New York Books

For nearly 30 years I have carried this book with me virtually everywhere. No, it's not "an easy read" - but it is worth buying (owning)and treasuring - if only for the FOURTH LETTER (to a German Friend)- it is the most moving argument/declaration for humanity and choosing it that I have ever seen anywhere.

Some (like Sartre?) might call it a "rationalization". But even those who have resigned themselves to the religions of cynicism and despair - could find a remnant of fight and even "goodness" (yikes!) inside themselves. Camus' words remind us that resignation and the inevitable indifference and inhumanity that follow are the ultimate betrayals of life.

While there is nothing "cheerful" or even optimistic about these writings - you'd have to be cold-blooded, heartless and completely beyond repair or redemption not to be inspired by the wistful aspirations that Camus exudes from his admittedly battered heart and soul.

I disagree with the reviewer (who did praise this precious book) Sartre is smart - but so is Camus - and Camus exudes the humanity that Sartre can't even see or imagine.

Sartre would tell us that we always have the freedom to at least rattle our chains (at least theoretically) - but Camus has the power to inspire us to want to.

"I step onto the podium only when forced to by the pressure of circumstances and by my conception of my function as a writer." (p. 132) From the circumstances of Fascist Spain and Nazi occupied France, to the circumstances of the Hungarian and Algerian struggles for freedom, Camus' essays demand involvement, require action in the face of hopelessness. He never offers a moment's peace for couch-potato complacency. "Freedom is not made up principally of privileges; it is made up especially of duties." (p. 96)

To read these essays is to step into the world of a man who said to Christians "I share with you the same revulsion from evil. But I do not share your hope, and I continue to struggle against this universe in which children suffer and die." (p. 71) And "Perhaps we cannot prevent this world from being a world in which children are tortured. But we can reduce the number of tortured children." (p. 73)

Camus is recalled to the podium, in a day when children are tortured and die in Chiapas while most turn a blind eye and complain that sitcoms just aren't what they used to be. These essays, possibly his most accessible work, demand an active response from the modern reader. Our struggle today, although not against Nazi minions, still must echo his "There are means that cannot be excused. I should like to be able to love my country and still love justice." (p. 5) [See Jamal's Live from Death Row and Peltier's Prison Writings, elsewhere on Amazon.]

Camus is outspoken about capital punishment, too. "It is obviously no less repulsive than the crime, and this new murder, far from making amends for the harm done to the social body, adds a new blot to the first one." (p. 176) His "Reflections on the Guillotine" is the longest essay in book. He views capital punishment, even in "free" societies, as an act of totalitarianism.

Camus proclaims the call to justice and the struggle for freedom found in the Old Testament, especially in the minor prophets. But he does so in a modern context, where God is silent and man is the maker of his own destiny. Although he sees no messianic age, he proclims the hope that by continuous effort evil can be diminished and freedom and justice may become more prevalent.

Five stars for courage, five stars for clarity, five stars for consistency. After the abortion of democracy on December 9, 2000, every freedom and justice seeking American needs to read this book.

(If you would like to respond to this review, click on the "about me" link above & send me email. Thanks!)

This collection of essays is the most brilliant one of Camus' diverse smaller non-fiction writings. The bulk of this book concerns his journalistic writings on the Algerian Revolution, Soviet Union etc. Through these essays, you understand the pain of Camus. Camus' ethics doesn't agree to mindless violence for the sake of power. He makes an impassioned plea for tolerance and humanitarian solutions to the problems of war and peace.

Camus is not necessarily logical or politically correct. His stand on the issue of independence of Algeria is a compromised position between French imperialism and Algerian aspirations for freedom during that period. However, in his passion for diagnozing the problems of his time and addressing them, he hits upon a lot of interesting insights and arguments.

Particularly brilliant for both its analysis and its conclusion is Camus' landmark long essay 'Reflections on the Guillotine' which occupies a fair part of the book. In this essay, Camus systematically demolishes all legal or quasi-moral justifications for capital punishment and answers the third aspect of the question - Whether human life is worth taking?

In his 'The Myth of Sisyphus', he had argued against self-murder. In 'The Rebel', he argued against murder and genocide. In this essay, he argues against legalized murder. But unlike his earlier works where he offered weak arguments after a brilliant analysis, here he hits the mark by demolishing the justifications for capital punishment, totally. This particular essay deserves to be considered a classic in the philosophy of law and justice.

I cannot recommend this book highly enough. It has provided me with the strongest, most clear-headed confidence in the face of unrelenting hypocrisy and struggle. Camus was on the side of the angels for all of the conflicts of his time, a time that saw the darkest face of humanity. His arguments for compassion and justice are utterly transfixing and revelatory, and written with a clarity and insight that are simply breath-taking.

I challenge anyone that supports the death penalty to read "Reflections on the Guillotine" and walk away with their arguments intact. In this piece Camus utterly demolishes every argument for state-sanctioned murder while defending the right to live with dignity, a right that can easily encompass the self-defense by combat necessitated by circumstance.

Camus was a moral, intellectual, and physical hero, and reading these essays one is almost overcome by his sense of humilty, justice, and compassion. His writing is so crystalline, it's almost jolting. This is a powerful tonic for all those that despair of creating a place for the best qualities of the human race in times of utter darkness. A must-read.

Camus' essays are obviously more difficult to read than hisstories, and quite possibly more difficult to read than his philosophical investigations as well. Should they be read? Of course. In them, he speaks of similar topics (i.e. what to do in the face of absurditiy, human moral dilemmas, etc.) as he does in the other books, though in a more precise, more direct fashion. His views on the death penalty shaped my own almost completely.

What you get in this book are coherent arguments by a coherent, nuainced thinker. Is Sartre smarter than Camus? Camus knew enough to fear most -isms and -ologies where Sartre did not... (not that I recommend ignoring Sartre either! )

I just started reading BARK magazine and saw this advertised and had to order it as I read ANYTHING about dogs I can find....I loved it...It is hysterically funny and I finished it in about 2 days I enjoyed it so much! If you have a shelter dog or a rescue dog you should definitely read it as you will relate to so much....The baby talk we all start to use upon getting a dog-especially a fearful one was really funny.(I do it too)!!! Highly recommended!

I just finished reading this book and I loved it! I've read Rex and the City stories in The Bark mag and I've always enjoyed them so when I read in The Bark that Lee Harrington had a book coming out based on the same stories I couldn't wait to read it. If you're a dog lover you will certainly enjoy this book! I saw my self, my husband and my dogs in this story and laughed through out the book. My husband is reading it now!!

I have two rescued dobermans and went through a h*ll of a time trying to help them get used to their new homes.
This book had me in tears, both becuase i was laughing so hard at how funny her descriptions are, but also I cried sometimes, because what she says about dogs, and about people with dogs, is so true and real. Rescuing dogs sure can be hard. But this is a great story!! Just wait and see what a terrific dog "rex" turns into, and how the author turns into a terrific person as well. I am giving copies to all my dog-loving friends. and i hear there is a Volume II coming out, i can't wait for that one.

I haven't finished this book yet, but I've read the Rex and they City column in Bark magazine, so I know something about the story line.

Anyway, I found the following part amusing (these two people have just gotten a dog and right away they are doubting what they've done):

-----
"Can we do it?" I said to Ted. "Can we take him back?"
"I think we're going to have to," he said.
[...]
"I just wish there were a sign," I said. "Some sign, some guarantee that it's not always going to be like this. If he'll love us some day. That there'll be some reward."
Rex was lying on the floor as I said this, and he had begun to lick his privates in a loud and rather lewd way. Rex glanced at me suspiciously and belched. Then he went back to licking himself.
"There's your sign," Ted said.
----

Heh. I don't think I have ever heard a dog burp. If I had asked for a sign and my dog burped at that exact moment, I'm pretty sure I would have taken him back.

They don't take the dog back, though. I guess that's because he burped in chapter 2 and the book wasn't finished. Smart dog not to burp in a later chapter.

Not everyone likes this kind of humor, but if you do you might like this book.

Rex and the City is the best dog memoir I have ever read!!! And it seems to me that the reviewer above missed an important point. Ms. Harrington has written an honest, poignant book about her experiences rescuing a shelter dog. The author admits, from the very first chapter, that before she got the dog she was rather misguided and self-absorbed-and this is the very thing that the viewer above is criticizing her for. But I think the author was very brave to admit her shortcomings-she discusses her fears and insecurities and poor judgment she felt as a woman in her thirties. She discusses her insecurities about feeling she is not a good enough person to take care of her dog. And because she is so honest, Harrington subjects herself to the very sort of criticism the reviewer above subjected her to. (the reviewer calls her "uninteresting" and a "fool"). But who hasn't been a fool in life? To admit this, and to write a memoir about it, is very brave indeed. And very real. The best thing about REX AND THE CITY is that the author overcomes a lot of her shortcomings, all because she rehabilitated this dog. In rescuing Rex, she ultimately rescued herself. And that, in my mind, is an inspiring story- for dog lovers and insecure women alike. The dog showed Ms. Harrington what it feels like to receive unconditional love. And we could all use more of that. A lot of people believe, erroneously, that we can find happiness through material things. And it is a big epiphany to realize only love can buy happiness. I recommend this book highly.

I have to say that chick lit mystery is a new genre for me. Actually, if anyone had voiced such a genre even a few months ago to me, I would have been hard-pressed to think of one book that fits the bill. With SEX, A MYSTERY, however, Ms. Quirina has hit the nail on the head. A delightful blend of humor, wisecracks, mystery, and an adorable amateur sleuth as a heroine-this book just plain works.

Lydia Quess is a Harvard graduate who believes she's found her niche as a corporate bigwig for a huge food conglomerate. That is, until she opens her mouth to blow the whistle on the company's baby food formula, which is less than nutritious and healthy for the babies. Now unemployed and unqualified for any job other than international marketing, Lydia finds herself on the wrong side of Manhattan's lifestyle chain.

Her good friend Dr. Sylvie Kahn, a renowned sex therapist, harbors the idea of Lydia becoming a "sex surrogate"-or, to Lydia's way of thinking-a courtesan of sorts. All is progressing quite well, with Lydia able to keep her Fifth Avenue duplex, stylish clothes on her back, and fashionable shoes on her feet, until one Michael Peabody Linscott III is found murdered-in Lydia's bed.

Suddenly, the former executive with the MBA turned surrogate sex professional is the prime suspect in a murder. What's a single woman at her peak to do? Turn in her therapeutic badge for one as a detective.

SEX, A MYSTERY is a real treat. Lydia's escapades are hilarious, the dialogue is funny and refreshing, and her quest to find out who murdered Michael Linscott is a hoot. Ms. Quirina has found a niche with this chick lit mystery, and I personally can't wait to see what she comes up with.

the only problem with reading mysteries is once you learn who did it, you have no other incentive to keep reading...fortunately, the lead character was fascinating enough to hold my attention...i look forward to the next one...

Lydia Guess has a degree from Barnard, and an MBA from Harvard. She had been a vice president in a corporation until her ethics caused her to blow the whistle on corporate wrongdoing. So, using her business training, she goes into a different line of work and becomes a high priced courtesan. As she puts it, "Just lucky I guess." She gets her referrals from a sex therapist - someone she knew in school who has a mail order psychology degree from India and a thriving business improving people's libidos, an equal opportunity business using both courtesans and gigolos.

Things are going well until a client ends up naked and very dead, with an icepick in his back lying face down on Lydia's bed. That leads to some interesting conversations with the investigating police about the nature of her business. It also involves Lydia in the investigation as she tries to prove that she did not commit the crime.

Lydia discovers things she did not know about some of the people in her life, and meets various interesting people along the way. Characters introduced in the story are her celibate roommate Paddy Riordin, a priest who administers to the needs of the moles living under Grand Central Station with some financial help from Lydia; Paddy's assistant Manuel, who lives in a dumpster as a matter of choice; Dr. Sylvia Kahn, the sex therapist friend; Angelica Linscott, the wife of the dead client (who does not seem to be overly crushed by his death); Captain Amy Liu of the police, who has some marital problems of her own (women should learn that primitive hunks are for weekend entertainment, not for marrying - there comes a point when you have to talk to them); and Danny Bloomster, a self centered gigolo who had been servicing Angelica and others for a price.

The case has its twists and turns as Lydia tries to identify the killer, and puts herself in some danger in the process. She declines to make herself an instant millionaire by cashing in on a secret Swiss bank account she discovers in the process (probably the same ethics that got her fired from the Corporation). The mystery is finally solved, but Lydia ends up unemployed again, or so it seems. The novel has a 2005 copyright, so possibly the author has a sequel in mind.

I can't remember the last time I had so much fun reading a mystery! By her own definition, Lydia Quess is an MBA turned Whistleblower turned Courtesan turned Private Detective. (Her scathingly humorous analysis of Corporate America really hit home for me, a similarly shipwrecked survivor of 2, count 'em 2, international corporations that went under due to outrageously blatant executive malfeasance.) It was a champagne treat watching Lydia, my more elegant spiritual sister, navigate through the high society sharks infesting Manhattan to pull together the clues needed to solve the murder of her client and friend. Highly recommended, and I eagerly await a sequel.

Hurray, Fiona, and thanks. Pure delight all the way through, and written by a master of the genre. I read it on a flight from Tokyo to Newark, wonderful story.

Shadow Cats was such an exciting story-and I am not even a cat lover. A dog person like me would never have guessed that rescuing kittens on the streets and back alleys of New York City could be so fraught with drama. J. Jensen took me places I never knew existed and I've lived here for 20 years. Her sensitive descriptions of felines made me want to own one. She proves that nature provides us with adventure no matter where we live. I've read stories about safaris in Africa that weren't half this enthralling.

This book is a combination of suspenseful drama, personal journey, and expose of inner city feral cats and those who love them. I couldn't put it down. I wanted to know what happened next to these feral cats with names and personalities, living on the edge of living or dying. Janet Jensen's writing was suspenseful and personal, making me care for these otherwise unwanted and unnoticed creatures of the night. I became acutely aware of an underground of cat lovers who take many risks in order to care for these unwanted orphans. Although it reads like a novel, the book is also full of useful and fascinating information.

Janet Jensen is a one of kind feral friend. She not only helps the feral cats in NYC, she understands their nature & needs. I have read many books on feral cats. Most approach them as wild, separate unapproachable animals. Janet challenges that conception. She shows how respect & love for our fellow creatures through understanding & care can cut through red tape, help mobilize caring people and keep a watchful, loving eye on animals that both need us & need their space. A must read for any feral activist.

I just loved this book. I was recommended it by my dogwalker of all people (http://www.petaholics.com). It is a very interesting book, don't miss it.

Heartwarming look at cats not quite so lucky as those who share our laps and hearts. It also is a facinating portrayal of people who go the extra mile for cats who cross their paths. You do not have to be a cat lover to appreciate this book but by the end of the book you may be one

Rebecca Stowe is a wow of a writer and very funny. Her chief character, born at the end of the baby boom, is approaching middle age, the time when gray overcomes women.

Ginger Moore was required to call her mother by her first name, Virginia. She has no children and likes the dead better than the living since they are complete. She is a biographer. She finds women who for some reason cannot act, do, Freud's hysterics and Dostoyevsky's screamers.

The unproductive women who want their lives written about by Ginger are her neighbor, her friend, and her mother--all alcoholics. It is a sort of chicken and egg problem. Ginger's friend Michael call her a necrophiliac, feeding off the dead. He is a comic. She call her lawyer father, Poppy. Her brother decided to be a bum, she thinks, rather than a lawyer. He also seems stuck at age thirteen.

The book has the form of semi-autobiography. It is a saga of an unhappy family, mother, father, son age forty one, and daughter age thirty eight, with alcoholism playing a large part. It is well-done and filled with humor. The family is trying to enact Christmas. There is a tradition family members follow of watching PSYCHO on Christmas Eve.

The heroine ponders that the hallmark of a coward is regret and she wonders why women are so afraid. At another instance she thinks that perhaps people get stuck at that point in their lives where they think they are at their best. She believes the personalities of her mother and brother died at the same time, a period when a third child choked on a lego piece.

Ginger discovers her friend Melanie has been on the wagon for ten months and is married to her ex-husband. She is a bagger at the supermarket, an ego-smashing undertaking. Ginger learns something from her brother that seems to make his life make sense. Almost too late she discerns some of the features of her mother's life, too. This is a wonderful book.

- - -

This is the story of a young intellectual woman's return home from her happy, productive - if low key - life as an academic and biographer in New York City, to her colorfully dysfunctional family in a small town on the Canadian border, for Christmas holidays. The strength of the book is the author's unfailing ability to observe and report even the smallest of events, with an honesty and insight which is clarity itself.

By turns laugh-out-loud funny, touching, and often thought provoking, it is an exploration of family, especially of the relationship between mothers and daughters; of establishing oneself in the world, and the ghosts we do - and do not - leave behind at home, to do it; of being a woman, succeeding at it, and perceiving oneself to be succeeding at it.

This would be an excellent gift for the daughter of an alcoholic mother, or anyone who has dealt with family alcoholism. It's not a lighthearted read, but worth the time for the insights, and for the well turned phrases. One of the very few books I've finished and then immediately re-read.

- - -

As the book jacket says, 'closely observed.'

This is the story of a young intellectual woman's return home from her happy, productive - if low key - life as an academic and biographer in New York City, to her colorfully dysfunctional family in a small town on the Canadian border, for Christmas holidays. The strength of the book is the author's unfailing ability to observe and report even the smallest of events, with an honesty and insight which is clarity itself.

By turns laugh-out-loud funny, touching, and often thought provoking, it is an exploration of family, especially of the relationship between mothers and daughters; of establishing oneself in the world, and the ghosts we do - and do not - leave behind at home, to do it; of being a woman, succeeding at it, and perceiving oneself to be succeeding at it.

This would be an excellent gift ............ It's not a lighthearted read, but worth the time for the insights, and for the well turned phrases. One of the very few books I've finished and then immediately re-read.

This is a wry and understated book whose emotional power sneaks up on you. Stowe's prose is clean as a whistle, with not one false note. I love her sense of humor -- bone-dry, slightly twisted, wicked but never mean. She feels for her characters and makes you care just as much as she makes you laugh. If your family drives you insane (and whose doesn't?) this book is for you.

I'm really hoping to recommend this book to my Women's Book Group. Upon reading the synopsis, one might infer that this is just another dysfunctional family novel. The actual story-line is somewhat sparse and the "family mystery" unfolds slowly. I was _most_ impressed by Ms. Stowe's use of language...her descriptions and the carefully crafted introspections of the narrator make this book a very enjoyable and thoughtful read.

I truly enjoyed this book. Even though I'm not Italian, I could appreciate the sense of sisterhood between the sisters. Read this book, you'll enjoy it!

The Sisters Mallone is simply one of the finest novels to appear in the last few years.

It is the story of three sisters and their grandmother as they deploy all their cleverness, determination, loyalty and love to find their way in the harsh and complicated world of New York of the 30's-50's. Their lives are woven into a tapestry of old Italian and Irish neighborhoods, glamorous nightclubs, gangland politics, the Catholic Church, easy money and hard labor.

The characters, their milieu and their stories are all rendered with great economy, wit and insight. Ermelio's prose sparkles and the books moves without any misstep. It is, as they say, impossible to put down.

The Sisters Mallone is wonderful in every way and certainly transcends any genre niche.

This takes care of Christmas presents this year.

What a wonderful and engrossing story. I could not put it down. The characters were so interesting and so well drawn. I really wish I knew them. Highly recommended.

This is a book about the ties of sisterhood. Mary, Helen and Gracie are completely different yet are bound together as sisters. They are tough and clever. When Gracie's husband is found to be a real loser, Mary and Helen put their heads together to teach him a lesson. I love these characters. The book is well written....I felt like I could have been one of the Mallone sisters.

What a wonderful book. The characters are so finely drawn and so interesting I wish I knew them. I literally couldn't put it down. Highly recommended.

I have worked in science and engineering for many years and worked on many projects. I keep this book on my bookshelf and read it every few years. It is just wonderful and well written story. I think that I have now read it three times.

It is about the construction of a building in Manhattan at 49st and 8th avenue called Worldwide Plaza. It takes the reader right from the concept through all aspects from zoning, financing, foundation work, steel erection, concrete, marble, mechanical, water leaks, leasing, everything in a nice narrative form, but not dry ...written like a novel and very entertaining.

But what is great is the way all the small problems arise and are solved between all the contractors and trades and suppliers or subcontractors including trips to visit marble suppliers in Italy, laboratories in Florida, etc. This could be problems with brick colors, or steel, or delivery schedules, or street traffic, or water leaks or even alterations to the common areas as the building is finished. It is a nice review of "Just in time" manufacturing on a large scale.

Not for everybody put near perfect for engineers! Realistic, educational, entertaining... a keeper for the bookshelf.

I watched the series with fascination and now the book. This is a great way to learn the workings of a fantastic creation and take a peek of the frustrations towards success. I've been looking for the video to purchase, but understand there are none and no plan to create one. WELL GUESS WHAT! I was looking at some old video tapes of mine when I came upon some with no labels. I popped them into the VCR and guess what....that's right...I HAVE IT!!! I guess I recorded it when PBS had it on. For more information you can contact me at tellablvr@yahoo.com

I thought this was an all around cool book. This book deals with the whole process of how a building is built, from the sight location, finances, government agencies and construction. You get just the right amount of detail, not so much that you are forcing your way through the book, but enough to really understand it. I like the flow of the book, the author keeps the pace going and you can feel the tension main of the actors are experiencing. The author has done a good job with this book, detailed and interesting. If you ever wanted to know how they build those big building then this is an introductory course.

This book is a fascinating look at the entire process of building a skyscraper. Finance, logistics, negotiation, construction, architecture... it's all here. I have one question. I believe this book was once a PBS series... does anyone know if that is available on video? If anyone has any info on that please email me at adeleanddavid@mediaone.com

I believe the author has done an excellent job of articulating the concessions and compromises made by all the parties in the development of a skycraper. To illustrate the delineation of some of the roles, responsibilities and concomitant frustrations, I quote from the book:

"In an earlier world the architect got on with the drawings. In todays world it's left much more to vendors to produce documents which the architect checks" (page 242)

"We can never work in the final medium of our art, as painters or sculptors usually do, so it's frightening to see the final thing come together being crafted by other hands than your own" (page 299)

"The architects were pretty confident that it wasn't a design fault. The masons were pretty sure that they had built the wall to specifications...The window manufacturer was fairly happy with the windows he had fabricated and shipped...for the mockup. The testing company, which had supervised building the mockup, seemed confident that all the instructions had been followed...As they all talked among themselves, rumors spread." (page 202)

The interface between the consultants, trades, vendors, managers and developer makes for interesting reading with some lessons to be learned.

IVE HEARD OF HERCULES IN NEW YORK WITH ARNOLD SWARZENEGGAR!
THAT WAS A GOOD FILM. WHEN DOES SOCRATES IN NEW YORK COME OUT?
SOCRATES IN NEW YORK? WHATS THIS?

READ THIS BOOK AT MY LOCAL COFFEESHOP. IT WAS GOOD.
THANK YOU FOR YOUR TIME.

HARRY,

I just have to say this is a must read for everyone in the world. It is a such a logical way of looking at God that if you are looking for something real and powerful to make you believe this is it. If you are a doubter then this is the book for you! It is for everyone!

The Basic plot of this story is Socrates the ancient philosopher and Philo the famous Jew come to the future and spend an afternoon in a museum. Three men discover who they are and have a conversation with them. These three men are Ron a simple man with not many belifs, Professor an intellectual man who never thinks he is wrong, and Dr. Lattison a doctor who is an athiest going through a ruff time in his life and is willing to listen to anything. These five men converse back and fourth their views on Justice, Freedom, Illusion, Love, Divine Love and Divine Justice. Socrates quickly dumbfounds Ron and is slowly getting the professor to listen but he is stubborn so he will not listen. In the end Ron becomes a man with many questions and he finally has a cause in life, it is finding the truth. Professor quits his job and goes back to school to study greek philosophy, and Dr. Lattison is converted to the Jewish faith by Philo and he eventually becomes a Rabbi years later. This book is influential to me because what Mr. Kotselas says through Socrates changed my belifs back when I believed in Anarchy. Beofre I thought this would be a boring read but I have the privallege of knowing Mr. Kotselas personally because he is my friends dad, and he convinced me to read it and i spent one and two days without sleeping reading the book five times to fully grasp it. This book taught me about myself and that I was to stubborn before and not open. Since I have reaD This book I have started going to church I became an alterserver and last year I became the lead alterserver at my parish.

This book is so fun to read that you don't realize that your brain is being twisted into proper shape. It's like going to a mental chiropractor.

Other books of interest may include: "Between Heaven and Hell" by Peter Kreeft. All of Kreeft's books are engaging in style and hearty in substance. To see the interaction between Christianity and classical culture, see "Christianity and Classical Culture" by Jaraslov Pelikan. Mortimer Adler's books are also helpful in discussing how to think about God, Life, Truth, etc. A short little book "Does God Exist?" by Moody is written in the trialogue style and is great at rejecting the silly, yet popular, arguments against God and gives the reader much to think about. In a more Christian line, the works of C.S. Lewis are great, and the classic by Bishop Kallistos Ware, "The Orthodox Way" is a great place to start if your interested in historic Christianity. "The Mystical Theology of the Eastern Church" by Vladimir Lossky will certainly reshape the old brain, too! Please check some of these out. Enjoy!

Socrates in New York was a breath of fresh air. It enables a reader of any religious or non-religious background to grasp the message contained. Modern man is no closer to the truth than the ancient philosophers, even with all the advanced technology; science still cannot prove or disprove the answers to the mysteries of the universe.

The reader will find the truth as it is written and provides some strong arguements in favor of faith, hope, and love... A clever piece of work indeed!

A must read for anyone in search of God or "Higher Power".

Being female, it's difficult for me to appreciate the full context of why the Soprano's series is so appealing to men; but it surely is. To the extent that the series reflects the lives they lead, and hence, is the art by which they are most likely to identify with the dynamics, it must be successful due to its popularity. To the extent that it doesn't, it offers the opportunity to prevent lives from having to. Either way, it's a win-win situation since the positive and negative effects can be visualized and measured on the screen rather than through the high risk performance that people must try to live through to survive. Perhaps that is the series' peculiar appeal: safety and entertainment through scrutiny of what people could construe as dangerous territory involving dangerous people. To the extent that it measures a code of justice not often available to people on the outside, it serves to make the world a safer place because of its portrayals.

It's a book that contains five scripts of the best show on TV. It's more than just a TV show, it's a cultural event. It captures the modern day mafia in a brilliant, clever, dramatic, and often times funny way. If You are an inspiring writer, wishing to find a good book for form, or seeking a great work to emulate, then this is the book for You...

I bought this for my son because he is a huge Sopranos fan. However, I snatched it away from him and had a great time reviewing the scripts.
When you watch the show, the dialogue is often lost or ignored because the viewer tends to be caught up in the action. By having a script handy, you get a chance to analyze the writing style. While the plots have a great deal to do with the show's ultimate popularity, the crisp and effective dialogue which remains true to each character's development is equally important.
If you are interested in learning how to write for tv or movies, the scripts are great to analyze.

I've been waiting for the screen plays to be released ever since seeing the first season of THE SOPRANOS. The only draw back is the print doesn't seem dark enough. I hope it won't fade quickly. That said, it's still a great book and would make a wonderful gift to any hardcore fan of the show. Keep your fingers crossed that other scripts will soon follow.

The big irony is that when you read "The Sopranos: Selected Scripts from Three Seasons" expecting to have increased respect for the writers, what you come away with is even greater respect for the actors. I like to look over scripts of favorite television shows, not just to see what was changed, deleted or added to what eventually aired, but to enjoy the stage directions, where the writers work in all sorts of fun and telling details. However, compared to most other television scripts David Chase and company do not provide a lot of extra tips (neither did Shakespeare, come to think of it). Consequently, the chief attraction here for fans of the shows ends up being the dialogue that never made it to the screen along with the introduction by Chase.

Of course the introduction is insightful, albeit relatively short, as Chase talks about the creative and casting process. I particularly liked the part when he explains the multiple strands that comprise each episode (a rule clearly violated by the "College" script, which only has two) and the process by which "Soprano" scripts are written. The results are the "final" (i.e., shooting) scripts, and why the title page of each episode lists the various revisions (blue for 1st, pink for 2nd, yellow for 3rd, etc.). Unfortunately, unlike some other script collections, there are not any notations on the pages to indicate what color they are; I admit, I am curious as to what pages make it from the first draft all the way through production.

For selecting only five scripts from the first three seasons of "The Sopranos," this collection does a nice job. You have to have the "Pilot" episode and "College" is clearly the most memorable show from the first season. "The Happy Wanderer" is another pivotal episode in the show's history and "The Knight in White Satin Armor" contains one of the biggest surprises. "Pine Barrens" represents a prime example of the comic extremes of which the show is capable. So I have no complaints given the collective results. The final comment would be that it is interesting to read hour-long television scripts without teasers and four acts; just another reason to applaud HBO's efforts in this area. So, where is the script collection for "Six Feet Under"?

The Stonewall Riots of June 28-July 3, 1969, following a police raid on an illegal, mafia-owned gay bar in New York's Greenwich Village, mark the decisive turning point in gay American history. The unprecedented uprising has taken on mythic dimension over the succeeding 35 years. Author and eyewitness Edmund White has compared Stonewall to the storming of the Bastille in 1789. Community lore has focused on colorful aspects of the melee, like the wresting of a parking meter from a sidewalk for use as a battering ram against police, the contemporaneous passing of Judy Garland, and the Rockette-style street theater participants used as a campy rebuke to the authorities. Yet given a lack of narrative detail about the events of the riots, Stonewall has become a metaphor for gay liberation while remaining vaguely understood.

Previous accounts of Stonewall, in the gay and mainstream press, and in Martin Duberman's 1992 book Stonewall, have suffered from the paucity of the historical record of the riots themselves. There is no film of the riots, and only one "frontline" picture survives from the critical night of June 28, 1969. Moreover the Sheridan Square area of New York where the riot was centered affords few vantage points from which crowd activity could be seen in overview. The insignificant press items from the time are bias-ridden and controverted in key particulars. Reconstruction would be impossible since the police lost the initiative soon after the raid, and there was no gay guerilla leader orchestrating the assault from "our " side according to some strategic plan. Given the dearth of historical data, the feature film Stonewall purported merely to be one queen's story, and is fictionalized at that.

Eyewitness accounts--though each is spotty considered in isolation--remain the primary information source about the Stonewall Riots themselves, while context of time and place help fill in interstitial detail. David Carter's masterful study, Stonewall: The Riots That Sparked the Gay Revolution, researched painstakingly over a ten-year period, has finally exhausted the store of information to be had about those climatic nights in 1969. Interviewing over 40 eyewitnesses and carefully analyzing the times and the milieu of Greenwich Village, where he lives, Carter has produced the first work that can be considered a comprehensive factual rendering of the Stonewall phenomenon. With so many witness accounts to work with he is able to sketch a breathtaking overview in his synthesis. Even with the scholarly pedigree the book is lively, readable, and at times downright fascinating.

The Stonewall Inn filled a unique niche in the gay scene of the time. Carter's witness accounts stress the centrality of dance to gay experience and interaction at the club. He theorizes that unfettered same-sex dancing to the music then-popular--a rarity at the time--created a unique social environment distinguishing the Stonewall and giving it its principal draw. Some observers saw a nascent gay tribal impulse incubating amidst the lights, sound, motion, and sensation--that group instinct subsequently animating the invisible hand that coalesced and coordinated the feverish gay assault on abusive law enforcement.

Carter has written what is sure to become the definitive history of the seminal event in the gay, lesbian, bisexual, and transgender struggle for civil rights and liberation. Both scholarly and highly readable, the book deserves attention from all who have benefited from the historical events Carter so faithfully recounts.

I thought this book was excellent. It read like fiction, and was a real page turner. The book was unbelievably well researched, and I enjoyed very much reading about this critical turning point in history. My only query to the author is this: (as Marty Robinson's niece), why didn't you contact any of his family members? You did all of this amazing research... yet missed pieces of the puzzle by failing to contact those who new him in a way that others didn't. I wonder if you did the same with other central heroes in the book... Otherwise, I think this book should be required reading in every high school history class. Bravo.

The Stonewall riots, beginning on June 27, 1969, in and around the Stonewall Inn in lower Manhattan, are pivotal at least in memory because they galvanized the gay liberation movement, which in the last generation has profoundly altered social attitudes toward gays and lesbians. The story is therefore well worth telling in itself, and particularly so since the original event has gradually become the subject of legend; further, the number of eyewitnesses who still survive is now beginning to dwindle.

Carter's narrative is very wide sweeping, particularly as to the background of the riots: the extensive persecution of gays in the 1950s and 1960s both nation-wide and in New York; the emergence of seedy Mafia-owned bars, such as the Stonewall, as a place of refuge; the incipient pre-Stonewall gay rights coalitions in New York and in San Francisco and Los Angeles; and so on. But Carter is also extremely sensitive to the individual stories of gays who migrated to large cities seeking at least a measure of freedom.

Carter's narrative, particularly of the riots, is not at all triumphalistic, nor is it weighted unfairly against the police and city authorities (who, even on the most neutral account, do not come off well). Often the narrative disintegrates into short bursts of conflicting story-telling from various viewpoints, but this just feeds the excitement. It is a very powerful saga, and Carter tells it well.

This book was helpful to me even though I lived through the riots; like many others, I'd bought into much of the false mythology about what happened that night. But it will be especially attractive to anyone who came of age after 1969, and who wants to know something about what the pre-Stonewall era is like. Just one small sample, from page 117: in 1968 a gay activist named Leo Laurence "had a picture of himself and his lover, Gale Whittington, with the latter shirtless and Laurence embracing him, published in the Barb [of Berkeley, CA]. Gale, who worked as an accounting clerk at the States Steamphip Line, was immediately fired from his job." That is very much how things once were.

This book reads like a novel; it is compelling and moving and cries out to be turned into a PBS/ David Burns special. An excellent history and a fascinating insight into how much has changed in 40 years.

While the title of the book is, of course, STONEWALL, and a large portion of the book is devoted to an almost minute-by-minute account of the fabled riots, Carter also takes considerable care in detailing all of the many contributing factors that led to the revolt against the police (debunking the ludicrous "because Judy Garland died" myth in the process) as well as the activism of several newly-founded gay groups that resulted from the action. The book is meticulously researched and footnoted and should stand as the definitive account of the subject for a good length of time to come. It took Carter ten years to write the book; it was ten years well spent.