Italy Books

"The most dramatic entrance to Venice is by boat. You can enjoy the same breathtaking view enjoyed by visitors for centuries by taking the Alilaguna waterbus from the Marco Polo International Airport to the San Marco landing in Venice..." pg. 114

For the independent traveler, two CDs present tours to twelve locations in Venice. For the armchair traveler, this book/CD set allows for an enjoyable visual and auditory journey through famous locations of interest.

Pictures of winter floods may dissuade you from visiting at certain times when there are floods. Pictures of people walking across ramps to visit St. Mark's seems somewhat daunting. Gondolas moored along canals on foggy afternoons draw you back into dreaming about visiting Venice. Museums hold a large collection of Venetian boats, including elaborate gondolas from the city's regattas.

"When I went to Venice, I discovered that my dream had become-incredibly but quite simply-my address." ~Marcel Proust

Famous quotes, special instructions for when to turn the CD on and off, tips on where to enjoy famous views, all make this guide very worthwhile. There is a historical timeline and lots of historical tidbits for anyone interested in the city from a historical perspective.

~The Rebecca Review

The entire book has good amount of useful practical information but the unique aspect is the 12 audio tours. We extracted the audio tours off of the CD's and loaded them on our iPod nanos. It works like a charm. Occasionally we wished that the script was a bit less general but it is an excellent precursor of what is probably the wave of the future. Why follow guides who are trying to impart the information in three languages (perhaps with a heavy accent) and practically running the too-large tour group past the attractions when you can use this methodology?

It was magical. My husband and I travelled to Venice last month, and the audio guide Venice in Context was fabulous. Instead of weaiting for a tour, and trying to hear and follow the guide, we went at our own pace. It was easy to follow and use. A great and eceonomical way to tour a city, I recommend it!

Seemingly designed for the curious and cautious American traveler, this illustrated/ textual/CD combination will guide you through, beyond, and back into one of the fabled cities of known history. Wayne takes care to neither preach nor cajole, yet sheds much light on a treasured living artifact. Perfect for singles or couples.

Venice In Context provides travelers with twelve narrated walking tours of Venice. This CD has information about what travelers can see and how to get around Venice on their own. tour brings to life the city's romance and explores its rich history and artistic heritage with stories and anecdotes about the lives of historical figures, artists, and musicians that will greatly enrich the travel experience. The series is narrated by Joel Godard, a veteran New York actor who appears as the announcer on NBC's popular Late Night with Conan O'Brien.

It ranks side by side with the other book The art of Florence. Ihave these books and I have lot's of books about Venice. But on the subject of art and architecture. This is the most comprehensive to date.
It's more like a general book. It lacks though some focus on La Serenissima's various museums and other works of Art . But of any books out there to date this is certainly the most exhaustive of all. Bravi!

I borrowed these books from a friend. I could not believe my eyes. They are most fantastic! I have ordered a set for myself. I recommend them highly!

The book consists of two books in a slipcase, and given its unusually large format and high quality paper, it weighs a ton. The weight is however well substantiated by the contents! The progression is chronological, right from the beginnings of Venice in Volume I, to modern items at the end of Volume II. The architecture side of things is covered by hundreds of top quality photographs of buildings inside and outside, as well as drawings, old photographs, and building plans. As for the art, there are countless clear representations of the masterpieces of the city. Having been in the city a few times, this book adds so much value, firstly by showing me reminders of the places and objects I have seen, and secondly by exposing the interiors of buildings usually closed to the casual visitor.

The reason why I rated this four stars instead of five, is because the book does not give as much coverage to Venice's art museums as I feel it should. Sure, the contents of the art museums were in large part not manufactured by Venetian artists, but all this art now forms part of Venice on account of having been in its museums for decades. Understandably, however, that would probably require another two volumes! Another area that was perhaps not covered sufficiently is that of glass. After all, Venetian glass is world famous, and it deserved more than a short chapter.

Overall however, this is the sort of book one would expect to find in the reference section of a top class library, and yet the price makes it affordable for your own home. It is also very much a scholarly work, filled with details in the text section. It is thus perfect for both those who want to look at the stunning pictures, and those who want to really get into the story behind it all. You will not be disappointed, and I recommend this work without reservation.

I concur with others who reviewed this book and give it top billing! The photos are exquisitely clear and are a good representation of what the city offers. The text is quite complete, although I, too, would have liked to have seen more on Venetian glass. Another fabulous collection for those who love the jewel of a city or for any lover of fine art and architecture.

a very wonderful book for people who love art and architecture especially for a wonderful and enchanting city such as venice. Through this book one is able to be transported in time and view its art and architecture one that cannot do in even the most dedicated of travelers to this fascinating city.

The Wisdom of Angels chronicles the author's literal and emotional journey to the roots of her Italian ancestors. This very engaging narrative moved me in ways I had not expected. Like the author, my own grandparents were born in the small Sicilian village of Tusa. Cummings' rich descriptive style and gift for dialogue brings to life the wonderful food, culture, and people of Italy. She reminds us that we can better know our selves by understanding and connecting with our past. She has inspired me to make a pilgrimage of my own to the birthplace of my Italian ancestors. Here's to history, to roots, to family. Mille grazie!

Bravissimo! Martha Cummings has written a gem of a book! I did not want the book to end. Recommended to anyone who loves Italy!

Martha Cummings doesn't just write, she inspires. Only a few chapters into her latest book, I found myself on the phone with my oldest living relatives feverishly writing down every word they could remember of our family's heritage. Just as the picture on the cover draws you in, this author's writing captivates the reader in such a way that people come in from other rooms of the house and ask you what you are laughing at and why you look so starry eyed upon putting it down. The description of Italia is so vivid that it transports you across the Atlantic (no passport required). Reading the restaurant scenes compelled me to open a bottle of red and fry up some anchovies! One scene she describes in Campo di Giove took me back to my Italian grandmother's table with all the various offerings of an ordinary mid-week lunch. Anyone who has ever been to Italia needs to read this book. After the trip is over and you are thrust back into your American schedule, you forget so much. The smells, the pace of life, the people, and the little nuances which are nothing short of magical. Ms. Cummings took me back and helped me rekindle the magic that I now possess in my soul having been there.

This book resonated with me because of my own experience of reconnection with my Italian roots. My angel was my late father, Angelo, born in Northeastern Italy, whom I have adored forever, and who told us stories of the family with whom he lost contact during WWII before my sister and I were born.
I recently connected with the children of his brother whom Papa had last seen as he hugged him good-bye before leaving his village forever. Papa was 17; his brother was 16. We found each other via the Internet. The emotions I felt at the first e-mail from the second cousin who found our name on the Internet website on which I had posted it, and realized when he gave the names of his grandparents and said that my father's bithplace and surname were also the birthplace and surname of his mother, that he was the grandson of my father's brother, parallel those of Martha and Laurie in 'The Wisdom of Angels." At least one reviewer has called this book a novel. I think this is more of a non-fiction memoir of a sentimental journey taken by two cousins to the ancestral homeland. Martha and Laurie experience kindness and generosity in their search for their family places from the angels they meet along the way, such as the clerks in the town halls in the villages in the Abruzzi and in Sicily, who go out of their way to help in the search for family records, and the couple who lead them in their car to the best route to Florence. They experience warm and bounteous welcomes from their cousins and distant relations, and shed tears of remembrance as they find vestiges of the lives of their grandparents,Laurie's father, and Martha's mother. Unlike Martha, I have been to Italy only once, but like her, have loved it, its cuisine, its language, and its culture my whole life.
I was especially touched by the scene in which Martha, caressing the weathered door of her grandfather's house, the texture of which she likens to his gentle wrinkled face, discovers that someone had inscribed on it in pencil the date of his death in America an ocean and a lifetime away.
I remember thinking, as I sealed the envelope for my Italian cousins in which I had placed pictures of Papa, locks of his hair, and his funeral cards, that I was glad that there was was someone related still living in his natal village, who remembered Papa from stories told to them by their father, to send the mementos to. The cousin who contacted me had been sent to the library as a child to try to find Papa's name in an American phone book.
I have been to Italy, but not to the village of Papa's birth. One of my Italian cousins sent me a picture of the village, Orcenico Superiore, in Northeastern Italy above Venice marked with an arrow showing the street where he was born. Another cousin, now in Canada sent me some ceramic ware from the Friuli-Venezia-Giulia region in which his village is located.
I remember thinking on the boat crossing the Adriatic to Italy, that I was taking Papa's journey in reverse. Being there was like going home.
I am unlikely ever to return, and will probably never see my cousins face to face, but I have spoken to one of them on the phone and, exchanged letters and pictures with the all of them. Vicariously participating in Martha's and Laurie's journey has permitted me to experience in my imagination a similar journey to the tiny hilltop village in which my personal and lifetime hero was born.

A beautiful and very personal second novel. Ms. Cummings has done it again! The Wisdom of Angels takes us back again to Italia where culture, history and most of all family are the main themes. As in her first novel, Straddling the Borders, Ms. Cummings takes us on a journey to uncover her familial roots, only this time she travels to the birthplace of her Grandmother. The enduring admiration and love Martha and Laurie share for their Nonna comes through in the rich prose and easy dialogue conjuring feelings of longing for those childhood days where the best place around was on a grandmother's lap. Ms. Cummings also very poetically reminds us that a mother's love is best of all with her tender dedication at the opening of the book and the bittersweet final chapter. And the food! Move over Ruth Reichl! Ms. Cummings knows how to capture the essence of the dining experience and she keeps us laughing through all of her gastrointestinal endeavors. A splendid mixture of family, friendship, laughter and travel The Wisdom of Angels is a must read.

To write about a subject as controversial as the Holocaust in Italy without becoming a "partisan" is a rare achievement, but Stille has succeeded in this absorbing book. Ignoring the unsettle-able issue of what Pope Pius XII did or didn't do to help Italian Jews, he instead concentrates on the experiences and fates of five very different Jewish families in various parts of Italy during the 20 years of Fascism, including the last, terrible period of the German occupation.

Stille chose his title with care; instances of benevolence and betrayal are woven throughout the stories. There are Christians who risk their lives to save Jewish friends and neighbors; priests and nuns, bishops and cardinals who offer support and sanctuary; stories of Jewish ingenuity and bravery. There are also stories of betrayals on both sides: Christians who betrayed Jews out of greed or anti-Semitism, or in pathetic efforts to save their own or their families' lives. Stille doesn't hesitate to expose Jews who betrayed their own people--a touchy subject many writers would avoid. The result is a book that reveals the complexity of an issue too often over-simplified into Jewish heroes and Italian villains, or heroic Italians and helpless Jews.

What makes Stille's book so memorable, however, isn't the author's unusual objectivity; it's the fascinating stories his subjects tell. Stille interviewed many of them, as well as using diaries, letters, published writings and personal papers provided by the families of those no longer living. The book is divided into five sections, one for each family.

This is a moving, at times horrifying, but enlightening and engrossing book, full of vivid details of Italian life during a tragic but deeply significant period of Italy's history.

Several readers have suggested that the prose in this book reminds them of Primo Levi, the great humanist scientist who has written poignantly of his own war time experiences. Like his other works, Stille makes the non-fiction read like a novel. He knows just what to stress and what to downplay - in other words, he emphasizes the most important aspects of the "story".

What is so compelling is his "umbrella" approach wherein all components and shades of Italian fascism and Judaism are reviewed. There was a huge difference between the fascism of Italy and Germany despite their apparent political solidarity. The outstanding difference was that German fascism, unlike that of Rumania, Bulgaria, Hungary, Italy and Croatia was based on not only adoration of the race but specificially subjugation of the Jews. It is difficult to understand some of the decisions made but most of us have never had to face the start life and death choices these families encountered.

Stille is also an eminently fair man, one who does not condemn fascism while excusing or praising dictatorships of the Left. He views all forms of state collectivism as inherently evil and this message only increases the force of the narrative. This is yet another work that should be required reading for high school students.

One of the best books in its category of historicaldocumentation. The author has deeply research the topic, has beenfaithfull to historical facts with an unbiased approach.

The book is five books in one.The stories of five Jewish Italian families during the WWII years.A common fate,common people and so different personalities and destinies.
The author achieved to describe a psychological portrait of each character and their vicissitudes.I loved the book.

Here's an historical curiosity; apparently Jewish Fascism was a common phenomenon in Italy. Before Nazi influence caused racial laws to be passed in 1938, 1/3 of the ~50,000 Jewish folk in Italy were members of the fascist party. Jewish families often had as much as a 2000 year history in Italy (there was mention of the Jews wanting permission to cry over the tomb of Julius Caesar after his death), and the Italian Jewish experience (at least in the North, in the areas of progressive city-states, rather than Papal states) was one more or less of recent integration with the rest of the Italian people. So they tended to have political views pretty closely following the rest of the populace; or even perhaps more conservative views, such as latin-americans in the U.S. The book follows the lives of five jewish families under fascism. Some were fascist, some antifascist. Some in shades of grey. The stories were quite powerful when they strayed from the nonstandard; most of the Italian Jewish experience of WW-2 was much different from that of other European jews.

Americans have a fairly unsophisticated view of WW-2; we mostly think of German and Japanese enemies, and Russian and English allies, and the terrible things which happened to the Jews in Germany, Poland and the Ukraine. There were entire theaters of war which never enter into our consciousness. Most of what happened in Italy and the Balkans is poorly understood. The stories in this book fill in some of the blank spots in this American's understanding of that period.

A lot of things began in Renaissance Florence: the way businesses keep their books, the way sovereign states relate to each other, the way people use art to tell stories and create beauty. These things and many more elements of modern society have their origins in this smallish Tuscan city. These impulses were born in the middle of the last millenium - during the century or so when Florence blossomed as the intellectual and artistic supernova of the Italian Renaissance. Today, Florence remains densely packed with the memories of that time. Eve Borsook's "THE COMPANION GUIDE TO FLORENCE" is the key to the city. In addition to all the names, dates, places of history, Borsook skillfully weaves in meaning and context so that you may know who painted what fresco in which church - but why it remains meaningful 500 years down the road. You can go to Florence to shop for many beautiful Italian creations. But with this book, you can gain a clear appreciation about why the names,images and achievements from this amazing city's glorious past still resonate in our lives today.

I lived in Florence as a full time tourist for a year in the early eighties. I could divide my year into before and after finding this book; it's that good. The maps reveal every nook and cranny, helping you to see the hidden wonders right before your eyes in this city that is so immensely rich in wonders. The recommended walking tours make your time more meaningful, as the buildings and artwork become not only isolated splendors, but also pieces of the history of this remarkable city. I am eagerly awaiting the arrival of the latest edition so that I can plan a return visit for next year. Buy yours early and plan your time, and you will have a visit beyond what even the best tour guide could ever offer. Buon viaggio!

Borsook offers a comprehensive overview of the history and culture of the cradle of the Renaissance, and a guide to the many nooks and crannys of old Florence. This book details all the important venues open to the public, plus many that are not. It gives invaluable insight into the context of the city, and site maps to all the important works of art and science.

I read this book before a recent trip to Florence, using it to plan the visit. I left it home, thinking it too heavy to tote along. I won't make that mistake when we return. Forget the guidebooks; Borsook is all you need to enjoy Florence.

A lot of things began in Florence. The way businesses keep their books, the way sovereign states relate to each other, the way people use art to tell stories and create beauty. These things and many more elements of modern society have their origins in this smallish Tuscan city. These impulses were born in the middle of the last millenium - during a century or so when Florence blossomed as an intellectual and artistic supernova of the Italian Renaissance. Today, Florence remains densely packed with the memories of that time. Eve Borsook's "THE COMPANION GUIDE TO FLORENCE" is the key to the city. In addition to all the names, dates, places of history, Borsook skillfully weaves in meaning and context so that you may not only know who painted what fresco in which church - but why it remains meaningful 500 years down the road. You can go to Florence to shop for many beautiful Italian creations. But with this book, you can gain a clear appreciation about why the names and images from this amazing city's glorious past still resonate in our lives today.

A lot of things began in Renaissance Florence: the way businesses keep their books, the way sovereign states relate to each other, the way people use art to tell stories and create beauty. These things and many more elements of modern society have their origins in this smallish Tuscan city. These impulses were born in the middle of the last millenium - during the century or so when Florence blossomed as the intellectual and artistic supernova of the Italian Renaissance. Today, Florence remains densely packed with the memories of that time. Eve Borsook's "THE COMPANION GUIDE TO FLORENCE" is the key to the city. In addition to all the names, dates, places of history, Borsook skillfully weaves in meaning and context so that you may know who painted what fresco in which church - but why it remains meaningful 500 years down the road. You can go to Florence to shop for many beautiful Italian creations. But with this book, you can gain a clear appreciation about why the names,images and achievements from this amazing city's glorious past still resonate in our lives today.

Venus Gilroy is a broke divorced American woman who works in a Adult Video store. Several times over the years she had come acrossed Marcello Brunelli a rich, Italian, but she never knew he was a Prince.

They never thought that they would see eachother again, but on her honeymoon (long story featured in My Three Husbands)they meet again. Several weeks later Marcello flys from Japan to go on a date with Venus in Portland, Oregon. During the time Marcello offers Venus to be his slacker coach and fly to Rome. He wants her to teach him how to be a slacker and hell teach her how to fall in love with him.

Venus flys to Rome, but Marcello is busy with strikes so she spends time with Johnny who shows her the sites around Rome. After a while Venus gets attracted to Johnny, whom she thinks is just a driver but who is infact Marcello's son Giavanni. However after Marcello suffers a mysterious ailment Venus falls in love with him and they end up married. Soon Venus s pregnant by Marcello and they go visit his mother on Capris. Unfortunatly during the trip to the Blue Grotto he has a heart attack and dies. Venus had alread incurred the rath of Marcello's daughte Giavanna, but his death made it worse.

Everything works out at the end when Venus and Johnny realize that they had fallen in love with eachother over gelattos over a decade earlier when Venus went on a trip to Capris with her fathers.

I picked this book up before a vacation. I was unable to put the book down once I started. It was a great story about a strong woman, very funny, although I did cry a bit towards the end because it was so touching.

I read this book, thinking that it would be an addition to my List Mania list: Belly Bump Books: Chick Lit You'll Love. I was a bit surprised to find that pregnancy doesn't hit the pages until the book is almost over (I'm not giving anything away - just look at the title!). Despite that, I found this to be a fun, light book- perfect for the beach or on vacation. Even though I didn't want to, I really came to love Venus and I adore her Faux Pa, Whitman. Filled with intrigue suspense, and yes, true love, this is a great read.

Funny, sweet, tart, poignant and very insightful. The dads are too much - I especially liked Whitman - no one could ever hope for a better "faux pa." Actually, I should say I loved Whitman, because love is what this book is all about.

What's Italian for "Bravo!"?

This book is what is known as a romp, a perfect summertime read, a delight, a laugh and a tear, and it's also something more. Without any positioning or preaching, it's a simple declarative statement about tolerance, acceptance, engagement and love. The exasperating Venus Gilroy is an unlikely heroine, yet one falls in love with her. Her entourage, a mom and two dads, are indelible characters. The Italian characters are...Italian. Molto bene! I could hardly put this book down.

I looked forward to getting this book because I wanted to know more about Leonardo--the man. I had read the book, The Da Vinci Code, and that piqued my interest about him. But Dan Brown's book didn't explore the depth of Leonardo's contributions beyond his art. Da Vinci for Dummies was perfect for me because it explored a wide range of his interests such as dissecting human bodies and designing his flying machines. As is typical of the dummies series, the table of contents is very helpful if you want to jump around between chapters to focus on specific aspects of his life. There is also great effort to describe the times during which he lived and what/who were his influences. At first glance, you may consider these dummies books frivolous. But I found this book to be a useful, comprehensive, and fascinating biography of an amazing man.

I've always wondered who Leonardo Da Vinci really was. Sure, I slept though most of my Renaissance and Art History classes - but when the subject would turn to Da Vinci, I would always perk up. Did he really invent all of those wacky things? Was he the founder of modern medicine and anatomy? Was he a heretic? Was he the really the consummate Renaissance man? Now, after recently reading the Da Vinci Code - many of those old curiosities have resurfaced.

Da Vinci for Dummies tackles the complex subject of Da Vinci in the time-honored fashion I've come to expect from the Dummies series. If only this book had been around when I was studying Da Vinci in high school! It is written with a deep sense of respect, if not admiration, for its subject. As with other books in this series, Da Vinci for Dummies is both very fun and extremely easy to read, and it is organized in a format that makes finding answers to specific questions a breeze without having to search through the entire book. But, don't be deceived by its outward appearance and ease of use. I found this book to be as scholarly researched as it is easy to read. So, I would highly recommend it to anyone who is studying Da Vinci or preparing a report on the subject. (Shhhh - don't tell your teachers I said this!) However - I would also recommend it to anyone who has the slightest interest in this curious and profoundly important individual. If you've read the Da Vinci code, as I have, and wanted to know more - consider this book a quick and easy, yet surprisingly scholarly refresher, in the subject!

For those of you who don't know Leonardo's fascinating story, this book is for you! It reads like a novel, weaving the intricacies of Leonardo's life together in a well-written, suspenseful and integrated novel. A definite read for art aficionados, scientists and humanists alike.

It's rare that a writer/editor has the depth of knowledge and confidence in her research to venture to have a little bit of fun with a historical/scientific figure of Leonardo's significance. Fortunately for readers, Jessica Teisch completely pulls it off. She writes this extremely easy to read and entertaining volume as if Leonardo was the next door neighbor she grew up with - In fact, at times, I was so entertained that it escaped my realization that I was actually picking up dozens of facts (i.e.; Leonardo was a lefty, a conplete non-conformist and that he actually didnt enjoy performing his exquisite anatomic dissections). All in all, this is a beautifully researched book that doesnt just educate you about Leonardo, but actually takes you all the way back to the Greeks and gives you a lovely tour up through the Rennaisance to boot. Where was this book when I was trying to impress historians and artists alike? Never mind - it's here now.

This is a fascinating work for those of you who want an overview of Leondardo, but don't have a desire to read an esoteric biography. My favorite part involved a discussion of Leondardo's flying machines. Who knew? I had no idea that he invented the precursor to the helicopter. A must for those who are fascinated by Leondardo!

The book is excellent.
However, I expected a new paperback suitable for a gift. I received a used paperback marked $4.99
and was billed $15.06.

With Dressed for Death (originally titled as The Anonymous Venetian), the Guido Brunetti mysteries reach their full power for the first time. As with Donna Leon's earlier books, Dressed for Death features a corpse that's prepared and deposited to create maximum confusion for the police. That tiny fragment of her style becomes a launching pad for much self-examination by readers about how others think and live, including transvestite "working women" and those who employ them.

The book offers two new aspects to the series that readers will also find rewarding: Vice-Questore Patta is knocked off his smug pedestal when his wife leaves him to live with a pornographer and Patta also hires the astonishingly capable Elletra Zorzi who makes the Brunetti series much more realistic in terms of portraying police procedures.

But this book could have been better titles as, "Vacation Lost." Brunetti is about to leave for two weeks away from stifling hot Venice for the mountains when a man dressed as a woman is found dead outside of an area where female ladies of the night normally operate. For reasons only known to Patta, Brunetti is assigned to lead the investigation in nearby Mestre. Although Brunetti promises to wind up the investigation as soon as possible, he knows that he's unlikely to be able to join his family. But dutiful to a fault, he proceeds to pursue a case that others want squelched.

The investigation takes Brunetti into the seamy world of those who sell their bodies to make a living . . . and where the police are seen as the enemy rather than as protectors. Brunetti finds himself out of his depth until his wife, Paola, asks some penetrating questions that shake Brunetti's self-absorption.

But watch carefully, there are unexpected events and people populating this book . . . and each unexpected aspect has meaning for the story.

Watch out for one more thing: This book may hook you on the series so that you won't be able to escape its appeal. I don't recall reading a third mystery in a series that's as good as this one.

Why? Venice makes the stories fascinating as you see behind the surface that the tourists experience. Brunetti is a fascinating, complex, and admirable character whom you will enjoy as a detective. His family life adds to the spice. The candid assessments of other members of the police also make for much good humor. The criminals in this case are people you'll be glad to see brought to justice. The methods will be equally intriguing. You'll also explore aspects of life you don't normally think about. As a result, Ms. Leon delivers more than you should expect from even a fine mystery.

Ciao!

It's not that Venetians are unaccustomed to discovering a body in and about one of its many canalas, but when this particular body is found to be that of the director of a local, influential, bank, eyebrows and curiosity are raised. And even more so when this body is presented as a transvestite prostitute! All Venice is in an uproar!

Donna Leon returns triumphantly in another of her brilliant Commissario Guido Brunetti episodes, and the reader is not left for one second in anything but gripping suspense. Leon, an American writer who is enjoying incredible success at writing police procedurals set in Italy, presents "the Pearl of the Adriatic" in more than all its glory. With Brunetti, she explores not only its grandeur but reveals the city's mud as well.

Just as the body is not as it seems, Brunetti finds that there is even more deception to come. Two more bodies are found that are related to this case, and the author examines more than just police procedures here, as she seems to do in all of her novels. The various aspects of Venetian life are examined, the corruption of government officials, the criminal activities (covering a wide range of subjects from drugs to illecit sex trade), and, of course, the personal lives of her central characters. She has a great knack for character presentation that make them more than just "interesting and lovable"! I have found few authors who do so with such dedication and thoroughness.

Leon, who lives in Italy, certainly seems to know her subjects well, beginning with the first Brunetti novel, "Death at La Fenice." None of her books should be missed, not simply because she has a glorious setting, or fantastic characters, or plots that are convincing, but simply because she is a good read!

Billyjhobbs@tyler.net

This book is sold in Europe as Anonymous Venetian and is available at Amazon's UK website in paperback.

The finding of a disfiguraded corpse dressed in woman clothes forced detective Guido Brunetti to investigate - from the lower districts where male prostitution is a daily routine to the higher districts of Venice where lawyers and financers living a double life used the male prostitute to satisfy their vices and corrupted planes - to find the killer of the faceless corpse. A very well written novel that keep the reader intrigued since the first pages.

I waited almost 20 years to track down this book. My advice to you, Reader, is don't wait a single minute. "Footsteps" is delightful from multiple vantage points. Holmes is a fine, empathic writer who reveals the inner workings of the process of biography. He is also an insightful travel writer with a strong sense of place. While I greatly enjoyed his chapter on Robert Louis Stevenson, I was fascinated by his treatment of Gerard de Nerval. This is one literary byway that should not be missed.

This is the kind of book at which Holmes, in my view, excels. I'm not that particularly fond of his painstaking mammoth biographies of Shelley and Coleridge because, well, they're too run-of-the-mill and not all that much fun to read.-In other words, just the opposite of books like this one. This type of book, where the relationship between Holmes and the author he is writing about is constantly in play add a mystery and a haunted quality inherent in the time elapsed between Holmes' time and the author's that keeps the readers attention constantly transfixed (or, at least, this reader's). As Holmes himself puts it, "The material surfaces of life are continually breaking down, sloughing off, changing, almost as fast as human skin." Examples: The passage on Shelley's view of the double, the "ghost of the living person" the view of which signified the shadow world invading this one; Shelley's view that this is what was happening to him just before he drowned himself is the most affecting passage I've read on Shelley's end, and together with the photograph of the Casa Magni, which I'd never actually seen, and whose setting Mary Shelley said caused them to be in touch with the unreal sent shivers up my spine. It's not to be missed.-The section on Nerval was also interesting, as were the others. Curiously, the same sort of thing seems to have affected Nerval "...Here began for me what I shall call the overflowing of dreams into real life." Both sections are excellent and Holmes' speculation that "Nerval's whole work was a form of suicide note" seems right on the mark. The other sections are intriguing as well, but these two haunted me the most. In a moment of brave self-exposure where Holmes is following Shelley's footsteps in Rome, he recounts a dinner where they toasted Shelley as a fellow-exile and his name "rang to the roof." Holmes writes, "I sat there looking at my plate dangerously close to tears. I...determined to write a book for people like them too, who would never read it, people who have lost most things except hope."-You've succeeded Mr Holmes.

Richard Holmes is a man profoundly obsessed with other people's lives. This book reflects the process of how the author struggled to come to terms with the mysterious past which is flitting away from us. It is also a book which tries to answer the question "Why should it matter?"

Whether hunting for the Shelleys in Italy or pursuing Stevenson in the Cevennes, Holmes manages to convey the feeling that it does matter, that these people had their share in shaping European culture and literature.

However, there is a price to be paid if one aims to bring ghosts back to life. The author is ever balancing on the fine edge of cutting himself off from the present, of falling into the abyss of the past and never wake up again, and he is painfully aware of this.

Holmes seems to conceive of biography as a temporary annihilation of his own self in order to grasp the world that his subjects moved in. The literary outcome is a great and full picture. On a personal level, it is trauma.

This book will (if it is not already) be a classic for anyone remotely interested in reading or writing biography.

Beginning with a journey tracing Stevenson's walking tour in France, Holmes shows himself to be both a remarkable adventurer and writer. The thing that comes out clearly when he discovers the ruins of a bridge crossed by Stevenson is that the past is the past. And while it has an impact on the world today, it is gone. If you only read it for the first essay, it is well worth the money. The other essays explore other themes that affect biographers. A superb book that should be read by anyone interested in the mysrerious relationship between biographer and subject.

I read this the spring it came out, the spring I learned that once again there would be no summer vacation, no breaking free of the time zone. As much as a book can stand in for actual experience, this did, and I got a rollicking review of Romantic figures in the bargain. Holmes obviously conducts meticulous research, but he writes it up in a style that has the sweep of a fine novel. He is a master at marrying study and action.

As a collector of Italian cookbooks, I now count this one as one of my favorites. Michele Scicolone shares 250 wonderful recipes with very easy instructions, and adds a little extra note to each recipe. I hosted an Italian Buffet last year for 50 people, and used this book as my primary reference. The recipe for Frico (cheese wafers) and roasted Olives with Fennel and Lemon are so tasty, I serve them now with drinks everytime I entertain! This book offers a combination of both traditional Italian recipes, and those more contemporary with sometimes surprising ingredients. As the Italian Cooking Host @ Bella Online, and someone with over 150 Italian cookbooks in my collection, I would say this is definately a book to buy! My only regret is that there weren't more pictures as the ones included are so inspiring, it makes you want to run into the kitchen and start cooking.

I have had this since 1999, and I have only had time to "read" it. Until recently, my husband & I tried Frico and Mozarella Stuffed Cabbage. It was so good (and simple too!). I am now planning to pick up more recipes to cook for the rest of my family. Will have a party... - and they say I couldn't cook.
Aside from the recipes, Michelle includes here travel experiences - her writing style sounds so true and sincere, just enjoy her stories. Buy this and enjoy the overall feel of this book.

A Fresh Taste of Italy is a marvelous resource for an array of recipes; terminology; history; and sources of ingredients. The author paints a glamourous picture of the great diversity that exists in Italian cuisine. If you purchase only one Italian cookbook...this is the one to get.

A wonderful book for anyone who has any degree of cooking ability. From appetizers to desserts you can find anything that you want. All of the recipes are written with easy to find ingredients. A story accompanies each recipe telling you where she found it, and gives you the feeling of being in that location as you are cooking. The best Italian cookbook that I've ever owned.

Someone gave me a few cookbooks -- (never do this to an experienced cook!) Every time I reached for this book to bring to a recycle center some new recipe caught my eye. It's deceptive. The sidebars tell the stories you need to hear about the recipes. A tuna pesto? Sounds dull, no? It is a superb dish. A spaghetti sauce with only beets? (The cover photo tells it all.) A lentil and clam stew? Lentils with CLAMS ??? It works. It works brilliantly. This is not a basic book. But it is a wonderful addition to any Italian food library.