California Books

I knew Shirley Wolf before the murder.

I witnessed some of the events written in the book and would state that the author got it at about 90% but not every assumption nor portrayal was correct.

For instance, Merriam wrote the accounts of Shirley's little brother having his head shaved was done as a punishment by Mr. Wolf was false. I recall the circumstances surrounding that and know for a fact that he wanted his head shaved and made up the story when he was teased at school. The reason he wanted his head buzzed was because another boy in the 4th grade, in fact the little brother of the girl named Cindy whom Shirley desperately wanted to imitate, had his hair buzzed first and that was why the other kids teased him.

While attending Sacramento State University myself, I even took the time one afternoon to go down into the lower level of the library to study the Merriam's Masters thesis that centered around Wolf. It was very well written and made a great suppliment to what I had read.

A year with Shirley in the 6th grade, where do I begin ? First of all while a lot of incidents did occur that centered around Shirley, it would be easy to imagine the past as her being the center of it. Well, she was not the center of everything that year nor the central focus of everything. Merriam did a wonderful job of portraying Shirley's personality. I recall Shirley as being a sweet and pleasant person but one who always seemed to be under attack for one reason or another. Our teacher was always moving our seating around and at one point I was directly next to shirley elbow to elbow and cannot say the experience even brings back a memory either pleasant or unpleasant.

But I do recall some things that occured during the year. I was new at Gold Trail and waiting for the teacher to arrive the very first day of school and there was this boy "T" arguing with Shirley. Actually, he started in on her right away for no reason. I don't really recall the entire dialogue but only at one point Shirley said, "F--k you !!" at which point "T" said, "I would but it is against my religion." That is my first memory of Shirley.

Near the end of the year, Shirley and a girl, "A" were really at each other, for what ? I didn't even know at the time. But one morning a storm of kids crowded into the classroom just before school was to begin and yelling erupted. What I recall was that something had happened at the bus stop and "A" was really upset and Shirley had threatened she ws going to bring a knife and stab "A" to death. The next day Sr. Wolf intercepted "A" in front of the school and threatened her with his cane. Sr. Wolf was scarry and all the kids who witnessed this were frightened to death. Sr. Wolf had been scheduled to come in that day to show our class a tiger skin he claimed to have killed in Africa. That was cancelled. I recall a boy in the class that crazy morning telling Shirley the tiger story was "b------t !". To this day I am convinced that while Shirley was murdering that lady emblazened in her mind was "A".

Another thing I recall I was little more personally involved with. Me and Shirley were supposed to trade desks one day- but on the day we were supposed to do it I was absent. When I came in before school I noticed that Shirley had left my stuff in the desk but had put her stuff in it and left mine in. I was taking my stuff out when I found Shirley's diary. It was nothing fancy, just one of those paper folders that you remember from school that kids do their writing assingments in and she had written on the cover, "My Diary". Well, I opened it and descovered a section entitled, "How to Have Sex". She drew a diagram with two figures with arrows pointing at them giving titles for herself and a boy I knew from the other sixth grade class. I won't go into detail on the diagram. I went out onto the playground and found the boy with some of his friends and told him what I had discovered. This boy had danced with Shirley at a dance and had gotten hell for it ever since and his annoyance at Shirley spilled into outrage as he stormed into the classroom and Shirley's desk to retrieve that diary whom he charged up to his own teacher with and demanded justice. The teacher, to his disbelief, discarded the diary and never brought it up again. By this time Shirley was on scene, silent and hunched. Yes, after all these years I really regret the whole thing. Things are perceived a bit differently as an adult in hindsight.

My last memory of Shirley was on the last day of school at the same exact spot where I had seen her for the first time. Shirley, a boy named Keven, and myself were sitting on the ground in front of the classroom just chatting about the upcoming summer and stuff. It is a really pleasant nostalgic memory. In no way at that moment of time could I have ever imagined that two years later I would wake up to see Shirley's face exploded on the front page of the Sacramento Bee.

The author does an excellent job of explaining what brought two girls to a point where they could commit an act of unspeakable evil, without apologizing for their actions or portraying them as victims.

These were two little girls that had been abandoned by their mothers, physically and sexually abused by their fathers, stepfathers and other male caretakers. Sadly, when these two became old enough and strong enough to fight back, it was an innocent old woman they chose as their victim.

The laws in California have since been changed, but in 1983, the only option available to law enforcement was to charge Collier and Wolf as juveniles. Little Girl Lost is a most appropriate title for this true crime story. By the time Cindy Collier and Shirley Wolf crossed paths with their elderly victim, the system had already failed and abandoned them. In one instant, they were moved from the column marked victim to the one marked criminal defendant, and one has to marvel not at the brutality of these two girls, but at the fact that it doesn't happen more often.

Had one adult stepped forward in time, perhaps a tragedy could have been averted. The best true stories of personal redemption and juveniles involve some adult stepping forward and doing something, anything to reach out to save a lost child's life. By the time a juvenile who has been an abused child commits a crime of violence against someone else, it's too late. They are indeed little girls and little boys lost.

i just want to say i know the book is a true story because shiley curdit formely shirley wolf is living in our basement

This is the most haunting book I've ever read. The author did an excellent job of humanizing these cold blooded killers and making the reader sympathetic to their plights. The abuse these two kids endured is unimaginable. Reading of what they lived through, what they suffered at the hands of those who should have loved and protected them, breaks my heart.
Although my heart goes out the family of the murdered victim, I am not untouched by the girls who carried out this crime. They haunt my dreams and my waking thoughts. Their stories are so tragic, so sad.

Joan Merriam's LITTLE GIRL LOST recounts the 1983 murder of 85 year old Anna Brackett by teenagers Cindy Collier, 15, and Shirley Wolfe, 14, for no other reason than that they wanted to kill someone. After a few unsuccessful attempts at finding a victim, they found and brutally killed Ms. Brackett.
This book has many positives. The research is outstanding with Merriam providing a continuing detailed account of the lives of the girls, both of whom were victims of mental and physical abuse and of incest, Cindy by her brother and Shirley, over a period of 10 or more years by her particularly sickening father. As a rare and totally interesting bonus which helps the reader to understand the degraded home lives led by the girls and ultimately the intense anger which led to the murder, Merriam even details in some depth the childhoods of the girls' parents, a wholly welcome and relatively rare occurence in the genre.

Merriam's writing is strange in that it improves markedly in part two which is titled "Pilgrimage to Hell" and which is the beginning of the aforementioned family histories. The writing in this section - and through the remainder of the book - is fast paced, literate, and intelligent, and from that point - page 77 to the end of this 370 page book - LITTLE GIRL LOST is hard to put down.
The writing in the first section is a different. In that section, Merriam seems to flounder about trying to "be a writer" rather than just writing straightforwardly as she does later on, and her attempts to re-create dialog are particularly weak. For example, when the EMTs respond to a 911 call reporting a dead or dying Ms. Brackett, Merriam has them knock on the door and say, "Open up please - it's the ambulance company." I can guarantee you that no EMTs arriving at an emergency call, ever said those words.
And she quotes a young girl, Donna, who witnessed the girls running from the scene as discussing "...those two girls we seen off the balcony..." though in the next paragraph she says "We saw them..." The witness is also quoted as reporting the girls as "bangin'" on doors, "hollerin'", and "runnin'" Merriam wasn't there and she has NO way of knowing how that girl talked. In that light her decision to have the witness talk as I have described is irritating and not believable. And does Donna say "saw" or "seen"? As a final bow to the nonsensical, Merriam quotes Donna as saying about Cindy and Shirley, "They looked real suspiciouslike." Yes. She really did. There is NO way a girl in California in the 1980s said this unless she was practicing for her audition in "The Stereotypical Hillbilly Follies".
I came close to quitting reading this book during this section, but I'm very glad I didn't, because the story is great and the writing - as noted - does a 180 degree turn.

The book continues with the arrest and trial of the girls. Merriam in an epilogue reports a jailhouse interview with Shirley. This is very welcome and quite good as far as it goes, but it reports almost exclusively how
she is dealing with her current situation and the changes she's gone through since her incarceration. I would have like to hear - in her own words - her thoughts on her upbringing, her horrible life as a child, and her incestuous love-hate relationship with her father. And there is no closing interview with Cindy at all. I feel that the expansion of the epilogue section would have helped create a considerably stronger book.

Taken as a whole, LITTLE GIRL LOST is a well done true crime effort. Merriam states in her introduction that she too was a victim of incest and a dysfunctional family; and that she is able to write in a "warm" and understanding style which she manages to prevent from becoming melodrama, is commendable. I strongly recommend this book to lovers of true crime, even if you have to fight through some of section one.

For a native San Franciscian, this was a thrilling read. I was shocked on what I learned and it is interesting to see how things change. Strongly recommended.

Some very interesting tidbits here, but as a San Francisco resident I kept asking "what's there now?" It would have been great to include more (brief) history on what happened to the properties after these places were no more, or at least the addresses of the buildings that are there now. Some of this info is there, but it's hit or miss. Also, poor editing is a distraction throughout.

I've got an obsession (of sorts) with obscure San Francisco lore...all the different incarnations of the Cliff House, the rise of "hoodlum" culture in the 1800s, the ups and downs of the Barbary Coast, you name it. That said, "San Francisco's Lost Landmarks" is loaded with stories I've never heard before (waterslides in the Upper Haight? Who'd have thought!), mostly related in a prim, rosy-tinted manner by Mr. Smith. The chapter on the 1939 World's Fair, for instance, is mostly a list of who, what and where with no attempt to convey the excitement and novelty of the event. There's plenty here for any student of SF history to enjoy, but it lacks the seductive you-are-there storytelling of a Herbert Asbury or Luc Sante.

I am a fan of the 1960's coffee table, giant picture book histories of urban America distroyed. Lost New York, Lost Chicago, Lost Boston, and the now hard-to find pre hurricane Katrina, Lost New Orleans had a part in urban historic preservation awareness. Lost San Francisco never existed. And that's too bad. James Smith's book, Lost San Francisco Landmarks is a fine, well written work of local history. It explains San Francisco better than anything I've read. The why of Treasure Island, the tolleration of "civic sexuality" and the over use of quake prone land-fill engineering all get aired. It's A great read. RW Los Angeles.

So many books appear yearly on San Francisco that it's easy to miss one - and San Francisco's Lost Landmarks is not one to miss; it holds riches like few others. Where competitors offer listings of dates and facts, San Francisco's Lost Landmarks uses vintage pictures to blend with history to tell of lost pieces of the past. From the Tivoli Opera House and Gardens to Ralston's failed Grand Hotel, San Francisco's Lost Landmarks is history at its best.

Through his discerning eyes Roger's penetrating photographs reveal the richness of nature along the Carmel, Big Sur and Monterey Coasts and opens our eyes to our own backyards. A photographer who shows the soul of rocks, trees, leaves, caves, ocean, sand and sky. Bill's words call the soul of the world, drawing us into a fullness of life's emotions, triggering our own losses and hope and wonder...then reminds us of the gift of each moment through sound, sight and feelings. A poet with the courage to bare his soul and in so doing awakens our. These photographs and poetry bring the universe to our doorsteps. A treasure book.

Recently, I was given a copy of this book as a gift, and was immediately struck by the beauty and thoughtful compositions of both the images and the poetry.

The photographs are of the California coast, but they are certainly not the typical "postcard" shots. In black and white, and rich in tonality, these are complicated images, some of whose beausty strikes you immediately, and some of whose beauty sneaks up on you. Seemingly simple scenes resonate with hidden complexity brought to light by the masterful eye of the photographer. Like zen style ink paintings, many of the images and poems are deceptively simple at first glance, but gain depth and meaning with careful appreciation. Honest and thoughtful, almost meditative, as the title suggests, this book works on a level that is fundamental. Highly recommended...

Moor's Photographs are fresh and modern. I highly enjoyed it and recomend it to everyone.

Art should provoke response, should inspire action in kind. This book delivers a moving example of just that: photographer inspiring poet, poet guiding the artist's eye. Moore's captivating images are, on one level, a beautiful rendering of Monterey's allure. But like Sechrest, I see something else, something profoundly emotional, which Moore achieves straightforwardly, without artifice or manipulation. Be sure to share this book with your most insightful friends and enjoy their responses.

TIP: as the book's designer, I happen to know Moore will be publishing another remarkable book of southern Russian images in the near feature. Keep a lookout - Moore is definitely on a roll.

Moore's photographs of Carmel, the Texas Panhandle, New York and all of his photography is breathtaking. These images come in to your mind, your heart and you can feel as one with them. Perhaps places you have never been and yet feel as if you have due to Moore's balance of nature's beauty and his extreme talent.

Rooted in both vigor and simplicity, this chemistry text will amaze you. Pauling is very mindful of how the student ought to recieve information and in that he carefully picks the order of topics. Too often people disreguard the importance of the presentation of information. It's a shame because they are being willfully ignorant to techniques that catalyze and promote learning. Our brains are more responsive to associative learning because biologically that's what goes on in neural circuitry. Anyways, it's best I don't spur off into a tangent. Buy this book. It taught me chemistry.

Nothing to say about this well known book as a hi level introduction to general chemistry.
What it's amazing is to buy such new book at such price !

This book will never look old. Its still much more clear than many (college) chemistry books. In my opinion this volume should be suggested as a reference for a general chemistry college course.

This is an interesting, if somewhat dated and eccentric textbook by the man who was probably the leading chemist of the twentieth century. It is full of interesting insight, and written with real flair, so much unlike the typical textbook today produced by the textbook publishing machines.

Let me give a couple of examples, good and bad, of what makes this book interesting, but also exasperating.

The book is the only freshman chemistry text I know of that has a derivation of the Boltzmann distribution P ~ e^(-E/kT), a very basic relation in the kinetic theory of gases and in fact in all of statistical physics. The derivation is simpler than most, which makes it a real jewel especially at this level, where most people would think it doesn't belong.

On the other hand, the section on chemical bonding, which is actually where Pauling made his reputation, is very eccentric, like the author, so much so that it makes the book unsuitable as the sole text for a course. It is all based on sp3 hybrid orbitals. As far as I can tell, sp2 and sp hybrids are never mentioned. With the sp3 story, Pauling is able to account surprisingly well for some systematics of bond lengths. Whether this is fortuitous or not, I don't know, but it is interesting. On the other hand, without sp2 and sp hybrids, he is completely unable to give the standard, very simple, beautiful account of bond angles. A student learning introductory chemistry from this text who then went into organic chemistry would soon be at a disadvantage without knowing the theory of hybrid orbitals that everyone else would get from any of the standard contemporary texts.

My recommendation: use this text as a very insightful, quirky supplement. The price is certainly right.

The text that comes closest, in my opinion, in seriousness, if not eccentricity, is the contemporary text by Oxtoby and coauthors. It is too highbrow though for most college introductory chemistry courses.

This is by far the best introductory book I have seen so far. It is very concise and thorough. There are no flashy pictures or cool sidenotes with the practical applications of the concepts. But the basic concepts are very well explained with lots of helpful diagrams. Also, the price of the book is very good. Hooray for Dover Publications for publishing this masterpiece as such reasonable price!

DENNIS R. JENKINS &TONY R. LANDIS are THE best AERO/SPACE historians.I have other titles by them.

Please provide list of ALL titles by them.

THANX VLC

Dennis R. Jenkins and Tony Landis write wonderful books about amazing machines.. (Check out America's super bomber XB-70)

Their style of writing is pure technical eloquence. They can take a complex subject and make it compelling reading whilst not dumbing it down or glossing over it.

The story evolves at a terrific pace and is neatly framed in the events and context of the era they occurred in.

The quality of the images matches the quality of the text. This is a book you will come back to year after year!

This book is an exceptional addition to anyones library on aviation. If you are a X-15 freak, it is an absolute must to have.

This research work was obviously a labor of love and reverence for the authors. They gave credit where it is due, from the pilot astronauts, research scientists, program managers, air force personnel, senior engineers, technicians, and even a handful of glad-handing politicians.
For the first time, the reader wil learn details of the B-52 mothership personnel.

The photo-documentation is vast; I find it hard to believe that a companion volume ("Scrapbook") was needed for photos and illustrations beyond Hypersonic!'s coverage.

For modelers, the AFFTC blueprint on page 179 is definitive data on the X-15 fuselage. Info in the text will enable accurate reproduction of wing and tailplane structures.

Hypersonic! will remain the standard reference volume on the X-15 for decades to come.

Not to take from old Chuck's efforts, but I've always thought the X-15 was the more interesting program. It's amazing the level of accomplishments they made, yet the X-15 is far from being as well known to the public as some other programs in aviation. If you like the X-15, this is definitely the book. It's not the kind of book you just fly through and look at the photos, then throw on a shelf... It is definitely worth your while to take the time and really read through the details of how the aircraft worked, what the Pilots went through, and how the milestones were achieved technically. The flight log in the back is amazing in it's detail, evening listing the chase aircraft and chase Pilots involved in each mission. I purchased it along with the X-15 Scrapbook, and they work well together.

This book was a shock to me. It's not just a book of annotations, it's also a history of Ireland, literature, language, and nearly everything else Joyce decided to allude to in his masterpiece. I never would have guessed that just reading the annotations (without the source text) would make good reading, but that is certainly the case here. You do not by any means need this book to enjoy Ulysses, but it does give remarkable insight into the mind behind it

I am still digesting "Ulysses." I read it while walking around Dublin a few years ago. It was marvelous to trace the steps of Leopold and Molly, and to see what they "saw," but the novel remains a distant pleasure to the reader. I must admit it is not the most accessible book ever written, but it gets four stars for its intent ... and that it is better than "Finnegan's Wake." Be warned: This book is not for the casual reader. But this annotated edition makes it all worthwhile. You'll get genuine, comprehensible guidance. If you must read "Ulysses," this edition might be most helpful.

Gifford's book offers fascinating glosses and contextual annotations for Ulysses, but was not quite what I was looking for to help me with my first attempt at the book. The annotations are mostly disjoint explanations of specific allusions and references.

There are other guides to Ulysses that are better suited for the novice Joyce reader, helping the reader to keep track of the plot, the progress of the Odyssey and Hamlet corelations and explaining the shifts in style through the book. This kind of hand-holding may be unnecessary for more sophisticated readers, but for my first read, it was essential!

Just a heads up that this is NOT an annotated edition of Ulysses (as I mistakenly thought in purchasing)(duh). It is 600-some pages of notes only and does not include the text of the novel.

When I first tucked James Joyce's ULYSSES under my arm, Don Gifford's ULYSSES ANNOTATED was tucked under the other. (My biceps became very well developed because of this.) It took me an entire summer to read the books side by side but how worthwhile it was. Gifford's essential line by line, almost word by word, guidance made ULYSSES less overwhelming than if I had tried to tackle it alone. Once I got through ULYSSES the second time (the following spring) I was able to go to the more overarching analyses of Joyce's masterpiece. Stuart Gilbert's ULYSSES and Richard Ellmann's ULYSSES ON THE LIFFEY were particularly helpful.

I've re-read this book several times because the first time wasn't enough; Mark Arax's ability to weave the details of his exhaustive research throughout this personal story provides fresh insight into society's sanctioned racism, a not-so-bygone era of California's heartland and every fatherless young man's struggle to find his identity. The characters and history are brought to life with such rich and poignant storytelling skill you won't be able to put it down, whether you're reading it for the first time or know how it ends.

This is a wonderful book about the Armenian community in Fresno, a search by an adult newspaperman into the circumstances of his father's unsolved murder, and policital corruption in the 70's. Mark Arax also co-authored a biography of a politically powerful large scale cotton farmer named Boswell located near Hanford, where I grew up. Highly recommended.
BerkeleyBob

I'm originally from Fresno, California and at the time of this murder, my grandfather, Ted C. Wills Sr., was Mayor of the city. When I picked up this book, I didn't know what to expect. What I found was validation.

For years I struggled with the bits and pieces of recollection I had regarding this period of my youth. Arax's book not only validated my experiences, what I had witnessed, but connected many of the dots regarding other incidences related to my past. The cover ups, illegal activity and silent handshakes were a part of my youth and Arax described this perfectly.

The author's well placed words painted one vivid picture after another about a mystery which is reality based. At the end of the book, the pictures come together as one complete "town" portrait. In doing this, he brilliantly exposed the "dark side" of not only my history, but of a town bent on keeping up appearances, at all costs. Secrets were taken out of the closet and placed squarely on to the laps of the public at large. "If we do not expose our secrets, we are bound to repeat them."

I strongly suggest this book to anyone interested in seeing how organized crime on a local level works. Along with this, I hope that readers will appreciate how the author was able to weave powerful Armenian history with not only his own family of origin, but with the political and criminal drama of a small town.

Mark Arax has written a superb novel chronicling his zealous search for the
identity of the men who gunned down his father in his own bar in Fresno
back in 1972 when Mark was 15. The gripping story takes us from Fresno to LA
to NY to Mexico and Anatolia, the Ottoman empire, 1915, San Francisco, and
back to Fresno to circle around the little city of corruption and crime,
related to the pernicious drug trade. Armenia, a nation of people erased
from its ancestral homeland, submitted to genocide by the Turks
and dispersed in this American century, to America which promised freedom
and opportunity, delivered new strife, leading to new crises.

This epic saga tells of three generations of Arax family members overcoming
impossible odds to finally make a decent home for themselves in Fresno only
to have it shattered by a cold blooded murder on a Sunday evening in a
shady bar just before Mark's dad was to have made a public announcement,
naming names, letting the public know what went on in city hall and at
police headquarters. He was executed Mafia style with a son left in its
wake holding on to a bag of questions and a burning desire to get some
answers.

And yet, this state is endemic to the Armenian existence in its diaspora.
The resonances between Mark Arax's saga and that of every post-genocide
Armenian are loud and clear. Why were over a million of their forefathers
so brutally and systematically slaughtered like cattle at the turn of this
century? Why was the life of every Armenian in the Ottoman empire so cheap
and worthless? What had Armenians done to deserve the racist wrath of
Turks, Kurds and other nomadic bands of brigands in the Anatolian plains,
the ancestral homeland of all Armenians? Why do Turks today not admit what
is so plainly true? Why the denial and historical revisionism? How are
dignity and justice to be restored when nations place economic or strategic
considerations before the demands of historical truths? How can
democracies and free nations join in the Turkish lie that nothing happened
in 1915, it was just war, things like that happen all the time, let bygones
be bygones...?

Mark Arax would not stop asking his haunting questions either. His father
was murdered. The police never even tried to solve the case. Mark would
do his damnedest to get to the bottom of it himself, and he would do it at
any cost. Mark Arax was rewarded for his quixotic aspirations by much more
than he could have imagined. While the minutest details of his father's
murder are still unresolved, what Mark discovered was more precious and
more lasting than the particulars of a case of a Fresno drug mob and city
hall -- about to be exposed -- hit. Mark Arax found the true identity of
his people, the Armenians in the Californian diaspora, and their struggle
to preserve their traditions and rich heritage. Through all this, Mark
fathered himself to become a gifted professional journalist, a responsible
father and husband and a conscientious citizen. The long and persistent
journey that he took makes for a great read. The story is compelling and
gripping, yet it is filled with true human drama spanning three
generations. His is not a murder mystery with bought off politicians all
the way to Sacramento, with its rich source of drugs supplied from Mexico.
No, that is only part of the story. His is not the chronicling of how the
Hell's Angels distributed marijuana to all points north and south in the
60s and 70s, with the marijuana being air-dropped into the vineyards of
Fresno. No, that is only part of the story. His is not the story of a
"crazy" grandfather who was a businessman who held fond attachment to
communist ideology, who had big dreams and bombastic demeanor and yet
failed as many times as not in all his business ventures. His uncles,
great uncles and his own struggle with American or Armenian identity all
mix in to produce a unique story of love and redemption. A boy who has to
be the rudder in a cracked up society, a disintegrating yet ever expanding
town and a broken home. What Mark Arax achieves with his own life is a
courageous feat. To defeat the forces of decadence that took his father
away by rejecting that underworld and that easy life. To enter the ranks
of the successful the hard way, by dedication, talent, sweat and toil.

Ironically, Mark might very well have ended up a two bit hood himself and a
cheap hustler hanging around his dad's bar or the golf club, dealing,
racketeering and begging for trouble. Instead, his father's loss jolted
him into a state of permanent revulsion at that seedy world he was just
beginning to get comfortable in at the age of 15. By correctly identifying
it as the prime seducer who claimed his father, Mark avoided that scene and
kept it away from his family. Instead, by finding his deepest roots he has
been able to set some of his own. Let us hope that his tree flourishes
under that hot central California sun and that his children know their dad
for the American hero on the pages of "In My Father's Name," that he surely
is. Read for yourself and see!

When I first started this book, I was amazed at the description that Arax gives of Fresno. Being a life-long resident of Fresno, I can imagine everything he describes. Then I read about the corruption that I'd heard about all my life, and see the proof of it all. I was shocked beyond belief.

Then I read about these supposedly upstanding citizens that I've heard about all my life (who has community centers and arena's named after them here in Fresno) and I feel like a veil has been pulled from my eyes.

Mark Arax tells a story of life in a lot of small, and large, cities. The one part of the story I wish would have been included (but it is safer for him NOT to include, being that he is still a resident of Fresno) is not only the corruption of the past, but the corruption of the present as well. He describes how the city of Fresno was built upon corruption, ran in corruption for many years, and hinted to the present day corruption, but had to stop. Hopefully he will write another book about Fresno, and reveal something to everyone.

If you like to read, and you like to be trapped by a book, then I suggest you purchase this book.

This book comprises the many aspects of ethics, and explains them all. Mr. Hubbard starts by explaining the difference between "ethics" and "justice", thing misunderstood by many.
Follows an explanation of the various conditions and how one moves through them. The conditions are, in my viewpoint, the single most important tool one can use in all areas of his life. One is always in a certain condition, and his goal is usually to go up, to do well in all areas of his life: in his relationships, in his work, and privately, on his own. Reading this book one can learn how to achieve success though the correct application of conditions, which will help decide what specific actions to take to handle tough situations or keep up very good statistics.

There are other very useful tools in this book, and all will help deal with life better and be a better person, and a happier person!

I have been able to apply these tools in my life and it has been very helpful. I have to thank Mr. Hubbard for making them available to us, as thanks to their use I have a happy, fulfulling life, a great marriage, and I feel like I can handle things much better.

This book clarifies the difference between morals and ethics -- what we do because we think doing them makes us "good" and those things we do because they lead to a better existence for ourselves and our fellows.

We don't live in a vacuum, despite what the materialists might think. This book is how to live well ourselves - without hurting those around us.

This is a revolutionary approach to the subject. I wish more business leaders would become familiar with these concepts! It would make a better world for all...

This book has been a useful tool for me in my business. It shows how to track statistics, and how to evaluate those statistics.

Once the statistics have been examined, then specific tools are given to increase them over time.

My business has increased by 8 times since implementing these tools! I am no longer in a mystery about how to increase business, when to promote, when to cut back... the formulas given are clear, and easy to implement, AND THEY WORK!

I am a VERY satisfied customer!

L Ron Hubbard is possibly the most controversial man of the 21st century.
I read this book while researching into supernatual phenonema like near-death-experiences, psychics, out of body experiences, as Hubbard made several claims in this area.
While the book doesn't talk about that, or Scientology techniques, it is an interesting read. You won't find philosophical arguments here - the emphasis is on workability. Hubbard's philosophy (which is a version of utilitarianism based on survival) is intuitively a better ethical philopsophy than anything I studied at Oxford.
I also gained an understanding of why Scientology charges money for its services, and found Hubbard's arguments about why people attack Scientology interesting (though I'm not in a position to judge them).
The book is also a good management book - on par at least with the One Minute Manager.
Hubbard was an intelligent and interesting character. If he was a charlatan then was certainly a complete genius who continues to deceive today.
On the other hand his principles seem sound and aimed at improving the human condition.

I Have read through this book countless times and have found it to be an essential tool for living in this society. The book is absolutely invaluble, and anyone who thinks otherwise is not nuts, they simply haven't looked at the bigger picture. Most people that slam Scientology aren't wrong from thier point of view, but they fail to look at everything there is to look at, which consequently makes them look rather silly and disappoints me in that our society commonly slams what they do not understand. Stop fearing Scientology, it will not bite you !! It may even help you, you decide...

I can feel the warmth of that rising sun everytime I look at the scene on this cover [we use it as our screensaver]. I'm sure I've been to this place. Just as this cover scene will rekindle memories for Baja travelers, this story is so vivid you may later try to recall if these were people you've actually met,places you've been yourself, and maybe even that chubasco you went through back in 19[??]!

On a whim I suggested this book to my reading group--as I would be hosting the meeting to discuss it and wanted an excuse to serve salsa and chips. It was a delight to read.

Have heard great reviews and can't wait to get it. The 24 hour shipping is now at 144 hours and counting. Not very happy with my first attempt to order from Amazon.com

I came upon this book by accident and have recommended it highly. It has all the flavor of John Steinbeck, a powerful set of characters and a fine story line with humor and pathos. I hope Mr. Kira writes some more fiction for us to appreciate.

I loved, I laughed, I cried! This book truly captures the magic of the baja, and the special people who call it home or a home away from. I highly recommend it to anyone in love with this special "last best place".

Zola's The Ladies Paradise is a fine translation from the French original. The author is right on target when it comes to consumer culture in nineteenth century France. He predicted well, how big businesses would swallow up the mom-and-pop shops, and create a need for material possessions. The character of Denise was one of strong ambition in a time when women had less than half a chance of leading an independent life outside of an andro-centric culture. Denise is a young heroine in her own right, rising up from poverty to become a strong voice in the world of the department stores. She has to fight vicious rumours and unwanted affections to make it to the top with out sacrificing her own beliefs. I highly recommend Zola's The Ladies Paradise.

any one who has started a business or has worked in a business should read this book. It clearly outlines all marketing principles, sales psychology and the benefits of being in distribution rather then production. Amazing. Grow your mind and read.

THE LADIES' PARADISE is a sequel to POT LUCK (POT-BUILLE), which I read last year. Both have Octave Mouret as a central character. In the earlier novel, he was a young salesman on the make, both in his profession and with the young women in his apartment building. At the end of POT LUCK, he marries the owner of a successful drapery establishment. At the start of PARADISE, his wife has died; and Octave has entered on an expansion program from drapery into a department store named the Ladies' Paradise that threatens all the other shopkeepers selling clothing and accessories in the area.

Enter Denise Baudu, a country girl from Normandy, who moves to Paris with her two brothers after one of them has gotten in trouble back home. Her uncle runs a store called Au Vieil Elbeuf, selling drapery and flannels, but is unable to give her room or a job because business is threatened by the presence of the Ladies' Paradise across the street. Denise finds a job at the Paradise at the risk of angering her relatives.

Salesgirls at the Paradise live in a dormitory on the top floor of the department store. Room and board is part of the job, plus a token wage and commissions on sales over quota. Little does Denise know she had entered into a whirlwind of gossip and backbiting. She is made fun of by her fellow workers, but Mouret resists getting rid of her because he is drawn to her. At one point, however, two of Mouret's "spies" in management come upon Denise and a young salesman from her region who has sheepishly fallen in love with her and kisses her hand as head axe-wielder Bourdoncle watches. Denise is promptly dismissed.

As Denise finds another position in a less profitable store than the Paradise, the focus turns more to Mouret, who did not know of her dismissal. Mouret plans a large-scale expansion of the store and calls upon Baron Hartman (in real life, Baron Haussmann) to allow him frontage on the new boulevard being cut through the neighborhood.

One day, Mouret runs into Denise on the street and asks her to consider returning to the Paradise, which is just as well as the store where Denise had started to work was going under. To sweeten the offer, Mouret makes her an assistant buyer in the new children's wear department. With her enhanced status, Denise is now winning admiration from her co-workers, though some backbiters remain. In the meantime, Mouret's passion for her is growing -- despite Denise not encouraging it in any way.

There are several set pieces in the novel which are a feature of Zola's fiction. They come under the heading of giant mechanisms that grind people down. In GERMINAL, it was a coal mine; in POT LUCK, an apartment building; in HUMAN BEAST, railroads; and in THE BELLY OF PARIS, the food market at Les Halles. In every Zola novel, there are scenes showing off some giant mechanism at work crushing people under it like the wheels of a Juggernaut. In PARADISE, these scenes are highly successful sales which show a crush of frenetically spending customers and overwhelmed sales clerks as Mouret keeps "pushing the envelope" of what is possible in the apparel business. Even wealthy shoppers who came "just to look" are caught up in the frenzy and leave the store having committed themselves to buy more than what they could afford.

The owners of neighboring shops feel that the Paradise is like a hungry beast that strives to devour their businesses and put them out in the street. Which is exactly what happens. Denise's cousin Genevieve dies of consumption after her lover Colomban -- the main hope of Au Vieil Elbeuf -- runs away to chase a slutty Paradise shopgirl who is one of Mouret's cast-offs, and who doesn't even want him. Aunt Baudu follows her daughter soon after. When as the result of a series of sharp moves, Mouret buys their properties, the shopkeepers are evicted; and Uncle Baudu goes to a nursing home, completely dazed and broken.

Eventually, Denise and Mouret do hook up, but on Denise's terms. The novel ends as they announce their upcoming marriage.

I have found that the ten or so Zola novels I have read have been of a uniform high quality, such that I have difficulty recommending one over the other (though I have a particular fondness for NANA). THE LADIES' PARADISE is an excellent read and paints a fascinating picture of life in the emerging Paris department stores of the late 19th century.

The Ladies Paradise written in the nineteenth century rings true of today's consumerism. Emile Zola examines in this socialistic novel the effects of consumerism on customers and employees. The customers who are women are drawn to the items that are displayed on the tables. Octave Mouret, the storeowner, knows what women desire and sets forth to use it to bring in profits. The lace, stockings, velvet are feminine fabrics that entice women to spend money, even if they don't have it.

As a retail employee, I have dealt with customers who don't have the money to buy the items but want to get it. I am a customer who buys what is displayed because I think it is going to be an investment. I can relate to small stores like Uncle Baudu's. Businesses like his struggle to stay afloat amongst corporate expansion. They entice clients with their sales and bargains--things that I look for when I shop. Small stores can provide what the big stores don't have. One way or the other, the consumer can get some sort of balance. Working at both a community store and a corporate store, one thing that matters most to customers is service. Customers want to be treated with respect and they expect sales associate to be enthused and answer their questions; even if it is trivial.

Denise Baudu, a simple country girl, arrives in Paris to get a job at her uncle's drapery shop. To her disappointment he doesn't have a job for her because his store is losing customers to the Ladies Paradise. The mall provides goods that are cheaper than the small shops and have a selection of fabrics not only from the mother country, but imported from Asia. He suggests to his niece that she get a job there.

The store fascinates her but she does feel some betrayal towards her uncle. Her uncle's business, along with the small stores, are struggling to stay afloat. With the expansion of the mall, these stores are forced to close because they can't compete with them. Uncle Baudu's hopes of his business staying for the long haul are shattered.

Denise is at first, shy and awkward. She is the target of cruel and malicious slander from the employees including assistant buyer Madame Aurelie. Zola unfolds the lives of the sales employees. The money they make in retail isn't sufficient to support them. The women take to prostitution. Claire has three men supporting her material needs. Pauline befriends Denise and suggests that she get herself a lover to support her financially. Denise doesn't take that advice because it is not in her interest to be a prostitute. She is determined to keep herself and her family together without falling apart which makes the women envious of her.

The novel is centered around an actual person Aristide Boucicaut who founded Le Bon Marche which remains today at the center of Parisian culture. Denise is believed to be the model of his wife Marguerite. Zola puts into a social perspective that exists til this day.

After reading the book for an art class I was suprized to find out that I actually enjoyed the book, it had quite a twist to the department store/love story. I think Zola's description of the scenes were wonderful and helped me use my inmagination better. I would reccomend this book to anyone who likes learning about Paris bourgeous life and the mechanical system of the department stores. Definitly a good read.