New York Books

Six degrees of separation: You've probably heard of that concept . . . that you can connect with anyone else through six contacts. The authors deconstruct that observation to point out that fewer than half the people (somewhere around 29 percent) can do that well, hence the title.

But do you really care if it takes three contacts or thirteen . . . as long as your message gets through? Probably not.

More important than getting through to others through mutual contacts is the ability to get help when you need it: That's the real value of being well networked.

So you can skip over the premise discussion. It just seems like a gimmick to help attract attention to the book.

Start with page 7 and the diagnostic questions to test how well you perform in creating, building, and sustaining a network. From there, perform one of the 52 assignments per week for a year. If you keep up on the prior lessons, you should become much better connected after a year.

This book is primarily designed for those who aren't very good at networking and haven't been introduced to the basics. So if you are new to the idea of getting acquainted with more people, this book is a good choice.

But if you have read at least two reasonably good networking books, you probably won't add that much value here . . . unless you find that a weekly lesson helps you maintain the discipline.

If you ignore the sketchy premise, this is a five-star book.

How many new connections did you make today that you will keep alive in ten years?

The week by week strategies with easy to follow actionable items helps to make you a more effective networker. Well done.

Ready or Not, Here I Come

Any person in sales, marketing, or professional services can benefit from networking. Networking is the ultimate strategy for growing your business. It is the best referral because it comes from someone that the customer trusts. But must of all, networking is an organized way to generate a continuous flow of referrals, which is the dream of every business person. A good networking group naturally bears much fruit.

The authors start out with the premise that although networking is proven to be valuable in business, it is still rarely taught in business schools.

The book begins with a self-analysis test to help determine one's networking skills. Topics and assignments are broken down into 52 weeks, with spaces in some of the chapters for you to write in the book as you do that week's assignment. (Not every week has a writing area, so you may want to keep a separate notebook or keep notes and action steps on a Blackberry/PDA.)

It could almost be called Networking for Dummies or for Introverts or even for Clueless. I say that because the book addresses so many topics that brought some former co-workers and bosses to mind. MANY people who are in business at various levels could be helped by networking, but are not born schmoozers or networkers, and don't know where to begin.

This book charts out one of the simplest game plans for success that I've seen in quite awhile. It is not all new knowledge, but it is all in one place, so you can check off your progress and see what the next step is for growing your skills and your business. The plan is simple, but not always easy. As the authors say, it's netWORKing, not netEATing or netSITTing.

Topics included may require major changes or just minor tweaks to a person's life. Examples are: being accountable to a group, writing thank you notes, being engaging, writing a press release, getting and giving referrals, following up, being a change agent, becoming an expert, and more.

Recommended for complete wallflowers and introverts who may even know but don't ever DO. It's also good for extroverts and "self-made" individuals who think they are the best networkers in the world but who need refinement and more focus on others than just their own abilities and personality.

Terrific reference book to use and refer back to again and again.

In Ivan Misner's comprehensive guide The 29% Solution: 52 Weekly Networking Success Strategies he answers the question eery entrepreneur needs to know.

* Learn networking goals
* Managing time
* Separating clients
* Team recruting
* Putting others first
* Creating a networking database
* Meeting people who are in the know
* and more

But most importantly it teaches you in a common sense fashion and the importance of networking all laid out in a simple step-by-step manner that will get the most out of your business.

Editor of the highly recommended novel: Fates by Georgiou Tino: Best of 2008

I liked the Singapore Grip, but the Siege of Krishnapur stunned me. It was wry, light and devastatingly apt at developing each character. He took no prisoners as the clueless denizens of the Raj came to realize, or not, the depth of their ignorance and folly. Loved it.

The Indian mutiny of 1857 sees the cantoment of Krishnapur besieged by sepoys. For three months Mr Hopkins (the collector) galvanises the British community in resisting the onslaught...
This book is superbly written and often reminds one of the style of George Elliot. It is both witty and profound and wonderfully researched and charactorized.Like the best of Elliot,Farrell uses his narrative to inform on other topics-the great cholera debate;the Great Exhibition at the Crystal Palace- and questions the basis of what culture actually lends to civilisation.
Books like this just don't get written these days.

Paul Scott wrote in his RAJ QUARTET that it was in India during the last days of the Raj that the British came to the end of themselves as they were. In this superb Booker Prize-winning novel written concurrently with the QUARTET (and which casts a similar cold eye towards the British imperial ambitions in India), J. G. Farrell shows how the Raj itself was formed and how it already carried within it in embryo the seeds of the destruction for the entire Empire. The novel takes place in a city in Northeastern India during 1857, the year of the Great Sepoy Rebellion: the British stationed in Krishnapur hear vague rumors of what they will call "The Mutiny" from faraway towns but are mostly unwilling to take them seriously. The ensuing siege they endure carries on for months as they wait for help to relieve them; though slowly forced to an absolute subsistence level--and then to even less--, they refuse to relinquish the habits of social conditioning that have made them already who they are. Social snobbery, physical modesty, gender segregation: all remain firmly ensconced even as their physical conditions start deteriorating so greatly they start dying in large numbers.

The novel's subject would seem to suggest that the novel would make for almost unbearable reading: oddly it does not, because the characters of the novel (who are almost entirely British) maintain such a droll and uncomprehending attitude towards their conditions, no matter how desperate things seem. Thus, since Farrell focalizes his narrative mostly through his thoughts, everything seems unreal throughout the entire siege and not quite so nightmarish as it might have been had he used a more distanced narrator. The work is in part a parody of old-fashioned "Mutiny novels," so you should know that the ending is very much in keeping with those kinds of novels (which proliferated throughout the Empire during the latter half of the nineteenth century); characteristically, however, Farrell puts his own intelligent spin on things, so even if the ending you had been expecting does occur it doesn't in the way you had expected. This is the second, and perhaps most famous, of the three superb works of Farrell's "Empire" trilogy which beautifully illustrates the conditions of Empire described in another nearly coeval work, Jan Morris's famous PAX BRITTANICA trilogy. It's exciting, amusing, intelligent, and greatly worth reading.

This is an excellent novel about the Sepoy Mutiny in India in 1857. The focus of the story is the siege of the British Civil Service enclave at Krishanpur (historically this was the siege of Lucknow). A group of Sepoy soldiers was given new rifle cartridges that were wrapped in greased paper, and the paper was removed by biting it off with one's teeth. The word spread was that this grease was animal grease, which was an insult to religion. The sepoys mutinied, killed their superior British officers, and started marauding across India.

Hearing about the mutiny the (tax) Collector in Krishnapur had ramparts built around the British buildings in Krishnapur. Shortly afterwards the Sepoys attacked in waver after wave for a period of several months. Surprisingly author Farrell describes the sufferings of those besieged with a good deal of humor, humor that pricks holes in the pompous beliefs and attitudes of 19th century British colonizers. We bring them progress, a superior civilization, yet they turn on us marvels the Collector. The condescension doesn't stop with the Indians. At one point the Collector speaks to the British women in the enclave, and silently thinks that in reality women are really useless creatures. It is the men of the world that shoulder the responsibility of getting things done. The padre runs around telling everyone that God is punishing them for their sinful behavior. A new school and an old school doctor constantly disagree over medical treatment. In perhaps the funniest scene of the book the old doctor contracts cholera, and instructs his aides to cover him with mustard plasters. The young doctor, who is aware that cholera victims die from dehydration, initiates a saline IV every time the old doc sinks into a coma. The IV brings him around, and he immediately pulls out the IV and insists on getting his mustard plasters, following which he soon sinks back into a coma. Back goes the IV and the doc becomes conscious again. This cycle goes on and on and becomes hysterically funny.

The British thought they were doing wonderful things for the Indians, but the harsh reality of it is they were creating harsh lives for their colonial subjects. The sepoys, for example, were paid near starvation wages. This is an important novel about the misguided philosophy behind imperialism. Perhaps there is a lesson here for us Americans. Should we really be focused on bringing our way of life to other countries?

"The Siege of Krishnapur', the second of J.G. Farrell's now classic works on the British Empire, (see also Troubles (New York Review Books Classics) and The Singapore Grip (New York Review Books Classics)) is a fictionalized account of the Siege of Lucknow during the Great Mutiny of 1857-1858 (aka the Sepoy Rebellion). The mutiny or rebellion, depending on one's point of view, was ultimately defeated by the British and led to the replacement of East India Company rule by direct British governance under the Raj.

Farrell masterfully recreates the insular British upper-class life in India - and the siege only intensifies this insularity. As the siege drags on and on, the inhabitants strive to maintain expected standards of behavior and decorum. Farrell populates his book with interesting characters who debate and dispute morality, religion, progress, and civilization.

Excellent introductions are a hallmark of the New York Review of Books Classics and the introduction to this volume by Pankaj Mishra places the book in historical and cultural context and adds significant value.

Highest Recommendation.

Mitchell, a well-known reporter, has filled a role in history that will always be remembered and loved by those who lived the life he wrote about.

The people in his stories are unique and have qualities some would find interesting. His writing is very descriptive and he captures countless details not understood or seen by the casual passerby. You can easily place yourself as a fly on the wall soaking in your surroundings.

If you read Up in the Old Hotel with literary merit in mind, then you will be in for a good dose of excellent writing by a standard of yesteryear. If you are looking for people who fit outside the box, you will surely find them. If you are looking for a glimpse of the past, then be prepared to journey back with a fine guide who didn't miss a thing.

There will be many of the older generation that will remember, with clarity, when Mitchell's writings first appeared and the impact they made. It is to this group that I recommend Up in the Old Hotel.

Though a brilliant writer, I was not drawn to his stories. For me they lacked the "snap, crackle, and pop" of today's aggressive writing style. If New York had been my home over the years, then I would have found a deeper appreciation and understanding for those who made up Mitchell's fine work.

Armchair Interviews says: From a man who knew how to observe and then put it down on paper.

Joseph Mitchell, a fine writer for The New Yorker magazine, put together a wonderful grouping of short stories during his many years of searching out the people and interesting places in New York City which was his beat for many years. I highly recommend this book to those who enjoy a good story about ordinary people, or one of an interesting landmark s such as McSorley's Bar and the people who frquented it during the 1920's and 1930's. It has been at the same location since 1854 and is still there today. My favorites are the first story, The Old House At Home (about Mcsorley's) and Mr. Hunter's Grave, towards the end of the book. Many others are excellent and bring out the heart of the city and its people. To me it brought back New York as it was then with kids "roasting mickies" as I did as a child in New York. G. H. Owens

A book that covers the nooks and crannies of lower Manhattan. Oddball characters are brought to full
bloom under the author's pen. He knew how to listen! Towards the back some great essays on
growing up along the Carolina coast.

Up in the Old Hotel is a masterpiece. I've read it so many times (it is my ultimate desert island book) and have yet to tire of it. The essays (and the few short stories that are included) are timeless, generous works of genius. Joseph Mitchell captures his odd and wonderful subjects as richly realized individuals, and appreciates the smallest of beautiful, dark and humorous nuances. His vision is presented so humbly and offhandedly, yet with absolute precision and so much respect. You truly feel a part of the experience. I'm not sure there is anyone who could write better. All of the essays are amazing, but my favorites are Mr. Hunter's Grave, The Old House at Home, Mazie, and Up in the Old Hotel. The short stories in Section II of the first book are heart wrenching. This book also makes a really great gift.

Are you going to visit "the City"? Have you been to NYC (and loved it)? Up in the Old Hotel was written before most of us were born but still delivers the savory secrets of this great metropolis. Characters abound who could only exist in NY. Meet them before you go. And be sure to eat a slice of Ray's pizza on Sixth Ave. and 11th Street!

Just one read of Peter Miller's book, "Author! Screenwriter!" will broaden your horizen of writing possibilities. Don't just think screenplay, but consider formating that same story idea into a novel as well. And when you consider the odds, 100,000 to 200,000 books published per year, as compared to only some 1,000 stories produced for all of the Network Television, Motion Picture, Cable and DVD industries, Mr. Miller argues an interesting point. With over 30 years experience managing and producing writers, he gives insights into the industry that few others have even touched upon.

Definitely worth any writer's time and money. But regardless of one's writing goals, this book gives that big push every writer needs to encourage perfection and perseverance.

If you're serious about realizing your potential as a writer, this is the book you buy. Having successfully managed hundreds of books, Peter Miller truly is "The Literary Lion", and Author! Screenwriter! has left a huge impact on me as a professional writer.

Need an inside guide on how to write the perfect proposal or understand the delicacies of contracts? He's got you covered. Or maybe you really would like to take a look at some sample inquiries, be inspired by some success stories, have a better understanding of the do's and don'ts in a profession where millions of writers compete for the interest of professionals in the industry. Trust me, if you read this book it will never be far from your hands. Buy Author! Screenwriter! and you'll go back again and again to Mr. Miller's wellspring of experience and insight.

If you're like me, you want to be armed with the truth as a writer, and Peter Miller delivers. Read it, cloak your talent in its wisdom, and move forward. You'll agree that it's more than a book.

It may well be the key to your future.

The book is a must-have for a writer's bookshelf. But a companion DVD is also available with practical and pointed interviews that is well-worth seeking out.

Peter Miller's Author!Screenwriter! is direct and to the point, so I shall be also. This beautifully organized exposition provided me with more insight into the Book and Film industry than I have found in any other source. I could write much more, applauding the great chapters on the mysteries of film deals and the most helpful examples of project proposals in many genres -- but the bottom line is simple Author!Screenwriter! is definitive, the most helpful book on the subject.

I purchased Peter Miller's book at the recommendation of a colleague who knew I was in the process of writing a book proposal. Peter's book and DVD provide the reader/viewer with such clarity and direction. Peter provides wisdom and insights for the experienced and the novice writer in how to maneuver their way through the challenges, obstacles, politics and subtelties of the publishing industry. By the time you are finished reading his book and viewing his DVD you have a very clear picture of what lies ahead - no rose colored glasses, advice for the dedicated writer; you are clearer than you ever imagined you could be about what lies ahead. Buy this book if you are serious about our writing career.

In spare, poetic and very beautiful dialect, old and grumpy Guernsey misanthrope, Ebenezer Le Page, recounts the story of his life; a tale of disillusionment, loss and remarkable resiliance.

Edwards makes Le Page a Guernseyan "Everyman." Le Page represents an embattled folk community: colonized by the French, occupied by the Germans and finally overrun by English tourists.

Like the butler, Stevens, in *The Remains of the Day,* Le Page has an epiphany that transforms him. But while Stevens' epiphany is of the rather subtle dry sherry variety, Le Page's knocks you flat like a good shot of white lightening, poteen or whatever it is that Guernsey people drink when they want to see God.

*The Book of Ebenezer Le Page* is about a small miracle of the human spirit in the face of war, poverty and souless consumerism.

It's been more than twenty-five years since I read The Book of Ebenezer LePage, lured to it by the story of John Fowles's involvement in seeing it published. Having just finished The Story of Edgar Sawtelle, my brother and I were comparing notes on the novel we both enjoyed so much when I commented that, in some strange way, the story reminded me of Ebenezer LePage. Thinking still about that extraordinary book, I checked here at amazon to see if it was still in print.
In reading the long list of capsulized reviews, I found the following and laughed out loud: "The Book of Ebenezer Le Page, by G. B. Edwards, is an oddity and a great literary wonder, written in the beautiful French patios of Guernsey, . . . ." --Archipelago. Of course, the book may have been written on a patio, though I've no idea how the reviewer would know. What I do know, however, is that the subtle language of the Channel Islands--English, with some French added creatively--is known as a "patois," and the use of that patois in the book's dialogue is but a small part of the charm that wafts through the book's pages. I've long considered it to be one of the finest novels I've read.

One of the best books I have read in a long time...The universality of Ebenezer is wonderful. It brings the reader back to another time and place. I highly recommend this book.

What can I add to the almost unanimous chorus of praise and rave reviews? Not much. But this is such an exceptional yet so inexplicably little-known book that I feel obliged to join the chorus.

THE BOOK OF EBENEZER LE PAGE reminds me, as unlikely as this particular combination may sound, of both Thomas Hardy and Mark Twain. Indeed, for a rough approximation of the narrator Ebenezer Le Page and his personality and humor, imagine that Sam Clemens had been born in 1890 on the Channel Island of Guernsey, lived there his entire life, and then nearing 90 set down the story of his life and his world. Although not as cosmopolitan as Sam Clemens, Ebenezer Le Page is every bit as independent a free-thinker, as open-minded, as cantankerous, as wise, and as ruthlessly disdainful of cant, self-righteousness, and those who better themselves at the expense of others. And almost as funny.

For all its greatness, THE BOOK OF EBENEZER LE PAGE is not a page-turner that you are likely to devour in one fell swoop. It took me two weeks to read it. But each time I returned to it, I was eager to do so. It is not unlike an idiosyncratically crusty grandfather telling tales from his life after dinner; as much as one loves to listen to him every evening for an hour or two, one is not prepared to listen to him day in and day out, to the exclusion of everything else.

This novel is sui generis. It also is, in my experience, the greatest novel by a "single-work author." (It far surpasses John Kennedy Toole's "A Confederacy of Dunces.") But it should not be regarded solely as some sort of curiosity. It is a great work of literature, and it merits far wider recognition and a far wider readership.

This is a book for good readers only. And for good readers who enter the book at the right time when they are willing to invest the effort to get far enough into the story to care about it. There is much to complain about. It is a first person narrative written by a person who is not always likeable about other people who are not always likeable and who are often two dimensional. It is written in an idiosyncratic style that reflects both the education level and patois of the narrator. The setting is limited, obscure and unfamiliar to most readers. Somehow those very complaints gradually reverse themselves to become the strengths of the book. The author asks a lot from the reader because you have to plow through a lot of words and page after page until you become aware of the reversal. You become very interested in the narrator's life story, the vast cast of characters continues to increase with every page but they seem more human and not so irritating, the writing style becomes familiar and essential to the story as the narrator's personality and a reflection of the richness of the setting. This is a long book full of a long life story and many small stories. The small stories are some of the most memorable, particularly during the time of occupation. Some of the little stores are entertaining, like the two pigs and some are tragic, like the story of the young prisoner. I found myself more caught up in the little stories than in the larger tragedy of Raymond and Horace. My recommendation is to skip the introduction by John Fowles which is long and unnecessary and save your endurance to see if you can get far enough into the book to reach the point where you stop having to work at reading and want to pick it up. It is brilliant, even as it is astounding that a publisher read enough of it to make the decision to publish it.

I have spent some time in NYC before but had always been with a city resident and hadn't ever needed a guide. But when the opportunity came about for my husband and I to spend a long weekend there, I absolutely took it. I love the city (in small doses, couldn't ever live there), but hadn't ever had a chance to do any touristy stuff. So I read some reviews and picked up this guide.

I spent a few days reading over it, and after my trip, I would say it's a great guide if you don't know what you want to do, or how to structure your days, because it has very specific suggestions for stuff like that. It has a section for each part of the city, at the end of which is a run down on a sample day one could spend in that neighborhood.

But as far as a comprehensive while-you're-there guide? I wish I had gotten Not For Tourists. This was a great planner, and had street and subway maps that were incredibly useful, but when you're looking for a bookstore nearby to kill an hour? Nada. Also, because of the setup of the book (chock full of Top Ten lists, duh), it jumps around a lot. One museum is mentioned in four different places, and vital information is only on one of those pages, but from the index there's no way to tell which one of those pages has something important like the hours of the place, for example, so you have to check every page.

Again, great for planning, less great for a carry-along for your trip.

Great subway map! Just don't forget to read the signs in the subway, some trains only run certain days/times. AND if I remember correctly PATH is not really in the book.

For those traveling to New York City this is an essential guide to bring with you. The restaurant recommendations are top notch. The maps are detailed and a pocket subway guide is always helpful. Whether you are going in for a week or a weekend this is the guide you want to carry with you when you are out and about. You may want to use another guide if you are going in for a longer period of time for planning purposes but again this is the one you want to carry with you when you are in the city.

I've used this guide several times on trips to NY and it is absolutely terrific. Pocketable, beautifully illustrated, wonderfully organized. We went to two of the restaurants recommended and were totally pleased. Very easy to use and filled with useful information. Will add a lot to a visit.

I visited NYC for the first time a few weeks ago. I took only three books about this city with me: this guide, the "Lonely planet NYC Guide", and "The Metropolitan Museum of Art Guide". Truth to be told, this guide is probably the only one I couldn't have done without.

"Top 10 New York" is an extremely useful small guide that doesn't have as much information as the "Lonely planet NYC Guide", but that has the essentials, and excellent fold out maps in color that are more easily understandable than those of other guides. I would like to highlight the fact that even though I am very absent minded, I could easily find my way in NYC thanks to those maps. And if I can, everybody will be able to do that!

From my point of view, this guide is ideal for those tourists that don't have a lot of time, and want to see as much as possible during their visit to NYC (specifically Manhattan), if possible without a tourist guide. "Top 10 New York" points out quite a few places you simply must go to in the city, but also tells you about different neighbourhoods, and their history. There are many photos in color that help you to decide what you want to do, and historic data that allows you to learn about this city.

Moreover, most visitors will find the insider tips for tourists helpful, and the planned walks and itineraries a good option. Other useful sections in this guide are, for example, "Best shopping districts", "Best hotels for every budget" (I found my hotel through Internet, though), "Best restaurants in each area" and "Most fun places for children". What is more, "Top 10 New York" is almost pocket-sized, so you can carry it with you everywhere, even if your purse is tiny (not my case!), or if you have bought too many things and your handbag is rather heavy (yes, that often happens to me).

All in all, I am very happy I bought this guide, and I strongly recommend it to you :)

Belen Alcat

I've read other books by this author and liked them, especially "The Bear Went Over the Mountain." Perhaps I didn't read the emailed Amazon promo carefully enough because I had no idea that this book was written 35 years ago. It is a story of a druggie living in NYC in the '60s. Although I was part of that culture, I really didn't know anyone as deeply into weed as this character so it was hard to relate. Was the story supposed to be happy, funny, or just sad? It was hard to tell. And how DID the chorus get all those fans?

There has been a lot of counterculture literature since the rise of the Beat Generation in the 50s. Much of it fails to measure up to the standard of Kerouac, Ginsberg or Burroughs. There are some writers who have managed to rise up to the occasion with classic or near classic works. Terry Southern would be one that comes to mind. Another writer who has produced some fine works is William Kotzwinkle. Before, "E.T. The Extra-terrestial", Kotzwinkle was noted for producing counterculture literature. One of his most famous works is the 1974 novel "The Fan Man".

This novel chronicles the sleazy misadventures of the self absorbed hippie Horse Badorties. He is typical low life East Village for that time period, man. He knows the score and will always find the door for a quick out. He avoids things like rent and pays for commodities with rubber checks. Surely this is a time piece cause many of his ideals wouldn't fly in today's climate.

The title is derived from his continued attempts to be a salesman of small battery powered fans. He consistently uses them and tries to sell them in any store or business he enters into. It is all part of his grand scheme. He even envisions utilizing the fans in his Love Concert that will be presented at St Nancy's Church. (I am wondering if this is meant to be the famous St. Mark's Church in the East Village which conducted poetry readings for decades.)

Kotzwinkle endeavors to capture the thought process and speech pattern of an East Village post hippie lowbrow. In this, he is very successful. The narrative moves along in a hazy stream of consciousness. Horse Badorties is a slob who is no stranger to the herbal pleasures of Mother Nature. The novel begins with Horse waking up in his filthy pad. Kotzwinkle is very descriptive in detailing the encrusted, greasy condition of this pad. It would probably not be too appealing to squeamish stomachs. I found myself thinking, "Man, and I thought I was a slob." Horse Badorties is not only from another era, he seems to be from another universe.

Badorties is full of big ideas and cons. He doesn't pay the rent and destroys the pad with his junk and filth. He is trying to conduct a love concert which will feature a chorus of 15 year old girls, most of whom, he tries to bed down. He has music sheets which he claims is church music from hundreds of years ago. Suspension of disbelief is required to take seriously anything Horse Badorties says.

The narrative is written in the first person, and we get a lot of "mans" sprinkled throughout the text, man. Like, man, after awhile, it can get pretty unnerving, man. In this respect, it is similar to a novel like Huck Finn where Twain attempts to capture the slang and accents of 19th Century Missouri. Kotzwinkle is very successful in this endeavor. He manages to tap into that vein of consciousness from Badorties viewpoint. This can be frustrating to the reader. If you consider how annoying it can be to listen to a person who overuses the word man in their speech, man, well, it can be just as annoying reading this text. Some readers would probably get lost in trying to follow the narrative. You almost have to try to put yourself in Badorties shoes. That is not a pleasant proposition. Kotzwinkle is very successful in capturing this stream of consciousness.

My impression is that this book is meant more as an adieu to the hippie era and the summer of love mentality that the 60s rock exuded. This is really about the crash, man. This is when people began to drop out without tuning in or turning on. In reading the book, I get the sense that I am listening to the voice of a man whose time has passed. He is left to wallow, in his own words, in putrified wretchedness. There must have been quite a few real life people like Badorties populating the East Village during those years. Perhaps there still are a few dinosaurs and relics there today. All in all, this is a very amusing, entertaining and irreverent book, one that will certainly make you laugh. Yes, it's a fun book. Pick up a copy! Along with this novel I'd also like to recommend another East Village novel called The Losers' Club (Complete Restored Edition) by Richard Perez.

This classic captures both the sense of the drugged-out sixties--when the prevalent youth drugs were less dangerous and addictive--and the quirky character who is the narrator. It's kind of a literary Cheech and Ching, being off the wall in the same pothead way. But funnier, I think. Though I should say that his too light treatment of rape at one point brought me up short. At any rate, except for that rather awful glitch, this is one of the funniest books you'll ever read, if you like pothead humor. Sadly, Kotzwinkle never reached the same level of hilarity again.
I Think, Therefore Who Am I?

I read this book at the age of 12! It somehow made it onto a shelf of the St Rose of Lima school library in suburban Toronto. I read it cover to cover and for a short time it was cooler than porn for a few boys on the school hockey team. I returned it without mentioning it's subject matter to anyone in a authority. It could still be there. Maybe somebody was pulling pranks, or maybe Miss Heitzner, the soon to retire librarian was more progressive than she was ever given credit for! It's been a long time, 28 years or so, but I always remembered Horse and his anticts. In particular his getting laid and the school bus scam. Let's say it made an impression.

I read this book in my youth, and try and read it every couple of years. I rank it right up there with a confederacy of dunces, another classic. horse and ignatius are two of my favorite characters to come from the world of fiction. I came of age in the late 60's and early 70's, being a former hippie [ now my politics are just to the right of atilla the hun ] this book captures that era perfectly.

Like the mood swings of its central characters, this book took me to giddy highs and pensive lows. Wimmer takes you on a great ride with fellow travelers you come to care about as they search for love and their place in the world.

Dick Wimmer gives us a world and a set of characters vibrant with life and humanity. Seamus Boyne is as endearing as Joyce Cary's Gully Jimson and twice as irrepressible. This book is a sleeper. Why doesn't everybody know about it?
--Doug Ramsey

Wimmer's look at life,love,and laugher is not to be missed.He touches on every aspect of all that life has to offer,and along the way leaves the reader rolling in the aisles.You get so caught up in his unique characters,that you forget about the mad romp this gem of a book takes you on. Drop whatever you're reading now and do yourself a favor, pick up The Irish Wine Trilogy, you will not disappointed. More than any other novelist in recent memory, Wimmer gives us a story that makes us glad to be alive. You will laugh out loud, over, and over, again. Bravo, Mr. Wimmer. You are a treasure.

Irish Wine, by Dick Wimmer, is a stunningly lyrical, achingly funny trilogy that presents some of the brightest, yet most flawed, characters I've encountered. Wimmer portrays the Artist, in various incarnations--the frustrated, the famous, the obsessive, the unrecognized, the paralyzed. These characterizations are poignant, yet completely irreverent. As a result, Wimmer creates an unexpected literary delight: fast-paced poetry that you can't put down.
What an accomplishment!
As an added bonus, no male writer I've ever read, has written better about sex from a woman's point of view, than Wimmer. Bravo!

Dick Wimmer's beautiful, high-energy writing took me on an adventure filled with all of the things that make life delicious: love, joy, passion, risk and lots of laugh out loud humor. I found myself adoring the larger than life painter,Seamus Boyne, from the beginning of the first novel and growing to love him more and more as his passion fueled the craziest of situations. His love for his estranged daughter, Tory, was deeply moving and provided terrific emotional glue for the wonderful zaniness found in the second novel. The third novel was very different, but equally rich and satisfying - a story about moving through fear to claim one's joy. Wimmer's style is completely unexpected and utterly enjoyable. I loved it!

Wodehouse is perhaps the best antidote I know for depression. His novels are literally unreal, for Bertie inhabits a world of leisure, servants, and privilege, an Edenic world where even the threat of pain, suffering, and mortality have no place, and Jeeves is always there as a deus ex machina. But ultimately we return to Wodehouse (again and again!) because of the language--quite simply, the man cannot write a bad sentence.

I am a big P.G. Wodehouse fan. This series of books is especially fun as each book is easily read and enjoyed. The print size is perfect. Great nighttime reading to relieve the stresses of the modern world.

What can I say that hasn't already been said about the inimitable P.G. Wodehouse???

Carry On, Jeeves is a great starter book for those who are intimidated with the amount of J&W books available (or rather, don't know where to begin). The first story in this book is about the first day Bertie Wooster met his personal gentleman (or valet, if you prefer), Jeeves. The stories easily stand on their own; with the exception of characters being mentioned or being part of the plot, the book is not a novel you have to read front to back. Consider it a literary sitcom, where new scenarios and conflicts arise with each story you read.

My favourite bit about reading Carry On, Jeeves was the last story of the book, where it takes a refreshing twist and is narrated by Mr. Jeeves rather than Bertie Wooster. It was great reading from Jeeves's perspective.

Lots of chuckles throughout and a few hardy laughs. Overall a perfect read.

This volume of ten stories originally hails from 1925. I read them in the 1999- 2000 Penguin paperback edition. While many readers like the covers by Ionicus on earlier Penguin paperbacks, these recent editions with covers by David Hitch are my favorites. They are very well done, reasonably priced and just the right size, which is to say, perfect for the novice or seasoned Wodehouse reader. The stories are also among the absolute tops in the Wooster/ Jeeves canon, and give the back stories that Bertie meditatively refers to in so many of the later books.

As Richard Usborne notes in his invaluable guide, Plum Sauce, five of these stories appeared earlier in My Man Jeeves (1919). Two of the stories there told by Reggie Pepper are here transformed into Bertie's ruminations. Carry On Jeeves was the next collection following the ten stories in The Inimitable Jeeves (1923), and Wodehouse was on a roll. Here's Bertie's first engagement to Florence Craye, and his first encounter with her younger brother, Edwin, the Boy Scout, who rapidly renders unsafe house and home. Enter Biffy and Bingo Little, later fixtures in the Wooster ouvre. Here also Bertie pens his oft- mentioned "piece" for his "good aunt" Dahlia Travers, and her struggling paper, Milady's Boudoir. The last story in this collection is somewhat questionably narrated by Jeeves, but Wodehouse fortunately reverted to telling tales in first person Bertie in the later shorts. Some of these tales also found their way into the Jeeves and Wooster TV shows with even more riotous results. All in all, a capital collection.

Carry On, Jeeves is another classic from P.G. Wodehouse. It follows in the same kind of humorous hiliarious vein of his other books that involve Berty Wooster and his Man Servant Jeeves. This is a book that should not be missed. In fact,
all of P.G. Wodehouse's books involving Jeeves and Berty Wooster
should be thoroughly enjoyed by every one.

I could not put the book down.....fast reading and great stories and lots of humor.....one heck of a story teller....

Marty Appel served in the Bronx Bombers' public-relations office for nearly nine years, and was the PR director during the tumultuous early George Steinbrenner years (from 1974 to 1977). Appel's "Now Pitching For the Yankees" recalls the turmoil of that period -- and Appel's ability to function under pressure --with wit, a keen eye for detail and sensitivity.

None of the long hours Appel spent at the ballpark, the turmoil he witnessed, or the high-pressure tactics of owner Steinbrenner have dimmed his appreciation for his colleagues and bosses. It comes through in the pages of this warm, often touching memoir.

The boldface names are there -- including Steinbrenner, Mickey Mantle, Billy Martin, Joe DiMaggio and Reggie Jackson -- along with less-famous but pivotal Yankee characters like clubhouse man Pete Sheehy, team execs Michael Burke and Gabe Paul, and Appel's mentor in public relations, Bob Fishel. (It even mentions the writers: Appel's anecdote about one scribe's losing battle with bladder control in Boston is priceless.)

Appel also reflects on his vibrant post-Yankees career, including a bittersweet period with the Atlanta Olympics and a still-thriving stint as a baseball author (subjects include early baseball star King Kelly, former Commissioner Bowie Kuhn and former Yankee captain Thurman Munson).

"Now Pitching for the Yankees" is a good find for anyone who loves baseball, cherishes its history and appreciates the people behind the scenes who make it happen.

As a Red Sox fan, I was ready to read this and get whacked in the face with the hubris usually shown by anything Yankee. I was surprised by the balance shown. Marty Appel knows more about baseball than a lot of people running the game now. He was born about 30 years too late as people like Epsteil, Beane and Riccardi get to run ballclubs, while Mr. Appel 30 years ago had to come up through the ranks with Steinbrenner's Yankees no less. Mr. Appel also wrote an excellent biography on one of the first superstarts of baseball back in the 1800's--King Kelly. I recommend both books highly.

Only if you really know your New York sports would you realize that Marty Appel's in a much more unique position to write a tell-all book about the 1970s Yankees than many other athletes. During his progression over 10 years from Yankees' fan-mail gopher during the Horace Clarke years, to PR director during the 1976 World Series, Appel had once-in-a-lifetime encounters (with the likes of Joe DiMaggio, Mickey Mantle, Mike Burke, Gabe Paul, George Steinbrenner and ... Oscar Gamble) every single day.

"Now Pitching...", finally out in paperback, shows Appel's origins as a Yankees fan when everyone else was rooting for the Brooklyn Dodgers, and how he turned his love for the game into a career (when everyone else was watching the NFL). Most of the book covers the Yankees from 1968 to 1976, Appel's reign. Although many of the stories are familiar to baseball readers from what seems like 100 other books, only Appel is giving you the inside view. Nowhere else will you get such insider detail about Oscar Gamble's infamous haircut, Sparky Lyle's theme music, or George Steinbrenner's management style.

The book flags a little -- only a little -- when Appel leaves the Yankees and makes his mark in other ventures, such as team tennis and local NYC broadcasting. The most interesting part focusses on Appel's brief fish-out-of-water turn with the 1996 Atlanta Olympics organizers.

Marty Appel's been a very lucky guy -- who else gets to be friends with both Mickey Mantle and Billie Jean King? "Now Pitching for the Yankees" is several cuts above your standard baseball autobiography.

Posted 5:49 p.m., December 12, 2001 - Bruce M.
If I may add another book to the list. The best baseball book that I've read this calendar year is Marty Appel's Now Pitching for the Yankees. Marty worked in the Yankees' public relations department from 1968 to 1977, and shares loads of funny and insightful stories about the CBS Yankees and the Yankees of the Steinbrenner Era. The book is well-written, flows smoothly, and strikes me as honest without "hatcheting" people in and around baseball. I'd recommend the book to both Yankee and non-Yankee fans.