North America Books

this is a great book, it is very interesting and seems to be fairly accurate to what might have happened in the life just after the land run.

This story is sooo close to fact one feels like they are part of the land run.

Hard to believe the same guy who wrote "Empire" wrote "Dreams to Dust" what a vast improvement on story telling. Dreams to Dust is a great historical fiction that centers around the founding of Guthrie Station, OK. The characters are diverse and well developed. This was a fun book to read.

DREAMS TO DUST
A tale of the Oklahoma Land Rush
By Sheldon Russell
University of Oklahoma Press: Norman
ISBN 0-8061-3721-5
Copyright 2006 by University of Oklahoma Press

BOOK REVIEW BY CAROLYN BRANCH LEONARD 2/10/2006

Standing at the foot of Mavis's grave, Jerome held his hat in his hands.
"You danced your dance," he whispered, "and left your memory burned in my soul. Now, I will dance mine, and leave my mark upon this land."

This quote from Dreams to Dust, by Sheldon Russell, represents the author's profound understanding of the birth of Oklahoma by land run in 1889, and his brilliant gift for capturing the dramatic events and violent conflict that shaped the legends of our epic West. Dreams to Dust is a rip-roaring tale of the history, land and people of a city born grown in one day - a day of chaos, unique adventure, risk and total confusion. The author knows his subject well, researched it thoroughly and told his story faithfully in a writing style unique to him ...and what an exciting story he has to tell. Dreams to Dust presents many facts revealed in fictional format, such as the station that becomes Guthrie - the first state capitol, abandoned as result of one frontier newspaperman's greed, with the capitol seal stolen away in the dark of night.

Not since James Michener's Centennial has history been told in such a spellbinding way. From the opening line when Creed McReynolds locks his legs against the inside of a rail car, I felt relentlessly carried along on his journey and unable to get off the train until turning the final pages in the wee small hours of morning.

McReynolds, half-breed son of a U.S. Cavalry doctor, becomes just one of an assortment of powerful, unforgettable characters; like the girl with sapphire eyes, or the French architect who designed beautiful buildings of stone, the dog they called Flea Bag, hard-scrabble entrepreneurs who became tycoons, and an orphan boy forced to grow up too soon.

The author speaks in language of the time, through the voices of homesteaders, sooners, cowboys, claim jumpers, soldiers, railroad bulls, mail-order wives, opportunists and common thieves, steadfast men, women and children who come to build their homes and seek their fortunes on former Indian lands. The three million acres of the `89ers are outside the authority of Indian government, and without civil law. Nothing is spared: danger, brutality, hunger, sudden death, the loss of youth and innocence, prejudice, natural disasters, promiscuous women, even the unselfish friendship and love that McReynolds unexpectedly finds in this barren land.

But what comes through strongest is the idea that each man and woman has an innate dream to possess land and prosper on it; a compulsion capable of redeeming a soul or destroying a life. We are subtly reminded that this land - which McReynolds fights so hard to claim - originally was given in peace treaties to his mother's people by the US government.

Even the closing graphs present a ripping good read with a hint of Hemingway:
"As he climbed from the meadow, the air smelled scrubbed and clean, and a soft breeze blew through the trees. At the dugout he stopped, laying his hand on the door, listening to the sounds of the mountain. It was here that he and Alida had been the happiest, had built traps and laughed about hoopers, had made love and planned their future."

.....But no matter what the future held, this much he knew: this land was where he belonged; this land was where he'd stay.

The title tells it all. This is a fun book to read and it got my wife and me all excited about our trip way before we even packed our bags. All the suggestions were very good.

Living in Chicago, I'm always longing for summer. Now I'm also longing to go to the Cape area. Enchanted Summer paints a great picture of what should be a great summer vacation. The book is well written, well organized and well..enchanting. Can't wait to check out the recommendations.

This book is what travel guides are supposed to be: informative, interesting, and most of all--fun. Great research and the author's warm writing style make planning a leisurely holiday a pleasant experience. Great suggestions for romantic getaways, but there's plenty here for the whole family, if you really want to bring the kids.

The author captures the very essence of the Cape Cod shores and the Vineyard and Nantucket. And the charming illustrations add to the call of life at another pace and that life can truly be enjoyed, one B & B at a time.

This book is an excellent resource for any who are studying the American frontier. I am currently using this book as a resource for my Master's thesis.

I found the narrative of this book very enlightening. The mind's eye could
see the descriptions of land and waterway problems of our ancestors. I recommend it for the historical value and the referenced materials. Enjoyed the comments made by the travellers on the roads and the inns in which they stopped.
Sadly, the maps were not of a very good quality. Too small and required a magnifying glass to read the numbers along the trails pictures.
Hopefully the next edition of the book will have enhanced maps of the roads and perhaps also an added overlay map with the counties through which the road ran for a better perspective of the route the roads took.

Enlarged beyond its earlier incarnation as an article in "The Alabama Review", this work has emerged as a highly valuable resource for readers and researchers of early Alabama history. Utilizing maps and exhaustive primary and secondary sources, the authors present evidence of the profound impact of the Federal Road upon the Alabama in its formative years. Here, the reader will learn that antebellum Alabama was far from a unified state, but rather a politically polarized collection of sectional counties, interspersed with tribal lands of the Creek, Cherokee, Choctaw and Chickasaw. North Alabama, with a citizenry constituted largely of emigres of Tennessee, Kentucky and North Carolina, held political power from Alabama's Territorial period (1817-1818) and through early statehood (1819-1840). Entering Alabama at a point roughly near present-day Columbus, Georgia/Phenix City, Alabama, and proceeding southwesterly to New Orleans, the Federal Road accomodated the massive influx of settlers emanating from Virginia, South Carolina and Georgia. This book reveals how the surge in America's westward expansion affected the present-day formation of Alabama. With pent-up demand for land, and a sympathetic Andrew Jackson in the White House, the Federal Road became the venue through which the white combatants prevailed in the Creek War of 1836-37. The resultant final removal of Creek and Cherokee tribes to Oklahoma, caused such a rush of new settlers into South and Central Alabama that Alabama's political structure underwent a drastic and lasting transformation. The shift in legislative power to South Alabama and, particularly, the Black Belt of Central Alabama, resulted in the 1846 removal of the state capitol from Tuscaloosa to Montgomery. The rise of the "Bourbon Democrats" of this region was to shape the landscape of Alabama politics for over 140 years thereafter. The authors, through scholarly, annotated research, offer the reader an opportunity to attain a thorough understanding of the significance of the Federal Road as the single most important element in the formation of Alabama's geography, government, economy and sociology. This reviewer highly recommends this book as not only valuable, but essential for anyone seeking to attain a thorough understanding of Alabama history.

Most enlightening. I was able to track my ancestors as they traveled thru Georgia and Alabama. With the aid of a good map, one can pinpoint their exact route. Highly recommend for anyone doing research on their family that settled in Georgia or Alabama.

Painstakingly compiled and with an expert, knowledgeable commentary by Shelby J. Tisdale, Fine Indian Jewelry Of The Southwest: The Millicent Rogers Museum Collection offers an impressively informative history and survey of the southwestern Native American jewelry that is represented in the collection of the Millicent Rogers Museum as the result of art patron and passionate collector Millicent Rogers who assembled a spectacular collection of Navajo and Zuni silver and turquoise, Hopi silverwork, and Pueblo stone and shell jewelry during the late 1940s and early 1950s. Of special interest is the chapter devoted to "The Origins of Indian Jewelry in the Southwest". Profusely illustrated and a very strongly recommended addition to personal, academic, and community library Native American Studies reference collections, Fine Indian Jewelry Of The Southwest is enhanced for scholars and non-specialist general readers alike with the inclusion of a glossary, references, and an index.

I HAVE ORDERED SEVERAL BOOKS FROM AMAZON AND THEY ARE EXPEDIENT AND HAVE A GOOD BOOKS AT A GREAT PRICE. AVAILABILITY GREAT. I WILL CONTINUE TO DO BUSINESS WITH AMAZON AND THEIR SERVICE. THANK YOU, BECKY DYER

This is a glorious book of Southwest Indian Jewelry with interesting info on Millicent Rogers, who herself was a work of art.

A must-have for collectors of Southwest Indian Jewelry.

If you like Indian Jewelry but can't get to the museum in Taos this is a great first book on the subject. If you do go to the Millicent Rodgers Museum, this is the book to help you savor that grand experience for many years to come. And it's a great reference work if you are contemplating investing in Zuni or Navajo jewelry.

Wilford's Trading Post
Gallup, New Mexico

Although this study is situated within some african american communities in the Carolinas, it - rather than reading gospel as a "folk expression" - takes into account gospels deep involvement in the devotional life and christian experience of its "audiences" and "artists" (each concept here inapropriate within a more christian frame of referance). To acheive this the author Glenn Hinson (who's a folklorist/anthropologist) approaches christian onthology and epistemology in a more respectful way than what has been common in the social sciences. At least in order to understand the believers point of view (concerning gospel) one has to pay closer attention to their stories. Much space is therefore left to (nonreduced) extended citations from various interviews, live testemonies, prayers, sermons, songs, private conversaution and other sources. Hinson also deliberately shares with the readers from his own process of trying to understand, his own failures and ethical problems in the dual role as seeker/researcher. A very sympathetic book indeed, and a human achievement I hold in high regard.

Fire in My Bones is an examination of Afro-American gospel surveying the gospel music program as a whole, considering how it works to join performer and audience, prayer and singing into part of the worship service and how Afro-American Christians have made gospel an integral part of their world. Fire in My Bones is a fine in-depth examination of devotions and devotional services.

This book is an excellent study of religious expression and gospel music in African-American congregations. Hinson takes his readers through an anniversary service for a gospel group while providing thorough and insightful descriptions of salient aspects of the context for the religious expression that he presents in this sensitive and articulate study. Although Hinson allows for a range of interpretations about what the participants are experiencing in religious devotion, he makes a strong argument that is too easily dismissed in academic research. Namely, rather than explaining away encounters with the supernatural as physical or psychological phenomena, the researcher will gain a different understanding of culture if he or she takes the claims of a believer as a valid starting point for ethnographic inquiry. Hinson suggests that experiencing divine presence provides a new way for readers to truly "understand" what he writes of in this book. I have attended countless gospel services, and Hinson's book provides an excellent resource for gaining a greater awareness of what I have seen as believers "have church." Hinson's methods, theories, and insights as a folklorist provides an incredibly rich and accurate way to complete ethnographic study. This book is also beautifully illustrated with the superb photography of Roland Freeman.

This examination of Afro-American gospel examines the gospel music program as a whole, considering how it works to join performer and audience, prayer and singing into part of the worship service and how Afro-American Christians have made gospel an integral part of their world. A fine in-depth examination of devotions and devotional services.

This collection of poems, stories, narratives, folktales, oral histories and essays very aptly portrays the vital importance of salmon to the native peoples of the entire northern Pacific rim - not just as a food resource, but as a basis for their culture and a component of their identities. Several of the contributions, particularly an essay by Jeanette Armstrong, note how sustainable yield was applied in salmon fishing for thousands of years and how the discarding of this principle in modern times has led to the excessive depletion and near extinction of this species. Since I grew up in the Pacific Northwest, I am more or less familiar with the importance of salmon to the local economies and the Native American cultures of the region, so I found the sections of the book dealing with the Ainu of Japan, the Ulchi of eastern Siberia and the Nyvkhs of Sakhalin particularly informative and enjoyable. It is also a bit depressing to learn that like the U.S. and Canada (although not nearly as brutally), Japan and the USSR/Russia similarly mistreated the local populations by, among other things, limiting or restricting their access to traditional salmon runs and/or trying to force them to adopt non-traditional ways of life (assimilation). "First Fish, First People" may be attractively published, with striking cover art and attractive photos and illustrations, but it is not a coffee-table book - its diverse contributions, taken together, outline a philosophy of respect for and wise use of natural resources, as well as (and just as importantly) respect for different cultures and different ways of life. It is almost a cliche to say that it is high time that such lessons sink in at all levels of our modern globalized and hyper-industrial societies.

Aba book of the Year!!

Buy it especially for the Sherman Alexix poen at the beginning. It's touches the core of the Salmon environmental and cultural dilemna in the Northwest.

This book is a work of art, and provides evidence that the University of Washington Press, through its cooperation with other smaller publishers (such as One Reel) is doing the work that needs to be done in Northwest history and cultural studies.

This book is a collection of perpectives on salmon from representatives of the peoples around the pacific rim whose lives have centered on salmon for thousands of years. The contributors are talented indigenous writers from the United States, Canada, Japan, and Siberia. The engaging text is amply illustrated with historic and contemporary photographs, as well as drawings. The historic photographs are not the same ones that usually appear. For example, nearly every book on salmon in the nortwest has a twentieth century photograph of Indians fishing at Celilo Falls. Most books use the same photo. This book uses one that features in the forground the cable system that was used to get down to the fishing platforms, with the fishing platforms themselves in the background.

Some of the work in this book has been published elsewhere. But the context it is given here accentuates it in useful ways. For example, Sherman Alexie's poem, "The Place Where Ghosts of Salmon Jump," is engraved into a sculpture in Overlook Park behind the Spokane Public Library and is published in _The Summer of Black Widows_. But in this book it appears beside a nice photograph of the falls as it appears today, and a photo of Mr. Alexie standing on the footbridge above a section of the falls pointing downstream.

I grew up in So. California, so I've been fishing and diving the Pacific for many years. Now I live in Mexico and fish/dive the Gulf of California. I have never found a better field guide for these waters. I keep a copy on my boat and use it constantly.

The full-color illustrations are excellent and the descriptions are precise and accurate. It is laid out logically and is very easy to use. I've settled many arguments and won many bets on the docks with this book.

As a volunteer for the new Long Beach (CA) Aquarium of the Pacific, I needed to quickly learn about fishes of the Pacific coast and how to identify them. This book exactly suits my needs. It is interesting and informative, without being too technical. The color illustrations are beautiful. This is the perfect book for anyone who wants to learn more about Pacific coast fishes.

Fishes of the Pacific Coast is an excellent reference guide with beautiful full color illustrations of approximately 450 fish. I truly appreciated the inclusion of the fish of the upper Sea of Cortez. Small ecological and historical blurbs are fascinating. The handbook size makes it a must have on your diving or fishing boat.

I do a lot of fishing and own quite a few books on fish. I also keep a life-time fish list, a list of every species of fish I have ever caught that I was able to correctly ID. I have found Fishes of the Pacific Coast by Gar Goodson in particular to be very useful for ID purposes, but I also find it to be very good writing, highly interesting, and full of information that most other fish ID books usually lack. For example, he tells you here if a fish is considered good eating, or not. He tells you where they are found, in how deep of water, locals, tidbits of history about the fish, and also what they eat.
I recently bought two new books on fish, one about fish of the Gulf of Mexico and another on fish of the Atlantic Ocean and looking them over I kept finding things missing; I suddenly realized how much better this book of Goodson's is.
The many illustrations by the artist Phillip J. Weisgerber are all excellent and every single one of them is in color. I am a writer myself, author of some 5 published books now,... and I appreciate books that are put together with care, appreciate writing that is fun and interesting and highly informative. Fishes of the Pacific Coast is an inexpensive book and a darn good one. If you fish in the Pacific you'll want to own this book and will find that having it, and bringing it along on fishing trips will add a great deal to your pleasure. Also, I would certainly recommend this book as a present for anyone who is interested in nature,in fish, in fishing. A marvelous book and one of my favorites for sure!

I grew up reading the Famous Five in Denmark. My classmates and I would fight over them in the library. I used to hole up in my room with the Famous Five and wishing I was part of their adventures! I had every one of the books but unfortunately they were given away when I left home. I'm now in the process of collecting them all again.

I read all of Enid Blyton's books as an American child living in Pakiston in the late 1960's. I loved every one of them. I am now trying to find another children's series by Blyton called, "Mallory Towers" a schoolgirl series. There were six books in the series. END

I am german and have read probably all Enid Blyton Books around, they are very popular in germany. My favorite serises of hers was the five friends, it is about friendship, it is mystery, it is catching and it makes you want to read..like all of her books this one is a great present for any occassion and a TUMBS UP! I wish more of her works were available in the United States.

I have read most all of Enid Blyton's books, esply her adventure series of Famous Five, The Five Find-Outers and dog, and also her three boarding school series. Most children outside the US read a lot of her work. Her work is not only creative, thus appealing to children, but it establishes fundmental concepts of right and wrong, and a simple code of ethics. Some would call it old-fasioned, maybe. But in this world of violence, Ms Blytons books are a breath of fresh air. Wish they were available in the US!

Having spent a lot of time looking for information on imaginative & fun (and sometimes luxury) travel with kids, I can tell you that this is a really unique book. It is comprehensive, carefully researched and well written with loads of practical tips. Some 'travel with kids' books might as well just be bland advertising copy, this one really provides good editorial content, with positive and critical comments. It is a pleasure to read and we will use it for a long time. Fodor's should publish more of these for other parts of the US/world.

I loved this book and would recommend it to any family wanting to travel in the northeastern United States. The writers offer tips and reviews on places of interest, resorts, and campgrounds in a wide range of prices. In fact, we have visited some of those places and found a brand new vacation prospect in Lake George which we will be trying out this summer! Definitely one of the most informative travel books on the market today -- entertaining even if you do not go to these places.

Very useful book for locals and visitors. We liked the way it gave us recommended age groups and prices. We can now plan ahead places to visit within and on the way to our next holiday area. We have also used it for planning field trips from the school into San Francisco. Easy to use and enjoyable to read.

I've been searching for a book like this for several years and haven't found one that fit the bill until now! I had a great time reading it - so well written - and got more useful information than I'll ever be able to use in one lifetime! Thanks so much to the writers and publishers!

I became really interested in a written compilation of folk music after having bought an excellent folk collection released by folkways. I picked this book out of only a few that looked decent and my guess is it may be the best single volume for the layman. I'm very pleased with the range of folk music and short histories.

This is the folk singer's Bible. There is a short synopsis of each song and the song listing includes the lyrics and a melody line as well as chords. There is an appendix written by Peggy Seeger that describes basic picking techniques for guitar and banjo. Each song is labelled with suggested techniques from that appendix. Finally there is a chord transposition chart included.

A wonderful resource for the beginning singer of traditional songs.

I bought this book when it was new 45 years ago. I learned to play the guitar and sing folk songs by going through the pages of this book and trying to do as many as I can. Some caught on, some didn't. Decades later I started to seriously listen to blues and banjo music, fiddling, and old time ballads. I started study old time music seriously.

I bought this book again and went through it. So many songs well known by lovers and students of the blues and old time music of banjo playing and fiddling of Black and Canadian Maritime folk music that I had not remembered or had not known were there as well as the obvious songs.

Having said that, this book reflects the particular weaknesses of Alan Lomax and his work. This is a book of public domain traditional music collected by Lomax and his father and others, but copyrighted in the name of Alan Lomax. The book hues pretty close to Lomax's general romantic "Americanism" and belief in some inherent superiority of "folk" music over "commercial music" whereas recent scholarship suggests the interaction between the two is more important than the difference.

However, this is the basic collection of American folk songs. The advances we have made in the availability of recordings of all kinds of traditional music, in the specialization and extension of scholarship of specific genre, specific cultures and sub cultures, and other aspects of the music mean probably no one today would attempt to publish one big book of general traditional folk songs. However, that has come in large part by musicians, scholars, and enthusiasts who came out of the generation who learned their folk songs through this book and other work Lomax and his colleagues did.

If you love real folk music, this is a good book to have.

This is a book that is the symbol of the work that Alan Lomax has put into collecting folksongs. The book is one of the greatest, and what some folksingers read and memorize. It is well worth whatever anyone would sell it for, and probably more than that. It also has a discography of some of Lomax's favourite folk albums up to 1960. A good investment.