Pages Books
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Positive, upbeat, practical guide to daily living.Review Date: 1999-06-02
We need more books on this topic . . .Review Date: 2001-12-22
Simple, Yet PowerfulReview Date: 1999-07-14

Revealing and InsightfulReview Date: 2004-01-11
An Experience of SolitudeReview Date: 2004-01-23
The Rare, Longed-for Gift of PeaceReview Date: 2004-03-01
okay." If only it were that easy!
Her prayers articulate what must be universal wishes and anxieties, even for those of us who don't formally pray. They are so honest, unpretentious and revealing--I often felt as if I had "walked in at the wrong time." But they are so relevant, "useful" even, they are a source of solace all by themselves.
Winters' guilt and confusion about choices she's made have a universal (the details don't matter) resonance, as do her regrets about actions that might not always be ideal for her children but she took them anyway.
I don't know if it was her intention, but Winters' fluid writing, and ability to communicate her experience at the retreat, is often hypnotic. For those of us who would never think of going to a silent, religious retreat in the desert, this book saves us from missing out--the author made me feel the peace that she herself was seeking. That is a gift, in every sense.


Suze Orman The Road to Wealth Page-A-Day Calender 2002(Box CReview Date: 2001-11-12
Definetely Worthwhile...Review Date: 2001-12-19
Best personal finanace desk calendar!Review Date: 2002-01-09


for someone who doesn't know anythingReview Date: 2002-03-23
Pretty good and informativeReview Date: 2002-02-01


For all beginner writers.Review Date: 2007-01-04
Especially Useful for Critiquing Your WritingReview Date: 2000-07-22
First, she singles out those "velcro words" (the nouns and phrases in the first draft essay that stick with her) -- and she encourages you to take your own note of your "velcro words". She then walks through her feelings as she reads the essay -- where she is intrigued, for example, or confused by the images the student uses. Finally, she shares this information with the student so that the student can choose to elaborate or minimize certain parts of the essay in a second draft, thus producing tighter writing and more polished images.
I find Bender's process of critique quite useful and relatively painless.

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Thank You Mr LukemanReview Date: 2008-10-05
Outdated but Still Useful to an ExtentReview Date: 2008-06-15
Mr. Lukeman also belabors his points in his end of chapter "examples", bludgeoning the reader over the head with points which he had already expressed well enough previous. His "bad" writing samples are so awful they entertain instead of illuminate. Here is an example from the dialogue section on melodramatic dialogue:
"Oh, Henry! You know I've loved you so!"
"Oh, Magaret! If only words could express my love for you!...
"Oh, darling! What would I be without you? My love, my sweetness!"
"The world would stop in its tracks without you, my Magarita!"
A few of the exercises he assigns at the end of each section are helpful if for no other reason than to make a writer really focus on the words and take a look at what they've written. I liked the exercise at the end of the "Sound" section where he assigns the writer to rewrite one of their paragraphs "and reformat it on the page as if it were a poem" (51). This helped me smooth out flow and melody in my manuscript immensely and it was fun too.
I'd say if you're looking for really germaine advice about getting published you might want to start reading agent blogs instead of this book. Kristin Nelson. Nathan Bransford and the Bookends Literary Agency blogs are good places to start your publishing education. I wouldn't say this book is unless you lack even the most basic of writing skills and publishing smarts.
Wow... time to rewrite...Review Date: 2008-04-14
3.5 stars reallyReview Date: 2008-09-23
This book's value ultimately lies with Lukeman's editing credentials. He organizes this book according to what an editor first looks for when reading a manuscript. He tackles preliminary problems (adjectives, adverbs, comparisons, etc.) that can get your manuscript axed right away, and then focuses on bigger picture items (hooks, tone, setting, etc). At the end of each chapter, Lukeman provides helpful exercises to help you practice what you've just learned.
His book isn't without flaws. His own writing needs a little polish (he *loves* using passive voice). I also disagreed with his frequent recommendation that writers should choose "unusual" words. He later interchanges unusual with precise (which is much more appropriate), but he should have added a caveat telling writers not to go overboard. I can picture amateur writers using this advice and swapping boxers for pugilists (not a good idea). Finally, his examples of what not to do are way over the top. Lukeman admits this, and to be fair, his examples clearly illustrate his points. But he should have added mediocre examples, writing that will *just* tip the writer into the rejection pile.
However, Lukeman provides great advice with regard to dialogue, and I especially liked his chapters on subtlety. He provides much more good advice than bad, especially in his later chapters. It's funny in a way that his own book starts off rocky, but it's worth finishing it. Overall, first-time writers will get the most benefit out of the First Five Pages. More experienced writers (especially those who have been published) can do without it.
A Good Idea, Not Accomplished WellReview Date: 2008-06-27
One can. of course, empathize with literary agents and editors who are deluged with manuscripts and must move as quickly as possible to extract a few needles of quality from the haystack of junk. There is value in this book in terms of bringing a writer -- particularly an unpublished one -- some sense of reality as to what he or she faces in the competition for attention. There is also value in making people sensitive to some of the most common "red flags" that will kill their chances for consideration.
But I found this book maddening, for a couple of reasons. First, Lukeman himself has much to learn as a writer. He writes in an overly elegant, self-absorbed style that should have earned the red pen of any competent editor. It becomes a little difficult to accept his wisdom about how things should be written when his own product is deficient. He constantly switches from the first person (both "I" and "we") to the second and third person, for example, often within the very same paragraph. What grated most on me, however, was his addiction to purple in his prose: "If you look back at your dialogue and realize you have scenes that are unsalvageable (like the last example), don't collapse in despondency." (p. 90). Collapse in despondency? Puh-leeze.
The second problem, to me far more serious, is that many of his exercises and proposed solutions to the problems he identifies are either useless or wrongheaded. For example, to solve the problem of pointless and mundane dialogue ("Hi there, how are you?" "I'm fine, and you?" "Nice weather we're having, huh?") he doesn't send people to reputable sources of help for writing effective dialogue; rather, he suggests that a writer should "train [his] ear." He writes: "Begin to pay attention to how dialogue is used in everyday life by different types of people. Eavesdrop on people -- in the subway, in a diner, walking on the street, in a store; especially try to eavesdrop on people who might be similar to your characters." (p. 89).
This suggestion is a recipe for disaster. Writing effective dialogue requires far more sophistication than the aimless guesswork that Lukeman suggests here. It would be far better for an aspiring writer with problems in this area to spend time with Gloria Kempton's Dialogue or Tom Chiarella's Writing Dialogue, to name just two helpful resources.
My suggestion, then, is that this book might be worth a look for the insights it provides into the most common mistakes that inexperienced writers may make in writing and submitting their manuscripts, but not for much help in solving these problems (except for those that can easily be avoided, like improper formatting of manuscripts). Rather, a writer who wants to create a commercially viable work should take advantage of some of the excellent resources available that really get into the hard issues that a writer must confront.
Some of the most valuable books I have benefited from include:
Beginnings, Middles & Ends: How to Get Your Stories Off to a Roaring Start, Keep Them Tight and Crisp Throughout, and End Them With a Wallop by Nancy Kress;
Plot & Structure: Techniques And Exercises For Crafting A Plot That Grips Readers From Start To Finish by James Bell; and
Characters, Emotion & Viewpoint: Techniques and Exercises for Crafting Dynamic Characters and Effective Viewpoints, also by Nancy Kress.
There are many others, of course, but a writer who thoroughly applied the advice in these three -- provided he or she had the basic ability to write in proper English -- would have a significant leg up in getting into print.

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Excellent book!Review Date: 2005-05-17
Best book to brush up ASP concepts before moving to ASP.NETReview Date: 2003-04-21
The book helped me *VERY* quickly go through ASP 3.0 and now I feel very comfortable reading the .NET books and can now truly appreciate ASP.NET.
A GREAT reference book!
Good reference and code samples, but...Review Date: 2004-05-07
Excellent ASP reference bookReview Date: 2005-10-06
Needs a VBScript/JScript book to complement it...Review Date: 2003-02-20
This is yet another reference book that I've owned both editions of because I thought it was useful enough to update; but then, my site is developed using ASP, so I'm probably biased in this respect. Ok, so I got the 1st Edition late on in the game and was a little reluctant to part with cash for the new edition - but as IIS 5 started to become standard for Windows hosting, and I had access to it after getting Windows XP Pro... I thought it was about time I updated it.
ASP in a Nutshell is my first point of reference when I'm looking up the properties of a particular ASP object. I've also found it an invaluable guide for connecting and manipulating ASP scripts that used ADO for data storage and manipulation. For a while it was the only book I owned that covered the issue of connecting ASP scripts to databases.
Most of the installable components I'd never heard of before getting the book, just as well really because few are of much use - even if they aren't available on your system, a lot can be easily reproduced. The areas I find myself most frequently refering to are the main set of ASP objects, the FileSystem Object and the ActiveX Data Objects. These go into enough detail to keep all but the experienced programmers happy.
For those new to the Windows scene, there is a brief but detailed guide to setting up ASP to work with your IIS server; but it's hardly rocket science since a clean install of IIS will set up most (if not all) of what you need anyway! If you use ASP regularly, or you intend to, then ASP in a Nutshell should be on your desktop... but please remember it won't fulfill all your ASP development needs without another book to fill in the language gaps. What book you choose to accompany it depends on your language and experience... I personally like VBScript in a Nutshell.

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Not what you might expectReview Date: 2007-05-28
This is a book that is partially set in the world of professional wrestling. The subject of the book is really positive thinking.
It's out of print, and it may be hard to get, but if you are into human potential and the power of change - combining discipline with positive thinking - then this is a VERY good book.
If you know (or if you are) a wrestling fan who needs to hear this message, then this may be the PERFECT book.
Some people think that Dallas Page is a relentless self-promoter, but they're the ones who haven't been listening. He believes that anyone can do anything that they really want to - if they're willing to work hard enough for it. He uses his own life as the example.
It's worth a read.
Why?Review Date: 2004-02-09
The question is obvious, why does Diamond Dallas Page even have a book? I can't answer that one. If he has a book then why doesn't Marty Jannetty, Pat Tanaka, Buff Bagwell or even Scotty Riggs? Why don't they? Because with all due respect nobody would want to read a full book about these wrestlers. Certainly one shoot interview on video or 4 page one on the Internet would be enough for a fan. Just like Bill Goldberg, Page is another guy who was convinced by Eric Bischoff that they were a star and even though he is by the way one of the worst champions of all time according to the ratings, Page bought it.
This book was the fire back from WCW to the WWF at the time for having Mick Foley's book. Well if that is the case, that is a bigger joke of a fireback then the debut of the Maestro. If you are looking to buy a good wrestling autobiography, pass on this one at the bookstore. It is a terrible book!
Positively BiasedReview Date: 2004-07-13
DDPReview Date: 2003-06-13
Only a Jersey Girl understands a boy from JerseyReview Date: 2003-06-22

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Finally! A sane approach to finding a committed relationshipReview Date: 2008-09-17
How refreshing it was to finally come across a book that suggests that the desire for a committed relationship is nothing to be ashamed of...and even better, how to spot and avoid commitmentphobes and better than nothing (BTN) relationships.... all things that drain your time and energy from finding someone you can share your life with. It also does a fabulous job helping you unearth all of the other ways you may be undermining your success in your search...such as hidden ambivalence and internal dialogues(there are no ways to meet people, there are no good ones, etc) that only serve to lower your odds.
I had to laugh when she said "don't expect dating to be fun". It IS like a job interview! Pace yourself, have a plan, and keep at it! All great advice...
Helpful book for singlesReview Date: 2008-05-07
In addition to looking at your issues/hangups, it also helps you realize what you are looking for in a partner and reflecting on past relationships.
Now that I have finished reading it and have talked about it with my friends, they want to buy it too.
Read this book if you are ready to look at your issuesReview Date: 2007-11-24
too much psycho babbleReview Date: 2007-11-25
A Must Read For Anyone Who's Ever Asked TheQuestionReview Date: 2007-10-07

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Great book IF you already understand event programmingReview Date: 2004-04-05
However, the book basically assumes not only that you know C# thoroughly, but also that you understand the event model that is more along the lines of desktop applications. Chapter three hits you with an abstract discussion of component and event programming that is difficult if you're not already familiar with the topic, and the book never really looks back after that. I struggled through the first thirteen chapters before giving up, not feeling like I have a grasp of how I could build controls. At this point I'll either have to painstakingly go back through much of the book again, hoping to catch on, or else find another resource.
The other problem is that when introducing a topic, the text rarely gives a good explanation of why the topic is important; instead, it jumps into details of interfaces and methods. A good example is in chapter nine, when the book turns to processing postback data. Sure, it's important that the control be able to interact with the data in a form, but what does that mean for the control? An example of how this would work and be important would be key here, but instead, the authors open the section with:
"We'll now look at the postback data processing architecture that enables a control to retrieve form data submitted by a user, update its state, and raise events in response to changes in its state. To participate in postback data processing, a control must implement the IPostBackDataHandler interface and render elements whose HTML name attributes have unique values on the page" (p. 203). The discussion continues with the technical details of implementing the interface. By the time they get to the code sample, it's tough to see how the snippets of code added to the previous example helps handle postback data.
I expect that if you are an experienced C++ and C# applications programmer, you'll find the book a great help and reference. If you're fairly new to programming, or most of your experience is with Web applications, I would look elsewhere (perhaps the O'Reilly book by Lowy, though I haven't read that one so can't endorse it either). I realize that topics like event handling are more advanced, but there should be a book that can convey it understandably to the intermediate-level Web programmer.
Just a joy to read, but this is not a "for dummies" book.Review Date: 2005-03-29
One of the worst technical books I've encounteredReview Date: 2005-03-02
This is technical writing not a tutorial. I've read great tech books (like .NET Framework by Jeff Richter) where one doesn't have to read a paragraph twice. This book is not one of those.
It is also very difficult to trace how things are related to each other and where they come from.
A Very Complete ReferenceReview Date: 2005-04-20
Could you make the subject more difficult? No.Review Date: 2004-09-22
I've written my own navigation control in VB and wanted to learn more, in depth, about how to create controls and implement design-time behavior. This book just kills me.
I read the first 3 chapters with a question mark imprinted on my brain. In those first 3 chapters the authors explain (I guess you could call it explain) delegates, page programming model, and event-handling and none of it sinks in. I've read the chapters 2 times and still I'm staring at a question mark.
And, after 3 chapters I expect a sample relating to a control, but here I have nothing.
And I really like Jesse Liberty's books and I see his compliment above. I guess this book is for PURE GENIUSes. So if you're a PURE GENIUS, then you may like this book. Otherwise, keep on searching. Maybe chapter 4 will be better.
I can only hope the question marks go away.
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