California Books

Second books many times disappoint. This doesn't. Fast and slick, with a few twists, this satisfies. As long as there is Hollywood, and the author has his contacts, the material will be there. See you again.

I don't know if it is because we have already gotten to know the characters in Karp's world, or he turned it up a notch but this installment in the Lomax & Biggs series is a step above the first. I loved "Rabbit Factory" but this one was funnier, more convoluted, and gripping to the last. I finished it in less than 12 hours. I could not put it down. Get it, read it, love it.

They're back!!! Just as funny and irreverant as before. This book may not be as long but it is just as good. I have to keep starting over because I end up giving everything away. So this will be a short review and I guess the best review would be when is the next book coming out! I was unable to put the book down once started. Enjoy a great read.

Oh, and be sure to read the "RABBIT FACTORY" first to get an insight into the characters.

Better than Rabbit Factory which also was a lot of fun!! Very fast moving with Karp's quick whit and a great storyline. Can't wait for the next in the series.

With first novels, authors have as many months or years as they desire to hone their work, polishing every phrase and plot twist until it truly shines. When authoring a series--which normally publish at least one title per year--there is often a marked drop in quality when the second novel comes around, owing to the shortened time in which the author has to create the next adventure.

Bloodthirsty, the second and latest in Marshall Karp's series of Lomax and Biggs novels, is that rare second novel that is as impressive as the first. The Rabbit Factory, the witty and winning first entry in the series (now in paperback), traversed a roomy 700-plus pages to spin its addictive spell of murder, intrigue, and comedy. By contrast, Bloodthirsty is a comparatively modest 425 pages, with nary a wasted word or phrase. Karp so successfully populated his first book with memorable and worthy characters that in this work a simple word or phrase illuminates a new facet to their personalities that lesser authors might spend pages to accomplish. It is comforting to read a mystery written by a new master: You never fear an improbable ending, a character who behaves contrary to his previously-delineated nature, or some grand deus ex machina which brings your reading pleasure to a grinding halt. Karp plays fair, but he plays for keeps.

Detectives Lomax and Biggs, destined to join the pantheon of both great detective and great comedic duos, return again. Their quarry's victims are completely drained of blood, and the drainees run the gamut from minor drug kingpins to Hollywood royalty. Despite the gruesome nature of the crimes, Karp writes compellingly fiction without resorting to stomach-turning, CSI-style theatrics; he's not genteel, just not needlessly graphic. As the killings spread through Hollywood, Lomax and Biggs spar and parry their way through the Hollywood Hills, never dispensing with solid detective work for the sake of a good joke. These are real detectives, really serious about their work, but not so serious about life. They are a joy.

I would have enjoyed spending more time with Lomax's late wife--as we did in The Rabbit Factory--but that is a minor quibble in a work populated with so many people you'd love to know better. There will be no further synopsis here: To tell you more would attenuate the thrills found in the fine pages of this novel. Suffice it to say that the largest mystery in this series in never really answered: Where has Marshall Karp been all these years?

Fat City by Leonard Gardner is a singular masterpiece of modern American literature. I was introduced to the book by the John Houston film of 1972 which in its own right is a work of wonder.

Gardner, who has regrettably not written another novel since, tells the story of an over-the-hill boxer in Stockton, California, his brief affair with an alcoholic woman, and the last chance he is given at a bout. In a spare, flawless prose, the novelist depicts the starkness of this life which unfolds in cheap hotel rooms and bars, in third-rate boxing arenas and in the agrarian fields where he has to work as a picker to eke out a living. A scene of onion picking is often cited as an example of supple, kinetic writing at its best.

By being so specific and immersing the reader in this small world, the author manages to make devastating statements about the mercilessness of American life and even the ultimate futility of life's many struggles.

As the veteran boxer mentors a young contender who is getting married and starting his own life, the reader is given every reason to believe that the travesty is open-ended.

Fat City is a short book, so I'll write a short review. You can get a plot synopsis from the other reviewers. This is high-quality noir territory. It is 180 pages of boxing, booze, lousy jobs, poisoned relationships, and flophouse squalor. It perfectly captures the characters' desperation and hopelessness. If you are looking for a tough, lean, gritty read, then look no farther.

Fat city is a book that took place in Stockton California in the 1950's that follows the broken lives of several men who are brought together from boxing. This book is written by Leonard Gardner, a boxer himself during the 1950's. As you read through the pages a story of the lives of different men unfolds.
Billy Tully is an out of shape boxer who gave everything up because of long losing streak and the painful divorce with his wife. Living off of almost nothing he decides he wants to go back and try to fight. While training he meets a young boy named Ernie Munger who has a natural talent for boxing. Ernie wants to be a boxer so bad that he trains day and night letting nothing get in his way. In the middle of his career he gets his girlfriend pregnant but tries his hardest to stay in the life of boxing. While following the characters in their lives this book goes though the struggle of each man and illustrates how they react to their failures. In this story the women are the cause of problems between all of the unhappy boxers; a problem that cannot be fixed.
Some chapters in the story are dedicated to small parts of other men's lives such as the trainer and the opponent, letting you understand the story from both sides. Although these men are brought together by boxing the book is about these men doing what they can do to survive. From boxing to farming this book accurately covers the actions taken to survive. Although the book can be slow at parts over all it is a quick read.

I read Fat City sometime in the mid-sixties, when it was first published, and was immediately captivated and envious of Gardner's powerful style and talent. If you appreciate and admire Hemingway or Steinbeck you will likely feel the same about Gardner, who, unfortunately, has not published anything since. Perhaps this small gem of a book was the only one he had in him. Even so, this novel is a remarkable accomplishment and may well become an American classic. What intrigues me the most in this work is that Gardner gets it all down right--the sights and smells and sounds of the seedy streets and flophouses; the drifters and dingy diners; the sweaty gyms, barsweeps and whores and how it is to work as a stoop-laborer in the fields, especially the true-to-life characters inhabiting the pages. Fat City is simply a well-crafted execution of art throughout and is as pleasurable to read now as when I first picked it up years ago.

Short novel, published in 1969, about two boxers, Billy Tully, who is 29 and down and out, and Ernie Mugger, who is 18 and up and coming, two versions of the same man, in some respects. Terrific skilled prose, short chapters, switching points of view between these two main characters and an assortment of other minor characters. The author takes you inside the characters' deepest despair or elation. How simple the author makes it look, one thinks, reading this book. But of course it is not. The prose is precise and honed, and looks easy only after who knows how many drafts. There are only 18 or 19 short chapters, and much of the novel is dialogue. But somehow one comes away with a panoramic view of Stockton, California, this woeful place, and the people the inhabit it - the immigrant fruit pickers, the bartenders and bar girls, the hobos on the street. The descriptions are compact and dead-on. About Billy Tully's hotel room: "All his neighbors had lung trouble." One could quote sentences from this book almost at will, the prose is so spare and perfect.

That the author never published another book, and that this was his first, is incredible. To write this cleanly and confidently, he must have practiced and studied for years. Yet to never do it again.

This is an ok effort by Ms. Goldstein but unfortunately the recipes don't quite result in the amazing flavors that Georgian cuisine is known for. Perhaps it is Ms. Goldstein's substitutions of less authentic ingredients as some ingredients in the "real" dish are hard to find. Perhaps it is something else. (Her "adjika" is REALLY bad/wrong for instance....)

OK book if you want an idea of what Georgian cuisine is like. Not good if you REALLY want the real thing...

This is a marvelous, utterly authentic encyclopedia of Georgian cooking. I tried some of the recipes before leaving for Georgia in summer 2006, and they were great, and gave me a good idea of what to expect. Once in Georgia, the book was an invaluable reference that I constantly turned to whenever I tried something new. Just about *everything* I had is in here, along with many things I didn't get around to sampling.

This book also helped me learn the correct Georgian names for the dishes and many of the ingredients. A significant portion of the book is devoted to providing cultural background on Georgia and Georgian food, such the elaborate rules for a _tamada_, or Georgian toastmaster. With its charming photos of representative paintings scattered generously throughout its pages, it also made me a Pirosmani fan, and better able to appreciate the originals when I saw them for myself.

Most importantly, as the other reviewers say, the recipes *work*. We just made the potato salad with walnut paste (p. 172), and it was delectable. Other dishes we have tried and like include tomato soup with walnuts and vermicelli (p. 73) and green beans with egg (p. 130). Pkhali was one of my favorite dishes in Georgia, and I'm glad to have the recipe for when I get around to making it myself. There is a recipe for beets with cherry sauce, a dish a travel companion had tried but that even some of our Georgian hosts weren't familiar with. For the few recipes that seem to be missing from this book, like eggplant with walnut paste, try Please to the Table: The Russian Cookbook, another excellent collection of delicious recipes from all the former Soviet republics.

_The Georgian Feast_ is well worth having even if you don't eat meat - many of the recipes are completely vegetarian. This book is a real treasure.

I've already written a review of this great book. I have only one suggestion: the basic khmeli suneli recipe can be augmented further to reach the authentic smell and taste. The wikipedia article on khmeli suneli has additional ingredients that can be added to the recipe. I tried that, about 2 teaspoons of each ingredient that's not already in Darra's recipe (less for black and chili pepper), and it came closer to the authentic smell and taste. I think the author of the wikipedia article might have meant safflower (marigold) instead of saffron though, so I didn't add that.

As someone who was born and grew up in Tbilisi, I was very happy to find this book -- it captures all of my favorite recipes, and when I prepare them according to this book, they taste just like my grandma's cooking.

More than just a recipe book, this is also an exploration into the rich history and culture of Georgia, and how the history shaped the cuisine. I suggest this book to everyone who would like to add some interesting preparations to their cooking. For vegetarians, Georgians have plenty of healthful and filling ways to prepare veggies and beans, and also some mouth watering sauces that will enliven any dish (veg or not).

I enjoy this book both as a cook book, and as a historical book!

I gave this book to a Georgian and she loved it. It had all the dishes she had eatten as a child. If your looking for a book to fill in any missing recipes this is the book for you.

One of the greatest books ever written.

Also the kind of service / support rendered by Amazon, when the first copy did not reach me, was truly touching and amazing. Within a fortnight of not having received the original book sent to me, I had the book finally in my hands ! Great customer service.

For all the great technological magic of our age we suffer the misfortune of living in a time where the depth of hyperbole rends the edge from language leaving us bereft when the time comes to describe something truly remarkable. Thus to say that John Woods' translation of Thomas Mann's Joseph and His Brothers offers readers a gift of almost indescribable value may leave one wondering if I am making a literally true statement or simply wallowing in the common puff of our day. In this case the latter is the case for Mr. Woods' translation of Mann's great opus offers the reader an experience both challenging and sublime.

Readers unfamiliar with Mann's work may feel a sense of vertigo beginning this even more than his other works. Much of the style of narration, unique with its perspective shifting through time, seems almost purposely designed to leave one doubting their footing. Increasing the sense of dread is the books sheer heft, with over 1500 pages of small type and weighing in at almost two and half pounds. Yet those brave souls who resist the temptation to lay down this load in favor of a more easily digested work will come to in the end appreciate the feast to come. Mann's work rests on its own unique rhythm, and once the reader grows acclimated they will surely appreciate both the work and the great skill of Mr. Wood as translator. This series of four novels expounding on the biblical tale of Jacob, his son of Joseph of the famous robe, as well as his brothers, often comes when people engage in the entertaining and fruitless parlor game of determining the greatest literary work of the 20th century. While no single work can claim such a title, the complexity of the work and the Herculean task of translation should be evident that this is only the second instance of its translation into English in the more than 60 years since it first appeared.

Beyond simply outlining the work's subject matter, in many ways it seems written with the express intent of defying further description. With a complex web of interrelated stories, occasionally taking subjects that the bible reflects on for only a sentence and expanded on them for a hundred pages and at the same time seeking to place this seminal tale in its religious, historic, and cultural context, the work often leaves the reader gasping at the audacity of Man's enterprise. Yet almost every one of his efforts comes as a remarkable success, leaving one much to ponder. Indeed, any expectation that one can rush through this work will surely leave you with only a headache and little to show for the effort. Instead, one must take their time and slowly chew on Joseph and His Brother's digesting each piece in turn. Like many great works this one takes effort and diligence, but the reward comes as more than just bragging rights for having read it. Far more, it will offer an often eye opening new perspective and beckon from the book shelf to be taken down again so that you may reread this section or that.

One last point: to end where I began, Mann's attention to detail and word choice often gives pause, making each of us consider the harm done when we rain down words on a subject when a mere drop would do.

The new translation of Joseph and His Brothers is beautiful, as is the novel. Yes, it's long--about 1500 pages--but it's worth all the time it takes to read. Perhaps this isn't the place to start, if you haven't read Mann before, but if you already admire his work, you're going to love this book.

This isn't really about Joseph and his brothers, but about his father, Jacob. An amazing achievement, taking the bare bones of the biblical story and adding research from Judaism and Egyptian and Near East mythologies and oral histories. Plus Mann went to the land covered in these histories to see it for himself. There is an ironic, slightly satirical tone which surprised me - I thought it would be so religious - not at all. He made everything matter-of-fact and plausible and made the biblical characters come alive as real people, always adding the small details of their way of life then. Jacob seems such a sympathetic man, as Rachel does a woman, but Joseph comes off as a tattle tale, and there is the one line in the bible to support this as in everything of which Mann writes. Such a sad and touching ending to this first book.

Anyone who has read my Listmania "Escape Mass Market Fiction" knows that I touted this novel (tertrology actually) as having ".... the most exquisite language since Shakespeare". But it is truly beyond that. After 30 years and over 3,000 books read I can affirm that there simply has been no greater work of fiction produced in any century by man or woman. One of the reviewers for the Lowe-Porter translation was dead-on saying you keep wanting to go back and reread the last 20 pages you managed to finish just to savor the experience. Original editions are a little rare and expensive, but, like any treasure, it's rewards are transcendental, and once read, you can consider yourself part of the most esoteric world of the true literati. NOTE-- Beginners who are easily scared off and prefer to sample before committing might want to skip the Preludes and go straight to the main chapters.

John Muir Law's Guide to hiking in the Sierra Nevada is lush with his artistic renditions of all you might see, and want to identify, as you hike this area. Small enough to carry in your back pack, but chock full of helpful information.

I have at least 10 books specifically on Sierra wildflowers and several field guides. This is the best all-in-one book. It's not too heavy for me to carry on a day hike.

Janice
in the Sierra

This book is stunning!..Beautiful artwork by the author as well as meaningful interpretations of wild life. The author is a gift to natural books as well as his art!

This book is amazing. With all the different species of life.
I'm going to keep it in my car. Some times when we're driving; my husband will say "what kind of bird was that" or "what kind of flower".
It's very imformative and very handy.
Thank you

This field guide is perfect for the hiker and camper or general nature lover who lives near the Sierra Mountain range in central California or who intends to vist that region. The authur has drawn almost all of the animal, flowers,insect and bird life to be found in the Western and eastern Sierra mountain range in beautful color by hand. To identify the various life forms you simply look under the various topies and you no doubt will ID that strange bug or plant. You can trust the author and his work is among the best selling of the genre. This is one of the most readable guides to life in the Sierra's and the artwork is first rate. This little guide is perfect for the rucksack crowd in terms of size and weight. This guide has limited written commitary as the artwork is the key to this field guide. This is a well-designed book, making for effortless page-turning and the writer/artist really get into the detail of the creatures shown. You will enjoy your quick hike much more and will have a dramatic change of atmosphere as you reference the life surrounding you in these mountains of great beauty. I recommend this guide highly.

Author Carol Pogash does something miraculous: she reinvents the true crime genre to such a degree that other authors will find it difficult to match her! From the first page to the last, you're riveted to this real life drama of a psychotic and dangerous woman--Susan Polk--who butchered her husband--and then tried to blame it on that favorite alibi of many female killers: the battered wife syndrome. We first find Susan Polk puttering around her kitchen while the body of her psychologist husband rests in a river of blood in the nearby pool house where she forced him to live. She waits for one of her sons, Gabe, to find the corpse and then shows no emotion when her son tells her the news. With this introduction, you're led through their lives in fascinating detail--from Susan's mentally disturbed childhood up to the reasons she finally decided to murder her husband. Pogash creates each of the leading characters in colorful detail--and you're taken through the various psychological fads--such as the satanic child abuse craze of the 70s and then through the repressed memory cycle. Susan threw herself into each of these crazes--first, convinced that somehow that one of her sons was abused in satanic rituals. Then she was convinced through repressed memory that her husband, Felix, had hynoptized her and used drugs to seduce her as a teenager aganst her will. She became convinced he was a Mossad agent of death and that he knew 9/11 was going to happen. Yet, she's shown as being aggressively involved in the seduction of Felix. Pogash then goes into an even more fascinating part of this saga by covering the murder trial of Susan Polk. You're introduced to the attorneys, the witnesses and the courtroom junkies. Susan ends up representing herself and her madness is now seen by the public and jurors. Her bizarre courtroom antics--laughing, crying and shrieking at the prosecutor and judge--turned her case into a circus sideshow. While she claims to have been severely abused as a wife, you realize that her poor husband was forced to live in the pool house and was terrified of this woman. Yet, until the end, Felix told people how much he still loved her-even after she warned him that she was returning from a vacation in Montana with a shotgun and that she was going to kill him. This is what is so mystifying about this man. Even after continual threats against his life by his wife, he refused to move out and proclaimed his great love for this woman who now hated him. During the trial, one son, Eli, never wavered in defending his killer Mother. Two other sons depicted her as evil, psychotic and a relentless trouble-maker both in their home and to the neighbors and school staffs. I dreaded coming to the end of this book because it was so brilliantly written. Bravo to the author for breathing new life into the true crime genre which, unfortuntately, consists of too many books that are badly written and consist of nothing more than a cut-and-paste job by hack writers.

"Seduced by Madness" is the biography of Susan Polk, who stabbed her psychologist husband to death one night.

This book raises as many questions as it answers, and many of them are troubling questions indeed. Susan Polk became the patient of the wealthy and well respected Felix Polk when she was 14. By 18 they were lovers, and shortly after, married.

How could Felix have seduced his young patient? In the late 60s, close relationships between patients and therapists were not considered immoral.

How could Felix have wanted to marry a woman so clearly troubled? Soon Susan convinced Felix to see satanic abuse everywhere. Susan and Felix were convinced that their sons had suffered abuse from a vast satanic cult that was nationwide and killed babies and children in sacrifice to their dark god.

Later, Susan and Felix were part of the craze for recovered memories, another fad in the therapy movement. Susan eventually believed she had recovered a memory of being drugged and raped by Felix when she was 14. But then, she also thought Felix was a Mossad agent who had known about 9/11 before it happened.

Susan was delusional, clearly. But how much? Was she able to tell right from wrong? And why, why was her husband so in love with a woman so flawed? When she kept threatening to kill him, why didn't he run away? Why did he become so involved in her delusions? And what does it say about the field of psychology that it went from one fad after another, and that one of its most respected therapists had a family life most people would call insane?

A fascinating read.

Carol Pogash's SEDUCED BY MADNESS chronicles the relatively well known case of the murder of psychologist Felix Polk by his wife Susan. Pogash's book begins with the childhoods of Felix and Susan, the twisted beginning of their relationship, the births of their three sons, and the dysfunctional life of the family up to and including Felix's murder.
The family breadwinner was an emotionally flawed Felix, who, while he appears to have been a good and loving father and husband, fatally poisoned the marriage, which took place when Susan was around 20 and Felix around 45, by initiating a sexual relationship with Susan when she was a teenager and his patient.
Their three sons were the victims of an upbringing which consisted of basically Susan, who - for example - encouraged her children not to attend school as, in her own mind, no one was really competent to care for or teach her children except herself.
And then there was Susan. Susan is shown to be a cultured, literate, and extremely intelligent woman who was also manipulative, vindictive, socially strange, in many ways unpleasant, and increasingly paranoid and delusional. If Felix provided the financial support - Susan never worked -Susan was, in an interesting role reversal, the family's psychological leader - the one who set the tone of the family's life - while Felix pretty much went along with whatever her agenda was at any given time and while the boys, whom Susan totally loved, were raised in an environment which was, like Susan, askew like a mildly distorting fun house mirror.

The last half of the book recounts the most bizarre trial you will ever read about, pitting DA Paul Sequeira against Susan Polk who was not a lawyer but chose, since she was convinced no one was smarter than she was, to defend herself. I generally feel that, with occasional exceptions, trial segments of true crime books are among the most boring. However the trial is one of the major components in the Susan Polk saga. Many of the true crime writing mediocrity, the rush to printers, would write this section by, for all intents and purposes, copying the trial transcript. I am happy to report that Pogash does not do this. It is in this case mandatory to provide the reader with a detailed account of the trial while being a writer rather than a copier, and Pogash handles it beautifully.

Carol Pogash clearly set out to write an outstanding book, and she has succeeded. The research is exhaustive and impeccable, the writing is crisp and intelligent, and the tone and feel of the book are adult and literate. There are no false steps, no insertion of the author's asides and comments (an increasingly unfortunate occurence among the hacks who litter the true crime landscape) and no filler.

You won't find true crime better than SEDUCED BY MADNESS. I recommend it unreservedly.

I had to put it down...but only because I did not want to reach the end of this book. The prose by the author is so far above what one typically finds in the true crime or courtroom drama genres. Ms. Pogash has a depth to her writing style that was so compelling I found myself marveling at nearly every sentence. When the superb writing is coupled with the intriguing story of life at the Polk house, the reader is left with a feeling of knowing the parties involved, and even caring about each and every one of them. It was clear to me from watching the news reports during the trial that Susan Polk is a fascinating yet complex and difficult woman. Felix Polk was equally enigmatic. The descriptions of Dr. Polk were interesting to anyone who lived in Northern California during the 1960's and 1970's, especially those who had any contact with the psychotherapeutic community. Felix's professional endeavors exemplified that era and his lack of professional boundaries was never updated or modified to meet current standards (right up until his death). When you read Seduced By Madness, it's like watching sausage being made. The path, the events and the results all make sense, but it feels like something you should not be privy to, and yet you will not want to stop. I cannot recommend this book highly enough.

This story illustrates the old axiom that truth is stranger than fiction. The fascinating tale has so many bizarre twists and turns that one cannot help but be transfixed. Susan Polk begins seeing her therapist at age 15, marries the much older man a few years later, and a quarter of a century later stabs him 27 times, leaving him in a pool of blood in the pool house of the family's luxurious estate.

In between these bookends, journalist Carol Pogash tells the story of Susan Polk's deepening personal madness embedded in the cultural madness of the psychotherapy world of the 1960s and 1970s in Berkeley, where therapist-patient sex was tolerated, psychodrama and EST were the treatments du jour, and cocaine use was rampant. The Polks even crusaded against mythical Satanic ritual abusers, claiming that their eldest son Adam had been kidnapped, raped, and made into a multiple personality. And if all that isn't enough, we've got exorcisms, psychics, and repressed memory claims.

Pogash's rendition of the four-month trial is a riveting page-turner. Susan Polk fired attorney after attorney and ended up representing herself. On center stage, the intelligent but delusional defendant demonstrated a stunning ability to "take any set of facts and mold a story where she was both victim and hero." It is painful to read about her brutal cross-examination of two of her three sons. Pogash chronicles the Freudian slips that give glimpses into her pathology, as she called her dead husband her father and her favored middle son her husband.

I am intrigued to ponder how Ms. Polk's trial outcome might have been different if it came after the U.S. Supreme Court ruling of June 19, 2008, in Illinois v. Edwards. Now, a mentally ill defendant may be barred from representing herself if she is delusional to the point that she is unable to effectively represent her best interests. (For my report on the Edwards case, type shurl.org/insane into your browser's address bar.) Perhaps that will be grounds for appeal of her second-degree murder conviction?

From the point of view of a forensic psychologist, I especially appreciated the depictions of the expert testimony. We had the cagey forensic pathologist who disappeared in the middle of the trial when the judge insisted he produce his files, and the seasoned psychologist who testified for the defense, based mainly on what Ms. Polk had told her and without benefit of any formal psychological testing, that the defendant was a battered woman who suffered from Posttraumatic Stress Disorder.

I thought Pogash remained remarkably balanced and fair in her reporting, especially as compared to many pundits who flock to the true-crime genre. Being personally acquainted with upwards of a dozen of the participants whom she included in her account, I can say that by and large she portrayed them accurately and fairly.

Seduced by Madness is a riveting page-turner, a fascinating history, and a fair and balanced portrayal of a high-profile trial that shined a spotlight on one family's dark pathos. I recommend it.

Donald W. Engels book is chock full of logistical details that any serious student of Alexander The Great would need, to undertake an in-depth study of the logistical needs of this great general. Personally, I believe Alexander The Great was the greatest commander on the battlefield and his success is due in no small part to his exceptional understanding of the logistics necessary for his army to conquer the ancient world. He learned his craft under the able tutelage of his father, Philip of Macedon. Philip saw in his son the genius he had for organization and entrusted his logistical planning to his son while he was in his late teens. I guess a classical education provided by Aristotle didn't hurt him!

Engels book solves Alexander's logistical challenges by using the relationship of time, distance, geography, climate and the nutritional needs of his army. He uses ancient historical sources as well as recent archaeological work to fill in the many blanks that had been plaguing students of Alexander's conquests for years. One of the great facts that Engels points out is that Alexander used very few pack animals since they needed too much food and water. He used men instead to move his army, which made it lighter and faster. The statistical tables, maps and appendices alone make this a most worthwhile book. Had Field Marshall Rommell had access to Engels work he might have not allowed his lack of logistics defeat his strategy, thank G-d the book wasn't available to him!

This is the consummate work for understanding the logistics of ancient warfare. No serious student of Alexander The Great can be without this book. Being that I am a retired U. S. Army Major, I recommend this book to anyone who is interested in ancient warfare, and history.

i would recommend this book to anyone who is interested in military strategy or ancient history. i read it in a day because i simply could not put it down. engels provides a case for alexander's movements based on what is logistically possible through the movement of troops and supplies. well researched (he pulls from sources as diverse as ancient greek text and us. army records), the book opened my eyes to what warfare in those days must truely entail.

this is not an introductory book on alexander's campaigns, however. the author assumes you have good knowledge of what the pervailing theories are of the routes that he took, and doesn't waste time explaining details that might not be known to someone who hasn't already read and studied this time period.

Engel's little book is one the best investigations into the effects of logistical factors on warfare that I've ever read. Reducing the energy needs of any body of men and animals to a formula,applying logical constraints to deductions about the movement and function of these groups, and by rigorous historical investigation into the geography, history and climate of the relevant places involved, Engels picked out the motivations and concerns of Alexander (and his enemies) as he marched across the shuddering corpse of the Persian Empire.

Don't be put off by the implied technical details above. This is a very readable book, a story, even. It's one of my favourite reads. Engel's conjectures are thought provoking, but always backed up by hard evidence. Anyone studying warfare in any time prior to the modern period (where trains and the internal combustion engine changed everything) needs to read this book to understand how things worked.

Alexander's logistics management during his unprecedented (and unmatched) military campaign is something that's easily overlooked considering the reams of books about virtually everything else about Alexander. But this seemingly mundane subject matter turns out to be one of the most fascinating aspects of Alexander's truly multi-faceted genius. This book provides a great insight in layman's terms of what it was like to manage a campaigning army of approximately 50,000 plus followers (engineers, doctors, cooks, entertainers, scientists, craftsmen, servants, etc.) of around another 15,000 people and at least 10,000 horses and mules. It's easy to just throw down the numbers and do the calculations, but it's another thing to imagine the logistics involved in procuring the food, water, and other resources to keep the army moving at a swift pace of 35~40 miles per day.

Engels does a great job of helping the reader visualize the enormity of the logistics problems involved and how they were tackled by Alexander as he and his army marched through Asia. Alexander was a very hands-on kind of a leader who was involved in the minute details of logistics operations when necessary but did so without getting into micro-managing those underneath him. Alexander knew every aspect of his army inside and out and lived like a common solider, which is what truly endeared his soldiers to him with fervent loyalty. This book provides great insight into an aspect of Alexander that some will ponder about but never bother to delve into. How did Alexander lead such a huge army and a supporting contingent over 22,000 miles of extremely difficult terrain and environments? This book goes a long way in answering that question.

This is a very illuminating book on the supply and logistical challenges that Alexander the Great had to overcome in his numerous brilliant and successful campaigns. Donald Engels's book is unique in that it focuses on an area that many authors either takes for granted or pay scant attention to, yet it is an integral and critical part of any successful military campaign.

The book contains some important lessons for all commanders today on the critical importance of logistics to sustain an army and ensure that it is well supplied and that troops remain motivated. The book shows how Alexander's intimate knowledge and understanding of terrain, geography, weather, seasons, sources of provisions and accessibility of routes enabled him to expertly solve the various logistical challenges thus ensuring his decisive victories. The immensity of the calculations that he had to make, the numerous permutations that had to be taken into account with respect to factors such as speed of troop movement, water and food requirements for people and animals as well as the weapons and ammunition shows really how capable Alexander and his staff were.

The book thus authoritatively highlights the fact that Alexander's genius for effective logistical system played an essential part in complementing his brilliant tactical skills and leadership acumen. After reading this book, you can make sense of why Alexander made certain decisions as supply and logistics severely restricts where an army can go, its speed, rest periods, how long it can stay at any given place, the number of soldiers that can be accommodated as well as methods of transport and supply, among other things.

Having read this book, one can really appreciate with awe just how great Alexander was to wage brilliantly successful campaigns in distant and remote lands, such as Persia and India, when the ancient means of transport and supply were poor and inefficient. It took methodical, detailed and thoughtful planning and Alexander's sharp intellect to put it all well together.

All the Live Little Things began the golden era of Wallace Stegner's writing career. Finding the right voice in a first person narrative, he followed this beautiful novel with Angle of Repose, The Spectator Bird and Crossing to Safety; all are highly acclaimed.
In All the Live Little Things Stegner brings to the page a great deal of raw material from his life. The character of Marian was a composite of friends who had died of cancer, Peck was a composite of the 60s "beatnik", which in real life caused Stegner to retire from teaching and devote his time fully to writing. The callousness of Dave Weld's bulldozing on virgin land reflected the author's long term concern for the environment. His beautiful description of nature throughout the novel, and use of nature as a learning tool, expressed his life-long love and dedication to the American West. Even Joe and Ruth Allston were drawn from the real life marriage of Wallace and Mary Stegner. This matrimonial understanding and bliss is reflected in the opening page of the recently published "Selected Letters of Wallace Stegner":
What does more to stay us and keep our backbones stiff while the
world reels than the sense that we are linked with someone who
listens and understand and so in some way completes us?

All the Live Little Things flows beautifully. It has rich, well written characters that keep the novel moving towards a bittersweet conclusion. I did not believe the plot was forced or took unnatural turns; rather it followed the characters as they thrashed about with their struggles, sins and destinies, all seen through the eyes of the flawed but wise Joe Allston. As the character says near the story's conclusion: "There is no way to step off the treadmill. It is all treadmill."

Stegner once wrote that "In fiction I think we should have no agenda but to tell the truth." All the Live Little Things does draw heavily from the truths of Stegner's life in the 1960s, but it also holds its own as a thoughtfully written fictitious story of pain, hope, resignation, acceptance, and other qualities that mark the human condition.

just a note for everyone
the hippie in the book was actually based on Ken Kesey

Wallace Stegner's _All the Little Live Things_ focuses on a nine-month period in 1967 in California and the lives of five neighboring families in a rural area on the verge of becoming a suburban subdivision. The first-person narrator, a crusty sixty-seven year old retired literary agent, Joe Allston, describes his relationships with his neighbors and his own struggles to maintain a healthy, ordered garden. Each of the five families has its own philosophy, whether explicit or implicit, and its own eccentricities. Much of the novel examines how people coexist and how lives become enmeshed. The Allston's garden, which despite Joe's efforts is constantly being overtaken by gophers and poison ivy, is a metaphor for how life all too often resists people's hopes and desires.

The Allstons are an older retired couple from Manhatten who have moved west to find solace and comfort in the anonymous quiet of gardening. The Welds have lived on the land for generations as farmers and with each generation must sell more and more land to survive. The LoPresti family is wealthy and socially connected. Fran, the wife, indulges her artistic sensibilities in sculpture, in part to deflect her tense relationship with her daughter Julie. The Caitlins are a young family new to the area. Marian, the wife and mother, is a beautiful thirty-year old woman whom Joe dotes over. The Allstons adopt Marian, her husband John, and their daughter, Debby. Finally, there is Jim Peck, a graduate student, who squats on the Allston property. Jim Peck and his "family" of accolytes represent the excesses of the 1960s counterculture and the dangers of chaos.

The novel works in a flashback sequence. As he walks around his property, Joe Allston reflects on the momentous events of the past year and his feelings of loss. He feels that he is "infected with consciousness and the consciousness of consciousness, doomed to death and the awareness of death." At the same time, he realizes that the loss he has suffered has made him richer (see the quote for the review) because death, in some sense, affirms the experience of having actually lived. Marian's view, which Joe accepts intellectually but not yet emotionally, is that one must "be open, be available, be exposed, be skinless." Throughout the novel, we see Joe stripping back the layers of himself in his self-reflection. We see his rage as well as his sensitivity and acceptance. He even seems to acknowledge that he has fallen in love again to fill the void in his relationship with his wife.

Interestingly, the ending of _All the Little Live Things_ is similar to Stegner's last novel _Crossing to Safety_ and is written with the same intensity. One of Stegner's gifts is his ability to depict multiple generations in his novels and the conflicting viewpoints of generations. While Stegner usually sides with the older generation, there is a continuity in outlooks among the old and the young. Joe learns about himself--his demons as well as his strengths--in his interactions with his neighbors.

This is my third Stegner novel including Angle of Repose and Crossing to Safety. All the Little Live Things has a more 'elemental' style than the other 2 novels. It is compact and extremely logical. There is not a throwaway sentence in the book. For anyone looking for deeper, relevant background reading - I suggest these pre-requisities prior to reading Little Live Things: Shakespears 'The Tempest' - where the literarary figures of 'Calaban (i.e., Peck)' and 'Prospero' are introduced. I would have been quite lost without having first read Tempest. Another great book that I think provides the 'mythological basis' for Little Live Things is Joseph Campbell's 'Pathways to Bliss'. In Campbell's book I learned the basic philosohpy of Jainism - which is the foundation for Marian Catlin's character as well as the title of the book. You get a better sense of the Joe Allison's heroic struggle as he confront his personal demons (personified by Peck)living deep in the gully across the 'spritual bridge' that he cannot bring himself to go across. Quite a hero's journey indeed.

I can't say yet that I read all of Wallace Stegnar's books (I'm working on it) but I have read his prize winners: Angles of Repose, The Big Rock Candy Mountain, Crossing to Safety, and The Spectator Bird (in that order), plus a couple of others. For this one--a prequel to The Spectator Bird--Stegnar gets my personal prize! He simply outdoes himself.

It's the late 1960s just south of the Bay Area. The narrator is a retired book editor look for tranquility after the death of his 30+ year old son who died while surfing, his apparent profession being a beach bum--at least so his dad tells us.

With the arrival next door of (1) a live-off-the lander who reminds his wife of their son, and (2) an interesting, itelligent young woman who he is they way he would have wanted the daughter he never had, the narrator's life gets complicated, less tranquil, but also quite interesting. It is the story of the coming out of a curmudgeon. Stegner's ability to describe nature is never better, despite the suburban setting.

This vies with Annie Proulx's The Shipping News as my favorite book that I've read to date.

Andrea has no idea the man she and her friends rescue isn't quite what he lets on, but she has other things to occupy her mind when she finds her home invaded by a woman and her three unruly kids. She has no desire to welcome the strangers into her home, especially when her eldest brother, on her insistence, reveals a family secret that devastates Andrea. Can she get past her hurt to protect those in her care?

This book though it takes place in the past reminds me of my contemporary novel MY SUMMER JOURNAL: THE RESCUE because of its active young heroine who grows in her faith as she deals with very serious adventures. Read complete review at AUTHOR'S CHOICE REVIEWS [...]

Susan Marlow has done it again! FAMILY SECRET is full of suspense, humor and edge-of-your-seat action!

The characters are fully rounded, but don't come across as "perfect". They call to the reader and engage them to be part of the story, not just onlookers. The imperfections found in the MC (such as impulsiveness, sometimes self-centeredness) reflects actions found in most everyone. THEN, when the MC displays courage, spunk and growth -- the reader is able to connect then, too.

I'm way older than the target audience, but I was also able to relate - not just read! IF Andrea can grow... so can we!

My daughter hasn't been able to put this book down (or ANY of Andrea's adventures!). We'll be waiting in line for the next one!

Donna Earnhardt
Concord, NC

Can you keep a secret? Andi Carter's family has kept one from her for her whole life, and when she finally finds out, she's stunned. Andi's pretty good at keeping secrets, too. She and her friends find a mysterious stranger who asks for a little help until he gets on his feet again. There's just one catch--the stranger asks Andi not to tell her family about him. She agrees, against the better judgment of her friends.

The two secrets turn Andi's life upside down. She's no longer the youngest child at the ranch. Now, there are three younger kids and Andi has her hands full. If you thought the horses Andi loves are wild, wait until you meet these three rascals!

Of course Andi's faithful palomino, Taffy, is back, but when it comes to a fierce thunderstorm, even Taffy has her limits. Andi is left alone with a desperate outlaw and the three kids to discover just how strong her family ties really are.

Writer Susan Marlow shines as she brings Andi through this storm in her life. The timely story line about a broken family and forgiveness is a definite plus, with echoes of the Prodigal Son from the Gospel of Luke. This is a book your kids, grandkids, and even you will love, and that's no secret.

Reviewed by Sheryl Root

Lately, twelve-year-old Andi Carter seems to have a knack for getting into trouble. She never means to be a problem, but there are just so many interesting things to do on her family's California ranch, like watching the new broncos being broken in, that she often gets distracted from her chores. It doesn't seem fair that her family is always upset with her about this.

Andi decides that her family would be better off without her, so early one morning she saddles up her horse, Taffy, and runs away from home. However, if Andi thought life on the road would be easier than life at home, she quickly learns differently. After a horse thief attacks Andi and steals Taffy, she is found by a kind Mexican immigrant family who takes her under their wing. While they want to take her back home, Andi refuses to go until she gets Taffy back. They reluctantly agree to let her travel with them and try to find Taffy as they look for work. Andi soon realizes just how protected her life has been. Will she ever be able to find Taffy and go back home?

Andrea Carter and the Long Ride Home is the first in a series of "tween" books by Susan K. Marlow. Set in 1880s California, Andi Carter is a feisty, likable tomboy who gets into enough scrapes that she should appeal to both male and female readers. History, such as the treatment of immigrants and the details of daily life on a ranch, is blended into the story in an entertaining way. The moral values are clear, but not preachy.

Armchair Interviews says: A good start to an enjoyable new series.

Andrea Carter is a precocious young girl who often fails to "look before she leaps", and ends up having to dig herself out of the hole she's found herself in. A dyed-in-the-wool tomboy, Andi finds little benefit in the day-to-day trappings of a "proper" young lady's life in the year 1880, has no problem storing a smelly horse blanket in her bedroom, and no use for nor interest in the dresses that hang in her closet. Andi's impetuous behavior has consequences, though, whether having to clean the entire barn for failing to complete her chores, or more serious consequences when she attempts to run away from home when her pride is injured.

"The Long Ride Home" is a great read, for 'tweens and adults alike; we can all use a reminder that our choices have far-reaching consequences and effects on the lives of others.

Highly recommended!

the spine on this book broke - i like to have my books stay in very good shape so this was disappointing

I was fortunate to see the two Frans' lecture in San Francisco's Golden Gate Park over a decade ago where they discussed their new book and showed slides of the bonobo apes. I found it all quite intriguing and purchased my autographed copy there.

The most fascinating part was that bonobos love sex. They have sexual encounters multiple times per day with many different partners (except mother/son) in all types of positions yet have the same amount of offspring as other apes. An amicable lot, compared to the aggressive chimpanzee, bonobos tend to have sex to rectify disputes as well as for the pure pleasure of it. The bonobos are a matriarchal group, taking their cues from the females versus typically the males. I thought it was interesting that we humans are now reevaluating whether it is indeed the aggressive, patriarchal chimpanzee that we evolved from or the sensual bonobo ape.

Frans Lanting captured a photograph of two bonobos having missionary style intercourse, she on her back with her arms over her head and with the biggest grin on her face! A gorgeous book, gorgeous animals.

This is a great book with plenty of great photographs by Frans Lanting and a good deal of basic information on these least-known ape cousins of ours from Frans de Waal. Equally genetically and evolutionally related to us as chimpanzees, they are best known for their sexual behavior and their relatively peaceful lives compared to chimpanzees but de Waal warns that the differences are a matter of degree and there is great flexibility.

The differences between the species are interesting. Though in both species the females (normally) leave at puberty and the males always remain in their birth groups, bonobo females bond more and males bond less than in chimpanzees. But the more important difference is that in bonobos the most important and strongest relationship is that between mother and son. This is all-important and at the core of bonobo society and includes serious rivalry between mothers over their sons' dominance ranks - and the fights between the mothers can be viscious.

What most people immediately think of when the bonobo is mentioned is sex, sex, and more sex. This is often misinterpreted and tends to obscure what is really going on. De Waal says their social life is better understood as being peppered by brief moments of sexual activity, the majority of which does not involve intromission nor is it carried through to sexual climax. It is largely brief and casual and used to reduce conflict. And when it comes to full mating with receptive females, this is normally limited to the top two males who occupy, with the females, the center of a travelling party and from where adolescent and lower ranking males are excluded.

De Waal discusses the possibility that the extended female receptivity of the female bonobo - receptive for nearly half of her adult life compared to 5% for the chimpanzee female - may be the bonobo strategy for avoiding male infanticide. In some species one male will remain with one or more females and protect his young from harm from others. In other species females mate with many males, including proactively soliciting males when the females are not normally receptive because they are not fertile, and this 'paternity confusion' is seen as a stategy to counter male infanticide. Infanticide has been observed in increasing numbers of species but, as yet, not in bonobos. De Waal suggests that the particular relationships of bonobos, with the reduced male aggression towards and dominance over females, may be a successful anti male-infantide strategy.

Another suggestion de Waal makes is that, as chimpanzee females have food priority when they are sporting sexual swellings, the extended sexual swellings and receptivity of bonobo females may have extended their food priority. Bonobo females almost always have food priority over males.

Another important difference between bonobo and chimpanzee is the relations between goups. Though chimpanzee females, like bonobo females, move between groups to breed (using sexual swellings as 'passports'), chimpanzee males from different groups are very aggressive and sometimes kill. Though bonobo males are antagonistic towards outsider males and display aggressively, there can be contact between the females of the two groups that meet and sexual contact between males and females of the two groups. I have read elsewhere that this contact between females, who in some cases will be known to each other as females move between groups, may have been something similar to the way our early ancestors were able to overcome full-blown aggression between groups, the females acting as links between groups that would ultimately lead to potentially positive alliances and trading links.

Whether we'll ever learn enough about these apes before they become extinct is unlikely. And that is sad. Whether we are interested in other species for comparision with our own or simply in order to understanding their particular evolutionary stories, we need to convince greater numbers of people that other species are interesting and deserve our full respect and protection. This book contributes to this for the bonobo.

Although I love learning about animals just because I love learning about animals - this book brings many important issues to the forefront - issues which directly relate to humans and human culture. For that reason, I highly recommend this book to anyone who has any curiosity about human behavior - especially as it pertains to sex. While Dr. de Waal is careful to avoid generalizations and anthropomorphisms, you will have fun drawing your own conclusions!

Most people are familiar with chimps but few have heard of the bonobo, but we resemble them behaviorally more than any of the other great apes. Also I recall reading once that we have the greatest genetic similarity to bonobos. I forget the exact figure, but humans share something like 99.5 percent of their genetic material with bonobos.

De Waal teamed up with internationally acclaimed nature photographer Hans Lanting to produce not only a very scholarly but very readable and interesting book, and a visually very striking one as well.

There are many similarities between bonobo behavior and humans, and ways in which they differ from other apes. Females have higher social standing in bonobo society compared to chimps, and high-ranking males never stay that way for long unless they have the support of at least a high-ranking female or two.

Females also cooperate more than in other apes. They have been observed working together to drive off an aggressive male, which doesn't happen in chimps. Females are also very social, and seek to establish alliances with other males. This can come in handy in various ways. For example, during the mating season, if a a male the female doesn't like wants to mate, she can effectively rebuff his attempts by getting her other male friends to come to her aid. They even resemble us in their sexual behavior, since they are the only ape observed to use the missionary position during sex, which they do about half the time.

This is just a small sample of the many interesting and thought-provoking things I picked up from reading this book. Overall, a fascinating and very visually appealing presentation on this little-known and understood relative among the great apes.