Africa Books

This is a fantastic book, though it's more of a global history lesson than a lesson in entrepreneurship. Monique Maddy covers the history of Liberia in depth and in less depth the history of several other African countries. She talks about economic development and the failures of the UN, IFC and World Bank. She is clearly an advocate for economic development via private investment. Her perspective is shaped by growing up in an exemplary company town. It was part of a mining project in Liberia sponsored by a joint venture named LAMCO. The project had a social development component that both supported the mining company by developing employees, and supported the citizens by developing them. The book is significantly a biography of Maddy herself and how she came to start her venture. That core of the book is surrounded by chapters that describe her efforts to start a pan-African telecommunications company- Adesemi - and its ultimate demise.

Maddy writes a warm, but penitrating review of the life of her family, as well as the nation of Liberia.

She gives great insight into the exploitation of Africa by the west. She makes recommendations that companies and individuals should heed as they work in this great continent.

Her writing style is easy to read, and very to the point.

REVIEW BY IAN MOUNT
www.ghanaweb.com: Business News of Monday, 1 October 2001

The Last Place to Start a Company
Monique Maddy tried and failed to launch a telephone service in Africa. She's moving on. Africa isn't.

Three short years ago, Monique Maddy was boasting that her company was going to "change people's lives" and "revolutionize things." Adesemi, the wireless pay-phone company she founded in 1993, had raised $37 million dollars, built a network in Tanzania, and moved into Ghana, and was planning to expand its service to the Ivory Coast. Maddy was the new face of African business. A Wall Street Journal article in September 1998 even proclaimed, "If the disenfranchised of Africa ever join the global economy, it won't be diplomats, politicians, or church people leading the way. It will be entrepreneurs like Monique Maddy."

It hasn't turned out that way. Maddy walked away from her company in disgust in the fall of '99. Her story is a familiar one, full of the government corruption that has become an African clichi, but the 39-year-old Maddy doesn't blame her company's demise on the bribery requests or Kafkaesque red tape. For the Liberian native, who's writing a book about third-world entrepreneurship to be published by HarperCollins next year, the real reason for Adesemi's failure and Africa's continental mire can be traced to the international development agencies that are designed to help the region. "Africa is worse off today -- in many countries -- than it was at independence, even though billions and billions have been spent," says Maddy, who herself served for five years as a United Nations Development Program officer. "As long as you have these kinds of institutions, you won't have any change."

Take Maddy's experience getting a pay-phone license. In mid-1995, a year after the Tanzanian national phone company granted Adesemi the license (and Adesemi had spent $1.5 million on its network), the phone company president said that it was no good because Adesemi's pay phones were wireless. Only after an acquaintance at the Harvard Business School, her alma mater, put her in touch with World Bank president James Wolfensohn did the matter get settled. The World Bank pushed the government just so far, however. The phone company insisted on charging Adesemi inflated rates to use its infrastructure. "When we asked the World Bank to do something about the rates, they said they couldn't tell the government what to do -- but they could lend them millions of dollars," says Maddy, referring to a $75 million interest-free loan the World Bank made to the national phone company. "They had a conflict of interest," she says.

Still, Adesemi kept at it, eventually building its network up to 600 pay phones and a pager service with 5,000 customers. The sell was easy, Maddy says, because Adesemi's phones actually functioned (the street nickname for the system was "the phones that work," she says).

When an Adesemi backer, CDC Capital Partners, refused to invest more money for the company's expansion into what Maddy argued were more profitable markets -- it wanted to see profitability in Tanzania first, despite the stacked odds -- she finally gave up. Maddy, who now lives in Boston, hasn't been to Tanzania since; her investors are selling off the network.

Not surprisingly, Maddy says her book will call for a radical departure from a system based on an international aid bureaucracy. "You basically have bureaucrats trying to develop countries," she says. "How many bureaucrats started Microsoft?"
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Source: Ian Mount

As I read this book I couldn't help but notice how similar Monique's tale is to the story of Africa. She weaves us through a maze of emotions as we feel her joy, hope, determination only to be suddenly brought to earth with frustration, anger, desparation.

For anyone ever been to Africa rarely has a book come along that so perfectly captures the daily difficulties of survival in Africa. Though tongue-in-cheek Monique certainly understands clearly the difficulties facing that part of the world and I would hazard we'll be hearing more from her on this subject.

Oh by the way did I mention that she became a World Class marathon runner in her spare time?

As someone who grew up overseas much like Monique, i deeply admire how she chose to use her acquired skills and network to give back to a continent in dire need of what rare individuals like her have to offer.

The book is enjoyable to read and deeply inspiring to anyone interested in contributing to third world development.

I notice that nearly all of the other reviews of this book are written by individuals who have not reviewed any other books. That suggests to me that these are mostly "promotional" reviews written by acquaintances of the author. That isn't necessarily a negative about the book, just that the reviews aren't really objective.

I'm not quite sure how I ended up reading this book, but I did enjoy it in spite of some serious drawbacks. Based on its literary merit alone, it probably deserves more like three stars rather than the four I gave it, but it is just too good-hearted to get overly critical about. It is better than a lot of other "comtemporary chick lit" out there these days, though it fits squarely in that genre.

The author seems to be making some effort to keep her feminist biases under control -- there is no really "evil" male character, only clueless. As she puts it, men "think with their dicks and unfortunately their dicks aren't very smart". The male lead Alex is extremely capable when it comes to making money, but clueless in his personal affairs. He relies entirely on women to help him navigate his personal life. Women are the exclusive voices of wisdom, especially his sister Joan. Alex is basically good-hearted, whereas Joan is good-hearted nearly to the point of saintliness.

Fiona is charming in her innocence and purity. That she is also really, really pretty in a natural and unself-conscious way adds nicely to the plot line. She stands in vivid contrast to her Los Angeles schoolmates who are perfect stereotypes of contemporary teen decadence. Unfortunately, stereotypes are all too pervasive in this book. These include Alex, his girlfriend Mandy, and nearly everyone in the Los Angeles scene except Joan (who is also something of a stereotype, though a different one from the other Los Angeles characters). These characters all have a hard time breaking through their stereotypical images to come to life.

But our "politically correct" (or is it "culturally correct"?) author isn't too hard on anyone. Though girlfriend Mandy is not intended to be a sympathetic character, she is given plenty of excuses (dysfunctional family) for being a pretty but petty, superficial, scheming, manipulative, new-age twit. In the end one is meant to feel sorry for her more than dislike her.

I actually liked Mandy a lot because through her we get a humorous but exactly right-on picture of how it is that women, all women, know what's up with the dynamics of male-female relationships, regardless of personal motivation. Joan, with entirely different motives, also knows the score with infallible feminine intuition. Only Alex is in the dark, as usual.

I would have expected a little more life-wisdom to be embedded in a novel by Catherine Ingram, but while light in that department, this book does peripherally touch upon some thought-provoking themes, including death and loss. The characters are all impacted by dramatic events, but their responses are mostly in the realm of modifying their life situations (in generally benign and positive ways) rather than in deeply coming to grips with the fundamental dilemmas of life itself.

But for all its superficiality, this book was nevertheless quite charming and engaging and I don't regret the time I spent to read it. Though I comment on the book's weaknesses, I did give it four stars and I am passing the book on to a friend who likes chick lit. I think she'll like it.

My book club loved this book! It's sweet and well written. I read it in one sitting. The story line is engrossing, it's also inspirational, although not in a didactic, boring way. We became invested in the characters, their interactions and the final satisfying resolution of the plot. There's also some humor in its spoofing of yoga and "new age stuff," which, as a yoga teacher, I relished.

A CRACK IN EVERYTHING is Catherin Ingram's third book and first novel. I read this book mostly in an airport and on a plane. The novel moved and transported me more than any 747 could possibly do. The book resonates deeply with life being lived. Read this book and be touched.

I am in the middle of reading this most INCREDIBLE novel - almost halfway through it. Truly the best I've ever read. Well crafted, riveting, cliff-hanging, and just about PERFECT in every way. Bravo, Catherine! She's really done it. Man, can she flesh out a story. And oh my God, how she captures the essence of every character and describes every scene so beautifully. You should have seen me wiping the tears from my eyes as I had to close the book quickly to get off at my subway stop. Everybody was looking at me weeping on the train!

So, needless to say, I'm really LOVING this book and want to cheer Catherine on to write more, and MORE. Thank you for this, Catherine.

This book is a delight to read. I didn't want to put it down, not only because the characters, their connections and the events in their lives moved along in a most compelling and engaging manner, but more because Catherine Ingram's wide objective and compassionate view of her characters and the world in general is
a world I loved being submerged in. Nuanced human characters in cinematic scenes are painted in clear concise language reminiscent of Hemingway's spare style, but with feminine insight. Ingram delves into the everyday texture of her characters' lives and reveals their incremental transformations. I think I breathe more fully having read this book.

This review is more on a personal note, than an explanation of what the book entails (the other reviews have got that covered!). As a newly natural black beauty - I was still struggling with others perecptions of me and my "new" (e.g. natural hair). And of course - I was struggling with my own perceptions of beauty as well. This book allowed me to finally see that our hair is a unique source of pride that needs to be flaunted - not "fixed". Something shifted for me when I read this book, and I finally was able to own not only my new hairstyle (a budding 'fro) but to love my hair in its natural, uninhibited glory. Black women, regardless of our hair texture - straight, wavy, curly, kinky, nappy - we are all so wonderfully beautiful! Hallelujah - I FEEL SO FREE TO BE ME! This book is a must read - share it with every black woman you know - and encourage them to teach our children and our men how to live a life that says "black is beautiful". Spread the knowledge to people of other cultures as well! God bless!

Excellent book about black hair and black culture. Would recommend it to anyone wanting to know more about both and how they relate to the "American" ideal.

This book is great begining for people that are redescovering themselfes aftermaking the decision or are trying to decide wheter go natural or not. It helps you to understand how we got here , how black beauty is not well accepted and why. It make you wonder, questionning yourself and others, and in my case keep learning.

I've recently made the decision to go natural and as I did, I pondered, "Why do I have to 'decide' to be the way I naturally am?" It was then that I realized how unfortunate it was that black women, more than half, find their "naturalness" to be unattractive. I myself have gone through hair extensions, braids, and the dreaded relaxer that has damaged my hair and scalp for years. Now I wonder what it was all for. I wasn't being true to who I was.

This book helped be to know something that I should have already known: my hair. The history of black hair is one that is very interesting and telling. I learned more about my hair in this book than I have ever learned, even from members of my own family. There is also a sense of confidence one gets from reading books like these. I am letting all of my friends and family read it as well.

You will not be disappointed in your purchase.

If you don't already know, this book is definitely worth the time that it takes to read. The book goes into detail about the history of Black hair. Prior to slavery, Africans took pride in their hair. The intricate braid designs date back to that time. It wasn't until after the slave trade that hair straightening became common. Also, it's a little known black history fact that Annie Tumbo Malone was the first black woman entrepeneur to market black hair products. Madame CJ Walker actually worked for Malone before going into business for herself. This book chronicles so much history about Black hair. After reading this book, I was really encouraged to stop chemically processing my hair.

Let me first of all say that Rick Ridgeway is one of my favorite adventure writers. This book is focused on the area around Kilimanjaro and the current state of the conservation movement. Rick does a wonderful job of describing the area as he makes his way on foot from Kilimanjaro to the East coast of Africa.

One of my favorite aspects of this book is that Rick includes all the books he has used in his research to gain a better understanding of the history of East Africa.

If you love a well written adventure, with enough meat to make you want to dig deeper in understanding Africa - this is your book.

Author Ridgeway writes a well-paced narrative that smoothly ties together his personal adventure in eastern Africa with the area's history and culture, particularly in terms of its ecology, with focus on elephants as the defining megafauna of the area.

Ridgeway provokes thought on the future of Africa's large animals, the past fate of those large mammals that have already disappeared, and how we humans tie into all of this. His primary sources are the people who have shaped and continue to shape Kenya's game and wildlife policies; these sources give his writing the distinct tinge of veracity.

Recommended for any interested in travel, African history, or ecology.

Rick Ridgeway has written a very informative and entertaining account of his 300 mile hike West to East across southern Kenya in 1997. The walk was metaphorically in THE SHADOW OF KILIMANJARO beginning on the summit of that great mountain and spanning the different ecological zones of mountain moraine, foothills, savannah, scrub, desert, and finally tropical white sand beaches of the Indian Ocean coast near Malindi. More significantly Ridgeway writes about his journey in the shadow of others who have written famously on Kenya, most significantly Hemingway, Dinesen, and Blixen. At yet another level this story is set in the shadow of Kenya's colonial history and its current struggles as a developing nation trying to make its way in the modern world.

Ridgeway deals with all the relevant issues - ecology and the environment, conservation, domestic politics, the economy, tourism, the romantic literary images, the colonial legacy, the Mau Mau uprisings, cultural, ethnic, and social issues. And he deals with them in the way good travel writing should. Simply present the facts as you get them and let others speak their truths. No moralizing and very little contextualizing and therefore very refreshing.

The image of Kenya that emerges is that of a real country. Not too much of the fantasy and gloss of a romantic wilderness nor the equally unreal vision of warring tribes at THE ENDS OF THE EARTH. Just reality. Strengths, weaknesses, beauty, blemishes, issues, agendas, and concerns. All the things that face a people making their way on a rapidly globalizing planet. Although Ridgeway's Kenya is a very different place than the country I knew in the 1960's when I lived there in my youth, it's still as rich and as alive as I remember it and Ridgeway has done an excellent job of bringing it home.

I was so disappointed by this book I could not get through more than a couple of chapters. The author may know about mountaineering, but he seems to know very little about Kenya. Moreover, I found the writing to be ethnocentric and quite boring.

Combining moments of danger with moments of profound introspection, mountaineer/explorer Ridgeway details his journey from the top of Mount Kilimanjaro through the Tsavo game reserves to Mombasa, a month-long journey on foot, which allows him to experience man's primal relationships with the environment. Traveling with an experienced guide, two members of the Kenya Park and Wildlife Service, and two sharpshooters (in case of life-threatening danger), Ridgeway follows dry riverbeds across the savanna, seeking "tactile knowledge of Africa's wildlands and wild animals."

Far more than a search for thrills, the journey offers Ridgeway an opportunity to observe breath-taking vistas and the full panoply of wildlife, from the elephant to the tiniest of birds, paying equal attention to all. Mourning the absence of once-plentiful animals from the bushlands near Kilimanjaro, and the decline of species elsewhere, Ridgeway contemplates the long-term effects of colonialism, big game hunting, poaching, traditional tribal values, climatic changes, and tourism, as well as man's seemingly innate tendency to kill certain species into extinction.

Ridgeway, long a hunter himself, is an engaging author, both observant and thoughtful. A great admirer of hunter-turned-game-park-adminstrator Bill Woodley, whose two sons from the Park and Wildlife Service are on the journey, he provides a sensitive and impartial treatment of conservation issues. Extolling the work of elephant researchers Cynthia Moss and Joyce Poole, the latter of whom joins the group for part of the journey, he points out that they have acquired through study a kind of knowledge not available to hunters. Without preaching, he conveys "the big picture," making a compelling case for the fact that to preserve Africa's large mammals one must "fight fiercely not only to preserve, but even to expand, their wild habitat." Mary Whipple

I used this book to explain mission work and Project Heifer to my Sunday School children. It is a really good book with an important message. The pictures are vivid and really great. Highly recommended.

This is a wonderful little book that highlights the Heifer International Program. I purchased twelve copies to give to participants in a children's sermon at my church. The sermon dealt with sharing our many blessings with those in the world who are less fortunate.

My one disappointment with this book was the comments by Hillary Clinton on the cover. I work hard at keeping my politics separate from my church, and I was shocked and appalled that a story about this wonderful program was contaminated in this manner. I never would have purchased the book for this purpose had I known.

highly recommend for all kids! great reality check for kids and a very touching story that kids want you to read over again. It got my boys in the mind set to help kids like Beatrice by saving money and buying an animal for a family who really needs it.

My 5 year old adores this book. On one level, it is a charming story of a girl who loves her goat. But while my daughter is being entertained, she is also learning about life in a different culture and about the power of giving in a way that helps a person help oneself.

This book is recommended for ages 4-8, but we checked it out of the library for my three-year-old and it's clear we will have to buy it. She wants to read it every day, and we have promised her that we will buy a goat for a girl in Africa this Christmas. The illustrations are quite beautiful, and the story is so sweet that I often find myself tearing up on the last page, even though I've read it daily for a couple of weeks now.

This is a beautiful book, with beautiful images. It is entirely worth it, to get a glimpse of the people of Africa. Excellent.

Ahhh. This book, obviously, is many things to many people; not unlike its bountiful subject matter--- the original mother, Africa.

It is also many things to me, each equally beautiful. Most important, it is a powerfully evocative visual link to the 3 years of memories I carry of my life in West Africa as a Peace Corps volunteer. The photographers saw and captured a lot of what I deeply love about the peoples, the land and the life of Africa. The simple and complex beauty; the extraordinary and the mundane; the joy and the frustrations, the good and the bad. It's just life as it is lived everywhere else on the planet, and how good it is to see it presented from a part of the world that is not often shown much appreciation.

While I appreciate another reviewer's criticism of the book's failure to show more modern infrastructure of urban areas, I disagree that the omission is a disservice. True, there is a great deal of development in Africa, but what is shown in this book is still a good and true representation of the vast majority of people and their lives. Far from being stereotyped shots of suffering and drudgery, I find the photos varied and well beyond cliché as they take us into the rhythm of the lives of everyday people. It is a beautiful book. Place it on your coffee table , but keep it in your heart.

I found this one of the most beautiful representations of the continent that I have seen to date. Instead of animals and Egyptian ruins the photographers have taken a diverse array of photographs that potray the people. In addition, the representation of even the least renowned countries in Africa is accurate.

I am also partial to this book, because the proceeds go towards AIDS prevention in Africa.

Africa is a beautiful continent with immense potential, and it never looked better. The 100 or so photographers who took the pictures did an outstanding job. The pictures are the highest quality I have ever seen ...digital technology, I suppose. If a picture is worth a thousand words, this books value is in millions.
The first few pages feature full page pictures breathtaking scenery. One shows a lone teacher under the shade of a tree, a dog sits at some distance. Another show the Victoria falls in its full splendor and the there that magnificent mountain peak. Well by this time if your aren't seated, I suggest you do so for and stop operating heavy machinery. Across from cape to Cairo and across the Sahara these talented photographer have captured the wonderful essence of Africa.
Having in mind the much maligned western Medias portrayal of Africa and it on the tragic. In my opinion this book treats the subjects, e.g. Pictures of HIV sufferers, with adequate sensitivity.
Lastly I would like to salute the producers and sponsors of the project. It's a noble gesture.

This is an absolutely heartstopping collection of photographs from everyday African scenes. I have to disagree with the reviewer who said that it only presented stereotypical portraits of African life. I agree that the collection would have been enriched with more portraits of urban life, but I don't think that this was a typical "National Geographic" variety volume.

It did have diversity, and it did show that many Africans live in modern homes. However, the sensitivity of the portraits was so deep, and their beauty so stunning, it certainly transcended "look at the natives starving/doing something weird/suffering from disease" type photography. Rather, it showed many of the marvels of Africa-from the artwork thriving in so many areas, to areas where ingenuity and industry thrive against all odds, from the thriving markets of Lagos, to the beauty of the desert. This book is so gorgeous that it is rather a testimony of love for Africa and its people-not in some patronizing way, but a true celebration of its spirit. It shows tragedy, but it shows beauty and people loving life and affirming it as well. Isn't that a balanced and fair picture?

I got this for my husband for his birthday because he lived for 5 years in Africa as a child and his father used to hunt big game, so he loves reading books like this, and he said this one was an outstanding read.

Reading books by authors like Capstick is a very good alternative to reading fiction. When you are reading fiction, however scary, thrilling and realistic it may be, at the back of your mind you know that it is fiction. Some of it may not even be plausible. When you are reading true adventure, it is then that you can realise the closeness of death to life, you can identify with the characters more closely, and you can feel their fear of something as primeval and primitive as claws, fangs and horns. You can also feel their elation at escaping injury.
This book is not meant only for hunters and any one reading it will learn something new on practically every second page.On the whole I did not like it as much as much as "death in the long grass". Still, the book has its chilling moments. It also has its share of dark humor. The author does not defend hunting and "cropping" of elephants as much as he does in death in the long grass.
Halfway through the chapter on leopards, I lost touch with what the author was trying to say.

Originally published in 1983, this book describes big game hunting in Africa. After a brief introduction, each subsequent chapter contains details and anecdotes about hunting each of the Big Five game animals of Africa (Cape Buffalo, Rhino, Elephant, Leopard, and Lion). In particular, this book is largely about the dangers of hunting each of the Big Five. All I can say is that being a safari guide/hunter must be an incredible life. I purchased this after reading Hemingway's `Green Hills of Africa' and Robert Ruark's `Robert Ruark's Africa' and was not disappointed. There isn't really a single narrative through this book, it is written in a more of a conversational style, almost as if you are sitting with Capstick in camp in the evening after a day of hunting and he is recounting various tales, `urban legands', and historical anecdotes about hunting each of the big five over a Scotch whiskey. If you don't know who he was, Peter Capstick was a hunter, guide, and prolific author who passed away in 1996. Capstick writes about a much later era than Ruark or Hemingway, things have clearly changed. There are more people about (farming, grazing animals, etc.), and the game is heavily controlled by the national authorities. Overall this is a very good, if not uniquely outstanding, read. Capstick writes with an easy prose, and the pages just sail by. After working through this book, you're quite likely to get the urge to pack up a few of your shootin' irons and buy an airline ticket to Nairobi (I know I did!). I give it only four stars though as much of the ground covered by Capstick has been well tread by others (e.g. everyone seems to feel the need to give their opinion about which of the big five is the most dangerous). I also liked Ruark's writing style more, and there was something more romantic and dangerous about safari hunting in Ruark's era (this is no fault of PC though) - they really were out in Indian territory. The more modern safari isn't quite so wild. In any case, if you love the outdoors, hunting, and testing your mettle against some of the world most dangerous game (or at least reading about it!), I would highly recommend this book. A little different than hunting white-tailed deer!

Many other reviewers have characterized "Death in the Dark Continent" very, very well. It is a bit more graphic than Capstick's earlier "Death in the Long Grass", but not much.
But you definitely do NOT have to be a hunter to thoroughly enjoy Capstick. I think, though, there are a lot of non-hunters who simply haven't discovered how good Capstick really is at "grabbing you, making you sweat blood, and not releasing you until you've died three times, passed Elvis and Hoffa twice, and are coming around for heart attack number 4. Capstick is not just " a hunter with a typewriter". He is Hannibal Lecter mixed with Edgar Allen Poe and Stephen King multiplied by Norman Bates and home-schooled by JAWS. If you thought Amityville and Elm Street were scary, you were wrong. Peter Capstick will show you Scary in "Death in the Dark Continent". If you thought "The Pit and the Pendulum" was mind-wrecking, you were wrong. "Mind-wrecking" starts on page 152 of Death in the Silent Places. Read it early in the day.

If you havent read Capstick, you are missing out on a treat. Not only are his stories, graphic, exciting and compelling, his style of writing is nothing short of superb. Genuinly exciting, and often laugh out loud funny, all of his books are fantastic. When talking about the turn of the century past-time of "galloping lions" (described as "dangerous as typhoid") he writes:" THe elements recquired for the monotony breaking past time were a fast horse, a good rifle, a few lions and not much concern about the future".

Not for the faint of heart, there is a number of gory stories about the fatal encouters that people have, and some well placed warnings about taking any dangerous animal lightly.

A lot like his first book, "death in the long grass" Capstick writes about individual animals- with a chapter on the "big five", Buffalo, Rhino, Elephant, Leopard ( the best chapter in the book- beatifully written) and Lion. As before he relates his own experinces, plus encouters as described by his friends.

I would recommend Death in the LOng Grass as a first Capstick book, but this is still most highly recommended.

This review is less about the book than about my reaction to the book. If you want a conventional review, please read one of the long, 5-star alternatives.

I liked this book, most of the time. Benanav has what it takes (the youthful illusion of immortality?) to undertake adventures most of us would love to try, if only we had the guts, wherewithall, health, and time. He has the ability to describe his adventures in an engaging, entertaining fashion. When he writes about WHAT happened he is excellent. Unfortunately, when he feels compelled to write about why it happened, what he felt at the time, or the geopolitical meaning of it all - well, read fast. Benanav will develop into a fine writer of travel adventures if he doesn't get himself killed, and if he learns not to preach. He should spend some time reading books by Rory Stewart.

I thouroughly enjoyed reading this book. The author writes well and is engaging in his description of the Sahara and the people he encounters. He also writes to educate the reader about the history of the salt trade and gives a thoughtful analysis of his feelings about his journey. This is a wonderful story about the kind of travel experience few of us will ever have. It also inspired me to explore the history of the countries involved in the salt trade and to research the natural history of the Sahara.

I read "Men of Salt" just a few weeks after returning from Timbuktu. And I thought I had it rough! It's just a brilliant narrative, written in such vivid detail that you really feel that you're there in the heat and dust of the Sahara. Now I'm reading one of the other books that Michael Benanev referenced ("Forbidden Sands" by Richard Trench, another, earlier account of crossing with a salt caravan). I highly recommend "Men of Salt" to real and armchair adventurers everywhere!

This is quite a fun read that exposed me to a world that I never knew about. It's well written and just the right length. It made me think quite a bit about camels, salt, the desert, and how you wipe your bottom with sand while out on a caravan.

This proved to be a very good read- a great insight into the culture of the Saharan people. It was wonderful reading about how the author was able to bond with the azalai, and amazing reading about the tremendous effort and feats it takes to survive there.

I used this book as a resource for teaching African art. My K-2 students love the pictures of the African animals and don't even realize they are "reading" as they recite the book's rhythms and rhymes along with me. Tying in art with social studies and culture is a great way to reinforce lessons! The students can't wait until Sit Tight and Read time - they all want to read this book again and again.

This was purchased so my Granddaughter could have one at her house because she loves the one at my house so much. An "old standard" that is loved for it's wonderful words and repetitions.

i saw this on reading rainbow when james earl jones narrated it. its my favorite story from the series because it shows how everything is connected, coming together to perform one action. it also inspired me to do cartoon based on how the protagonist made it rain.

After hearing James Earl Jones read this book on Reading Rainbow, I knew I had to buy it. My two very young sons (ages 1 and 2) sat entranced the whole time. Of course that may have been because it was the voice of Darth Vader, but hey, it's a great book all on its own. My husband now reads this book to them at bedtime every night.

I bought this book after having it recommended while taking a graduate level children's literature class. I was not disappointed! I grabbed this book to read aloud if I had extra time while substitute teaching for a kindergarten class. I thought the children would be more attracted to the rhyme and pattern of the words so imagine my surprise when the book sparked a lengthy discussion between 5 year olds about drought, Africa, animals, and culture! It prompted questions that I didn't even know they were capable of asking and had them making connections to weather in our own backyard and stories they heard on the news. This book is a reading, social studies, and science lesson in one!

"Ripples from the Zambezi" is a beautiful, simple, common sense book with profound implications for catalyzing successful small business creation and growth. It was recently recommended to me by an economic development agency official working in an affluent, conservative U.S. Midwestern county. He felt some of the approaches might work for his area; and in reading the book, I concur with his conclusions.

In efforts to inform work on strategic innovation and marketing, I have plowed through far too many derivative, nonsensical business titles over the years. Before I picked this up, I was a little concerned that it might be a cult book; however, given the importance of rural renewal, I was willing to give any earnest voice the benefit of the doubt.

It was wrong to have prejudged "Ripples from the Zambezi." If this has risen to the status of a cult book, then Mr. Sirolli would be the first to suggest that you never mindlessly apply any approach he might propose. In our left-brain weighted society, it is easy to mistake an enthusiastic voice for a naïve one--but there is a basis for this enthusiasm that is powerful, and which Mr. Sirolli explores fully.

The ideas here are different. Mr. Sirolli speaks to the potential and the results of connecting with each entrepreneur holistically to engage heartfelt intention and remove obstacles to successful growth. The message--that individuals can realize hope for themselves, for their families, and for their communities borne of connecting passion with skill and action is a big message--and the Renaissance man who delivers it is capable to the challenge.

Every paragraph of Ernesto Sirolli's book is loaded with mature, interdisciplinary insight. It is a book whose "time has come" and whose wisdom is carefully woven through the subtext: it's personal, easy to read, and gut-wrenchingly smart.

Don't read this book. DO WHAT IT SAYS! I seldom applaud things. This I do.

I loved the book. Not only it gives great insights on enterpreneurship, it also teaches us that facilitation can be applied in all aspects of life, from work to family with fantastic results.

I highly recommend the book.

I work with small businesses and developing entrepreneurs and this book helped me see another view and perspective in the work i go. I recommend it for anyone who works in the small business (and micro business) community and who would like some new direction on how to build local economies.

"I can't myself raise the winds that might blow us, or this ship, into a better world. But, I can at least put up a sail so that, when the wind comes, I can catch it."

E. F. Schumacher

This was a fun and insightful book to read. Amidst all the discussion about radical, disruptive and breakthrough innovation, this book is a refreshing reminder that small things can make a big difference. It's a reality check for big budget innovation programs and economic development programs that usually end up stealing a company from one community in order to develop the economy of your community (a zero sum game by the way). This book is about dedicated, skilled innovators with a passion for their innovations and facilitators who provided the missing ingredients preventing these passionate innovators from making their ideas a reality. Sometimes, those missing ingredients were connections to the right people. Sometimes they were small sums of money (ridiculously small amounts of money that yielded great returns). And, sometimes it was adding small supportive or enabling innovations that turned an idea into a viable business model. And, always it's about the pattern of product, process and procedure innovation that worked.

Sirolli's journey began as a member of an Italian economic aid organization in Zambia. They noticed that the land along the Zambezi River was incredibly fertile. They thought that if they brought modern farming knowledge and applied it to the land, they would demonstrate to the natives just how much they could benefit. Of course, what did the Italians decide to grow? Tomatoes. The soil and weather were perfect. And, the tomatoes grew - the biggest most beautiful tomatoes the Italians had ever seen. The Italians watched with pride as their crop matured. The natives silently watched and laughed among themselves. One morning, just when the crop was about ready to be harvested, Sirolli reports that they came to the fields to find them totally destroyed. The hippos of the Zambezi had eaten all the tomatoes and laid the fields to waste, and the only tell tale signs were the ripples in the water.

Sirolli quotes Pliny the Elder, "There is always something new out of Africa." Sirolli writes, "Those who have worked in an African country will tell you, if they are honest, that they always learn from the expereince much more than they had bargained for...I am no exception." Later he states, "I became conscious of the fact that we were not doing the right thing - and consciousness is an extraordinary thing."

"Right now, in your community, at this very moment, there is someone who is dreaming about doing something to improve his/her lot. If we could learn how to help that person to transform the dream into meaningful work, we would be halfway to changing the economic fortunes of the entire community," the author comments. This is Sirrolli's credo. It is clear upon reading the book that the author has had a good classical education (formal or informal). His thinking about innovation is colored by Schumacher, Maslow and Rogers.

His advice, based on Schumacher is, "If people don't ask for help, leave them alone. And, there is no good or bad technology to carry out a task - only an appropriate or inappropriate one. Something big, modern and expensive is not necessarily best; it all depends on the circumstances."

"Because of Maslow and Schumacher," he writes, "I came to understand that successful development has to do with the quality, not quantity of life." Human beings are striving creatures. When one level of need is met, people move on to higher levels in an endless cascade. Is it any wonder that this country grew as it did because the founders understood this about people and claimed equality, life, liberty and the pursuit of happiness?

With this framework, the author was able to explain his experiences in Africa. "They were secure and did love and had self esteem in the same proportions Western people had, maybe even more. Some of them were beautiful, wise, self-actualizing people reaching for the apex of full humanness," Sirolli writes.

The level of what is enough at each stage of development is set by cultural and psychological factors. Some people get stuck in the pursuit of material goods and others have lower levels of satisfaction and move on to the next higher state of development. The natives had enough food, safety and security for them, and they could move on to higher levels of human development.

From Carl Rogers he found that "that it was possible to help people heal themselves by simply being there, listening, facilitating and responding to the client's needs for communication and finding values to live by." "The aim is not to solve one particular problem but to help the individual to grow so that he can cope with the present problem and with later problems in a better, more integrated fashion."

Later, he continues, "Reading about the champions of the human race, I couldn't avoid creating, in my mind, a demonology - that is, a list of the demons oppressing us. Contrary to Dante's Inferno, however, my hell wasn't populated by naked gluttons, greedy merchants, and assorted petty sinners. The torturers had no tails; rather they were well-dressed authoritarian figures who, in the name of an idea, would torture and beat the psychological life out of the people in their power. From unyielding bureaucrats to religious fanatics, from political extremists to avid do-gooders, my demonology started to contain anybody who dreamt up a code of conduct and tried to manipulate or coerce others to follow it."

Sirolli's encourages his facilitators to support clients who have a marriage of both passion and skill. "But becoming what we are is invariably difficult," he writes. "We have to commit ourselves to a course that may prove to be unpopular with our peers, unfashionable among our friends, and unbecoming in the eyes of our parents. Striving for individuality is always a lonely business. Passion is what propels us during our solitary journey." Commenting on skill he writes, "Our generation is a generation without masters. We are still under the impression, and like to think, that The Beatles didn't have to learn how to play music; that Jimi Hendrix picked up a guitar one morning, put a big joint in his mouth, and started to play like a god. Does the next, younger generation, understand that there cannot possibly be art without skill?"

"Facilitation," he writes, "is based on the belief that it is human to dream and desire. Faith in human nature is what makes it work." "The skill of the facilitator is to become available to those who have the dream and to help them acquire the skills to transform it into meaningful and rewarding work. The skill of facilitation is therefore a communication skill with a twist. It isn't so much that facilitators have to communicate to their client; rather they have to be the kind of person one likes to talk to." Their role is to simple remove the obstacles that stifle a client's growth.

He identifies the characteristics of facilitators:

 Facilitators are passive
 Facilitators are visible
 Facilitators provide just-in-time help
 Facilitators work in confidence
 Facilitators act like swans
 Facilitators love action
 Facilitators are a loaded spring
 Facilitators assess the person and the motivation behind the idea.
 Facilitators understand that ideas are cheap, passionate individuals are rare
 Facilitators establish true communications and build trust
 facilitators don't play power games
 Facilitators are non-threatening, unassuming friendly listeners who make people want to talk to them.


The book is full of examples and case histories, and is divided into 14 chapters:
1. Out of Africa
2. The Technology Fix
3. Homo Cupeins - The Desiring Man
4. Out of the Mountain Cave Back to School
5. The Art of Shoemaking
6. The Esperance Expereince
7. The Esperance Model Applied
8. On Facilitation
9. Training Facilitators
10. A Word of Caution
11. Facilitation and Economic Development
12. A Quiet Revolution
13. The Politics of Personal Growth
14. Epilogue - Civic Society, Social Capital, and the Creation of Wealth

As you can see from the outline, the discussion covers a good deal of territory and Sirolli has meaningingful insights in all the topics. For example, "The shift by governments away from resource driven economies to valued-added ones cannot take place without recognizing that our greatest assets are not the ones that lie underground. Our greatest assets must be our energy, imagination, and skill - our commitment to good work and to the pursuit of excellence and the courage to fulfill our ambitions. Every single person is important in the creation of a better, wealthier, smarter society. Whether employed are not, engaged in export service industries, in the arts, sports or tourism, the quality, both of personal and professional, of every single person is what will make a country prosperous."

And, "Thus the freedom to become is the key to unlocking civic society and long term economic prosperity. Wealth can be generated in the short term in exploiting natural resources, but 1,000 years of prosperity can only be created intelligently by working together, exchanging ideas, sharing technology and resources, and helping each other do well in the understanding that a myriad of wealthy self-employed people produce an economic system immensely more resilient than any alternative."

And, "The beauty of Maslow's theory is that it explains that helping each other is not done out of charity, but out of our need to be appreciated, loved and respected."

Michelangelo, who believed his role as a sculptor was to release the images that were already in the stone, wrote:

"The best of artists hath no thought to show
which the rough stone in its superfluous shell
doth not include; to break the marble spell
is all the hand that serves the brain can do. "

To make his point, he carved a series of "unfinished" works depicting humans emerging from the rock (The Prisoners).

Metaphorically, the facilitator's role is the same.

And, if the facilitator is blessed with double insightful vision and can not only see the beauty inside the innovator, but can see the community that could emerge as a result, then a community transformation can occur.

You just have to read this book. And, when you do, write something about it. Better yet, use it.