Europe Books

I read this book prior to going on a recent trip to Madrid. While not a tourist's guide specifically, I loved the mix of history, art, literature, and local color of Madrid. An excellent read before your trip and equally fascinating to re-read after your trip to Madrid.

The author's knowledge and understanding of Madrileno culture, history, literature, art and psyche are impressive. She brings all these elements together to form the big picture, and the result is a potrayal of Madrid that goes deep beyond the surface. A fascinating account.

Part way into a year in Madrid, I found this book in a bookshop near the Puerto del Sol. Having read -- mostly with disappointment -- guidebooks of the "eat here, sleep there" variety, as well as of the "observe famous site on the left" variety, I have been absolutely entranced with this book.

What it does is bring alive the stories of Madrid. It's not a guidebook, per se, although I think it would be an invaluable book to have on any visit to Spain. It's more a collection of stories, of anecdotes, that pull you into the actual life of the city as it is and as it was.

A typical example: almost all guidebooks mention the Cafe Gijon, and cite it as a good place to eat where generations of Madrid literati have dined. You are left wondering, which Madrid literati, what was the appeal, and what did they do there? Rather than leave you hanging so, Elizabeth Nash guides through the society of "tertullias" (informal but somewhat stable idle discussion groups) that once flourished in these cafes, quoting from some of the novels written about this literary life, pulling up diverse quotes and recollections. By the time you are done you even know the name and the politics of the man who sells cigarettes at the stand just inside the Cafe Gijon's door.

That's the sort of thing the book does throughout. Rather than just identify sites and give you a summary description, it takes you into tales of selected important areas of Madrid. Some are on everyone's tour itinerary, such as the Plaza Mayor and the Puerta del Sol, while others, such as the college residence hall where Dali, Bunuel and Garcia Lorca discovered each other, art and life, do not figure in the packaged tours.

While drawing on marvellously deep and diverse sources, it's also a very good read. It moves quickly.

I recommend it highly.

This is a well-written book about the history and culture of Madrid. I gained a better understanding of the culture of Madrid and how the Madrilenos live and think. For example, the lifestyle described centering around the cafes and the tertulias ("the gathering of people who meet regularly to converse or amuse themselves") enables you to visualize life in Madrid during the 1880's. The book is worth reading and instills a desire to learn about Spain's history and culture.

This little book is a delightful read: informative, well-written, and entertaining. I can't imagine a better book for anyone planning a trip to Spain.

Teaching history should never just be about memorizing names, events and dates. It is about something so much more ?" it is about, among other things, the lives of people past, present and future. Unfortunately, many educators are stuck using texts that concentrate on the didactic and rarely ever stimulate students in an affective manner. Recently I introduced excerpts from Mr. Lipiner?s book, Magyar, Stars & Stripes, to my Western Civilization class to supplement our current text?s generalized and very formal account of World War II. In discussing the excerpts ("The Russians are Coming") in class I found that students became more engaged in our unit on World War II then previous classes that used only our text. In addition to this, and something I had not anticipated originally, was the different historical perspective provided from the excerpts of Magyar, Stars & Stripes from our class text. Our text provides a viewpoint of World War II that is very American as opposed to Mr. Lipiner?s perspective that is uniquely European.

Let me be clear - one need not be a history teacher or history student to enjoy this book. I enjoyed this book for its profound implicit statement - our American culture is a conglomeration of many personal stories. Magyar, Stars & Stripes happens to be just one of those stories that is very well told and documented. Perhaps what I enjoyed most about this book is the undeniable passion and conviction in which it is written which is a deserving tribute to a truly remarkable man - Alexander Taub.

As I read Lipiner's recount of his grandfather's journey and struggles, it occured to me that this should be on every student's required reading list. It depicts a holocaust survivor's odyssey from his Hungarian homeland through Nazi Europe, back to his home, and eventually to the land of opportunity, America.

As a Greek-American daughter, whose parents lived through the Greek Civil War, I could relate to this book on many levels. Sandor's stories were heartbreaking and compelling, as many war stories are. I couldn't put this book down. I wanted to know, what happened next. Who would live? Who would die? My heart broke with each chapter, but then again, I also laughed at how Sandor sometimes viewed the world around him. Michael Lipiner took us through the Holocaust and into the present with the ease of a master story-teller. This book is a wonderful tribute to his grandfather and his heritage!

This is a touching, sad, happy, amazing story. The ability to hear the story through the survivor, Alex Taub's, own words (his often charming broken English) is one of the many reasons this book is unique. The pictures and vivid details make it easy to care about the other survivors portrayed in this book. More than simply the story of a Holocaust survivor, Magyar, Stars & Stripes is an emotionally touching story about hope, family, love and survival. It's a remarkable story with great meaning and I recommend it to people of all ages and backgrounds.

"Hate is no good because [from] the hate comes out trouble. More trouble. Someone hates someone, more trouble come. Nothing come out good: never."

This is one of the many quotes from Alexander "Sandor" Taub as transcribed by his grandson in this very poignant book. It is amazing how much suffering the human spirit can handle while still being open to love and hope. So many times I have whined and complained about the inconsequential annoyances of daily life. In reality, I have never known true suffering.

This is just one man's story. One story that is similar to so many others. We are lucky we have Alexander Taub to speak for many of the other 6 million victims whose stories will never be heard. This book should not be missed.

What amazes me most is that this book is probably not even known about in most modern educational circles, yet it should be required reading in every 101 history class in academia. In fact everything Chistopher Dawson writes should be on that list. This book is brilliant on so many levels I couldn't address them all in this space. Christopher himself was one of those extreamly rare individuals who had the ability to truely see the 'forest through the trees' and even better he could write about it for the rest of us to understand. Its one thing to know about a giantic and complex topic and a whole different thing to be able to put it into understandable sentences. The amount of books he read, understood and then tied the thoughts together is itself a staggering feat. The bibliography iteslf list the 100's and 100's of books that when into forming Dawson's mind and then the concepts in this book. As Tiger is to golf Dawson is to history, particularly western cultural history. The other reviewers have done a good job of telling you what the contents of this book are about so read them to get the idea, I second all their thoughts and reviews. What I can add for you is about the author himself. He is from England and grew up in a wealthly and privilaged family of book worms. It is important to understand that he came from wealth for one reason only. He didn't have to waste time like the rest of us toiling away to make ends meet. He understood this yet didn't live the life of a rich playboy. He felt an obligation to his fellow man and dedicated his free time to learning history and then teaching it to the rest of us. He read an wrote for 5 to 10 hours each day. Married young and never divored. His uncle gave him a library full of books where he spent most of his time growing up. He went to all the finest schools and was a professor at Harvard later in his life. All I can say is that this book is well worth the effort of working your way though it. It will give you a deep down spiritual-like experience to know so much more about your roots and where you came from. Enjoy!

A rare book. It is profound, prophetic, insightful, level-headed. Christopher Dawson is one of the few authors whose books are still mandatory reading in university history circles because of the vastness of his knowldege exhibited in his books. Few writers have the ability to say as much so succinctly: reading one chapter gives you almost as much as a book on the same topic written by someone else.

We need to remember that if the West saw far, it is because we stand on the shoulders of giants. The giants of our past who, step by step, brought disparate tribes, from many races, speaking many languages and coming from different parts of the world, into one cohesive whole known as Europe. We had better find out how our ancestors did it, before we lose it all.

Catholic University Press of America is coming out with the Works of Christopher Dawson. To my mind, this is one of the most important publishing events in recent memory. In addition, these works are reset and contain solid introductions by experts in the field. This is third in the series (following Progress and Religion; and Medieval Essays).

The Making of Europe: An Introduction to the History of European Unity is an important book, which came out in 1932. Dawson highlights the central factors and contributions in the formation of European unity - the Roman Empire, Classical Culture, Christianity, the Barbarians, the Byzantines and Islam. Although Dawson was a Catholic, the book is balanced and can be enjoyed by just about anyone. I liked in particular the fair overview of Islam. It's fashionable to say that history books of the past ignored the contributions of other culture and only contemporary (and leftist) historians rescued us from the evils of "eurocentrism" and "ethnocentrism." This is silly, as anyone who has read history books from the past knows. (In addition, take for example the success of books in the nineteenth century such as Salambo by Flaubert, or the exaggerated claims of Masons of the contributions of Egyptians, which rival the "Black Athena" crowd).

In particular, I enjoyed Alexander Murray's introductory essay, which updates some of Dawson's arguments in light of current scholarship and also places this work within his oeuvre.

This book has to be the best survey of the beginnings of European, i.e. Western, civilization in the English language.

It reveals that European culture has its origins in the confluence of four vital elements: (1) the Roman Empire; (2) the classical, or Hellenistic, tradition; (3) Christianity (more specifically, the Catholic Church); (4) and the barbarians who infiltrated the collapsing Western Roman Empire. Each is treated in detail, and the combination of Dawson's encyclopedic knowledge and eloquent diction has the singular merit of making a vast and complex subject accessible and appealing to the educated reader.

To me what makes this book so special is the author's unique capacity to project the reader into the period under discussion without filtering it through the distorted lens of modern mores and attitudes that seem typically to color texts dealing with medieval history. He seems to have an intuitive understanding of what was important to the people of the period, and conveys this to the reader while at the same time he refrains from disparaging the so-called "dark ages" with remarks that emphasize its "primitiveness" by constantly comparing it to contemporary culture. (Aside from technological superiority, I see little basis for superciliousness on our part) Such parochialism of viewpoint is entirely absent from The Making of Europe, and for this, and other compelling reasons, I am sure that the interested and discriminating reader will find that it is, indeed, indispensible.

This concise little work attempts to cover the rise of nations from the crumbling Roman and Byzantine empires and the progress of Christianity all in less than 250 pages. Amazingly, the feat is accomplished with entertaining text. There is one shortfall in that there are no maps but the political characters and the events that brought about the European nations are given life. Very well done and a wonderful overview in its brevity and clarrity without paying the expense of literary color.

Robert D Kaplan's latest book, "Mediterranean Winter: The Pleasures of History and Landscape in Tunisia, Sicily, Dalmatia, and Greece," is written in the tradition of what was known in the 1930's as "landscape companions." The most well-known practitioners of this lost art were Robert Byron, David Talbot Rice, Lawrence Durrell, and Patrick Leigh Fermor.(They were all children of the British Empire.) This book recounts a journey Kaplan took shortly afer graduating from college in the mid 1970's. Kaplan writes: "With this journey, I acquired the habit of searching books linked to landscapes and seascapes through which I traveled. Reading became surgery; a way of dissecting the surrounding landscape and may own motivations for being there."

This is not the tourism of our present age, which is an escape from the drudgery of work; this is travel as work. Every landscape, every ruin suggests a book or an author. Every train trip or boat ride fills another notebook with observations and reflections. Travel teaches us about history - the rise and fall of civilizations, the ebb and flow of empires.

Kaplan's prose is on overdrive when travels through northern Tunisia. He recalls on a bus trip: "...the sculpted, liver-hued steppe of northern Tunisia and the pinks of the southern deserts, with their vast blotches of salt; interior tablelands racked by lonely, bone-chilling winds and the grave, museum light of late afternoons; the smoking and hacking coughs of the other passengers wrapped like ghosts in their caftans in the pre-dawn darkness, drooping woolen sleeves concealing their hands; the comforting smell of tea, fresh bread, sharp cheese, and harissa at half-empty cafes where the bus stopped after sunrise, with their loud music, scabby walls, and bitter espresso served in whiskey glasses only a third full; the just-boiled eggs that would keep my hands warm in the bus, bought at a cafe or given to me by a friendly passenger with whom I might share may sunflower seeds."

Kaplan has said elsewhere that waited until middle age to write this book in order to avoid the purple prose of youth; however, there are some delightful moments of recidivism.

In Tunisia, Kaplan uncovers the layers of history of this north African country, focusing mainly on the Carthaginian era and the subsequent conquest by Rome. Rome is still everywhere present in the landscape of Tunisia, from the roads and aqueducts to the Colosseum at El Djem, and Kaplan illustrates this vividly.

Also fascinating is his journey through Sicily. In Sicily, he sees the legacy of the Crusades. In the 1100's, two brothers from Normandy, Robert and Roger of Hauteville, conquered Moslem Sicily and created a modern multicultural state, in which Normans, Latins, Greeks, and Arabs could live together and prosper. The historian John Julius Norwich describes this era in depth in "The Kingdom in the Sun."

Kaplan then travels to Tivoli, east of Rome, where he explores Hadrian's Villa. "Hadrian's Villa was the Versailles of the ancient world." This was the subject of Eleanor Clark's 1950 book, "Rome and a Villa." To his villa, Hadrian brought thousands of books, statues, and reconstructed landscapes to remind him of all the cherished moments of his past. Kaplan compares him to Jefferson and his Monticello.

After leaving Tivoli, Kaplan sails to Split on the Dalmatian coast. Here he ponders the life and times of the emperor Diocletian, while walking through his palace: "If Hadrian was a romantic aesthete who encouraged the arts, Diocletian who ruled the Roman Empire 150 years after him, was a nuts-and-bolts pragmatist who spent most of his life in military camps." Diocletian was the first Roman emperor to rule the empire from the Balkans. It was not long until Rome was sacked in 476 and the Balkans were annexed by Justinian to the Byzantine Empire. After Byzantium, there were invasions by the Slavs and the Turks. Kaplan is very good when describing the mixture of people and civilizations that inhabit this part of the world; it was the subject of one of his previous books, "Balkan Ghosts."

The book ends with an entertaining visit to a spry 88-year-old Patrick Leigh Fermor, a fellow literary traveler and adventurer, living on the Peloponnesian Peninsula. "The last pascha of the Mediterranean" was working on the third volume of his memoirs of a journey on foot from the Hook of Holland to what is now Istanbul. We can only hope that Kaplan is still traveling and writing when he reaches this stage of life's journey.

This is travel writing the way it was meant to be - Informative, concise and illuminating.

Kaplan relives his journeys from many years ago as he first travelled through the Mediterranean struggling with being a free-lance writer. Most of the book is recollections from more than 20 years ago although there are comments from recent trips back to some of the locations and a wonderful recent interview with Patrick Leigh Fermor, author of A Time of Gifts, and other well-known travel books.

The down-side of reporting on these decades-old journeys is that some of the spontaneity and opinion is lost. I find that sometimes I learn more from disagreeing with a travel writers' hasty opinion than in boring, well-edited neutral reporting. However, in this case, I think that the elapsed time has given this account nuances and a filtered content that add to the writing. It's as if the ensuing decades have concentrated the meaning and subtleties of the journey.

The part on Tunisia was replete with history of the Phoenicians, Greeks, Romans, Berbers, and Carthaginians. Sicily was filled with the Greek influences on this place. Dalmatia, in previous Yugoslavia, and Greece were well-represented.

I confess I particularly enjoyed the recent encouter with Patrick Leigh Fermor who in his 80's is working on the last book of the trilogy about his travels in the 30's on foot from Holland to Constantinople. If you haven't read his first two, you need to.

Kaplan also includes a list of books that he considers essential to understanding these regions. It is excellent and is a good start to understanding these areas in depth.

Overall, excellent and gripping - which is hard in travel writing.

Impressions are akin to the distillates of grape rinds which when aged in the charred barrel of time yield the fine cognac of memories that become smoother and more satisfying with age. Mediterranean Winter is not an account of a recent journey or the nostalgic pining for youth but rather the mature reflections of a man whose impressions of a lifetime of world travel have been aged in the in the cask of the mind. Kaplan’s work is a delicate blend of autobiography, travel, philosophy, and above all, history. Like a fine cognac it is smooth, delicious, and relaxing.

The book commences with his very first journey, wanderings through Tunisia. My wife and I had the pleasure of traveling there in the mid 1990’s. His descriptions of Tebersouk rekindled my memories of that town in an early spring, a meal of runny eggs with fresh French bread, the quaintness of the village, and the heartfelt “Bon Jour” expressed by the school children. I still savor that crisp morning in the ancient Roman amphitheatre at Douga gazing in awe at the emerald green fields in the valley below and listening to the mellifluous exhaust tone of a moped as it serpentined the narrow road. I recollect gazing out our train window en route to El Djem and the sudden appearance of the Roman Colosseum replete with all its ancient glory. Sitting in the stands under the brazen Mediterranean sun it took but little imagination to hear the clanging of metal on metal and the roar of the crowds. But most of all, I shall never forget the warmth and kindness of the Tunisians themselves.

While Tunis brings back delicious memories his discussions of Sicily, Greece, and Dubrovnik elicit longings to visit these places so rich in history. I visited Athens, and like Kaplan who intended on staying but a few days remained eight years, I also, could have remained years. My wife too was seduced by Athens’ charm as an immigrant traveling from Eastern Europe to the United Stated. She remained captive to its charms for nine months. To this day she refers to Athens as ‘home’. Her final wish is that her ashes be scattered at Placa in Athens.

Kaplan imbues his travels with history. We are its products and what better ways can we understand ourselves than through history and what better way to understand history than to stand on its consecrated sacred soil. I found his historical discussions of such places as Sicily, Dubrovnik, and the southern Peloponnesus both intriguing and delightful. Perhaps most interesting of all was the reoccurring motif of the difference between the Byzantine and the Western ethos. Byzantine geography is so close and our history so intertwined but yet our consciousness is so divided. This is best exemplified by his encounter with the Russian seminary students in the Peloponnesus.

The best chapter is the last chapter entitled “The Last Pasha of the Mediterranean”. In it he chronicles a visit to a most amazing man, one who journeyed from his England to Istanbul on foot! Patrick Leigh Fermor is an erudite man in the twilight of his life. His villa in the remote southern outpost of Kardamyli in the Peloponnesus is a panoply of a lifetime of learning. Rooms are piled high with antique volumes of books, back issues of journals and magazines, artifacts, and maps. His most prized possession is the 1910 edition of the Encyclopedia Britannica – “the last good one” which he keeps in the dinning room because as he puts it: “You should always have good reference works where you dine. The best sort of arguments start over dinner, and you must have the means available to settle them.” Here is a man who lived his life in conformity to David Hume’s dictum that the “two pleasures in life are study and society.” It is refreshing to know that there are men like Robert Kaplan who are heirs to the mantel of Patrick Leigh Fermor.

Kaplan made explicit what I knew implicitly that “divinity exists in beautiful memories” and the reason I travel is because “so much of commonplace existence is forgotten, while our journeys never are.”

As in "Balkan Ghosts," Kaplan writes with great clarity and intelligence, weaving a fine travel narrative founded on extensive historical research. He writes with a unique and creative eye, and tends to focus on important yet little-known locales. He philosophizes quite a bit, but it is an intriguing, pleasurable philosophy. The following quote from his section on Greece crystallizes for me the special appeal of this type of writing, "...travel writing, rather than a low-rent occupation for the Sunday supplements, could also be a means to explore art, history, literature, and statecraft..." Precisely! Bravo, Kaplan!

Reviewed by David Lundberg, author of Olympic Wandering: Time Travel Through Greece

This historical essay by Kaplan which flows along a geographic journey from North Africa, to Sicily, Italy, Croatia, and Greece is a great read for anyone interested in the history of the Mediterranean. The book is part travelogue, part history, and part philosophy. The key test I have with this type of writing is whether the book leaves the reader with a nice roadmap for further in-depth exploration of the subject matter or some nice sideroads for further exploration...and this book gets five stars because it excels at just that. For example, I may be showing my ignorance but although I was aware of Lamb, and Byron, I had never heard of Fermor; although having read Norwich on Venice, I was ignorant of the Norman invasion of Sicily, etc. There is probably something like that for every reader who is not an expert in mediterranen history. It's easy to read, flows nicely, and worth one's time.

This book is more than a story of Isabella's murder, in fact, very few pages are devoted to the actual murder. The murder is the culmination of the family relationships that brew from page one.

Through this story we learn of the people and their times. We come to appreciate Cosimo Medici, who rebuilt his family dynasty through politics and strategic marriages. We come to appreciate even more his extraordinary daughter.

Not being steeped in the history of Italy at this time, I found the first few chapters hard going. The genealogies of Medicis and the other European monarchs are complex and difficult to follow. After this, as the personalities get drawn and the story unfolds it becomes a page turner building to the actual murder.

The book built my interest Italian history. I will be reading more Italian history.

At first, I scoffed at the title, thinking that this might be a work of fiction, and a real potboiler at that. And to be honest, despite my fondness for historical novels, nearly every other novel set in the sixteenth century seemed lately to be centered on either Tudor England or Renaissance Italy -- and both of them done to death.

But in spite of my misgivings, this turned out to be a stunning read. Caroline Murphy, author of a previous book on women and politics, has continued her stories of women who played an influental role in the backgrounds of Italian history. This time, the focus is on the city of Florence and the powerful Medici family.

Begining with the fall of the Medici, the book focuses on a member of the junior branch of the family who brought the glory back to Florence. Cosimo de' Medici was a consummate politican and manipulator, but also a fervid patron of the arts and architecture. With his wife, the beautiful Eleonora di Toledo (who was known as La Fecundissima) they had eleven children, many of them sons, but Cosimo's favourite was his daughter Isabella.

A middle child in a huge brood of offspring, she was closest to her brother, Giovanni, and they could be found together constantly, playing games and partnering each other in dancing lessons. Several paintings survive of the princess, a lovely dark haired child with expressive eyes and nearly a smirk on her lips as she surveys the world before her. Clearly she is her father's darling, and knows it. When it came time for her to marry, her father brokered a deal with the Orsini family, based in Rome, and a wedding to Paolo Giordano d'Orsini, a young man with an itch for power and money, and seemingly in love and adoration with Isabella to judge from his letters.

But Cosimo slipped a small clause into the wedding contract -- Isabella would only accompany her husband to his home in Rome if she wanted to. It was a curious condition to the marriage, especially in a time where women were considered to be not much more than two legged birthing machines and subject to abuse and violence from their spouses. For a time, all went well between the couple -- Paolo was off working for advanage of both the Medici and the Orsini, with Cosimo supplying plenty of money for his spendthrift son, and keeping his daughter by his side. He indulged her as best he could, supplying her with the trappings of the high life in the artistic capital of the world.

Isabella created a world of poets and music, sending a steady supply of letters to her husband, letters that were filled with assurances of her love and devotion. But read between the lines, and something else emerges. There's a sly quality to the letters, something that bothers the reader, and if read carefully enough, it becomes clear that Isabella doesn't care very much for her absent husband, and is determined to live her life as she chooses. Even if that means having a lover or two.

The story takes on a much darker tone as it progresses. Her beloved brother, Giovanni, dies of malaria along with another brother and their mother, word comes of Paolo's affairs with various prostitutes in Rome, and Isabella's own growing irritation of her husband. And when Cosimo dies, Isabella tries to keep her glittering fantasy of a life going, but it might already be too late...

This is a tale that is not for the squeamish, as Murphy doesn't hold back on the lives, and especially the deaths, of various members of the Medici family, and also of more ordinary folks. The book is filled with details about daily living, clothing, food, the art of spectacle, and the role of servants and those unseen. What I found very interesting was that the book shifts the focus to women, who usually get shoved to the background of most history. And the subject of the book, Isabella de' Medici, I had never heard of before.

I happily recommend this book for anyone interested in Renaissance Florence, especially for life after the heyday of Lorenzo di Medici. Caroline Murphy has created a story full of life here, creating a woman that is very vivid and aware. The use of family letters is very effective, giving insights into how their minds works, their hopes and moving them beyond the surviving images that have come down through the centuries.

Along with the story, the book is full of black and white drawings taken from the time, which give little snapshots of the world that the Medici moved in. A map of Florence at the time give a sense of place. A genealogical chart sorts out the many branches of the Medici family, and helps to keep everyone straight. Along with the illustrations in the text, there is a gorgeous collection of colour plates, with several paintings of Isabella along with the other players in the story. An extensive bibliography gives enticing suggestions for further research, along with footnotes and an index.

I suspect that this is a book that is going to hit one of my top-ten book lists for 2008. It is a stunning story that breathes new life into what I had thought was a stale topic, and has renewed my interest in Renaissance life and culture.

Caroline Murphy has also written The Pope's Daughter, which does have a tie-in to this story, as Paolo is the grandson of Felice della Rovere, another woman of the Renaissance who was able to hold her own and more in what was very much a man's world.

Five stars overall.

Caroline Murphy's new book is another "must have" for lovers of remarkable lesser-known royal stories. One is taken into the extraordinarily "ahead-of-her-time" life of Isabella de Medici, a Renaissance princess and daughter of the first Grand Duke of Tuscany. A thoroughly gifted, cultured and independent individual with an interesting personality that still resonates after 500 years, Isabella was unique among female royal women of the time in her ability to live her life on her own terms, even as a married woman, which truly defied all convention. From the title, obviously things do not go well in the end, and with recent tomb excavations mentioned in passing at the end, the full extent of murderousness in this generation of the Medici is only nowadays fully coming to light. If you think your family is dysfunctional, you will feel as though you grew up in the very bosom of normality after learning what eventually happened within this once-upon-a-time "big happy family."

I knew very little of this family and this book is easy to read, easy to follow and yet, it was FILLED with history and facst. WONDERFULLY written!

This is the fascinating true story of Isabella de Medici, the spunky socialite of Renaissance Florence. She seems like the type of girl you'd want as a friend--independent, interested in the arts, and quite a flirt. The writing is very fluid--you cheer as Isabella runs the show and gasp at her husband's bold violence.

One of my favorite book recommendations for high school girls who think history is dull. No fiction writer could make up a story like this.

Not recommended for children younger than that, however-- Genevieve's descriptions, while factual, are very graphic.

This is the story of a young girl who ends up helping US soldiers during the D-Day invasion. It is a unique, remarkable and moving account of her interactions with both German and US forces. She was recently seen on TV interviewed in France during the 60th anniversary of the invasion. Highly recommended first person historical account.

Such an historic record of the paratroopers landing near Normandy! This beautiful, brave and abused girl tells a poignant and most memorable story. Her descriptive writing is enchanting. Her experiences completely unique. I loved the book and came to love her. Ms. Duboscq would you tell us more of your later life too?

A tremendous book about the experience of a young french girl during WWII. Incredible depth of human joy, pain and misery. It is tremendously sad and rich and points to God.

There are few books that you can tuck under the folded wing in your heart and hear it humming whenever you think of it. This book along with And There was Light by Jacques Lusseyran are the most powerful books I have found about the 2nd World War in France. Perhaps it was made especially poignant because my uncle was a paratrooper at Normandie. He, much like my father who was the radio operator on US subs during WW 2, refused to talk about his war experience. So I sought it out in this unlikely form; through the words of a young French girl. The utter stark honesty of her painful upbringing, told without judgement shows a soul who has learned to forgive and to see the dignity of even the most beastly. Genevieve, who received the highest civilian citation for her work is to congratulated, the book highly recommended.

I chose this story to read to my eight year old daughter at night. We were entranced from the beginning right through to the end. This book is well written from the 14 year old's voice and we both thoroughly enjoyed it. It provided a springboard for us to talk about very important things facing a young girl in today's world: mom and daughter relationships, friendships, family, travel, art, dangers, emotions...it was wonderful. If a parent has the opportunity to read a chapter book to their daughter, I would highly recommend this one. It touches upon so many issues worthy of late night chats.

Besides the previously mentioned, this story was fantastic. We both fell in love with the characters. Loved the mystery and travel. We just wished there were more of these stories out there to read together.

Reviewed by Andrea Sisco

Do you remember Judy Bolton? Perhaps you remember Trixie Belden? No? You would if you grew up in the 'olden days.' Well then, how about Nancy Drew? Even young girls recognize Nancy's name.

If you've read every Nancy Drew ever written and longed for more excitement in solving mysteries by a young person, you HAVE to read Susan Runholt's The Mystery of the Third Lucretia. I want to call her book the Nancy Drew of the twenty-first century, but somehow that doesn't seem to do Runholt's novel justice. It's in a league all of its own because it's not just a mystery. It's an exciting travel lesson and an art class-and the heroines have VALUES that surface regularly but do not slap you in the face with them.

Kari Sundgren and Lucas Stickney are fourteen. They are from St. Paul, Minnesota, love art and are best friends. Kari's mother's job takes her all over the world and Kari and Lucas get to accompany her occasionally. The girls love to travel so it's a perfect set up. Kari needs a guardian while her mother is gone and Lucas escapes her dysfunctional family.

Kari and Lucas spend a day at the Minneapolis Institute of Art where they encounter a crabby man painting in the room where the famous painting of Lucretia is hung. Indelibly embedded in their minds is his secretiveness and anger as he snarls "Go Away" when they try to see his work. A year later, they see the same man in London. He looks different, but his voice and the words, "Go Away" are the same.

The girls put together some clues, and with their intelligence, artistic talent and gutsy determination, they decide to solve the mystery of the Gallery Guy using a few things like disguises, fake accents and the little 'ole snake they use for diversion. What begins as an exciting 'game' while traveling becomes a dangerous mission. It could be deadly if the adults in charge don't believe two 'kids.'

I hope that this is just the first in a long series of Kari and Lucas adventures.

Armchair Interviews says: The Mystery of the Third Lucretia is a must read.

Author Susan Runholt should be congratulated and rewarded with substantial sales. MTL is really outstanding; smoothly written, effectively uses interesting and occasionally exotic locations, and you couldn't have more charming and engaging central characters. It would be hard to imagine two better foils for a mystery revolving around one of Rembrandt's famous paintings. From Minneapolis's Institute of Arts to London's National Gallery, Kari Sundgren and her pal Lucas Stickney, intrepid, bright, teenaged girls manage to put several fragmented clues together to convince Kari's mother and the authorities they do know what's going on. The pace is swift, the characters well-drawn and the dialog, especially between the two girls, is right on the money. I hope to read many more adventures of these two charming young women.

My 10 year old daughter loved this book. She literally stayed up all night reading it. When I asked her if it was as good as Harry Potter, she said, without hesitation, "It's better! I couldn't put it down."

My wife also read it in 2 days after just picking it up to see what my daughter was so excited about. And she NEVER reads fiction. She says it never holds her interest.

I hope this is just the first of many great books from Susan Runholt.

If you're looking for a new book series to love, try this one! Mystery of the Third Lucretia stars Kari and Lucas, two funny, smart 14-year-old girls. They see a creepy guy up to no good in an art museum; and when they try to figure out what he's doing, lots of trouble starts. It's a really funny book -- I laughed on almost every page -- and really good action, with cliffhangers at the end of every chapter, so it's hard to put down. And there's interesting stories about art and travel, especially about Lucretia, the woman in the painting that started it all. My favorite part, though, is Kari and Lucas, and Kari's Mom Gillian. They're really funny and interesting and seem like people you know in real life - like a best friend. By the end of the book, you can't wait to read about what they do next. Definitely read this book!

Imagine my suprise to read this account from the very unit, cavalry group,squadron,troop and possibly platoon in which I served. What a revelation to think I may have driven the author's jeep and fought with the men he left behind. An erie feeling since I was a replacement who followed in his footsteps after he was wounded. This is the only account I have read of the special soldiers who were trained as replacements to be inserted into fighting on the line. He recounts the incredible lonliness and feelings of isolation as the teen age replacement moves through training camps, trains, ships, encampments, trains, more camps until making it up to the front. Each move means new strangers and parting with short term friends who are really only aquaintences. The final assignment means an entire new order of friends meeting under fierce combat conditions. The author accurately captures this atmosphere of isolation and dread. I highly recommend this book which balances the reality of the young soldier in war against the usual histories which suggest that the fighting units were fueled by glory and esprit de corps.

I've read many World War II memoirs, and this is one of the best. Few veterans express the terror, dread, and danger of combat as well as Prof. Pagliaro. He faced a difficult situation and handled himself admirably. I recommend this book to everyone. It is on a level with other great World War II classics such as "Those Devils in Baggy Pants", "If You Survive", and "The Other Side of Time." Very moving to read.

I had the opportunity to read a pre-publication draft of this engaging book. When it appeared in print I was delighted to see that the publisher had produced such a handsome volume--in both paperback and hardcover. I immediately placed "Naked Heart" on the reading list for my U.S. History class at Drake University, and in many years of teaching I have never had a book received and reviewed so favorably. It provoked interesting class discussions and prompted many students to visit with their grandparents about World War II experiences. A number of students purchased extra copies to give to members of their families. It is hard to imagine a book that matches this one in cross-generational appeal.

"Saving Private Ryan" will undoubtedly generate reader interest in books about WWII and the individual experiences of combat soldiers. The most dramatic lines in this movie came when actor Tom Hanks says in effect: "I don't know if I can ever tell my wife about today or what I've seen." This struck a chord with me because my father was a WWI combat veteran of the European Theater, but he would never talk about his combat experiences. So prior to the release of "Private Ryan" I had read many books about the individual experiences of combat veterans trying to understand why combat had affected them so.

I recommend Naked Heart above many other excellent books about WWII held in high esteem by professional historians, who prefer to use a broad brush to paint the picture of the stories they tell. Naked Heart is the story of the military service of Harold Pagliaro, retired Professor of English Literature at Swarthmore College, Pa. The story begins with his induction into the Army, ASTP and Infantry training and transfer to a Cavalry unit prior to shipping out. His service in combat takes place in France, and ends in Alsace when he is seriously wounded.

It is the story of only one man but the same reveals the shared experience of thousands like him who faced all the fear, misery, uncertainty,and horrors that combat has to offer. The language, details, and writing style are clear, vivid, and straight-forward. The reader will have little difficulty envisioning or understanding what he is reading.

A medium like any movie as well done as "Private Ryan" is very visually graphic as well as audibly compelling with all the theatrical flair of the actors, the script, the special effects, sound effects, and background music to fill the viewer's senses. A book lacks most of these, but a book as well written as Naked Heart tells a story in a very personal way, much like a father might relate his wartime experiences to his son. I recommend Naked Heart for anyone interested in trying to understand the psyche of our WWII combat veterans.

John R. Walker

While I served in the European Theater during World War II, Professor Pagliaro's experiences and mine were significantly different. He served as a replacement, while I joined my armored field artilelry battalion before the unit went overseas. Infantry and cavalry performed the most difficult and dangerous tasks in combat and replacements served even more difficult roles in these units.

I found this book to be an excellent description of Pagliaro's combat experiences and also an excellent espression of his feelings and reactions to some very difficult combat assignments as well as difficult miltiary leaders. Pagliaro suffered problems similar to many ASTP students, but many of these persons failed to survive their assignments in the infantry and cavalry and few have expressed their feelings so adequately.

I highly recommend this book not only for veterans of World War II, but for all who wish to learn more about the role fo the "little people" in that conflict.

Stunningly powerful, this tragedy and triumph of a non-practicing Jewish family portrays a happy and privileged family life dedicated to medicine and intellectual pursuits. All that changed in late May of 1941, when first German motorcycle with machine guns arrived practically in front of their home. Forced to run and hide, first from Germans and soon from Ustashe, Julius family with two sons barely survives attacks and joins resistance.
The parents, father a doctor and mother a nurse, worked day and night to save wounded communist partisans. Their youngest son Stevo, the author, at age 14 is appointed a military courier, given an outdated gun, and sent to roam alone through mountains, forests, and small rural villages of Croatia. Their older son, 18-year-old bravely defends the territory of Croatia and Bosnia and Herzegovina. Severely wounded, caught by Germans, he talks his way out with fluent German.
"Neither Red Nor Dead" is an inside story, full of details and naming names among 481 pages, explaining why communism failed in Croatia and former Yugoslavia (now referred to as f-Y).
After the WWII, in 1953, the Julius family suffers a fatal blow, when dirty communist politics in Zagreb pins the father, a hard working and totally dedicated head of a hospital, against the wall with false accusations. Meddling into hospital administration in a typical communist style, Dr. Julius sees no way out and commits suicide.
The elder son dedicates his life to the communist ideals, but when he critizes Slobodan Milosevic (now a war criminal), he is considered a persona non grata in the country he loved so much. He dies from cancer.
The author, Stevo Julius, educated in Croatia is now internationally recognized as one of the leading scientists in the field of hypertension.

Submitted by Katarina Tepesh

As a reader with only a vague awareness, understanding, or even interest in Yugoslavia and the history of the south Slavs, Julius' book not only opened my eyes to that part of the world but also enhanced my strong feelings of empathy for persons ensnared in the horrors and anomalies of war. His reminiscences of how he handled his ordeal are lively, pointed, and get to the heart of how people react in times of great upheaval. In spite of the serious character of this autobiography, the author was able to see the humorous side of the human condition. Maps and a brief history primer help explain the geography and the times. Not only for history buffs, this book gives all readers a better perception of events in a part of the world that has moved from relative obscurity to major importance in present times.

Have you ever wondered what motivates those who make great contributions to society? Neither Red Nor Dead is the mesmerizing autobiographical account of a young teen-ager caught up in the horror of the Nazi invasion of Yugoslavia during World War II. Blessed with intelligence, incredible insight, perhaps an overabundance of courage and much luck, the author describes in great detail the activities of Yugoslavian partisans and a young boy, largely separated from his family during this horrible time. After the end of World War II the author and his family attempted to reconstruct some semblance of a normal life during the equally terrifying Communist takeover. We follow the trauma of life during the author's education in University and Medical School with amazement, laughter and sadness. It is difficult to put this captivating and fast-moving account down. What makes the epic so much more incredible is the recognition that despite the difficulties and personal loss sustained during this period, the author developed a keen sense of humor and used his brilliance and insight to make many major contributions to the benefit of mankind. This is the personal story of one of the great hypertension (high blood pressure) researchers of our age to whom hundreds, even thousands of people are indebted for his services as a physician, teacher, researcher and friend.

Reading this book has added greatly to my understanding of a significant set of social and political events in the Balkans. It is more important, though, in providing insight into the ways in which individuals cope and grow through being part of those events.

Prof. Julius is a wonderful scientist and clinician. This book addresses issues well beyond medicine and science.

For the American, Prof Julius' book provides a the history of the Balkan peoples and describes the maelstrom there during and after World War II. Often our histories overlook this region. Through his eyes, the very unique state of post-WWII Yugoslavia becomes plausible. Secondarily, more recent events in the area are more understandable.

However, it is the experience seen through the lives of his father, mother, and brother that capture the imagination in a unique manner. The struggle of the individual within large social and political movements is captivating. Late at night, when I wake from sleep, I often wonder about one or more of young Stevo's experiences described in the book. It is a life well-lived and aspects of his life will always remain with me.

Neither Red nor Dead, an autobiographical memoir by Dr. Stevo Julius (Medvista, Ann Arbor, MI, www.medvistaa.com, Amazon.com, barnesandnoble.com) is a great read! The author, who is an internationally known researcher in the field of hypertension, is now the Frederick G.L. Huetwell Professor of Hypertension at the University of Michigan. He describes his childhood growing up in a Yugoslavia that was occupied by the Nazis during World War II. He is separated from his family, becomes involved in the Partisan resistance, and then suffers excruciating hardship under the post-war Communist regime. Despite such difficulties, he survives and even thrives under these career-threatening circumstances.

His story is told in fine detail but with great charm, humor, and optimism. The descriptions of the Yugoslavian countryside, people, cities and politics are extremely informative and well written. The text maintained my intense interest throughout the 481 pages. Accompanying the text are maps showing specific areas of the country where the action takes place. One small concern here is that many of the towns are not depicted on the maps and so the most intricate details of his travels cannot be carefully examined.

While most of the account takes place in Yugoslavia, only the Epilogue deals with the author�s leaving the country for Ann Arbor and the University of Michigan. Unlike the rest of the book, the facts leading up to this emigration are less detailed. The last chapter, The South Slavs, is an historical primer, which describes the background of the establishment of the Yugoslavian country after World War I. The author clearly displays the reasons for the internal strife, which has so damaged this territory in the past decade. I might suggest that the interested reader read this chapter first to better prepare for the unfolding of this fascinating memoir.

Dr. Julius maintains his wonderful humor, humility and sense of family and country throughout the book. There are many interesting literary details (stories and poems) included in the text. Most importantly, the writing is not at all medically oriented, so that readers of any background can enjoy the book. After reading it, besides offering it to my friends, I found that I would very much like to meet the author and shake his hand...

This book is about the expulsion of the Germans after the Second World War, whose impacts still last in the present of the 21st century. In this book, the effects of the decisions of the Allies at the Potsdam conference are described in a detailed way as well as the tragedy of these decisions. In a very good documented and researched as well as extensive manner, the author characterize the problem of the expulsion which based on the decisions of the "well-regulated and human" resettlement of 16 million German and led to one of the biggest postwar period crimes in which more then 2 million German lost their lives.
Alfred M. de Zayas is able to illustrate in an objective way the facts of the holocaust on the German independent of any ideology and without putting the blame on so. nor looking for excuses so that a dark but fast forgotten chapter of the 2nd World War will bear in remembrance. This topic is most times tabu for German. A lot of German still suffering ( physically and psycological) from that history and they fear to be considered as a NAZI if mentioned that issue but it is necessary to deal with that subject and to accomplish comprehension which is useful for underlining the efforts for peace.
This book prompt me to do some research on that subject but also to other related documentations of the 2nd World War among other things of de Zayas. He gave me understanding but also the impulsion to get closer to that topic. This book is a must to understand the German history completely and to be able to deal with that. The first German version of that book was published in 1977 under the title: Die Anglo-Amerikaner und die Vertreibung der Deutschen, Vorgeschichte, Verlauf, Folgen.

This book is about the expulsion of the Germans after the Second World War, whose impacts still last in the present of the 21st century. In this book, the effects of the decisions of the Allies at the Potsdam conference are described in a detailed way as well as the tragedy of these decisions. In a very good documented and researched as well as extensive manner, the author characterize the problem of the expulsion which based on the decisions of the "well-regulated and human" resettlement of 16 million German and led to one of the biggest postwar period crimes in which more then 2 million German lost their lives.
Alfred M. de Zayas is able to illustrate in an objective way the facts of the holocaust on the German independent of any ideology and without putting the blame on so. nor looking for excuses so that a dark but fast forgotten chapter of the 2nd World War will bear in remembrance. This topic is most times taboo but it is necessary to deal with that subject and to accomplish comprehension which is useful for underlining the efforts for peace.
This book prompt me to do some research on that subject but also to other related documentations of the 2nd World War among other things of de Zayas. He gave me understanding but also the impulsion to get closer to that topic. This book is a must to understand the German history completely and to be able to deal with that. The first German version of that book was published in 1977 under the title: Die Anglo-Amerikaner und die Vertreibung der Deutschen, Vorgeschichte, Verlauf, Folgen.

Abraham Lincoln once said that "history is an agreed upon set of lies": I believe every word. The atrocities that were committed by the Allies to helpless civilians should never be forgotten and should be included in modern textbooks, lest we be damned to repeat such ethnic cleansing. Let us see history for what it is, not what others wish us to believe. I applaud Mr. De Zayas for having the intestinal fortitude to step forward and offer this intriguing account of the horrors of revenge.

It's very difficult to find much information, especially accurate information, on these expulsions. This book is a very responsible portrayal. Of course the Germans in a way brought this nightmare on themselves, but its hard to really justify the hypocricy and historical distortions of the Poles and Russians. I wonder whether these border adjustments can stand the light, now being allowed, after 45 years of Russian occupation? The current dysfunction of these regions begs for German investment, dispite the ambivalence of the current residents. At least this book brings to light, for those few who have read it, the hypocrisy of the allies.

Abraham Lincoln once said that "history is an agreed upon set of lies": I believe every word. The atrocities that were committed by the Allies to helpless civilians should never be forgotten and should be included in modern textbooks, lest we be damned to repeat such ethnic cleansing. Let us see history for what it is, not what others wish us to believe. I applaud Mr. De Zayas for having the intestinal fortitude to step forward and offer this intriguing account of the horrors of revenge.