California Books

Randy Shilts's intricately researched biography of one of the greatest gay activists of all time, Harvey Milk, is not only a political biography, but a chronology of an entire political movement.
This is the second book I've read by Randy Shilts, the first being And the Band Played On. While there are certainly some differences between the two, Shilts's imaginative narrative writing is the same. The Mayor of Castro Street is proof positive that he [the author] can turn even the most mundane of political machinations into high drama.
Starting out when Harvey Milk was growing up in Woodmere, New York, the book traces his life from there. From his high school athletic career, to his college years, his time with the Navy, and his Manhattan years. When Harvey makes the move from New York to San Francisco, the book changes pace, and a gay political hero is born. The book is filled with snippets of his speeches, and in the back appendices, the eloquent words of Harvey Milk come alive, as some of his more famous speeches are reprinted there.
At a solid 380 pages (including appendices and sources) the book never drags. Everything appears to be cause and effect, which makes for some white-knuckle reading even if the reader is already familiar with the budding gay movement, Harvey Milk's participation in it, and the untimely tragic assassination of he and Mayor George Moscone by a homophobic zealot.
I must admit, there were certain parts of this book that gave me chills: Harvey Milk's beautiful speeches, the candlelight vigils, the many marches, and the White Night Riots. The sheer epic proportions of it all can overwhelming.
However, epic or not, this remains the simple story of a man and his dream, vision, and hope for his gay brothers and sisters, and all of humanity.

Beyond the frank and up front story of the life of Harvey Milk, this book is an incredible source of information and understanding of the gay rights movement from before its beginning to after the death of Supervisor Milk. Easy to read, albeit long, it's definitely worth the effort. No matter your sexual orientation, this brings new light to an often misunderstood movement.

I read a lot of biographies and, while I love the genre, I'm often disappointed with the writing. This book, by the late Randy Shilts, is an exception. Shilts was a great writer, able to take a variety of facts and put them into readable passages (his "And the Band Played On" is another good example of this). Harvey Milk and the San Francisco of the 1970s come to life in this book. The tragedy of Milk's assassination and its aftermath are rendered in gripping detail.

In The Mayor of Castro Street, the late Randy Shilts paints a vivid picture, not only of the life of gay politician Harvey Milk, but of the fight for gay rights in 1970's San Francisco and the nation as a whole. After a description of the events immediately following Milk's death, Shilts begins the book with Milk's youth in New York City. He briefly describes Milk's years in New York, and spends the vast majority of the book on Milk's last five years in San Francisco. It was during his San Francisco years that Milk made his critical contributions to gay history, including encouraging the development of the Castro into a gay Mecca, and running for, and finally winning, elected office as an openly gay man in a time when most thought such things simply couldn't happen.

Shilts is a meticulous reporter. In his section on source material he details how he extensively interviewed Milk's former lovers, including Scott Smith and Joe Campbell. Many of the dialogues for the biography come directly from the personal diary of Michael Wong, a longtime Milk supporter. According to Shilts, dialogues with others who knew Milk virtually always corroborated those in Wong's diary. Shilts's history of the Castro area came from over one hundred interviews he conducted with area residents.

One of the best qualities of the biography is its astonishingly objective posture. Achieving something like objectivity is a tremendous challenge for the author of any modern-day history, and nowhere is this more true than in histories of the gay liberation movement. The living participants in that history inevitably portray it in a range of ways and often fight vigorously for placement of credit where they feel credit is due. Shilts allows those participants to speak for themselves, and focuses on telling the details of the story, rather than interpreting that story for the reader. It is this author's unique degree of commitment to researching and conveying all the details that allows him to present such an apparently unbiased account.

It is also Shilts's attention to detail that makes the book so tough to put down. It reads more like a novel than a history, and each segment leads into the next with a sense of a tremendous plot unfolding. In a style that would come to characterize his later books, such as And The Band Played On, as well as Conduct Unbecoming, Shilts manages to draw the reader into multiple stories of individuals that end in cliffhangers, only to be picked up again in a later chapter. It is these stories that make up the fabric of gay history in San Francisco and a portion of that larger tapestry called gay liberation.

Randy Shilts has taken great pains to present the man honestly, exploring his political and personal lives. The result is an illimunitating portrait of the Gay Rights champion, documenting his triumphs and ideals alongside his personal ambiguities and foibles. Milk's rise to power, as well as the city's rich gay history, are depicted with candor and clarity.

The assassinations are reported in graphic detail, as is the reaction of the people. Intial shock and grief turn to righteous indignation when, on May 21, 1979 White is convicted on two counts of "valuntary manslaughter" with a maximum sentence of seven years, eight months. The city explodes. Justice is thwarted. A martyr is born. Milk's murder galvanizes the Gay Community to stand up and take their rightful place in society. A great book.

I was delighted to come across this incredible book by Margaret Wyman. Having taught fourth grade in California for ten years, I thought I had a good understanding of the relationship between the native Americans and the Spanish. This indredible story of a Kumeyaay Indian woman, took me to new heights of understanding, and stirred emotions in me from compassion and sadness for the natives, to rage and disgust of the Spanish. The author does an exceptional job of bringing her characters to life. I literally could not put the book down as I raced to learn the fate of these intriguing characters. Margaret Wyman writes with passion and ingenuity. I highly recommend this fine book.

Besides telling the dirty truth, this book will keep you reading and biting your nails until the very end. (In fact, you will be asking "What's Next?") The book is that good!
Just remember that beyond the kind, decent, misguided and sometimes sordid characters, the story is historically accurate, even when the truth is frightening and shameful.

Margaret Wyman has written a compelling story about early California and its invasion by Spain and the Catholic church. Surprising twists and turns are followed through the intertwining of the lives of the natives, the Spanish soldiers, the Mexicans, and the "black robes". Good and Evil, sanity and madness, religious fervor and native beliefs are all portrayed in this novel.
I hope that her future titles will be as readable.

Mission: The Birth Of California, The Death Of A Nation is an historical novel set against the conquest of Southern California by the Spanish crown, set at the same era as when the United States was fighting for its independence. A brutal tale of the subjugation, forced religious conversion, enslavement, and massacre of California's native people seen through the eyes of a young woman who personally experiences the worst and most vicious of the conquistadors' treatment. A disturbing but highly recommended saga by Margaret Wyman, Mission accurately depicts the historical, genocidal impact that foreign settlement had on California's native population.

Margaret Wyman was blessed with the gift of story telling. She has the extraordinary talent of bringing her characters to life. I only wish I had the talent and eloqence to encourage you to read Mission. I found myself discussing Web with one of my friends as if I were reminiscing about my own sister. On daily walks along the trails of Lake Hodges I envision Web and feel her spirit as if she truly existed. Web's story has touched my soul and enlightened my view of Southern California history.

i really enjoyed this book, i'm not even finished with it yet but some of the quality of the book was taken away by the poor editing! some of the chapters were missing entire words at the end! some of the sentences were gramatically incorrect and i kept reading them over and over saying...that's not right...we don't laid down, we lie down! stuff like that really took away from the book because it was a fantastic story. i really enjoyed the element of faith and how there are good vampires and bad vampires etc. it was realistic, like...if there WERE vampires, this is how it would be. either way, i would definitely advise this story being read, just please have an updated version!

This is a great read.

Great, because it has a common sense idea that is missing from most stories of this genre.

The genre, "supernatural horror," ultimately goes to a war between good and evil (yep, heaven and hell), because these would be the source of power in the story. So the ultimate source of power is on another level--not the level the story is about (our everyday homes and neighborhoods). But hey, the vampires, zombies, and other things have been around for a long time. And we are still here, too. Something we don't usually see in these stories must be equalizing the landscape, or else ordinary humans would have been gone a long time ago. What equalizes a vampire? They have supernatural powers, so regular folks are out-gunned. In any war, if the sides are not matched, the war does not last long. In the literature vampires, zombies, et al., have been around a long time. So what holds them in check? Doesn't have to be a "good" version of the evil creature--just something with power and method of its own that it can use to engage the enemy. That's war. Even a supernatural one would have to have this equivalence of power.

There are popular movies about renegades that have reason to hate the supernatural villains, but vampires alone would have over-run the world before most of these popular characters started. Besides, these stories are usually more about special-effects or martial arts or something--not really horror stories but more like action-adventure-martial arts-horror. Whatever. There's only one movie I've seen recently that is an exception to this, "Constantine." But since this isn't a plug for movies, let's move on... ;)

"Night Biters" revitalizes the role of the church in this type of story! Instead of the lame "Exorcist" angle in which the demons have power that is clearly uncontrollable, here the war could have lasted this long. God is on our side through supernatural beings at this level. That's what I was referring to before, when I said that ordinary humans would otherwise be gone. In run-of-the-mill horror stories a recurring theme is that the heroes are so outmatched they have to sacrifice themselves--and leave this plane of existence--in order to win. So in time they'd all have moved on, leaving us here. There must be something more powerful that fights here and wins often enough to balance the war against evil. This story touches on this with style; it's a story told intelligently in a way that makes sense.

So is it scary? Yeah, because the writer tells the tale in a way that evokes vivid images of what the characters are going through as all of these peculiar things happen. It's not a predictable story. I found myself liking some, and wondering if they'd make it...but it's war. Casualties are inevitable. How does it end?

Check it out! It's a great read!

Adrian Harper's Night Biters offers some fresh ideas to the fantasy genre. The magical compact disc is as effective a talisman as a ring or trinket in other period work of fiction. It also solidifies the effectiveness of hip hop in a way the reader will find appealing. Graffiti spray painting is also featured, skateboarding is taken to new heights and I will never see using a Super Soaker the same way.

The writer skillfully depicts the story's teens as youth who regret some of the poor choices they have made and the impact those decisions have on their families while ably avoiding stereotypes. He also offers some interesting views on vampirism viewing it more to an addiction than a spiritual damnation reminding the reader that there is always hope. Filled with clever twist and surprises, Night Biters is a delight.

This is no R L Stien! This book has a diverse group of hip hop characters from the Bay Area that are actully intelligent and not based on stereotypes. The book has teens in the Bay dealing with regular teenage issues, as well as vampires gang violence. The characters are cool, there's African American's, Vietnamese, Latino's, Filippino's, Jews, Goths, ravers, taggers and possibly dirty cops and a guy who eats a rat. If you LOVE hip hop, or you're from the Bay Area you need to read this book. I love Night Biters because it's real hip hop, it's not derogatory or dogmatic, it's just real and entertaining.

The book is written in the style of how Traffic and Crash were made as movies. A ton of individual stories, all intertwined into one explosive plot. Read this book, you won't be disappointed. The story is based on actual events in 1999 leading up to the change of the century in the backdrop of the worlds most integrated group of cities. Two teens come here to spend the summer and find that some of thier friends have become vampires and are dealing with personal issues like abusive stepfathers, drugs, gangs and police (damn taggers!). Doooooood read it!!!

Night Biters is my favorite book, I visited the Bay Area and have saw the old Montgomery Ward building. It was too scary a building for me to enter but not a vampire. I also like that us Pinoy's finally got some recognition and respect in a book. Dragonbrush is my dog I liked the way he and Tioni looked out for one another and how he showed that he really appreciated her. Jamilah is cool but too stuck up for my taste, I wouldn't want my sister taking all my favorite clothes just because she wants them. But in the end they all looked out for one another.

Nolo Small Business Start-up Kit for California provides excellent information for those starting your own business. I've highlighted sections throughout the book!

simple and clean, rather go through all of the sites to search what you actually need to register your company, this book guide you through that. also, book v.s. web sites, the book gives you more insight to cross comparison on all the legal structures that you need to choose, pros and cons, to make you select what fits you, instead of reading laws on the web only tell you what is LLC and etc. I will keep it although I formed my company after reading this book.

It is well written and easy to understand. Not a lot of legal jargon that you have to wade through, but legal nevertheless. I will continue to use it for a reference.
Thank you for such a easy to read and understand book!

This book saved me a lot of money by allowing me to form my own one-owner California corporation. I liked the fact that it explained why it wasn't recommending certain things so that you could decide whether it was worth it to you or not.

The only area that I felt it could have explained things more thoroughly was that while it explained how to issue initial shares, it didn't explain at all how to issue any subsequent shares (e.g., in case your corporation was about to run out of money and you (the owner) wanted to buy more shares to inject more capital). It just said to consult a lawyer. So I had to inject more capital via a loan instead. If it's that complicated, then perhaps the author should warn people to slightly overcapitalize the corporation initially.

If you are thinking of starting your own business in California, especially if you have never done it before, you will find that this book is worth its weight in gold.

This resource takes the complication out of starting a business, contacting the right agencies and doing things legally. It cuts through a lot of confusion, has an encouraging tone and presents what you need to know in a very logical and easy to understand format.

I often recommend this book to my small business clients and find it to be a useful general reference. It also points to many other good resources and is a good value for such a comprehensive book.

Once again Martha C. Lawrence delights her readers with a good, solid mystery. Elizabeth Chase returns in this fourth installment of the psychic detective series. After losing her fiancé at the end of the last book - Elizabeth is unsure as to her feelings on returning to the life of a private detective.

She is summoned from her slump by a fellow PI and asked to help out on a particularly odd and gruesome case. A murder and scalping has taken place out on the Temecu reservation at the casino being run there. The body belongs to casino owner Dan Aquillo and the supposed murderer is locked in jail and her lawyer needs Elizabeth's help as the case does not look as simple as it seems.

Elizabeth uses her psychic abilities to aide her in the case but as always, it is her fine detecting skills that really do the job. Thanks to the help of her newfound friend Sequoia, Elizabeth not only learns more about the case but she is also able to do some serious soul searching of her own.

Who killed the casino owner? Could it really have been the accused Bill Hurston, a former doctor and gambling addict who was in way over his head, or was it his ex-wife? What about Dan's nephew Wolf who has strong feelings against the casino? Or someone from the political group that is fighting against the casino? Only Elizabeth can find out and the reader enjoys every minute of the plot.

This is a great addition to the Chase series as not only does the reader get what they are used to when it comes to great plots and writing, but we get to see some major character development here. This series looks to be a good bet for the long run. I can't wait to see what trouble Chase gets herself into next!

I've been a fan of Martha Lawrence ever since her first book, following her psychic detective, Elizabeth Chase, around the zodiac from Murder in Scorpio to the current Pisces Rising. Her gutsy detective, Chase, combining sound detective skills with her psychic gifts, sets out to discover the murderer of casino owner, Dan Aquillo. Along the way she encounters one of Lawrence's most compelling characters, the Native American shaman, Sequoia. Lawrence introduces the reader to some fascinating Native American lore, as she combines a taut, thrilling tale with tantalizing psychic phenomena. Combining suspense with New Age is rare, but fascinating. The only other book I can think of that does that successfully is "The President's Astrologer", which interweaves an exciting political drama with the world of astrology.

As a Southern California-based mystery writer, I have been genuinely impressed by Martha Lawrence's works. Many people initially react to Ms. Lawrence's psychic detective as a silly gimmick. As created by Ms. Lawrence, Elizabeth Chase is a fully-realized and realistic character. In this fourth outing,PISCES RISING, Elizabeth is mourning the death of her lover, and she becomes involved in investigating homicides that occur on an Indian reservation. Gambling issues play a major part in this novel, as does Native American beliefs. Ms. Lawrence tells a fine tale with a swiftly moving plot and fabulously drawn characters. Another winner for Martha Lawrence.

I just love entering Martha Lawrence's world, and I so hate to leave it! This one is her best yet, and the others are terrific too. ( I'd recommend reading them all chronologically.) I applaud her gutsiness as an author in doing away with appealing characters in situations that realistically might call for that. (I'm reminded of T. Jefferson Parker doing the same with Tim Hess in The Blue Light--a very interesting and appealing character.) ... was a real loss, I felt, but it's clear that she has even better characters up her sleeve.. I'm particularly drawn to the Sequoia character in this book. Wish I knew someone like him.

Her ear for dialogue is unerring...I'm a stickler for fake-sounding conversation and I can't find remember a false note being struck in any of her books. Wish you could write faster, Martha!

Once again Martha C. Lawrence delights her readers with a good, solid mystery. Elizabeth Chase returns in this fourth installment of the psychic detective series. After losing her fiancé at the end of the last book - Elizabeth is unsure as to her feelings on returning to the life of a private detective.

She is summoned from her slump by a fellow PI and asked to help out on a particularly odd and gruesome case. A murder and scalping has taken place out on the Temecu reservation at the casino being run there. The body belongs to casino owner Dan Aquillo and the supposed murderer is locked in jail and her lawyer needs Elizabeth's help as the case does not look as simple as it seems.

Elizabeth uses her psychic abilities to aide her in the case but as always, it is her fine detecting skills that really do the job. Thanks to the help of her newfound friend Sequoia, Elizabeth not only learns more about the case but she is also able to do some serious soul searching of her own.

Who killed the casino owner? Could it really have been the accused Bill Hurston, a former doctor and gambling addict who was in way over his head, or was it his ex-wife? What about Dan's nephew Wolf who has strong feelings against the casino? Or someone from the political group that is fighting against the casino? Only Elizabeth can find out and the reader enjoys every minute of the plot.

This is a great addition to the Chase series as not only does the reader get what they are used to when it comes to great plots and writing, but we get to see some major character development here. This series looks to be a good bet for the long run. I can't wait to see what trouble Chase gets herself into next!

I should say that I'm only 200 pages into this book, but I simply wanted to relate how steady it has been to now in its blend of chronicle, elucidation, and detail. Particularly impressive is how Kenner uses an often very dense (Jamesian, Pound-ish) style of commentary to achieve this. I glanced through a copy of his selected essays (`Historical Fictions') and was disappointed to see that in them it often fell flat, whereas here it flows. Strong works of criticism often seem to fail with first intrusion of any flourishings of "style". I think that part of the revelation of Eliot the critic was his careful push away from a certain weightiness of thought while retaining depth and the critic's persona (which until then might have been all the rage, but for Eliot must have been a conscious decision, and is all the better for it in contrast with many of the zigzagging claims and stances that have come in the interim since). In critique it is the thinking that counts.

Pound oozes style, but his thought is what breaks the waves.

There is a sentence that one doesn't know what to do with. Does it express what it should? It is mine and I would say it needs to be modified. This is a 500 page book and it has had lapses so far. But like Pound's poetics, the stretching into the peripherals of Kenner's way of writing wins dividends and he wanders into prose critical summations complete with all the strength of good poetry.

The "Era" of the title tells you that this is also a book of people and the events around them, and Kenner paints the literary picture in continuously brief and slightly worn strokes. Here he can sometimes get a little misty, perhaps even dewy. A wide range of references will tend to rush away from the events given the slightest notice. But this is Pound's era, and how else are we to see the man? I shall read on and discover.

not so much an ruk, as a demonstration of squid's panoramic influence on modernism, kenner's book remains one of da mostest ighly praised exemplars of american literary criticism. conveyin as much biography as analysis-and evun more cultural istory, kenner's sui generis ang leaps from topic to tale to close readin, wiv little effort at transition, in an angular act of synthesis dat demands acts of cultural leap-frogging much dig squid's own cantos (though mercifully less strenuous). kenna offers suggestive accounts not only of squid and modernism, but of da liberatin role of chinese poetry, translation, greek syntax, istory and economics, wyndham lewis, eliot, enry james, williams, and da objectivists. kenna imself savvily refrains from attemptin to define "a squid tradition," coz he needn't. squid imself was-famously-the mostest important literary taxonomist and canon-maker of american modernism; and dis book, wiv its convincin accounts of da almost servile fawnings paid to squid by da igh modernists, shows why squid was so central: he was at once da mostest advanced and deeply traditional literary reada of is era. kenna shows ow fa squid, "all poets were contemponareous," and though few could claim is readerly breadf, squid's eclectic cultural borrowings (a should i say thefts) expanded da palette to include influences wiv which recent avant-gardists is only beginnin to reckon. indeed mostest of squid's influence as bin simplified to is emphasis on da desired objectivity of poetic lingo, or, as williams redefined it, to da notion dat a poem is "a machine made out of lingo." shared by da objectivists, and, more complexly, by da lingo poets, dis linguistic outlook as become one of da crucial trends in experimental poetics.

Intimidated by Pound's Cantos, I picked up Kenner's book in hopes of a pony. In fact, there are more text specific companions (see my other reviews) but this work provides a fascinating, invaluable overview of the modernists and their work. From the opening encounter with Henry James to Pound's last days in New Jersey and Italy, Kenner walks by the poet's side through the Cantos and his career. The sections on Wyndham Lewis, Buckminster Fuller, Clifford Douglas, and T. S. Eliot are illuminating, but so are the explorations of more obscure writers like Ernest Fenellosa, Guido Cavalcanti, and Henri Gaudier. The author's knowledge of the world, like Pound's, seems almost limitless. Readers looking for nods to contemporary literary theory may be disappointed since there's little queer, feminist, Marxist, or Lacanian critique, but as a conventional and weighty glimpse at influences and allusions in the Cantos, it's excellent. Reading Kenner is probably a lot like being in a lecture class with him. However dull it may be on the cutting edge, the sheer glare of brilliance and erudition leaves you dazzled and eager to go the original source for more light.

For years I didn't get Pound, and I once asked a friend if the Emperor had no clothes. "No, but to get Pound you have to become Pound," she said. That remains one of the truest things I've heard about Pound, and about the modern poetic he inspired. From the brave spirits who hope to apprehend his writing, Pound demands a total commitment to his manner of thinking, his myriad languages, his vast reading, his eccentric economic/social theories, his storehouse of memories, and the evolution of his ideas over nearly a century. What he brought to poetry was the idea that poems aren't ornamented expressions of deep feeling, but precise instruments for exploring politics, religion, history, economics, science and just about everything human.

Hugh Kenner came closer to being Pound than anyone (though Peter Makin gives him a good run for his money), and "The Pound Era" isn't so much a work of literary criticism as it is an intricate daybook, or maybe a modern novel, on coming to terms with the demands Pound makes on a reader. It's a one-of-a-kind study that should be read and re-read by anyone even half-interested in Pound's achievement. But it also (to my mind at least) shares some of the Master's flaws as Kenner makes great, sometimes showy, occasionally mannered paratactic leaps between seemingly unrelated details to convey a picture of Pound's age. It's well worth looking past the stylistic excesses though for Kenner's unparalleled explication of one of the best known and least understood 20th-century poets.

This is an impressive read. I came to it at just the right time in my life. I had been reading the poems of Marianne Moore and Buckminster Fuller as well as studying Ancient Greek. This is a dense but ultimately very rewarding book. It incorporates passages of troubadour lyric and Greek and name-drops a lot of historical characters with which you may or may not be familiar. For those interested in Pound and his times, I highly recommend it. For those unsure, check out the excerpts that Amazon provides. This is not everyone's cup of tea. But, as I said, I came to this at the right time in my life.

In several of our major metropolitan areas (e.g. Boston, New York, Chicago, and Los Angeles), a daily newspaper played a major role during the 20th century. From my perspective, the area and the paper had a symbiotic relationship which must be understood in all its complexity if we are to understand either the area's culture or the unique role the newspaper has played within that culture. In this book, McDougal functions as a journalist and an historian, of course, but also as an anthropologist. As the book's subtitle indicates, his primary purpose is to examine Otis Chandler during "the rise and fall of the L.A. dynasty." (It is worth noting that the Boston Globe is now owned by the parent company of the New York Times and the Los Angeles Times is now owned by the parent company of the Chicago Tribune. Perhaps McDougal or someone else will examine those recent developments in a book yet to be written. And perhaps examine, also, recent mergers which have created media conglomerates such as AOL Time Warner.) For much of this book, the Times's various publishers dominate the narrative. Specifically, first Harrison Otis, then Harry Chandler, then Harry's son Norman, and finally Norman's son Otis. Of equal interest to me were the roles played by various women, notably Norman's wife Buff and Otis' two wives, Missy and then Bettina. In California throughout the latter half of the twentieth century, the Chandlers established and solidified a "dynasty" but also what McDougal more correctly describes as an "oligarchy."

These are among the important questions addressed in this book:

1. How and why did the Los Angles Times become so influential?

2. How and why did it later lose so much of that influence?

3. Precisely what role did Otis Chandler play throughout that process?

McDougal is especially effective when explaining the culture within which three generations of Chandlers served as publisher. For example: "Like Harry, Norman understood early that the business of the Times was conducted as much in the private clubs and exclusive retreats of Los Angeles as it was inside the Times Mirror Building....With his chiseled good looks, cleft chin, and Stanford polish, Norman also rose naturally to a leadership among the newest generations of L.A. Brahmins. As the older patricians with whom Harry once did business began dying off, a new wave of young tycoons came to populate the exclusive mahogany-paneled grandeur" of the city's most exclusive cultural and social organizations. The young "brahmins" also called themselves "the Economic Roundtable" and founded their own organization bearing that name.

It was into such a culture that Otis was born and within which he was raised to assume, eventually, his own position of immense wealth, power, status, and prestige. He and others in his generation "behaved in much the same fashion as their East Coast counterparts with their insulated neighborhoods, leisure time activities (e.g. membership at the Los Angeles Country Club with its "no-Jews/Negroes/Mexicans allowed clubhouse"), and social inbreeding. Otis was perhaps the most privileged of sons but, interestingly enough, his father required him to begin at the lowest level in each of the newspaper's departments; after completing one apprenticeship, he was assigned to a different department and again began at the bottom, including salary level. By the time he became publisher, Otis was well-prepared in terms of understanding literally every facet of the newspaper's operations.

There are only a few recently published biographies and cultural histories which read like a well-written novel. This is one of them. I'm not suggesting that McDougal is an heir to Balzac or Barzun but I do commend him on the liveliness of his narrative as well as on the substantial content produced by his extensive research. McDougal helps his reader to understand why the Chandlers and the Los Angeles Times have been central to the evolution of a city, indeed of an entire region.

As a history buff, this book was fascinating as both a history of LA and Times Mirror. As an employee of the LA Times I found it even more interesting and intriguing.

This is a wonderfully entertaining and informative book -- I have a waiting list of friends waiting to borrow it based on my recommendation.

The book has a problem, however. The author has chosen a posture of ridicule and pejorative disapproval of many characters -- he calls some of them "neanderthals," for example -- so he has a special burden to be correct in his facts. Unfortunately, Mr. McDougal has been careless and many of his facts are wrong -- small things, but they do tend to impeach the larger work.

There is no such thing as a "Las Padrinas" ball at the Valley Hunt Club (p. 116). Cate School students have never been called "Caties" (p. 168). Harold Brown was not a cause celebre at the California Club in the 1950's (p.477). (In late 1976, while still president of Cal Tech, Brown became the club's first contemporary Jewish member. Ironically, he almost had to resign from the "segregated" club to join the nascent Carter administration as Secretary of Defense.)

Enjoy the story, but don't take Mr. McDougal at his word.

I really liked this book. As a fan of LA where I travel often for business and pleasure, this book fills in the history of how LA was built and the role played by the driving family of the LA Times. But as interesting as this history is, there are so many subplots to follow that are also fun. For example, as the family is accepted in the Pasadena "blue-blooded" culture, it's interesting how most become so snobbish about accepting anyone in their culture. My favorite stories on this subject are his second wife's training to develop social graces to travel in the Chandler's circles that was somewhat required. Also, when he divorces at 50, his Mom starts investigating which of her friends have unmarried daughters that would be acceptable marriage bait for this 50 year old bachelor. Like he can't take care of himself.

But enough of the small stuff, this book is about the Times and LA and starts with the Otis family and its purchase of the Times. The General and his Son-in-law ran this paper as a Republican tour guide of LA. And it worked. Maybe too good as LA is way too crowded. Along the way is great history of the need for water and the shady ways it was obtained as well as real estate development stories including a foray in Mexico.

Harry Chandler's son Norman ran it much the same way but his son Otis Chandler who took over around 1960 was much more liberal and open to debate and other opinions which did not endear him with his pompous family. This break seemed to eventually lead to his ouster in 1985 even though he had grown the earnings strength of the paper. I believe the book did not adequately explain the buildup to his ouster. His Chairman comes in and it's over. Clearly, Otis was partially to blame as his hobbies of hunting, cars and lifting weights took away his attention.

The replacements proceed to tear down the paper leading to its eventual sale to the Chicago Tribune. It's a very interesting business story although from that perspective it could have done a better job by financially describing the significance of the paper's net worth at different points in history.

But the book also overlaid the history of Otis' family, as he clearly was where most of the information for this book came from. Interestingly, Otis grew up in an exclusive family attending Andover and Stanford. But while two of his sons attended prep school and top colleges, one did not. And many of his offspring did not marry inside their social set and did not rise to the same levels as captains of industry. Otis Chandler did not place large pressure on his family to live the same social life he was forced to live and it's interesting how they grew up and the relationships they had with their parents. With so many transplanted Southern Californians all enjoying the beautiful weather, it was inevitable that many in his family would marry outside the Pasadena blue-blooded set.

I enjoyed this book immensely but it is a time commitment at over 450 pages of small print. I recommend this book for someone interested in journalism, the history of LA and Southern California, or a history of a wealthy influential family that helped shape the future of LA.

_Priveleged Son_ manages to hit that sweet spot that so many biographies of business figures fail to capture-- it manages to be a very good look at a business and industry and at the same time be readable and enjoyable on the level of a novel.

While ostensibly a biography of Otis Chandler, it gives a fascinating look at the rise of a newspaper as local empire and the same newspaper's (largely unsuccessful) efforts to translate that into a truly national business.

Without any industry focus, the story of the Chandlers and their relationship to LA is the stuff of novels (pulp fiction and true romance)-- LA grows up with its paper in this book.

I was particularly fascinated to read what happened at the paper under the direction of Mark "Cereal Killer" Willes. His ill-starred management is a cautionary tale for would-be media moguls who fail to understand the core values that make up the news industry.

A great read for people interested in the media industry. A just-as-great read for people who like a good story.

Marissa is erudite, quick, fun, funny, committed to social justice and truth, and and an acute observer of human behavior. Her friend Johnnie Cochran describes her (in the introduction!) as "a prosecutor's prosecutor. She is full of zeal for her profession and possesses an insider's knowledge of the criminal justice system." She's also devoted herself to Buddhism for over 30 years, as well as to the mastery of the culinary arts. All of these elements figure in her very unusual book.

Besides telling three compelling and hair-raising tales, Marissa shares aloud the unspoken rules of the courtroom, and offers appreciative and insightful looks into the lives of law enforcement professionals, and denizens of South Central LA and the gay demimonde of Hollywood.

As a skillful storyteller, she is compassionate without becoming maudlin, and righteous without losing her sense of humor.

I am looking forward to her next book, which I understand is under way!

Marissa has the heart of a warrior. Her stories are classic story telling with spell binding revelations of what the truth is when it comes to crimes and the criminal mind. Her attention to detail, coupled with a sense of the world of the victim, allows the reader to be a prosecutor seeking justice for the people. The criminal procedural aspects of the criminal courts are cleanly explained with no chance of misunderstanding that lawyering is still an art when done with a heart. Marissa injects the calmness of her buddhist philosophy into the psyche of the reader to allow a deeper appreciation of the law and the victim equation.

As a criminal defense attorney, I usually avoid "true accounts" written by prosecutors as they tend to be one-sided, self-serving renditions of cases that could be won by a first year law student. The usual story involves a clear cut case where the District Attorney is representing the forces of right (the good people of the State) while the defense is usually some bad dude who deserves a long vacation in Prison. Of course the good guys prevail and the prosecutor is the hero. Good and Evil, Right and Wrong are clearly defined and everybody leaves happy. Not so with Ms. Batt's book. Besides her personal disappointment at the result of one of her cases, she manages to show that all is not black and white - urban life and particularly the criminal justice system present a myriad of situations where the lines become blurred. Her cases are interesting in that there are victims - individuals who by virtue of their own life choices are often viewed as not deserving of protection by the law and the system. Besides showing the underside of life, Batt also manages to forcefully demonstrate the maxim that "no man is above the law and no man is below it."
A great read, colorful, fast paced and real...I loved it.

...of the L.A. justice system. I won't repeat the other reviews, but two or three things deserve note. First, Johnnie Cochran wrote the introduction...high praise indeed. Second, the appendix - "Twenty-five rules for giving effective testimony" - is interesting reading in itself. Overall, the book is not compelling reading, not forcing you to read it in one sitting, but it's interesting and varied. I consumed it in three sittings if memory serves. The pace is generally good, although I felt the Buddhism dragged a bit, but that was only a couple of instances. So - recommended - *especially* if you are a fan of mysteries set in Los Angeles! I await Marissa Batt's next work with more than a little interest.

What makes this book so compelling is that you get to hear the perspective of the actual prosecutor in the cases described. Through Marissa Batt's words, you get a virtual tour of the way the Los Angeles legal system works, or in some cases doesn't work. You are introduced to characters that actually inhabit Los Angeles, who actually went through the situations described - cases that are so intense and bizarre, they seem unbelievable. Through it all, you get a comprehensive version of the legal system mirroring human lives and decisions, as seen through the eyes of a person who does their job with integrity, intensity, and strength of character. READ THIS BOOK! It is a thorougly enjoyable read though shocking and extremely upsetting at times.

I could not put this book down. It is an engaging book. I read it for some background research on John Steinbeck and the Grapes of Wraths. If you have read Steinbeck's masterpiece you have to read Red Dirt. I think Roxanne's memoir completes the story of the Joads. The psyche of the "Okie" comes alive and the drive of Roxanne to break away and then come to terms with it is fascinating. I loved this book so much that I use it for the Ethnic studies classes that I teach. I believe that to understand different ethnic groups we all have to understand what makes White America tick. This book delivers a much-needed look at the class divide among white America and no matter how much the poor whites have been abused by their richer cousins they still stand by their side. Why? Because they are white. This was a great ride

if you like books about the old way of living,you will love this book. it brings back memories of my childhood...

...
The best of autobiographical works are those that convey, in the telling of one life story, larger truths than those we experience as individuals. To accomplish this feat with seeming effortlessness, as Roxanne Dunbar-Ortiz has done with Red Dirt, is to create not only a valuable historical record, but a literary work that is a pleasure to read. Employing the finest storytelling skills, Dunbar-Ortiz lovingly recollects her youth in Oklahoma and the family dynamics she experienced "growing up Okie" during the mid-20th-century. In the process, she touches upon a host of social issues--among them racism, sexism, and economic disparity--that have plagued the U.S. since its earliest days. Perhaps most importantly, she offers one resounding voice from among a vast population--namely, the white underclass--that consistently has been underrepresented in historical texts, and misrepresented in popular culture. Exploding the notion of 'poor white trash,' Dunbar-Ortiz offers three-dimensional alternative as she reconstructs through her personal memoir the history and struggles of the frontier settler class and its descendants. As we move into the next century, Red Dirt is a text of vital significance to our collective humanity

I grew up in central Oklahoma and can identify with many of the themes Ms. Dunbar-Ortiz writes about in Red Dirt. I think anyone who is on a journey of self-discovery or is attempting to reconcile his or her past will enjoy this book as much as I did. I rarely read literature about Oklahoma that makes me proud to be an "Okie" - this book does just that.

This book was my introduction to Roxanne Dunbar Ortiz. I read it before I learned more about her and her career as an activist for the past 40 years. She reflects on her life from birth until her move to California. She grew up in rural Oklahoma during some of the worst years ever. These were the years that shaped her, the launching pad of her feminist, anti-family, pro-socialist, anti-war, ... efforts.

The reader can learn a good bit about the Socialist movement in Oklahoma in the early 1900's, the Green Corn Rebellion and the patriotic surge that accompanied World War I.

Roxanne's grandfather, one of the less 'disfunctional' family members was a Socialist and strongly pro-labor and imparted his views to her. She remembers him fondly. It appears that her abusive alcoholic mother influenced her ideas about the family and church. She had very little to say about her mother or father that is not negative. Considering these influences, the dire poverty of her early childhood, and her marriage 'up' the social ladder her views on things are not too surprising. Simple - yes, but undeniably true, at least in part. And that does not take away from her drive, talent and desire to make a positive change in the world.

You can learn more about Roxanne at her website, reddirt.com.

I think I will read Outlaw Woman, the next volume of her story.

As a San Francisco resident of nearly 20 years, I loved this book. It is not a typical, boring guidebook, but rather a very well written, witty book that reads more like a novel. There are many places that Wach writes about that I have never heard of and I am so glad that I recently purchased this book. A must read for San Franciscans!

This book is a great way to get to know SF. As a local, you can do all the things you're "supposed to do" that you haven't done, even though you've lived here for years. Visitors to the city will get a great mix of must-do tourist attractions, and an inside peek into the many things that make San Francisco great that don't begin with "Fish" or "Golden" - a real local flavor.

The author is a regular contributor to the SF Chronicle Newspaper, and her articles are always a treat. She has a great writing style and is extremely witty - this book is actually an entertaining read straight up even if you're not looking for a guide book. She "gets" San Francisco and passes it on to you.

Especially invaluable if you have friends/family coming to SF and you need to show off our little city by the bay, but can't for the life of you remember anything to show them, except for things starting with "Fish" and "Golden". Many chapters that customize a visit to SF for each visitor type - from that "interesting older aunt" to the "wornout by the kids couple". It's a lifesaver when you're expected to give someone the "SF Experience".

Over twenty tailor-made tours of San Francisco are outlined for specialty tourists, from food fans to shopaholics. This isn't your normal tourist's view of the city. At the heart of San Francisco As You Like It: 23 Tailor-Made Tours for Culture Vultures, Shopaholics, Neo-Bohemians, Famished Foodies, Savvy Natives & Everyone Else lies its small neighborhoods and long-lasting shops and restaurants which often are hidden from casual visitors. Add a healthy dose of humor and you'll find a tour to suit all kinds of visitor - and even the San Francisco native.

It doesn't matter if you never go to San Francisco -- buy this book just for the sheer joy of reading it. Bonnie Wach has real opinions and does not dish out the usual everything-is-great travel-guide drivel. Her writing sparkles with personality, wit and humor. All the particulars for the places she writes about are listed in the margins, making the information easy to find when you're looking for it. If you have any interest in San Francisco or travel books in general, buy this book.

This is one of my favorite guidebooks to one of my favorite cities. Witty and funny writing style. Filled with interesting detail and juicy tidbits, yet at the same time simple to navigate. The approach is clever too - tailor made tours for a wide variety of perspectives and preferences. Even though I used to live in SF and know it fairly well, I've gotten so that I don't visit The City without this book.