United States Books

this is an exceptional book. I could not put it down. It is a book that will capture your soul and heart from beginning to end. I also had the pleasure to be taught by the author, Dr. Good. He is a marvelous, enlightening, and kind man. His story is a real eye opener to other cultures that are very different from the U.S. incredible book that I will continue to read over and over again. I hope you enjoy the book as much as I did!

Good's work is a participant observation study of a primitive group of Indians who live along the Orinoco river in the Amazon. These people live communally and have a different world view than most of us are familiar with. As a result, the Yanomama normative structure is based on their world and culture. As I tell my sociology students, certain patterns may be considered universal, but the content of culture varies. For example, the Yanomama have no concept of privacy. Everything they did according to Good was public, except for sex and defecation. This is similar to the south African !Kung (Bushmen) who have no word for stranger. (Lee, 1969, !Kung Bushmen Subsistence...) They lived in large circular houses called shapono. There were no walls in these structures, and people arranged themselves by kinship and lineage so that the social organization of the families in the village is reflected in the placement of hearths and hammocks. It is within this structure and the central plaza that nearly all domestic activity takes place: child rearing, food distribution and preparation, trading and feasting, curing and cremation, drug taking of the men, singing and dancing of the women. (p. 33)

Good referred to the Yanomama as the pain in the neck people instead of the fierce people as Napoleon Chagnon did in his original work of the same title. Good found the Yanomama's lack of concern for privacy somewhat difficult to deal with. In our culture, privacy and independence are the expected norm. We even have terms for behaviors that violate such norms such as invasion of privacy and, of course, trespassing. The Yanomama are not viewed as violent or aggressive but rather as highly emotional and acting without (social) constraints. We might call this behavior impulsive.

Good believed that "... the best way to study the Yanomama was to understand the entire cultural context, rather than concentrate solely on the quantitative measurements...wanted to understand them--and I wanted them to understand me...not simply to record what they were doing, but to comprehend what it meant in the context of their lives." (p. 47)

The Yanomama never use their names in public...they call each other by the appropriate kinship term (father, mother, son, daughter) (p. 52) With a numeric system that stops at two, the Yanomama do not reckon years or ages; instead they categorize people according to general age groups: infants, children, adolescents, adults, elders. (p. 66) Their sense of self (women) included lack of concern for the way they appeared to others. Judgments about another person were not based on how they looked/appeared. Although skills in hunting and shamanism were valued, still every person was on the same level as every other one. There was minimal concern with vanity. (p. 80).

Among the Indians, a visit is never just a visit...and trade is always involved. (p. 97) Normally, the Indians don't like to have their pictures taken since they believe that the image (soul-noreshi) is captured. They were especially irritated when the German scientist Eibel-Eibesfeldt set up a video camera in the middle of the village all day. (p. 137)

I certainly empathize with Kenneth Good's comments about Chagnon's work. Unfortunately, I have never been to the Amazon, or lived with the Yanomamo. I do envy his experiences. In addition, I give complete credibility to his comments and find them most interesting. In the past, I assigned his book as required reading for my Sociology classes. I also list Chagnon's work as supplementary reading as well.

I was lucky enough to have Dr. Good for a class one semester at NJCU where he teaches. This book is an insightful look into a world far removed from ours. If one had read this book without meeting Professor Good, one would wonder what type of man he is given the difficulties he faced in the Amazon. Ken is one of the most down to earth professors I've ever had and opened my eyes to a new culture while teaching me to put aside ethnocentrism. If you attend NJCU, I suggest taking him for an anthropology class. Be prepared to have your cultural horizons broadened.

Book review

I have found the book "Into The Heart" by Kenneth Good very appealing both from a woman's point of view and from a Scriptural aspect. When reading the Bible about how a husband ought to love his wife: Ephesians chapter 5 verses 25, 28, 29, 31, 33, is very clear on that. In Kenneth Good's book I could sense the genuine love this man had for his wife which he had demonstrated in so many ways.

In the jungle, he tried to protect her from harm. During an imminent miscarriage, he insisted on carrying her heavy basket, while they were trekking in the rainforest. Husbands in that culture did not carry women's baskets even if these women were at death's door. Later, when the miscarriage was in progress, he was at her side in the dark of night, trying to comfort her. To shield her from insect bites he sprayed her back with mosquito repellent. A woman is obviously not at her attractive best during a miscarriage or childbirth, but this author was not turned off by her appearance. He did what he could to minimize her suffering. These were acts of kindness out of love. All he wanted to do was to ease her suffering, discomfort and fear. How many men in our Western civilized society would do this? A few but not all!

He further demonstrated his love for his wife when he took her back to the United States. By marrying her, he had made a statement to the WORLD: This is the woman I love, she is the one I have chosen to be the mother of my children. He knew full well that by this interracial cross cultural marriage he would face some criticism. Racism after all is alive and well in our Western Societies. But this author stood by his wife, was never ashamed to be seen with her. Financial sacrifices were made to return for a visit to his wife's tribe and family. It was during such a trip that their second child was born in a jungle hut. It is obvious that every thought of the author was to please his wife, to make her happy, to make her isolation and separation from her family bearable. This is a poignant love story, a story of endurance, a story of sacrifice, a story of one man's unselfish love for his wife. Albeit he lost his wife, but I concur with the saying: " It is better to have loved and lost than not to have loved at all".

A reader in Canada. macska@christiancanada.com

LIke many, I picked this book up from an interest in anthropology. Like most of those same people, when I finished it, it felt as if i'd ended a great novel. To be completely honest, there are a severely limited number of times I (a twenty-six year old male graduate student in politics) have read a book only to have tears roll down my cheeks. Seriously, this is a glorious story as well as a fascinating anthropological commentary.

Here's the context: Ken Good was a graduate student under Napoleon Chagnon who was one of the first to do work with the Yanomamo indians. Chagnon wanted Good to do some research (field work) that might help supplement Chagnon's thesis that that Yanomamo are violent more by nature than culture. No matter the reasons, Good ends up not only abandoning Chagnon and his research, but finds the Yanomamo significantly less violent (by nature or culture) than Chagnon did. This may, in part, have been due to the fact that where Chagnon always remained the detached observer (his book is full of graphs, charts, and statistics), Good's got very personal (no stats here, for better or worse).

...Which brings us to the next layer of the story. Beyond being an anthropological perspective on the Yanomama, it is a fantastic - FANTASTIC! - love story. After a few years of living in the Yanomama community, good was offered a wife according to tradition. It took him a while to warm to it (and her even longer, given that he had strange habits like writing in notebooks and wearing 'foot coverings' Who would do such things?!). Their love blossomed, though, and the second half of the book is much about a host of difficulties: his struggle to 'hold on to her' when obligation took him out of the village for months at a time, the struggle to get a legal marriage to a woman who has no birth records, and later, how to get her out of the village with him.

The only problem i had with the book has less to do with the book and more with its circumstances. Good comments that Chagnon, in painting the Yanomama to be 'fierce people' overexaggerated (rather than fabricated) their ferocity. My guess, after reading both books, is that Good did the same thing by possibly underexaggerating. Good, for instance, will speak of some of the heinous things that Yanomama do, speak of it as a ancillary side-note, and wrap it up in two sentences, only returning to the topic chapters down the road. Truth be told, I think the truth lies betwixt Chagnon's and Good's accounts and I can't fault either book, but when one reads the two together, one gets the impression that BOTH authors completely missed (or ignored) things that the other got. How else could such different accounts come to pass?

For all that I strongly recommend this read both for education in anthropology and as one of the best love stories around.

The Frommers are terrific interviewees and their book is a history and an entertainment resource about the Catskills - what else would we expect from oral historians of their rank.

GREAT INSIGHT INTO WHAT THE CATSKILLS WERE ALL ABOUT

WONDERFUL COLLECTION OF REMINISCENCES

wonderful oral history - - -covers a lot of territory

While working at the Nevele Country Club, one of the many legendary Catskill resorts covered in this magnificent document, I briefly met Myrna and Harvey Frommer while doing their research. They probably don't remember me, I was too young at the time to offer the kind of history they were looking for, but the pair's enthusiasm and obvious love for the area's resorts and their unique (now long gone) familial atmosphere was readily apparent. When I finally got to read this book, it provided me with a sense of pride for being a part of its history. There's even an ancient picture of my father playing sax in the old Art Kahn Orchestra! But aside from personal connections, this book stands as a definitive oral history of an era. The people interviewed are true insiders, some of them legends in their own right among Catskill lore. And while the book provides some deep sociological perspective concerning its ethnic background, the authors know how to balance this with charming, amazing and often sidesplitting anecdotes. If you ever spent a weekend at Grossinger's, The Concord, The Nevele or one of the dozens of small bungalow colonies, this book will wash you in warm memories. And if you didn't have the chance, it will make you wish you did.

Of the many novels Louis L'Amour wrote about the Sackett family, Jubal Sackett may be his best. The story is set in early America in the wild Rocky Mountain country--before the mountain men arrived. The story is addictive. I listened to the CDs at home, at the office, and in my car. It may also be the most creative and imaginative story that L'Amour every wrote. It is highly recommended.

I loved the content and the reader. Louis L'Amour did extensive research for the book and did a fabulous job a capturing the adventure and romance of the era. It's hard to imagine the frontier with all of the modern conveniences we currently have but the author paints a reasonable picture.
The reader did a fabulous job of relaying the essence of the book.

A typical L'Amour book - a dashing, trustworthy protagonist, just trying to live in peace but able to defend himself if and when necessary. Jubal Sackett is loved and trusted by all except the villains, who themselves have absolutely no redeeming qualities at all. In other words, the characters are very flat and monochromatic, and as a result, they come across as very artificial.

One thing you have to hand to L'Amour, though - he writes book easily read in an evening.

A very good story. I would have liked to know more of what happened before it ended. I found out that there are 3 books in the series that I needed to read before this one so I ordered them today. I would recommend this series to my friends and family.

This by far is the best audio book Ive listened to.

The guy reading the story has an accent that fits the story perfectly. While this is a lengthy book it is never boring
The pacing is perfect and the story itself is riviting.
Do yourself a favor and get this on audio. You will not be dissappionted

There's not much more I can add to the glowing reviews, except to say that this is my favorite book about science-fiction movies. In fact this may be my favorite book about movies, period. Great insights, a wealth of data, and a keen understanding as to why these films continue to entertain and fascinate us. (I loved watching these movies on TV years ago and love to collect them on DVD today.) True, some may find certain assessments a bit nit-picky --especially for some of my personal favorites -- but the author's affection for the genre cannot be questioned.

This 1997 paperback edition is a combo reprint of the hardcover editions of volumes 1 and 2 which were originally published in 1982 and 1986, respectively. My only quibble -- and this is a minor one -- is that several movies that were not readily available for the author to view when these books were written have since been issued on home video and/or DVD. And there's at least two omissions: the sci-fi comedy GEISHA GIRL (1952) and the space adventure MOON WOLF (1959). Both of these obscure titles were later released on video. So I wish the publisher would allow the author to update the text, to incorporate new information and fresh appraisals.

Despite some outdated material, this is still the definitive book on the subject and I highly recommend it.

This is a terrifically entertaining and informative compendium of 1950's science fiction movies that, for fans of this inexplicably overlooked genre, will serve as an almost endless supply of delectable brain candy. Other reviewers have nicely captured the essence of this book; I'll simply add that this is the one volume you'll want to keep by your bedside and savor night after night.

do you ever wonder about the old days? how people thought about space and time, and oh yes, giant monster bugs? then look no further than this fine and funny volume. from 1950 to 1962, warren covers the best to the worst with a wry sense of humor and a clear love for the subject. almost everything is covered, from obscure jungle movies, to elaborate space epics. if you want to know about these old films, and have a laugh or two, then by all means pick up this book.

If you're a fan, or even a casual watcher, of science fiction movies of the 1950s and early 1960s, this exhaustively researched, 2-1/4-inch-thick tome deserves a prominent place in your library. It is, quite simply, THE definitive reference book on the subject. Period. There is none better. The conscientious reviewer MIGHT point out only one minor "problem"--but more on that later.

Mr. Warren does an unbelievably thorough job of presenting the most minute details of virtually every American science fiction film produced from 1950 through 1962. The classics are all here, of course. "Destination Moon," "The Day the Earth Stood Still," "The Thing From Another World," "Forbidden Planet," "Creature from the Black Lagoon" and "War of the Worlds" each receive 10 or so pages of treatment (in very small, closely spaced print, mind you). Mr. Warren tells you everything you could ever want to know about the script, the director, the actors, the special effects (such as they were, in those days), the budget, the editing, the musical score and the reception that each movie got on its initial release. He includes meaningful, interesting details and fascinating anecdotes, many of which I can't imagine how he managed to dig up. Lesser films such as (to pick a couple at random) "Mesa of Lost Women" and "The Rocket Man" get only a page or so, but still with full discussions of each film's production and how it fits into the genre. Well-chosen still photos, typically printed in full-page size and in many cases not the same ones seen in other books, illustrate some of the movies.

I found that the best way to use Mr. Warren's monumental work is to refer to it just after watching one of the films that it covers (which means ANY science fiction movie of the era). With the screenplay fresh in one's mind, reading the relevant chapter adds immeasurably to the viewing experience, much as a director's commentary does on a DVD. You can, of course, read "Keep Watching The Skies" through from cover-to-cover, but only at the risk of information overload. Its usefulness is sure to last for many years--as long as there are VHS tapes, DVDs or (if you're very lucky) old 35mm prints of classic science fiction movies to watch and enjoy. It adds new meaning to the term "reference book."

Now, for the one and only "problem" with "Keep Watching The Skies." The book consists of two parts. Part 1 covers the years 1950 through 1957; Part 2 covers 1958 through 1962. Both parts were apparently once issued as separate volumes. For this reissue, both volumes are bound together. Each part has a comprehensive index, but ONLY for that part. Thus, it can be a little difficult to find a specific film if you don't know its year of release, especially since many films in Part 1 are referred to--and thus indexed--in Part 2, and vice versa. A single integrated index would make Mr. Warren's magnum opus much easier to use. With that single tiny quibble aside, I give "Keep Watching The Skies" the highest possible recommendation. Five stars is not nearly enough. It deserves a galaxy of stars.

Bill Warren is obviously very knowledgeable concerning classic science fiction films, having spent a lifetime researching the subject. "Keep Watching the Skies" is not only factually accurate, it is also extremely entertaining to read.

Highly recommended for all fans of the genre.

This is what I read as a child - over and over again as I grew up. It is a magnificent version of Bunyan's classic. In particular what I like is that Helen Taylor doesnt shorten the story as much as others do. She retains a lot of the detail and the encounters that Christian has along the way. This allows a child as they grow to learn many of the valuable lessons for the Christian life which Bunyan intended us to see.

There are many children's versions of this which are wonderfully inllustrated - this one isnt, although it has line drawings scattered throughout. But it more than makes up for it in its content. I've purchased another more lavishly illustrated version of Pilgrim's progress to show alongside this one, but actually haven't got round to doing that yet.

What Helen Taylor has also done is to retell the story from a child's perspective - it is Little Pilgrim's Progress. It is in essence the same story - just downsized slightly. This makes it all the more easy to read to children.

My four year old daughter pleads for me to read to her - not content to wait until next Sunday for the next installment. She wont let me stop and sits wide eyed as I read it to her.

Why would I want a shorter version when I get to spend longer reading to my child?

I was recommended this book by a mom of 6 homeschooled children who ALL loved it. My 5 year old cant wait to read the next few chapters every day, and I am enjoying it immensely as well. Even my 2 year old doesn't mind sitting and listening. This is a book we will read over and over!

During my childhood nearly 40 years ago) I was utterly fascinated by this book. It stood out as one of the most interesting books of my childhood days, and it made an indelible impression on me. (Other favorites were C.S. Lewis' Narnia series, Little Princess, & Secret Garden). But back to Little Pilgrim's Progress: I'm not sure why this book was so intriguing to myself and my siblings, perhaps because the little pilgrem faced real dangers and even death??
Well, recently this book came up in conversation -- I hadn't thought of it for years -- and I dug out a copy, and started to read it. Moments later my nearly 6-year-old daughter came up and asked me if I would read it to her. My nearly 4-year-old son also wanted to listen. (I read freqently to my children, and they often are able to enjoy stories beyond their age level, but still I thought this would be too advanced to hold their attention.) But still, I decided to try. Of course, when I read I simplified or explained the language from time to time (some of the wording is old-fashioned). But to my astonishment, my children were absolutely riveted. The chapters in this book are short, and the children kept begging me to read more!! I was especially amazed that my 4-year-old remained totally engaged in the story (there are occasional illustrations, but it isn't a picture book; they were just listening). We finished the Christian part of the book in a few reading sessions over 3 days. (We later read the Christiana story, but the children didn't find it as interesting).
Conclusion: I'm not saying that this book would usually be of interest to such young children, but only wanted to comment that it can be a very exciting book and can provide much opportunity for thoughtful discussion with a parent.
Oh, I will add one more thing -- shortly after reading the book, one day my son asked if he could change his name to "Help" (like in the story). And later, he asked if he could be called "Greatheart". So now we jokingly have added those names to his middle name. Also, after reading the story concepts came up a lot in conversations over the following days and weeks.

One of my favorite books. A book that adults can enjoy while reading to their kids.

I teach grade 3 4 5 in my church and am very pleased with this newest version of one of the oldest best sellers. Very little if any meaning is lost in the transistion from an Adult epic to a children story book. I would highly recommend this book for all young readers and most adults will love it too!

A detailed look at how gifted kids are identified, and sometimes under identified, with a particular emphasis on those that measure in the highest levels of the gifted range.

Written in a conversational tone and full of interesting case studies... a pleasure to read.

Importantly, Dr. Ruf provides detailed and specific recommendations regarding educational options for gifted kids ... rather than offering a menu of possibilities, she gives parents explicit recommendations based on their child's individual cognitive and behavioral characteristics.

A valuable book... highly recommended!

An excellent perspective on methods to deal with gifted children. The "levels" of giftedness as defined by Dr. Ruf give parents and educators more detailed information on what makes these children "tick" and how best to educate them to their full potential.

Don't abandon your precious gifted child to the "tender mercies" of the public school system. If you have a gifted child, you need this book. If you were a gifted child, you also need this information.

This is a very helpful book in getting a feel for the levels of giftedness, as Ruf terms them. I think the criticism leveled against this book stems from a misunderstanding of its role - it is not meant as a definitive description of every single gifted child that ever lived, although the author does very reasonably try to draw some generalizations from her observations. If taken in the right perspective, the book provides very useful guidance in understanding the qualitative nature of the different levels of giftedness and helps parents have an idea of what they might possibly expect of their child in the future. If nothing else, I think anyone reading this book will definitely come away knowing more about gifted children in general and with a definite idea of whether their own child fits that sort of mould or not.

As the parent of a gifted child, I have spent the last 15 years struggling to insure she was in the proper classes and getting instruction that was meaningful and challenging to her. And, although she had been tested by a psychologist, we never knew just how gifted she was, as no one would release the data to use.

This book contains a wealth of information on gifted children. Broken into three main parts, the book follows the children from birth through to college. Those three sections are:

*What Does It Mean To Be Gifted?

*Levels of Giftedness

*Gifted Children, School Issues and Educational Options

Is this information worth it? Absolutely, as it is impossible to deal with school administrations (or teachers for that matter) without all of the ammunition. This book provides the ammunition you need to not only identify your child's potential, but also to advocate for them in schools. The book also gives parents a good idea of how they should be dealing with their child and some of the problems that will appear in the future.

I would recommend this book for any parent that thinks they may have a gifted child, young parents where there is already a background of giftedness with one of the spouses and for every teacher who can potentially end up dealing with gifted children.

This is an extremely thorough, even-handed and well-written bio. The author's approach is intelligent and his research and references are extensive.

One learns that Brooks began as an upper middle class wildchild from the plains who determined early to be a great dancer. She had talent and determination. But Fate along with timing made it possible for her to escape Kansas for New York City at the tender age of 15 (!) to train with a premiere dance company. She seems never to have gotten past being that wildchild and was, at 17, dismissed from the troupe for unacceptable behavior. Soon she was a dancer on Broadway, including a stint with the Ziegfeld Follies. Next stop, the movies!

Being admittedly "selfish and stubborn" as well as volatile, Brooks tore through New York, Paris, London, Hollywood, Berlin and back, living it up and burning bridges all around. By age 25 she was finished in terms of ever becoming a movie star or great dancer. She eventually disappeared into a gin bottle, was reduced to dance instruction, retail sales and finally "love for sale."

This is all fascinating enough, but her late-in-life resurrection as a rediscovered silent era "icon" (based mostly on films made in Europe in the late 20's) and as a newly minted writer is the surprising twist toward the end of an otherwise bleak life story.

Her work in Pabst's "Pandora's Box" ought to provide Brooks all the immortality any actress could desire. She is spectacular as Lulu and deserves every accolade. She was a beauty, but there were other beauties of her era who achieved greater stardom - Joan Crawford, Marlene Dietrich, Greta Garbo, Jean Harlow. Her "black helmet" hairstyle was well suited to her looks, but it's more likely that Colleen Moore actually popularized the look, having been a superstar of the 20's (which Brooks wasn't)and the iconic "flapper." As for her skill as a writer (with reference to "Lulu in Hollywood"), I find Brooks interesting, insightful and even poetic, but there is an underlying note of bitterness that undermines any claim of objectivity. And, considering her decades of gin guzzling, I question her ability to be very accurate 40-50 years after the fact. For me, the mystique and power of Louise Brooks comes down to her performance in "Pandora's Box," her primary and glorious claim to fame.

Read "Louise Brooks" by Barry Paris and form your own conclusions. Don't miss "Pandora's Box." The Criterion Collection DVD boxed set includes Kenneth Tynan's 1979 profile, the TCM production, "Looking for Lulu," a 1970's interview with Brooks and other extras.

This book is an expansive overview of the life of Louise Brooks and also of the early days of the movie industry. Very throughly researched, it gives a nuanced look and the beautiful, brilliant and maddeningly self-destructive icon. It also is a wonderful history of the entertainment world in the 1920's and the personalities who populated that world. A must-read from fans of Louise Brooks.

Several books have been written about Louise Brooks, but this book is probably the most concise and most thorough of them all. The book starts off with Louise's birth and it describes all the people that helped to make Louise so interesting and famous. There are many black-and-white photos of Louise, from the time she started in show-biz (at age 4) to Louise in her later years, just before her death.

Since Louise Brooks had such a fascinating life, it is not a surprise that this book is so long. Each Chapter basically covers a chunk of her life, and each Chapter describes (in detail) the characters that encountered & shaped Louise, and also all the Theatre and Movie productions that Louise was involved in.

This is what a biography should be: insightful, understanding, offering a measured & complex view of its beloved subject. And what a subject Barry Paris has in Louise Brooks! Her beauty, her intelligence, her compelling charisma all shine in these pages, giving us a multi-faceted view of this ravishing star. For someone who had never heard of Louise Brooks, this biography will send him or her in eager pursuit of her all-too-few films & her own writing -- and both are of the very highest standard.

It's clear that Brooks never did anything without wanting to give her all, to make true art out of it, a work of beauty & meaning that would stand the test of time. And the same could be said of this superb biography. While Paris clearly adores Brooks (and with good reason), he never succumbs to blind hagiography. Nor does he stumble in the opposite direction of pathography. His purpose is to explore the life of a fascinating woman, and to present it to the reader as thoroughly & lucidly as possible. He succeeds on every level. Louise Brooks emerges from these pages as both a flesh & blood woman, and as the dazzling, mysterious icon she became to countless admirers.

In short, the best book on Louise Brooks you'll ever find, most highly recommended!

I have not yet read this entire book, but just glancing through it when it arrived I would find that I have just read twenty pages or so whenever I openned it up. I can't wait until I read it cover to cover.

I really enjoyed reading this book and admire the author's courage and tenacity. Definitely highly recommend this book.

Jeffrey McGowan's work is a well-written account of a gay soldier's precarious position in the US military. McGowan is a true officer and gentleman. This is no "kiss and tell" memoir filled with scenes of rampant sexual escapades; instead, it is a thoughtful description of one gay man's attempt to survive in an institution that routinely purges gay persons. His story should strike a chord with other persons who, for one reason or another, find themselves struggling with a similar double-life reality.

Well-written, engaging memoir of a dedicated soldier torn between love and service to country and the enormous obstacle to that service, known as "Don't Ask, Don't Tell" (DADT). Mcgowan's inner turmoil over his commitment to military service and his awareness of homosexual desire is wrenching. Such existential dilemmas are often difficult to imagine, because sexual identity so easily trumps professional ones. But Mcgowan saw his military identity just as vividly as he saw his gay one to the point of suppressing the latter for the former. I think many of us perceive one's sexual persona as paramount, that it's often difficult to empathize with those who would compromise it for any reason, much less for a military career in which others' hostility to that persona can be virulent. That a dilemma could arise seems challenging enough, but clearly it did for Mcgowan, and the conflict is palpable throughout the book. (I have a new appreciation for gays in the priesthood.)

Faced with the same situation, it's easy to dismiss this conflict as exaggerated. E.g., when I was in the Navy, I refused to compromise, told all, and pleasantly served until honorably discharged. But that was over thirty years ago. Clearly, DADT has placed a pall over military service that has become significantly more hostile and intense, and while my commitment to military service was always a waystation, clearly it was literally a way of life for Mcgowan. His service and sexuality tore equally at his dual core identities, and because of DADT, it became increasingly more painful year after year, grade increase after grade, love after love, until something had to give. The reader can't help but feel his pain. (cf., Sarte's "No Exit.")

Most of us know the disasterous consequences of such a policy (e.g., terminations at Monterey of Arabic-speaking gays), but here we see vividly the human agony of such nonsense. And perhaps the most disturbing feature of Mcgowan's experience is why one's sexual orientation matters at all. Many scream "homophobia," but he endured it. I experienced nothing of the kind. My "loss" to the military didn't amount to a hill of beans, but here is a career officer with an exemplary skills and stellar performance in the upper echelons of the military hierarchy, and the only issue is over his same-sex attraction? We have retrogressed and become amazingly petty!

Everyone will benefit from this book. Polity is often a prescription for unintended consequences, and DADT's consequences have been of an inordinate magnitude. Here's a perfect example of it. Conservatives, military personnel, moderates, liberals, policy-makers, and (maybe) the far-left can learn from Mcgowan's experience and his consequences. May his new life and this expose give him consolation. He's earned it!

Jeff McGowan wrote this autobiography-critique directly from the heart. He is proud of his military service, but angered that he had to jump through so many hoops to conceal himself. When being fired upon, is their colleague's sex lives really a preoccupation of soldiers?

McGowan openly says that the Army continued to hound soldiers who were suspected of being gay. His personal experiences match up with the statistical research done by Washington, D.C.-based advocacy groups. "Don't ask don't tell" actually encouraged the Pentagon to increase their witch hunts. This was time and energy which could have been spent guarding the country against attack.

I've read other accounts about failures of the 'don't ask don't tell' policy, but appreciated his frank candor. McGowan describes how duplicity is much more damaging to the individual solider, and the entire armed forces. The climate of paranoia increases the intense stress which people are already feeling in a combat situation.

Our country continues to have embarrassing contradictions between `support the troops' and this long-outdated policy. It only increases the psychological stress which people are under in battle and removes the potentially best solider from the battlefield, only because of sexuality.

I feel that his participation in the Persian Gulf and then a marriage ceremony makes this account especially realistic for contemporary audiences. McGowan's book isn't the first and it's not likely to be the last, but the intensely personal writing about very current events makes it so much more powerful.

This book is a very heartfelt account of the life of one gay US soldier. It spans roughly two decades: it starts with McGowan's time in the ROTC and goes up to his promotion to Major and his choice to leave the army (with a short epilogue on McGowan's life after the military and his marriage in New Paltz).
I think the book portrays very well the enormous difficulties and the psychological tolls that gay soldiers have to go through in order to continue to serve. Part of the McGowan's service was under the so-called "don't ask, don't tell", part of it was under the previous regime. The book led me to conclude that from a practical point of view there is hardly any difference between the "don't ask, don't tell" and the regime in which gay people were simply excluded: both regimes require gay US soldiers not have a life. It is amazing how pervasive the effects of "don't ask, don't tell" are, how intrusive they are in the everyday life of the soldiers. The book exemplifies how gay soldiers are forced by the policy to lie: they are forced to lie to straight soldier and they are forced to lie to one another because they have no way of being sure whether the other is gay. They can't go to gay bars because if they are seen they are discharged. They can't communicate with their partner openly, even via letter, because it is too risky. McGowan's book shows how "don't ask, don't tell" makes it almost impossible for gay US soldiers to have a life.

The book is moving in many parts; I really came to empathize with Major McGowan. I was also surprised by how full of events his life was.

I also want to note that the book is quite well written. The book would benefit from more editing, but the narrative is really compelling and heartfelt.
I read the book twice in a row.

I was an Air Traffic Controller at the New York " Common Eye " Radar Approach Controller Facility at JFK International Airport when Captain Waters visited to do research for this book. Pictures of controllers at radar scopes and busy at their positions do our profession justice. Captain Waters gives the reader an indept picture of the complex job of separating and sequencing aircraft by controllers using outdated equipment. It is now 2008 and unfortunately little has been done by the FAA to modernize and improve the safety of the Air Traffic Control System. This an other books by Captain Waters are a "must read " for anyone interested in the inner workings of the Aviation Industry.

Great book - see his site at http://wwww.brianpowerwaters.com.

I thoroughly enjoyed Margin for Error: None, and I thank you for every chapter. There are a lot of men and women controllers out there that feel the same way I do about people like you. Thanks again. Gary Lashbrock, Miami Tower.

Margin for Error: None outlines his views on the nation's air traffic control system. Included were such chapters as "Danger, FAA at Work" and "Controllers Mate It Work." Baltimore Sun

This book was published in 1980, and then again in 2001 but not updated. All material is at least 23 years old.

This shows that what we want does not neccessary good for us. I enjoyed how she didn't give up.

"Midori by Moonlight" is a thoroughly delectable read, with a charmingly feisty heroine and plenty of mystery and romance-lost-then-found. As a recovering "hen na gaijin," I found the portrayals of Japan-loving Americans especially apt and amusing. Wendy Nelson Tokunaga writes with enviable lightness and humor, but she also touches on more profound issues underlying all of our yearnings for a place in the world to call home. Treat yourself to a good read, then plan on a trip to your favorite pastry shop afterwards--the fabulous foodie descriptions of Midori's adventures in baking are bound to make your mouth water!

I couldn't put this book down! What a fabulous read - and I love Wendy Nelson Tokunaga's style of writing - I zipped right through the pages. Loved the San Francisco references, and Midori's journey. Have already recommended it to several friends -- And, am getting emails back saying, "thanks for the fabulous book suggestion!"

With its spunky protagonist and sunny window into another culture, Midori by Moonlight is as satisfying as a fresh slice of home-baked carrot cake. Much as I enjoyed the savory clash of Japanese and American cultures, what is even more delicious is the universality of love and human connectedness as told in this lovely story. Written in deceptively simple, but rich-as-mousse prose,I couldn't stop turning pages. Midori's resourcefulness in the face of adversity is almost contagious, and the love story is sweet and memorable. Which all goes to say that Midori by Moonlight is scrumptious! I'd recommend it to anyone.

What a fun story! Midori is an interesting, multi-dimensional character--certainly someone I'd like to be friends with.

Here she is in San Francisco, all the way from Japan, to marry the man of her dreams, when he ditches her for his sleazy ex-girlfriend. Although she's stranded in a strange country, she faces the situation with courage, creativity, and a lot of spunk!

I also enjoyed learning more about the Japanese culture, which was woven seamlessly into the story.

A subplot involving the Japanese mafia adds even more intrigue.

I highly recommend this book for hours of fun reading.