North America Books

I like this road atlas because of its spiral binding. It lies flat when open -- a real plus when you're trying to manipulate it with one hand while (heaven forbid!) driving. Otherwise, it's pretty similar to most other road atlases with state and city maps, distance charts, an index, and national park maps. The colors are vivid and the maps are pretty and easy to read.

Smallchief

THis is a pretty good looking road atlas. The spiral binder makes it less likely to end up like the glued and stapled atlases. The large scale maps are easy to read, even across the cab so you can see what she is telling you.

This is the best Road Atlas that I've have ever seen.
Great product!! Great Price!! and you can't beat Amazon's Great service!!

Without a doubt the best road atlas you can buy. Spiral binding makes it so much easier to handle without destroying it.

Exceptional detail on State, County and other secondary roads. Larger size and scale provide much improved readability when you're on the move (of course I never try to read the map while driving). Excellent detail on city maps and way more notation of landmarks and points of interest than the other brand.

Why waste your money on Rand McNally when this is available?

Most atlases have entire states on only one page. Consequently, many smaller towns are omitted. Most states in this atlas are on two (if not more) pages. Larger print. Easy to use.

Childs has created a beautifully written book about animals and journeys into their abodes. He lashes a poet's equipoise to an adventurer's rugged wagon and traverses stories that are breathtaking both in their raw facts and in their telling. A wonderful book.

I have greatly enjoyed reading this naturalist's account of personal encounters he has had with animals in the wild. He demonstrates a respect, as well as a healthy fear, of the big predators such as mountain lions, bears, and jaguars. Intertwined with the adventures, Craig Childs provides details and meaningful information on creatures as diverse as mosquitos and Blue Sharks. It is a personal account which is accurate and does not romanticize the animals he describes.

I purchased "The Secret Knowledge of Water" by Craig Childs, and picked up the "Animal Dialogues" at the same time. After reading both books, I will buy more by this author. Vivid descriptions of places and happenings make his experiences come alive. The short chapters on each species give his own story and some scientific information on the animal as the story unfolds. I have learned much, and enjoy his take on the face to face encounters with some of the animals. We can identify with the cat and mouse tales in the Tipi. The Mountain Lion encounters were incredibly intense. This will really make me be more aware of where I am and what is around me when walking up the slot canyons and in the river wash. The footprints we find will be a little more of a wake up call, then just 'Oh neat! A fresh Mountain Lion foot print!"

This book tops my list of favorites. Childs' skillful use of languge not only brings his encounters to life, but revels in the mystical aspects of the wilderness. It is as close to poetry as prose can get; it's simply stunning.

This book was very well written from a naturist's point of view. At times you would feel as if you were right beside the writer as these encounters occur. After living in CO for 15 years I really could appreciate the stories. Great read for a cold winter night.

I became a fan of Leonard Pitts after reading his column in the Miami Herald while visiting Florida. I like his style of writing and thinking and after reading this book, I now purchase it for young black men who have just become a father.

Written by Pulitzer Prize winning columnist Leonard Pitts Jr., Becoming Dad is a discussion of the need for black fathers to step up and become positive male role models in African-American society today. Pitts recounts both his personal life (he grew up with an abusive father) and vignettes from dozens of men that he interviewed across the nation. Becoming Dad blends both personal experience and journalistic cross-examination into a powerful whole that embraces the joy of truly being a father and caretaker. A handful of black-and-white photographs illustrate this highly recommended tribute.

After watching Mr. Pitts interview on Tony Brown Journal. I became one of the first people to order his book on Amazon.com.
I would like this book place on the recommended reading list at predominately Black High Schools, colleges and universities. It would be nice to also see a few copies available in prisons, church libraries and military PX stores. Mr. Pitts, "Becoming Dad" offers God-send messages to Black Men seeking answers, However, others can benefit from this book. In conclusion, I would like "Becoming Dad" in every conscious-seeking Black man's library.

I was first drawn to this book after watching a television interview of Leonard Pitts, Jr. as he discussed the book. What an interview! What a book!

I once heard a person say, "Real Men don't have to prove it." This certainly speaks of Leonard Pitts, Jr. He doesn't have to ask anyone's permission to be who he is and he doesn't have to prove to anyone else that he is a man. He is able to be vulnerable and strong at the same time. Those whose stories he writes are equally brave and candid. He is a man with straight-shooting, hard-hitting advice for a new generation of African American men, and some advice for women as well. His frustration with men who blindly accept the stereotypes placed on them by a thoughtless society comes through loud and strong. Men do have a choice. And women do have have a choice as to where they place their standards.

Because this book is aimed at African American culture, it will not have as strong of an emotional impact with those who are in a different culture. Pity, because strip away the cultural references and his message is one that needs to be heard by everyone.

I read this book back in January and thought about how different a life I had compared to Leonard Pitts Jr. Pitts spoke about how his father held the family a gunpoint twice and about how he beat his mother and siblings whenever the father became intoxicated. Pitts basically stated how once his father died of cancer he was basically forgotten about, but never forgiven for the things he had done to make their lives so complicated for his family.

Pitts speaks to other men in a focus group setting about their relationships with their children and the mother of their children. Some of the relationships seemed as if the father really did not know what to say or do with the children and some of the children felt who is the mystery man? My heart went out to so many of the men, women and children who never got acquainted or tried and failed. I believe that so many men make children and probably fallout with the mother of their children. So many men see the "baby mama" as an obstacle who makes them feel inadequate or uncomfortable.

I had a friend who fathered a child with a woman and had not seen the child in the tweleve years that the child has been on earth except for the day he was born. My friend received a letter one day from his son wanting to see him and my friend wanted to go out and buy everything in the mall for his son. I explained to my friend that money can't buy love and I said that the most valuable gift you can give to your son is history. I explained to my friend that he should tell his son where he came from, his family, and take the boy on a trip to see where his father grew up. The boy is curious to know about his father, but also about himself and so often we lose sight of that by purchasing expensive that could never fill the void of family history.

(I'd actually give this 4.5 stars, but Amazon doesn't do that. The reason is that despite the flaws in the narration, the book never ceased to keep me fascinated and entertained. I wasn't pulled out of the story loads of times or anything and the flaws didn't kill it. It's a darn good read!)

The Cleansing is a novel that moves outside of what I normally read. I admit that I have only read one other novel that had Native American themes that I remember (and that was also related to specfic). That was a novel by A. A. Attanasio, the title of which is eluding me at the moment. I've noticed that I don't generally pick up Native American themed novels, and I'm not sure why. Maybe it's some narrow minded view of mine that there isn't a lot of interest for me in such novels because I, personally, don't buy mainstream or literary fiction books very often (I tend to stick to fantasy and SF and rarely go outside them except for non fiction work). I am familiar with Native Americans, particularly of the tribes in and around the Foothills of California (such as the Washo).

That being said, reading The Cleansing was a whole new experience for me, not only because it's about Native Americans and, in particular, about things I've not read much about before, but also because it's actually an entertaining read with a really interesting twist on the "werewolf" theme.

To sum it up, the story is about Wanata, a godlike being in Native American folklore believed to come to Earth in the form of a wolf to perform The Cleansing, a sort of nature-induced population control. The Cleansing has happened before, but there's a reason nobody knows about it: because it's something that is hidden, on purpose. But now, mankind isn't a fledgling little species anymore. We've conquered practically all of the globe, spreading ourselves out by the millions, building great cities, polluting everything, etc. Over six billion of us are on the planet now, and Nature isn't happy about it (hence The Cleansing). The problem is that millions of people will have to die to reestablish order. Laughing Wolf, a Native American shaman, knows what will happen and has a vision that tells him he must kill Wanata and create a new Cleansing, one that doesn't involve destroying millions of lives. Savannah, a reporter, just wants to get the next big scoop on the strange happenings in Alaska (a rogue pack of wolves attacking human settlements). The various other characters are inextricably sucked into the events, many of them receiving a shock to the senses as they begin to realize that some things aren't so easily explained and the things happening up north aren't the work of something as simple as a couple stray dogs.

One thing that really stood out to me about this novel is that it actually gives a whole new view of the "werewolf" mythology. While I don't know if Harvey intended this or not, it was there nonetheless and I thought it was really fascinating. In the novel you get the sense that the werewolf condition is like in most werewolf myths: an disease of sorts. Added to that, however, is that it is a human affliction upon nature, which presents itself in ways I thought were really interesting (imagine that instead of a human becoming a monster that can't control itself, it's a wolf becoming a man, and going back again, without all the rampaging and ability to infect other people). I got a bit of a kick out of it because I have grown a little tired of the cliche werewolf stuff (you know, like every Hollywood movie you've ever seen with werewolves, all of which try desperately to add to the myth, but only manage to keep the common mythology running without adding much to it at all).

The plot is really fast paced, so if you're not prepared to be sucked into it and pushed along at breakneck speed, well, that's your own fault. The best part about the novel is that it doesn't play any games and gets right to it: the world is bad and Wanata is going to take care of things (and humans aren't all that smart when it comes to deal with demigods, as it turns out). Savannah is just snappy enough to make me laugh, Chace is just evil enough to make me want to kill him myself, and Wanata, surprisingly, is sympathetic enough to actually make me care about what happens to him (considering he's supposed to be the bad guy). It's also interesting to point out that Harvey doesn't pull punches when it comes to showing human beings in all their forms: good and bad. There are folks who sit in the gray areas, and some who are black and white. This is something I think is very important to have within a novel like this. After all, we're talking about a restructuring of Nature and to make Wanata seem like only a bad guy would make it too easy. Humans are not perfect: some of us are evil, some of us aren't, and some of us sit in the middle. Nature, unfortunately, doesn't generally make distinctions about good and bad.

My only concerns with the novel is that for some it might have too many characters. While the pace is quick, there were a couple times where I was pulled out of the story when the author pulled me around to different characters, trying to give a wide range of views of the same thing or by trying to split the storylines. It's not a tremendous problem. I found myself getting used to it and not generally being bothered after a while, but I think perhaps reducing the amount of POVs could have helped develop the more important characters (particularly the ones that I liked: Savannah, Wanata, and Chace, though the last one I didn't like because he was good, but because he was a completely horrible human being and it would have really been more interesting to know where he came from and why he had turned out that way). There could definitely be more in the development of some of the characters, as I mentioned, but I think in the end it worked out okay anyway. I still want to know what the heck made Chace into the horrible person he is.

Overall, Harvey avoids stylistic annoyances and gives the story in a way that moves quickly and doesn't dawdle. The plot thickens and becomes more complicated as it goes along, which is both a good and bad thing. The bad thing is that the novel ends with only partial closure. Harvey has proposed a trilogy, and the way it ends is set up for that. While it does end, there are still a lot of things left to be addressed, particularly in Quiet Wolf's (Laughing Wolf's grandson) storyline and Wanata's. Hopefully Harvey intends to get the other books out soon, if they aren't out already. I'm looking forward to those sequels mostly because I would like to see more of Savannah and find out what happens, if anything, between her and Wanata. Basically, this is fast-paced reintroduction to the fantastic disaster story, filled with a wide array of interesting characters, magic, monsters, rogue wolves, and a touch of the werewolf. Not much else to say other than I really enjoyed this book and thought it was entertaining from start to finish.

This book kept me up at night for two reasons- I couldn't stop reading it and it really freaked me out!!! I've read it twice, and let some friends borrow it. I'll probably read it again, too!!!

I loved this book. It is a page turner from the front to back. As a person who hasn't been a fan or this genre - this book sold me back into reading more fiction!

Harvey does an amazing job. Steven King watch out!

BUY This book. You will love it.

What an incredible introduction to a new author. THE CLEANSING is easily one of the best, most enjoyable books I've read in a long time. Not since King's THE STAND have I been so unhappy about finishing a novel. It was a joy to read from the opening paragraph until the last page. At times horrific, intriguing and endearing, it grabs your full attention and never lets go. Each of John D. Harvey's characters, both major and minor, are multi-dimensional and unique with their own distinct voices. The reader will even find themselves empathizing with the villain in this book, a preternatural wolf named Wanata, who not only wreaks terror wherever he goes but is, himself, struggling with his own crises. Don't let the cover price keep you from grabbing this one! You won't be disappointed.

The title of John Harvey's first novel stirs memories of the seventies and eighties (when titles of most horror novels included but two words, one invariably being "The"). The narrative style, however, is a throwback to a much earlier era. Harvey's straightforward and earnest storytelling brings to mind the pulps. The book exhibits energy, wit and invention, but the old fashioned prose might have readers believing it's a reprint from the first half of the twentieth, rather than an original work from the first half of the twenty-first, century.

Mining Native American legend for the raw material of his first novel, Harvey tells a tale of an ancient being emerging from his rest into the modern world. The initial focus is on the medicine men of several North American tribes, men who are haunted by dreams of the wolf spirit Wanata, whose periodic visits to the mortal plain over the centuries have inevitably resulted in the destruction of whole segments of the animal kingdom. Wanata is charged with keeping nature in balance--if a particular species has upset that balance, its numbers must be reduced to restore harmony. In the past, this meant the destruction of buffalo or deer. This time around, Wanata's target is mankind itself.

Once you get past the odd formality of the writing (it's not clear whether this was Harvey's intended effect, or simply his normal literary voice), The Cleansing is a pleasure to read, remarkably free of the common flaws that plague most first novels. Harvey guides readers through his universe with a sure hand, providing a plethora of memorable characters (freelance journalist Savannah Channing and Tungtawnee medicine man Laughing Wolf are two of his more vibrant creations) and generous doses of humor along the way. Harvey is clearly unafraid of taking chances in service of his story--although all of his characters are put in peril, the least expected and most likeable members of his cast suffer the most harm, ratcheting up the suspense quotient.

The novel suffers as Harvey's narrative slows almost to a crawl towards the end, ostensibly because this is the first novel of a planned trilogy. Hopefully Harvey is saving equally engaging material for books two and three, and not simply running out of steam. Time will tell.

Some books teach you something new. Some books have you look at things in a different light. This book does both. Before reading this expansive historical work, I viewed the 1863 New York riots as a reaction to the draft. This book shows that it was that and a lot more. Schecter's book analyzes the social-political situation in the United States at the time of the riots and shows how much racial relations and fears, and those who preyed on both, played a role.

This book teaches on so many levels. It serves as a 1) an complete account of the civil disturbance in New York City in 1863, 2) an overview of race relations in the United States during the Civil War and Reconstruction, and 3) a history of New York city in this pivotal time frame. It even includes a travel guide for New York, which includes all the sites related to the narrative. Well written and superbly researched, this book is a great precursor to Eric Foner's works on Reconstruction.

This is the best historical work I have read in the last few years.

Thank heavens for independent scholars!

Barnet Schecter is rapidly becoming one of the best chroniclers of New York's history. His previous book, "The Battle for New York: The City at the Heart of the American Revolution", was an eye-opening revelation at how this city was the true "heart" of our separation from England, and how we (and Boston, as well) were that country's main target for conquest in 1776. Utilizing the same narrative style of writing, Barnet Schecter tackles the week-long convulsion in New York City four score and seven years later.

"The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America" fills a void in most histories of the Civil War: the fighting that took place OFF the battlefields of Pennsylvania, Virginia, Maryland, etc. These were the wars that were waged in newspapers, city halls, and, ultimately, the streets of major cities across America. Mr. Schecter is careful to explain that the New York City draft riots were not the only anti-war, anti-emancipation riots during the Civil War. But it was the largest. It was the worst. (While most New York historians claim that around 100 people were killed during the riots, Mr. Schecter rightfully, I believe, puts the number at 500, at the very least.)

The actual riots occupy only the middle one hundred or so pages of the book. Mr. Schecter devotes an appropriate amount of time to examining the roots of the riots: the racism, the class animosities, the mistrust between Nativists and immigrants, and so on. In the weeks and months immediately before the cataclysm, we see battle lines being drawn: Greeley vs. Marble, Democrats vs. Republicans, poor whites vs. poor blacks; in fact, it seems like it was almost everyone vs. the beseiged African-American population. When the five days of rioting are discussed, the sense of prevailing confusion and chaos--the near anarchy--are as expertly conveyed as the awful scenes of violence. The final third of the book is, in many ways, more tragic than the uprising. It is here where Mr. Schecter discusses the aftermath of the riots over the next two decades. Basically, the reconstruction of America fails. The North and the South do not fully unify. The working class does not get the respect it deserves. (Instead, it is treated with more brutality and unfairness.) Worst of all, African-Americans are not truly emancipated. The enmity and violence visited upon them, because they are never addressed, just worsens. And why were they never addressed? Mr. Barnet just comes out and says it: because most people never really wanted to. Therefore, it would takes decades before America would heal or truly reconstruct.

"The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America" is a sobering book, true, but it holds our fascination. The details about the quirky politicians, newspapermen, observers and participants breathe life into people who have been dead for almost 150 years. The maps and generous sprinkling of illustrations help us see the people and places more clearly. This is a monumental book for which Barnet Schecter deserves our appreciation.

Also recommended: Iver Bernstein's "The New York Civil War Draft Riots". Although not written in a narrative style, it contains valuable information about the causes of the riots. For a fictional treatment, Peter Quinn's novel, "Banished Children of Eve" is the best I have ever read.

Schecter's book is a great read that clearly explains the New York City draft riots and the political and ethnic issues that simmered to the point where in July 1863 Irish immigrants protested and rebelled against what they saw as an unfair draft system that had been put in place allowing $300 commutation fees and a recent Emancipation Proclamation which caused them to fear the loss of their jobs to newly freed slaves coming from the south.
It's an excellent book about a rarely discussed topic in our nation's history.

This is a good book that seeks to help desanitize and demythologize American history. Racism is and always has been an American problem, and not relegated to one region, or for that matter, one race. I think a good book to read with this one is Tom DiLorenzo's brave THE REAL LINCOLN, now available in paperback. It does something to show Lincoln's virulent racism and should act as a supplement to THE DEVIL'S OWN WORK.

Barnet Schecter's magisterial study of the five day insurrection that erupted in New York City, "The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America", is one of those historical accounts that illuminate more than just the times the work is set in. By providing a multilayered analysis to the issues that marked this breakdown of social order, and through a deft, perfect-pitch, use of basic sources, Mr. Schecter lets the contemporary voices of those living through these events and, at times, driving them, speak for themselves. The result is a tableau of compelling immediacy that is rarely seen in a historical study. Some of the expected characters are here: Lincoln, Seward and Lee, etc. but it is the less well-known characters of that era that permit the real force of the book to be felt. By knitting together and contrasting the recorded dialogue of the restive ferment of the slums of New York and Boston with the tense interchanges originating in the mahoganied board-rooms of these same cities Mr. Schecter recreates the social tensions of these turbulent times. With what seems to be an unerring sense of how the character of a subject will define for him the peculiar social reality that he may act in, we meet figures who by virtue of the author's skill and sympathy are never rendered as simple, one-dimensional heroes or villains. Landmark works in any field of study require that a sense of scope, sensitivity and balance be observed throughout the effort. But such traits alone cannot mark it as memorable. For this the electricity of personal exchanges in statehouses, boardrooms and back alleys must be captured in their raw force and then be woven in into a narrative that flows with seeming effortlessness, from it its own momentum. This is what Mr. Schecter has accomplished.

Book about Warblers
this reference book is very helpful in identifying the migrating warblers.
It arrived in very good condition.

This book is much more than just a field guide to the warblers. It contains a wealth of information on identification, but it also functions as a summary of the scientific literature on the ecology of each species, complete with references to the primary literature. This guide is a great way to not only get more serious as a birdwatcher, but also to help this interest develop into an interest in and understanding of ecology.

As a field guide, this book is exhaustive and excellent. The illustrations are extremely clear, and there are distinct illustrations of different sexes, ages, and plumages (fall/spring) whenever these plumages are distinct. In addition to the illustrations of perched birds, there are also excellent illustrations of undertail patterns, which are very important and useful. Throughout the text as well, there are a number of detailed color photos. Visually, this guide has it all! The range maps are large and clear, although I wish that the range maps would mark migration paths more clearly.

The expanded chapters on each species are outstanding. While some of this information, especially the plumages, range, song, habitat, and behavior, would be interesting and useful to birders, this book goes above and beyond by discussing in depth the ecology of each species, taxonomy, and conservation status. The writing is clear and concise, and there are numerous references to the primary literature as starting points for people who are interested in further reading.

Bottom line? If you like warblers, you have to get this book! You will not be disappointed.

Several years ago, while watching the bird feeders at Muskatatuck National Wildlife Refuge in Seymour, Indiana, I heard a voice behind me pointing out that there were two races of White-crowned Sparrow at the feeder. He went into detail about the subtle differences between the two. At first I thought to myself, who is this guy? Later, I realized that it was Jon Dunn! I have had a high respect for him ever since.
Years later, he was the guest speaker at our bird club meeting. He presented some of the plates from his, at the time, upcoming new field guide to warblers. I fell in love with the plates from the very start. Thomas R. Shultz and Cindy House did a remarkable job, and the detail that was carefully gathered from museum specimens is second to none. I knew from the beginning that I had to have this new field guide and I couldn't wait until it appeared on the shelves.
When I bought my copy of the finished product, it was even more than I expected. Aside from the detailed plates making fall and female warbler identification easier, the text is filled with information on virtually every aspect of life history of each species, with cross-references that will aid any serious researcher. More than just a field guide for identification purposes, this book belongs on the shelf of beginners and experts alike who share a passion for warblers.

This book provides good color plates of the warblers in various stages of plummage. The distribution maps are easy to read and color coded. I bought the book because of the multiple pages of natural history information on each species. The birding guide I use in the field has excellent illustrations but totally lacks in the supplemental information. So, when I get home, I grab this book to learn the biology of the species.

Kimball Garrett and Jon Dunn worked together once again to produce a masterpiece. The information on status and distribution is remarkably accurate given the exceptional detail in which it is presented. The identification discussion is thorough and accurate. The discussion of subspecies, their taxonomy, and their identification (as is possible) is remarkable. The books only failing are the illustrations, which are flat and unrealistic for the most part. Their usefulness is limited.

A nicely researched and insightful biography of Florence Lawrence, one of the most shadowy yet important figures of early cinema. Many things about Florence's life and career will perhaps always remain vague, but Kelly Brown gives a worthy account of America's "first movie star." It is refreshing to know that Flo is finally getting the recognition she deserves. This book is a must for the true film buff.

This slender volume is fascinating because it finally paints a well-researched picture of the long forgotten Florence Lawrence. I've always been fascinated by her after seeing publicity stills of her from the mid-1900s. She appeared to be warm, charismatic and fascinating. Her greatest tragedy is that none of her films have been shown in eighty years. I have one of her shorts, "Flo's Discipline" which only lasts about twelve minutes but it gives you a hint of how dazzling she was before the cameras. While her cohort, Mary Pickford, went onto a spectacular career that included mind-boggling salaries and a world-famous Hollywood castle, Pickfair, poor Lawrence was living in a small, hotel room, being paid a few dollars a week as an extra at MGM. Her life would make a wonderful movie--and a cautionary tale about the pitfalls of how fleeting fame is, and how fickle is the public when it comes to remaining faithful to the flavor of the month.

Florence Lawrence was an enigma I had always wanted to know about, having been interested in silent films for many years. Information on her was scarce, save for some still photographs in silent movie history books. Kelly Brown really did her homework, in what must have been a difficult task, digging up information about a star whose heyday was almost 90 years ago! Congratulations, Kelly, on a job well done! I can't recommend this book highly enough!

I always enjoy a good biography, especially those of the nearly forgotten silent screen stars. This biography of Florence Lawrence was well researched and had many wonderful photos. The author did a good job with the resources available. Most of the films and people involved in silents are gone now, so the job is doubly difficult. Although pricey, this biography is well worth reading.

Florence Lawrence was "big" before there were movie stars. She was the original "Biograph Girl" before Mary Pickford was given that name by movie fans. After losing her job at Biograph, she was hired by Carl Laemmle's IMP company (later Universal). As a publicity stunt, Laemmle started a rumor that she was dead. Then she made a personal appearance in St. Louis and was mobbed by fans.

Unfortunately she was pretty much out of work in five years. Poor managemet by her husband Harry, as well as a painful injury forced her into bit parts. She was still acting in very small parts into 1938, when she gave up on life and committed suicide.

Kelly Brown has done an incredible research job. Using Florence's surviving correspondence, as well as trade magazine artices and advertisements, she has reconstructed Florence's life. The book has many footnotes noting sources, and there is a very detailed filmography. Instead of a book full of dry facts, Ms. Brown keeps Florence's story interesting. If you are interested in early cinema, or even important women actresses, you should definitely read this book.

This book is beautifully illustrated and very helpful. I have shared ideas from this with friends and family.

Have you ever wondered why front yards in North America consist mainly of lawn? Is there a law that demands this? The writer starts by briefly reviewing the history of our love/hate affair with the front lawn and pointing out how costly they are in labour, water and poisonous chemicals.

The writer then explains how she changed her ordinary, lawn-filled front yard into a garden, working around the objections of her husband. From there she explains the groundwork that must be undertaken when a plain front yard is changed into a garden. Most of the remaining chapters discuss different types of gardens - cottage gardens, minimalist gardens, small city gardens and so on. The writer presents each topic and then introduces gardeners who have developed variations on this theme. The final chapter "Overcoming Obstacles" shows how gardeners have coped with dry soil, steep gardens, a garden that must incorporate a fire hydrant or a power pole and so on. There is a reasonable resource list at the end.

This is a very useful book for people who are tired of the front lawn but don't know quite what else to do with the space. The approach is relaxed and personal and has examples of gardens from Ontario to Texas. The advice is practical, the illustrations are relevant and show the gardens at different seasons. The writer knows her topic thoroughly and has given us a very readable and attractive garden book.

Liz Primeau has written an inspiring guide that can help you transform that bland patch of lawn between street and house into a rich landscape. Front Yard Gardens tells the stories in words and beautiful photographs of dozens of front gardens in various styles. The gardeners behind these wonderful front yards have coped with budget and space constraints, although most have dedicated considerable time and energy to their projects. Almost all of the gardens are Canadian, a plus for those of us who live in colder zones: many books about front yards emphasize styles that can only be achieved in milder areas like Southern California, where gardens remain lush year-round. Ms. Primeau's book is refreshing because it deals with the strategic and emotional challenges of introducing a front garden into a neighborhood where front lawns are the norm. The book also discusses the evolution of these gardens over time, encouraging the reader to simply start somewhere and implicitly acknowledging that for an enthusiastic gardener, the garden is never "done." Liz Primeau has given us a terrific book, although she has omitted photos of front gardens in winter and as part of streetscapes.

So many gardening books focus on the high-end gardens of a few wealthy people. This book is practical, whimsical, and full of photographs and stories about real front-yard gardens. The owners have to contend with problems like streetlights, copycat neighbors, variances, etc., and many of them are redesigning and planting on a budget. This focus makes the book truly inspiring as well as useful. A great investment in getting rid of your boring lawn!

I love this book. Two years ago I was inspired by this book to rid my yard of lawn. I had a designer design a cottage style garden for my front and back yard. It took my kids 2 months to dig up all the grass and then we started working on the design. We were novice gardners, so along with this book and about 12 others we have completed our yard.
My neighbors who are lawn lovers, have been very interested in our progress.
We wave and smile at everyone who pass as we work in the yard, and this seemed to ease some of the neighbors anxiety about our odd doings.
The kids are now 18, 15, 13, 12, and 6, so seeing the whole family working together has been a big plus.
So far we are still the only family in our subdivision with no lawn, but We get nice comments,and see more people gardening.
I am asthmatic so no lawn mower fumes are great, and this is a great "green " project for the whole family, and the kids are so proud of themselves, and the positive feedback they get.
This is a very expensive investment in time and plants but worth it.

If you are not a Robert Utley fan you soon will be. This second in a two volume series, Utley shows once again why he is the king of frontier US history. This is an excellent piece of scholarship and writing.

Recounting the final, massive push by the Regular Army to subdue the American Indians, this volume covers the 25 years after the Civil War when control of the Plaines was wrested from the Indians, from the first skirmishes with the Sioux over the Bozeman Trail to the final defeat and subjugation in 1880.

Proud of the Unites States Army and is accomplishments while simultaneously sympathetic toward the Indians, Utley traces the campaign directed by Major General William Tecumseh Sherman. The result is a very evenhanded account resting comfortably between the "the barbaric band of butchers depicted in the humanitarian literature of the nineteenth century and the atonement literature of the twentieth." The people we meet are simply a group of ordinary men doing the very best they could under remarkably trying circumstances that were often under equipped and ill supplied.

A great deal has been written about the United States Army during the Civil War. But tales of the postwar army can be just as thrilling as stories from the war, though this portion of military history is, sadly, often overlooked. Robert Utley attempts to correct this oversight in this excellent book, which deals with the nature, structure, and activity of the portion of the army engaged on the frontier from immediately after the Civil War until Wounded Knee. Arranged in an order that is easy to follow and is logical if not always strictly chronological, each major military operation against the Native Americans is handled with skill and sufficient detail. The result is a fascinating look at the army as a whole.

The main value of this book lies in the fact that it provides an outstanding overview of military operations as a whole (as opposed to books that treat just one battle or campaign). The work fills in many holes that will undoubtedly exist for anyone who has studied a part of the Indian Wars, and who would like to have a more general overview available to them. Anyone who has studied the Little Bighorn, for example, will find in this book a wealth of information that will explain in great detail many of the factors that led up to that action and also many of its ramifications. This book is essential to any study of Western history, especially military history.

Robert M. Utley offers the sequel to his _Frontiersmen in Blue: The United States Army and the Indian 1848-1865_. In this second installment, Utley attempts to eradicate the myth of the frontier Army as blazing a path of glory westward that has been portrayed in Hollywood movies. Rather, he argues the frontier regular Army was only one of several contributing factors to the subjugation of the Native Americans. Other determinants such as westward expansion by waves of immigrants, and professional buffalo hunters attributed as much, if not more, to the Indian demise as did the soldiers. In a sense, Utley offers the antithesis to Dee Brown's _Bury My Heart at Wounded Knee_. The author highlights the Army's role as a frontier police force carrying out civilian policy that lacked cohesive strategy against the Native Americans. Utley begins with a general survey of the United States Army in the post-Civil War years. The author outlines the relationship between the War Department, its near autonomous bureaus, Congress, and the Executive Branch, with brief discussions into the tenures of Generals Ulysses S. Grant, William T. Sherman, command-staff functions, and logistics. Chapters on weapons & equipment, and outpost life round out the first half of the book. Utley remains objective and unsympathetic at times to Blue Coat and Indian alike. For example, in his discussion of General George Armstrong Custer's defeat at the Little Big Horn, Utley, a noted Custer scholar, blames the boy general for the debacle. The author cites several reasons for the defeat of the 7th Cavalry. On the surrender of Geronimo in 1886, Utley credits both Generals George Crook and General Nelson Miles equally for their improvisations in overcoming logistical hardships in the harsh Sierra Madre Mountains. Acknowledging that the elimination of the Chiricahua Apache from Arizona was the prerequisite for re-establishing peace to the area, Utley does not sympathize with Geronimo's plight. It was only after the removal of the Chiricahuas, hostile and neutral alike, argues Utley, that peace was finally brought to the Southwest. In the final episode of the Indian wars: Wounded Knee, Utley engages in mere semantics. The author depicts Wounded Knee as a "tragedy" not a "massacre," the term generally preferred by the Indians. Utley feels the idiom inappropriate because "massacre," points to "deliberate and indiscriminate slaughter" which, he feels this occurrence was not. Utley believes, the soldiers tried to restrain from firing on women and children, however, in the melee, hitting innocent non-combatants was unavoidable. In the chapter titled "The Problem of Doctrine," Utley sees the Indian wars of the late nineteenth century through lensesmirroring the war in Vietnam (this book was first published in 1973). Utley observes the U.S. Army applied conventional tactics in an unconventional war. He illustrates how hostile Indians were oftentimes indistinguishable from peaceful reservation Indians. The hostiles utilized guerrilla tactics-hit and run raids and disappeared into the night. By day, the warrior factions would easily blend back into the general Indian population. If this be the case, it can be argued that the United States military had learned nothing from its own history. Robert M.Utley, often seen on the History Channel, and preeminent military historian of the period, has once again consulted a vast array of archival material. His evidence is equally balanced between primary and secondary sources, with endnotes after every chapter. The author consults an impressive collection of Government documents including a detailed list of Congressional and Senate papers in an impressive bibliography. Generous, easy to read maps, and a peppering of period photographs make this an essential addition to any library.

Utley does an excellent job of showing what post-Civil War Indian fighters faced. First was the transition from the Union Army fighting Confederates to the U.S. Army fighting Indians.

Utley documents how that work was made much harder by the cheapness of the War Department and Congress. Downsizing the Army drastically to save money wasn't enough. Congress stuck most the infantry with leftover muzzleloaders rather than repeaters, meaning that their Indian foes usually (Winchester-armed themselves) could bring superior firepower to bear.

Meanwhile, the frontier Army had to go through the twists and turns of War Department, or Interior Department, twists and turns on Indian dealings, and in different high-level officers having different approaches not just to Indian fighting but to Indian truce and treaty negotiations.

Meanwhile, the grunt work, as typical, was to be done by the infantryman, not the cavalryman.

Read the whole story of his struggle to do his job in this book.

This is a good book about the US Army, Indians and the early west after the civil war. It follows events and gives points of view that are not clouded by the normal politics or attitudes. It is a clear account with facts, the probable intentions based on facts, and the actions. It allows the reader to get a good sense of the period and actions. The book gives enough detail to back up the facts but does not go overboard. This is a good start at studying the time period and the US Army at the time. Being into history, it was highly informative. It is a great book for those who want to read about the period but not get heavily into research. It goes deeper than just a brief summary but I think it gives just enough to allow understanding. It is easy to read and flows from chapter to chapter.

Until very recently, there were no large press picture books about contemporary Native children written by Indian authors. For this reason, Jingle Dancer is particularly notable. The story of Jenna, a member of the Muscogee (Creek) Nation living with her family in Oklahoma, is written by a Native author. Rather than focusing exclusively on Jenna's Indian identity, however, the book presents Jenna as an average American kid, living in suburbia, who calls on her Native sensibilities and her broad community of supportive females to overcome a problem as she tries to put together her regalia for the Jingle Dance. Readers who are not familiar with the customs presented here will learn much, but above all, they will learn that Indian children are alive, well, and living rich lives amongst them, a lesson infrequently taught, and rarely so pleasantly. Rich, bright, cheerful watercolor illustrations by husband-and-wife team Cornelius Van Wright and Ying-Hwa Hu enhance the presentation and bring Jenna to life. A significantly informative Author's Note and Glossary make the book even more effective.

What? No teepees or war paint? Bravo! Cynthia Leitich Smith's JINGLE DANCER is a refreshing story about a Muscogee-Ojibway girl wanting to participate in a powwow by performing a traditional dance. This contemporary picture book story is free of the stereotypes sometimes associated with Native American tales, and instead shows Jenna watching her grandma dance on a video tape, visiting a friend in a new duplex in the community, and talking with her lawyer aunt. The reader is also introduced to information about a traditional story, game, foods, and dance. Smith's lyrical narrative and captivating story makes this a perfect read-a-loud -- as my five-year-old daughter will attest to. As an Asian-American, I'm always thrilled to see contemporary stories with multicultural characters shown in real and positive ways.

Beautiful illustrations by Cornelius Van Wright and Ying-Hwa Hu!

Cynthia Leitich Smith's, JINGLE DANCER, is a delightful book. Ms. Smith weaves a lovely story of the strong female ties in Native Ameicans matriarchal societies. Smith celebrates the loving, sharing spirit of friends and families. The passages of Jenna dancing through her day from dawn to moonlight are pure poetry. Cornelius Van Wright's and Ying-Hwa Hu's bright lively illustration are a perfect match. Cynthia Leitich Smith's writing is to be applauded as a great addition to the world of children's books.

Watching her own grandmother dance the traditional jingledance,Jenna hopes to carry on the proud tradition.

In order to makeher own dress "sing," however, Jenna will need four rows of jingles. There isn't enough time before the next powwow to mail- order the tin beads, but Jenna doesn't loose faith. A Muskogee Creek story about a bat that she is told by her Great Aunt Sis shows that no one is too little to make a difference.

Rising sunlight reached through a window pane and flashed against... what was it, hanging in Aunt Sis's bedroom? Jingles on a dress too long quiet. "May I borrow enough jingles to make a row? Jenna asked, not wanting to take so many that Aunt Sis's dress would lose its voice. "You may," Aunt Sis answered, rubbing her calves. "My legs don't work so good anymore. Will you dance for me?" "I will," said Jenna with a kiss on Aunt Sis's cheek. Now Jenna's dress needed three more rows.

With the assistance of those in her community who cannot dance at the powwow, Jenna finds enough spare jingles to make her dress sing. With patience and practice, her hope is fulfilled.

In JINGLE DANCER, Cynthia Leitich Smith honors the tradition of jingle dancing, a ritual of the Muscogee (Creek) Nation, which has been celebrated for generations. Jenna is a delightful, ambitious child with great pride---a wonderful heroine for this picture book story. Not only does the author capture the feel of Native American heritage through the exposition and resolution of the story, but she adds to the mood by using the position of the sun in the sky to describe the passing of time within it. The author's note at the end of this picture book provides the fascinating background to this custom.

Cornelius Van Wright and Ying-Hwa Hu's brilliant watercolor illustrations are the perfect medium in which to bring this endearing Native American story to life.

A reading of JINGLE DANCER is sure to inspire a jingle in the reader's heart.

Writers Moon reViews (WritersMoon@aol.com) P.O. Box 182, Nesconset, NY 11767-0182 Copyright (c) 2000 Lynne Remick LynnRemick@aol.com) Reprinted with permission from Lynne Remick and Fantasy, Folklore & Fairytales