Europe Books

As a young girl, Jane, in her own witty style decided to write "The History of England". It's certainly not an accurate history, but a young girl's view of the world in which she lives. The text is printed in her own handwriting and is charming and fun to read.

Jane Austen wrote these short snippets on a number of the rulers of England in chronological order - using, as she says, 'very few dates'. The result is a wonderful collection of highly prejudicial outlines of various Kings and Queens - and after all the purpose of history to be scandalous and slanderous can be undermined by sticking too closely to extraneous detail such as dates and so on. The whole thing would probably take you much less than hour to read. Austen proves her talent for sharp observation and wit from an early age for this little book was written while she was still a teenager in the early 1790's. Its a lovely introduction to her writing for those who haven't had much to do with Austen before but are keen to try her out.

Jane Austen may be best known for her biting and sarcastic wit, her compassion for her characters, and her understanding of the truth of their lives and situations. But this short piece of juvenilia combines all of her mature insight with the confidence, humour, and unmitigated self-satisfaction of a younger and more whimsical Austen. Definitely not to be overlooked in favour of her more serious work, this book will take merely minutes to read but leave you with astoundingly funny comments to treasure and smile over for years to come. It is Jane Austen at her very best: uninhibited, cruel, funny and ultimately self-deprecating. She knows what she is doing and does it with consumate skill. A must read for any Austen fan or anyone with a sense of humour.

This book may not be used in any history class, but it is one of the most charming works she ever wrote. I had this smile painted on my face the entire 15 minutes it took to read it. Very, very witty.

This hilarious little book is full of wonderfully biased observations on the Kings and Queens of England between henry the 4th and Charles the 1st. Of Henry VI she writes fiercely "I cannot say much for this monarch's sense, nor would I if I could, for he was a Lancastrian" She is a supporter of Richard III's claim to innocence, averring that he may not have murdered his wife for "if Perkin Warbeck were really the Duke of York, why not might Lambert Simnel be the widow of Richard?" She includes a very rique charade on the homosexual habits of king James I. I feel that Sellar and Yeatman, who wrote '1066 and All That'may have derived inspiration from this book, her N.B. at the beginning 'there will be very few Dates in this History' has a very Sellar and yeatman sound. I increasingly find Jane Asuten's Juvenilia more amusing than her later works, and this book is a prime example.

Exquisite book, most comprehensive I have seen on this subject. Worth ten times over the Amazon price!

This beautiful book really opened my mind to the influence that Japanese art had on the Impressionist movement. Some very interesting comparisons of woodblocks and the work of Van Gogh.....Wow...It had never occurred to me before & to see the works side by side is fascinating. I first found this book in the school library & kept borrowing it; such wonderful images.I decided I had to own a copy & made my first Amazon.com purchase. Great service, Amazon, thank you....so quick & efficient. This book is great value and very well illustrated. The text is extremely interesting and thought provoking.

This is probably the best and most beautiful art-book I have ever read. I traces the roots of different western artforms like impressionism and abstract expressionism from the japanese traditions of brushpainting an calligraphy.. -I want it!

For anyone interested in both Japanese Art and European Art at the turn of the last century, this book will become the most satisfying reference book in your collection.

"Japonisme" is the term used to describe the Victorian fascination with all things Japanese. Wichmann's book successfully demonstrates the influence of this fascination on the fine art of the era. Lavishly illustrated with over a thousand images, Wichmann's essays are informed both historically and artistically on the detailed ins and outs of the sharing of the two cultures of East and West. Topics include the Asian influence in composition, pictoral space, design, choice of material, and subject matter in the visual art and architechture of turn of the century fin de siecle Europe and America. Visual examples are given from a wealth of artists including Van Gogh, Manet, Cassatt, Whistler, Degas, Mucha, Klimt, the architechs Frank Lloyd Wright and Richard Neutra, and Japanese artists such as Hiroshige and Hokusai, just to name a few.

Being a visual artist from the west trained in the Western tradition and yet fascinated with Japanese fine art and in particular the tradition of ukiyo-e, discovering this book for me was like finding the holy grail, a book filled to the brim with stunning visual compromises between the traditions of East and West from which to take my own influences. Fantastic.

the title says it all - "The Japanese influence on Western art since 1858" --- details print making, textiles, jewelry design, ceramics and glass, home and garden, objects d'art and of course painting. Amazing, for example how much Van Gogh was influenced by Japanese art especially wood block prints and you will see examples of his art and Japanese art which he had access to "Theo and I have hundreds of Japanese prints in our collection..." --- I truly wish I could see an exhibition as put together as this book --- it is absolutely indepth, articulate, clear and consise and immense in scope. Weighs a ton and worth its weight in gold.