Africa Books

This is a remarkable collection of information on a sorely needed region of herpetology. Not just for advanced hobbyists either...this book has WONDERFUL photographs and is a MUST have for any level of reptile enthusiast.

This is the most perfect book for any snake or reptile fan.

This book is amazingly detailed, giving in-depth information on ALL species of reptile known to occur in the five countries covered.
The photographs are of excellent quality (though where none was available, drawings would have been better than nothing) and the keys very user-friendly.
It is an absolute must for anyone interested in the herpetofauna of this region.
A word of warning though: despite the title this book is much too bulky and heavy to carry around on the field!
More likely, you will want to keep it at home (or in your car?) as a reference.

A great book, with descriptions and photos of al known east african reptiles, including distribution maps.
Which i must say could have a little bet bigger and easier to read(country references).

If you are interested in finding the reptiles in the field or keeping them in captivity, you must own this book !

The long-awaited field guide to the diverse reptile populations of East Africa. This book was everything I expected it to be and more. Comprehensive listings, excellent photography and detailed information on habitat/distribution, natural history, conservation status etc. I can't say enough good things about this book, the list of authors should speak for themselves! ;-)

No serious herper's library is complete without this book...

This is a book I ordered to send to my grandson for his birthday. It was sent directly, so I haven't really read it. It got good reviews and he likes the story. It was shipped well ahead of his birthday. All was well. Thanks

This is a wonderful, well illustrated book about a young boy who has an idea and finds what he needs to create it. What he needs is just a small amount of wire. It is not clear until the end what a "galimoto" is but by then we are all cheering for him to make one. I read this book to students who are studying to be elementary teachers. I think it would be an excellent book to use in the elementary classroom...it is set in Africa and has many lessons for young readers. I would love to see a whol classroom of "galimotos"!

This book is set in the small Southern African country of Malawi, the country in which I spent the first 19 years of my life. This book is very dear to me because of its connection to my home. However, it is a good book in its own right. I can say that the language used in the book is authentic (galimoto is, in fact, Chichewa for car). The illustrations are also accurate. The book also has several plot elements which are great discussion points for parents or teachers. For instance, the main character has to make several deals with people to get the things he needs for his project. This provides a good lesson in compromise. The main character also shows planning by setting a goal and then following through the motions to reach his goal. Although the book is intended for smaller children, I think that it is a helpful book for older kids as well. I have read this story to my 7th graders, and it has prompted many discussions on other cultures.

As I prepared to visit Zambia to learn how communities are coping with the HIV/AIDS pandemic, I tried to help the children of our church understand what life is like in Africa. "You mean they are so poor nobody buys them toys?" Galimoto not only gives a realistic picture of life in a small African village, it celebrates the resourceful spirit of African children. Our young people were filled with wonder when I brought home a galimoto that I bought on a roadside in Zambia. They were eager to try their hand at creating their own galimotos.

I just attended a talk by a Peace Corps volunteer who spoke about how children in Ghana were resourceful about creating toys to play with. This book illlustrates that point. I hope that my students from Africa will enjoy this book.

Intriguing mankind for millenia, the pyramids of Eqypt have prompted numerous investigations by scholars and scientists over the centuries. In this book, John Romer's most impressive achievement is his extensive analysis and masterful synthesis of these investigations, enhanced with his own on-site studies and observations. The ease and clarity with which he presents his conclusions, and the scope of the material covered, is astonishing. Many photos, line drawings, and other visual aids complement his presentation.

Even if this had been a strictly scholarly book of dry facts and observations, it would be significant enough, but Romer also brings to life the society and people that produced the pyramids, revealing them to be skilled and dedicated craftsman who created works of timeless beauty with simple tools, professionalism, and perseverance. The idea that "ancient man" could never produce such structures is quietly, confidently, and thoroughly refuted. This book is a "must read" for any layman who wants a clear and compelling answer to the age-old question, 'who built the pyramids?'

It is difficult to imagine how anyone is going to top this treatment of the Great Pyramid. Romer, an Egyptologist for more than 40 years, describes in unprecedentedly precise detail how the pyramid was designed and built. There is none of the mystical nonsense that has appeared in some books about the pyramids. This massive structure was built by humans like us who learned from their mistakes on earlier pyramids and adjusted their plans to the realities of the Giza plateau.

Romer brings out the sophistication and architectural subtlety of the Great Pyramid, and the clever alignments that made its construction possible. This was an astounding feat of planning, organization, and execution for people living 4,500 years ago. Medieval cathedrals look relatively modest by comparison.

Romer admires the dedication and skill of the stone-workers, giving the reader a good feel for the adjustments they used to make their ambitious plan work. Some of the most interesting chapters show how pyramid-builders learned from the mistakes made in building pyramids for Khufu's father.

Romer tracks down related parts of the pyramid project such as quarries and ramps. He provides intriguing sidelights, such as the huge amount of copper needed to make chisels for the masons who shaped the stone blocks.

Romer describes the pyramids as the physical residue of establishing the Egyptian state. This age was short-lived; the pyramids that followed the Great one were less ambitious, and the pyramid age soon died out.

Romer writes with style, though he occasionally dwells too much on certain features such as the "prism point."
He praises some earlier Egyptologists such as Flinders Petrie. The accuracy of Petrie's surveys, made over a century ago, has never been surpassed.

This is a large format book of more than five hundred pages. It is well illustrated with diagrams, drawings, and black and white photographs, including well-chosen photos from as early as 1865. This is not a book for the lazy reader, but it rewards those with sustained interest.

A new book by John Romer on the library shelf! I could hardly contain my excitement since his books have always had fascinating views of Egypt presented in a readable way that suddenly opens vistas of ancient Egypt and puts things in a new light, brings the people more to life than most other authors. I adore his "Ancient Lives" TV series. Here was a new and fascinating book to read - photos of parts of the Great Pyramid and views of parts of it I'd never seen in the books I had available; discussions of sources of minerals, stone and copper; calculations of awesome quantities of resources and how this changed Egypt; methods of transport and calculations of manpower needed; details of quarries; details of earlier pyramids that made it clearer how they "evolved" and were planned. This was also a frustrating book to read and I returned again and again over about 2 months - "squaring the circle" had me going in circles trying to reproduce, from the description, what was intended, and deciding he must mean circumference, not diameter; finding some of the diagrams on how the builders worked things out confusing until finally about page 364 (?) a reasonable diagram finally was clear. Frustrating because I'm sure I could explain the basic idea to my 14 year old students in about 10 minutes with that last diagram and wondering why it took so long to get around to that diagram. Fascinating in the simplicity of the overall method of control once it was clear the east field could be used as a full size planning area. As a teacher always on the lookout for things from the real world to base problems on for maths or science, and as someone used to teaching areas, nets and scale models for a technology unit, maybe the placement of the Great Step didn't seem quite so miraculous to me. I still think the book is a monumental work and should be read by anyone interested in Egypt and the pyramids. John Romer has again given a fascinating and different view of ancient Egypt and its most well known monument.

Since many illustrious and famous Egyptologists have already written their praise for this book on its cover, I shall not try to emulate their eloquent praise for John Romer's quite extraordinary book. However, as an amateur lover of ancient Egypt's history, engineering and artistic achievements, I was spellbound by Romer's quite amazing conhesion of painstaking research and found myself totally absorbed and amazed. The reader is taken on a spellbinding journey through every aspect of the building of the great Pyramid and back in time. His text is elegant and fluidly written, the pictures and diagrams most interesting and easy to understand. I loved this book.
Out of Africa. Johannesburg

John Romer has outdone himself with his book, The Great Pyramid. Highly readable, this well researched book shows the remarkable engineering skills of the ancient Egyptians. For those who will look for such silly theories as building assistance by extra-terrestrias and other rubbish, this is not the book for them. It is a book for rational, intelligent readers who admire and wish to have a better understanding of the creative abilities of older civilizations.
Greg Slater
Australia

I bought this book for an African Art class that i was taking. This book is overly informative and captivating. I would recommend it to anyone interested in learning more about African Art!

The item is in good condition. Arrival took a little longer than anticipated.

I simply wish that I had this book and/or Dr. Poynor's courses in West African and Central African Art prior to living in Central Africa. Now that I had these courses, I find that this book is less a formal text and more a comprehensive guide to understanding the art forms created in the various regions of Africa by the peoples and cultures. This book is a must for anyone who has a true interest in following this facinating subject. I especially recommend this book to anyone planning to visit or live anywhere in Africa, particularly the Sub-saharan regions.

It brings to all, the reality of such a facinating and prevously skimmed subject, without interjecting personal belief or opinion. All facts in the book are well researched and presented.

The good thing about this collection is that it includes art and architecture from not only all regions of the continent, but also of the African diaspora from the 16th Century onward.

The other good thing is that it includes architectural works, such as those of Great Zimbabwe, Lalibela, and Djenne.

The bad point of this book is that the selections are limited. For example, the art of the Nok (the oldest African art outside of the Nile Valley)includes only a few pieces.

The worst thing about this collection is that nearly all of the photos are in black and white. It's difficult to appreciate art of such a vibrant nature (with the exception of photography) without colour.

I took an african arts class with Poynor and he used this book and the slide images. This was a wonderful tool. I usually HATE reading art books but this one read like a recreational book. GREAT illustrations! If u would like to learn more about the culture this is definately the book to get.

I have lived in South Africa and when this book was released for publication, I bought and enjoyed it as many did. Later, I lost the book during one of my many house moves and was not able to replace it since it was out of print. To my amazement, it is now available on Amazon!

if you have an interest in african history and mythology you will adore this book.even if you don't within is a magnificent new view of life and religion and human beings.one of my favourite books.

Without the infromation in this classic one has no claim to knowledge about Africa and her people.
Credo Mutwa is 'the real deal', and his outpouring of African history flows in the oral tradition to take the reader on a journey of discovery. The book contains incredible facts and insights, sure to alter old perceptions. This book has value for those interested in history, anthropology and archeology, shamanism, sociology, psychology, language, politics and mythology -If you feel any doubt about reading this book -Simply get it and read it.

There is no other book like this one. Any African-America studies student cannot consider his or her training complete without reading this book. It offers profound insight into Sub-Saharan culture, rules, mindset and motivation. Tales are varied, interesting and the book is well written. Thank you Sanusi

This book contains beautifully told traditional legends and history of the Bantu people that goes back to the dawn of human life on Earth. It is an epoch that hints in places of biblical legends but is not derived from the bible by any means at all. In addition to the legends there is some illuminating material about the most sacred places in Africa and about the ancient Ba'ntu language and grand civilization that once covered most of Africa. There is also something about the magical language that is used in Cameroon to communicate with the ancestral spirits which the author believes to have come down from paleolithic times. The last section reveals some of the secret core traditions of African spirituality. Anyone interested in African tradition owes it to themself to read this book. It is deeply moving.

Today I'm back--rebuying this book in hopes of reliving some of the experience it produced 20+ years ago when I read it on a transatlantic flight. Everyone around me was solemnly absorbed in tearjerker movie while I was convulsed to tears of laughter in their midst.

When I realized Indecent Exposure was a sequel to Riotous Assembly I raced from the airport to the bookstore and ordered that one too. It was no disappointment. That came when I voraciously bought nearly every other novel Tom Sharpe wrote and found none of his other works even came close to his 2 South Africa novels.

Small wonder that oppressive regime expelled him. I ought to mention that however slapstick funny this has been described to you (and it is!) it is not an appropriate gift for your 12-year-old niece. The uproarious misanthropy is midnight black and as politically incorrect for many Americans as it was subversive for South African censors.

Hilarious, extremely funny. This is one of the fiction works that have made me laugh more in my life, including films, comics, or whatever.
I read this book after discovering Sharpe trough Wilt' s saga. One tip: read the african novels first! I have read almost all the books from Sharpe, and I think the two south-african satiras are the best, specially Indecent Exposure.

Tom Sharpe's novels, always popular in Britain, are known for being rude spoofs on the political establishment and of the upper echelons of British society. However his earliest works, as in 'Indecent Exposure', the setting is apartheid-era South Africa. His humour is still very baudy, perhaps repetitively so, and his target are the hypocritical, racist white establishment. Some of the language is a bit vulgar, and I imagine some folks might be offended. But Sharpe hits the bulls-eye on his target: the squabbling, pretentious and myoptic white (English/Afrikaan) establishment.

As for the story? Well, it somewhat doesn't matter. Some nonsense about a rural town's police force trying to fight (imagined) communist insurgents using some rather ridiculous means. It's all very slapstick, farcical. Enjoy the book for its now dated (historical) view of South Africa, not for its paper thin story.

Bottom line: a very curious and funny piece of Sharpe's earlier works. Certainly not his best, but he delivers the laughs.

This book must be one of the funniest I've ever read. My girlfrind threw me out of bed at four in the morning because I'd apparently been laughing in my sleep after having read the book. The best thing about any of Tom Sharpe's books is that you can read them again and again and still laugh all over again! Superb!

What more can I say? Go read it! I read it about 12 years ago or more. It was fantastic. I read it at least once every 2-3 yrs after that and it has never failed to make me laugh again and again. Though Apartheid is dead, the humor is still valid worldwide. Read it as satire or just for its humour. Either way, you'll love it. By the way, dont be put off that its British and thus a bit heavy in the reading department. Its not. Its a great read and you could easily finish reading it in one day unless, of course, you fall off your chair or bed and injure yourself laughing. Believe me, I'm not exaggerating.

Great condition for a used book. Plus you can't beat the price at any College Bookstore.

I picked this book (sixth edition) from many others after watching my daughter struggling with Mario Triola's Elementary Statistics that her teacher used in the classroom. I wish Weiss's Statistics was her (and mine) first encounter with the subject. The book is well written and structured, easy understandable, and at the same time interesting and engaging to learn more. My daughter found it very helpful. I also enjoyed reading the book; it helped me to put my knowledge in order and finally understand the logic behind different hypothesis tests and other statistical concepts. If you always wanted to learn basic statistics just read this one book and you will be surprised to discover that learning and applying statistics can be easy and fun (do exercises!).

I can not say enough about this book I have never taken a class in statistics for fear that I would fail it .However, this book mapped it out so well if you fail the class it won't be because of this product.My first grade was a 94%, which is great for a person who hates math. I breezed through the class with this book. purchase it you will not be sorry.

This is the most lucid and well written stats book i have studied from. I used it's concepts and step by step procedures to write my masters report. Excellent book for any beginner in statistics.

I did an independent stats class after being out of math for a long time, the book was very helpful and I could actually figure the formulas. It was great!!

For Lew Brady and Frank Lanigan, veteran mercenaries of several sides of half a dozen African wars, it was their last chance to make a big score on the Dark Continent. For Baron Chase, a special anti-smuggling adviser to Idi Amin, it was to be his Swiss retirement fund, set up before Amin's inevitable fall from his excesses and brutalities. For Mazar Balim and his son, Asian exiles from Uganda living in Kenya, it was a chance to give Amin a real black eye while making a fortune. It was a mile long train carrying over six million dollars in coffee...one sixth of Uganda's annual production, almost all of it owned personally by Idi Amin and his close cronies...coffee already purchased by Brazil to cover worldwide committments following the disastrous frosts of 1977. But on Sept 12 the trail failed to reach Kampala...it simply disappeared. Humorous and horrific...

Understand that this book is a major departure for Westlake, and is darker tham a lot of his other books. This is a good thing, I've read a few of his other books, and while they were ok, Kahawa is simply woderful. By blending some actual figures into the book, Westlake adds realism, which makes it even more gripping. Worth more than 5 stars!

As I remembered the novel, it was the best I ever read. My rating may have been coloured by my living in Liberia 15 years ago when reading the book. Samuel K. Doe was at the time turning our life upside down (I later lived for some years in Tanzania, bordering lake Victoria). The book is totally different from anything else that I have read from Westlake. Did I find it good if I'm searching for it 15 years later?

Overall, KAHAWA, is an uneven yet action-packed adventure with something for everyone: sex, adventure, a really evil villain, manly heroes and beautiful courageous heroines of all colors. Our mercenary heroes are striking a blow against tyranny, but they aren't looking for the Ark, or the Grail or King Solomon's Mines. They're stealing coffee. But that's what's kinda cool about it.

The premise, that a mixed bag of mercenaries, for profit and for politics, decide to hijack Idi Amin's coffee train, worth six million dollars, is very inventive. Westlake allows his characters to be heroic for monetary reasons and for ideology: Idi Amin's a tyrant and all want to see him go down....and making a buck or two from his downfall will make it all the sweeter.

This book is a total departure for Donald Westlake and one for the better. While the plot deals with the theft of a train load of coffee, the book is so far beyond an average hiest story that it is hard to catagorize. The setting, the characters - even the steamy sex scenes - are more than one expects after reading Westlake's other books. This is, in many ways, a serious novel, but at the same time, very entertaining. I had to read it in one long session. It was that gripping.

Once you start reading, you cannot put this book down. This book is truly a way for people to visit Africa spiritually and experience another culture. Blacklaws' rich and detailed imagery takes readers on a journey of their own; this is probably why Chris Martin the singer of Coldplay said the book was so colourful. To truly enjoy the adventure u must read it with an open mind.

the african setting is poignant, evocative, romantic -- but the author's vocabulary and use of language raises this book to high levels of literary enjoyment...sort of like dylan thomas in its lyricism and poetic achievements...

This beautifully-written book is full of rich characters and convincing settings, but what makes this book special is the story. The protagonist of this coming-of-age tale (set in the South Africa of 1976) must wrestle with deep and painful problems under adverse circumstances. The ending is a stunner. I reread it within weeks of first reading it. Best book I've read in a long time.

Karoo Boy is an ambitious novel, in the sense that it tackles the really big themes that even angels (and definitely first-time novelists) approach with cautious tread: living in apartheid South Africa, growing up to consciousness, love and the loss of it, guilt and death. And yet Troy Blacklaws manages to tame these wild things, and bring them to rest in a compact novel, with a handful of well-drawn characters, surrounded by the vast impersonal canvas of the Karoo.

He is sensitive to the minutiae that make up a life, and he describes these in spare prose that paradoxically becomes lyrical in the repetition of the rhymes: "I paddle out through the ice-tea surf. The rising sun glints in the empty windows of the weekend train to Cape Town. I stand on a borrowed board. No flicks or tricks. The wave barrels. For a moment, I glide. Then the wave tumbles me. I fight it instead of going with it. Have I forgotten everything? I even forgot to dogleash the board to my foot. As I surface I hear the crack of the board on the rock. I wade up out of the water, feeling ashamed."

Karoo Boy is not only a welcome addition to the body of fiction now written by thirty-something South Africans, relating their experiences as teenagers during the unholy hey-day of apartheid. It is also a bloody good story, and it is well told.

"My mother's cry is a sky full of gaping-beaked seagulls." On the Cape in South Africa in 1976, Dee's twin brother is killed in an accident, struck in the head by a ball while playing cricket; the twin loses the other half of himself, his anchor. His mother can't forgive her husband, who threw the ball, determined to make him suffer for the tragedy. The small family unravels after Marsden's death, the parents drifting away from each other in their grief. In Cape Town, "an un-African Africa, death catches the unsuspecting off guard, dealing the cruelest blow." Dee soon realizes that every time his father looks at him, he sees the boy he killed, a constant reminder of his identical twin.

When Dee's mother leaves the Cape for the more rural Klipdrop, south of the Free Orange State border, the white boy finds himself in unfamiliar territory, a Karoo boy. The Freedom Movement has already begun and is growing in momentum, crowds chanting, the authorities responding with violence, bulldozing the Crossroads shanty town. Apartheid has not yet been defeated. Curious about the township, the black shanty town not far removed from the white enclave, the bright-haired Dee wishes to make friends with the Xhosa boys. Dee's new friend, Marika, defies her father to visit the township with the boy. This precipitates a series of unfortunate events, all of which could have been avoided had the adolescents realized the inherent danger they brought along on their excursion.

Caught between his affection for an old garage man, a black appropriately named Moses, and his friendship with Marika, a white girl his age, Dee's wants are few, mainly to live without conflict in his new environment. Moses is a precious commodity, his willingness to make friends with the white boy putting him in constant danger of reprisal, while Marika is careless, impulsive. But Dee hasn't reckoned with the harsh lessons of apartheid. His young world already broken apart by the loss of his twin, Dee's coming-of-age is painful, a rude awakening for a boy of generous heart in an uneasy land. The author sensitively handles his protagonist, exposing the boy's vulnerabilities as he is transplanted from the relative security of Cape Town to the chaos of his new home, where a carefully constructed world is transformed almost overnight and a fourteen-year old boy passes the boundaries from child to man. Luan Gaines /2005.

James J. Heaphy has provided the perfect picaresque historical account of daring and brio and spying in a Morocco which is struggling for its independence from the French. Heaphy is the perfect tour guide for the labyrinthine route; he provides an operational narrative of entwined complexities with delightful intricate details of privity that can only be supplied by someone uniquely qualified because he was an active participant in the intrigue of the time.
But history is infinite, and for me the most important function of this historical memoir is that it enables one to appreciate all the more the subsequent metamorphosis to the modern moderate Morocco, guided by the brilliance and inspired leadership of Mohammed VI, the present king of Morocco. With Morocco poised to lead in assuaging the many factions of the Middle East, Legerdemain contrasts for us in bold relief what we hope that rational leadership can accomplish.

This book was great! It made me laugh, cry, and left me wondering what was going to happen next. I highly recommend it, even if you aren't in to history (which I'm usually not), its written like a spy novel which pulls you in and makes you wonder how it all is going to end.

What a remarkable read! Heaphey's story made me sit up and wonder as to what really goes on in this world. His writing style made the book move like a novel. I hope he has more books on the way.

Legerdemain is a crackling good yarn. It's also an unexpected five-star mixture of history and travelogue stirred into a Cold War memoir. Oh, to have such memories.
As a Middle East specialist, I read books, magazines and web sites from necessity. I don't often enjoy much of the stuff I have to read to keep up. Legerdemain is a happy exception. I've added it to my bibliography because I found a gem of prediction among Jim Heaphey's well-crafted recollections. But you don't need utility as a motive to pick up this book, although you may learn a few things of interest, if you do. This is a five-star tome for me because I found a forewarning of our confusion over the current conflict with Islamists that is pertinent to my work. It could earn your five-star rating for any number of other reasons: clear writing, believable people, exotic locales and a special viewpoint into the early days of our conflict with the Soviets are all worthwhile reasons to follow this narrative for the fun of it. You are as likely to find a bonus in it as I did.

A tremendous read. This book moves along at a blistering pace. And it all actually happened. James Heaphey tells his story with great enthusiasm and really illuminates the inner workings of Government Agencies. I hope he has more stories to tell.