California Books

As to Churchwell's history of Palm Springs, here is what was said by Peter Wild, English Professor at the University of Arizona and author of numerous books on the Southwest. "Two of the most reliable [histories] . . . are Frank Bogert's oversized book . . . ;and my favorite . . . , Mary Jo Churchwell's heartfelt work giving us a generally accurate picture of how much was lost when the village was wrenched into a city."

Mary Jo Churchwell's history of Palm Springs touches on the familiar Palm Springs of old ....a Palm Springs populated by the beautiful people like Bob Hope and Gig Young, Lucy and Desi, and yes, the lovely Miss Dinah Shore. BUT, Churchwell's Palm Springs is so much more: The canyons, the desert wildflowers, corny street and condo names, and above all, the sunshine that just won't quit.

All I can say is WOW! I want all my friends to read it - very moving. This reads as if I'm chatting with an old friend that grew up in Palm Springs as I did. I remembered things I thought I had forgotten. Let's hear more from Mary Jo Churchwell!

If you've dismissed Palm Springs as a soulless wasteland fit only for golfers, gamblers and creaky celebrities, this book will change your mind. With Mary Jo Churchwell as your good-natured guide, you'll discover the things that truly make Palm Springs unique in the world. This is the first book to focus on the area's awesome natural wonders and its bold past populated with writers, eccentrics and explorers. Whether you're a visitor or a lifelong resident, this book will quadruple your enjoyment of this desert town.

If you've dismissed Palm Springs as a soulless wasteland fit only for golfers, gamblers and creaky celebrities, this book will change your mind. With Mary Jo Churchwell as your good-natured guide, you'll discover the things that truly make Palm Springs unique in the world. This is the first book to focus on the area's awesome natural wonders and its bold past populated with writers, eccentrics and explorers. Whether you're a visitor or a lifelong resident, this book will quadruple your enjoyment of this desert town.

Finally -- an all-inclusive source of information for favorite aunties (to stay that way) and god-parents too! Although I have no children, I have scads of nieces and nephews who visit from back east; plus my friends have children who sometimes like hanging out with me (and I with them). For years I have cut articles about "fun places to go" out of newspapers and magazines and stuffed them into drawers, until I have no drawers left. But no more! This fun and well-written guide has it all and is geared specifically to children and their grown-up buddies, not just vacationing families. I especially enjoy the photos taken by the author's children, which prove they really did enjoy these places. Not only do I recommend this guide to vacationing families, I also sing its praises for Southern California adults with young friends and relatives who visit often.

I have found this book to be totally enjoyable, humorous and was extremely helpful when we took our grandkids to visit friends and sightsee in the L.A. area. I have many friends who like to travel and I will certainly recommend this book as a real time saver while in L.A. Excellent!

This book provides all the basics -- sites, how to get there, prices, hours, amenities -- but it also rings true with an air of authenticity and experience. This is a real mom who went to these places with real kids and went through all the same things that everyone goes through -- standing in lines, eating good or bad concession food, trying to give the kids a fun day instead of just wearing them out. We've actually used and benefited from the info in the book and I recommend it wholeheartedly.

Excellent book! Author Kathie Weir describes hundreds of enriching things for parents and children to do in the greater L.A. area. As a longtime resident of southern California, the author has visited most of these sites with her children, so her descriptions include a personal and honest touch; for example, in evaluating one museum, she writes, "Most of the under-twelve set will be happier elsewhere, but if you have one of those super-brainy, bored-with-everything, and a bit off-beat teens, this museum is IT." I liked her warm, down-to-earth writing style. Most of us---who think of famous amusement parks when we think of L.A.---are not aware of the area's wealth of museums, historical sites, wildlife preserves, train rides, gardens, annual events and much more. For instance, I was surprised to learn that Southeast Los Angeles has a Civil War Museum. The Union Army was stationed on the West Coast during the Civil War, and the Officer's Quarters of Drum Barracks now serves as a museum. The book lists many other places as intriguing as this. A Parent's Guide to Los Angeles is also very well organized. The author divides Los Angeles County into four areas, lists the sites by geographical section, and includes clear driving directions to each one. In fact, she devotes a whole chapter to tips on driving in L.A., offering helpful advice about coping with freeways and rush hours. Weir most definitely understands what it's like to travel with children, which gives her book even more credibility. She writes, "Parents never know what might strike a child's fancy" and confesses that when she took her children to see the great sights of Europe, the part they talked about the most afterwards was feeding the pigeons. How true this rings for anyone who has traveled with children! "An afternoon at a playground followed by hotdogs, cooked in the park's firepit can be a cherished memory for a kid," she advises. I was impressed with her attitude that sightseeing is a valuable form of education for children, but that "every family is different and every child has his or her own interests." This book provides a wide range of choices for any family's individual needs. I highly recommend this book.

The book Pasquala is about a brave girl who suffers because her dad and mom die. Pasquala is a strong character because her uncle who adopts her isn't very kind to her. For example, he doesn't let her go to the mourning ceremony or be in the ceremony changing kids into adults. Pasquala is the book's narrator, and she is a good one because she helps others. She saves the padres when she runs for 3 days and nights to warn them about an attack, and that's why she dies. I think that the book is good and it teaches a valuable lesson: we need to help others and then they are going to help us back when we need it. Pasquala even got her name from a padre who calls her that because she helps others. I like this book a lot, and think most kids my age would enjoy reading it. I learned many things from this book, such as how Yokuts Indians collected salt.

The book Pasquala is about a brave girl who suffers because her dad and mom die. Pasquala is a strong character because her uncle who adopts her isn't very kind to her. For example, he doesn't let her go to the mourning ceremony or be in the ceremony changing kids into adults. Pasquala is the book's narrator, and she is a good one because she helps others. She saves the padres when she runs for 3 days and nights to warn them about an attack, and that's why she dies. I think that the book is good and it teaches a valuable lesson: we need to help others and then they are going to help us back when we need it. Pasquala even got her name from a padre who calls her that because she helps others. I like this book a lot, and think most kids my age would enjoy reading it. I learned many things from this book, such as how Yokuts Indians collected salt.

The genre is historical fiction. The story began when Pasquala and her mother were hiding in a cave because they saw soldados coming to their village. Pasquala was scared when she sees shadows near the cave opening so she closes her eyes and then feels a hand touch her; when she opens her eyes her father is right in front of her. Her father said the soldados had gone. After a couple days they go to the Pacific Ocean and on their way back Pasquala gets sick, so they have to take her to the mission to save her life. After a while they start living at the mission. One day her father finishes a beautiful saddle, so now the soldados want him to take it to the presidio where the soldiers live. When he gets back he is sick and dies. But before he dies he tells Pasquala and her mother to leave the mission. When Pasquala and her mom go back, the other villagers don't really like them anymore, because they had to do their work while they were gone. From this book I learned a lot about the Yokuts Indians who lived in the Central Valley. The book was short (about 90 pages) and easy to read. I liked the ending because usually most books have a happy ending; this one was sad. Read this book, it's enjoyable and a great way to learn about Califoria history and geography.

The authors have done a fabulous job in bringing to life what it must have been like to be a little Yokut indian girl living in California's Great Central Valley 200 years ago. It teaches a great deal about the Yokut way of life and how things started to change when the Spanish arrived with their missions along California's coast. This is a fast read! You won't be able to put it down! Each turn of the page brings little Pasquala to a place in your heart where she will remain long after you finish the book. It is a fantastic book for 4th grade teachers to read aloud to their classes. It is also an excellent book for anyone who simply enjoys reading a well-written compelling story.

Having a group of friends whom I hike with everyday we run out of places to go, well we did before I got this book. It's very comprehensive, including descriptions of each area, map of the area, facilities available and a bit of history. Even the appendix has useful information, with websites for many organizations that can provide addt'l info. I recommend this for anyone in the bay area who wants to explore our beautiful preserves.

This is an excellent book for anyone interested in hiking the hills on the Peninsula. It is very well organized and easy to use. Good for everyone from a casual hiker to serious outdoors enthusiasts.

The Midpeninsula Regional Open Space District came into existence in 1972 as the result of an overwhelming vote in 1972 to preserve lands from rapid development. In 1976 the "open space" concept was extended into San Mateo county and in the nearly 30 years since the MROSD has come to manage almost 50,000 acres in an area where even small amounts of real estate command a huge premium. Divided among 24 separate "preserves" and managed for low impact recreation, MROSD lands protect much of the natural beauty of the bay area.

An accomplished hiking guide author, Weintraub's book does indeed list and describe one or more trails in each preserve. Distances covered range from short half-mile strolls in Foothill Open Space and Skyline Preserves to a 10+ mile jaunt through Purisima Creek Redwood Preserve. The vast majority of the hikes however are 5 miles or less and are more suitable for a contemplative walk than a strenuous workout. Accompanying the descriptions are some useful map sketches with mileage between key points carefully delineated.

The hikes, however, are not the centerpiece of the book. The real highlights are the local history selections. In addition to relating the history of MPOSD, Weintraub delves into the local history of each preserve. Old photos accompany Weintraub's descriptions of historical logging in the Purisima Creek area, wine making at Picchetti Ranch, and the former stables of Los Tracos Reserve. Better yet, Weintraub's talent as a professional photographer shows in the many beautiful plates and pictures that adorn this book and capture the beauty of the bay area. Finally, the book has numerous interesting sidebars that cover everything from wildlife in the area to the mechanics of trail building and maintenance.

Local history buffs and frequent hikers in the south bay area will certainly want to purchase this book. As a hiking guide it is a little limited. Unlike Weintraub's other guide books from Wilderness Press, this one is more narrowly focused. The reader is compensated by getting more wonderful prose and photos than the traditional guide book format allows. All factors considered, this is a wonderful book.

I really don't think this should have been written as a guidebook. The idea of including at least one hike from each preserve works well in a few cases, but is almost laughable in others. However, the history and background given on each preserve makes up for this poor guidebooksmanship.

A good example is the Saratoga Gap OSP. Saratoga Gap has only one trail, with virtually no redeeming qualities except that it connects users of Long Ridge OSP and Upper Stevens Creek County Park to the plentiful parking at the summit of Hwy 9. The book recommends that hikers walk down the trail and enjoy the "feeling of seclusion" as cars whiz by 50 yards away on Hwy 35. Yet the section is redeemed by its archaeological and botanical notes. I was also interested to discover that the preserve contains wreckage from a 1959 plane crash, one which my local fire department responded to.

I recommend this book to anyone who uses these preserves, and wishes to know more about the stories behind them.

Funny, absurd, and heartbreaking moments abound in this memoir, which offers an incredibly dispassionate account of being raised, on the brink of poverty, by a freeloading father and codependent mother. In a surprising and original way, the extreme differences between his parents seem to operate like yin and yang forces that converge into the strangely sane wholeness of Dirk's own mindful and even compassionate perspective on his parents and his past.

Once you open this book, you won't be able to put it down until it's finished. There's never a dull moment. The story is heartbreaking and pretty funny at times & the author's writing style is sharp and smart.

Perishable has a lot in common with The Glass Castle, which is one of my favorite memoirs. Both stories make you wonder what in the hell the parents are thinking.

I'm very curious about what happens to the family after the book ends. I can't wait to read the author's next book.

The title of Dirk Jamison's slender memoir Perishable is a reference to the most striking oddity of the author's childhood, that his father--a man for whom the notion of responsibility was anathema--undertook to feed his family of five for a number of years by "trashing," taking recently discarded food prised from dumpsters home to the family dinner table. This was a lifestyle choice rather than necessity. Able-bodied but unwilling to waste his time on a paying job, the author's father saw eating trash as a means of gaining free time: "More trash means less work. Less work means more time." But his enthusiasm for jars of expired pickled eggs and the like was not shared by the rest of the family. The elder Jamison's bizarre take on life was coupled with a selfish abdication of parental responsibility. But his father's instability, if perhaps the worst of what the author endured growing up, was not the whole of it. Jamison's mother was the better parent of the two, but she brought her own problems to the familial mix. Now "slinking off to cry with slabs of chocolate," now refusing a knee operation because she was sure it implied temporary amputation of the affected limb, Jamison's mother, the author explains, was not so much crazy as stupid: "'Ma'am, are you insane?' is the question that nobody ever asks. But I can see that question in their eyes, and it's a misdiagnosis I'm always grateful for. Much preferable to the actual problem, which appears to be staggering stupidity." There were also the regular abuses of Jamison's Mengele-esque older sister and, in the author's adolescence, the in-retrospect-inappropriate attention of "Scoutmaster Gary," the Mormon overseer of a series of Church-sponsored activities in which Jamison took part. In short, the author's home life was unstable, and his father's mode of parenting arguably a form of abuse. Jamison and his siblings lacked dependable adult figures who were capable of making rational decisions on behalf of the family.

Jamison tells the story of his unusual childhood in spare, unflinching prose. Neither sentimental nor self-pitying, the author approaches his subject with something like journalistic dispassion. He is startlingly frank. This is most admirable not when he is detailing his family's failures but rather when he confesses to poor behavior of his own during the period. In the end Jamison's remarkable account of his peculiar upbringing is probably more universal in its scope than he intended. My guess is that a lot of readers will find much that's familiar in the book, their own imperfect familial relationships here writ more extreme. Thus Perishable isn't merely a good read. It may help you laugh at your own crazy relatives.

Debra Hamel -- author of Trying Neaira: The True Story of a Courtesan's Scandalous Life in ancient Greece (Yale University Press, 2003)

All of us grew up in families that were more or less dysfunctional. But this one takes the cake. Well, it wasn't as bad as those families you see on the TV news where a child is actually killed, but boy was it bizarre. In fact it seems remarkable that Mr. Jamison grew up at all, let alone sane enough to put enough sentences together to write a book like this. Then when you find the humor and understanding that he brings to the book and you have to realize that almost regardless of what you do to them kids seem to shake it off and grow up.

The story is delightful (so long as you didn't have to live it). This is what happened to the true hippies who never became part of society. Or as viewed from the standpoint of the author realizing that everyone in your family is a lunatic. To summarize: Dad's dropped out, working sucks and he isn't going to do it any more; Mom is a Mormon whose main goal is to get her children into heaven; sis is trying to kill him. They are all nuts, but as it is described, they're nuts in a delightful way.

Highly amusing read.

I ordered Phlip Vera Cruz: A Personal History of Filipino Immigrants and the Farmworkers Movement to gain insight into Filipino farm worker culture in America. What I got was more than I ever expected. I learned about the differences between generations, of the vast sea of Central Valley and Delano culture, and the history of Filipinos in America, whose hardships were endured by transplanted and misunderstood culture.

I've since learned that generational gaps in understanding Filipino culture exist that tear the rooted fabric of Filipino culture, making its historic transformation to Americanism nearly forgotten by many of the younger generation. Craig Scharlin's book of Cruz's memoirs provided a means through which I could research and begin to understand what many Filipino youth have never gained.

I picked up this book because I am a Filipino-American and knew little of the contributions of Filipino-Americans to American society and even had non-Filipino friends tell me of this man and the contributions to the UFW and labor laws in America. It's a sincere story of an honest man who bridged people and cultures and stood up for what was right and worth fighting for. I read it over one weekend and had a hard time putting it down. It's a great read for anyone interested in the UFW, Cesar Chavez, Filipino-American contributions, labor laws, and/or inter-racial relations.

I am often dismayed when college aged Filipina/o Americans, many of whom are the children and grandchildren of post-1965 immigrants, cannot appreciate the lives of the Manongs, early Filipino immigrants from the the 1920's & 30's. I realize that it was a long time ago and there are many other Fil-Ams to recognize and honor, but I believe that this first large wave of immigrants to the U.S. is a part of Fil-Am history that should not be ignored. The life of Philip Vera Cruz epitomizes the lives of many of these immigrants who came to the U.S. as migratory and service sector laborers but became activists by protesting labor exploitation. Further, Vera Cruz and other Filipinos played an integral part in the formation of the United Farm Workers. Young Filipinos often complain about not knowing their history or the role Filipinos have played in U.S. society. This biography is a good place to start learning about where we've been and what we've done.

An very intimate portrait of his struggle as a new immigrant, farm worker and then later activist, Philip Vera Cruz honors us with his reflections in `Philip Vera Cruz: A Personal History of Filipino Immigrants and the Farmworkers Movement.' Authored by Scharlin and Villanueva, Cruz gives us a personal account of his encounters with Cesar Chavez and the rest of the ilk of the United Farm Workers.

In an effort to handle the situation that the Filipino migrant workers found themselves in, they cherished the set of connections between friends and family and established cultural, religious, and community organizations, not to mention fraternal organizations. According to Vera Cruz, Filipino migrant workers subsequently organized labor unions and established charters in the AFL. It is established in common sense understanding that the farm workers movement was a Mexican American movement that was set in motion by the 1965 Delano grape strike in the San Joaquin valley (3, 8-21). In reality, the farm workers movement was actually initiated in the 1930s with the Filipino Workers Association, the Filipino Labor Union, and the Filipino Agricultural Laborers Association. In this account we read that the 1965 grape strike was instigated by the Filipino Labor Union, headed by Larry Itlong, and was joined a week later by Cesar Chavez and his National Farm Workers Organization (31-51). The two unions were merged into the United Farm Workers with the support of Philip Vera Cruz, who became a vice president of the UFW (xiii). Philip Vera Cruz provides us with poignant insight regarding the Filipino immigrant experience at the turn of the century and beyond:

"New immigrants, who will compete with the workers already here, are arriving everyday from the Philippines, Puerto Rico, the Arab countries, from Jamaica, and especially Mexico. Third World countries have been exploited so much by the multinational corporations that their people, moved by extreme poverty, leave their home countries to seek work in an industrialized country like the United States. The multinationals suck the wealth out of their homeland like a vampire sucks blood. And these same big businesses here greet these new immigrants with open arms. These poor foreigners bring their cheap labor which means increasing profits for the big corporations. When the present group of workers here start to get organized and win some of their struggles for better wages and benefits, then the big agribusinesses here in California, with the help of the government, try to bring in new groups of workers" (145).

Immigration was cut short in 1932, when the Great Depression severely curtailed recruitment of Filipino workers abroad. In 1934 the passage of the Tydings-McDuffie Act by the U.S. congress re-categorized Filipinos as aliens and limited their entrance to the U.S. to 50 per annum with a specific but contradictory agenda. According to Vera Cruz it was caused by the fear and insecurities of workers here over their job situation. Although it is not reflective of the conditions of ALL immigrant groups (particularly Asian) Vera Cruz's experience does echo that of Carlos Bulosan and forms part of the discourse and narrative of the manong experience. As mentioned previously, Philip Vera Cruz honors us with his reflections in Philip Vera Cruz: A Personal History of Filipino Immigrants and the Farmworkers Movement.

Miguel Llora

Peter Dallman, a retired pediatric doctor and docent at Strybing Aboretum in San Francisco, California, spent many years
studying plants and traveling the world to see them where they grow in the Mediterranean climate areas of the world. Prof. Robert Ornduff, the late director of the Univ. of California Botanical Garden, encouraged him to write about these
plants and his travels. The result is a book giving the reader the best armchair picture of the vegetation of a very special part of the world.

This book falls into a category somewhere between botany, climatology, and geography; it looks at several different types of "mediterranean climate" around the world, and describes the different vegetational types within each region, explaining (in a scholarly but accessible way) why these plant communities look the way they do.

It's beautifully produced, with both climate maps and full-color illustrations of plants and plant communities. I know of no other book that explains the relationship between geography and botanical ecology this elegantly; it's a lot of fun to browse, and I would recommend it *very* highly to armchair travellers with botanical inclinations.

This book is great. It has plenty of pictures, diagrams and drawings. Most of the pictures are not in color, however, which is its biggest downfall. It is not a detailed evaluation of mediterranean climates nor is it a good plant ID book, but provides an excellent overview for both the layman and scientist. It provides informatin on the plants that make the mediterranean climate unique and the typical plant communities that are found in them. It is great for someone who doesn't want to get bogged down with individual species and wants to see how all the parts fit together. I first checked this book out of my local library and felt it would be such a good reference book for work, play and travel that I had to have it. The book uses the most scientific and inclusive use of the term Mediterranean which means you are going to get descriptions of plant communities from San Diego to Sacramento to San Francisco. For those of us that prefer the more exclusive definitions it may come as a shock that San Francisco and Sacramento could be considered mediterranean so I'm warning you now. I am currently using this book to help plan a trip to Australia as a supplement to Lonely Planet's travel guides. This book has inspired me to visit all the world's mediterranean climates at some point in my life and I'm not even a plant lover.

Peter Dallman's Plant Life In The World's Mediterranean Climates covers plants of California, Australia, South Africa and the Mediterranean, and will prove more accessible to general audiences studying plants. Here are photos, charts, and a host of details on plant communities and plant life common to this climate, with chapters providing both individual regional details and links between plants of each area. This is a highly recommended pick not just for specialty libraries, but for general collections.

When I began reading Plantsman, I expected to learn all about California plants and gardens. Having lived only a short time in the state, I was eager to know the names and temperament of the gorgeous plants and flowering trees I saw in front yards and parks on my daily walks.

What I did not expect was an even flow of lively prose that would grip me like a best-selling work of fiction. Plantsman is an entertaining page-turner as well as an encyclopedia of plant life. Its master-gardener tips will help you transform your humble plot into a luxuriant, esthetically charming, and environmentally-friendly garden, be it desert, inland, or coastal. You are seduced by the striking hues of Red Columbus, Leopard Lily, Mexican Primrose, Pink Spice and a myriad other plants, and dizzied by the scent of plants like Box Honeysuckle and Peppermint Scented Geranium.

In an engaging poetic style peppered with bursts of wonder and excitement, Harbour takes us on an unforgettable journey through the gardens of his life. We meet his grandmother, discover the inspiration for his first love; we hike through desert canyons in 90 degree heat with his family, gasp in the encounter with a mountain lion, ponder the secret lives of plants, learn how to exterminate gophers, and welcome anew each magnificent season.

Plantsman will delight both garden lovers and general readers.
Megan Webster

Gardening guru Steve Harbour's account of a year in the life of a garden designer springs from fertile ground as the seasons unfold. With an encyclopedic knowledge of plants and an artist's eye for design and detail, Harbour escorts the reader on a grand tour of landscape masterpieces in the making as the year buds and then blooms. Harbour's humor and humanity color his perspective as he moves through an impressive array of garden projects.

Which is not to suggest that the year is without its challenges. In a compelling chronicle of frustrations with fickle clients, unreliable contractors, and the demands of design competitions, the author recounts his adventures in a wry, insightful and moving style. The path that Harbour treads is beset with garden pests, inept cannabis cultivators, a bureaucratic homeowners association, and a first-hand and moving account of a devastating wildfire that nearly consumes Harbour's home.

For the green-thumbed aficionado or the aspiring beginner, Harbour's gentle and well-conceived guide traces the impulse to create and coax order and beauty from the world around us. Along the way we witness the wonder and beauty of a life lived among a landscape of the author's own making. It is a journey too important to miss. A deep-rooted and flourishing floral find.

Harbour has one of the most beautiful sence of prose I have come across. Whether or not you are a plant afficianado Plantsman will take you on a journey through gardening that you will love. Like a travel essay Platsman travels through gardens, nature hikes, and Steve Harbours experiences along the way. You will actually laugh outloud at some of his commentery and insights. Loved the book!!

Harbour is a plantsman in the true sense and let's the reader into a year of his life. Whether it be as a designer, a collector, or just a home gardener; Harbour delights with entertaining and funny tails about life in Southern California as a plant person.
Whether it was the chapter about the snake, the mountain lion, or the fire; I kept the pages turning and enjoyed it from cover to cover. Looking forward to the next one from this author.

Excellent book with insightful stories. This book helps you manage your real estate career and provides examples from a start-up as a single agent to building your own team. It goes beyond the day to day business activities to discuss what other things you should do, not only to develop a successful career, but ensure a successful life!

I thoroughly enjoyed reading the stories of successful realtors working at PMZ Inc. The inside look at what a career in residential real estate is really all about was so helpful for someone like me who was really interested in a career change. This a great book by an obviously brilliant business executive who spends 85% of the book on allowing other people to tell their stories. How refreshing is that? Buy it...it is a fun, informative read.

This is a terrific read for anyone interested in the field of real estate. Take tips from the pros who are actually out there practicing and learn lessons from the man who runs the company! A Great read!

What a great read! I am a business student in the Haas School of Business at UC Berkeley and stumbled upon this book as it was listed on the "suggested supplementary reading" list distributed by the professor in my upper-div real estate investment elective. I loved this book from beginning to end - I think that it especially provides a realistic point of view into residential real estate, with great tips on how to get started, networking and important keys to success. It is clear that this author knows what he is talking about and I love how he combines useful business tools and tactics with personal accounts of the real-life application of these tools by real estate agents. If I could give this read 6 stars, I would. It has really inspired and moved me in an incredible way!!

Spicer and Ginsberg influenced one another, as is clearly shown in this book. Ginsberg stole a lot of his ideas from Spicer, but he was still the greater poet because he touched upon the conversation of his times, while Spicer went whacko and had no real impact on his culture. Academics have taken up Spicer, but this has again had no echo at all in the popular culture.

It's particularly interesting to study the automatic side of Spicer's poetics from surrealism forward -- the relinquishing of choice for a ouija board automaticism that resulted in odd nonsense that probably did not come from the dead, but resulted in an arcane verse that did indeed catalyze some of the lazier aspects of SF poetry but which was a dead end.

Magisterial biography that brings to life a tormented alcoholic who was not even trying to be nice, or even well-dressed, enough, to enter into the public forum.

His best work is the discussions he offered in The House that Jack Built -- astounding to see what he could do when he DID enter into the public conversation. Too often in his poetry he seems to be mumbling to himself. Poets need to reconnect to the real world -- because the world is real -- it has an ecology and texture, and the poets who got this will survive. Others form dead ends into their lost selves.

Gnosticism is a dead end.

I find that the Kirkus review available here does ill-service to this important biography of Jack Spicer. One would have no inkling, from reading this review, that Spicer's poetry is one of the most influential sources for postmodern poetry and poetics in the 1990s. It is not some recent academic fad to study Spicer; rather, Spicer has been a crucial poet for many younger writers for over three decades. This biography, published at the same time with his collected lectures, should provide the opportunity for even more serious study of his work.

Poets in the 1950s and 1960s have been well served by some of their biographers, and in this thrilling critical treatment of Jack Spicer and the poets of the San Francisco Renaissance, Ellingham and Killian join the ranks of Peter Davison (The Fading Smile: Boston Poets from Lowell to Plath) and Bill Berkson and Joe LeSeur (Homage to Frank O'Hara) in magically capturing the soul of an important school in the poetic ferment of those years. The San Francisco circle around Spicer was intense, prolific and inspired, but they didn't get the publicity that the New York poets received or that the Beats had showered on them. Lack of media attention didn't stop them. They were dedicated to a pure vision of poetry as an almost religious vocation. On his hospital death bed in 1965 (he died at 40 from acute alcohlism), Spicer told friend Warren Tallman, "I was trapped inside my own vocabulary." His genius/mania to use that vocabulary in service of the Muse produced great work and reminded others of the seriousness of their purpose. Spicer, in all his contradictions and drives, leaps from these pages. The book as a whole bristles with the very energy it celebrates, both poetic and sexual (intrigue was in their blood), and is essential reading for all of us interested in the circles that nurture poetry in every creative center. As if that is not enough, the quotations from a vast number of interviews of the surviving participants make this a delicious oral history as well as a compendium of hair-raising gossip of the wild times in North Beach before tourists took it over fom artists.

I have read Poet Be Like God, and I wish neither to rate it (but there's no option available that allows one to opt out of the rating game) nor review it, but to make a correction to the idiotic Kirkus review: Jack Spicer was NOT a "Beat" poet. There were a group of Beat poets in San Francisco in the late 1950s, early 1960s (e.g.,Bob Kaufman), but Spicer wasn't one of them. His intentions in poetry were different from theirs; naturally, so was his aesthetic. Spicer was part of a triumverate of poets that included Robert Duncan and Robin Blaser who met at the end of World War II in Berkeley, Ca., and were sometimes known as the Berkeley Renaissance group, or more simply, and more accurately, as part of the San Francisco poetry scene (which was part of the New American Poetry movement). That the Kirkus reviewer could make such an elementary and stupid mistake should be taken as a clear indicator of the idiocy of the rest of the Kirkus piece of schlock.